All language subtitles for Shadowed Escape (1954)

Heat. Heat.

Heat.

Heat.

Heat. Heat.

Heat.

Heat.

I give it to you without the hoopli boy.

The simple facts of life. I'm sitting in

a crossfire with the cops on one side

and Smiley Freeman on the other and the

both of them gunning for me. So I'm the

guy who knows that you're the one who

took the 20 grand from Smiley to cover

up the dirt and kill him.

Got a cigarette, Danny boy. Now my

proposition is quick and easy. Danny, we

split the 20. Five for you, 15 for me,

and I take it on the lamp. Live and let

lives my

>> a that look in your eye Danny's painful

to me pride

daddy boy don't kill me boy DON'T

HEY, what happened? What's going on down

there? Were those shots?

>> You'd better call the police. There's

been a murder.

Good

evening, Inspector.

>> Hi, boys.

>> Always happens in the middle of the

night.

>> Yeah.

>> That's Joe Gordon. All right.

>> Yeah.

>> He won't be doing much testifying now.

>> Convenient for Smiley Freeman.

Yeah.

>> Bell over there where the dog says he

saw it.

>> Yeah.

Mr. Knock over here yet?

>> Not yet, Inspector.

>> What's this guy's name?

>> Frank Johnson lives around here. Claimed

he was out walking his dog.

>> Hi, Mr. Johnson. Inspector Ferris,

homicide detail. Understand you had a

front seat.

>> I sure did.

>> Get a good look at the killer.

>> Too good. That street light was right on

his face when he got out of his car and

shot at me.

>> Shot at you

>> twice. You're lucky he missed. Think

you'd recognize him? You saw him again?

>> That's not a face I'm likely to forget.

>> Pick him out of a lineup.

>> I think so. Yeah. Say, what's this all

about anyway?

>> The dead man, Joe Gordon, was going to

testify before the grand jury next week.

>> That's tough.

>> Not too. He had a bad record. He knew

too much about Smiley Freeman. You know

who Smiley Freeman is?

>> The gangster.

>> That's right. Gordon was our witness.

Now you're in.

>> Me? Yeah. All you have to do is identify

the killer. We'll do the rest.

Married.

>> In a way.

>> What do you mean in a way? Are you or

aren't you?

>> Yeah, I am. Where do you live?

>> Right over there. 136 out to Linda,

apartment 4 D.

>> Pick up Mrs. Johnson. Bring her over

here.

>> Okay. Hey, don't wake her up. She's not

going to like it.

>> Well, she'll want to know where you are,

won't she? We're taking you down to

headquarters.

>> Headquarters? What for?

>> Protective custody.

>> I see what you mean.

>> Now, where were you standing when he

shot at you?

>> Oh, right down there.

>> Show me.

>> Well, I was right down there with a dog

when the car drove up. I didn't pay much

attention to it. A little bit later, I

heard a shot. I looked up just in time

to see this fellow, what's his name,

fall out of the car. Then the killer

pumped another shot right into him. My

dog barked. He got out of the car,

started to shoot at me. I ducked and he

drove away.

>> What kind of a car?

>> I don't know. A light coupe. They all

look alike to me.

>> Well, his aim was all right. He was just

shooting at the wrong target. He thought

sure was you.

>> Will you go call Reen?

>> Maybe he won't miss next time.

>> There won't be any next time.

>> Yeah, but suppose you don't get a

conviction. And then what? Do I have to

spend the rest of my life with police

protection or wind up on a sidewalk like

him?

>> What are you worried about? He missed,

didn't he? Stay here a minute. We'll get

the rest of the story downtown.

>> I hate to get mixed up in this.

>> Yeah, it's getting so a man has to be

careful where he's looking these days.

>> Take it easy. You

>> keep out of here, will you?

>> Say, I think I dropped my pipe somewhere

around here. Is it okay if I look for

it?

>> Remember where you had it last?

>> Yeah, it was right over here somewhere.

What's the matter, buddy?

>> Come on. Get out of here, will you?

Pick up Smiley Freeman and everybody

connected with him. Put him in a lineup.

See if John can identify anybody. I want

everybody. No excuses, no lawyers. I

want everybody. See if he can pick up

anything on that car. Somebody may have

seen it.

Mrs. Johnson, that's not your husband.

Man was killed. He saw it happen. He

He's right over here. Sorry I had to get

you out of bed, Mrs. Johnson. But after

all, we had to make sure that he had a

wife.

>> Where is he? He took a powder. Sergeant,

pick up Johnson. The idiot will get

himself.

>> Just like him. Always running away.

>> What do you mean always running away?

Running away from what?

>> From everything.

>> Broadcast the description. White male

American. Wears a trench coat, soft

brown hat.

>> A very ordinary looking fell, I'm

afraid.

>> Yeah. Well, how would you describe your

husband, Mrs. Johnson?

>> I couldn't. I haven't been able to for a

long time. May I go now? Come on, you

might.

>> Nice dish, huh?

>> Nice looking dish. I want everything

shut off. Bridge controls, road blocks,

everything. I'll stick with her, right?

Did you hear the shots fired?

>> How could I? I was in bed, sound asleep.

>> Find any pictures of him?

>> No, but plenty of her. Just some tired

snaps of them.

>> They won't do anybody any good, but keep

them.

>> Reads books on psychology.

I wonder why. Has he got a problem?

>> I wouldn't know.

>> Maybe he's confused. Aren't we all?

Pipe smoker.

>> What does that mean?

>> Nothing.

>> Oh, he's got two suits. One of which

he's wearing. Well, what does he cover

what he looks like? Nobody pays any

attention to him anyway. Not even his

wife.

>> You're really wasting your time. There

must be at least 20,000 men in San

Francisco who answer that description.

How are you going to find him? There'd

have to be something different about

him. Different anyway from other people.

There is something different about him.

There's something different about

everybody. And we're going to dig till

we find out what it is. Now, you see our

problem, Mrs. Johnson. Why won't you

help us?

>> I'm helping. What do you want me to do?

>> I want you to answer a few questions.

>> Go ahead, ask.

>> Where does he generally go when he's not

at home?

>> I haven't the faintest idea.

>> Has he any relatives in this area?

>> No.

>> Who are his friends?

>> I don't know his friends. The dog is our

only mutual friend.

>> You always go to sleep when he walks the

dog.

>> No. Sometimes he goes to sleep and I

walk the dog.

So, inspector, here are a couple of

more.

>> Oh, I'm terribly sorry. There's been a

mistake. Release these men at once.

>> Keep digging.

>> Okay.

>> Every man between the ages of 35 and 40

who is out tonight is wearing a trench

coat and a snap brim felt. All of them

5'11, weighing 170, and all of them

scared to answer questions.

>> The domestic situation in this town must

be terrible.

>> Yeah.

>> Kitchen.

>> Well, it's got a stove in it.

Hey,

>> don't you eat anything but dog food?

>> He's not particular and I'm lazy, so we

eat out.

>> Where?

>> Well, let's see. The corner drugstore,

the lobster grill at the warf when we're

in that neighborhood. And when we get

real fancy, Manlo's Oriental Roof

Garden. Those usually we're creatures of

habit, I'm afraid.

>> Check the oriental roof garden. They'll

still be over there.

>> Yes, sir.

>> It's 2:00 in the morning. How am I going

to explain this at home? What's going on

here?

>> I'm sorry. There's been a mistake.

>> He's sorry. What am I going to tell my

wife?

>> Come on.

>> What did you and your husband quarrel

about tonight, Mr. Johnson?

>> We don't have to have a reason anymore.

>> Don't you have a decent picture of your

husband?

>> No, he doesn't like to have his picture

taken.

>> I don't want any photographs of him

floating around that might get in the

papers. The killer doesn't know what he

looks like. Didn't he see him?

>> No, he shot at his shadow.

>> Shot. He shot at Frank

>> twice. Nobody knows that except the

killer, your husband, and now you. So,

let's keep it that way. It's important.

>> He's really in danger. Then

>> worried. I thought you were beyond

worrying about him.

>> I didn't say that.

>> If he doesn't give himself up, you're

really going to have something to worry

about. We've got to protect him

>> like you did the other witness.

>> Joe Gordon would be alive right now if

he hadn't had his lawyer springing him.

>> Hey, Mark. Here's something.

Prescription for Frank Johnson. Husband

ill?

>> No, he just likes to take medicine.

>> What are these for?

>> I don't know. He just likes to take

vitamin pills, cold shots, anything.

>> What's up here?

>> Studio. My husband's an artist.

>> Oh, I thought you said he worked at Hart

and Winston's.

>> He does. He's in charge of displays down

there.

>> Oh, window trimmer, huh?

>> Rembrandt, get down. You know you're not

allowed up there.

Rembrandt.

>> It's the nearest we could ever get to

owning one. Frank's little joke. He

found the mud sitting on the street

corner one night waiting for someone to

adopt him. They recognized each other

right away.

>> Is this supposed to be you?

>> Yes. It was a lovely autumn day. The

wind was blowing through my hair.

It was all very charming. But that was 4

years ago. That was Frank Cypress

period. He had four important periods in

his painting career.

>> Say, how did you two ever happen to get

together in the first place?

>> I met him at a friend's house in Carmel.

He wanted to paint and I was all for it.

I had $5,000 and he had 2,000 in talent.

So, we got married. After Carmel, he

became restless. So, we went to Tal, New

Mexico, where he painted Indians.

That's an Indian.

>> Yeah.

>> Then he got tired of Indians. So, we

went to Bucks County, Pennsylvania,

where he painted old Dutch barns with

hex signs on them.

>> So, did he ever do a self-portrait?

>> He didn't like himself that much. Oh,

>> he do these in Pennsylvania?

>> No, he got restless again. So, we came

to San Francisco here. He started

sketching crummy old characters that

hung around warves, missions, and gent

mills. That was his social protest

period. Then, our money ran out and he

had to take a job.

>> Couldn't sell the stuff, huh?

>> He wouldn't try to sell it. didn't think

it was good enough. These sketchbooks

are filled with great ideas he never got

around to painting.

>> Didn't you try to get a job?

>> Why should I? That's his responsibility,

not mine.

>> Friend to your husband's.

>> No, that's his burlesque. Period.

>> Now, that I like. It's pretty good.

>> Yes, but it takes more than talent to

have a career. You have to have staying

power. Frank's a drifter, so when the

money ran out, we just drifted.

>> Who's this?

>> Oh, some dance team over in Chinatown.

know him?

>> Oh, he's a retired fairy boat captain

who does sand sculptures at the beach.

>> Oh, I know who that is. That's

Rembrandt.

>> What does all this got to do with

finding Frank?

>> You just answer the questions. That is

if it doesn't hurt.

>> Why should it hurt me? It's all passed

and done with. If you want to snoop into

the remains of our marriage, that's up

to you.

>> Don't touch that telephone.

If that's your husband, find out where

he is. But keep on talking.

>> Hello.

>> Hello.

>> Oh, hello, Frank.

>> Trace that call.

>> Helena, there's something I want you to

get for

>> I'm sorry to interrupt, but if I were

you, I'd hang up. The police are tracing

your call.

>> Hello. Hello.

>> Hey, hang up. Seems to me I heard music.

Wasn't that music?

>> You didn't do your husband a favor, Mrs.

Johnson. It's bad enough to be alone in

a big city with no place to go. But as

soon as the newspapers hit the streets

and the killer finds out he didn't get

your husband, there'll be guys looking

for him with guns. If I had a husband I

wanted to get rid of, I'd do exactly

what you did.

>> If he wants to run away, that's his

business. and your business, too, Mrs.

Johnson. I'll be seeing you.

No wonder the world's full of bachelors.

Little more needling is all she needs.

Give her plenty of rope, but keep her

tail.

>> She wants to get rid of him. Women are

curious. Even that game will go after

him.

>> Ah, come on. Be a good fellow and let us

up.

>> Who's handling the case?

>> Inspector Paris.

>> Oh, he's a friend of mine.

>> Is that right, Inspector?

>> Sure. We know him well. Oh, hi. Paris,

what's the go?

>> No story.

>> How about that Johnson gal? Is she good

looking?

>> What about the witness?

>> What witness?

>> Oh, cut it out. Cut it out. It's already

gone to press. Do you get a look at the

murderer?

>> No.

>> What's his wife like? Any filth?

>> Lay off the tabloid sex stuff. Like it.

I'll give it to all of you in the

morning.

>> Hi, Homer.

>> No favorites.

You don't scream.

>> You're coming out or going in?

>> Are you the police?

>> Smile when you say that. I'm a reporter.

>> Oh, a newspaper man.

>> Well, you don't have to say it like

that.

>> Let go of me. GO AWAY.

WELL, now are you just going to leave me

dangling here? Well,

>> you just said

>> I don't care what I say. Help me get out

of here. It's a

>> pleasure, Mrs. Jay. You are Mrs.

Johnson, aren't you?

>> No, I'm the maid taking my night out.

>> What magic I possessed a moment ago.

Total strangers. Now you're in my arms.

>> So, it's love at first sight. Now, show

me how you got up here without the

police seeing you.

>> Do I get the story?

>> After I get out of here.

>> Follow me, then.

Looks like half the police force is down

there.

>> Must I

>> just look straight ahead like you did

when you got married.

>> Incidentally, my name's Leot. Legged to

the graphic. We've got a dandy little

sheet all full of goo and gore and

everything.

>> Hey,

>> bye.

You wish something?

>> Jin over rocks.

>> Rocks. Is this chair taken, madam? Well,

thank you, Mr. Johnson. I'd love to join

you. You didn't think you were going to

get rid of me as easy as you ducked the

police, did you? I'll have you know,

Mrs. Jay, I'm an old fire escape man

from way back.

>> Why don't you get lost?

>> Now then, how about the story?

>> You'll get the story from my husband

when he's safe and sound in jail.

>> Oh, but he won't be safe and sound. Have

you forgotten about the name of Joe

Gordon? Do you wish something?

>> Yeah. Let me have a bourbon

oldfashioned. Yes.

Why did you come here tonight, Mrs.

Johnson? Or shouldn't I ask?

>> Because I like it here.

>> You didn't by any chance come here to

meet, say, your husband, did you? Or is

that a far-fetched supposition?

Supposition? I better stop using those

four syllable words. I won't be working

for the graphic anymore. Where's your

husband, Mrs. Johnson?

>> I don't know.

>> Did he see the killer?

>> I don't know.

>> Should we dance?

>> Why don't you drop dead?

>> Hold on.

>> Why don't you be nice to me, Mrs.

Johnson? Who knows, I might even be able

to help you. I'm not a bad guy when you

get to know me. A little obnoxious

perhaps, but pleasant. Now then, answer

yes or no. Your husband saw and took it

on the lamb. Right.

>> Right.

>> And you're you're meeting him here.

>> I haven't the slightest idea. I came

here on a hunch. When he phoned tonight,

I heard music that could only have come

from this joint.

>> Something to eat?

>> No thanks. No food.

>> Oh, go ahead. Try something.

>> No, really, nothing.

>> Oh. Um, I've got a deal for you. You

find your husband with my help. Give me

an exclusive for 24 hours and I'll get

my paper to pay you for it.

>> Trying to buy me so soon?

>> First, I'm going to try and buy you. And

if I can't, I'm going to try to win you.

>> Isn't that the reverse of the usual

procedure?

>> I'm a perversed fellow. On second

thought, Mrs. Jay, I find you very

attractive. I may try and win you right

off.

>> No thanks. I'd rather be bought.

>> Very mercenary. All of the good, though.

I like mercenary women.

Can you really get the money?

>> Sure.

>> How much?

>> Oh, I don't know. Graham, maybe.

>> Is it worth that much?

>> Will be by the time I get through

building it up.

>> Frank will need it if he wants to get

away.

>> I'll bring it with me. Just tell me

where and when.

>> And you won't print anything until I

give the word.

>> Scott's honor.

>> It's a deal.

>> Should we drink to it?

To the u speedy conclusion of all our

troubles. Yours, your husbands, and

mine.

>> You got troubles you don't look at? None

that I can't solve now that we're

partners.

>> Hia, Mrs. Johnson.

>> Hi, Sammy. Sit down. Meet Mr. Leget at

the graphic.

>> Oh, a newspaper man.

>> Sammy,

>> you should have caught the show. Susie

and I are breaking in a new act. Chung

noito. It's terrific. That's spelled C

Hu N G. Anybody can spell Aikito. Of

course, we're only breaking in the show

here, but a little plug help.

>> Well, I'll u I'll see what I can do.

>> Thanks. Next time you come catch the

Midnight Show. The place is really

jumping then. I'll be seeing you.

Goodbye, Sammy.

>> Night.

>> Well, I think I'll go home. Frank won't

show tonight.

>> How do you know?

>> I just know. That's all.

>> What are you going to tell your husband

when you see him?

>> To give himself up. Maybe I'll give up,

too.

Leave your flag down.

>> You want to go in over the roof?

>> No, I'll go in the front door and give

them something to think about.

>> Oh, in that case, I'll disappear. Let's

not give them too much to think about.

>> Well, if I need you, I'll get in touch

with you.

>> Oh, you won't have to get in touch with

me, Mr. Johnson. Just look around. I'll

be there.

>> Good night, Mr. Leot.

What are you doing here?

>> That was a nice story going, Mrs.

Johnson, but the next time you try to

get out, you'll have more trouble.

I've got news for you.

I've just seen your husband's doctor.

>> Why aren't you feeling well?

>> Your husband isn't a hypochondric.

He's a very sick man. He's got a bad

heart.

>> I don't believe it.

>> Ask Dr. Holler.

>> Frank never said anything to me about

it.

>> Maybe he figured you wouldn't be

interested.

>> Well, he can walk into any drugstore and

buy some medicine.

>> Not without a prescription, he can't.

And I've given orders to every drugstore

in town that none of this medicine's to

be dispensed without an order from me.

If he should have an attack and not have

that with him, you know what that means.

>> You can't do that.

>> If it's the only way I can get him to

come in and testify, I mean to use it.

>> But Frank's done nothing wrong.

>> Oh, yes, he has. He was in the wrong

place at the wrong time.

>> I felt the police were supposed to

protect people, not put them in danger.

>> All it says in my book, Sister, is that

the good of the majority's got to be

upheld. And for the good of the

majority, Frank Johnson's got to

testify. If he gives himself up, we'll

give him a supply of medicine. We'll

protect him. And if he doesn't,

>> he'll die of a heart attack or a bullet

from one of Smiley Freeman's men.

>> I don't believe a word you're saying.

You're only trying to frighten me. And

I'm getting pretty sick of you. Now get

out of here.

>> Of course. If you want to try to find

it, I won't try to stop you. But I don't

think you can find him.

I don't think he's running away from us.

I think he's running away from you.

>> I said get out.

Heat. Heat.

I am violating my instructions from the

police by giving you this additional

supply. But rest assured, it gives me no

feeling of guilt.

>> Thank you, doctor.

>> After the excitement of last night, your

husband undoubtedly used the MP he

carried with him. So, you see, my action

is not prompted by kindness so much as

reluctance to gamble with a man's life.

>> Is his heart really that bad, doctor?

Frank's condition isn't any worse than

tons of men that strain their hearts

running in track meets in the misguided

belief that they were building up their

bodies. If it were only his heart, we

could control it.

>> What do you mean?

>> Well, for the past year, your husband

has had hypertension. That complicates

matters.

>> Hypertension? What causes that?

>> Well, I'm not sure. My guess is

overwork, unhappiness, anxiety. But you

know more about it than I do.

>> Why should I?

>> But naturally, you must know about his

troubles. I'm only his doctor. You are

his wife.

>> Oh yes. I'm that bitter, selfish,

vicious wife. The cause of his

unhappiness, the cause of his failure.

Is that what he told you? Is that what

he tells everyone?

>> Frank didn't discuss his private life

with me, nor do I care to hear it from

you. I shall explain to you his

condition, and that's all. He has a

cardiac condition. Let's call that X.

Now, X alone is not serious. He also has

hypertension. Let's call that Y. X plus

Y is dangerous.

>> I'm Y. I suppose

>> I'm not a psychiatrist, Mrs. Johnson. I

deal only with facts. X + Y equals

steady deterioration. X minus Y is an

improvement. Now, what you and your

husband do about it, that's your

personal concern.

>> My only personal concern right now is to

get these ampules to him.

>> If you see him, tell him he should give

himself up. It's imperative to take the

strain of himself.

>> I'll give him the facts. He can draw his

own conclusions.

Heat.

Heat.

Oh, fine. Darling, I thought I'd never

find you. Now, stay right here. I'll be

back in 5 minutes to explain everything.

>> All right, Mr. Johnson, come along. My

name isn't Johnson.

>> Yeah, and I suppose that isn't your wife

either.

>> No, but I wish it were.

>> Do you have any identification?

>> Yes, I have. My name is Steven Kurthers,

optometrist. While we're on the subject,

I think you better have your eyes

examined.

So Frank is a fugitive from the law.

Well, that's just like him. He's so

adventurous.

>> Adventurous? Frank?

>> Oh, yes, indeed. Uh, sit down, Mrs.

Johnson. I guess you've never visited

our workshop before.

>> What makes you think he's adventurous?

>> Oh, but he is. All the places he's gone

and all the things he's done. You know,

my life has been pretty uneventful.

straight from high school to this job,

from my rooming house to the street car

and then down here to work. In the

evening, back to my rooming house again.

But since he's been here, it's

different. He He makes my life kind of

exciting. I never get tired listening to

the stories he tells about his trip down

to Mexico when he was wandering around

with all those bull fighters and when he

shipped off to Tahiti and that old

freighter and then jumped ship. Oh, I'm

sorry. I suppose you've heard these

stories many times, Mrs. Johnson.

>> I never heard them. He never told me.

>> He didn't? Well, maybe he didn't want

his wife to know. Oh, I'm sorry if I

talked out of turn.

>> Of course you haven't. Shouldn't the

male be here?

>> Why, yes. Yes, it should. Why?

>> Frank sent me a letter in care of you.

>> Oh, he did. I don't know what Mr.

Anderson's going to say when he finds

out Frank isn't coming in today. You

know, he's got a terrible disposition.

He doesn't exercise enough. Of course, I

don't either. And well, I'm going to

protect Frank. He saved my job once. You

know, Mr. Anderson was going to fire me,

but Frank said, "If Mr. Mayabbus goes,

you can pay me off, too." Oh, they had a

terrible argument. They even took it

upstairs to Mr. Winston. Well, we're

still here. Frank was too valuable.

>> Look, Mr. Mavis, don't tell anyone about

that letter that's coming.

>> Oh, no, no, no. You can trust me.

>> Not even the police.

>> The police? Are they coming here?

>> They're very apt to. But just don't

mention the letter or anything about my

being here at all. Huh?

>> Well, I don't know how good I am at

deceiving people, but uh if it's for

Frank, I'll try.

>> Hey, Mavis, you better get the lead out

and get upstairs. Anderson's blowing his

top.

>> Okay, I'll be right up. Is the mail in

yet?

>> How should I know?

>> Nice people. Sometimes I think it'd be

better for Frank if he got himself

fired. Well, he doesn't belong around

here. Look at all the time he puts in

these mannequins.

See, I just noticed something. This

looks like you.

>> Very flattering. Is that the way he sees

me?

>> Well, it may be a little severe, but it

shows he was thinking about you anyway.

>> Yes. And what he was thinking?

>> Mail? You've only got two today, Mr.

Mayavis?

>> Who isn't Frank here?

>> No. No, he's late. Was there a letter

for him?

>> No, I just had a new song I wanted him

to hear. Frank's the only one who

listens to me singing. Oh, brother.

Where have I got a crush on that man?

>> No letter.

>> Oh, but there's got to be one.

>> Well, maybe it'll be here on the

afternoon mail at 3:00. If one comes,

hold it for me and let's just keep it

our secret, shall we?

>> Good morning, Mr. Johnson. He didn't

show up for work this morning, did he?

Where's your new pal, Leot?

>> I haven't the biggest idea. I wouldn't

get too cozy with that guy if I were

you. He'd crucify his grandmother for a

story.

>> I haven't found him as objectionable as

you are. What right of you prying into

my personal life, having me followed as

if I were a criminal? I'm sick of it.

I'm sick of you, and I want it stopped.

>> Mrs. Johnson, didn't your husband ever

beat you?

>> Are you going to have these men stop

following me?

>> The man who killed Joe Gordon isn't

stupid. If I'm smart enough to use you

as a bird dog to lead us to your

husband, so is he. You may be very happy

to have a cop around before this thing's

over.

>> That I doubt.

Stick with it.

>> How could it lose a red head like that?

Oh, don't be so grumpy this morning. All

I'm trying to do is help you. Do you

know that you've got a little shadow?

Huh? There she is. Well, it's nice

morning for a ride. Oh. Uh, by the way,

here's your letter.

>> Well, how are you?

>> Surprised? Don't be. $10 and an

underpaid store clerk will get you

anything. Don't you worry about it. I'll

put down my expense account.

>> But how did you know about it?

>> The menu. You shouldn't have left it. It

was very careless of you. I have

inquisitive eyes.

>> Do you always open other people's mail?

>> Mhm. Every chance, I guess. Say, did you

get a load of the female impersonator

they've got following you?

>> No.

>> Well, let's duck her and get down to

business. Hey, Mac. Turn left on the

next street and then right up the alley.

>> Okay.

>> Mean anything to you?

>> Oh, a lot of things.

>> Something to go on?

>> I'm not sure.

>> What does he mean in there about the

doctor in the ampules?

>> It's medicine he needs. He has a bad

heart.

>> How bad? Bad enough. I just found out

he's got to have these pills and he

can't get them anywhere. The police have

seen to that.

>> Ah, squeeze play. At Ferris is smart.

>> Will he die?

>> I don't know. I spoke to his doctor. It

isn't serious only under certain

conditions.

>> Explain. The police will probably read

this note, so I can't tell you where

I'll be. But if you think back, you'll

know where to find me.

>> What am I? A mind readader? Well, it

gives you a clue in this next line. I'll

be out in the open under the sun in a

place like the one where I first lost

you.

>> There is no first in things like these.

>> This is kind of obscure. Does he always

talk to you like this?

>> No. It's our first murder.

>> You know, Mrs. Jay, your husband's a

pretty clever guy at that.

>> No, I know you don't think so, but he

is. He's testing you. He's asking you to

admit that your marriage is a failure

and that it's your fault. He's saying

that he understands you, but that you

don't understand him.

>> Now, listen, Mr. the legged of the

graphic. I've had just about enough of

the all-wise male. In the past 10 hours,

I've met three men. Three men who all

put together haven't known Frank for one

fraction of the length of time I have.

Yet, they all know him better than I do.

Well, along the way, I found out a few

things myself. I found out how Frank

Johnson really feels about me. That at

the first chance, his first excuse, he

took off, ran. That he didn't even think

enough of me to confide in me that he

was ill. been at the store in the faces

of those mannequins. I saw what he

really sees in me. All right, it's okay

if that's the way he feels about it. But

if he wants his ampules, he'll have to

come out of hiding and get them.

>> What did you have for breakfast?

Cigarette and coffee.

>> Cigarette?

>> I thought so. Take us over to Lancy's on

Pow.

>> Lancies? Okay.

>> This place has the best waffles in town.

Butter in every little square. View is

always better on a full tummy.

>> How about another one? No, no thanks.

>> Now that I've got you softened up, Mrs.

Jay, there's something that I have to

tell you.

>> You have to find your husband. No, not

for the money. I promise. You are my

story. But for yourself, he's challenged

you. You've got to accept it or admit

he's right.

>> I really would like to find him. If only

I could decipher the riddle in this

letter.

>> Together, we can do it. That letter is

like like drawing a graph. One line is

to Tracy's movements from last night.

The other leads back into the past. But

you have to remember where they cross.

That's where your husband is.

>> You need a manicure.

>> So I do. You know, this is the first

time in my life I ever insisted on

helping a woman find her husband.

>> That I believe. By the way, what do

people call you besides legged of the

graphic?

>> No.

>> No. People that like me call me Danny

Boy.

>> Okay. Danny Boy.

Fisherman's Wararf. Frank used to come

here a lot. I remember once he did a

watercol of a boat. A fisherman admired

it, so Frank just gave it to him. Not to

be outdone, the fisherman gave Frank a

big swordfish.

I made a remark about the joys of living

for the barter system, and we had a

bitter quarrel, but it certainly wasn't

the first one.

>> Do you think Frank was referring to a

quarrel when he said, "Where I first

lost you?"

>> What else? Another one started up here

on Telegraph Hill. Frank did a canvas of

the harbor from here that I thought was

wonderful. When I told him so, he

insinuated that my taste in art ran to

calendars. I said my taste was my own

and I wanted the painting. So, he gave

it to me, but he signed it to Eleanor's

husband.

Without telling him, I entered it in the

contest they were having here at the art

gallery. The oil by Eleanor's husband

won first prize, $500.

But do you think Frank was pleased when

he found out? Oh, no. He refused the

money and withdrew the painting. Said he

wasn't ready yet.

>> Sounds pretty stubborn.

>> Stupidly stubborn. I wonder if he ever

really wanted to be successful. Soon

after that, he took the job at Hart and

Winston's.

>> You know, the only thing we know for

sure is that Frank was at the Oriental

Gardens last night. While we're in the

neighborhood, let's drop in.

>> Yeah. He sat around the dressing room

until we came down to do the 1:00 show.

Then he said he was going to make a

phone call. Then Frank wrote the letter.

>> He said to get in touch with you that he

was going to send the letter to a store

care of Mr. Mavis.

>> Haven't I seen you someplace before?

>> Shouldn't be surprised. I've been there.

>> But didn't he say what he was going to

do or where he might go?

>> I didn't want to pump him. Say, why

don't you try Sullivan?

>> Who's Sullivan?

>> He's a grandm. Runs a bar across the

street. Come on, I'll show you. You can

go down the back stairs.

>> Now I know where I've seen you before

last night. Oh,

>> sure. I was in with Mrs. Johnson.

>> No, I mean the picture that Frank drew.

Picture?

>> What picture? Of me.

>> Well, it looks something like you. You

know how Frank's always drawing

pictures.

>> Did he say who this man was?

>> No. No, he didn't. I wonder if I should

have told the cops about it. Oh, well,

they'll be back. The man that was in

said so.

>> Susie, quit yakking.

>> Uh, do you still have the picture? Maybe

I could run it in the paper.

>> Yeah, it's upstairs in my dressing room.

I better keep it, though.

>> Hey, Leot, are you sure you want to help

find Frank?

Say, don't forget that plug in the paper

about us. We can sure use it.

>> Okay, take it from the top. I've got to

go see our agent.

I've heard about this place for years.

Never been here before.

>> What do you have, folks? You hungry?

Specialty today? Con beef and cabbage or

egg for you?

>> No food.

>> General rocks for the lady in old

fashioned for me. I think I'll call a

paper and see if anything's broken. You

can get more out of him alone. Anyway,

>> say why don't you wear a hat? I look

funny in hats.

>> You know you're right.

>> What is it?

>> No, I didn't drop a nickel.

Yes, Mrs. Johnson. Frank wasn't here

last night just before closing time.

>> Did he say where he was going?

>> No, he didn't. Just barred 10 bucks. Al,

maybe I should tell you there was a

couple of fellows in here this morning

asking about Frank. Fellows that you

couldn't very well say mind your own

business to. Is he in some sort of

trouble, Mrs. Johnson?

>> Some He didn't come home last night.

>> They're all alike. I've been looking for

mine for 3 years.

>> I'm glad I finally met you, Mom. I often

wondered what kind of a woman Frank was

married to. Not that I imagine he was

too easy to live with, being so quiet

and moody and strange at times. For

instance, now look at this picture. Look

at the date he put on it. Frank painted

this for me about 6 months ago. It was

on St. Patrick's Day. But look at the

date on it. March 17, 1947.

Well, I suppose it's an artist

privilege.

>> March 17th. That's Frank's birthday.

1942.

We spent the day on the beach at Cypress

Point. Then we suddenly decided we had

to see the sunset from the top of the

mark. So, we drove to San Francisco. We

had a car. Then, we had champagne

cocktails and watched the sunset over

the Golden Gate. After all, it was

Frank's birthday and St. Patrick's. We

had a beautiful dinner at Andre's and

Cafe Diablo at Omigos. Then we drove

back to Carmel in the softest moonlight

I've ever known.

>> Ah, there's nothing like being young and

in love and dafted.

>> Tiboot.

>> What?

>> Dafted to boot.

>> Well, I guess people are entitled to do

crazy things on their birthday.

>> This year we didn't. I went to a movie.

Frank came down here and painted that

picture.

>> Now I know what Frank meant when he said

someone should have been in that picture

with him.

I have a notion if your husband could

have seen your face when you were

telling him about that birthday party in

1947, he'd have painted you right smack

in the middle of that picture with his

arms around you. Ah, sorry I was so

alone.

>> Oh, Mr. Legged of the graphic Mr.

Sullivan. He's helping me look for

Frank.

>> Hi. Freshen up a little, will you? A

whole of garbage. You.

>> No, I'm fine.

>> Get something.

>> Something I hadn't counted on.

>> What?

>> Frank still loves me.

>> It's a big help.

>> I think so.

>> If it'll help any. Frank asked me how

early the Army Navy store is open. The

window is down in the Embaradero.

>> No, he's getting smart. He's changed his

clothes. What do you say we cover it?

Oh, I uh I'm sorry I was so rude a

moment ago, but it's always discouraging

to hear a wife say that her husband

loves her.

>> What do you write? Comic strips.

>> Oh, never more serious in my life.

>> What's the damages?

>> Oh, it's on the house. I hope you find

it, Mr. Johnson.

>> Thanks. It's no use looking, honey.

Once they're gone, they're gone.

How'd it happen?

>> I was walking along and she almost hit

me. She must have fell from the oriental

roof garden up there.

>> Who is she?

>> She's one of the dancers from the show.

Maybe a drink, Sammy. It helps

sometimes.

>> No thanks.

>> Hi, Sammy. Let him alone, can't you? I

just heard about it.

>> I'm sorry.

>> I can't understand it, Inspector. Susie

was happy. We were doing great. There

was no reason for it.

>> Sometimes we don't know what makes

people tick, even the ones closest to

us.

>> I just can't believe she killed herself.

>> Well, maybe she didn't.

>> Inspector House.

>> Well, it could have been robbery. She

might have surprised somebody in the

dressing room. Did you check her stuff?

See if anything was missing?

>> No. We'll do it now.

>> We've been through almost all of these

places and we still haven't found a lead

on Frank.

Mind if I look at this coat?

>> That's a man's coat.

>> Mind if I look at it?

>> Say dollars.

>> That's Frank's coat. Where did you get

it?

>> None of your business.

>> But that's my husband's coat.

>> No, it ain't. It's mine. Fella came in

here and traded that coat and $4 for a P

jacket and a cap.

>> When?

>> When I opened up this morning.

>> Where'd he go?

>> How do I know? I just sell stuff. I

don't watch. People shut the door as you

go out.

Look.

Well, wouldn't you know, there he is,

just like nothing had happened.

>> Frank,

I'd be pardon.

>> Oh, I I'm sorry.

I never knew there were so many

landgoing sailors in the world. All of

them wearing pee jackets and seaman's

caps.

>> Beat, huh?

>> Mhm.

>> I might as well admit it. I can't

remember. No thanks.

>> There's not much sun left to find him

under.

If you think back, he said in his

letter, you'll know where to find me.

>> Danny, maybe if I'm alone, I can figure

this out. I've got to go home anyway and

feed the dog. He's been locked up all

day.

>> Oh, sure. Sure. I could meet you later

someplace. How about picking me up at

the corner of Montgomery and Union

Streets when you're ready? It's not much

out of your way.

>> All right. I'll meet you there in an

hour.

Uhoh.

Looks like your shadows finally caught

up with you.

>> Are you as tired as I am?

>> I beg your pardon.

>> Come on. There's no need in spending two

campfires. We might as well go together.

>> But well, come on. At least you'll have

someone to talk to.

as a taxpayer. I thank you

Hello, Rembrandt. I'll be with you in a

minute.

>> Hi.

>> What? You again? Who let you in?

>> Landlord, do you mind?

>> Oh, no. Make yourself at home. I love

having cops move in on me.

>> Where's the letter? Don't pretend you

don't know what I'm talking about. I

mean, the letter your pal picked up at

Hart and Winston's this morning. I want

it. sees all knows all except where

Frank is and who the killer is.

>> Why don't you go back to jail or

wherever it is you live and leave me

alone.

>> Oh no, the America rounds over. This

case is going cold on me and you're the

only live thing in it. So from now on,

I'm sticking with you.

>> That's just peachy.

>> Oh, I'm bushed.

>> You ought to be. You covered a lot of

territory today. My men are bushed, too.

You should be more considerate.

>> Can you make anything out of this

letter? It's pretty cryptic. Not yet,

but I'm working on it.

>> This sounds like a guy in love.

>> You think so?

>> Yeah.

I'll be out in the open under the sun in

a place like the one where I first lost

you. That kind of lays it right in your

lap. Doesn't it mean anything to you?

>> I wish it did.

>> I'm glad you're not bringing me my

medicine.

>> Oh, don't worry. I'll find it.

>> And I'll be right there with you when

you do. Where you go, I go.

>> Would you insist upon going with me if I

walk the dog?

>> I walked him. Anyway, there's a man out

front, one in back, and one on the roof.

>> Fine, I'm staying right here then.

>> So am I. We'll just wait till your

husband comes to you or you can't stand

the strain any longer and go to him.

>> Look, Mr. Ferris, maybe you were right

in some of the things you said. Today, I

discovered a lot about Frank I never

knew before. in one day what you

couldn't find out in four years.

>> I guess I was the one that was mixed up.

A lot of it's my fault anyway. I haven't

been much of a wife.

>> Well, that's quite an admission from

you, Mrs. Johnson.

>> Please, you've got to give me a chance

to see Frank alone and give him his

medicine. Then, if he wants to come in

and testify, that's up to him. But it's

got to be his choice. I won't try to

influence him one way or the other.

Whatever he does is all right with me.

But you've got to let me see him alone

first. I believe you and I'd like to

help you, but I'm a cop. If Frank keeps

on running, I'll have no witness to say

nothing of a job.

>> He's hungry. Couldn't you have fed him,

too?

>> I couldn't figure out how to work the

can opener. Can I use your phone?

>> Hello, Ferris. Anything come in?

Keep it going till we get results. I

think we're getting warm. Sh.

Put him on.

Hey.

I'm sorry, Rimbrand. It's the only thing

I could think of.

>> Mr. Ferris.

>> Yeah,

>> I'm worried about Rembrandt. He was so

hungry and now I won't touch his food.

>> That's funny.

>> When his nose is so hot, maybe I'd

better take him to the vets.

>> I'll take him. I like dogs.

>> Oh, thank you.

>> Get your shoes.

His temperature is normal. In fact, he

seems to be in perfect health.

>> But I'm worried about him, doctor. He

won't eat.

>> Maybe he isn't hungry.

>> Perhaps he should stay here for a few

days for observation. Um, may I take a

look at your exercise yard?

>> Oh, yes. It's right out that door across

the hall.

>> And doctor, see if you can't coax him to

eat something.

>> Doctor, I wish you'd look at Emilyn.

>> I'm not the doctor. I'm here for

treatment myself.

>> I beg your pardon.

>> Oh, your wife thinks you ought to leave

the dog for observation.

>> That woman's not my wife.

Ferris was there when I got back. He

knew about Frank's letter.

>> Well, that doesn't surprise me. I knew

he'd check that.

>> Danny, I've been thinking, why did Frank

send it to Hart and Winston?

>> He didn't want to intercept it.

>> Why not leave it with Simon Chung then?

Or give it to anybody he knew who'd

bring it to me? Why at the store? Well,

>> you mean you you think there's a reason?

Something you missed?

>> Yes. Something I didn't see? Something I

overlooked?

Driver, take us to Hart and Winston.

>> Okay,

weary, bitter, cynical,

fresh, eager, and hopeful. the two

Eleanors.

>> Now, I remember one day on the beach at

Carmel, just after we were married,

Frank made a mermaid out of sand. It was

supposed to be me, and a big wave came

up and washed it away. And he said,

"Well, I've lost you." And I said,

"You'll never lose me, Frank. I won't

let you." That's what he meant in the

letter. It wasn't a quarrel.

>> This means something to you. You know

where he is.

>> I'll take you there.

>> Inspector Ferris wants to see you.

>> Why?

>> Look, he wants to see you.

>> Where?

>> Later.

I'm sorry to have to ask you to do this,

Mrs. Johnson. This man was found in an

alley behind a gin millill on the

Embaradero. He'd been brutally beaten to

death. He wasn't wearing a trench coat,

but he was wearing a seaman's cap and

jacket. From what I remember of your

husband, it could be him. I'm not sure.

So, I'll have to ask you to make a

positive identification.

Let her alone.

There goes the Freeman case. Two

witnesses, two dead men.

That's the way it goes sometimes.

I don't know. Anything that I could say

would just be words.

Danny,

that wasn't Frank. For a quick moment, I

thought it was, and I felt things I

didn't know I could feel. What was I

holding out for? Why didn't I learn to

understand him?

Why don't we give freely of ourselves

when we can?

If only I had another chance, I thought.

Then I saw it wasn't Frank and I

fainted.

>> Congratulations on your performance.

>> But it wasn't an act. I really did

faint.

>> Where is he?

>> At the amusement park at the beach.

You were there when it happened. Why

can't you talk?

>> That Johnson Dame's a smart cookie.

>> Yeah. I wonder where she got the idea of

passing that stiff off as her husband.

>> Somebody had

>> pass him off.

>> Sure. The guy she identified was a

second maid off a tanker. Just been paid

off. Somebody rolled him for his dough.

Why wasn't I told

>> the fingerprint report just came?

>> Kick me for a knucklehead. Get down to

the taxi stand, check and find out where

they took her.

Dollar, sir.

>> Hey, Mac, watch my cat. We don't want to

get a hamburger. Okay, bud.

Okay,

>> put this on right away.

>> All units in the Bay Area, be on the

lookout for one yellow cab number 323,

license number in the seven column, 49

Frank, 762, left Hall of Justice,

approximately 6:30 p.m. this date.

Right down there beyond that railing at

the sand sculpt.

>> He's been waiting for me all day

thinking I wouldn't remember. I almost

didn't.

>> I know.

>> What is it?

>> I couldn't talk to him there. There's

too many people around. Couldn't get the

kind of story I want. I know where I can

meet him, but nobody absolves.

Oh, look at the sand sculpture. Oh, I

had an uncle that used to make statues.

Only he made them out of ice.

>> A small donation for the artist will be

appreciated.

>> Here you are.

>> Thank you.

Yeah,

this thing's beginning to boil. We'll be

right down. We're going to the beach.

Come on, Rebrandt. What my eyes miss,

your nose will smell. Come on.

I don't like this place.

>> It's a good spot. I used to come here

with a girl when I was a kid.

>> It's more frightening than romantic.

>> That's the way love is when you're

young.

Life is when you're older.

>> I'll tell Frank where you are.

>> You sure you want to start over again

with your husband? I'm sure I want to

try. I'm not sure what he wants.

>> Supposing he doesn't want to.

>> Then I'll let him go and he'll never

know how I feel about him.

>> You think people can turn back and

you're going to try?

I know better.

>> You're too cynical. It's your

profession.

>> It's too late now to change my

profession.

Okay,

>> go ahead. Send him here.

>> I'll bring him.

>> No.

>> What's the matter with you? Don't you

still want the story?

I guess I I got to have the story, but

my way.

You send him back. I want to see him

alone first. If you want the money, I

talk to him alone.

>> All right. If that's the way you want

it, I'll send him.

Fellas, get over there and cover the

fear site.

>> Yes, right.

>> You get up there. Make like a gate. If

Johnson tries to come through, arrest

him. What charge? For failing to curb

his dog in a public park, I'm cutting in

from the other end of the field.

Hey,

how are we doing? 771.

>> Huh?

That's better than I do on some Sundays.

Thanks for taking care of things. Don't

the first day I've had off in years. You

know what I've been doing all day?

Riding back and forth and back and forth

between here in Salelo on my old ferry

boat. Look, I can't stick around here

anymore. I've got to get out of here.

Hey, Cap. I hate to ask you, but but you

Won't

take you very far. Here's the keys to my

car and the ticket. Find it over in the

parkway. Tank's full.

>> Thanks, Cap. I'll get it back to you.

>> You better.

Frank,

>> pardon, lady.

>> Where's Frank? What happened to him?

>> Who?

>> Frank Johnson.

>> Never heard of him.

Sorry, Mrs. Johnson, but I had to be

careful. Frank waited all day and said

he couldn't wait any longer, so I loaned

him my car about 5 minutes ago.

>> Where'd you go?

>> Over at the parking lot at the other end

of the midway.

>> Thank you.

I lost a bet with myself.

>> Did you want to win?

>> As ordered, delivered. Late as usual,

but delivered.

>> Let's get out of the light.

>> Keep an eye out for us, will you, Pat?

Why didn't you tell me about your heart?

>> Well, you know, doctors, they make a big

deal of everything.

Guess it was a silly thing to do,

writing that corny note.

>> It sounded like you'd had a couple of

drinks.

>> I had by the time I finished the drinks

and the letter, I was a pretty sad

character.

Yeah, I can't hide out here forever.

>> Would you want to?

>> I can get a job in another town. I'm

pretty fair window trimmer.

>> Pretty good artist, too. We've got to

pull out of this.

>> We

>> Yes. If this excitement hasn't killed

you, I'm sure I can't. We'll get out of

town where you'll be safe.

>> Can't go very far. I've got $7.71.

Borrow that from the captain.

>> There's a fellow named Leot, a reporter

from the graphic. He helped me find you.

He's promised to give you $1,000 for an

exclusive.

>> It's a lot of money for the little I can

tell.

>> Well, his paper must think it's worth

it. So, why look a gift horse in the

mouth?

>> Good. Where is he?

>> Over at the roller coaster. Come on,

I'll show you.

>> Hey, you turn around. You know an artist

named Frank Johnson.

>> Who? Frank Johnson. An artist did a

sketchy who? I saw it.

>> Could be, but I don't remember. Oh,

yeah. I just work here. Used to be a

ferry boat captain, though.

Now, where?

>> Over there under the roller coaster. Go

all the way at the end of the walk and

duck in under the scaffolding.

>> Okay. Here's the ticket and keys for the

captain's car. It's parked down at that

end of the menu.

>> Yes, I know.

>> Well, I'll meet you there. No, I better

bring it here. You've got to stay out of

sight. I can't let anything happen to

you now.

>> Nothing can happen to me now.

>> Remember that man shot at?

>> How did you know? That wasn't in the

paper.

>> Ferris told me. Nobody else knows it.

>> Nobody the guy that fired the shots.

You'd better go now.

>> I'll be back as soon as I can.

>> Hey, Martin. Proud car out at the ants.

Just got word for you to call in.

Johnson hasn't passed me yet.

Oh, I haven't got time to talk to him

now. That's McDonald and Murray's case.

>> But he says he has some information you

wanted. Uh, hold on.

>> Hello, Inspector. Remember, he asked me

to check all of Sus's things to see if

anything was missing.

>> Sammy, I'm busy. I'll I'll see you

tomorrow.

>> I just wanted to tell you that nothing

was missing except that sketch that

Frank drew on the back of a menu.

>> Sketch of who? I don't know,

>> but Susie said it looked like that

newspaper man that was in the club this

afternoon with Mrs. Johnson. That good

notice he was going to give us won't do

Susie any good now.

>> What happened? Where's Frank?

>> He's on his way to meet you. But Paris

is here with the dog.

>> Paris?

But that stiffen the morg was a plant.

He's a pretty sharp fellow. Let's get

off the midway.

Come on now. Never look for us in here.

>> But these things make me sick.

>> Stay in your seats, folks. The second

ride is half.

>> I'll never ride this thing again.

>> Right up, baby.

All right, Eddie, take it away. Don't

stand up in your seats, folks. This is

the greatest thrill of your lifetime.

This ride only takes a couple of

minutes. Besides, when we get to the

top, we can see if Frank's there. Oh, he

must be there by now.

>> I don't see him.

>> Where is he?

>> I DON'T KNOW. HEAT.

HEAT.

Hey buddy, where do you think you're

going?

Heat. Heat.

The second ride is only half bad. Okay,

baby.

>> I was GOING THERE FOR THE

>> YOU stay on for another ride. I'll go

see what's happened to Frankie.

>> I want to go with you.

>> No. With Ferris outside together, we'd

be too conspicuous. But Danny,

>> Ferris traced you here. If he found you,

someone else could follow you, too.

>> Second ride, half fair.

>> Lady will go again.

>> Okay, Eddie, take it away.

>> Don't forget shot at him last time. They

tried to kill him once, they'll do it

again.

Brother shot at him last time. They

tried to kill him once, they'll do it

again. Nobody knows that except your

husband, the killer, and now you. Nobody

knows that except your husband, the

killer. I

run away.

HEAT. HEAT. HEAT.

HEAT. HEAT.

OH,

away

Frank. Frank Johnson.

>> Yeah. Is that you, Mr. Leot? Be careful.

There's a loose plank over here.

I know.

And why don't you get it over with?

I don't have to, Frank.

You got a bad heart.

You can't stand tension.

You're going to kill yourself.

A

heat.

Second ride is half fair, folks. Take

advantage of the second ride. It's only

half fair.

>> What's your hurry, Mrs. Johnson? Heat.

Heat.

I had to do it. Mrs. Johnson,

>> that's like it down there. Your

husband's safe. Where

>> Where's Frank?

>> Out there on the midway.

Yeah.

Heat.