Original subtitles

:29:47,489 I'm just so sorry

and I just hope you can find it in your heart to forgive me.

But right now I've got to go.

I got to go catch Amelia, okay?

So we'll see you guys at church, all right?

- [Amelia] Hi, sweetie.

How was your day? - Good.

- Hi.

Hi, Avery.

Hey, can I talk to you?

- It's not really a good time right now.

- I get that.

I just need to apologize.

Sometimes I get a little over-protective

and I really never meant for any harm to come

to Mrs. Campbell.

Our friendship means so much to me

and I would never do anything to hurt that.

Amelia, can you forgive me?

Friends?

- Friends.

I'll see you on the hill.

- Okay.

(slow music)

- [Jacob] Hey, guys.

- Hey.

How are you?

- [Jacob] Good.

- [Amelia] You want to join us?

- No, I got some computer work to do.

(knocking)

- Hey, how can I help you?

- Is Abel here?

- No, he's at work.

- Okay, thank you.

Hey, how long are you guys staying here again?

- Oh, another couple of weeks, you know,

unless we find something and then more.

Why do you ask?

- Just curious, thanks.

Good luck, I guess.

- Jacob, do you have a problem with us?

- Yeah, maybe I do.

- And why is that?

You don't like competition?

- What does that even mean?

- Oh, please.

A pretty woman like that with a husband who's always gone,

isolating her from the community?

You really didn't think there'd be consequences at home?

- I don't even know what you're talking about.

- Oh, sure you do.

Don't worry, Jacob, I don't think she's cheated on you yet,

but in her heart, maybe she's ready for a real connection.

Someone she can respect.

- That is ludicrous.

Who do you think you are, Eve?

If that's even your real name.

You know what I think?

I think you're hiding something

and I'm going to find out what it is.

And in the meantime, stay away from my family.

(doorbell ringing)

(knocking)

- [Amelia] Coming!

- I think my car had a bomb in it or something

and it won't start.

- What happened?

- I don't know, I ran here as fast as I could.

There was a big explosion and a big black cloud.

And I don't know.

And the strangest thing is there was this potato.

- [Jacob] I'm telling you,

there's something wrong with this lady.

- Yeah, man, she sounds crazy.

But you gotta be careful

with how you spin that with the missus.

- What do you mean?

- You start throwing accusations and ultimatums around

and you're going to sound like the crazy one.

- Yeah, maybe you're right.

- [Man] I'm definitely right.

- [Jacob] Hey, thanks, man.

I gotta get out of here if I'm going to beat rush hour.

- Go.

- I need to talk to you.

Upstairs.

Now.

- Ooh.

- That's not funny.

- You gotta be kidding me.

She thought there was a bomb in her car.

- What the hell are you talking about?

- Don't play stupid with me, Jacob.

I know you put a potato in her tailpipe.

- Potato?

What the fuck?

- You can't even be honest with me.

Classy. - What the hell?

Where are you going?

- Gimbal guard. - Gimbal guard.

- I can't believe you actually broke three sets

of propellers already.

- Object avoidance only works going forward.

- Yeah, I'm still learning.

- Guys, guys.

What do your tonsils call their best friends?

- No idea, man.

- Something to do with the uvula?

- Okay, give up?

Taste buds.

(laughs)

- I got it. - Whoa.

How'd you do that?

- It's called live stream.

I linked the drone to his account.

- It's online?

- Yeah.

This means that we can spy on anyone.

- Too bad you live in the boonies.

- Hi!

- He seems like such a nice-

- Nice guy.

- Yeah, I guess.

It sounds kind of stupid when I say it out loud.

- No, it doesn't.

It sounds like exactly what I've been telling myself.

(sighs)

I feel like I'm at a fork in the road.

How did I get all the way out here in the country?

I should be with my friends,

I should be at restaurant openings and art galleries.

And Jacob threatening you?

How is this my husband?

How is this my life?

- This isn't who I pictured as a girl.

Constantly compromising.

(gentle music)

(kisses)

- You didn't have to drive me home.

I could have walked.

- It just wouldn't seem right.

You know, you could stay with us.

We have a guest room.

Abel makes a mean breakfast.

- You're sweet.

But no, I'm going to go face this.

- I understand.

(slow music)

- This all is wrong.

This is your soul we're talking about.

We have a job to do,

we are sent here for God's mission.

We are here to save the world and you have crossed over.

You have broken that rule.

What?

- I know I should be punished.

- [Able] You have to punish yourself, do you understand?

- [Eve] Yes.

- Begin, come on.

One.

(slaps)

Two.

Three.

(Eve crying)

God have mercy on your soul.

(ominous music)

(slow music)

- [John] Have a good day at school.

- Bye, Mom. - Bye, sweetie.

(knocking)

- Hi.

Hi, hi, John.

- Hi.

I'll go walk Avery in.

I'll be right back.

- Okay, Dad.

- Is something wrong?

- With us?

No.

- Is it about last night?

- I came back after you dropped me off.

- Abel?

- Yeah.

- I was in the wrong.

He considers it a sin and I had to repent.

- Are you listening to yourself right now, Eve?

You sound like a zealot.

- It's not him.

I chose my own punishment.

It...

- Okay, I get it.

I mean, you're married and so am I

and I do not believe in infidelity.

But whatever you're talking about with a punishment, I mean,

I hardly think our kiss was worthy of that.

I mean, it was practically an accident.

- It wasn't an accident to me.

- I shouldn't have said that.

I just...

I can't take this right now.

- I understand.

- I'll see you around, Eve.

(slow music)

(water splashes)

(Eve crying)

- You had one job.

(knocking)

- Eve.

She does not want to see you.

- You don't understand.

You don't understand.

- I think I do.

She told me all about it.

And I think you should go.

- I'm so glad you're home today.

- Me too.

(slow music)

♪ Is it too good to be true ♪

♪ I want this so much but don't know if I can trust you ♪

♪ My mind's racing fast ♪

♪ Trying to find the red flags I'm used to ♪

♪ All these green lights, are they coming too soon ♪

♪ Caught between red and the green and you ♪

♪ I'm stuck in the blue ♪

♪ Blue ♪

- Good morning.

- Hey.

(kisses)

That was nice.

- There's more where that came from.

Stay close today.

- Like butter on toast.

- That's my girl.

I gotta go.

- Bye.

- Thanks.

The last sense to go is always our hearing.

I want to encourage you to talk to both Mom and Dad.

I know that Mom is still responding,

but both of them will hear you.

Just because he can't talk back doesn't mean he isn't there.

And don't forget about physical touch.

Squeeze of the hand, a hug.

These are the simple gestures,

the most primitive communication.

Mrs. Smith?

I've got the medication that we talked about,

I'm going to set it right here.

- Mom?

- Bernie, is that you?

- [Woman] It's me, Mom.

- We're both here, Mom.

- When you're ready to take it, it's here for you.

- It's time to help your father.

(slow music)

- I've been desperate for a friend and she was available.

- Oh, don't be so hard on yourself.

There's no way to predict people

if they don't reveal their intentions.

- I just feel stupid.

- Well, if it makes you feel any better,

I've done the same thing myself.

- Really?

- Yeah, an old college girlfriend revealed

a frightening side of her personality after our first fight.

- What'd you do?

- Well, actually I had her leave me.

It seemed like the safest choice

once I realized she was crazy.

It took a while, but I didn't have to worry

about her chasing after me in the future.

- Wow.

I never thought of it like that.

♪ A woman's a two-face, a worrisome thing ♪

♪ Who'll leave you to sing the blues in the night ♪

(Amelia laughs)

- Thanks, Dad.

I think it's time for me to go.

Got to get Avery from school.

- Okay.

- All right, I'll see you for dinner.

(doorbell rings)

- Hi there.

Millie's not home right now.

- Can I come in?

- Okay.

So I've heard you and Amelia have had a disagreement?

- I just hope she can forgive me.

- Well, friendships can be difficult.

It seems like women have it worse in that arena.

- John, do you take cream or sugar?

- Black is fine.

I like my coffee the way I like my people.

Simple.

(Eve laughs)

- Do you have a best friend?

- Best friend.

Well, let's see now, it's been a while.

My friend Gary, but he's back in New Jersey.

- That counts.

How long have you known Gary?

- Well, let's see now,

we must know each other more than 50 years.

We used to play together when we were kids.

Gary's family was a little unusual.

They lived out in the country,

had all sorts of animals for pets.

They had a duck, a woodchuck, deer, an owl, a monkey.

I remember one summer, we had a wounded hawk, broken wing.

Nursed it back to health in the basement,

feeding it roadkill, mice.

(yawns) Rodents.

I'm sorry.

This coffee is having the opposite effect on me.

I think I have to go lie down.

Amelia should be home soon.

(ominous music)

(Eve crying)

(phone ringing)

- Come on, pick up.

Pick up.

Pick up, pick up.

Shit.

(phone buzzing)

Fuck.

(door creaks)

Psycho bitch.

- What's up, Doc?

- Abel.

- You've got good timing.

Even a little early.

(ominous music)

(phone buzzing)

- Avery!

- Yeah?

- Avery!

Avery, go and run!

- Coming!

Dad?

- Avery, stay calm.

Everything's going to be okay.

- Careful, you don't want to leave any marks.

Go get his gun.

And find her.

- Avery, this is just like we practiced.

Everything's going to be okay, no matter what happens.

- It wasn't supposed to be like this.

We were going to spare the boy.

Michael.

- This must be who we've been waiting for.

(laughs)

- Dear Jacob.

- She was gone when we got here.

Eve's searching upstairs.

- Gone so far away from our intended path, haven't we?

Avery, where's your mother?

- I'm not telling you anything.

(phone ringing)

- I see.

(door creaks)

Do you know why we're here?

- You're the protestors.

You're why we're hiding.

- (laughs) Sweet child.

- [Jacob] Avery, you don't have to tell them anything.

- We are here because of your mommy and daddy.

Calm down, Jacob.

It's just a tranquilizer.

- Upstairs is clear.

There's no sign of her.

(dramatic music)

- [Amelia] Shit.

- So you jeopardize your own souls for what?

Some headlines about my suicide?

And Amelia?

She'll never let you get away with this.

- I don't think she has it in her.

- She's stronger than she looks.

- What kind of mother would she be

if she didn't come back for her son?

(flames crackling)

- [Eve] Amelia!

- And there she is.

Go and get her, alive please.

Sweet Avery.

- Leave him alone.

- Our children are not ours to keep, Jacob.

We are but a gateway

through which they pass into this world.

- Mom!

- [Woman] What are you watching?

- Mom, there's a man with a gun at Avery's house.

- Oh my god.

We're calling 911.

(smacks) (man groans)

- I want to talk to you about something really important.

- Why?

So I can be like you?

- There are things that you don't understand yet.

- Like what?

- Have you ever wondered why we're here?

Not here, like at the table,

but why we're here in this world?

- Not really.

- Michael, I don't think this is who you are.

- You have no idea who I am, Jacob.

I defend life.

I make a difference.

- By killing an innocent family?

That's blood on your hands for eternity.

My job is to relieve suffering.

I provide a sense of control and dignity.

I empower them.

I give them a choice.

- It's murder.

- You and I are not so different.

Don't do this.

- I will never see my mother again because of you people.

I am nothing like you.

You gave me no choice.

- No.

Leave him alone!

(dramatic music)

(grunting)

(gun fires)

- Forgive me.

(groaning)

- Mom!

- It's okay, it's over.

(Amelia crying)

(radio murmuring)

- [Avery] I'll meet you inside, Mom.

Come on, guys! - Coming!

Hey, slow down!

- This would have been a funeral for the whole family

if you hadn't called the cops.

- Seriously.

- That's not true, Alexandra.

I'm pretty sure it was over before anyone arrived.

(solemn music)

- What happened to the guns?

- The police took everything into evidence.

We had to stay in a hotel for a week.

- Were there chalk outlines where the bodies were?

- Yeah.

- Where did they die?

What?

- Oh, man, that's brutal.

Are you okay?

- Yeah, I will be.

- John was a gentle man.

John did not trouble himself with the outcome of his soul.

Please, bow your head in prayer.

In Jesus' name, amen.

- I'd like to say a few words.

Peace and love are not natural unfoldings in humanity.

They are actions.

Look around this room.

Look into the eyes of family, friends,

and those you don't know.

See them.

Be with them.

These are yours.

Your humans.

Your life.

If you take away anything from the suffering and bloodshed,

take this.

Our humanity is your choice.

(upbeat music)

♪ You think you're a romantic ♪

♪ Play your games like I won't understand ♪

♪ Ratchet back your straps, take action ♪

♪ I won't give you the satisfaction ♪

♪ This time, mama, we've all got secrets ♪

♪ You're a puzzle with a piece that I can't see ♪

♪ Cryptic codes at breakfast ♪

♪ But our perspective smells like coffee into cream ♪

♪ When I was a bachelor, I lived by myself ♪

♪ All the meat I had, I put up on my shelf ♪

♪ Then I went to London to buy me a wife ♪

♪ She's hungry as an ox and cold as ice ♪

♪ A pound of flesh to feed the butcher ♪

♪ All for just an ounce of sugar ♪

♪ Shave your pound off piece by piece ♪

♪ You won't feel a thing ♪

♪ Clarity's convoluted ♪

♪ Thrown up in the air like pick up sticks ♪

♪ Mind is whirling and you're sinking hopeless ♪

♪ Crash and burn, you're gonna need your fix this time ♪

♪ Mama, we've all got secrets ♪

♪ The rushing waves are gonna swallow me whole ♪

♪ Overwhelming undercurrent ♪

♪ A sea of heartbreak might just take your soul ♪

♪ When I was a bachelor, I lived by myself ♪

♪ All the meat I had, I put up on my shelf ♪

♪ Then I went to London to buy me a wife ♪

♪ She's hungry as an ox and cold as ice ♪

♪ A pound of flesh to feed the butcher ♪

♪ All for just an ounce of sugar ♪

♪ Shave your pound off piece by piece ♪

♪ You won't feel a thing ♪

♪ Plastic street, we've all gotta eat ♪

♪ Sweet nectar in your belly but it ain't for free ♪

♪ Hard, hard, the cleaver's sharp ♪

♪ Searching your body for the softest spot ♪

♪ Plastic street, we've all gotta eat ♪

♪ Sweet nectar in your belly but it ain't for free ♪

♪ Hard, hard, the cleaver's sharp ♪

♪ Searching your body for the softest spot ♪

♪ Plastic street, we've all gotta eat ♪

♪ Sweet nectar in your belly but it ain't for free ♪

♪ Hard, hard, the cleaver's sharp ♪

♪ Searching your body for the softest spot ♪

♪ A pound of flesh to feed the butcher ♪

♪ All for just an ounce of sugar ♪

♪ Shave your pound off piece by piece ♪

♪ You won't feel a thing ♪

♪ A pound of flesh to feed the butcher ♪

♪ All for just an ounce of sugar ♪

♪ Grab your sons and grab your daughters ♪

♪ Bring them to the slaughter ♪