Original subtitles

>> [ GASPING ] OH! GOD! [ ALARM BEEPING ]

OH! GOD! [ ALARM BEEPING ] [ BREATHING HEAVILY ]

[ SCOFFS ] OH, MY GOD.

>> NO RESTAURANT! HEY! YOU BUY, YOU TAKE AWAY! >> MAN, SHE MEANER THAN YOUR

YOU BUY, YOU TAKE AWAY! >> MAN, SHE MEANER THAN YOUR MAMA.

>> MAN, SHE MEANER THAN YOUR MAMA. >> MAN, NOBODY MEANER THAN MY

MAMA. >> MAN, NOBODY MEANER THAN MY MAMA.

>> MAN, NOBODY MEANER THAN MY MAMA. >> YOU GOT SOMETHING FOR UNDER

MAMA. >> YOU GOT SOMETHING FOR UNDER 5 BUCKS THAT'S NOT GONNA KILL

>> YOU GOT SOMETHING FOR UNDER 5 BUCKS THAT'S NOT GONNA KILL ME?

5 BUCKS THAT'S NOT GONNA KILL ME? >> MM.

ME? >> MM. [ SPEAKS INDISTINCTLY ]

>> MM. [ SPEAKS INDISTINCTLY ] >> OHH.

[ SPEAKS INDISTINCTLY ] >> OHH. >> VERY GOOD STUFF!

>> OHH. >> VERY GOOD STUFF! IT'S, UH, $4.29, PLUS TAXES.

>> VERY GOOD STUFF! IT'S, UH, $4.29, PLUS TAXES. OKAY. VERY GOOD, VERY GOOD.

IT'S, UH, $4.29, PLUS TAXES. OKAY. VERY GOOD, VERY GOOD. NOW, TELL ME SOMETHING, HUH?

OKAY. VERY GOOD, VERY GOOD. NOW, TELL ME SOMETHING, HUH? NICE GIRL LIKE YOU.

NOW, TELL ME SOMETHING, HUH? NICE GIRL LIKE YOU. HOW COME YOU DRESS LIKE THAT?

NICE GIRL LIKE YOU. HOW COME YOU DRESS LIKE THAT? DON'T YOU WANT A HUSBAND?

HOW COME YOU DRESS LIKE THAT? DON'T YOU WANT A HUSBAND? >> [ Laughing ] A HUSBAND?

DON'T YOU WANT A HUSBAND? >> [ Laughing ] A HUSBAND? [ SCOFFS ] YEAH.

>> [ Laughing ] A HUSBAND? [ SCOFFS ] YEAH. YOU MARRY HER?

[ SCOFFS ] YEAH. YOU MARRY HER? >> MARRY HER?

YOU MARRY HER? >> MARRY HER? I WOULDN'T EVEN FUCK HER -- NOT

>> MARRY HER? I WOULDN'T EVEN FUCK HER -- NOT EVEN WITH YOUR DICK.

I WOULDN'T EVEN FUCK HER -- NOT EVEN WITH YOUR DICK. >> [ CHUCKLES ] HEY. HEY!

EVEN WITH YOUR DICK. >> [ CHUCKLES ] HEY. HEY! YOU'D NEED A MICROSCOPE TO FIND

>> [ CHUCKLES ] HEY. HEY! YOU'D NEED A MICROSCOPE TO FIND IT.

YOU'D NEED A MICROSCOPE TO FIND IT. >> [ LAUGHS ]

IT. >> [ LAUGHS ] >> NO, NO, NO. HEY!

>> [ LAUGHS ] >> NO, NO, NO. HEY! HEY, MY DICK AIN'T LACKING

>> NO, NO, NO. HEY! HEY, MY DICK AIN'T LACKING NOTHING IN THE SIZE DEPARTMENT,

HEY, MY DICK AIN'T LACKING NOTHING IN THE SIZE DEPARTMENT, BABY.

>> HIYA. >> HEY. YOU'RE LATE TONIGHT, HONEY.

>> HEY. YOU'RE LATE TONIGHT, HONEY. >> YEAH, THAT'S THE STORY OF MY

YOU'RE LATE TONIGHT, HONEY. >> YEAH, THAT'S THE STORY OF MY LIFE.

>> YEAH, THAT'S THE STORY OF MY LIFE. >> WELL, BETTER LATE THAN NEVER,

LIFE. >> WELL, BETTER LATE THAN NEVER, HUH?

>> WELL, BETTER LATE THAN NEVER, HUH? [ COUGHING ]

HUH? [ COUGHING ] >> DOLORES.

[ COUGHING ] >> DOLORES. THOSE CIGARETTES ARE GONNA KILL

>> DOLORES. THOSE CIGARETTES ARE GONNA KILL YOU ONE DAY.

THOSE CIGARETTES ARE GONNA KILL YOU ONE DAY. YOU KNOW THAT, RIGHT?

YOU ONE DAY. YOU KNOW THAT, RIGHT? >> SOMETHING'S GOT TO.

YOU KNOW THAT, RIGHT? >> SOMETHING'S GOT TO. >> [ Chuckling ] OH, GOD.

>> SOMETHING'S GOT TO. >> [ Chuckling ] OH, GOD. >> SEE YOU.

>> MADAME? ANNA? AH!

ANNA? AH! ANNA KARENINA.

AH! ANNA KARENINA. >> [ GROANS, CHUCKLES ]

ANNA KARENINA. >> [ GROANS, CHUCKLES ] >> OH!

>> [ GROANS, CHUCKLES ] >> OH! YOU LOOK RAVISHING...

>> OH! YOU LOOK RAVISHING... >> OH.

YOU LOOK RAVISHING... >> OH. >> ...THIS EVENING, MY DEAR!

>> OH. >> ...THIS EVENING, MY DEAR! OH.

>> ...THIS EVENING, MY DEAR! OH. WHAT COULD YOU HAVE IN THAT BAG,

OH. WHAT COULD YOU HAVE IN THAT BAG, MY DEAR?

WHAT COULD YOU HAVE IN THAT BAG, MY DEAR? >> NOTHING.

MY DEAR? >> NOTHING. IT'S NOTHING, PROFESSOR.

>> NOTHING. IT'S NOTHING, PROFESSOR. >> [ LAUGHS ]

IT'S NOTHING, PROFESSOR. >> [ LAUGHS ] >> IT'S DOMESTIC.

>> [ LAUGHS ] >> IT'S DOMESTIC. >> BUT NOT UNDRINKABLE!

>> IT'S DOMESTIC. >> BUT NOT UNDRINKABLE! AM I CORRECT?

>> BUT NOT UNDRINKABLE! AM I CORRECT? >> WELL -- [ CHUCKLES ]

AM I CORRECT? >> WELL -- [ CHUCKLES ] >> WELL, AND YOU'RE NOT GOING TO

>> WELL -- [ CHUCKLES ] >> WELL, AND YOU'RE NOT GOING TO ENJOY IT ALONE!

>> WELL, AND YOU'RE NOT GOING TO ENJOY IT ALONE! PLEASE, SIT! PLEASE!

ENJOY IT ALONE! PLEASE, SIT! PLEASE! >> NO.

PLEASE, SIT! PLEASE! >> NO. UH, YOU ARE. HERE.

>> NO. UH, YOU ARE. HERE. >> OH --

UH, YOU ARE. HERE. >> OH -- >> COME ON.

>> OH -- >> COME ON. >> THANK YOU, MY DEAR.

>> COME ON. >> THANK YOU, MY DEAR. >> YEAH.

>> THANK YOU, MY DEAR. >> YEAH. >> ANNA?

>> YEAH. >> ANNA? >> MM?

>> ANNA? >> MM? >> DON'T DO ANYTHING STUPID.

>> MM? >> DON'T DO ANYTHING STUPID. >> [ CHUCKLES ]

>> LEON? AS YOU WERE. [ BIRD CHIRPS ]

WHAT DO YOU THINK, LEON? GONNA KILL ME? [ BIRD CHIRPS ]

GONNA KILL ME? [ BIRD CHIRPS ] [ SNIFFS, GROANS ]

[ BIRD CHIRPS ] [ SNIFFS, GROANS ] [ THUMP ]

"MARLENE HAD A TENDENCY TO USE HER NARCISSISM AS THE LONG END OF THE WEDGE."

HER NARCISSISM AS THE LONG END OF THE WEDGE." [ SIGHS ]

[ METAL GRATING ]

GIVE IT YOUR BEST SHOT.

>> [ Muffled ] OOH. OH, SO GOOD. KEEP GOING, BABY. KEEP GOING. THAT'S RIGHT.

KEEP GOING, BABY. KEEP GOING. THAT'S RIGHT. OH, YEAH. THAT'S THE G-SPOT.

KEEP GOING. THAT'S RIGHT. OH, YEAH. THAT'S THE G-SPOT. MMM. MM-HMM!

OH, YEAH. THAT'S THE G-SPOT. MMM. MM-HMM! OH, YOU SON OF A BITCH!

MMM. MM-HMM! OH, YOU SON OF A BITCH! YOU BIG, BEAUTIFUL SON OF A

OH, YOU SON OF A BITCH! YOU BIG, BEAUTIFUL SON OF A BITCH!

YOU BIG, BEAUTIFUL SON OF A BITCH! GUESS WHO JUST WALKED IN THE

BITCH! GUESS WHO JUST WALKED IN THE DOOR.

GUESS WHO JUST WALKED IN THE DOOR. DELILAH.

DOOR. DELILAH. YOU WANT TO SAY HELLO?

DELILAH. YOU WANT TO SAY HELLO? MM-HMM.

YOU WANT TO SAY HELLO? MM-HMM. SHE'S SITTING RIGHT HERE,

MM-HMM. SHE'S SITTING RIGHT HERE, GETTING VERY, VERY HORNY JUST

SHE'S SITTING RIGHT HERE, GETTING VERY, VERY HORNY JUST THINKING ABOUT YOU.

GETTING VERY, VERY HORNY JUST THINKING ABOUT YOU. UH-HUH. AREN'T YOU, HONEY?

THINKING ABOUT YOU. UH-HUH. AREN'T YOU, HONEY? YOU STILL THERE, BABY?

UH-HUH. AREN'T YOU, HONEY? YOU STILL THERE, BABY? MM.

YOU STILL THERE, BABY? MM. DO IT, HANK.

MM. DO IT, HANK. DO IT HARD. OH, YEAH.

DO IT, HANK. DO IT HARD. OH, YEAH. THAT'S THE SPOT.

DO IT HARD. OH, YEAH. THAT'S THE SPOT. OH, RIGHT THERE.

THAT'S THE SPOT. OH, RIGHT THERE. OOH. KEEP GOING!

OH, RIGHT THERE. OOH. KEEP GOING! OH, RIGHT -- RIGHT THERE.

OOH. KEEP GOING! OH, RIGHT -- RIGHT THERE. OOH, YOU BE A STUD, AND YOU FUCK

OH, RIGHT -- RIGHT THERE. OOH, YOU BE A STUD, AND YOU FUCK ME, BABY!

OOH, YOU BE A STUD, AND YOU FUCK ME, BABY! OH, FUCK ME! OH, YEAH!

ME, BABY! OH, FUCK ME! OH, YEAH! OH! DON'T STOP!

OH, FUCK ME! OH, YEAH! OH! DON'T STOP! DON'T STOP!

OH! DON'T STOP! DON'T STOP! OH! HARDER!

DON'T STOP! OH! HARDER! HARDER! OH, YEAH!

OH! HARDER! HARDER! OH, YEAH! [ MOANS ]

HARDER! OH, YEAH! [ MOANS ] NO!

[ MOANS ] NO! THAT'S THE SPOT RIGHT THERE,

NO! THAT'S THE SPOT RIGHT THERE, BABY!

THAT'S THE SPOT RIGHT THERE, BABY! HARDER...

BABY! HARDER... HARDER...

HARDER... HARDER... DON'T STOP!

HARDER... DON'T STOP! OH, THAT'S THE SPOT!

DON'T STOP! OH, THAT'S THE SPOT! THAT'S IT!

OH, THAT'S THE SPOT! THAT'S IT! THAT'S IT! RIGHT THERE!

THAT'S IT! THAT'S IT! RIGHT THERE! THAT'S HOW I LIKE IT!

THAT'S IT! RIGHT THERE! THAT'S HOW I LIKE IT! [ MOANS INDISTINCTLY ]

THAT'S HOW I LIKE IT! [ MOANS INDISTINCTLY ] DON'T STOP!

[ MOANS INDISTINCTLY ] DON'T STOP! [ MOANING LOUDLY ]

DON'T STOP! [ MOANING LOUDLY ] [ YELLS ]

[ MOANING LOUDLY ] [ YELLS ] OH, YEAH!

[ YELLS ] OH, YEAH! ALL RIGHT!

OH, YEAH! ALL RIGHT! OOH!

ALL RIGHT! OOH! OH.

OOH! OH. HANK? YOU STILL THERE, BABY?

OH. HANK? YOU STILL THERE, BABY? HANK?

HANK? YOU STILL THERE, BABY? HANK? HANK.

HANK? HANK. HANK!

HANK. HANK! UGH!

HANK! UGH! I CANNOT STAND IT WHEN THEY DO

UGH! I CANNOT STAND IT WHEN THEY DO THAT.

I CANNOT STAND IT WHEN THEY DO THAT. [ SIGHS ]

THAT. [ SIGHS ] >> WHAT DO YOU WANT THEM TO

[ SIGHS ] >> WHAT DO YOU WANT THEM TO DO -- HOLD YOU AND SAY THEY LOVE

>> WHAT DO YOU WANT THEM TO DO -- HOLD YOU AND SAY THEY LOVE YOU?

DO -- HOLD YOU AND SAY THEY LOVE YOU? >> WELL, THEY COULD SAY GOODBYE,

YOU? >> WELL, THEY COULD SAY GOODBYE, FOR CHRIST'S SAKE.

>> WELL, THEY COULD SAY GOODBYE, FOR CHRIST'S SAKE. THAT'S THE LEAST THEY COULD DO.

FOR CHRIST'S SAKE. THAT'S THE LEAST THEY COULD DO. >> POST COITUM OMNE ANIMAL

THAT'S THE LEAST THEY COULD DO. >> POST COITUM OMNE ANIMAL TRISTE EST.

>> POST COITUM OMNE ANIMAL TRISTE EST. >> HUH?

TRISTE EST. >> HUH? >> IT MEANS "AFTER SEX, MEN ARE

>> HUH? >> IT MEANS "AFTER SEX, MEN ARE SAD."

>> IT MEANS "AFTER SEX, MEN ARE SAD." >> HUH.

SAD." >> HUH. YOU'D THINK FOR ONCE, THEY'D BE

>> HUH. YOU'D THINK FOR ONCE, THEY'D BE HAPPY.

YOU'D THINK FOR ONCE, THEY'D BE HAPPY. >> YEAH, WELL, THAT'S WHY THEY

HAPPY. >> YEAH, WELL, THAT'S WHY THEY ALWAYS WANT TO ROLL OVER AND GO

>> YEAH, WELL, THAT'S WHY THEY ALWAYS WANT TO ROLL OVER AND GO TO SLEEP AFTERWARDS.

ALWAYS WANT TO ROLL OVER AND GO TO SLEEP AFTERWARDS. THEY'RE DEEPLY DEPRESSED.

TO SLEEP AFTERWARDS. THEY'RE DEEPLY DEPRESSED. >> YOU WERE SUPPOSED TO BE HERE

THEY'RE DEEPLY DEPRESSED. >> YOU WERE SUPPOSED TO BE HERE AT MIDNIGHT, YOU KNOW.

>> YOU WERE SUPPOSED TO BE HERE AT MIDNIGHT, YOU KNOW. >> I KNOW. I'M SORRY.

AT MIDNIGHT, YOU KNOW. >> I KNOW. I'M SORRY. >> SO, THERE'S THIS GUY IN MY

>> I KNOW. I'M SORRY. >> SO, THERE'S THIS GUY IN MY BUILDING, AND HE'S KIND OF SHY

>> SO, THERE'S THIS GUY IN MY BUILDING, AND HE'S KIND OF SHY AND PUDGY AND FUNNY-LOOKING,

BUILDING, AND HE'S KIND OF SHY AND PUDGY AND FUNNY-LOOKING, WITH HAIR FALLING IN HIS EYES.

AND PUDGY AND FUNNY-LOOKING, WITH HAIR FALLING IN HIS EYES. I BET YOU HE CALLS PLACES LIKE

WITH HAIR FALLING IN HIS EYES. I BET YOU HE CALLS PLACES LIKE THIS.

I BET YOU HE CALLS PLACES LIKE THIS. HE'S THE TYPE.

THIS. HE'S THE TYPE. YOU KNOW WHAT I MEAN?

HE'S THE TYPE. YOU KNOW WHAT I MEAN? I MEAN, DON'T YOU THINK ABOUT

YOU KNOW WHAT I MEAN? I MEAN, DON'T YOU THINK ABOUT WHAT THEY'RE LIKE, THESE GUYS,

I MEAN, DON'T YOU THINK ABOUT WHAT THEY'RE LIKE, THESE GUYS, WHEN YOU'RE TALKING TO THEM?

WHAT THEY'RE LIKE, THESE GUYS, WHEN YOU'RE TALKING TO THEM? >> NO. NEVER.

WHEN YOU'RE TALKING TO THEM? >> NO. NEVER. >> I DO, ESPECIALLY WHEN I GET A

>> NO. NEVER. >> I DO, ESPECIALLY WHEN I GET A NICE-SOUNDING VOICE ON THE

>> I DO, ESPECIALLY WHEN I GET A NICE-SOUNDING VOICE ON THE LINE -- YOU KNOW, SHY, LIKE THIS

NICE-SOUNDING VOICE ON THE LINE -- YOU KNOW, SHY, LIKE THIS GUY IN MY BUILDING.

LINE -- YOU KNOW, SHY, LIKE THIS GUY IN MY BUILDING. I WANT TO TELL THEM TO GO JOIN A

GUY IN MY BUILDING. I WANT TO TELL THEM TO GO JOIN A CLUB OR GO ON FACEBOOK...

I WANT TO TELL THEM TO GO JOIN A CLUB OR GO ON FACEBOOK... OR SOMETHING!

CLUB OR GO ON FACEBOOK... OR SOMETHING! OR JUST ASK SOMEONE!

OR SOMETHING! OR JUST ASK SOMEONE! I MEAN, MAYBE SOMEONE WILL SAY

OR JUST ASK SOMEONE! I MEAN, MAYBE SOMEONE WILL SAY YES!

I MEAN, MAYBE SOMEONE WILL SAY YES! YOU NEVER KNOW!

YES! YOU NEVER KNOW! BUT GETTING OFF OVER THE PHONE

YOU NEVER KNOW! BUT GETTING OFF OVER THE PHONE SEEMS...SO LONELY.

BUT GETTING OFF OVER THE PHONE SEEMS...SO LONELY. >> UH-HUH.

SEEMS...SO LONELY. >> UH-HUH. >> WHAT DID MEN DO BEFORE

>> UH-HUH. >> WHAT DID MEN DO BEFORE TELEPHONES, LIKE IN THE

>> WHAT DID MEN DO BEFORE TELEPHONES, LIKE IN THE 19th CENTURY?

TELEPHONES, LIKE IN THE 19th CENTURY? >> THEY PATRONIZED WHORES.

19th CENTURY? >> THEY PATRONIZED WHORES. >> WELL...WE'RE NOT WHORES.

>> THEY PATRONIZED WHORES. >> WELL...WE'RE NOT WHORES. >> NO. THAT'S RIGHT. WE'RE NOT.

>> WELL...WE'RE NOT WHORES. >> NO. THAT'S RIGHT. WE'RE NOT. WE ARE --

>> NO. THAT'S RIGHT. WE'RE NOT. WE ARE -- WE'RE FANTASY FACILITATORS, AND

WE ARE -- WE'RE FANTASY FACILITATORS, AND THAT'S THE PROBLEM WITH THE

WE'RE FANTASY FACILITATORS, AND THAT'S THE PROBLEM WITH THE WORLD TODAY, GINNY.

THAT'S THE PROBLEM WITH THE WORLD TODAY, GINNY. THERE ARE NO COMPETENT WHORES

WORLD TODAY, GINNY. THERE ARE NO COMPETENT WHORES OUT THERE!

THERE ARE NO COMPETENT WHORES OUT THERE! THERE'S -- THERE ARE NO WHORES

OUT THERE! THERE'S -- THERE ARE NO WHORES WHO, YOU KNOW, THEY REALLY CARE

THERE'S -- THERE ARE NO WHORES WHO, YOU KNOW, THEY REALLY CARE ABOUT THEIR WORK!

WHO, YOU KNOW, THEY REALLY CARE ABOUT THEIR WORK! BUT GIVEN THE STATE OF THE

ABOUT THEIR WORK! BUT GIVEN THE STATE OF THE PROFESSION, I GUESS PHONE SEX

BUT GIVEN THE STATE OF THE PROFESSION, I GUESS PHONE SEX IS...

PROFESSION, I GUESS PHONE SEX IS... A BETTER IDEA.

IS... A BETTER IDEA. >> I'LL SEE YOU TOMORROW!

A BETTER IDEA. >> I'LL SEE YOU TOMORROW! >> MM-HMM. OKAY.

>> I'LL SEE YOU TOMORROW! >> MM-HMM. OKAY. >> AND COULD YOU TRY NOT TO BE

>> MM-HMM. OKAY. >> AND COULD YOU TRY NOT TO BE LATE, PLEASE?

>> AND COULD YOU TRY NOT TO BE LATE, PLEASE? >> YES. RIGHT.

[ DOOR SHUTS ] [ TELEPHONE RINGING ] >> 7...?

DUFFY'S TAVERN, WHERE THE ELITE MEET TO EAT. >> This is George Papandreou.

MEET TO EAT. >> This is George Papandreou. >> MR. PAPANDREOU!

>> This is George Papandreou. >> MR. PAPANDREOU! HOW'S IT GOING?

>> MR. PAPANDREOU! HOW'S IT GOING? YOU GOT A NEW NUMBER!

HOW'S IT GOING? YOU GOT A NEW NUMBER! [ CHUCKLES ]

YOU GOT A NEW NUMBER! [ CHUCKLES ] >> You're behind on the rent

[ CHUCKLES ] >> You're behind on the rent again!

>> You're behind on the rent again! >> UH, THE RENT?

again! >> UH, THE RENT? WHAT DO YOU ME-- THE RENT?

>> UH, THE RENT? WHAT DO YOU ME-- THE RENT? OH. HERE'S WHAT HAPPENED.

WHAT DO YOU ME-- THE RENT? OH. HERE'S WHAT HAPPENED. I GOT A NEW BANK ACCOUNT, AND

OH. HERE'S WHAT HAPPENED. I GOT A NEW BANK ACCOUNT, AND THEY SENT ME THE WRONG CHECKS.

I GOT A NEW BANK ACCOUNT, AND THEY SENT ME THE WRONG CHECKS. I-I ASKED -- I HAD ASKED FOR A

THEY SENT ME THE WRONG CHECKS. I-I ASKED -- I HAD ASKED FOR A COAT OF ARMS.

I-I ASKED -- I HAD ASKED FOR A COAT OF ARMS. DID YOU KNOW MY FAMILY HAS A

COAT OF ARMS. DID YOU KNOW MY FAMILY HAS A COAT OF ARMS?

JESUS, I'M TALKING TO A FUCKING BIRD. AH, FUCK.

[ SIGHS ]

"SWEET TALK."

SWEET TALK. [ CHUCKLES ]

[ Dialing ]

[ TELEPHONE RINGING ]

>> [ Breathy ] HELLO. SWEET TALK. >> WHO'S THIS?

SWEET TALK. >> WHO'S THIS? >> THIS IS DELILAH.

>> WHO'S THIS? >> THIS IS DELILAH. YOU WANT TO TALK?

>> THIS IS DELILAH. YOU WANT TO TALK? >> About what?

YOU WANT TO TALK? >> About what? >> UH, YOU NAME IT, BABY.

>> About what? >> UH, YOU NAME IT, BABY. ANYTHING.

>> UH, YOU NAME IT, BABY. ANYTHING. >> ANYTHING?

ANYTHING. >> ANYTHING? >> Anything -- the hotter, the

>> ANYTHING? >> Anything -- the hotter, the better.

>> Anything -- the hotter, the better. >> WHAT ABOUT DANCING?

better. >> WHAT ABOUT DANCING? CAN WE DANCE?

>> WHAT ABOUT DANCING? CAN WE DANCE? >> WE CAN DO WHATEVER YOU WANT

CAN WE DANCE? >> WE CAN DO WHATEVER YOU WANT TO DO.

>> WE CAN DO WHATEVER YOU WANT TO DO. Oh, hey. Come on. Don't be shy.

TO DO. Oh, hey. Come on. Don't be shy. No one's gonna bite you...unless

Oh, hey. Come on. Don't be shy. No one's gonna bite you...unless you want to be bitten.

No one's gonna bite you...unless you want to be bitten. Hello?

you want to be bitten. Hello? HEY.

Hello? HEY. HE-HEY, DON'T HANG UP.

HEY. HE-HEY, DON'T HANG UP. >> I'm here.

HE-HEY, DON'T HANG UP. >> I'm here. >> OKAY.

>> I'm here. >> OKAY. >> What do I have to do?

>> OKAY. >> What do I have to do? >> WHAT DO YOU HAVE TO DO?

>> What do I have to do? >> WHAT DO YOU HAVE TO DO? >> Well, uh, yeah.

>> WHAT DO YOU HAVE TO DO? >> Well, uh, yeah. I've never done this before, so

>> Well, uh, yeah. I've never done this before, so you're gonna have to help

I've never done this before, so you're gonna have to help explain how this works.

you're gonna have to help explain how this works. >> ALL RIGHT.

explain how this works. >> ALL RIGHT. THAT'S NOT A PROBLEM.

>> ALL RIGHT. THAT'S NOT A PROBLEM. WHAT'S YOUR NAME?

THAT'S NOT A PROBLEM. WHAT'S YOUR NAME? >> J-- [ CLEARS THROAT ]

WHAT'S YOUR NAME? >> J-- [ CLEARS THROAT ] JOHN.

>> J-- [ CLEARS THROAT ] JOHN. JOHN.

JOHN. JOHN. >> OKAY, JOHN.

JOHN. >> OKAY, JOHN. HERE'S HOW IT WORKS.

>> OKAY, JOHN. HERE'S HOW IT WORKS. WE CAN TALK ABOUT...ANYTHING YOU

HERE'S HOW IT WORKS. WE CAN TALK ABOUT...ANYTHING YOU WANT FOR AS LONG AS YOU WANT,

WE CAN TALK ABOUT...ANYTHING YOU WANT FOR AS LONG AS YOU WANT, AND THEN --

WANT FOR AS LONG AS YOU WANT, AND THEN -- >> How much does it cost?

AND THEN -- >> How much does it cost? >> I'M GETTING TO THAT.

>> How much does it cost? >> I'M GETTING TO THAT. >> JUST WANT TO KNOW WHAT I'M IN

>> I'M GETTING TO THAT. >> JUST WANT TO KNOW WHAT I'M IN FOR.

>> JUST WANT TO KNOW WHAT I'M IN FOR. >> Okay.

FOR. >> Okay. We charge 20 bucks to start out,

>> Okay. We charge 20 bucks to start out, and then $2.99 a minute goes

We charge 20 bucks to start out, and then $2.99 a minute goes automatically on your credit

and then $2.99 a minute goes automatically on your credit card.

automatically on your credit card. UNLESS, OF COURSE, YOU WANT TO

card. UNLESS, OF COURSE, YOU WANT TO DO SOMETHING...MORE UNUSUAL --

UNLESS, OF COURSE, YOU WANT TO DO SOMETHING...MORE UNUSUAL -- THAT'S GONNA BE A BIT MORE

DO SOMETHING...MORE UNUSUAL -- THAT'S GONNA BE A BIT MORE EXPENSIVE.

THAT'S GONNA BE A BIT MORE EXPENSIVE. >> WHAT DO YOU MEAN BY UNUSUAL?

EXPENSIVE. >> WHAT DO YOU MEAN BY UNUSUAL? >> WELL, THERE'S, UH -- UH,

>> WHAT DO YOU MEAN BY UNUSUAL? >> WELL, THERE'S, UH -- UH, THERE'S FRENCH.

>> WELL, THERE'S, UH -- UH, THERE'S FRENCH. THERE'S...

THERE'S FRENCH. THERE'S... Greek.

THERE'S... Greek. There's threesomes.

Greek. There's threesomes. >> MAKE IT JUST STRAIGHT.

There's threesomes. >> MAKE IT JUST STRAIGHT. UM, YOUR BASIC FACE-TO-FACE

>> MAKE IT JUST STRAIGHT. UM, YOUR BASIC FACE-TO-FACE MISSIONARY POSITION IS 20 BUCKS

UM, YOUR BASIC FACE-TO-FACE MISSIONARY POSITION IS 20 BUCKS PLUS WHATEVER -- $2.99?

MISSIONARY POSITION IS 20 BUCKS PLUS WHATEVER -- $2.99? >> Yes. Right.

PLUS WHATEVER -- $2.99? >> Yes. Right. >> EVERYTHING ELSE IS EXTRA?

>> Yes. Right. >> EVERYTHING ELSE IS EXTRA? >> Yeah.

>> EVERYTHING ELSE IS EXTRA? >> Yeah. >> WHAT'S MY CREDIT CARD GONNA

>> Yeah. >> WHAT'S MY CREDIT CARD GONNA SAY -- LIKE, "JERK-OFF SERVICES"

>> WHAT'S MY CREDIT CARD GONNA SAY -- LIKE, "JERK-OFF SERVICES" OR SOMETHING LIKE THAT?

SAY -- LIKE, "JERK-OFF SERVICES" OR SOMETHING LIKE THAT? >> [ CHUCKLES ]

OR SOMETHING LIKE THAT? >> [ CHUCKLES ] NO, IT'LL SAY "UNIVERSAL

>> [ CHUCKLES ] NO, IT'LL SAY "UNIVERSAL COMMUNICATIONS, INCORPORATED."

NO, IT'LL SAY "UNIVERSAL COMMUNICATIONS, INCORPORATED." >> That's all?

COMMUNICATIONS, INCORPORATED." >> That's all? >> THAT IS ALL.

>> That's all? >> THAT IS ALL. SO, JOHN...

>> THAT IS ALL. SO, JOHN... WE GONNA PARTY, YOU AND ME?

SO, JOHN... WE GONNA PARTY, YOU AND ME? HMM?

WE GONNA PARTY, YOU AND ME? HMM? >> WHAT DO YOU LOOK LIKE?

HMM? >> WHAT DO YOU LOOK LIKE? >> JOHN, I LOOK TERRIFIC.

>> WHAT DO YOU LOOK LIKE? >> JOHN, I LOOK TERRIFIC. TAKE MY WORD FOR IT.

>> JOHN, I LOOK TERRIFIC. TAKE MY WORD FOR IT. BUT WE'RE GONNA HAVE TO GET THE

TAKE MY WORD FOR IT. BUT WE'RE GONNA HAVE TO GET THE FORMALITIES OUT OF THE WAY

BUT WE'RE GONNA HAVE TO GET THE FORMALITIES OUT OF THE WAY BEFORE WE CAN GO ANY FURTHER, SO

FORMALITIES OUT OF THE WAY BEFORE WE CAN GO ANY FURTHER, SO I AM GOING TO NEED YOUR CREDIT

BEFORE WE CAN GO ANY FURTHER, SO I AM GOING TO NEED YOUR CREDIT CARD NUMBER AND THE EXPIRATION

I AM GOING TO NEED YOUR CREDIT CARD NUMBER AND THE EXPIRATION DATE.

CARD NUMBER AND THE EXPIRATION DATE. >> YOU KNOW WHAT?

DATE. >> YOU KNOW WHAT? [ CLEARS THROAT ]

>> YOU KNOW WHAT? [ CLEARS THROAT ] I THINK I'M GONNA CALL BACK

[ CLEARS THROAT ] I THINK I'M GONNA CALL BACK LATER.

I THINK I'M GONNA CALL BACK LATER. >> I may not be here later.

LATER. >> I may not be here later. I MIGHT BE ASLEEP, ALL ALONE IN

>> I may not be here later. I MIGHT BE ASLEEP, ALL ALONE IN MY BIG BED WITH SATIN SHEETS.

I MIGHT BE ASLEEP, ALL ALONE IN MY BIG BED WITH SATIN SHEETS. >> DO YOU LIVE ALONE?

MY BIG BED WITH SATIN SHEETS. >> DO YOU LIVE ALONE? >> I do.

>> DO YOU LIVE ALONE? >> I do. Uh, it's just me -- well, and

>> I do. Uh, it's just me -- well, and you, if you want to join me.

>> 4-0-0-3-4... [ KEYBOARD CLACKING ] 7-6-7...

[ KEYBOARD CLACKING ] 7-6-7... 7-8-12 --

7-6-7... 7-8-12 -- HOW DO YOU KNOW THIS IS A REAL

7-8-12 -- HOW DO YOU KNOW THIS IS A REAL NUMBER?

HOW DO YOU KNOW THIS IS A REAL NUMBER? >> I PUT IT IN MY MOUTH, AND IF

NUMBER? >> I PUT IT IN MY MOUTH, AND IF IT GETS HARD, I KNOW IT'S REAL.

>> I PUT IT IN MY MOUTH, AND IF IT GETS HARD, I KNOW IT'S REAL. >> [ SCOFFS SOFTLY ]

IT GETS HARD, I KNOW IT'S REAL. >> [ SCOFFS SOFTLY ] That's pretty funny!

>> [ SCOFFS SOFTLY ] That's pretty funny! >> THIS IS YOUR LAST CHANCE,

That's pretty funny! >> THIS IS YOUR LAST CHANCE, SWEETIE -- I HAVE TO HANG UP ON

>> THIS IS YOUR LAST CHANCE, SWEETIE -- I HAVE TO HANG UP ON YOU IF YOU DON'T GIVE ME THE

SWEETIE -- I HAVE TO HANG UP ON YOU IF YOU DON'T GIVE ME THE NUMBER.

YOU IF YOU DON'T GIVE ME THE NUMBER. >> [ CLEARS THROAT ]

NUMBER. >> [ CLEARS THROAT ] 4-0-3-4-7-1-0-3...

>> [ CLEARS THROAT ] 4-0-3-4-7-1-0-3... 2-5-0-4-2-2-4-6.

4-0-3-4-7-1-0-3... 2-5-0-4-2-2-4-6. EXPIRATION --

2-5-0-4-2-2-4-6. EXPIRATION -- What if it was already expired?

EXPIRATION -- What if it was already expired? >> I'M COUNTING TO 3.

What if it was already expired? >> I'M COUNTING TO 3. 1, 2 --

>> I'M COUNTING TO 3. 1, 2 -- >> SEPTEMBER 2015.

1, 2 -- >> SEPTEMBER 2015. >> THANK YOU.

>> SEPTEMBER 2015. >> THANK YOU. >> You're welcome.

Now what? >> NOW, JOHN... WE'RE IN BUSINESS.

>> NOW, JOHN... WE'RE IN BUSINESS. SO...WHY DON'T YOU TELL ME WHAT

WE'RE IN BUSINESS. SO...WHY DON'T YOU TELL ME WHAT YOU LIKE?

SO...WHY DON'T YOU TELL ME WHAT YOU LIKE? >> HMM.

YOU KNOW WHAT I'D REALLY LIKE? >> What's that? >> OH, BOY. I DON'T KNOW.

>> What's that? >> OH, BOY. I DON'T KNOW. IT'S KIND OF WEIRD.

>> OH, BOY. I DON'T KNOW. IT'S KIND OF WEIRD. >> [ Chuckling ] OH.

IT'S KIND OF WEIRD. >> [ Chuckling ] OH. COME ON, JOHN.

>> [ Chuckling ] OH. COME ON, JOHN. DON'T BE SHY.

COME ON, JOHN. DON'T BE SHY. >> Okay.

DON'T BE SHY. >> Okay. I'D LIKE TO BE GENE KELLY IN

>> Okay. I'D LIKE TO BE GENE KELLY IN "SINGIN' IN THE RAIN."

I'D LIKE TO BE GENE KELLY IN "SINGIN' IN THE RAIN." >> WHY'D YOU CALL THIS LINE,

"SINGIN' IN THE RAIN." >> WHY'D YOU CALL THIS LINE, JOHN?

>> WHY'D YOU CALL THIS LINE, JOHN? I MEAN, YOU KNOW, YOU C-- YOU

JOHN? I MEAN, YOU KNOW, YOU C-- YOU CAN BE GENE KELLY IN

I MEAN, YOU KNOW, YOU C-- YOU CAN BE GENE KELLY IN "SINGIN' IN THE RAIN" WITHOUT

CAN BE GENE KELLY IN "SINGIN' IN THE RAIN" WITHOUT ME.

"SINGIN' IN THE RAIN" WITHOUT ME. >> MM, YEAH, BUT...

ME. >> MM, YEAH, BUT... IT'S NOT AS MUCH FUN.

>> MM, YEAH, BUT... IT'S NOT AS MUCH FUN. >> Do you like girls, John?

IT'S NOT AS MUCH FUN. >> Do you like girls, John? >> YEAH!

>> Do you like girls, John? >> YEAH! >> What type?

>> YEAH! >> What type? >> TYPE?

>> What type? >> TYPE? >> YEAH.

>> TYPE? >> YEAH. >> You know what gets me?

>> YEAH. >> You know what gets me? >> What's that?

>> You know what gets me? >> What's that? >> THE WAY A WOMAN LOOKS AT YOU.

>> What's that? >> THE WAY A WOMAN LOOKS AT YOU. HER EYES.

>> THE WAY A WOMAN LOOKS AT YOU. HER EYES. TAKE JEANNE MOREAU IN

HER EYES. TAKE JEANNE MOREAU IN "JULES AND JIM."

TAKE JEANNE MOREAU IN "JULES AND JIM." YOU SEEN IT?

"JULES AND JIM." YOU SEEN IT? Doesn't matter.

YOU SEEN IT? Doesn't matter. SHE HAS A WHOLE HISTORY OF...

Doesn't matter. SHE HAS A WHOLE HISTORY OF... BOOZE AND CIGARETTES AND BAD

SHE HAS A WHOLE HISTORY OF... BOOZE AND CIGARETTES AND BAD LOVE AFFAIRS ALL IN HER EYES.

I MEAN, YOU GET THE FEELING THAT YOU COULD FUCK HER FOR THREE DAYS AND NIGHTS STRAIGHT, AND

YOU COULD FUCK HER FOR THREE DAYS AND NIGHTS STRAIGHT, AND SHE WOULDN'T SMILE ONCE.

DAYS AND NIGHTS STRAIGHT, AND SHE WOULDN'T SMILE ONCE. >> [ SIGHS ]

SHE WOULDN'T SMILE ONCE. >> [ SIGHS ] HAVE YOU EVER CALLED A FANTASY

>> [ SIGHS ] HAVE YOU EVER CALLED A FANTASY SEX LINE BEFORE, JOHN?

HAVE YOU EVER CALLED A FANTASY SEX LINE BEFORE, JOHN? >> NO. I TOLD YOU.

SEX LINE BEFORE, JOHN? >> NO. I TOLD YOU. >> WELL, YOU MIGHT WANT TO SAVE

>> NO. I TOLD YOU. >> WELL, YOU MIGHT WANT TO SAVE YOUR MONEY, BECAUSE THIS IS A

>> WELL, YOU MIGHT WANT TO SAVE YOUR MONEY, BECAUSE THIS IS A LINE FOR GUYS WHO LIKE TO GET

YOUR MONEY, BECAUSE THIS IS A LINE FOR GUYS WHO LIKE TO GET OFF.

LINE FOR GUYS WHO LIKE TO GET OFF. >> I like to get off.

OFF. >> I like to get off. WHAT MAKES YOU THINK I DON'T

>> I like to get off. WHAT MAKES YOU THINK I DON'T LIKE TO GET OFF?

WHAT MAKES YOU THINK I DON'T LIKE TO GET OFF? >> Great! Then let's get off!

LIKE TO GET OFF? >> Great! Then let's get off! >> OKAY!

>> Great! Then let's get off! >> OKAY! >> Okay! What do you want to do?

>> OKAY! >> Okay! What do you want to do? >> [ EXHALES SOFTLY ]

>> Okay! What do you want to do? >> [ EXHALES SOFTLY ] >> "I DON'T KNOW, ANGIE.

>> [ EXHALES SOFTLY ] >> "I DON'T KNOW, ANGIE. WHAT DO YOU WANT TO DO?"

>> "I DON'T KNOW, ANGIE. WHAT DO YOU WANT TO DO?" >> UH -- [ SCOFFS ]

WHAT DO YOU WANT TO DO?" >> UH -- [ SCOFFS ] ERNEST BORGNINE FROM "MARTY"?

>> YES! >> Yeah, you like old movies? >> YEAH! I DO!

>> Yeah, you like old movies? >> YEAH! I DO! I MEAN...ONLY THE GOOD ONES!

>> YEAH! I DO! I MEAN...ONLY THE GOOD ONES! I'VE SEEN "CITIZEN KANE" LIKE

I MEAN...ONLY THE GOOD ONES! I'VE SEEN "CITIZEN KANE" LIKE 15 TIMES.

I'VE SEEN "CITIZEN KANE" LIKE 15 TIMES. >> SO, SHOULD I GET UNDRESSED?

15 TIMES. >> SO, SHOULD I GET UNDRESSED? >> WHAT ARE YOU WEARING?

>> SO, SHOULD I GET UNDRESSED? >> WHAT ARE YOU WEARING? >> Not a whole lot.

>> WHAT ARE YOU WEARING? >> Not a whole lot. >> Anything?

>> Not a whole lot. >> Anything? >> MM, WELL, I'M WEARING A

>> Anything? >> MM, WELL, I'M WEARING A TEDDY, BUT IT'S SHEER.

>> MM, WELL, I'M WEARING A TEDDY, BUT IT'S SHEER. YOU CAN SEE...RIGHT THROUGH IT.

>> DO YOU HAPPEN TO HAVE A FUR COAT IN YOUR CLOSET? >> A FUR COAT?

COAT IN YOUR CLOSET? >> A FUR COAT? >> Uh, yeah.

>> A FUR COAT? >> Uh, yeah. >> YEAH!

>> Uh, yeah. >> YEAH! SURE! DOESN'T EVERYBODY?

>> YEAH! SURE! DOESN'T EVERYBODY? >> I WANT YOU TO TAKE OFF

SURE! DOESN'T EVERYBODY? >> I WANT YOU TO TAKE OFF EVERYTHING ELSE AND GO GET YOUR

>> I WANT YOU TO TAKE OFF EVERYTHING ELSE AND GO GET YOUR FUR COAT AND PUT IT ON.

EVERYTHING ELSE AND GO GET YOUR FUR COAT AND PUT IT ON. >> UH, I'M GOING TO THE CLOSET

FUR COAT AND PUT IT ON. >> UH, I'M GOING TO THE CLOSET NOW, AND...

>> UH, I'M GOING TO THE CLOSET NOW, AND... I'M OPENING THE DOOR, AND -- OH,

NOW, AND... I'M OPENING THE DOOR, AND -- OH, THERE IT IS, THE SABLE COAT.

I'M OPENING THE DOOR, AND -- OH, THERE IT IS, THE SABLE COAT. I'M, UH --

THERE IT IS, THE SABLE COAT. I'M, UH -- I'M SLIPPING OFF MY TEDDY AND

I'M, UH -- I'M SLIPPING OFF MY TEDDY AND PUTTING THE COAT ON.

I'M SLIPPING OFF MY TEDDY AND PUTTING THE COAT ON. >> Okay, good.

PUTTING THE COAT ON. >> Okay, good. BUTTON IT UP.

>> Okay, good. BUTTON IT UP. >> I'm buttoning it up.

BUTTON IT UP. >> I'm buttoning it up. >> TIGHT. BUTTON IT UP TIGHT.

>> I'm buttoning it up. >> TIGHT. BUTTON IT UP TIGHT. >> ALL RIGHT. NOW WHAT?

>> TIGHT. BUTTON IT UP TIGHT. >> ALL RIGHT. NOW WHAT? >> NOW I WANT YOU IN A TRAIN

>> ALL RIGHT. NOW WHAT? >> NOW I WANT YOU IN A TRAIN STATION...

>> NOW I WANT YOU IN A TRAIN STATION... IN EUROPE.

STATION... IN EUROPE. BUDAPEST.

IN EUROPE. BUDAPEST. OR PRAGUE. WHAT DO YOU THINK?

BUDAPEST. OR PRAGUE. WHAT DO YOU THINK? >> I-I THINK IT'S YOUR DIME,

OR PRAGUE. WHAT DO YOU THINK? >> I-I THINK IT'S YOUR DIME, BUDDY.

>> I-I THINK IT'S YOUR DIME, BUDDY. >> BUDAPEST...

BUDDY. >> BUDAPEST... RIGHT BEFORE WORLD WAR I.

I WANT YOU ON ONE OF THOSE HARD, WOODEN BENCHES. THE TRAIN STATION IS DESERTED.

WOODEN BENCHES. THE TRAIN STATION IS DESERTED. YOU'RE ALL ALONE.

THE TRAIN STATION IS DESERTED. YOU'RE ALL ALONE. IT'S THE MIDDLE OF THE NIGHT.

IT'S WINTER. IT'S SNOWING OUTSIDE. IT'S -- IT'S BITTER COLD!

IT'S SNOWING OUTSIDE. IT'S -- IT'S BITTER COLD! BUT THE COLD -- IT DOESN'T

IT'S -- IT'S BITTER COLD! BUT THE COLD -- IT DOESN'T BOTHER YOU.

BUT THE COLD -- IT DOESN'T BOTHER YOU. IT EXCITES YOU.

BOTHER YOU. IT EXCITES YOU. THERE'S SOMETHING EROTIC ABOUT

IT EXCITES YOU. THERE'S SOMETHING EROTIC ABOUT BEING THERE ALONE, NAKED UNDER

THERE'S SOMETHING EROTIC ABOUT BEING THERE ALONE, NAKED UNDER YOUR FUR COAT, IN THE MIDDLE OF

BEING THERE ALONE, NAKED UNDER YOUR FUR COAT, IN THE MIDDLE OF THE NIGHT, IN THE MIDDLE OF THE

YOUR FUR COAT, IN THE MIDDLE OF THE NIGHT, IN THE MIDDLE OF THE WINTER.

THE NIGHT, IN THE MIDDLE OF THE WINTER. YOU CAN FEEL THE SILK LINING OF

WINTER. YOU CAN FEEL THE SILK LINING OF THE FUR COAT AGAINST YOUR BARE

YOU CAN FEEL THE SILK LINING OF THE FUR COAT AGAINST YOUR BARE SKIN.

THE FUR COAT AGAINST YOUR BARE SKIN. IT TURNS YOU ON.

SKIN. IT TURNS YOU ON. Your nipples start to harden.

IT TURNS YOU ON. Your nipples start to harden. >> JOHN --

Your nipples start to harden. >> JOHN -- >> Oh, no, no! Wait, wait, wait!

>> JOHN -- >> Oh, no, no! Wait, wait, wait! DON'T TALK! DON'T TALK!

>> Oh, no, no! Wait, wait, wait! DON'T TALK! DON'T TALK! YOUR HANDS START TO WANDER

DON'T TALK! DON'T TALK! YOUR HANDS START TO WANDER BENEATH YOUR COAT.

YOUR HANDS START TO WANDER BENEATH YOUR COAT. You can't stop from touching

BENEATH YOUR COAT. You can't stop from touching yourself.

You can't stop from touching yourself. >> JOHN, LOOK.

yourself. >> JOHN, LOOK. I'M -- I'M ACTUALLY -- I'M

>> JOHN, LOOK. I'M -- I'M ACTUALLY -- I'M REALLY NOT INTO THIS, SO...

I'M -- I'M ACTUALLY -- I'M REALLY NOT INTO THIS, SO... >> Try.

REALLY NOT INTO THIS, SO... >> Try. Just try.

YOU GO TO WARM YOURSELF. BUT YOU'RE NOT COLD ANYMORE. YOU'RE BURNING UP.

BUT YOU'RE NOT COLD ANYMORE. YOU'RE BURNING UP. YOU'RE SO HOT, YOU FEEL LIKE

YOU'RE BURNING UP. YOU'RE SO HOT, YOU FEEL LIKE RUNNING OUT INTO THE SNOW AND

YOU'RE SO HOT, YOU FEEL LIKE RUNNING OUT INTO THE SNOW AND DIVING IN.

YOUR SKIN IS SO SENSITIVE, IT HURTS. YOU CAN'T BEAR TO HAVE ANYTHING

HURTS. YOU CAN'T BEAR TO HAVE ANYTHING TOUCHING IT, NOW, CAN YOU?

YOU CAN'T BEAR TO HAVE ANYTHING TOUCHING IT, NOW, CAN YOU? >> NO.

TOUCHING IT, NOW, CAN YOU? >> NO. >> YOU LET YOUR COAT SLIDE DOWN

>> NO. >> YOU LET YOUR COAT SLIDE DOWN JUST OFF YOUR SHOULDERS...

>> YOU LET YOUR COAT SLIDE DOWN JUST OFF YOUR SHOULDERS... JUST ENOUGH TO GET THE

JUST OFF YOUR SHOULDERS... JUST ENOUGH TO GET THE STATION MASTER'S ATTENTION.

JUST ENOUGH TO GET THE STATION MASTER'S ATTENTION. YOU DON'T KNOW WHAT'S GONNA

STATION MASTER'S ATTENTION. YOU DON'T KNOW WHAT'S GONNA HAPPEN, BUT YOU KNOW THAT

YOU DON'T KNOW WHAT'S GONNA HAPPEN, BUT YOU KNOW THAT SOMETHING HAS TO.

HAPPEN, BUT YOU KNOW THAT SOMETHING HAS TO. YOU'VE GONE TOO FAR.

SO, WHO'S IT GONNA BE? THE STATION MASTER -- A MAN WITH NO PRESENT AND NO

THE STATION MASTER -- A MAN WITH NO PRESENT AND NO PAST, A MAN WHO SITS AT A TICKET

A MAN WITH NO PRESENT AND NO PAST, A MAN WHO SITS AT A TICKET WINDOW OF A TRAIN STATION WHERE

PAST, A MAN WHO SITS AT A TICKET WINDOW OF A TRAIN STATION WHERE NO TRAINS STOP...

WINDOW OF A TRAIN STATION WHERE NO TRAINS STOP... WAITING FOR SOMEONE TO SHOW UP

NO TRAINS STOP... WAITING FOR SOMEONE TO SHOW UP IN A FUR COAT?

WAITING FOR SOMEONE TO SHOW UP IN A FUR COAT? IF NOT HIM, WHO?

IN A FUR COAT? IF NOT HIM, WHO? I'M GONNA LET YOU CHOOSE,

IF NOT HIM, WHO? I'M GONNA LET YOU CHOOSE, BECAUSE THIS IS VERY IMPORTANT.

I'M GONNA LET YOU CHOOSE, BECAUSE THIS IS VERY IMPORTANT. DO YOU KNOW WHY?

BECAUSE THIS IS VERY IMPORTANT. DO YOU KNOW WHY? BECAUSE AFTERWARDS...

DO YOU KNOW WHY? BECAUSE AFTERWARDS... [ LIGHTER CLICKS, ECHOES ]

BECAUSE AFTERWARDS... [ LIGHTER CLICKS, ECHOES ] ...WHEN YOU LIGHT THAT CIGARETTE

[ LIGHTER CLICKS, ECHOES ] ...WHEN YOU LIGHT THAT CIGARETTE AND THE PERSPIRATION STARTS TO

...WHEN YOU LIGHT THAT CIGARETTE AND THE PERSPIRATION STARTS TO DRY...

AND THE PERSPIRATION STARTS TO DRY... YOU'RE GONNA BE ALL ALONE AGAIN.

DRY... YOU'RE GONNA BE ALL ALONE AGAIN. THAT FATEFUL MOMENT WHEN YOU'RE

YOU'RE GONNA BE ALL ALONE AGAIN. THAT FATEFUL MOMENT WHEN YOU'RE BACK DOWN ON EARTH, SURROUNDED

THAT FATEFUL MOMENT WHEN YOU'RE BACK DOWN ON EARTH, SURROUNDED BY THE SADNESS OF IT ALL -- LIKE

BACK DOWN ON EARTH, SURROUNDED BY THE SADNESS OF IT ALL -- LIKE THE MAN SAID, POST COITUM OMNE

BY THE SADNESS OF IT ALL -- LIKE THE MAN SAID, POST COITUM OMNE ANIMAL TRISTE EST.

THE MAN SAID, POST COITUM OMNE ANIMAL TRISTE EST. >> WHAT?

ANIMAL TRISTE EST. >> WHAT? >> It means "After sex, all men

>> WHAT? >> It means "After sex, all men are sad."

>> It means "After sex, all men are sad." Are women?

are sad." Are women? Are w-- are they sad, too?

Are women? Are w-- are they sad, too? >> WHY -- WHY DID YOU SAY THAT?

Are w-- are they sad, too? >> WHY -- WHY DID YOU SAY THAT? >> What?

>> WHY -- WHY DID YOU SAY THAT? >> What? >> THAT THING IN LATIN.

>> What? >> THAT THING IN LATIN. WHY DID YOU SAY THAT?

>> THAT THING IN LATIN. WHY DID YOU SAY THAT? >> Because it's true.

WHY DID YOU SAY THAT? >> Because it's true. BUT WOMEN AREN'T SAD, ARE THEY?

>> Because it's true. BUT WOMEN AREN'T SAD, ARE THEY? WHY WOULD THEY BE SAD?

BUT WOMEN AREN'T SAD, ARE THEY? WHY WOULD THEY BE SAD? THEY'RE TRIUMPHANT!

WHY WOULD THEY BE SAD? THEY'RE TRIUMPHANT! I MEAN, THEY GOT US TO GO SQUIRT

THEY'RE TRIUMPHANT! I MEAN, THEY GOT US TO GO SQUIRT WITH THE WATER PISTOL RIGHT

I MEAN, THEY GOT US TO GO SQUIRT WITH THE WATER PISTOL RIGHT WHERE THEY WANTED.

WITH THE WATER PISTOL RIGHT WHERE THEY WANTED. WHY WOULD THEY BE SAD?

WHERE THEY WANTED. WHY WOULD THEY BE SAD? >> WELL, THEY ARE.

WHY WOULD THEY BE SAD? >> WELL, THEY ARE. TAKE MY WORD FOR IT.

>> WELL, THEY ARE. TAKE MY WORD FOR IT. [ SIGHS ]

TAKE MY WORD FOR IT. [ SIGHS ] >> What?

[ SIGHS ] >> What? >> UM, I'M -- HEY!

>> What? >> UM, I'M -- HEY! I'M HANGING UP.

>> UM, I'M -- HEY! I'M HANGING UP. I-I HOPE YOU GOT OFF.

I'M HANGING UP. I-I HOPE YOU GOT OFF. >> WAIT, YOU CAN'T HA-- YOU

I-I HOPE YOU GOT OFF. >> WAIT, YOU CAN'T HA-- YOU DON'T -- YOU DON'T HANG UP!

>> WAIT, YOU CAN'T HA-- YOU DON'T -- YOU DON'T HANG UP! I'M -- WE'RE IN A TRAIN STATION!

DON'T -- YOU DON'T HANG UP! I'M -- WE'RE IN A TRAIN STATION! OUR BODIES ARE BURNING!

I'M -- WE'RE IN A TRAIN STATION! OUR BODIES ARE BURNING! WHAT ARE WE SUPPOSED TO DO?

OUR BODIES ARE BURNING! WHAT ARE WE SUPPOSED TO DO? OH, COME ON, DELILAH.

THERE MAY NEVER BE ANOTHER MOMENT LIKE THIS IN YOUR ENTIRE EXISTENCE.

MOMENT LIKE THIS IN YOUR ENTIRE EXISTENCE. [ Beep ]

EXISTENCE. [ Beep ] [ EXHALES SOFTLY ]

>> [ EXHALES ]

>> [ SCOFFS ] TALK GET A LITTLE TOO SWEET FOR YOU?

>> [ SIGHS, CHUCKLES SOFTLY ] >> [ GRUNTS ] [ SIGHS ]

>> [ GRUNTS ] [ SIGHS ] [ TELEPHONE RINGING ]

>> [ SIGHS ]

[ TELEPHONE CONTINUES RINGING ]

HELLO. SWEET TALK. THIS IS DELILAH. YOU WANT TO TALK?

THIS IS DELILAH. YOU WANT TO TALK? HELLO? ANYBODY THERE?

YOU WANT TO TALK? HELLO? ANYBODY THERE? HI, THERE!

HELLO? ANYBODY THERE? HI, THERE! WHAT'S YOUR NAME?

HI, THERE! WHAT'S YOUR NAME? [ CHUCKLES ]

WHAT'S YOUR NAME? [ CHUCKLES ] HI, MARTY. HOW YOU DOING?

[ CHUCKLES ] HI, MARTY. HOW YOU DOING? HAVE YOU, UH -- HAVE YOU EVER

HI, MARTY. HOW YOU DOING? HAVE YOU, UH -- HAVE YOU EVER CALLED US BEFORE, MARTY?

HAVE YOU, UH -- HAVE YOU EVER CALLED US BEFORE, MARTY? ALL RIGHT, MARTY.

CALLED US BEFORE, MARTY? ALL RIGHT, MARTY. FASTEN YOUR SEATBELT.

ALL RIGHT, MARTY. FASTEN YOUR SEATBELT. HERE WE GO.

FASTEN YOUR SEATBELT. HERE WE GO. [ British accent ] MARTY?

HERE WE GO. [ British accent ] MARTY? WHO GAVE YOU PERMISSION TO COME

[ British accent ] MARTY? WHO GAVE YOU PERMISSION TO COME INTO MY ROOM?!

WHO GAVE YOU PERMISSION TO COME INTO MY ROOM?! I DIDN'T HEAR YOU KNOCK!

INTO MY ROOM?! I DIDN'T HEAR YOU KNOCK! STOP BABBLING!

I DIDN'T HEAR YOU KNOCK! STOP BABBLING! IF I CATCH YOU LOOKING AT ME,

STOP BABBLING! IF I CATCH YOU LOOKING AT ME, THAT'S WHAT I'M GOING TO HAVE TO

IF I CATCH YOU LOOKING AT ME, THAT'S WHAT I'M GOING TO HAVE TO DO -- I'M GOING TO HAVE TO

THAT'S WHAT I'M GOING TO HAVE TO DO -- I'M GOING TO HAVE TO PUNISH YOU!

DO -- I'M GOING TO HAVE TO PUNISH YOU! BAD BOYS GET SPANKED, MARTY!

PUNISH YOU! BAD BOYS GET SPANKED, MARTY! TAKE DOWN YOUR TROUSERS!

BAD BOYS GET SPANKED, MARTY! TAKE DOWN YOUR TROUSERS! [ SIGHS ] THAT'S RIGHT.

TAKE DOWN YOUR TROUSERS! [ SIGHS ] THAT'S RIGHT. UNDERPANTS, TOO.

[ SIGHS ] THAT'S RIGHT. UNDERPANTS, TOO. WELL, WELL, WELL.

UNDERPANTS, TOO. WELL, WELL, WELL. WHAT HAVE WE HERE?

WELL, WELL, WELL. WHAT HAVE WE HERE? GET YOUR HANDS OFF IT, MARTY!

WHAT HAVE WE HERE? GET YOUR HANDS OFF IT, MARTY! DON'T TOUCH IT!

GET YOUR HANDS OFF IT, MARTY! DON'T TOUCH IT! [ TELEPHONE RINGING ]

DON'T TOUCH IT! [ TELEPHONE RINGING ] NAUGHTY BOYS AREN'T ALLOWED TO

[ TELEPHONE RINGING ] NAUGHTY BOYS AREN'T ALLOWED TO TOUCH THEMSELVES DOWN THERE.

NAUGHTY BOYS AREN'T ALLOWED TO TOUCH THEMSELVES DOWN THERE. MARTY, I-I WANT YOU TO STAND IN

TOUCH THEMSELVES DOWN THERE. MARTY, I-I WANT YOU TO STAND IN A CORNER, AND I WANT YOU TO

MARTY, I-I WANT YOU TO STAND IN A CORNER, AND I WANT YOU TO THINK ABOUT YOUR NICEST LITTLE

A CORNER, AND I WANT YOU TO THINK ABOUT YOUR NICEST LITTLE BOY VOICE AND HOW YOU'RE GOING

THINK ABOUT YOUR NICEST LITTLE BOY VOICE AND HOW YOU'RE GOING TO ASK ME, AND I DON'T WANT YOU

BOY VOICE AND HOW YOU'RE GOING TO ASK ME, AND I DON'T WANT YOU TO TOUCH IT, OKAY?

TO ASK ME, AND I DON'T WANT YOU TO TOUCH IT, OKAY? DON'T GO AWAY.

TO TOUCH IT, OKAY? DON'T GO AWAY. I'LL BE RIGHT BACK.

DON'T GO AWAY. I'LL BE RIGHT BACK. [ Breathy ] SWEET TALK.

I'LL BE RIGHT BACK. [ Breathy ] SWEET TALK. THIS IS DELILAH. WANT TO TALK?

[ Breathy ] SWEET TALK. THIS IS DELILAH. WANT TO TALK? >> DO YOU WANT TO TALK?

THIS IS DELILAH. WANT TO TALK? >> DO YOU WANT TO TALK? THAT'S THE QUESTION!

>> DO YOU WANT TO TALK? THAT'S THE QUESTION! >> [ Chuckling ] Hi.

THAT'S THE QUESTION! >> [ Chuckling ] Hi. >> [ As Humphrey Bogart ] OF ALL

>> [ Chuckling ] Hi. >> [ As Humphrey Bogart ] OF ALL THE PHONE-SEX JOINTS IN ALL THE

>> [ As Humphrey Bogart ] OF ALL THE PHONE-SEX JOINTS IN ALL THE TOWNS IN ALL THE WORLD, WHY'D I

THE PHONE-SEX JOINTS IN ALL THE TOWNS IN ALL THE WORLD, WHY'D I HAVE TO DIAL HERS?

TOWNS IN ALL THE WORLD, WHY'D I HAVE TO DIAL HERS? >> I'M ON THE OTHER LINE.

HAVE TO DIAL HERS? >> I'M ON THE OTHER LINE. >> YOU LEFT ME ALL ALONE IN A

>> I'M ON THE OTHER LINE. >> YOU LEFT ME ALL ALONE IN A COLD RAILROAD STATION IN

>> YOU LEFT ME ALL ALONE IN A COLD RAILROAD STATION IN BUDAPEST!

COLD RAILROAD STATION IN BUDAPEST! THAT WASN'T VERY NICE OF YOU!

BUDAPEST! THAT WASN'T VERY NICE OF YOU! >> I can't talk to you right

THAT WASN'T VERY NICE OF YOU! >> I can't talk to you right now.

>> I can't talk to you right now. >> I DON'T KNOW IF YOU WANT TO

now. >> I DON'T KNOW IF YOU WANT TO TALK TO ME AT ALL!

>> I DON'T KNOW IF YOU WANT TO TALK TO ME AT ALL! >> CAN YOU CALL ME BACK LATER?

TALK TO ME AT ALL! >> CAN YOU CALL ME BACK LATER? >> I MIGHT NOT BE AVAILABLE

>> CAN YOU CALL ME BACK LATER? >> I MIGHT NOT BE AVAILABLE LATER.

>> I MIGHT NOT BE AVAILABLE LATER. I MIGHT BE ASLEEP...ALL ALONE

LATER. I MIGHT BE ASLEEP...ALL ALONE IN MY BIG BED WITH SATIN SHEETS.

I MIGHT BE ASLEEP...ALL ALONE IN MY BIG BED WITH SATIN SHEETS. >> Okay, call me back in five

IN MY BIG BED WITH SATIN SHEETS. >> Okay, call me back in five minutes.

>> Okay, call me back in five minutes. >> FIVE MINUTES?

minutes. >> FIVE MINUTES? >> Yes.

>> FIVE MINUTES? >> Yes. [ British accent ] MARTY, YOU

>> Yes. [ British accent ] MARTY, YOU NAUGHTY BOY.

[ British accent ] MARTY, YOU NAUGHTY BOY. I CAN SEE WHAT YOU'RE DOING

NAUGHTY BOY. I CAN SEE WHAT YOU'RE DOING THERE!

I CAN SEE WHAT YOU'RE DOING THERE! MARTY.

THERE! MARTY. [ Normal voice ] MARTY.

MARTY. [ Normal voice ] MARTY. >> WHAT DO YOU SAY WE MAKE HER

[ Normal voice ] MARTY. >> WHAT DO YOU SAY WE MAKE HER WAIT A LITTLE BIT?

>> WHAT DO YOU SAY WE MAKE HER WAIT A LITTLE BIT? HMM?

WAIT A LITTLE BIT? HMM? PISS HER OFF?

YOU SEE, LEON... WOMEN... WANT TO BE WOOED.

WOMEN... WANT TO BE WOOED. THEY WANT YOU TO DO IT...

WANT TO BE WOOED. THEY WANT YOU TO DO IT... SLOWLY...

THEY WANT YOU TO DO IT... SLOWLY... TENDERLY...

SLOWLY... TENDERLY... GENTLY.

TENDERLY... GENTLY. WOMEN, LEON, WANT TO BE...

GENTLY. WOMEN, LEON, WANT TO BE... TEASED.

WOMEN, LEON, WANT TO BE... TEASED. AND THEN BOOM!

TEASED. AND THEN BOOM! THEY'RE LIKE A WILD ANIMAL,

AND THEN BOOM! THEY'RE LIKE A WILD ANIMAL, SCRATCHING AT YOUR BACK, CLAWING

THEY'RE LIKE A WILD ANIMAL, SCRATCHING AT YOUR BACK, CLAWING AT YOUR HAIR, SCREAMING, "FUCK

SCRATCHING AT YOUR BACK, CLAWING AT YOUR HAIR, SCREAMING, "FUCK ME, BABY!" LOUD ENOUGH TO BREAK

AT YOUR HAIR, SCREAMING, "FUCK ME, BABY!" LOUD ENOUGH TO BREAK AN EARDRUM!

ME, BABY!" LOUD ENOUGH TO BREAK AN EARDRUM! THEN YOU GOT THEM BACK IN THE

AN EARDRUM! THEN YOU GOT THEM BACK IN THE CAVE.

THEN YOU GOT THEM BACK IN THE CAVE. BUT IT ALL STARTS...

CAVE. BUT IT ALL STARTS... BY MAKING THEM WAIT.

BUT IT ALL STARTS... BY MAKING THEM WAIT. >> [ SIGHS SOFTLY ]

[ TELEPHONE RINGING ]

[ Ringing ]

[ TELEPHONE CONTINUES RINGING ]

>> WHY'D YOU SAY THAT THING IN LATIN? >> POST COITUM OMNE --

LATIN? >> POST COITUM OMNE -- >> ...animal triste est.

>> POST COITUM OMNE -- >> ...animal triste est. Yeah.

>> ...animal triste est. Yeah. >> WOW.

Yeah. >> WOW. I...USUALLY SAY IT TO ALL THE

>> WOW. I...USUALLY SAY IT TO ALL THE GIRLS ON THE FIRST DATE SO THEY

I...USUALLY SAY IT TO ALL THE GIRLS ON THE FIRST DATE SO THEY KNOW WHAT TO EXPECT.

GIRLS ON THE FIRST DATE SO THEY KNOW WHAT TO EXPECT. >> I had just said that exact

KNOW WHAT TO EXPECT. >> I had just said that exact same thing to somebody right

>> I had just said that exact same thing to somebody right before you called.

same thing to somebody right before you called. I MEAN, THAT IS -- THAT'S REALLY

before you called. I MEAN, THAT IS -- THAT'S REALLY WEIRD, RIGHT?!

I MEAN, THAT IS -- THAT'S REALLY WEIRD, RIGHT?! >> Yeah!

WEIRD, RIGHT?! >> Yeah! >> YEAH.

>> Yeah! >> YEAH. >> IS THAT WHY YOU HUNG UP ON

>> YEAH. >> IS THAT WHY YOU HUNG UP ON ME?

>> IS THAT WHY YOU HUNG UP ON ME? >> NO, I HUNG UP ON YOU BECAUSE

ME? >> NO, I HUNG UP ON YOU BECAUSE I THOUGHT YOU WERE FINISHED.

>> NO, I HUNG UP ON YOU BECAUSE I THOUGHT YOU WERE FINISHED. >> [ SCOFFS ]

I THOUGHT YOU WERE FINISHED. >> [ SCOFFS ] OKAY. BULLSHIT.

>> [ SCOFFS ] OKAY. BULLSHIT. BULLSHIT!

OKAY. BULLSHIT. BULLSHIT! I THINK THAT YOU WERE HAVING

BULLSHIT! I THINK THAT YOU WERE HAVING TROUBLE IN THE TRAIN STATION IN

I THINK THAT YOU WERE HAVING TROUBLE IN THE TRAIN STATION IN BUDAPEST.

TROUBLE IN THE TRAIN STATION IN BUDAPEST. >> HEY.

BUDAPEST. >> HEY. >> I think it was getting a

>> HEY. >> I think it was getting a little too hot in there for you.

>> I think it was getting a little too hot in there for you. >> Y-YEAH, I-I DO THIS FOR A

little too hot in there for you. >> Y-YEAH, I-I DO THIS FOR A LIVING, REMEMBER?

>> Y-YEAH, I-I DO THIS FOR A LIVING, REMEMBER? >> YEAH, UH, BUT I'M NOT TALKING

LIVING, REMEMBER? >> YEAH, UH, BUT I'M NOT TALKING ABOUT, "OH, BOY, WHAT A BIG DICK

>> YEAH, UH, BUT I'M NOT TALKING ABOUT, "OH, BOY, WHAT A BIG DICK YOU HAVE."

ABOUT, "OH, BOY, WHAT A BIG DICK YOU HAVE." I'M TALKING ABOUT THE REAL

YOU HAVE." I'M TALKING ABOUT THE REAL THING.

I'M TALKING ABOUT THE REAL THING. >> Hey, if I want to do the

THING. >> Hey, if I want to do the real thing, I don't have to pick

>> Hey, if I want to do the real thing, I don't have to pick up a phone.

real thing, I don't have to pick up a phone. >> THERE'S A LOT OF ADVANTAGES

up a phone. >> THERE'S A LOT OF ADVANTAGES TO CONNECTING OVER THE PHONE.

>> THERE'S A LOT OF ADVANTAGES TO CONNECTING OVER THE PHONE. >> LIKE WHAT?

TO CONNECTING OVER THE PHONE. >> LIKE WHAT? >> WELL, YOU CAN TRAVEL TO SOME

>> LIKE WHAT? >> WELL, YOU CAN TRAVEL TO SOME PRETTY AMAZING PLACES WITHOUT

>> WELL, YOU CAN TRAVEL TO SOME PRETTY AMAZING PLACES WITHOUT EVER HAVING TO LEAVE YOUR ROOM!

PRETTY AMAZING PLACES WITHOUT EVER HAVING TO LEAVE YOUR ROOM! IT'S JUST STORYTELLING.

EVER HAVING TO LEAVE YOUR ROOM! IT'S JUST STORYTELLING. THAT'S ALL.

IT'S JUST STORYTELLING. THAT'S ALL. AND WHO DOESN'T LOVE A GOOD

THAT'S ALL. AND WHO DOESN'T LOVE A GOOD STORY?

AND WHO DOESN'T LOVE A GOOD STORY? You think -- Do you think

STORY? You think -- Do you think Scheherazade stayed alive by

You think -- Do you think Scheherazade stayed alive by going down on the king every

Scheherazade stayed alive by going down on the king every night?

going down on the king every night? No, she told him stories!

night? No, she told him stories! She took him to places that he

No, she told him stories! She took him to places that he hadn't been before!

She took him to places that he hadn't been before! >> LIKE A TRAIN STATION IN

hadn't been before! >> LIKE A TRAIN STATION IN BUDAPEST.

>> LIKE A TRAIN STATION IN BUDAPEST. >> Yeah! Why not?

BUDAPEST. >> Yeah! Why not? SEE, DELILAH...

>> Yeah! Why not? SEE, DELILAH... I GET THIS FEELING THAT YOU AND

SEE, DELILAH... I GET THIS FEELING THAT YOU AND I HAVE SOME STORIES TO LIVE OUT

I GET THIS FEELING THAT YOU AND I HAVE SOME STORIES TO LIVE OUT BETWEEN US.

I HAVE SOME STORIES TO LIVE OUT BETWEEN US. >> WELL, I'M GONNA HAVE TO PUT

BETWEEN US. >> WELL, I'M GONNA HAVE TO PUT YOU BACK ON THE CLOCK.

>> WELL, I'M GONNA HAVE TO PUT YOU BACK ON THE CLOCK. MY BOSS CHECKS THE PHONES.

YOU BACK ON THE CLOCK. MY BOSS CHECKS THE PHONES. >> That's fine with me.

MY BOSS CHECKS THE PHONES. >> That's fine with me. >> MM. REALLY?

>> That's fine with me. >> MM. REALLY? YOU MUST BE A PRETTY WEALTHY

>> MM. REALLY? YOU MUST BE A PRETTY WEALTHY GUY.

YOU MUST BE A PRETTY WEALTHY GUY. $2.99 A MINUTE STARTS TO ADD UP,

GUY. $2.99 A MINUTE STARTS TO ADD UP, YOU KNOW.

$2.99 A MINUTE STARTS TO ADD UP, YOU KNOW. >> [ Chuckles ]

YOU KNOW. >> [ Chuckles ] To travel places you really want

>> [ Chuckles ] To travel places you really want to go...

To travel places you really want to go... IT SOUNDS PRETTY CHEAP TO ME.

to go... IT SOUNDS PRETTY CHEAP TO ME. So...

IT SOUNDS PRETTY CHEAP TO ME. So... SO, WHERE DO YOU WANT TO GO?

So... SO, WHERE DO YOU WANT TO GO? >> OH. [ CHUCKLES ]

SO, WHERE DO YOU WANT TO GO? >> OH. [ CHUCKLES ] JOHN, I THINK YOU HAVE THIS

>> OH. [ CHUCKLES ] JOHN, I THINK YOU HAVE THIS BACKWARDS.

JOHN, I THINK YOU HAVE THIS BACKWARDS. I'M SUPPOSED TO TAKE YOU WHERE

BACKWARDS. I'M SUPPOSED TO TAKE YOU WHERE YOU WANT TO GO.

I'M SUPPOSED TO TAKE YOU WHERE YOU WANT TO GO. >> WHAT DIFFERENCE DOES IT MAKE

YOU WANT TO GO. >> WHAT DIFFERENCE DOES IT MAKE WHO TAKES WHO, JUST AS LONG AS

>> WHAT DIFFERENCE DOES IT MAKE WHO TAKES WHO, JUST AS LONG AS WE GET THERE, RIGHT?

WHO TAKES WHO, JUST AS LONG AS WE GET THERE, RIGHT? ALL RIGHT.

WE GET THERE, RIGHT? ALL RIGHT. UM...

ALL RIGHT. UM... I GOT AN IDEA.

UM... I GOT AN IDEA. >> Yeah? What?

I GOT AN IDEA. >> Yeah? What? >> Yeah. I, uh -- [ Sighs ]

>> Yeah? What? >> Yeah. I, uh -- [ Sighs ] I got to get some fresh air,

>> Yeah. I, uh -- [ Sighs ] I got to get some fresh air, though.

I got to get some fresh air, though. I got to --

though. I got to -- >> WHERE YOU GOING?

I got to -- >> WHERE YOU GOING? >> Up to the roof.

>> WHERE YOU GOING? >> Up to the roof. >> THE ROOF? WHAT ROOF?

>> YOU STILL THERE? >> Yeah, I'm here.

>> I LIKE TO COME UP HERE AT NIGHT SOMETIMES AND THINK. IT'S BEAUTIFUL.

I LIKE TO LOOK AT ALL THE DIFFERENT APARTMENTS... ALL THE PEOPLE INSIDE...

DIFFERENT APARTMENTS... ALL THE PEOPLE INSIDE... >> [ LAUGHING ]

ALL THE PEOPLE INSIDE... >> [ LAUGHING ] >> ...WATCHING TV, EATING,

>> [ LAUGHING ] >> ...WATCHING TV, EATING, LAUGHING...

>> ...WATCHING TV, EATING, LAUGHING... CRYING, ARGUING.

LAUGHING... CRYING, ARGUING. [ CHUCKLES ]

CRYING, ARGUING. [ CHUCKLES ] So many different stories.

[ CHUCKLES ] So many different stories. It's amazing.

So many different stories. It's amazing. Behind every window is a

It's amazing. Behind every window is a different life, a whole other

Behind every window is a different life, a whole other life!

different life, a whole other life! Do you realize that your soul

life! Do you realize that your soul mate...

Do you realize that your soul mate... COULD LIVE RIGHT ACROSS THE

mate... COULD LIVE RIGHT ACROSS THE STREET FROM YOU?

COULD LIVE RIGHT ACROSS THE STREET FROM YOU? OR HE COULD LIVE IN BANGLADESH.

STREET FROM YOU? OR HE COULD LIVE IN BANGLADESH. OR PITTSBURGH.

OR HE COULD LIVE IN BANGLADESH. OR PITTSBURGH. [ CHUCKLES ]

OR PITTSBURGH. [ CHUCKLES ] Okay!

[ CHUCKLES ] Okay! YES.

Okay! YES. LET'S REVERSE THE ROLES!

YES. LET'S REVERSE THE ROLES! You pretend like you're one of

LET'S REVERSE THE ROLES! You pretend like you're one of the guys calling Sweet Talk!

You pretend like you're one of the guys calling Sweet Talk! >> NO. COME ON.

the guys calling Sweet Talk! >> NO. COME ON. >> Seriously! Just try it!

>> NO. COME ON. >> Seriously! Just try it! Just try it.

>> Seriously! Just try it! Just try it. [ Imitates telephone ringing ]

Just try it. [ Imitates telephone ringing ] [ Deep voice ] HI.

[ Imitates telephone ringing ] [ Deep voice ] HI. THIS IS STUD TALK.

[ Deep voice ] HI. THIS IS STUD TALK. JOHN SPEAKING.

THIS IS STUD TALK. JOHN SPEAKING. >> [ CHUCKLES ]

JOHN SPEAKING. >> [ CHUCKLES ] JOHN'S NOT REALLY YOUR NAME, IS

>> [ CHUCKLES ] JOHN'S NOT REALLY YOUR NAME, IS IT?

JOHN'S NOT REALLY YOUR NAME, IS IT? >> [ French accent ] IT'S A NOM

IT? >> [ French accent ] IT'S A NOM DE GUERRE, SO TO SPEAK.

>> [ French accent ] IT'S A NOM DE GUERRE, SO TO SPEAK. SO, TELL ME, MS. DELILAH...

DE GUERRE, SO TO SPEAK. SO, TELL ME, MS. DELILAH... [ Normal voice ] WHAT ARE YOU

SO, TELL ME, MS. DELILAH... [ Normal voice ] WHAT ARE YOU INTERESTED IN TALKING ABOUT?

[ Normal voice ] WHAT ARE YOU INTERESTED IN TALKING ABOUT? >> UM...I DON'T --

INTERESTED IN TALKING ABOUT? >> UM...I DON'T -- I DON'T KNOW.

>> UM...I DON'T -- I DON'T KNOW. I'M NOT REALLY -- I'M NOT VERY

I DON'T KNOW. I'M NOT REALLY -- I'M NOT VERY GOOD AT THIS.

I'M NOT REALLY -- I'M NOT VERY GOOD AT THIS. >> OH, COME ON!

GOOD AT THIS. >> OH, COME ON! COME ON!

>> OH, COME ON! COME ON! YOU WERE RIGHT THERE AT THE

COME ON! YOU WERE RIGHT THERE AT THE TRAIN STATION WITH ME!

YOU WERE RIGHT THERE AT THE TRAIN STATION WITH ME! I KNOW YOU WERE!

TRAIN STATION WITH ME! I KNOW YOU WERE! JUST GO WITH IT.

I KNOW YOU WERE! JUST GO WITH IT. >> OKAY, WHAT IF, UM --

JUST GO WITH IT. >> OKAY, WHAT IF, UM -- Mm, what if it was something out

>> OKAY, WHAT IF, UM -- Mm, what if it was something out of a Russian novel?

Mm, what if it was something out of a Russian novel? >> YES!

of a Russian novel? >> YES! "THE BROTHERS KARAMAZOV."

>> YES! "THE BROTHERS KARAMAZOV." >> OHH, I WAS THINKING TOLSTOY,

"THE BROTHERS KARAMAZOV." >> OHH, I WAS THINKING TOLSTOY, ACTUALLY.

>> OHH, I WAS THINKING TOLSTOY, ACTUALLY. >> AH!

ACTUALLY. >> AH! FOR WHOM THE BELL "TOLSTOYS!"

>> AH! FOR WHOM THE BELL "TOLSTOYS!" >> [ Chuckling ] GOD!

FOR WHOM THE BELL "TOLSTOYS!" >> [ Chuckling ] GOD! >> Okay! Here's what we do!

>> [ Chuckling ] GOD! >> Okay! Here's what we do! WE CREATE EACH OTHER.

>> Okay! Here's what we do! WE CREATE EACH OTHER. ANYBODY WE WANT TO BE.

WE CREATE EACH OTHER. ANYBODY WE WANT TO BE. ANYWHERE WE WANT TO GO.

ANYBODY WE WANT TO BE. ANYWHERE WE WANT TO GO. ALL IT TAKES IS A LITTLE

ANYWHERE WE WANT TO GO. ALL IT TAKES IS A LITTLE IMAGINATION.

ALL IT TAKES IS A LITTLE IMAGINATION. You do this for a living,

IMAGINATION. You do this for a living, remember?

You do this for a living, remember? >> WELL, YEAH.

remember? >> WELL, YEAH. BUT I DON'T USUALLY GET CALLS

>> WELL, YEAH. BUT I DON'T USUALLY GET CALLS FROM GUYS WHO WANT TO GO TO...

BUT I DON'T USUALLY GET CALLS FROM GUYS WHO WANT TO GO TO... train stations in Budapest.

FROM GUYS WHO WANT TO GO TO... train stations in Budapest. >> LET'S GO BACK THERE.

train stations in Budapest. >> LET'S GO BACK THERE. >> The train station?

>> LET'S GO BACK THERE. >> The train station? >> YEAH! YEAH, YEAH, YEAH!

>> The train station? >> YEAH! YEAH, YEAH, YEAH! >> First of all, what am I doing

>> YEAH! YEAH, YEAH, YEAH! >> First of all, what am I doing there?

>> First of all, what am I doing there? >> I don't know yet!

there? >> I don't know yet! I don't know!

>> I don't know yet! I don't know! We're making this up as we go

I don't know! We're making this up as we go along.

We're making this up as we go along. >> WELL, THEN, I'M WEARING A

along. >> WELL, THEN, I'M WEARING A CAPE --

>> WELL, THEN, I'M WEARING A CAPE -- A FUR CAPE.

CAPE -- A FUR CAPE. AND I'M -- MM -- DRIPPING IN

A FUR CAPE. AND I'M -- MM -- DRIPPING IN EMERALDS.

AND I'M -- MM -- DRIPPING IN EMERALDS. >> NICE.

EMERALDS. >> NICE. >> I don't know. It's -- it's --

>> NICE. >> I don't know. It's -- it's -- IT'S A LITTLE DRESSY FOR A TRAIN

>> I don't know. It's -- it's -- IT'S A LITTLE DRESSY FOR A TRAIN STATION, DON'T YOU THINK?

IT'S A LITTLE DRESSY FOR A TRAIN STATION, DON'T YOU THINK? >> WELL, SO WHAT?!

STATION, DON'T YOU THINK? >> WELL, SO WHAT?! IT'S YOUR RAILROAD STATION!

>> WELL, SO WHAT?! IT'S YOUR RAILROAD STATION! PUT IT ON.

IT'S YOUR RAILROAD STATION! PUT IT ON. >> The cape?

PUT IT ON. >> The cape? >> YES! PUT IT ON!

>> The cape? >> YES! PUT IT ON! AND REALLY -- REALLY PUT IT ON.

>> YES! PUT IT ON! AND REALLY -- REALLY PUT IT ON. >> [ SIGHS ]

AND REALLY -- REALLY PUT IT ON. >> [ SIGHS ] OKA-- I HAVE TO GO TO MY CLOSET!

>> [ SIGHS ] OKA-- I HAVE TO GO TO MY CLOSET! >> YOU KNOW WHAT?

OKA-- I HAVE TO GO TO MY CLOSET! >> YOU KNOW WHAT? I WANT MY VOICE IN THE ROOM.

>> YOU KNOW WHAT? I WANT MY VOICE IN THE ROOM. PUT ME ON SPEAKERPHONE.

I WANT MY VOICE IN THE ROOM. PUT ME ON SPEAKERPHONE. >> [ SIGHS ] OKAY, HOLD ON.

PUT ME ON SPEAKERPHONE. >> [ SIGHS ] OKAY, HOLD ON. HOW'S THAT?

>> [ SIGHS ] OKAY, HOLD ON. HOW'S THAT? >> THAT'S GREAT. HOW'S THAT?

HOW'S THAT? >> THAT'S GREAT. HOW'S THAT? >> Oh! Good!

>> THAT'S GREAT. HOW'S THAT? >> Oh! Good! >> Put on your cape!

>> Oh! Good! >> Put on your cape! >> [ Chuckling ] OKAY, OKAY.

>> Put on your cape! >> [ Chuckling ] OKAY, OKAY. [ Muttering ] OH, GOD...

[ EXHALES ] IT'S ON. >> AND WHAT DO YOU GOT ON UNDER

IT'S ON. >> AND WHAT DO YOU GOT ON UNDER THE CAPE?

>> AND WHAT DO YOU GOT ON UNDER THE CAPE? >> UM...

THE CAPE? >> UM... I'M WEARING...

...BEAUTIFUL ANTIQUE... silk underwear. WHAT ABOUT YOU, JOHN?

silk underwear. WHAT ABOUT YOU, JOHN? WHAT ARE YOU WEARING?

WHAT ABOUT YOU, JOHN? WHAT ARE YOU WEARING? >> A BASEBALL UNIFORM.

WHAT ARE YOU WEARING? >> A BASEBALL UNIFORM. >> In the train station!

>> A BASEBALL UNIFORM. >> In the train station! >> JUST THE PANTS.

>> In the train station! >> JUST THE PANTS. >> YOU'RE WALKING AROUND THE

>> JUST THE PANTS. >> YOU'RE WALKING AROUND THE BUDAPEST TRAIN STATION IN A PAIR

>> YOU'RE WALKING AROUND THE BUDAPEST TRAIN STATION IN A PAIR OF BASEBALL PANTS.

BUDAPEST TRAIN STATION IN A PAIR OF BASEBALL PANTS. >> YEAH! WHY NOT?

OF BASEBALL PANTS. >> YEAH! WHY NOT? >> WELL...OKAY.

>> YEAH! WHY NOT? >> WELL...OKAY. WHO ARE YOU, ANYWAY?

>> WELL...OKAY. WHO ARE YOU, ANYWAY? >> HMM. WELL, THAT --

WHO ARE YOU, ANYWAY? >> HMM. WELL, THAT -- THAT WOULD DEPEND...

>> HMM. WELL, THAT -- THAT WOULD DEPEND... ON THE WOMAN IN THE CAPE.

THAT WOULD DEPEND... ON THE WOMAN IN THE CAPE. UH...

ON THE WOMAN IN THE CAPE. UH... I COULD BE -- I COULD BE THE

UH... I COULD BE -- I COULD BE THE STATION MASTER.

I COULD BE -- I COULD BE THE STATION MASTER. I COULD BE A PROFESSIONAL

STATION MASTER. I COULD BE A PROFESSIONAL BASEBALL PLAYER.

I COULD BE A PROFESSIONAL BASEBALL PLAYER. I COULD BE A PASSENGER ON THE

BASEBALL PLAYER. I COULD BE A PASSENGER ON THE TRAIN.

I COULD BE A PASSENGER ON THE TRAIN. I COULD BE A TRAVELING SALESMAN

TRAIN. I COULD BE A TRAVELING SALESMAN SELLING UNDERWEAR!

I COULD BE A TRAVELING SALESMAN SELLING UNDERWEAR! I DON'T KNOW! PICK ONE!

SELLING UNDERWEAR! I DON'T KNOW! PICK ONE! >> HOW'D YOU LIKE TO BE SOMEONE

I DON'T KNOW! PICK ONE! >> HOW'D YOU LIKE TO BE SOMEONE DANGEROUS?

>> HOW'D YOU LIKE TO BE SOMEONE DANGEROUS? >> COOL. YES.

DANGEROUS? >> COOL. YES. AN ASSASSIN.

>> COOL. YES. AN ASSASSIN. >> A-A MURDERER?

AN ASSASSIN. >> A-A MURDERER? >> A professional murderer.

>> A-A MURDERER? >> A professional murderer. >> LIKE A CONTRACT KILLER.

>> A professional murderer. >> LIKE A CONTRACT KILLER. >> YES!

>> LIKE A CONTRACT KILLER. >> YES! OKAY.

>> YES! OKAY. NOW WE'RE STARTING TO COOK.

OKAY. NOW WE'RE STARTING TO COOK. >> What about me? Do I --

NOW WE'RE STARTING TO COOK. >> What about me? Do I -- I get to choose who I want to

>> What about me? Do I -- I get to choose who I want to be, right?

I get to choose who I want to be, right? >> OF COURSE! ANYBODY YOU WANT.

be, right? >> OF COURSE! ANYBODY YOU WANT. >> I want to be a contessa!

>> OF COURSE! ANYBODY YOU WANT. >> I want to be a contessa! Yeah.

>> I want to be a contessa! Yeah. I want to be a very...

Yeah. I want to be a very... VERY WEALTHY CONTESSA.

I want to be a very... VERY WEALTHY CONTESSA. >> That's awesome! Yes!

VERY WEALTHY CONTESSA. >> That's awesome! Yes! Yes! This is great!

>> That's awesome! Yes! Yes! This is great! ALL RIGHT.

Yes! This is great! ALL RIGHT. WHAT DO WE HAVE SO FAR?

ALL RIGHT. WHAT DO WE HAVE SO FAR? WE HAVE A-A WEALTHY CONTESSA

WHAT DO WE HAVE SO FAR? WE HAVE A-A WEALTHY CONTESSA WAITING IN A TRAIN STATION FOR

WE HAVE A-A WEALTHY CONTESSA WAITING IN A TRAIN STATION FOR AN ASSASSIN.

WAITING IN A TRAIN STATION FOR AN ASSASSIN. IT'S SNOWING OUTSIDE.

AN ASSASSIN. IT'S SNOWING OUTSIDE. Uh, you're wearing nothing but a

IT'S SNOWING OUTSIDE. Uh, you're wearing nothing but a cape with antique underwear.

What else?! What else? >> U-UM... HMM. WHAT IF THEY, UH --

>> U-UM... HMM. WHAT IF THEY, UH -- WHAT IF THEY HAVE, LIKE, UM --

HMM. WHAT IF THEY, UH -- WHAT IF THEY HAVE, LIKE, UM -- LIKE, A RENDEZVOUS?

WHAT IF THEY HAVE, LIKE, UM -- LIKE, A RENDEZVOUS? UM, THEY'RE -- THEY'RE RUNNING

LIKE, A RENDEZVOUS? UM, THEY'RE -- THEY'RE RUNNING AWAY TOGETHER TO VIENNA AFTER...

UM, THEY'RE -- THEY'RE RUNNING AWAY TOGETHER TO VIENNA AFTER... >> YES. YES. AFTER WHAT?

AWAY TOGETHER TO VIENNA AFTER... >> YES. YES. AFTER WHAT? >> After he knocks off the

>> YES. YES. AFTER WHAT? >> After he knocks off the count!

>> After he knocks off the count! I mean, he's an assassin, right?

count! I mean, he's an assassin, right? He's got to assassinate

I mean, he's an assassin, right? He's got to assassinate somebody!

He's got to assassinate somebody! >> GOD DAMN RIGHT HE DOES!

somebody! >> GOD DAMN RIGHT HE DOES! AND THIS GUY IS GOOD, TOO.

>> GOD DAMN RIGHT HE DOES! AND THIS GUY IS GOOD, TOO. HE'S THE BEST.

AND THIS GUY IS GOOD, TOO. HE'S THE BEST. HE CHARGES A LOT OF MONEY, AND

HE'S THE BEST. HE CHARGES A LOT OF MONEY, AND HE ALWAYS GETS HIS MAN.

HE CHARGES A LOT OF MONEY, AND HE ALWAYS GETS HIS MAN. WHAT YEAR ARE WE IN?

HE ALWAYS GETS HIS MAN. WHAT YEAR ARE WE IN? >> [ Sighs ]

WHAT YEAR ARE WE IN? >> [ Sighs ] 1914.

>> [ Sighs ] 1914. IT WAS A GOOD YEAR FOR

1914. IT WAS A GOOD YEAR FOR ASSASSINATIONS -- IT WAS THE

IT WAS A GOOD YEAR FOR ASSASSINATIONS -- IT WAS THE YEAR ARCHDUKE FRANZ FERDINAND

ASSASSINATIONS -- IT WAS THE YEAR ARCHDUKE FRANZ FERDINAND WAS SHOT.

YEAR ARCHDUKE FRANZ FERDINAND WAS SHOT. >> Who?

WAS SHOT. >> Who? >> THE HEIR PRESUMPTIVE TO THE

>> Who? >> THE HEIR PRESUMPTIVE TO THE AUSTRO-HUNGARIAN THRONE?

>> THE HEIR PRESUMPTIVE TO THE AUSTRO-HUNGARIAN THRONE? HIS -- HIS DEATH STARTED

AUSTRO-HUNGARIAN THRONE? HIS -- HIS DEATH STARTED WORLD WAR I?

HIS -- HIS DEATH STARTED WORLD WAR I? >> THIS IS GREAT.

WORLD WAR I? >> THIS IS GREAT. THIS IS GOOD SHIT.

>> THIS IS GREAT. THIS IS GOOD SHIT. >> YEAH, THE WHOLE WORLD WAS ON

THIS IS GOOD SHIT. >> YEAH, THE WHOLE WORLD WAS ON THE PRECIPICE OF DISASTER.

>> YEAH, THE WHOLE WORLD WAS ON THE PRECIPICE OF DISASTER. >> SO MUCH THE BETTER.

HOW DOES HE KNOCK OFF THE COUNT? >> In a duel.

>> CLEAR THROUGH THE HEART. ONE SHOT. BOOM.

NOW -- NOW THERE'S A PRICE ON HIS HEAD. SHE'S WAITING IN THE TRAIN

NOW THERE'S A PRICE ON HIS HEAD. SHE'S WAITING IN THE TRAIN STATION.

SHE'S WAITING IN THE TRAIN STATION. SHE...DOESN'T KNOW IF HE'S EVEN

STATION. SHE...DOESN'T KNOW IF HE'S EVEN GONNA SHOW UP.

SHE...DOESN'T KNOW IF HE'S EVEN GONNA SHOW UP. SHE DOESN'T KNOW IF HE WAS

GONNA SHOW UP. SHE DOESN'T KNOW IF HE WAS CAUGHT IN A POLICE ROADBLOCK...

SHE DOESN'T KNOW IF HE WAS CAUGHT IN A POLICE ROADBLOCK... If he was shot in an ambush,

CAUGHT IN A POLICE ROADBLOCK... If he was shot in an ambush, okay?

If he was shot in an ambush, okay? >> OKAY.

>> HE THINKS OF HER... IN HER CAPE... AND HER PALE SKIN...

IN HER CAPE... AND HER PALE SKIN... her -- her hands...

AND HER PALE SKIN... her -- her hands... sure and cool...

her -- her hands... sure and cool... and her perfume.

sure and cool... and her perfume. [ Sniffs ]

and her perfume. [ Sniffs ] He was powerless against it.

[ Sniffs ] He was powerless against it. [ Chuckles ]

He was powerless against it. [ Chuckles ] That's why he provoked the

[ Chuckles ] That's why he provoked the count.

That's why he provoked the count. It was all because of the way

count. It was all because of the way she smelled.

It was all because of the way she smelled. [ CHUCKLES ]

she smelled. [ CHUCKLES ] AND THE WAY SHE LOOKED AT HIM.

HE KNEW -- HE KNEW SHE WOULD BE THERE WAITING FOR HIM AT THE TRAIN STATION.

THERE WAITING FOR HIM AT THE TRAIN STATION. You athere, aren't you?

TRAIN STATION. You athere, aren't you? >> YES.

You athere, aren't you? >> YES. >> What's it like?

>> YES. >> What's it like? TELL ME.

>> IT'S OLD... AND DIMLY LIT. IT'S SO QUIET, YOU COULD HEAR

AND DIMLY LIT. IT'S SO QUIET, YOU COULD HEAR THE SNOW FALLING OUTSIDE.

IT'S SO QUIET, YOU COULD HEAR THE SNOW FALLING OUTSIDE. [ CRACKLING ]

THE SNOW FALLING OUTSIDE. [ CRACKLING ] THE ONLY OTHER NOISE IS THE COAL

[ CRACKLING ] THE ONLY OTHER NOISE IS THE COAL BURNING IN THE GRATE AND THE

THE ONLY OTHER NOISE IS THE COAL BURNING IN THE GRATE AND THE WIND MAKING THE TIMBERS CREAK.

THE TICKET WINDOW IS CLOSED DUE TO THE STORM. [ CLOCK TICKING ]

TO THE STORM. [ CLOCK TICKING ] NO ONE KNOWS IF THE TRAIN WILL

[ CLOCK TICKING ] NO ONE KNOWS IF THE TRAIN WILL STOP.

NO ONE KNOWS IF THE TRAIN WILL STOP. NO ONE EVEN KNOWS IF THE TRAIN

STOP. NO ONE EVEN KNOWS IF THE TRAIN WILL GET THROUGH.

I'M ALONE. WHO ELSE WOULD BE WAITING FOR A TRAIN AT THIS HOUR?

WHO ELSE WOULD BE WAITING FOR A TRAIN AT THIS HOUR? >> WHAT ABOUT THE ASSASSIN?

TRAIN AT THIS HOUR? >> WHAT ABOUT THE ASSASSIN? >> HE'S ON HIS WAY...

>> WHAT ABOUT THE ASSASSIN? >> HE'S ON HIS WAY... SLIPPING THROUGH ROADBLOCKS.

OH, NO. OH, NO. >> WHAT? >> OH, HE'S THERE.

>> WHAT? >> OH, HE'S THERE. >> WHO'S THERE?

>> OH, HE'S THERE. >> WHO'S THERE? >> UH, THE MAN.

>> WHO'S THERE? >> UH, THE MAN. >> WHAT MAN?

>> UH, THE MAN. >> WHAT MAN? >> THE SILENT MAN.

>> WHAT MAN? >> THE SILENT MAN. >> Who's that?

>> THE SILENT MAN. >> Who's that? >> IT'S -- OH, GOD.

>> Who's that? >> IT'S -- OH, GOD. IT'S THIS MAN.

>> IT'S -- OH, GOD. IT'S THIS MAN. HE -- HE ALWAYS SHOWS UP.

IT'S THIS MAN. HE -- HE ALWAYS SHOWS UP. >> WHAT'S HE DOING THERE?

HE -- HE ALWAYS SHOWS UP. >> WHAT'S HE DOING THERE? >> I DON'T KNOW.

>> WHAT'S HE DOING THERE? >> I DON'T KNOW. HE'S STARING AT ME?

>> I DON'T KNOW. HE'S STARING AT ME? I DON'T KNOW!

HE'S STARING AT ME? I DON'T KNOW! WHAT THE HELL IS HE DOING?

I DON'T KNOW! WHAT THE HELL IS HE DOING? >> YOU DON'T KNOW?

WHAT THE HELL IS HE DOING? >> YOU DON'T KNOW? >> SHIT! I DON'T --

>> YOU DON'T KNOW? >> SHIT! I DON'T -- I DON'T WANT HIM HERE!

>> SHIT! I DON'T -- I DON'T WANT HIM HERE! >> WELL, GET RID OF HIM!

I DON'T WANT HIM HERE! >> WELL, GET RID OF HIM! IT'S YOUR TRAIN STATION!

>> WELL, GET RID OF HIM! IT'S YOUR TRAIN STATION! >> I can't!

IT'S YOUR TRAIN STATION! >> I can't! >> TELL HIM TO GET THE FUCK OUT

>> I can't! >> TELL HIM TO GET THE FUCK OUT OF THERE!

>> TELL HIM TO GET THE FUCK OUT OF THERE! >> HEY.

OF THERE! >> HEY. THIS IS BUDAPEST.

I RUN THINGS HERE, OKAY? SO GET OUT OF HERE.

DO YOU HEAR ME?

He won't go. He's not moving. Shit! [ SIGHS ] YOU KNOW WHAT?

Shit! [ SIGHS ] YOU KNOW WHAT? LET'S JUST -- LET'S JUST FORGET

[ SIGHS ] YOU KNOW WHAT? LET'S JUST -- LET'S JUST FORGET THIS.

LET'S JUST -- LET'S JUST FORGET THIS. >> NO. NO, NO, NO, NO, NO.

THIS. >> NO. NO, NO, NO, NO, NO. DON'T ST-- WE CAN'T STOP NOW.

>> NO. NO, NO, NO, NO, NO. DON'T ST-- WE CAN'T STOP NOW. THIS IS JUST GETTING

DON'T ST-- WE CAN'T STOP NOW. THIS IS JUST GETTING INTERESTING.

THIS IS JUST GETTING INTERESTING. >> NO, IT'S NOT.

INTERESTING. >> NO, IT'S NOT. >> It is. It is!

>> NO, IT'S NOT. >> It is. It is! What is the silent man doing

>> It is. It is! What is the silent man doing there?

What is the silent man doing there? >> I DON'T -- HE JUST --

there? >> I DON'T -- HE JUST -- I DON'T KNOW.

>> I DON'T -- HE JUST -- I DON'T KNOW. HE -- HE JUST APPEARS WHEN I

I DON'T KNOW. HE -- HE JUST APPEARS WHEN I DON'T WANT HIM TO, AND I CAN'T

HE -- HE JUST APPEARS WHEN I DON'T WANT HIM TO, AND I CAN'T GET RID OF HIM.

DON'T WANT HIM TO, AND I CAN'T GET RID OF HIM. >> LOOK. [ SIGHS ]

GET RID OF HIM. >> LOOK. [ SIGHS ] PEOPLE JUST DON'T WANDER INTO A

>> LOOK. [ SIGHS ] PEOPLE JUST DON'T WANDER INTO A TRAIN STATION IN BUDAPEST FOR NO

PEOPLE JUST DON'T WANDER INTO A TRAIN STATION IN BUDAPEST FOR NO REASON.

TRAIN STATION IN BUDAPEST FOR NO REASON. There's got to be a reason he's

REASON. There's got to be a reason he's there!

There's got to be a reason he's there! >> OH! ALL RIGHT!

there! >> OH! ALL RIGHT! WELL, YOU'RE A SHRINK NOW?

>> OH! ALL RIGHT! WELL, YOU'RE A SHRINK NOW? >> Look, I'm not -- [ Sighs ]

WELL, YOU'RE A SHRINK NOW? >> Look, I'm not -- [ Sighs ] I'M ON YOUR SIDE, HERE.

>> Look, I'm not -- [ Sighs ] I'M ON YOUR SIDE, HERE. >> RIGHT. [ SIGHS ]

I'M ON YOUR SIDE, HERE. >> RIGHT. [ SIGHS ] >> ALL RIGHT.

>> RIGHT. [ SIGHS ] >> ALL RIGHT. LET'S GO BACK THERE.

>> ALL RIGHT. LET'S GO BACK THERE. LET'S -- LET'S GO BACK AND SEE

LET'S GO BACK THERE. LET'S -- LET'S GO BACK AND SEE WHAT HAPPENS.

LET'S -- LET'S GO BACK AND SEE WHAT HAPPENS. >> I don't want to.

WHAT HAPPENS. >> I don't want to. [ TELEPHONE RINGING ]

>> I don't want to. [ TELEPHONE RINGING ] HOLD ON. HOLD ON!

[ TELEPHONE RINGING ] HOLD ON. HOLD ON! YOU HAVE THE WRONG NUMBER.

HOLD ON. HOLD ON! YOU HAVE THE WRONG NUMBER. SORRY!

YOU HAVE THE WRONG NUMBER. SORRY! >> Let's go back at dawn.

SORRY! >> Let's go back at dawn. THE LIGHT IS -- IS SPECIAL THEN.

>> Let's go back at dawn. THE LIGHT IS -- IS SPECIAL THEN. YOU'LL LOVE IT.

THE LIGHT IS -- IS SPECIAL THEN. YOU'LL LOVE IT. AND, BESIDES, THE -- THE TRAIN

YOU'LL LOVE IT. AND, BESIDES, THE -- THE TRAIN NEEDS TIME TO GET THROUGH THE

AND, BESIDES, THE -- THE TRAIN NEEDS TIME TO GET THROUGH THE SNOWBANKS, RIGHT?

NEEDS TIME TO GET THROUGH THE SNOWBANKS, RIGHT? >> ARE YOU SERIOUS?

SNOWBANKS, RIGHT? >> ARE YOU SERIOUS? >> IT'S THE HOUR OF DUELS AND

>> ARE YOU SERIOUS? >> IT'S THE HOUR OF DUELS AND EXECUTIONS, WHERE EVERYTHING IS

>> IT'S THE HOUR OF DUELS AND EXECUTIONS, WHERE EVERYTHING IS POSSIBLE.

EXECUTIONS, WHERE EVERYTHING IS POSSIBLE. We'll get some rest, and we'll

POSSIBLE. We'll get some rest, and we'll go back.

We'll get some rest, and we'll go back. Call me at dawn.

go back. Call me at dawn. >> I DON'T HAVE YOUR NUMBER.

Call me at dawn. >> I DON'T HAVE YOUR NUMBER. >> I'M IN THE BOOK.

>> I DON'T HAVE YOUR NUMBER. >> I'M IN THE BOOK. SAMSON. NO "P." THIRD ONE DOWN.

>> I'M IN THE BOOK. SAMSON. NO "P." THIRD ONE DOWN. >> Samson?

SAMSON. NO "P." THIRD ONE DOWN. >> Samson? SAMSON. THAT'S REALLY YOUR NAME.

>> Samson? SAMSON. THAT'S REALLY YOUR NAME. >> WHY DO YOU THINK I CALLED

SAMSON. THAT'S REALLY YOUR NAME. >> WHY DO YOU THINK I CALLED YOU?

>> WHY DO YOU THINK I CALLED YOU? >> WELL, I CAN'T CALL YOU.

YOU? >> WELL, I CAN'T CALL YOU. MY BOSS CHECKS THE PHONES.

>> WELL, I CAN'T CALL YOU. MY BOSS CHECKS THE PHONES. I WOULD GET FIRED.

MY BOSS CHECKS THE PHONES. I WOULD GET FIRED. >> WE DON'T GO ANYWHERE

I WOULD GET FIRED. >> WE DON'T GO ANYWHERE WORTHWHILE WITHOUT TAKING A

>> WE DON'T GO ANYWHERE WORTHWHILE WITHOUT TAKING A LITTLE RISK.

WORTHWHILE WITHOUT TAKING A LITTLE RISK. >> WHY CAN'T YOU CALL ME?

LITTLE RISK. >> WHY CAN'T YOU CALL ME? >> I could!

>> WHY CAN'T YOU CALL ME? >> I could! But I'm not going to.

>> I could! But I'm not going to. SAMSON. NO "P." THIRD ONE DOWN.

But I'm not going to. SAMSON. NO "P." THIRD ONE DOWN. SEE YOU AT DAWN.

>> HELLO? [ CLOCK TICKING ] [ SIGHS ]

[ INHALES ] [ SIGHS SOFTLY ] [ CHUCKLES SOFTLY ]

I DON'T FUCKING BELIEVE THIS.

>> [ WHISTLES ] DON'T WAIT UP, LEON.

OH, HEY! HEY, COME HERE! COME HERE! COME HERE!

COME HERE! COME HERE! COME HERE!

COME HERE! COME HERE! COME ON! COME ON!

COME HERE! COME ON! COME ON! [ DOG WHINING ]

[ DOG WHINING ] HOW YOU DOING? HOW YOU DOING?

HOW YOU DOING? HOW YOU DOING? WHAT ARE YOU DOING?

WHAT ARE YOU DOING? HOW YOU DOING TONIGHT, HUH?

HOW YOU DOING TONIGHT, HUH? HOW YOU DOING? YOU HANGING OUT?

HOW YOU DOING? YOU HANGING OUT? WAIT. WHERE YOU GOING?

WAIT. WHERE YOU GOING? [ DOG WHINES ]

[ DOG WHINES ] WHERE YOU GOING?

[ OPERA MUSIC PLAYING ]

[ TELEPHONE RINGING ]

>> GOOD MORNING. WHAT? OH. NO, NO. NO, NO. WE'RE -- WE'RE DOWN RIGHT NOW.

WHAT? OH. NO, NO. NO, NO. WE'RE -- WE'RE DOWN RIGHT NOW. I'M SORRY.

WE'RE -- WE'RE DOWN RIGHT NOW. I'M SORRY. YE-- COMPUTER MALFUNCTION. YEAH.

I'M SORRY. YE-- COMPUTER MALFUNCTION. YEAH. UH, WHY DON'T YOU CALL BACK AT

YE-- COMPUTER MALFUNCTION. YEAH. UH, WHY DON'T YOU CALL BACK AT NOON AND TALK TO GINNY?

UH, WHY DON'T YOU CALL BACK AT NOON AND TALK TO GINNY? [ SIGHS ]

NOON AND TALK TO GINNY? [ SIGHS ] TAKE A COLD SHOWER.

[ SIGHS ] TAKE A COLD SHOWER. [ BEEP ]

[ TELEPHONE RINGING ]

>> HELLO? >> Uh, it's me. >> YOU!

>> Uh, it's me. >> YOU! >> DELILAH.

>> YOU! >> DELILAH. REMEMBER?

>> DELILAH. REMEMBER? B-BUDAPEST, THE CONTESSA, TRAIN

REMEMBER? B-BUDAPEST, THE CONTESSA, TRAIN STATION, FUR COAT?

B-BUDAPEST, THE CONTESSA, TRAIN STATION, FUR COAT? >> Yes! Morning!

STATION, FUR COAT? >> Yes! Morning! >> HI! DID I WAKE YOU?

>> Yes! Morning! >> HI! DID I WAKE YOU? >> MNH-MNH!

>> HI! DID I WAKE YOU? >> MNH-MNH! NO!

>> MNH-MNH! NO! NO, I'M ALWAYS UP...

NO! NO, I'M ALWAYS UP... THIS EARLY WHEN A BEAUTIFUL

NO, I'M ALWAYS UP... THIS EARLY WHEN A BEAUTIFUL WOMAN IS WAITING FOR ME AT A

THIS EARLY WHEN A BEAUTIFUL WOMAN IS WAITING FOR ME AT A TRAIN STATION.

THE SUN'S UP. >> YEAH, LOOKS LIKE IT. SO, YOU WANT TO DO THIS?

>> YEAH, LOOKS LIKE IT. SO, YOU WANT TO DO THIS? >> Yeah! Yes. Yes! Absolutely!

SO, YOU WANT TO DO THIS? >> Yeah! Yes. Yes! Absolutely! HANG ON.

>> Yeah! Yes. Yes! Absolutely! HANG ON. HANG ON. [ SNIFFS ]

HANG ON. HANG ON. [ SNIFFS ] OKAY. YES. LET'S DO THIS.

HANG ON. [ SNIFFS ] OKAY. YES. LET'S DO THIS. >> OKAY.

OKAY. YES. LET'S DO THIS. >> OKAY. HOW DO WE START?

>> OKAY. HOW DO WE START? >> WE, UH --

HOW DO WE START? >> WE, UH -- WE SET THE SCENE.

>> WE, UH -- WE SET THE SCENE. WHAT YEAR ARE WE IN AGAIN?

WE SET THE SCENE. WHAT YEAR ARE WE IN AGAIN? >> 1914.

WHAT YEAR ARE WE IN AGAIN? >> 1914. >> Yes!

>> 1914. >> Yes! YES.

>> Yes! YES. THE WORLD...

YES. THE WORLD... IS ON THE PRECIPICE OF DISASTER.

THE WORLD... IS ON THE PRECIPICE OF DISASTER. >> YES.

IS ON THE PRECIPICE OF DISASTER. >> YES. I'M WAITING FOR YOU IN THE

>> YES. I'M WAITING FOR YOU IN THE RAILROAD STATION.

I'M WAITING FOR YOU IN THE RAILROAD STATION. >> Wait! No, no! Slow down.

RAILROAD STATION. >> Wait! No, no! Slow down. WE HAVEN'T GOT THERE YET!

>> Wait! No, no! Slow down. WE HAVEN'T GOT THERE YET! WE HAVE TO -- WE HAVE TO MEET

WE HAVEN'T GOT THERE YET! WE HAVE TO -- WE HAVE TO MEET FIRST!

WE HAVE TO -- WE HAVE TO MEET FIRST! >> Oh. Where do we meet?

FIRST! >> Oh. Where do we meet? >> UH...AT A PARTY...

>> Oh. Where do we meet? >> UH...AT A PARTY... IN A MANSION JUST OUTSIDE OF

>> UH...AT A PARTY... IN A MANSION JUST OUTSIDE OF TOWN.

IN A MANSION JUST OUTSIDE OF TOWN. IT'S, UH -- IT'S A WINTER NIGHT.

TOWN. IT'S, UH -- IT'S A WINTER NIGHT. IT'S UNSEASONABLY WARM FOR

IT'S, UH -- IT'S A WINTER NIGHT. IT'S UNSEASONABLY WARM FOR MARCH, BUT THERE IS A SMELL OF

IT'S UNSEASONABLY WARM FOR MARCH, BUT THERE IS A SMELL OF SNOW IN THE AIR.

MARCH, BUT THERE IS A SMELL OF SNOW IN THE AIR. >> WHAT SHOULD I BE WEARING?

SNOW IN THE AIR. >> WHAT SHOULD I BE WEARING? >> UH...

>> WHAT SHOULD I BE WEARING? >> UH... HOW ABOUT SOMETHING FROM...

>> UH... HOW ABOUT SOMETHING FROM... CHANEL?

HOW ABOUT SOMETHING FROM... CHANEL? >> CHANEL WAS MORE 1920s.

CHANEL? >> CHANEL WAS MORE 1920s. LET'S DO SOMETHING, UM --

>> CHANEL WAS MORE 1920s. LET'S DO SOMETHING, UM -- LET'S DO SOMETHING EDWARDIAN.

LET'S DO SOMETHING, UM -- LET'S DO SOMETHING EDWARDIAN. >> Great!

LET'S DO SOMETHING EDWARDIAN. >> Great! SOUNDS GREAT.

>> Great! SOUNDS GREAT. [ CHUCKLES ]

SOUNDS GREAT. [ CHUCKLES ] >> AND WHAT ABOUT YOU?

[ CHUCKLES ] >> AND WHAT ABOUT YOU? WHAT ARE YOU WEARING?

>> AND WHAT ABOUT YOU? WHAT ARE YOU WEARING? DON'T SAY BASEBALL UNIFORM.

WHAT ARE YOU WEARING? DON'T SAY BASEBALL UNIFORM. >> [ Chuckles ]

DON'T SAY BASEBALL UNIFORM. >> [ Chuckles ] I THINK I HAVE JUST THE THING.

>> [ Chuckles ] I THINK I HAVE JUST THE THING. >> What is it?

I THINK I HAVE JUST THE THING. >> What is it? >> A TUXEDO.

>> What is it? >> A TUXEDO. >> Ooh, classy.

>> A TUXEDO. >> Ooh, classy. >> YEAH.

>> Ooh, classy. >> YEAH. >> Do you have a sword?

>> YEAH. >> Do you have a sword? >> I DON'T KNOW!

>> Do you have a sword? >> I DON'T KNOW! AM I GONNA NEED ONE?

>> I DON'T KNOW! AM I GONNA NEED ONE? >> I THINK YOU MIGHT!

AM I GONNA NEED ONE? >> I THINK YOU MIGHT! AND I THINK IT'S GONNA HAVE TO

>> I THINK YOU MIGHT! AND I THINK IT'S GONNA HAVE TO BE SHARP ENOUGH TO DECAPITATE MY

AND I THINK IT'S GONNA HAVE TO BE SHARP ENOUGH TO DECAPITATE MY HUSBAND.

BE SHARP ENOUGH TO DECAPITATE MY HUSBAND. HE'S VERY JEALOUS.

HUSBAND. HE'S VERY JEALOUS. YOU KNOW, HE ONCE HAD A GARDENER

HE'S VERY JEALOUS. YOU KNOW, HE ONCE HAD A GARDENER BADLY BEATEN FOR STARING AT ME.

YOU KNOW, HE ONCE HAD A GARDENER BADLY BEATEN FOR STARING AT ME. >> WELL, MEN SHOULD NOT MARRY

BADLY BEATEN FOR STARING AT ME. >> WELL, MEN SHOULD NOT MARRY BEAUTIFUL WOMEN IF THEY DON'T

>> WELL, MEN SHOULD NOT MARRY BEAUTIFUL WOMEN IF THEY DON'T WANT THEM STARED AT.

BEAUTIFUL WOMEN IF THEY DON'T WANT THEM STARED AT. >> WELL, THE COUNT HAS FOUGHT

WANT THEM STARED AT. >> WELL, THE COUNT HAS FOUGHT DUELS WITH MEN YOUNGER THAN YOU,

>> WELL, THE COUNT HAS FOUGHT DUELS WITH MEN YOUNGER THAN YOU, AND WON.

DUELS WITH MEN YOUNGER THAN YOU, AND WON. >> AND THAT'S WHERE WE START --

AND WON. >> AND THAT'S WHERE WE START -- THE DUEL...AT DAWN.

>> AND THAT'S WHERE WE START -- THE DUEL...AT DAWN. THE COUNT...HAD SURPRISED US ON

THE DUEL...AT DAWN. THE COUNT...HAD SURPRISED US ON THE TERRACE.

THE COUNT...HAD SURPRISED US ON THE TERRACE. HE THREW DOWN HIS GLOVE.

THE TERRACE. HE THREW DOWN HIS GLOVE. >> NO, WE CAN'T DO THAT, BECAUSE

HE THREW DOWN HIS GLOVE. >> NO, WE CAN'T DO THAT, BECAUSE THE CONTESSA AND THE ASSASSIN

>> NO, WE CAN'T DO THAT, BECAUSE THE CONTESSA AND THE ASSASSIN HAVE NOT YET MET.

THE CONTESSA AND THE ASSASSIN HAVE NOT YET MET. >> BUT WE HAVE TO -- WE HAVE TO

HAVE NOT YET MET. >> BUT WE HAVE TO -- WE HAVE TO FIGHT THE DUEL BEFORE IT GETS

>> BUT WE HAVE TO -- WE HAVE TO FIGHT THE DUEL BEFORE IT GETS TOO LIGHT.

FIGHT THE DUEL BEFORE IT GETS TOO LIGHT. >> FIRST THING'S FIRST -- THE

TOO LIGHT. >> FIRST THING'S FIRST -- THE PARTY.

>> FIRST THING'S FIRST -- THE PARTY. NOW, IF YOU'LL EXCUSE ME...

PARTY. NOW, IF YOU'LL EXCUSE ME... I HAVE TO GO GET DRESSED.

NOW, IF YOU'LL EXCUSE ME... I HAVE TO GO GET DRESSED. [ STRAUSS' "TALES FROM

I HAVE TO GO GET DRESSED. [ STRAUSS' "TALES FROM THE VIENNA WOODS" PLAYING ]

SO, WHAT DO WE SAY? >> NOTHING. EVERYTHING HAS ALREADY BEEN SAID

>> NOTHING. EVERYTHING HAS ALREADY BEEN SAID WITH OUR EYES.

EVERYTHING HAS ALREADY BEEN SAID WITH OUR EYES. >> IT'S BUDAPEST.

WITH OUR EYES. >> IT'S BUDAPEST. 1914.

>> IT'S BUDAPEST. 1914. WORDS ARE INEVITABLE.

THANK YOU. >> YOU'RE VERY BEAUTIFUL. >> I DON'T ACCEPT COMPLIMENTS

>> YOU'RE VERY BEAUTIFUL. >> I DON'T ACCEPT COMPLIMENTS FROM MEN I DON'T KNOW.

>> I DON'T ACCEPT COMPLIMENTS FROM MEN I DON'T KNOW. >> YOU KNOW ME.

FROM MEN I DON'T KNOW. >> YOU KNOW ME. >> I DO?

>> YOU KNOW ME. >> I DO? >> I SAW THE WAY YOU LOOKED AT

>> I DO? >> I SAW THE WAY YOU LOOKED AT ME.

>> I SAW THE WAY YOU LOOKED AT ME. >> THAT'S VERY PRESUMPTUOUS OF

ME. >> THAT'S VERY PRESUMPTUOUS OF YOU.

>> THAT'S VERY PRESUMPTUOUS OF YOU. >> PERHAPS.

YOU. >> PERHAPS. BUT ACCURATE.

>> PERHAPS. BUT ACCURATE. >> MY HUSBAND WILL NOTICE MY

BUT ACCURATE. >> MY HUSBAND WILL NOTICE MY ABSENCE.

>> MY HUSBAND WILL NOTICE MY ABSENCE. >> WHERE IS THE COUNT?

>> HE'S DISCUSSING WAR WITH BARON BELASKA. >> THE PEDERAST?

BARON BELASKA. >> THE PEDERAST? >> THE WEALTHY LANDOWNER.

>> THE PEDERAST? >> THE WEALTHY LANDOWNER. >> IT IS A SHAME TO DISCUSS WAR

>> THE WEALTHY LANDOWNER. >> IT IS A SHAME TO DISCUSS WAR ON A...NIGHT LIKE THIS.

>> IT IS A SHAME TO DISCUSS WAR ON A...NIGHT LIKE THIS. >> PERHAPS, BUT AS YOU KNOW, THE

ON A...NIGHT LIKE THIS. >> PERHAPS, BUT AS YOU KNOW, THE SERBIANS ARE ENCROACHING ON THE

>> PERHAPS, BUT AS YOU KNOW, THE SERBIANS ARE ENCROACHING ON THE EMPIRE'S TERRITORY.

SERBIANS ARE ENCROACHING ON THE EMPIRE'S TERRITORY. >> WELL, THE SERBIANS DON'T

EMPIRE'S TERRITORY. >> WELL, THE SERBIANS DON'T UNDERSTAND WHY THEY SHOULD BE

>> WELL, THE SERBIANS DON'T UNDERSTAND WHY THEY SHOULD BE UNDER THE INFLUENCE OF VIENNA.

UNDERSTAND WHY THEY SHOULD BE UNDER THE INFLUENCE OF VIENNA. >> POLITICS BORE ME...

UNDER THE INFLUENCE OF VIENNA. >> POLITICS BORE ME... [ SCHUBERT'S "AVE MARIA"

>> POLITICS BORE ME... [ SCHUBERT'S "AVE MARIA" PLAYING, MUFFLED ]

[ SCHUBERT'S "AVE MARIA" PLAYING, MUFFLED ] ...AS DO SCHUBERT LIEDER.

>> DO YOU KNOW... THAT YOU'RE EVEN MORE BEAUTIFUL UP CLOSE?

THAT YOU'RE EVEN MORE BEAUTIFUL UP CLOSE? MOST WOMEN CANNOT BEAR CLOSE

UP CLOSE? MOST WOMEN CANNOT BEAR CLOSE SCRUTINY.

MOST WOMEN CANNOT BEAR CLOSE SCRUTINY. >> DO YOU KNOW A LOT OF WOMEN?

SCRUTINY. >> DO YOU KNOW A LOT OF WOMEN? >> I KNOW YOU.

>> YOUR FACE IS HARD. YOU'VE SUFFERED GREATLY. >> NO MORE THAN IS NECESSARY IN

YOU'VE SUFFERED GREATLY. >> NO MORE THAN IS NECESSARY IN MY LINE OF WORK.

>> NO MORE THAN IS NECESSARY IN MY LINE OF WORK. >> WHICH IS...?

MY LINE OF WORK. >> WHICH IS...? >> LET US SAY...

>> WHICH IS...? >> LET US SAY... I AM A FACILITATOR...

>> LET US SAY... I AM A FACILITATOR... OF MEN'S FATES.

>> THE COUNT WILL BE WONDERING WHERE I AM. IF HE FINDS US IN A COMPROMISING

WHERE I AM. IF HE FINDS US IN A COMPROMISING POSITION, HE WILL THROW DOWN HIS

IF HE FINDS US IN A COMPROMISING POSITION, HE WILL THROW DOWN HIS GLOVE.

POSITION, HE WILL THROW DOWN HIS GLOVE. >> SO MUCH THE BETTER.

GLOVE. >> SO MUCH THE BETTER. >> MY DARLING?

>> SO MUCH THE BETTER. >> MY DARLING? >> GOOD EVENING, COUNT!

I'D BE DELIGHTED. >> THE CLEARING TO THE RIGHT OF THE STABLE.

>> THE CLEARING TO THE RIGHT OF THE STABLE. >> ANYWHERE YOU WISH.

THE STABLE. >> ANYWHERE YOU WISH. >> PISTOLS.

>> ANYWHERE YOU WISH. >> PISTOLS. >> OF COURSE!

>> PISTOLS. >> OF COURSE! >> I ASSUME YOU'LL NEED A

>> OF COURSE! >> I ASSUME YOU'LL NEED A SECOND.

>> I ASSUME YOU'LL NEED A SECOND. >> OH, I'M AFRAID I WILL.

SECOND. >> OH, I'M AFRAID I WILL. >> I'LL PROVIDE YOU WITH ONE.

>> OH, I'M AFRAID I WILL. >> I'LL PROVIDE YOU WITH ONE. TILL THEN...

>> I'LL PROVIDE YOU WITH ONE. TILL THEN... SIR.

TILL THEN... SIR. MY DARLING.

SIR. MY DARLING. >> DON'T WORRY.

MY DARLING. >> DON'T WORRY. ONE OF US WILL REMAIN ALIVE TO

>> DON'T WORRY. ONE OF US WILL REMAIN ALIVE TO WORSHIP YOU.

ONE OF US WILL REMAIN ALIVE TO WORSHIP YOU. [ SCHUBERT'S "AVE MARIA"

WORSHIP YOU. [ SCHUBERT'S "AVE MARIA" CONTINUES PLAYING ]

>> ♪ GRATIA PLENA ♪ MARIA, GRATIA PLENA >> THE COUNT HAD NO IDEA HE WAS

♪ MARIA, GRATIA PLENA >> THE COUNT HAD NO IDEA HE WAS DEALING WITH A MAN WHO KNEW A

>> THE COUNT HAD NO IDEA HE WAS DEALING WITH A MAN WHO KNEW A THING OR TWO ABOUT PISTOLS.

IT STARTED TO GROW COLD AT DAWN. MY HEAD WAS STILL TIPSY FROM THE CHAMPAGNE...

MY HEAD WAS STILL TIPSY FROM THE CHAMPAGNE... AND THE SMELL OF YOUR PERFUME.

CHAMPAGNE... AND THE SMELL OF YOUR PERFUME. I TRIED TO FOCUS ON THE

AND THE SMELL OF YOUR PERFUME. I TRIED TO FOCUS ON THE TRAJECTORY OF THE BULLET, TO

I TRIED TO FOCUS ON THE TRAJECTORY OF THE BULLET, TO REDUCE IT ALL TO A TECHNICAL

TRAJECTORY OF THE BULLET, TO REDUCE IT ALL TO A TECHNICAL PROBLEM OF THE PROFESSION.

REDUCE IT ALL TO A TECHNICAL PROBLEM OF THE PROFESSION. AND WHAT WERE YOU DOING AS I WAS

PROBLEM OF THE PROFESSION. AND WHAT WERE YOU DOING AS I WAS CALCULATING THE COORDINATES OF

AND WHAT WERE YOU DOING AS I WAS CALCULATING THE COORDINATES OF YOUR HUSBAND'S HEART?

CALCULATING THE COORDINATES OF YOUR HUSBAND'S HEART? >> I COULD BARELY MAKE YOU OUT

YOUR HUSBAND'S HEART? >> I COULD BARELY MAKE YOU OUT IN THE DISTANCE.

>> I COULD BARELY MAKE YOU OUT IN THE DISTANCE. MY BODY WAS TREMBLING.

IN THE DISTANCE. MY BODY WAS TREMBLING. I WANTED IT TO BE OVER, BUT I

MY BODY WAS TREMBLING. I WANTED IT TO BE OVER, BUT I WANTED IT TO LAST FOREVER.

I WANTED IT TO BE OVER, BUT I WANTED IT TO LAST FOREVER. >> LIKE MAKING LOVE?

WANTED IT TO LAST FOREVER. >> LIKE MAKING LOVE? >> LIKE THE ANTICIPATION OF

>> LIKE MAKING LOVE? >> LIKE THE ANTICIPATION OF MAKING LOVE.

>> LIKE THE ANTICIPATION OF MAKING LOVE. >> THE DUEL BEGAN.

I WALKED AWAY FROM MY RIVAL WITHOUT EMOTION... COLDLY...

WITHOUT EMOTION... COLDLY... LISTENING TO THE BIRDS IN THE

COLDLY... LISTENING TO THE BIRDS IN THE TREES ACROSS THE LAKE.

LISTENING TO THE BIRDS IN THE TREES ACROSS THE LAKE. [ BIRDS CHIRPING ]

TREES ACROSS THE LAKE. [ BIRDS CHIRPING ] INSIDE, I WAS EMPTY.

[ BIRDS CHIRPING ] INSIDE, I WAS EMPTY. [ CHIRPING CONTINUES ]

INSIDE, I WAS EMPTY. [ CHIRPING CONTINUES ] CONCENTRATING...

[ CHIRPING CONTINUES ] CONCENTRATING... ON THE BUSINESS OF SQUEEZING THE

CONCENTRATING... ON THE BUSINESS OF SQUEEZING THE TRIGGER FIRMLY BUT SLOWLY SO

ON THE BUSINESS OF SQUEEZING THE TRIGGER FIRMLY BUT SLOWLY SO THAT THE BULLET WOULD NOT GO OFF

TRIGGER FIRMLY BUT SLOWLY SO THAT THE BULLET WOULD NOT GO OFF TARGET.

THAT THE BULLET WOULD NOT GO OFF TARGET. NOW, TELL ME...

TARGET. NOW, TELL ME... [ PISTOLS COCK ]

NOW, TELL ME... [ PISTOLS COCK ] ...WHAT YOU FEELING AS WE WALKED

[ PISTOLS COCK ] ...WHAT YOU FEELING AS WE WALKED OUR PACES?

...WHAT YOU FEELING AS WE WALKED OUR PACES? >> I'M NOT GONNA TELL YOU.

OUR PACES? >> I'M NOT GONNA TELL YOU. >> YOU WERE WET, WEREN'T YOU?

>> I'M NOT GONNA TELL YOU. >> YOU WERE WET, WEREN'T YOU? >> [ LAUGHS ]

>> YOU WERE WET, WEREN'T YOU? >> [ LAUGHS ] >> BEFORE I FIRED, I WHISPERED

>> [ LAUGHS ] >> BEFORE I FIRED, I WHISPERED YOUR NAME.

>> BEFORE I FIRED, I WHISPERED YOUR NAME. CONTESSA.

YOUR NAME. CONTESSA. [ GUNSHOTS ]

CONTESSA. [ GUNSHOTS ] [ BIRDS CHIRPING ]

[ GUNSHOTS ] [ BIRDS CHIRPING ] >> I SAW THE MEN RUSHING TO MY

[ BIRDS CHIRPING ] >> I SAW THE MEN RUSHING TO MY HUSBAND'S SIDE.

>> I SAW THE MEN RUSHING TO MY HUSBAND'S SIDE. I KNOW THEY WOULDN'T HAVE RUSHED

HUSBAND'S SIDE. I KNOW THEY WOULDN'T HAVE RUSHED FOR YOU.

I KNOW THEY WOULDN'T HAVE RUSHED FOR YOU. THEY WOULD'VE LET YOU BLEED TO

FOR YOU. THEY WOULD'VE LET YOU BLEED TO DEATH.

>> WHAT'S IT LIKE... TO MAKE LOVE TO A MAN WHO HAS YOUR HUSBAND'S BLOOD ON HIS

TO MAKE LOVE TO A MAN WHO HAS YOUR HUSBAND'S BLOOD ON HIS HANDS?

YOUR HUSBAND'S BLOOD ON HIS HANDS? >> HA HA.

HANDS? >> HA HA. I THINK YOU'RE GETTING AHEAD OF

>> HA HA. I THINK YOU'RE GETTING AHEAD OF THE STORY.

I THINK YOU'RE GETTING AHEAD OF THE STORY. >> [ GRUNTS ] OKAY.

THE STORY. >> [ GRUNTS ] OKAY. OKAY, WHERE WERE WE?

>> [ GRUNTS ] OKAY. OKAY, WHERE WERE WE? >> WWERE AT THE TRAIN STATION.

OKAY, WHERE WERE WE? >> WWERE AT THE TRAIN STATION. I WAS WAITING FOR YOU SO THAT WE

>> WWERE AT THE TRAIN STATION. I WAS WAITING FOR YOU SO THAT WE COULD MAKE OUR ESCAPE TOGETHER.

I WAS WAITING FOR YOU SO THAT WE COULD MAKE OUR ESCAPE TOGETHER. >> [ SIGHS ] OKAY.

COULD MAKE OUR ESCAPE TOGETHER. >> [ SIGHS ] OKAY. UH [SNIFFS] THE COUNT'S BROTHER

>> [ SIGHS ] OKAY. UH [SNIFFS] THE COUNT'S BROTHER HAD TRUMPED-UP CHARGES FILED

UH [SNIFFS] THE COUNT'S BROTHER HAD TRUMPED-UP CHARGES FILED AGAINST ME.

HAD TRUMPED-UP CHARGES FILED AGAINST ME. HE CLAIMED I CHEATED IN THE

AGAINST ME. HE CLAIMED I CHEATED IN THE DUEL.

HE CLAIMED I CHEATED IN THE DUEL. UH, THE POLICE COMMISSIONER WAS

DUEL. UH, THE POLICE COMMISSIONER WAS DEEP IN THE COUNT'S POCKET, SO

UH, THE POLICE COMMISSIONER WAS DEEP IN THE COUNT'S POCKET, SO THEY CAME TO MY ROOM.

DEEP IN THE COUNT'S POCKET, SO THEY CAME TO MY ROOM. I FLED OUT THE WINDOW.

THEY CAME TO MY ROOM. I FLED OUT THE WINDOW. IT'S SNOWING MORE HEAVILY.

I FLED OUT THE WINDOW. IT'S SNOWING MORE HEAVILY. THERE'S NO WAY OF KNOWING IF THE

IT'S SNOWING MORE HEAVILY. THERE'S NO WAY OF KNOWING IF THE TRAIN THAT YOU'RE WAITING FOR IS

THERE'S NO WAY OF KNOWING IF THE TRAIN THAT YOU'RE WAITING FOR IS EVEN GONNA GET THROUGH.

TRAIN THAT YOU'RE WAITING FOR IS EVEN GONNA GET THROUGH. YOU HAVE STAKED YOUR LIFE ON ONE

EVEN GONNA GET THROUGH. YOU HAVE STAKED YOUR LIFE ON ONE WILD ROLL OF THE DICE, AND THE

YOU HAVE STAKED YOUR LIFE ON ONE WILD ROLL OF THE DICE, AND THE ODDS ARE AGAINST YOU.

WILD ROLL OF THE DICE, AND THE ODDS ARE AGAINST YOU. I AM -- I AM A WANTED MAN.

ODDS ARE AGAINST YOU. I AM -- I AM A WANTED MAN. AND VIENNA...

I AM -- I AM A WANTED MAN. AND VIENNA... [ BEEP ]

AND VIENNA... [ BEEP ] ...IS A LONG WAY OFF.

ALL THE WAY TO THE STATION, I-I WONDERED IF YOU WOULD BE THERE. IF YOU KNEW THAT SOMEHOW I WOULD

WONDERED IF YOU WOULD BE THERE. IF YOU KNEW THAT SOMEHOW I WOULD MEET YOU THERE.

IF YOU KNEW THAT SOMEHOW I WOULD MEET YOU THERE. AND WE WOULD MAKE OUR ESCAPE

MEET YOU THERE. AND WE WOULD MAKE OUR ESCAPE RIGHT UNDER THE NOSES OF THE

AND WE WOULD MAKE OUR ESCAPE RIGHT UNDER THE NOSES OF THE AUTHORITIES.

RIGHT UNDER THE NOSES OF THE AUTHORITIES. >> WHEN I SAW YOU STANDING THERE

AUTHORITIES. >> WHEN I SAW YOU STANDING THERE IN THE STATION WITH SNOW ON YOUR

>> WHEN I SAW YOU STANDING THERE IN THE STATION WITH SNOW ON YOUR COLLAR [INHALES DEEPLY]

IN THE STATION WITH SNOW ON YOUR COLLAR [INHALES DEEPLY] I RAN TO YOU.

COLLAR [INHALES DEEPLY] I RAN TO YOU. >> I SWEPT YOU UP IN MY ARMS.

I RAN TO YOU. >> I SWEPT YOU UP IN MY ARMS. >> SO DANGEROUS, SO EXCITING.

>> I SWEPT YOU UP IN MY ARMS. >> SO DANGEROUS, SO EXCITING. >> AND THERE...

>> SO DANGEROUS, SO EXCITING. >> AND THERE... THE SLEEPER TO VIENNA WAS

>> AND THERE... THE SLEEPER TO VIENNA WAS FINALLY PULLING IN.

THE SLEEPER TO VIENNA WAS FINALLY PULLING IN. >> WE HID OUT BETWEEN CARS.

FINALLY PULLING IN. >> WE HID OUT BETWEEN CARS. [ SIGHS ]

>> WE HID OUT BETWEEN CARS. [ SIGHS ] I WAS COLD.

[ SIGHS ] I WAS COLD. I HAD NEVER BEEN THAT COLD IN MY

I WAS COLD. I HAD NEVER BEEN THAT COLD IN MY LIFE.

I HAD NEVER BEEN THAT COLD IN MY LIFE. >> IT WAS WORTH IT, THOUGH,

LIFE. >> IT WAS WORTH IT, THOUGH, WASN'T IT?

>> IT WAS WORTH IT, THOUGH, WASN'T IT? FIRST TIME.

WASN'T IT? FIRST TIME. BETWEEN THE CARS.

FIRST TIME. BETWEEN THE CARS. >> [ BREATHING HEAVILY ]

BETWEEN THE CARS. >> [ BREATHING HEAVILY ] >> WITH THE -- WITH THE SNOW...

>> [ BREATHING HEAVILY ] >> WITH THE -- WITH THE SNOW... BLOWING IN YOUR FACE.

>> WITH THE -- WITH THE SNOW... BLOWING IN YOUR FACE. >> I CAN STILL FEEL YOUR MOUTH

BLOWING IN YOUR FACE. >> I CAN STILL FEEL YOUR MOUTH ON MY SKIN.

>> I CAN STILL FEEL YOUR MOUTH ON MY SKIN. >> I WAS TASTING YOU.

ON MY SKIN. >> I WAS TASTING YOU. >> [ SIGHS ]

>> I WAS TASTING YOU. >> [ SIGHS ] YOU WERE DEVOURING ME.

>> [ SIGHS ] YOU WERE DEVOURING ME. >> I COULDN'T GET ENOUGH OF YOU.

YOU WERE DEVOURING ME. >> I COULDN'T GET ENOUGH OF YOU. >> [ SIGHS ] WE WERE SO HUNGRY.

>> I COULDN'T GET ENOUGH OF YOU. >> [ SIGHS ] WE WERE SO HUNGRY. >> RAVENOUS!

>> [ SIGHS ] WE WERE SO HUNGRY. >> RAVENOUS! >> [ SIGHS ]

>> RAVENOUS! >> [ SIGHS ] >> IT WAS INSANE.

>> [ SIGHS ] >> IT WAS INSANE. >> IT WAS AMAZING!

>> IT WAS INSANE. >> IT WAS AMAZING! >> [ BREATHING HEAVILY ]

>> IT WAS AMAZING! >> [ BREATHING HEAVILY ] WE COULD'VE KILLED EACH OTHER.

>> [ BREATHING HEAVILY ] WE COULD'VE KILLED EACH OTHER. WE COULD'VE FALLEN DOWN THE ROW

WE COULD'VE KILLED EACH OTHER. WE COULD'VE FALLEN DOWN THE ROW OF CARS.

WE COULD'VE FALLEN DOWN THE ROW OF CARS. >> BUT WE STAYED ALIVE!

OF CARS. >> BUT WE STAYED ALIVE! >> IT WAS LIKE A DANCE WITH

>> BUT WE STAYED ALIVE! >> IT WAS LIKE A DANCE WITH DEATH!

>> IT WAS LIKE A DANCE WITH DEATH! [ SIGHS ]

HELLO? ARE YOU THERE? HEY.

ARE YOU THERE? HEY. HEY, HEY, HEY, HEY.

HEY. HEY, HEY, HEY, HEY. DON'T C-- DON'T CUT OUT ON ME

HEY, HEY, HEY, HEY. DON'T C-- DON'T CUT OUT ON ME NOW.

DON'T C-- DON'T CUT OUT ON ME NOW. YOU'RE NOT GONNA CUT OUT ON ME,

NOW. YOU'RE NOT GONNA CUT OUT ON ME, ARE YOU?

YOU'RE NOT GONNA CUT OUT ON ME, ARE YOU? >> It's over.

ARE YOU? >> It's over. >> WHAT?

>> It's over. >> WHAT? >> That's it.

>> WHAT? >> That's it. That's all she wrote.

>> That's it. That's all she wrote. >> WHAT DO YOU MEAN IT'S OVER?

That's all she wrote. >> WHAT DO YOU MEAN IT'S OVER? NO, WHAT ARE YOU -- WHAT -- WHAT

>> WHAT DO YOU MEAN IT'S OVER? NO, WHAT ARE YOU -- WHAT -- WHAT ABOUT VIENNA?

NO, WHAT ARE YOU -- WHAT -- WHAT ABOUT VIENNA? >> LIKE THE MAN SAID, POST

ABOUT VIENNA? >> LIKE THE MAN SAID, POST COITUM --

>> LIKE THE MAN SAID, POST COITUM -- >> Yeah, yeah, yeah.

COITUM -- >> Yeah, yeah, yeah. No, I -- that's old news.

>> Yeah, yeah, yeah. No, I -- that's old news. I've heard that before.

No, I -- that's old news. I've heard that before. Slam, bam, thank you, ma'am.

I've heard that before. Slam, bam, thank you, ma'am. Really?

Slam, bam, thank you, ma'am. Really? >> HARDLY. [ BLOWS ]

Really? >> HARDLY. [ BLOWS ] GAVE YOU A WHOLE BALKAN WAR AS

>> HARDLY. [ BLOWS ] GAVE YOU A WHOLE BALKAN WAR AS FOREPLAY.

GAVE YOU A WHOLE BALKAN WAR AS FOREPLAY. >> WELL, THAT WASN'T ENOUGH.

FOREPLAY. >> WELL, THAT WASN'T ENOUGH. >> WHAT DO YOU WANT ME TO DO?

>> WELL, THAT WASN'T ENOUGH. >> WHAT DO YOU WANT ME TO DO? YOU WANT ME TO -- TO HOLD YOU

>> WHAT DO YOU WANT ME TO DO? YOU WANT ME TO -- TO HOLD YOU AND TELL YOU I LOVE YOU?

YOU WANT ME TO -- TO HOLD YOU AND TELL YOU I LOVE YOU? >> No, I want...

AND TELL YOU I LOVE YOU? >> No, I want... I WANT MORE.

>> No, I want... I WANT MORE. >> [ New York accent ] WE'RE

I WANT MORE. >> [ New York accent ] WE'RE THROUGH, SWEETHEART.

>> [ New York accent ] WE'RE THROUGH, SWEETHEART. [ Normal voice ] I'M CUTTING YOU

THROUGH, SWEETHEART. [ Normal voice ] I'M CUTTING YOU OFF.

[ Normal voice ] I'M CUTTING YOU OFF. >> YOU CAN'T CUT ME OFF!

OFF. >> YOU CAN'T CUT ME OFF! >> OH, I CAN'T?

>> YOU CAN'T CUT ME OFF! >> OH, I CAN'T? YOU CALLED ME, REMEMBER?

>> OH, I CAN'T? YOU CALLED ME, REMEMBER? >> YEAH, BUT WHO CALLED

YOU CALLED ME, REMEMBER? >> YEAH, BUT WHO CALLED SWEET TALK IN THE FIRST PLACE?

>> YEAH, BUT WHO CALLED SWEET TALK IN THE FIRST PLACE? WHO'S S-SPENDING MONEY JERKING

SWEET TALK IN THE FIRST PLACE? WHO'S S-SPENDING MONEY JERKING OFF OVER THE PHONE IN THE FIRST

WHO'S S-SPENDING MONEY JERKING OFF OVER THE PHONE IN THE FIRST PLACE, YOU FUCKING PERV?!

OFF OVER THE PHONE IN THE FIRST PLACE, YOU FUCKING PERV?! >> YOU FUCKING WHORE!

PLACE, YOU FUCKING PERV?! >> YOU FUCKING WHORE! [ BREATHES DEEPLY ]

>> YOU FUCKING WHORE! [ BREATHES DEEPLY ] THAT'S APPROPRIATE, RIGHT?!

[ BREATHES DEEPLY ] THAT'S APPROPRIATE, RIGHT?! >> OH, NICE!

THAT'S APPROPRIATE, RIGHT?! >> OH, NICE! WELL, AT LEAST I DON'T WALK

>> OH, NICE! WELL, AT LEAST I DON'T WALK AROUND PRETENDING TO SHOOT

WELL, AT LEAST I DON'T WALK AROUND PRETENDING TO SHOOT PEOPLE TO GET OFF!

AROUND PRETENDING TO SHOOT PEOPLE TO GET OFF! [ BEEP ]

PEOPLE TO GET OFF! [ BEEP ] >> [ SIGHS ]

[ BEEP ] >> [ SIGHS ] [ BEEP ]

>> [ SIGHS ] [ BEEP ] BASTARD. FUCK YOU!

[ BEEP ] [ Telephone ringing ] [ TELEPHONE RINGING ]

[ Telephone ringing ] [ TELEPHONE RINGING ] >> [ SCOFFS ]

[ TELEPHONE RINGING ] >> [ SCOFFS ] [ RINGING CONTINUES ]

>> [ SCOFFS ] [ RINGING CONTINUES ] [ SIGHS ]

[ RINGING CONTINUES ] [ SIGHS ] [ SCOFFS ]

[ SIGHS ] [ SCOFFS ] [ RINGING CONTINUES ]

[ SCOFFS ] [ RINGING CONTINUES ] SHE WANTS A RELATIONSHIP.

[ RINGING CONTINUES ] SHE WANTS A RELATIONSHIP. SHE WANTS A FUCKING

SHE WANTS A RELATIONSHIP. SHE WANTS A FUCKING RELATIONSHIP.

SHE WANTS A FUCKING RELATIONSHIP. [ RINGING CONTINUES ]

RELATIONSHIP. [ RINGING CONTINUES ] [ SIGHS ]

[ RINGING CONTINUES ] [ SIGHS ] [ SCOFFS, LAUGHS ]

[ SIGHS ] [ SCOFFS, LAUGHS ] SHE WANTS TO GO TO VIENNA.

[ SCOFFS, LAUGHS ] SHE WANTS TO GO TO VIENNA. [ LAUGHS ]

SHE WANTS TO GO TO VIENNA. [ LAUGHS ] [ RINGING CONTINUES ]

[ LAUGHS ] [ RINGING CONTINUES ] OH.

[ RINGING CONTINUES ] OH. ALL WOMEN WANT TO GO TO VIENNA.

OH. ALL WOMEN WANT TO GO TO VIENNA. [ Ringing continues ]

ALL WOMEN WANT TO GO TO VIENNA. [ Ringing continues ] [ RINGING CONTINUES ]

[ SIGHS ] [ BEEP ] [ Southern accent ] STUD TALK.

[ BEEP ] [ Southern accent ] STUD TALK. THIS IS SAMSON. WANT TO TALK?

[ Southern accent ] STUD TALK. THIS IS SAMSON. WANT TO TALK? >> LISTEN TO ME, YOU LITTLE

THIS IS SAMSON. WANT TO TALK? >> LISTEN TO ME, YOU LITTLE PRICK.

>> LISTEN TO ME, YOU LITTLE PRICK. >> HEY, HOLD ON, LADY.

PRICK. >> HEY, HOLD ON, LADY. I NEED YOUR CREDIT-CARD NUMBER

>> HEY, HOLD ON, LADY. I NEED YOUR CREDIT-CARD NUMBER AND EXPIRATION DATE, PLEASE.

I NEED YOUR CREDIT-CARD NUMBER AND EXPIRATION DATE, PLEASE. >> YOU ARE THE MOST ARROGANT SON

AND EXPIRATION DATE, PLEASE. >> YOU ARE THE MOST ARROGANT SON OF A BITCH I HAVE EVER MET!

>> YOU ARE THE MOST ARROGANT SON OF A BITCH I HAVE EVER MET! >> [ Normal voice ] OH, HAVE WE

OF A BITCH I HAVE EVER MET! >> [ Normal voice ] OH, HAVE WE MET?

>> [ Normal voice ] OH, HAVE WE MET? >> Stop it.

MET? >> Stop it. STOP IT!

>> Stop it. STOP IT! HEY, JUST FUCKING STOP IT!

STOP IT! HEY, JUST FUCKING STOP IT! COME ON!

HEY, JUST FUCKING STOP IT! COME ON! YOU CAN'T TREAT PEOPLE LIKE

COME ON! YOU CAN'T TREAT PEOPLE LIKE THAT!

YOU CAN'T TREAT PEOPLE LIKE THAT! YOU CAN'T START TO GO TO VIENNA

THAT! YOU CAN'T START TO GO TO VIENNA AND THEN NOT GO!

YOU CAN'T START TO GO TO VIENNA AND THEN NOT GO! >> VIENNA IS A STATE OF MIND.

AND THEN NOT GO! >> VIENNA IS A STATE OF MIND. YOU NEVER REALLY GET THERE.

>> VIENNA IS A STATE OF MIND. YOU NEVER REALLY GET THERE. >> How do you know?

YOU NEVER REALLY GET THERE. >> How do you know? >> I KNOW.

>> How do you know? >> I KNOW. >> WHAT'S THE WORST THAT CAN

>> I KNOW. >> WHAT'S THE WORST THAT CAN HAPPEN?

>> WHAT'S THE WORST THAT CAN HAPPEN? >> WE COULD GET PICKED UP BY THE

HAPPEN? >> WE COULD GET PICKED UP BY THE AUSTRIAN BORDER PATROL.

>> WE COULD GET PICKED UP BY THE AUSTRIAN BORDER PATROL. >> NO, THERE -- THERE WAS NO

AUSTRIAN BORDER PATROL. >> NO, THERE -- THERE WAS NO BORDER POLICE THEN.

>> NO, THERE -- THERE WAS NO BORDER POLICE THEN. AUSTRIA-HUNGARY WAS ONE COUNTRY

BORDER POLICE THEN. AUSTRIA-HUNGARY WAS ONE COUNTRY IN 1914.

AUSTRIA-HUNGARY WAS ONE COUNTRY IN 1914. >> DOESN'T MATTER BECAUSE I GET

IN 1914. >> DOESN'T MATTER BECAUSE I GET SHOT BY THE FIRING SQUAD.

>> DOESN'T MATTER BECAUSE I GET SHOT BY THE FIRING SQUAD. >> THEY SHOOT YOU?

SHOT BY THE FIRING SQUAD. >> THEY SHOOT YOU? [ GUNSHOT ]

I THOUGHT WE WERE GONNA GET TO GO TO VIENNA. >> IT'S NOT GONNA HAPPEN.

GO TO VIENNA. >> IT'S NOT GONNA HAPPEN. THE TRAIN IS ALL WE HAD.

>> IT'S NOT GONNA HAPPEN. THE TRAIN IS ALL WE HAD. A FEW STOLEN HOURS IN BETWEEN

THE TRAIN IS ALL WE HAD. A FEW STOLEN HOURS IN BETWEEN CARS ON THE BUDAPEST-TO-VIENNA

A FEW STOLEN HOURS IN BETWEEN CARS ON THE BUDAPEST-TO-VIENNA NIGHT TRAIN.

CARS ON THE BUDAPEST-TO-VIENNA NIGHT TRAIN. >> NO.

NIGHT TRAIN. >> NO. >> Come on.

>> NO. >> Come on. COME ON, HOW DO YOU EXPECT TWO

>> Come on. COME ON, HOW DO YOU EXPECT TWO PEOPLE WITH NO MONEY AND NO

COME ON, HOW DO YOU EXPECT TWO PEOPLE WITH NO MONEY AND NO CONNECTIONS TO ESCAPE FROM A

PEOPLE WITH NO MONEY AND NO CONNECTIONS TO ESCAPE FROM A COUNTRY AFTER MURDERING A

CONNECTIONS TO ESCAPE FROM A COUNTRY AFTER MURDERING A WELL-CONNECTED, WELL-RESPECTED

COUNTRY AFTER MURDERING A WELL-CONNECTED, WELL-RESPECTED COUNT?

WELL-CONNECTED, WELL-RESPECTED COUNT? >> IT WAS IN A DUEL.

COUNT? >> IT WAS IN A DUEL. >> NOT ACCORDING TO THE POLICE

>> IT WAS IN A DUEL. >> NOT ACCORDING TO THE POLICE CHIEF -- A MAN DEEPLY IN THE

>> NOT ACCORDING TO THE POLICE CHIEF -- A MAN DEEPLY IN THE POCKETS OF THE COUNT AS WE

CHIEF -- A MAN DEEPLY IN THE POCKETS OF THE COUNT AS WE ALREADY ESTABLISHED.

POCKETS OF THE COUNT AS WE ALREADY ESTABLISHED. >> WELL [SIGHS]

ALREADY ESTABLISHED. >> WELL [SIGHS] I MEAN, Y-YOU CAN'T JUST -- YOU

>> WELL [SIGHS] I MEAN, Y-YOU CAN'T JUST -- YOU CAN'T JUST ARBITRARILY DECIDE

I MEAN, Y-YOU CAN'T JUST -- YOU CAN'T JUST ARBITRARILY DECIDE T-THAT'S WHAT HAPPENS.

CAN'T JUST ARBITRARILY DECIDE T-THAT'S WHAT HAPPENS. >> You want your money back?

T-THAT'S WHAT HAPPENS. >> You want your money back? >> NO, I WANT TO GO TO VIENNA!

>> You want your money back? >> NO, I WANT TO GO TO VIENNA! >> And do what?

>> NO, I WANT TO GO TO VIENNA! >> And do what? LIVE HAPPILY EVER AFTER?

>> And do what? LIVE HAPPILY EVER AFTER? GET A NICE LITTLE APARTMENT IN A

LIVE HAPPILY EVER AFTER? GET A NICE LITTLE APARTMENT IN A RESPECTABLE QUARTER?

GET A NICE LITTLE APARTMENT IN A RESPECTABLE QUARTER? [ Telephone ringing ]

RESPECTABLE QUARTER? [ Telephone ringing ] Have children and a governess?

[ Telephone ringing ] Have children and a governess? Walk along the river?

Have children and a governess? Walk along the river? [ RINGING CONTINUES ]

Walk along the river? [ RINGING CONTINUES ] Visit Strauss? What?

[ RINGING CONTINUES ] Visit Strauss? What? [ RINGING CONTINUES ]

Visit Strauss? What? [ RINGING CONTINUES ] Aren't you gonna get your phone?

[ RINGING CONTINUES ] Aren't you gonna get your phone? [ RINGING CONTINUES ]

Aren't you gonna get your phone? [ RINGING CONTINUES ] You may as well get it.

[ RINGING CONTINUES ] You may as well get it. We're not going anywhere.

You may as well get it. We're not going anywhere. >> WHAT DO YOU WANT?

We're not going anywhere. >> WHAT DO YOU WANT? >> WHAT DO YOU MEAN WHAT DO I

>> WHAT DO YOU WANT? >> WHAT DO YOU MEAN WHAT DO I WANT?

>> WHAT DO YOU MEAN WHAT DO I WANT? >> WHAT DO YOU WANT TO GO TO

WANT? >> WHAT DO YOU WANT TO GO TO VIENNA?

>> WHAT DO YOU WANT TO GO TO VIENNA? >> You got a credit card?

VIENNA? >> You got a credit card? >> COME ON.

>> Okay.

[ SIGHS ] >> AND I WANT TO DRIVE. >> Oh, really?

>> AND I WANT TO DRIVE. >> Oh, really? >> MM-HMM.

>> Oh, really? >> MM-HMM. I WANT TO BE THE ONE WHO GETS TO

>> MM-HMM. I WANT TO BE THE ONE WHO GETS TO DECIDE WHAT HAPPENS THIS TIME.

I WANT TO BE THE ONE WHO GETS TO DECIDE WHAT HAPPENS THIS TIME. >> OKAY, BUT DON'T SAY I DIDN'T

DECIDE WHAT HAPPENS THIS TIME. >> OKAY, BUT DON'T SAY I DIDN'T WARN YOU.

>> OKAY, BUT DON'T SAY I DIDN'T WARN YOU. >> [ BREATHES HEAVILY ]

WARN YOU. >> [ BREATHES HEAVILY ] OKAY.

>> [ BREATHES HEAVILY ] OKAY. [ SIGHS ]

OKAY. [ SIGHS ] YOU...

[ SIGHS ] YOU... ARE A MAN WHO HAS...

YOU... ARE A MAN WHO HAS... LOST THE USE OF HIS ARMS AND

ARE A MAN WHO HAS... LOST THE USE OF HIS ARMS AND LEGS.

LOST THE USE OF HIS ARMS AND LEGS. >> OH, GOD.

LEGS. >> OH, GOD. >> AND HIS VOICE.

>> OH, GOD. >> AND HIS VOICE. IT'S VIENNA.

>> AND HIS VOICE. IT'S VIENNA. 1939.

IT'S VIENNA. 1939. >> YOU'VE GOT YOUR OWN IN

1939. >> YOU'VE GOT YOUR OWN IN VIENNA?

>> YOU'VE GOT YOUR OWN IN VIENNA? >> EVERYBODY'S GOT THEIR OWN

VIENNA? >> EVERYBODY'S GOT THEIR OWN VIENNA.

>> EVERYBODY'S GOT THEIR OWN VIENNA. IT WAS A YEAR AFTER THE

VIENNA. IT WAS A YEAR AFTER THE ANSCHLUSS.

IT WAS A YEAR AFTER THE ANSCHLUSS. There are swastikas on public

ANSCHLUSS. There are swastikas on public buildings.

There are swastikas on public buildings. Everywhere, you can hear the...

buildings. Everywhere, you can hear the... THE SOUND OF HOBNAIL BOOTS.

Everywhere, you can hear the... THE SOUND OF HOBNAIL BOOTS. THE SUMMER -- IT WAS LONG...

THE SOUND OF HOBNAIL BOOTS. THE SUMMER -- IT WAS LONG... AND HOT.

THE SUMMER -- IT WAS LONG... AND HOT. IN A RESPECTABLE PART OF THE

AND HOT. IN A RESPECTABLE PART OF THE CITY WHERE PEOPLE STILL TENDED

IN A RESPECTABLE PART OF THE CITY WHERE PEOPLE STILL TENDED TO THEIR GARDENS AS IF THE WORLD

CITY WHERE PEOPLE STILL TENDED TO THEIR GARDENS AS IF THE WORLD STILL MADE SENSE...

TO THEIR GARDENS AS IF THE WORLD STILL MADE SENSE... A WOMAN LIVES AMONGST...

STILL MADE SENSE... A WOMAN LIVES AMONGST... POTTED PLANTS AND OVERSTUFFED

A WOMAN LIVES AMONGST... POTTED PLANTS AND OVERSTUFFED FURNITURE.

POTTED PLANTS AND OVERSTUFFED FURNITURE. SHE WORKS AS...

FURNITURE. SHE WORKS AS... I WORK AT NIGHT AS A PRIVATE

SHE WORKS AS... I WORK AT NIGHT AS A PRIVATE NURSE FOR AN INVALID.

I WORK AT NIGHT AS A PRIVATE NURSE FOR AN INVALID. I RETURN HOME AS THE SUN RISES

NURSE FOR AN INVALID. I RETURN HOME AS THE SUN RISES OVER THE CITY.

I RETURN HOME AS THE SUN RISES OVER THE CITY. I SLEEP TILL NOON.

OVER THE CITY. I SLEEP TILL NOON. AND THEN I BATHE IN COLD WATER.

I SLEEP TILL NOON. AND THEN I BATHE IN COLD WATER. I POWDER MY BODY, AND I, UM...

AND THEN I BATHE IN COLD WATER. I POWDER MY BODY, AND I, UM... I PLAY MY CELLO.

I POWDER MY BODY, AND I, UM... I PLAY MY CELLO. [ CELLO PLAYING ]

I PLAY MY CELLO. [ CELLO PLAYING ] AS IF THESE GESTURES WOULD

[ CELLO PLAYING ] AS IF THESE GESTURES WOULD SOMEHOW MAKE THE HOBNAIL BOOTS

AS IF THESE GESTURES WOULD SOMEHOW MAKE THE HOBNAIL BOOTS DISAPPEAR.

I KNOW WHAT'S GOING ON. I HAVE NO MORE ILLUSIONS. IN THE WORLD I LIVE IN, THERE IS

I HAVE NO MORE ILLUSIONS. IN THE WORLD I LIVE IN, THERE IS NO ROOM FOR ILLUSION.

IN THE WORLD I LIVE IN, THERE IS NO ROOM FOR ILLUSION. [ CELLO PLAYING CONTINUES ]

YOU [SIGHS] ARE MY PATIENT. YOU'RE A MEMBER OF THE

ARE MY PATIENT. YOU'RE A MEMBER OF THE UNDERGROUND WHO'S LOST THE USE

YOU'RE A MEMBER OF THE UNDERGROUND WHO'S LOST THE USE OF -- OF HIS ARMS AND LEGS, AND

UNDERGROUND WHO'S LOST THE USE OF -- OF HIS ARMS AND LEGS, AND NOBODY KNOWS EXACTLY HOW.

OF -- OF HIS ARMS AND LEGS, AND NOBODY KNOWS EXACTLY HOW. IT'S -- IT'S A SECRET.

NOBODY KNOWS EXACTLY HOW. IT'S -- IT'S A SECRET. YOU'RE EITHER...

IT'S -- IT'S A SECRET. YOU'RE EITHER... YOU'RE EITHER UNWILLING OR JUST

YOU'RE EITHER... YOU'RE EITHER UNWILLING OR JUST UNABLE TO TELL.

YOU'RE EITHER UNWILLING OR JUST UNABLE TO TELL. YOU'RE ALONE [SIGHS] IN YOUR

UNABLE TO TELL. YOU'RE ALONE [SIGHS] IN YOUR ROOM WITH NO VOICE.

YOU'RE ALONE [SIGHS] IN YOUR ROOM WITH NO VOICE. ALL YOU HAVE IS YOUR EYES.

ROOM WITH NO VOICE. ALL YOU HAVE IS YOUR EYES. YOUR DARK...

ALL YOU HAVE IS YOUR EYES. YOUR DARK... FEVERISH EYES.

THERE ARE SEVERAL OF US, AND WE -- WE COME AND GO ON OUR SHIFTS.

WE -- WE COME AND GO ON OUR SHIFTS. THE OTHERS -- THEY TREAT YOU

SHIFTS. THE OTHERS -- THEY TREAT YOU LIKE A PLANT THAT HAS TO BE

THE OTHERS -- THEY TREAT YOU LIKE A PLANT THAT HAS TO BE WATERED.

LIKE A PLANT THAT HAS TO BE WATERED. SOMETIMES THEY DO TRY AND GET A

WATERED. SOMETIMES THEY DO TRY AND GET A REACTION OUT OF YOU.

SOMETIMES THEY DO TRY AND GET A REACTION OUT OF YOU. BUT YOU DON'T GIVE IN.

REACTION OUT OF YOU. BUT YOU DON'T GIVE IN. EVEN DURING YOUR SPONGE BATHES

BUT YOU DON'T GIVE IN. EVEN DURING YOUR SPONGE BATHES WHEN THEY TRY AND GET YOU TO

EVEN DURING YOUR SPONGE BATHES WHEN THEY TRY AND GET YOU TO BETRAY YOURSELF.

WHEN THEY TRY AND GET YOU TO BETRAY YOURSELF. YOU REFUSE TO REACT.

BETRAY YOURSELF. YOU REFUSE TO REACT. YOUR -- YOUR CONTEMPT IS UTTER

YOU REFUSE TO REACT. YOUR -- YOUR CONTEMPT IS UTTER AND COMPLETE.

YOUR -- YOUR CONTEMPT IS UTTER AND COMPLETE. [ FAN WHIRRING SOFTLY ]

AND COMPLETE. [ FAN WHIRRING SOFTLY ] I SIT AT THE END OF THE HALL.

[ FAN WHIRRING SOFTLY ] I SIT AT THE END OF THE HALL. UH, IT MAKES ME UNCOMFORTABLE TO

I SIT AT THE END OF THE HALL. UH, IT MAKES ME UNCOMFORTABLE TO BE IN THE SAME ROOM WITH YOU.

UH, IT MAKES ME UNCOMFORTABLE TO BE IN THE SAME ROOM WITH YOU. [ INHALES DEEPLY ]

BE IN THE SAME ROOM WITH YOU. [ INHALES DEEPLY ] ONCE AN HOUR, I CHECK ON YOU.

[ INHALES DEEPLY ] ONCE AN HOUR, I CHECK ON YOU. [ DOOR CREAKS ]

ONCE AN HOUR, I CHECK ON YOU. [ DOOR CREAKS ] AND I ALWAYS CATCH YOU WITH YOUR

[ DOOR CREAKS ] AND I ALWAYS CATCH YOU WITH YOUR EYES OPEN AS IF YOU NEVER SLEEP.

AND I ALWAYS CATCH YOU WITH YOUR EYES OPEN AS IF YOU NEVER SLEEP. [ FAN WHIRRING SOFTLY ]

EYES OPEN AS IF YOU NEVER SLEEP. [ FAN WHIRRING SOFTLY ] FEELS LIKE YOU'RE LOOKING AT ME.

[ FAN WHIRRING SOFTLY ] FEELS LIKE YOU'RE LOOKING AT ME. LIKE...

FEELS LIKE YOU'RE LOOKING AT ME. LIKE... [ SIGHS ]

LIKE... [ SIGHS ] LIKE YOU'RE LOOKING THROUGH ME.

[ SIGHS ] LIKE YOU'RE LOOKING THROUGH ME. AND I WONDER WHO YOU ARE AND --

LIKE YOU'RE LOOKING THROUGH ME. AND I WONDER WHO YOU ARE AND -- AND IF YOU'RE THE SAME PERSON

AND I WONDER WHO YOU ARE AND -- AND IF YOU'RE THE SAME PERSON YOU'VE ALWAYS BEEN AND WHY YOU

AND IF YOU'RE THE SAME PERSON YOU'VE ALWAYS BEEN AND WHY YOU REFUSE TO TALK.

YOU'VE ALWAYS BEEN AND WHY YOU REFUSE TO TALK. I CAN'T STOP THINKING ABOUT YOU.

REFUSE TO TALK. I CAN'T STOP THINKING ABOUT YOU. I KEEP WONDERING IF THERE'S --

I CAN'T STOP THINKING ABOUT YOU. I KEEP WONDERING IF THERE'S -- THERE'S A MAN THAT'S STILL ALIVE

I KEEP WONDERING IF THERE'S -- THERE'S A MAN THAT'S STILL ALIVE IN THERE AND IF THAT MAN IS ABLE

THERE'S A MAN THAT'S STILL ALIVE IN THERE AND IF THAT MAN IS ABLE TO BE REACHED.

IN THERE AND IF THAT MAN IS ABLE TO BE REACHED. ONE MORNING WHEN I, UH, WHEN I

TO BE REACHED. ONE MORNING WHEN I, UH, WHEN I RETURN HOME, I GO TO SLEEP.

ONE MORNING WHEN I, UH, WHEN I RETURN HOME, I GO TO SLEEP. AND I HAVE A DREAM ABOUT YOU.

IN THE DREAM, YOU COME TO LIFE. [ ROMANTIC MUSIC PLAYING ]

[ ROMANTIC MUSIC CONTINUES ]

[ ROMANTIC MUSIC CONTINUES ]

[ ROMANTIC MUSIC CONTINUES ]

[ BREATHING HEAVILY ]

I-I WAKE UP. MY SKIN IS F-FLUSHED, A-AND MY LEGS ARE WRAPPED AROUND A

MY SKIN IS F-FLUSHED, A-AND MY LEGS ARE WRAPPED AROUND A PILLOW.

LEGS ARE WRAPPED AROUND A PILLOW. AND...

AND I'M STRANDED. I'M A-- I'M ABANDONED BY THE DREAM.

I'M A-- I'M ABANDONED BY THE DREAM. I'M -- I'M ABANDONED BY YOU.

DREAM. I'M -- I'M ABANDONED BY YOU. [ SIGHS ]

I'M -- I'M ABANDONED BY YOU. [ SIGHS ] AND AN UNUTTERABLE SADNESS...

[ SIGHS ] AND AN UNUTTERABLE SADNESS... OVERCOMES ME.

AND AN UNUTTERABLE SADNESS... OVERCOMES ME. I FEEL SO -- I FEEL SO

OVERCOMES ME. I FEEL SO -- I FEEL SO DISCONNECTED AS IF -- AS IF MY

I FEEL SO -- I FEEL SO DISCONNECTED AS IF -- AS IF MY WIRING HAS BEEN RIPPED OUT,

DISCONNECTED AS IF -- AS IF MY WIRING HAS BEEN RIPPED OUT, AND -- AND ALL I CAN THINK ABOUT

WIRING HAS BEEN RIPPED OUT, AND -- AND ALL I CAN THINK ABOUT IS GOING TO WORK.

AND -- AND ALL I CAN THINK ABOUT IS GOING TO WORK. AND -- AND SEEING YOU AND THE

IS GOING TO WORK. AND -- AND SEEING YOU AND THE DREAM AND -- AND THE DEADNESS

AND -- AND SEEING YOU AND THE DREAM AND -- AND THE DEADNESS INSIDE YOU AND...

NO, INSIDE ME. [ BREATHES HEAVILY ] IT'S MY BIGGEST FEAR [SIGHS]

[ BREATHES HEAVILY ] IT'S MY BIGGEST FEAR [SIGHS] THAT I'M DEAD INSIDE...

IT'S MY BIGGEST FEAR [SIGHS] THAT I'M DEAD INSIDE... THAT I'M -- I'M COMPLETELY

THAT I'M DEAD INSIDE... THAT I'M -- I'M COMPLETELY PARALYZED, THAT I DIED YEARS

THAT I'M -- I'M COMPLETELY PARALYZED, THAT I DIED YEARS AGO, AND -- AND NO ONE TOLD ME.

ALL DAY LONG... I STARE OUT THE WINDOW, WATCHING.

I STARE OUT THE WINDOW, WATCHING. WATCHING THE CITY BELOW GO ABOUT

WATCHING. WATCHING THE CITY BELOW GO ABOUT ITS BUSINESS, LISTENING TO --

WATCHING THE CITY BELOW GO ABOUT ITS BUSINESS, LISTENING TO -- T-TO SOUNDS OF LIFE I'VE NEVER

ITS BUSINESS, LISTENING TO -- T-TO SOUNDS OF LIFE I'VE NEVER HEARD BEFORE, DIZZY.

T-TO SOUNDS OF LIFE I'VE NEVER HEARD BEFORE, DIZZY. AND DISORIENTING.

HEARD BEFORE, DIZZY. AND DISORIENTING. WHEN NIGHT FALLS, I GO TO WORK,

AND DISORIENTING. WHEN NIGHT FALLS, I GO TO WORK, AND THE HOUSE IS -- IS DEAD

WHEN NIGHT FALLS, I GO TO WORK, AND THE HOUSE IS -- IS DEAD QUIET EXCEPT FOR THE WIND AND

AND THE HOUSE IS -- IS DEAD QUIET EXCEPT FOR THE WIND AND T-THE CREAKING TIMBERS.

QUIET EXCEPT FOR THE WIND AND T-THE CREAKING TIMBERS. I GO TO YOUR ROOM.

T-THE CREAKING TIMBERS. I GO TO YOUR ROOM. AND I'M AFRAID.

I GO TO YOUR ROOM. AND I'M AFRAID. AND I'M EXHILARATED, AND...

AND I'M AFRAID. AND I'M EXHILARATED, AND... AND I HAVE NO IDEA WHAT'S GONNA

AND I'M EXHILARATED, AND... AND I HAVE NO IDEA WHAT'S GONNA HAPPEN.

TALK TO ME. PLEASE. WE'RE ALL ALONE.

PLEASE. WE'RE ALL ALONE. IT'S JUST THE TWO OF US.

WE'RE ALL ALONE. IT'S JUST THE TWO OF US. I THINK YOU WANT TO COME BACK TO

IT'S JUST THE TWO OF US. I THINK YOU WANT TO COME BACK TO LIFE.

I THINK YOU WANT TO COME BACK TO LIFE. I THINK YOU NEED TO TOUCH

LIFE. I THINK YOU NEED TO TOUCH SOMEONE.

TO FEEL ANOTHER HUMAN BEING AGAINST YOUR BODY.

I CAN SEE A GLOW IN YOUR EYES. I CAN EVEN SEE THE BEGINNING OF A SMILE.

I CAN EVEN SEE THE BEGINNING OF A SMILE. I CAN SEE IT.

A SMILE. I CAN SEE IT. I CAN FEEL IT.

I CAN SEE IT. I CAN FEEL IT. I KNOW IN THE DEAD CENTER OF

I CAN FEEL IT. I KNOW IN THE DEAD CENTER OF YOUR BODY, THERE IS LIFE.

I KNOW IN THE DEAD CENTER OF YOUR BODY, THERE IS LIFE. AND YOU'VE BEEN WAITING FOR ME

YOUR BODY, THERE IS LIFE. AND YOU'VE BEEN WAITING FOR ME FOR A VERY LONG TIME.

NO. NO! NOT THIS TIME!

NO! NOT THIS TIME! SPEAK!

NOT THIS TIME! SPEAK! SAY SOMETHING, GODDAMN IT!

FUCK YOU.

[ GUNSHOT ]

[ BREATHES HEAVILY ]

I THINK WE'RE READY. [ ROMANTIC MUSIC PLAYING ]

[ ROMANTIC MUSIC CONTINUES ]

[ ROMANTIC MUSIC CONTINUES ]

[ ROMANTIC MUSIC CONTINUES ]

[ ROMANTIC MUSIC CONTINUES ]

[ ROMANTIC MUSIC CONTINUES ]

[ CART THUDDING ] [ KEYS JINGLING ] [ DOOR CLOSES ]

[ KEYS JINGLING ] [ DOOR CLOSES ] >> JE-SUS!

[ DOOR CLOSES ] >> JE-SUS! [ DIAL TONE ]

>> JE-SUS! [ DIAL TONE ] >> OH, SHIT.

[ DIAL TONE ] >> OH, SHIT. [ CLICK ]

>> OH, SHIT. [ CLICK ] OH, MY GOD.

>> [ SIGHS ] >> JESUS! >> IS IT NOON ALREADY?

>> JESUS! >> IS IT NOON ALREADY? >> IT'S THREE MINUTES BEFORE.

>> IS IT NOON ALREADY? >> IT'S THREE MINUTES BEFORE. [ SIGHS ]

LISTEN, IF EDDIE FINDS OUT THAT YOU'RE TAKING THE PHONES OFF THE HOOK, HE'S GONNA FIRE YOU.

YOU'RE TAKING THE PHONES OFF THE HOOK, HE'S GONNA FIRE YOU. YOU KNOW, HE [SIGHS] CALLS HERE

HOOK, HE'S GONNA FIRE YOU. YOU KNOW, HE [SIGHS] CALLS HERE SOMETIMES TO CHECK UP ON US.

YOU KNOW, HE [SIGHS] CALLS HERE SOMETIMES TO CHECK UP ON US. MAKE SURE WE'RE ANSWERING THE

SOMETIMES TO CHECK UP ON US. MAKE SURE WE'RE ANSWERING THE PHONES.

MAKE SURE WE'RE ANSWERING THE PHONES. I-- [SIGHS] IT'S NONE OF MY

PHONES. I-- [SIGHS] IT'S NONE OF MY BUSINESS, BUT...

I-- [SIGHS] IT'S NONE OF MY BUSINESS, BUT... WHY DO YOU HAVE YOUR CLOTHES

BUSINESS, BUT... WHY DO YOU HAVE YOUR CLOTHES OFF?

WHY DO YOU HAVE YOUR CLOTHES OFF? >> DO YOU REALLY WANT TO KNOW?

OFF? >> DO YOU REALLY WANT TO KNOW? >> I DON'T KNOW.

>> DO YOU REALLY WANT TO KNOW? >> I DON'T KNOW. DO I?

I-I FOLDED... THOSE FOR YOU. >> THANK YOU.

THOSE FOR YOU. >> THANK YOU. [ KEYS JINGLE ]

>> THANK YOU. [ KEYS JINGLE ] [ BREATHES HEAVILY ]

[ SIGHS ]

[ FINGERS TYPING ON TYPEWRITER ] [ DING ] [ TYPING CONTINUES ]

[ SIGHS ]

>> HAPPY NEW DAY, LEON. [ WHISTLING ] I GOT A GREAT FEELING ABOUT

[ WHISTLING ] I GOT A GREAT FEELING ABOUT TODAY.

I GOT A GREAT FEELING ABOUT TODAY. [ LEON CHIRPS ]

TODAY. [ LEON CHIRPS ] GOOD MORNING, LADIES AND GERMS.

[ LEON CHIRPS ] GOOD MORNING, LADIES AND GERMS. FUNNY THING HAPPENED TO ME ON

GOOD MORNING, LADIES AND GERMS. FUNNY THING HAPPENED TO ME ON THE WAY TO...

FUNNY THING HAPPENED TO ME ON THE WAY TO... VIENNA.

THE WAY TO... VIENNA. I MET A BEAUTIFUL CONTESSA...

VIENNA. I MET A BEAUTIFUL CONTESSA... NAMED DELILAH.

[ TELEPHONE RINGING ] >> HELLO -- SWEET TALK. WANT TO TALK?

>> HELLO -- SWEET TALK. WANT TO TALK? >> WHO'S THIS?

WANT TO TALK? >> WHO'S THIS? >> GINNY.

>> WHO'S THIS? >> GINNY. WHO'S THIS?

>> GINNY. WHO'S THIS? >> WHERE'S DELILAH?

WHO'S THIS? >> WHERE'S DELILAH? >> OH, SHE'S NOT HERE RIGHT NOW,

>> WHERE'S DELILAH? >> OH, SHE'S NOT HERE RIGHT NOW, BUT I'D LOVE TO TALK TO YOU.

>> OH, SHE'S NOT HERE RIGHT NOW, BUT I'D LOVE TO TALK TO YOU. >> WHAT DO YOU MEAN SHE'S NOT

BUT I'D LOVE TO TALK TO YOU. >> WHAT DO YOU MEAN SHE'S NOT THERE?

>> WHAT DO YOU MEAN SHE'S NOT THERE? WHERE DID SHE GO?

THERE? WHERE DID SHE GO? >> OUT?

WHERE DID SHE GO? >> OUT? >> I THOUGHT THIS WAS HER PLACE.

>> OUT? >> I THOUGHT THIS WAS HER PLACE. >> Oh, we're sort of roommates,

>> I THOUGHT THIS WAS HER PLACE. >> Oh, we're sort of roommates, her and me.

>> Oh, we're sort of roommates, her and me. WHEN ONE GOES OUT, THE OTHER'S

her and me. WHEN ONE GOES OUT, THE OTHER'S HERE.

WHEN ONE GOES OUT, THE OTHER'S HERE. >> WHEN WILL SHE BE BACK?

HERE. >> WHEN WILL SHE BE BACK? >> SHE'S HERE EVENINGS AND

>> WHEN WILL SHE BE BACK? >> SHE'S HERE EVENINGS AND MORNINGS, MIDNIGHT TO NOON.

>> SHE'S HERE EVENINGS AND MORNINGS, MIDNIGHT TO NOON. >> SHIT.

MORNINGS, MIDNIGHT TO NOON. >> SHIT. >> AW, YOU DON'T HAVE TO WAIT

>> SHIT. >> AW, YOU DON'T HAVE TO WAIT THAT LONG.

>> AW, YOU DON'T HAVE TO WAIT THAT LONG. >> [ SIGHS ]

THAT LONG. >> [ SIGHS ] YEAH, I THINK I DO.

>> [ SIGHS ] YEAH, I THINK I DO. >> WHY?

YEAH, I THINK I DO. >> WHY? YOU AND I CAN TALK.

>> WHY? YOU AND I CAN TALK. What do you want to talk about?

YOU AND I CAN TALK. What do you want to talk about? >> VIENNA.

What do you want to talk about? >> VIENNA. >> HUH?

>> VIENNA. >> HUH? >> Nazis were marching in the

>> HUH? >> Nazis were marching in the street.

>> Nazis were marching in the street. I WAS IN BED WITHOUT THE USE OF

street. I WAS IN BED WITHOUT THE USE OF MY ARMS AND MY LEGS.

I WAS IN BED WITHOUT THE USE OF MY ARMS AND MY LEGS. SHE WAS MY NURSE.

MY ARMS AND MY LEGS. SHE WAS MY NURSE. She came to me at night.

SHE WAS MY NURSE. She came to me at night. >> COULD YOU HOLD ON A SEC?

She came to me at night. >> COULD YOU HOLD ON A SEC? UH, SOME NUT JOB WANTS TO TALK

>> COULD YOU HOLD ON A SEC? UH, SOME NUT JOB WANTS TO TALK TO YOU.

UH, SOME NUT JOB WANTS TO TALK TO YOU. >> I'M OFF DUTY.

TO YOU. >> I'M OFF DUTY. >> YEAH, HE'S TALKING ABOUT

>> I'M OFF DUTY. >> YEAH, HE'S TALKING ABOUT VIENNA AND NAZIS, SOME NURSE.

>> YEAH, HE'S TALKING ABOUT VIENNA AND NAZIS, SOME NURSE. >> HELLO. HI, HI.

VIENNA AND NAZIS, SOME NURSE. >> HELLO. HI, HI. >> Hi.

>> HELLO. HI, HI. >> Hi. You had me worried there for a

>> Hi. You had me worried there for a minute.

You had me worried there for a minute. >> UM...

minute. >> UM... I CAN'T TALK RIGHT NOW.

>> UM... I CAN'T TALK RIGHT NOW. >> I THOUGHT THIS WAS YOUR

I CAN'T TALK RIGHT NOW. >> I THOUGHT THIS WAS YOUR PLACE.

>> I THOUGHT THIS WAS YOUR PLACE. >> I LIED.

PLACE. >> I LIED. >> WHAT ELSE DID YOU LIE ABOUT?

>> I LIED. >> WHAT ELSE DID YOU LIE ABOUT? >> NOTHING.

>> WHAT ELSE DID YOU LIE ABOUT? >> NOTHING. NOTHING.

>> NOTHING. NOTHING. EVERYTHING ELSE WAS THE TRUTH.

NOTHING. EVERYTHING ELSE WAS THE TRUTH. >> So [sighs]

EVERYTHING ELSE WAS THE TRUTH. >> So [sighs] WHAT DO WE DO NOW?

>> So [sighs] WHAT DO WE DO NOW? Shall we walk along the Danube?

WHAT DO WE DO NOW? Shall we walk along the Danube? MAYBE WE COULD FIND A-A CAFé

Shall we walk along the Danube? MAYBE WE COULD FIND A-A CAFé THAT SERVES SACHER TORTE WITH

MAYBE WE COULD FIND A-A CAFé THAT SERVES SACHER TORTE WITH WHIPPED CREAM.

THAT SERVES SACHER TORTE WITH WHIPPED CREAM. >> MMM, WOULDN'T THAT BE NICE?

WHIPPED CREAM. >> MMM, WOULDN'T THAT BE NICE? >> YEAH. YEAH, IT WOULD.

>> MMM, WOULDN'T THAT BE NICE? >> YEAH. YEAH, IT WOULD. >> UM [SIGHS] SAMSON, I, UH, I

>> YEAH. YEAH, IT WOULD. >> UM [SIGHS] SAMSON, I, UH, I DON'T KNOW THAT THAT'S A GOOD

>> UM [SIGHS] SAMSON, I, UH, I DON'T KNOW THAT THAT'S A GOOD IDEA.

DON'T KNOW THAT THAT'S A GOOD IDEA. >> WHY NOT?

IDEA. >> WHY NOT? >> Well [sighs]

>> WHY NOT? >> Well [sighs] I DON'T THINK I COULD HANDLE

>> Well [sighs] I DON'T THINK I COULD HANDLE STARBUCKS RIGHT NOW, YOU KNOW,

I DON'T THINK I COULD HANDLE STARBUCKS RIGHT NOW, YOU KNOW, WITH, UH, WITH THE BIODEGRADABLE

STARBUCKS RIGHT NOW, YOU KNOW, WITH, UH, WITH THE BIODEGRADABLE CUPS AND PEOPLE TALKING ON THEIR

WITH, UH, WITH THE BIODEGRADABLE CUPS AND PEOPLE TALKING ON THEIR CELLPHONES AND LAPTOPS.

CUPS AND PEOPLE TALKING ON THEIR CELLPHONES AND LAPTOPS. >> SO, WHAT ARE WE ARE SUPPOSED

CELLPHONES AND LAPTOPS. >> SO, WHAT ARE WE ARE SUPPOSED TO DO?

>> SO, WHAT ARE WE ARE SUPPOSED TO DO? HMM?

TO DO? HMM? FORGET IT?

HMM? FORGET IT? JUST FORGET THE WHOLE THING

FORGET IT? JUST FORGET THE WHOLE THING HAPPENED?

JUST FORGET THE WHOLE THING HAPPENED? VIENNA?

HAPPENED? VIENNA? THE DUEL, THE DANCE, THE TRAIN?

VIENNA? THE DUEL, THE DANCE, THE TRAIN? >> No.

THE DUEL, THE DANCE, THE TRAIN? >> No. NO, I'M NOT FORGETTING.

>> No. NO, I'M NOT FORGETTING. >> WELL, GOOD. THAT'S...

NO, I'M NOT FORGETTING. >> WELL, GOOD. THAT'S... THAT'S GOOD TO HEAR.

>> WELL, GOOD. THAT'S... THAT'S GOOD TO HEAR. >> IT'S JUST THERE AREN'T A LOT

THAT'S GOOD TO HEAR. >> IT'S JUST THERE AREN'T A LOT OF DUELS BEING FOUGHT AROUND

>> IT'S JUST THERE AREN'T A LOT OF DUELS BEING FOUGHT AROUND HERE, YOU KNOW?

OF DUELS BEING FOUGHT AROUND HERE, YOU KNOW? >> I WARNED YOU, DIDN'T I?

HERE, YOU KNOW? >> I WARNED YOU, DIDN'T I? We could've stopped at any time.

>> I WARNED YOU, DIDN'T I? We could've stopped at any time. SO, WHAT ARE WE SUPPOSED TO DO?

We could've stopped at any time. SO, WHAT ARE WE SUPPOSED TO DO? >> GO HOME, I GUESS.

SO, WHAT ARE WE SUPPOSED TO DO? >> GO HOME, I GUESS. >> AND DO WHAT?

>> GO HOME, I GUESS. >> AND DO WHAT? >> SLEEP.

>> AND DO WHAT? >> SLEEP. >> PERCHANCE TO DREAM.

>> SLEEP. >> PERCHANCE TO DREAM. >> [ Chuckles ]

>> PERCHANCE TO DREAM. >> [ Chuckles ] >> Ah, there's the rub.

>> [ Chuckles ] >> Ah, there's the rub. >> FOR IN THAT SLEEP OF DEATH,

>> Ah, there's the rub. >> FOR IN THAT SLEEP OF DEATH, WHAT DREAMS MAY COME.

>> Come on. Delilah. I FOUND MY VOICE.

Delilah. I FOUND MY VOICE. I HAVE -- I FOUND -- I FOUND MY

I FOUND MY VOICE. I HAVE -- I FOUND -- I FOUND MY VOICE.

I HAVE -- I FOUND -- I FOUND MY VOICE. I HAVE THINGS TO SAY.

WE COULD GO BACK THERE. >> You really think we can do that?

>> You really think we can do that? >> YES. OF COURSE.

that? >> YES. OF COURSE. WE WENT BEFORE. WE CAN GO AGAIN.

>> YES. OF COURSE. WE WENT BEFORE. WE CAN GO AGAIN. We could go there.

WE WENT BEFORE. WE CAN GO AGAIN. We could go there. We could go to all kinds of

We could go there. We could go to all kinds of places.

We could go to all kinds of places. WE CAN GO TO AMAZING PLACES.

places. WE CAN GO TO AMAZING PLACES. WE CAN GO TO PARIS.

WE CAN GO TO AMAZING PLACES. WE CAN GO TO PARIS. WE COULD GO SAINT PETERSBURG.

WE CAN GO TO PARIS. WE COULD GO SAINT PETERSBURG. WE COULD [LAUGHS]

WE COULD GO SAINT PETERSBURG. WE COULD [LAUGHS] [ RATTLE RATTLES ]

WE COULD [LAUGHS] [ RATTLE RATTLES ] WE COULD GO TO RIO!

[ RATTLE RATTLES ] WE COULD GO TO RIO! [ CHUCKLES ]

WE COULD GO TO RIO! [ CHUCKLES ] RIO!

[ CHUCKLES ] RIO! CARNIVAL TIME.

RIO! CARNIVAL TIME. ZAMBAS, DRUMS.

CARNIVAL TIME. ZAMBAS, DRUMS. >> How about New York?

ZAMBAS, DRUMS. >> How about New York? In...

>> How about New York? In... In the '40s.

In... In the '40s. I COULD BE A TORCH SINGER AT A

In the '40s. I COULD BE A TORCH SINGER AT A BAR ON...

I COULD BE A TORCH SINGER AT A BAR ON... I DON'T KNOW -- 52nd STREET.

BAR ON... I DON'T KNOW -- 52nd STREET. AND YOU COULD BE A GANGSTA.

I DON'T KNOW -- 52nd STREET. AND YOU COULD BE A GANGSTA. >> WITH A SCAR HALFWAY DOWN MY

AND YOU COULD BE A GANGSTA. >> WITH A SCAR HALFWAY DOWN MY CHEEK AND A DIAMOND STICKPIN.

>> WITH A SCAR HALFWAY DOWN MY CHEEK AND A DIAMOND STICKPIN. >> YEAH.

CHEEK AND A DIAMOND STICKPIN. >> YEAH. YEAH.

[ SIGHS ] SAMSON, RIGHT? THIRD ONE DOWN, NO "P"?

SAMSON, RIGHT? THIRD ONE DOWN, NO "P"? >> Yeah.

THIRD ONE DOWN, NO "P"? >> Yeah. DELILAH?

>> Yeah. DELILAH? >> YES?

DELILAH? >> YES? >> THIS COULD BE THE START OF

>> YES? >> THIS COULD BE THE START OF SOMETHING BIG.

>> THIS COULD BE THE START OF SOMETHING BIG. >> YES.

SOMETHING BIG. >> YES. >> SEE YOU AROUND, I GUESS.

>> YES. >> SEE YOU AROUND, I GUESS. >> SEE YOU AROUND.

>> SEE YOU AROUND, I GUESS. >> SEE YOU AROUND. >> WHEREVER THERE IS.

>> SEE YOU AROUND. >> WHEREVER THERE IS. >> [ SIGHS ]

>> WHEREVER THERE IS. >> [ SIGHS ] >> WHEREVER THERE IS.

[ BEEP ]

[ TELEPHONE RINGING ] [ RINGING CONTINUES ] [ KEYS JINGLING ]

[ RINGING CONTINUES ] [ KEYS JINGLING ] [ RINGING CONTINUES ]

[ RINGING CONTINUES ] >> YOU GONNA GET THAT? [ DOOR OPENS ]

>> YOU GONNA GET THAT? [ DOOR OPENS ] [ DOOR CLOSES ]

[ DOOR OPENS ] [ DOOR CLOSES ] ARE YOU GONNA GET THAT?

[ DOOR CLOSES ] ARE YOU GONNA GET THAT? [ RINGING CONTINUES ]

ARE YOU GONNA GET THAT? [ RINGING CONTINUES ] HELLO -- SWEET TALK.

[ RINGING CONTINUES ] HELLO -- SWEET TALK. THIS IS GINNY.

HELLO -- SWEET TALK. THIS IS GINNY. >> Hi.

THIS IS GINNY. >> Hi. >> HI.

>> Hi. >> HI. WHO IS THIS?

>> HI. WHO IS THIS? >> John.

WHO IS THIS? >> John. >> JOHN?

>> John. >> JOHN? HI, JOHN.

>> JOHN? HI, JOHN. YOU HAVE A NICE-SOUNDING VOICE.

HI, JOHN. YOU HAVE A NICE-SOUNDING VOICE. HAVE YOU CALLED US BEFORE?

YOU HAVE A NICE-SOUNDING VOICE. HAVE YOU CALLED US BEFORE? Mm.

HAVE YOU CALLED US BEFORE? Mm. I thought I recognized your

Mm. I thought I recognized your voice.

I thought I recognized your voice. So, John [Sighs] what would you

voice. So, John [Sighs] what would you like to talk about today?

So, John [Sighs] what would you like to talk about today? Something a little different?

like to talk about today? Something a little different? How different?

Something a little different? How different? Really?

Tell me the tape of the girl that turned you on. I'm a redhead, John.

that turned you on. I'm a redhead, John. In fact, I'm red all over.

I'm a redhead, John. In fact, I'm red all over. Mmm.

In fact, I'm red all over. Mmm. Like I said...

Mmm. Like I said... everywhere.

Like I said... everywhere. [ Moans ]

everywhere. [ Moans ] Johnny, you son of a bitch!

[ Moans ] Johnny, you son of a bitch! You big, hard son of a bitch!

>> ♪ IF YOU QUIET DOWN ♪ YOUR WORDS WILL GET LOUDER

♪ YOUR WORDS WILL GET LOUDER ♪ I'VE NEVER MET ANYBODY PROUDER

♪ I'VE NEVER MET ANYBODY PROUDER THAN YOU ♪

THAN YOU ♪ ♪ LOOSEN UP YOUR GRIP, AND THEN

♪ LOOSEN UP YOUR GRIP, AND THEN YOU'LL HOLD ON LONGER ♪

YOU'LL HOLD ON LONGER ♪ ♪ OH

♪ OH [ VOCALIZES ]

[ VOCALIZES ] ♪ I'VE NEVER MET ANYONE MORE

♪ I'VE NEVER MET ANYONE MORE FAITHFUL THAN YOU ♪

FAITHFUL THAN YOU ♪ ♪ YET THEY DON'T SEE HOW

♪ YET THEY DON'T SEE HOW BEAUTIFUL YOU CAN BE ♪

BEAUTIFUL YOU CAN BE ♪ ♪ YET THEY DON'T SEE HOW

♪ YET THEY DON'T SEE HOW BEAUTIFUL YOU CAN BE ♪

BEAUTIFUL YOU CAN BE ♪ ♪ YET THEY DON'T SEE HOW

♪ YET THEY DON'T SEE HOW BEAUTIFUL YOU CAN BE ♪

BEAUTIFUL YOU CAN BE ♪ ♪ BE, BE

♪ BE, BE ♪ OH, YOU'VE GOT TO LET THEM

♪ OH, YOU'VE GOT TO LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ WALK ON

>> ♪ WALK ON ♪ YOU'VE GOT TO LET THEM

♪ YOU'VE GOT TO LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ WALK ON

>> ♪ WALK ON [ VOCALIZES ]

[ VOCALIZES ] >> ♪ TAKING SHORTCUTS ISN'T THE

>> ♪ TAKING SHORTCUTS ISN'T THE EASIEST RIDE ♪

EASIEST RIDE ♪ ♪ IF YOU'RE TRYING TO FIGURE

♪ IF YOU'RE TRYING TO FIGURE YOURSELF OUT ♪

YOURSELF OUT ♪ ♪ DON'T BE POLITE WHEN THE MOOD

♪ DON'T BE POLITE WHEN THE MOOD WAY IS RIGHT ♪

WAY IS RIGHT ♪ ♪ 'CAUSE TOES ARE MEANT TO BE

♪ 'CAUSE TOES ARE MEANT TO BE STEPPED ON IF THE DANCING AIN'T

STEPPED ON IF THE DANCING AIN'T NICE ♪

NICE ♪ ♪ TOES MUST BE STEPPED ON IF THE

♪ TOES MUST BE STEPPED ON IF THE DANCING AIN'T NICE ♪

DANCING AIN'T NICE ♪ ♪ COME ON, BABY GIRL, YOU'VE GOT

♪ COME ON, BABY GIRL, YOU'VE GOT TO PUT UP A FIGHT ♪

TO PUT UP A FIGHT ♪ ♪ PUT UP A FIGHT

♪ PUT UP A FIGHT ♪ PUT UP A FIGHT

♪ PUT UP A FIGHT ♪ THEY SIMPLY DON'T SEE

♪ THEY SIMPLY DON'T SEE ♪ YET THEY DON'T SEE

♪ YET THEY DON'T SEE >> ♪ YET THEY DON'T SEE HOW

>> ♪ YET THEY DON'T SEE HOW BEAUTIFUL YOU CAN BE ♪

BEAUTIFUL YOU CAN BE ♪ ♪ YET THEY DON'T SEE HOW

♪ YET THEY DON'T SEE HOW BEAUTIFUL YOU CAN BE ♪

BEAUTIFUL YOU CAN BE ♪ ♪ YET THEY DON'T SEE HOW

♪ YET THEY DON'T SEE HOW BEAUTIFUL ♪

BEAUTIFUL ♪ ♪ YOU CAN BE

♪ YOU CAN BE ♪ BE, BE

♪ BE, BE ♪ OH, YOU'VE GOT TO LET THEM

♪ OH, YOU'VE GOT TO LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ WALK ON

>> ♪ WALK ON ♪ YOU'VE GOT TO LET THEM

♪ YOU'VE GOT TO LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ LET THEM

>> ♪ LET THEM >> ♪ LET THEM, LET THEM

>> ♪ LET THEM, LET THEM >> ♪ WALK O-O-O-O-N