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[Music]
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greetings everybody this is John
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Blackstone this is sort of an
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off-the-cuff video which I've just
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decided to do because I listened to the
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Beatles Abbey Road just now probably for
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the thousandth time just blew my mind
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and I just wanted to talk about it while
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it's still stirring my soul what can be
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said about the Beatles or this
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incredible album that hasn't been said a
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million times before and yet every time
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I listen to The Beatles I'm compelled to
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tell the world how miraculous they are
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and how miraculous this album is people
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have asked me for years what my favorite
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album is I used to bounce between
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revolver and The White Album both of
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which are albums I love but really Abby
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rad in terms of their musicianship the
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production and the arrangements the
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songs it's such a remark arable album I
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would use words like Majestic funky Lush
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breathtaking elegant all of these words
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and more Define this album Abby Road is
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their final album the last album that
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they recorded and I really can't think
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of another final album that even touches
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it it's almost as if they went into this
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knowing it was their last album
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including George Martin who had been
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kind of frustrated with the Beatles
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Because they did the the wide album
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largely without him in the producer role
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even though he was very much involved in
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helping them make that album but it had
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been quite some time since George Martin
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really sat at the helm and produced a
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proper Beatles album of course they had
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done get back and that was also
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themselves producing themselves as The
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White Album was I've always felt that
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this album was the Beatles knowing that
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it might be their last album and they
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just want to go out with a bang every
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song on this album has the feel of the
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greatest band in history making their
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final Grand statement it feels like
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every member of the band and George
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Martin just pulled out all the stops
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leaving the world the way that they
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entered it on top something that a lot
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of people have spoken about is how Abby
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rad is such an incredible album
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musically and instrumentally and I
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really believe that the reason why all
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four of the Beatles are so strong long
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as musicians on this album is because
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they had just spent the last month or so
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doing rehearsals during the getback
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sessions now anyone who knows the
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Beatles history knows that the Beatles
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really hadn't played a lot other than
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when they went into the studio to make a
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record but in the case of the get back
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sessions they were playing together
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almost every day don't let me
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[Music]
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down don't let me
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down they were in fine tune as musicians
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they had been jamming and working out
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those songs that ended up on the Let It
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Be album or the get back project and
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they were all just in Peak condition as
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musicians and as a band they were just
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tight and I believe that that's really
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reflected in ABY Road it's why this
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album is so remarkable in showing their
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incredible musicianship but after they
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finished the get back sessions they went
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right into the studio and cut the first
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song that ended up on Abby Road which is
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I Want You She's So Heavy Billy Preston
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is on Oregon this incredible Hammond
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Oregon that he plays on that track that
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song I Want You She's So Heavy is just a
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Powerhouse of musicianship it is a
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Showcase of each one of them as a
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musician and their prowess as players
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and it's no mistake that that song was
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added to the new blue album it wasn't
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there in the original Edition but in the
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new edition they've added that song
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anyway after the get back sessions they
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went right into recording Abby Road the
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first track of which was I want you
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[Music]
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[Music]
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Ringo has been interviewed and he talks
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about how he had just recently put on
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calf skin drum heads on his drum kit he
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loved the feel of it when he played it
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he loved the sound of it and he's using
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these new skins on his drum kit during
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the get back sessions and he really
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plays fluently and he plays a lot of
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fills and on Abby Road Ringo is just at
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his Peak and there's a lot of drum fills
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including of the very famous One and
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Only drum solo on a Beatles
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track it's such a beautiful sounding
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drum kit and Ringo's playing has so much
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finesse and style and feel to it man
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he's just incredible all of them are
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incredible on this album enough foreplay
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let's get
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cracking so the album opens with come
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together which is just such a funky
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unusual track in fact I've tried to
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think of another track that sounds even
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remotely like Come Together by any
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artist and there isn't one if you listen
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to come together it's such an
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interestingly sparse Arrangement it's so
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simple and it opens with one of the
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coolest drum fills ever recorded on any
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album
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[Music]
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ever I used to play in a Beatles cover
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band and we've auditioned countless
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drummers and we always used to use come
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together as the test to see if the
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drummer could play it there's a lot of
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drummers that can play it I've never
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found a drummer that can play it and
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make it sound like it sounds on that
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record it's because Ringo just had this
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certain finesse and this certain feel
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and no one can emulate it no one there's
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just this very sparse Arrangement little
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bit of guitar this very swampy cool
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slippery basine that Paul
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[Music]
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plays John sings it with so much style
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it's one of the greatest rock vocal
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tracks
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[Music]
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ever where are we going then never you
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mind so come to other is one of the
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coolest opening tracks to any album ever
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and then we go into George Harrison's
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Masterpiece
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[Music]
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something something in the Way She
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Moves attracts me like no other
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[Music]
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lover something in the way she wo
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me I don't want to leave her
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now you know I believe in
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how what could it be all something in
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the way she What attracted me at all
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just say whatever comes into your head
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each time attracts me like a cifl until
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he get the word in Frank Sinatra's last
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year of Performing he used to perform
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this song great song by George Harrison
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of The Beatles it's one of the best love
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songs I believe to be written in 50 or
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100 years and it never says I love you
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in the song but it really is one of the
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finest I love listening to George
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singing this song it's such a lovely
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vocal and Paul comes in singing these
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beautiful high vocal harmonies you
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around
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it I don't
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know I no no Ringo's drumming is so
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tasteful during the verses Ringo is
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getting his Kick Drum and a snare most
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drummers would ride the high hat or ride
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the ride symbol to keep the tempo it's
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very simple 1 2
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3 something in the Way She Moves
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Paul's Baseline is amazing he's playing
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the bass almost as if it's a cello part
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that's been orchestrated it's one of the
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most unique and melodic and original
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baselines you'll ever
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hear the way she W
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me I don't want to leave
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now you know I believe in how
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[Music]
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check out Ringo's drumming on this part
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it's so original these drum rolls that
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are in the background combined with the
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little high hat bits so cool you're
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ask I don't
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know I don't
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know check out these beautiful little
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moments of George Martin's arrangement
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in
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[Music]
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the don't want to leave her
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now you know I believe in
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[Music]
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[Applause]
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how and of course this song features one
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of the most beautiful elegant and
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perfect guitar solos ever played on any
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song certainly one of George Harrison's
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most incredible guitar solos listen to
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this vocal track Paul McCartney as he's
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singing his background part as he's
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listening to the playback he's hearing
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George's guitar solo and he's already
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memorized the guitar soul and he sings
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along with it this is so cool check this
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out
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[Music]
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[Music]
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what can be said about this track that
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hasn't been said a million times it's
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simply one of the most beautiful if not
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the most beautiful love song that's ever
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been recorded performed by the greatest
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band that ever existed so the next song
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is Maxwell silver hammer which is kind
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of a notorious song Beatles freaks know
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the story that all of the band kind of
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got tired of working on this song Paul
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was going for Perfection and he
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certainly got
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[Music]
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it guar fell over Paul guar fell over
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it's a very Paul song He's created
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another fictional character and telling
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a story and I love that about Paul
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McCartney The Beatles certainly Elevate
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this song to an incredible place in
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terms of the instruments and the
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arrangement something I really love
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about Maxwell silverhammer is listening
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to George Harrison playing the bass on
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it when they were tracking it in the
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studio Paul was on piano George was on
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Basse and Ringo is on drums George just
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plays a really cool Baseline check this
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out
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[Music]
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next up is oh darling this song features
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one of the greatest rock vocals in
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history besides having an incredible
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lead vocal this song has gorgeous
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background vocals John Paul and George
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singing three-part harmonies that are
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just incredible when you told me
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you didn't need me
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anymore oh will you know I need it fell
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down
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and oh
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darling please believe
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me I never
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let you
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down oh believe me darling believe me
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when I tell
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you I'll never tell
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you when they were tracking it it was
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Paul on piano John is playing these very
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cool guitar arpeggios throughout but one
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of the standout features of this song is
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Ringo's drumming it's one of the best
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drum performances Ringo ever laid down
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check out the what he's playing here on
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this part of the song
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[Music]
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next up is Octopus's Garden Ringo wrote
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this song It's a Wonderful Charming
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Lovely song George Harrison gave him a
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little help of course two times the
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second time
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is Garden in the shade to get to the
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[Music]
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G1
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Paradise sh the
285
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besides the song just being a very cute
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and very Ringo is kind of song this song
287
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strikes me as all four Beatles in the
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studio together playing together and
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just giving their all to make this song
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totally legit these guys are just firing
291
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on all cylinders on this track George
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plays beautiful lead guitar that opens
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up the song
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[Music]
295
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John is playing these very cool arpeggio
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lines I'd like to
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be under the sea in an Octopus's Garden
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in the
299
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shade and this song features these
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beautiful backing vocals that are just
301
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so beish very reminiscent of yellow
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submarine
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[Music]
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we would
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shout and swim about the coral that Lies
306
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Beneath the waves benath the ocean wav
307
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oh what joy for every girl and boy
308
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knowing they're happy and they're safe
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happy
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and octopus is Garden for as silly as it
311
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may seem it's an incred incredible
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musical
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performance when I was a kid there is
314
00:16:34,079 --> 00:16:36,839
this comedian Steve Allen he would kind
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of mock popular music and he would stand
316
00:16:39,560 --> 00:16:41,199
there like he was reading a piece of
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important poetry then there was this
318
00:16:43,800 --> 00:16:47,880
million seller titled come
319
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together here come old flat
320
00:16:51,199 --> 00:16:55,319
top he come grooving up
321
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slowly he got Juju Eyeball
322
00:17:02,199 --> 00:17:06,319
he got Tow Jam
323
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football he got monkey
324
00:17:10,160 --> 00:17:14,799
finger he got walrus gum
325
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boot he got oh no
326
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sideboard he say one and one and one is
327
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three come together right now over me
328
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I Rush my
329
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cake and I'll never forget that he
330
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mocked this song and this was in 1969
331
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when the album was first released I want
332
00:17:40,280 --> 00:17:44,320
you I want you so bad I want you so bad
333
00:17:44,320 --> 00:17:47,200
it's driving me mad yeah it's driving me
334
00:17:47,200 --> 00:17:49,520
mad no one really remembers Steve Allen
335
00:17:49,520 --> 00:17:51,799
anymore but people certainly remember
336
00:17:51,799 --> 00:17:54,640
this song I love the brand new remix of
337
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this entire album Abby Road and this
338
00:17:57,280 --> 00:17:59,320
song in particular when when I first
339
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heard the brand new remix it really
340
00:18:01,679 --> 00:18:04,280
brought a new awareness of just how
341
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brilliant it is this song includes one
342
00:18:06,720 --> 00:18:09,440
of John Lenin's most blood curling
343
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vocals I want
344
00:18:11,840 --> 00:18:15,280
you you know I want you so
345
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bad babe I want
346
00:18:19,520 --> 00:18:23,039
you you know I want you so
347
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bad it's driving me mad it's driving me
348
00:18:27,480 --> 00:18:30,480
mad
349
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[Applause]
350
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yeah the backup vocals are awesome she's
351
00:18:41,840 --> 00:18:45,200
so there are still some morons in the
352
00:18:45,200 --> 00:18:46,880
world that say The Beatles were
353
00:18:46,880 --> 00:18:48,960
overrated as musicians whenever I
354
00:18:48,960 --> 00:18:50,840
encounter people like that I don't even
355
00:18:50,840 --> 00:18:53,360
bother arguing they are someone I can't
356
00:18:53,360 --> 00:18:55,400
have an intelligent conversation about
357
00:18:55,400 --> 00:18:57,159
music with but if you ever encounter
358
00:18:57,159 --> 00:18:59,320
someone that claims that the weren't
359
00:18:59,320 --> 00:19:02,200
great musicians tell them to listen to
360
00:19:02,200 --> 00:19:04,440
this
361
00:19:08,039 --> 00:19:11,039
track
362
00:19:13,960 --> 00:19:17,240
intermission end of inition and after
363
00:19:17,240 --> 00:19:21,200
this incredible crazy stunning ending we
364
00:19:21,200 --> 00:19:23,559
get one of George Harrison's
365
00:19:23,559 --> 00:19:26,000
masterpieces this is the most popular
366
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download for the Beatles Here Comes the
367
00:19:28,360 --> 00:19:30,080
Sun
368
00:19:30,080 --> 00:19:32,760
Here Comes the
369
00:19:32,760 --> 00:19:37,600
Sun Here Comes the Sun I
370
00:19:37,600 --> 00:19:40,600
say the song is remarkable in every
371
00:19:40,600 --> 00:19:43,840
sense of the word it is the perfect pop
372
00:19:43,840 --> 00:19:47,520
song the acoustic guitar alone is to die
373
00:19:47,520 --> 00:19:50,760
for it features incredible Drums by
374
00:19:50,760 --> 00:19:54,080
Ringo ask any drummer to replicate
375
00:19:54,080 --> 00:19:57,000
Ringo's drum part on this song and
376
00:19:57,000 --> 00:19:59,120
they'll flail around like an idiot and
377
00:19:59,120 --> 00:20:01,679
it's because Ringo was a singularly
378
00:20:01,679 --> 00:20:05,000
unique and gifted drummer he always
379
00:20:05,000 --> 00:20:07,840
served the song Perfectly he was what
380
00:20:07,840 --> 00:20:11,159
people call a lyrical drummer a guy who
381
00:20:11,159 --> 00:20:13,480
knew that the most important part of the
382
00:20:13,480 --> 00:20:16,100
song were the words in the
383
00:20:16,100 --> 00:20:24,530
[Music]
384
00:20:27,640 --> 00:20:30,960
vocal it's a moo synthesizer that George
385
00:20:30,960 --> 00:20:33,039
is playing and George was the one that
386
00:20:33,039 --> 00:20:35,080
introduced the Moog synthesizer to the
387
00:20:35,080 --> 00:20:37,440
band similar to the way he introduced
388
00:20:37,440 --> 00:20:39,240
Indian music and the sitar to The
389
00:20:39,240 --> 00:20:42,360
Beatles the 2019 remix that I spoke of
390
00:20:42,360 --> 00:20:45,200
before brings out all of the amazing
391
00:20:45,200 --> 00:20:47,360
elements of this song like never before
392
00:20:47,360 --> 00:20:49,640
you can hear George Martin's beautiful
393
00:20:49,640 --> 00:20:52,159
string
394
00:20:54,159 --> 00:20:59,039
score little darling it's been a long
395
00:20:59,039 --> 00:21:01,640
lonely
396
00:21:01,640 --> 00:21:06,320
winter little darling it feels like it
397
00:21:06,320 --> 00:21:09,159
since it's been
398
00:21:09,159 --> 00:21:12,799
here Here Comes the
399
00:21:12,799 --> 00:21:20,320
Sun Here Comes the Sun I say it's all
400
00:21:25,320 --> 00:21:27,679
right I'll never forget an interview
401
00:21:27,679 --> 00:21:29,679
with Keith Richard shortly after George
402
00:21:29,679 --> 00:21:32,279
Harrison passed away Keith Richard said
403
00:21:32,279 --> 00:21:35,440
Here Comes the son I mean come on man I
404
00:21:35,440 --> 00:21:37,520
could go on for hours about this track
405
00:21:37,520 --> 00:21:40,200
alone it's just a stunning Masterpiece
406
00:21:40,200 --> 00:21:44,039
of a song next is because John Lennon's
407
00:21:44,039 --> 00:21:47,080
song the most beautiful three-part
408
00:21:47,080 --> 00:21:49,240
Harmony that they've ever recorded on
409
00:21:49,240 --> 00:21:52,559
any song
410
00:22:06,520 --> 00:22:14,200
because the world is round it turns me
411
00:22:15,620 --> 00:22:17,120
[Music]
412
00:22:17,120 --> 00:22:19,919
on
413
00:22:19,919 --> 00:22:22,760
because the
414
00:22:22,760 --> 00:22:27,279
world is round
415
00:22:31,910 --> 00:22:35,440
[Applause]
416
00:22:35,440 --> 00:22:38,640
it's a gorgeous Melody it's a gorgeous
417
00:22:38,640 --> 00:22:41,120
chord structure George Martin played a
418
00:22:41,120 --> 00:22:42,919
part in helping them to arrange those
419
00:22:42,919 --> 00:22:45,080
three-part harmonies and record them in
420
00:22:45,080 --> 00:22:46,960
the studio when they were recording John
421
00:22:46,960 --> 00:22:48,750
was playing the
422
00:22:48,750 --> 00:22:52,690
[Music]
423
00:22:53,440 --> 00:22:56,039
arpeggios George Martin played along
424
00:22:56,039 --> 00:22:57,760
with those arpeggios on a Harps ACC
425
00:22:57,760 --> 00:22:58,590
chord
426
00:22:58,590 --> 00:23:05,520
[Music]
427
00:23:05,520 --> 00:23:08,090
[Applause]
428
00:23:08,090 --> 00:23:14,660
[Music]
429
00:23:19,440 --> 00:23:21,960
once again it's just a beautiful perfect
430
00:23:21,960 --> 00:23:24,880
piece of music yeah and a perfect piece
431
00:23:24,880 --> 00:23:27,480
of songwriting then we go into you you
432
00:23:27,480 --> 00:23:31,039
never then we go into you never give
433
00:23:31,039 --> 00:23:33,760
me then we go into You Never Give Me
434
00:23:33,760 --> 00:23:36,320
Your Money this has always been one of
435
00:23:36,320 --> 00:23:39,400
my favorite Paul McCartney compositions
436
00:23:39,400 --> 00:23:42,080
this song is basically like a mini Suite
437
00:23:42,080 --> 00:23:44,039
it has three four five different
438
00:23:44,039 --> 00:23:46,480
sections to it it's such a beautiful
439
00:23:46,480 --> 00:23:50,080
chord structure that opens the
440
00:23:53,880 --> 00:23:56,279
song George comes in with these
441
00:23:56,279 --> 00:23:58,080
incredible little guitar fills in
442
00:23:58,080 --> 00:24:01,970
between the vocal lines you
443
00:24:01,970 --> 00:24:07,039
[Music]
444
00:24:07,039 --> 00:24:12,080
break and in the midle of
445
00:24:12,080 --> 00:24:15,170
Investigation I break
446
00:24:15,170 --> 00:24:18,360
[Music]
447
00:24:18,360 --> 00:24:22,279
down out of college money spent see no
448
00:24:22,279 --> 00:24:29,240
future P all the Mone is got nowhere
449
00:24:29,340 --> 00:24:30,559
[Applause]
450
00:24:30,559 --> 00:24:34,520
J got the sack Monday morning turning
451
00:24:34,520 --> 00:24:37,279
back
452
00:24:39,440 --> 00:24:44,679
yellow but all that magic
453
00:24:44,679 --> 00:24:46,560
feeling where to
454
00:24:46,560 --> 00:24:51,819
[Music]
455
00:24:55,480 --> 00:24:58,480
go it has this great instrumental break
456
00:24:58,480 --> 00:25:00,400
in the
457
00:25:00,400 --> 00:25:07,680
[Music]
458
00:25:10,080 --> 00:25:14,000
middle one swe
459
00:25:14,120 --> 00:25:18,320
dream so cool Incredible guitar who else
460
00:25:18,320 --> 00:25:23,120
would end a song with 1 2 3 4 5 6 7 all
461
00:25:23,120 --> 00:25:27,919
good children go to heaven 1 2 3 4 5 6 7
462
00:25:27,919 --> 00:25:31,279
all good children go to heav once again
463
00:25:31,279 --> 00:25:33,279
just a Powerhouse in terms of the
464
00:25:33,279 --> 00:25:35,720
arrangement the instrumentation it's
465
00:25:35,720 --> 00:25:38,000
there's just nobody that created Music
466
00:25:38,000 --> 00:25:40,600
like this other than the Beatles nobody
467
00:25:40,600 --> 00:25:43,440
this is so uniquely Beatles and then
468
00:25:43,440 --> 00:25:45,880
this song Fades out and we slowly go
469
00:25:45,880 --> 00:25:48,530
into the beginning of Sun
470
00:25:48,530 --> 00:25:54,880
[Music]
471
00:25:54,880 --> 00:25:57,760
King another incredible John Lenin
472
00:25:57,760 --> 00:26:00,840
composition John lenon plays this lovely
473
00:26:00,840 --> 00:26:03,080
guitar while George Harrison plays these
474
00:26:03,080 --> 00:26:08,039
very tasty leads over these beautiful
475
00:26:11,820 --> 00:26:15,600
[Music]
476
00:26:15,600 --> 00:26:18,159
vocals
477
00:26:18,159 --> 00:26:21,640
come the
478
00:26:21,919 --> 00:26:23,740
s
479
00:26:23,740 --> 00:26:26,080
[Music]
480
00:26:26,080 --> 00:26:30,840
King everybody is
481
00:26:32,480 --> 00:26:37,360
laughing everybody is
482
00:26:37,799 --> 00:26:40,039
happy and then John goes into this
483
00:26:40,039 --> 00:26:41,880
gibberish that he sings at the end of
484
00:26:41,880 --> 00:26:44,279
the song John did this a lot during the
485
00:26:44,279 --> 00:26:46,159
get back sessions too he would sing
486
00:26:46,159 --> 00:26:49,039
these crazy lyrics that sort of echo the
487
00:26:49,039 --> 00:26:50,559
kind of stuff that he used to write in
488
00:26:50,559 --> 00:26:52,919
the books that he wrote I was bored on
489
00:26:52,919 --> 00:26:55,760
the 9th of October 1940 when I believe
490
00:26:55,760 --> 00:26:58,360
the naties were still boom led by I'm
491
00:26:58,360 --> 00:27:01,919
Adolf heum who only had one anyway they
492
00:27:01,919 --> 00:27:04,840
didn't get me I attended T varica
493
00:27:04,840 --> 00:27:07,279
schools in lpool and still didn't pass
494
00:27:07,279 --> 00:27:09,799
much to my auntie supplies as a member
495
00:27:09,799 --> 00:27:12,080
of the most fied Beatles my and PG and
496
00:27:12,080 --> 00:27:14,320
our's Records might seem funnier to some
497
00:27:14,320 --> 00:27:17,039
of you than this book but as far as I've
498
00:27:17,039 --> 00:27:19,559
conceived this correction of short R is
499
00:27:19,559 --> 00:27:22,039
the best laugh I've ever ready God help
500
00:27:22,039 --> 00:27:24,440
and bed you all he very famously did it
501
00:27:24,440 --> 00:27:27,480
on the rooftop during don't let me down
502
00:27:27,480 --> 00:27:32,279
and re Godly blue
503
00:27:32,320 --> 00:27:34,960
J
504
00:27:34,960 --> 00:27:36,710
she
505
00:27:36,710 --> 00:27:42,690
[Music]
506
00:27:47,399 --> 00:27:50,720
yes so this song Segways into Mean Mr
507
00:27:50,720 --> 00:27:53,000
Mustard another John Lenin track reminds
508
00:27:53,000 --> 00:27:54,880
me of something off of the wide album
509
00:27:54,880 --> 00:27:57,440
very quirky very John lenen the song has
510
00:27:57,440 --> 00:27:59,679
a really interesting Baseline on it boom
511
00:27:59,679 --> 00:28:01,560
boom boom
512
00:28:01,560 --> 00:28:19,399
[Music]
513
00:28:19,399 --> 00:28:22,440
boom then we go into polythene Pam
514
00:28:22,440 --> 00:28:26,440
another crazy wonderful John lenon track
515
00:28:26,440 --> 00:28:29,320
everybody had a
516
00:28:29,320 --> 00:28:33,000
everybody had a good time everybody had
517
00:28:33,000 --> 00:28:34,120
a wet
518
00:28:34,120 --> 00:28:36,919
dream everybody saw
519
00:28:36,919 --> 00:28:39,600
the and it has these incredible
520
00:28:39,600 --> 00:28:41,559
three-part harmonies rolling behind the
521
00:28:41,559 --> 00:28:43,919
lead
522
00:28:45,750 --> 00:28:50,799
[Music]
523
00:28:50,799 --> 00:28:54,679
vocal when you should see Pine pan she's
524
00:28:54,679 --> 00:28:57,399
so good looking but she looks like a man
525
00:28:57,399 --> 00:28:59,399
well you should see in Dr dress in a
526
00:28:59,399 --> 00:29:02,960
pomine back yes you should see pomine
527
00:29:02,960 --> 00:29:07,760
p yeah yeah yeah oh and then at the end
528
00:29:07,760 --> 00:29:09,600
of this song there's these killer George
529
00:29:09,600 --> 00:29:11,280
Harrison Lee guitar
530
00:29:11,280 --> 00:29:14,630
[Music]
531
00:29:16,559 --> 00:29:20,480
parts oh listen to that
532
00:29:20,640 --> 00:29:25,320
now oh look out is she came in through
533
00:29:25,320 --> 00:29:29,279
the bathroom window
534
00:29:29,440 --> 00:29:31,679
these last few songs are little Snippets
535
00:29:31,679 --> 00:29:33,440
of songs that they put together in the
536
00:29:33,440 --> 00:29:35,480
studio but they worked it out and
537
00:29:35,480 --> 00:29:37,720
arranged all of these songs and the way
538
00:29:37,720 --> 00:29:39,919
that they segue and connect in such a
539
00:29:39,919 --> 00:29:42,080
masterful way of course George Martin
540
00:29:42,080 --> 00:29:44,200
played a part in doing that then we go
541
00:29:44,200 --> 00:29:47,200
into Golden Slumbers which Segways into
542
00:29:47,200 --> 00:29:50,240
to carry that weight and finally the end
543
00:29:50,240 --> 00:29:53,840
Golden Slumbers is easily among my top
544
00:29:53,840 --> 00:29:56,240
five favorite McCartney compositions
545
00:29:56,240 --> 00:29:59,120
ever it's so Majestic George Martin's
546
00:29:59,120 --> 00:30:02,230
orchestral score is so gorgeous on this
547
00:30:02,230 --> 00:30:12,259
[Music]
548
00:30:21,120 --> 00:30:24,519
song it's just one of the most emotional
549
00:30:24,519 --> 00:30:26,720
and Powerful vocal performances I've
550
00:30:26,720 --> 00:30:29,519
ever heard go
551
00:30:29,519 --> 00:30:30,640
and
552
00:30:30,640 --> 00:30:35,159
slum feel your
553
00:30:35,159 --> 00:30:37,480
eyes
554
00:30:37,480 --> 00:30:42,200
smilees iwake you when you
555
00:30:42,200 --> 00:30:48,200
rise sleep pry darling do not
556
00:30:48,720 --> 00:30:52,550
cry and I will sing a
557
00:30:52,550 --> 00:30:54,120
[Music]
558
00:30:54,120 --> 00:30:56,600
l so then it goes in to carry that
559
00:30:56,600 --> 00:30:59,159
weight
560
00:30:59,159 --> 00:31:02,159
you're going to carry that
561
00:31:02,159 --> 00:31:07,639
weight carry that weight a
562
00:31:09,190 --> 00:31:12,369
[Music]
563
00:31:16,679 --> 00:31:22,200
long I never give you my
564
00:31:22,480 --> 00:31:27,730
pillow I only send you my invitation
565
00:31:27,730 --> 00:31:30,799
[Music]
566
00:31:34,080 --> 00:31:36,679
and finally we get a drum solo from
567
00:31:36,679 --> 00:31:40,679
Ringo not only is it tasteful and groovy
568
00:31:40,679 --> 00:31:42,080
but it's also one of the most
569
00:31:42,080 --> 00:31:46,760
beautifully recorded drum kits I've ever
570
00:31:48,080 --> 00:31:52,320
heard and then we go into this powerful
571
00:31:52,320 --> 00:31:58,970
outro love you love you love you
572
00:31:58,970 --> 00:32:00,730
[Applause]
573
00:32:00,730 --> 00:32:01,020
[Music]
574
00:32:01,020 --> 00:32:04,150
[Applause]
575
00:32:06,760 --> 00:32:09,290
[Applause]
576
00:32:09,290 --> 00:32:12,240
[Music]
577
00:32:12,240 --> 00:32:15,000
and we get to this Monumental moment in
578
00:32:15,000 --> 00:32:18,279
the song When Paul George and John
579
00:32:18,279 --> 00:32:21,240
tradeoff guitar leads they did this live
580
00:32:21,240 --> 00:32:23,799
in the studio Paul's solos are
581
00:32:23,799 --> 00:32:26,600
wonderfully edgy and melodic George's
582
00:32:26,600 --> 00:32:30,159
solos are stylistic and beautifully
583
00:32:30,159 --> 00:32:34,000
played John's solos are aggressive and
584
00:32:34,000 --> 00:32:36,279
grungy long before that word ever
585
00:32:36,279 --> 00:32:38,279
appeared on the music scene it's an
586
00:32:38,279 --> 00:32:41,000
amazing moment in the history of
587
00:32:41,000 --> 00:32:43,030
recorded music
588
00:32:43,030 --> 00:32:46,299
[Music]
589
00:32:49,710 --> 00:32:52,360
[Music]
590
00:32:52,360 --> 00:32:52,690
[Applause]
591
00:32:52,690 --> 00:33:06,430
[Music]
592
00:33:06,430 --> 00:33:09,680
[Laughter]
593
00:33:09,680 --> 00:33:15,350
[Music]
594
00:33:15,350 --> 00:33:17,650
[Applause]
595
00:33:17,650 --> 00:33:20,000
[Music]
596
00:33:20,000 --> 00:33:22,720
and it breaks into the most beautiful
597
00:33:22,720 --> 00:33:24,960
poignant lyric you could ever hope for
598
00:33:24,960 --> 00:33:27,840
in the last song on the last album by
599
00:33:27,840 --> 00:33:31,279
the greatest band that will ever
600
00:33:31,279 --> 00:33:32,630
exist
601
00:33:32,630 --> 00:33:35,200
[Music]
602
00:33:35,200 --> 00:33:37,440
end
603
00:33:37,440 --> 00:33:43,240
take is equal to the
604
00:33:43,240 --> 00:33:45,770
love you make
605
00:33:45,770 --> 00:33:49,240
[Music]
606
00:33:52,220 --> 00:33:54,230
[Music]
607
00:33:54,230 --> 00:33:56,600
[Applause]
608
00:33:56,600 --> 00:34:02,679
[Music]
609
00:34:02,679 --> 00:34:04,960
my Majesty's a pretty nice girl someday
610
00:34:04,960 --> 00:34:07,559
I'm going to make a mind oh yeah going
611
00:34:07,559 --> 00:34:08,960
to make
612
00:34:08,960 --> 00:34:13,119
a here we are 60 years after they broke
613
00:34:13,119 --> 00:34:16,119
up and this band sells as much music as
614
00:34:16,119 --> 00:34:18,599
it ever did The Thirst and the hunger
615
00:34:18,599 --> 00:34:21,359
for anything Beatles will never end they
616
00:34:21,359 --> 00:34:24,560
were so remarkable and so oneof a kind
617
00:34:24,560 --> 00:34:26,720
and what they achieved was really
618
00:34:26,720 --> 00:34:29,679
miraculous The Beatles truly are a
619
00:34:29,679 --> 00:34:32,240
phenomenon unto themselves I could go on
620
00:34:32,240 --> 00:34:34,320
for hours about the Beatles and their
621
00:34:34,320 --> 00:34:36,639
music thank you for listening I hope you
622
00:34:36,639 --> 00:34:38,879
enjoyed this episode there's more coming
623
00:34:38,879 --> 00:34:43,079
very soon cheers
624
00:34:46,960 --> 00:35:05,030
[Music]41006
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