All language subtitles for LED ZEPPELIN 2007 - Making of Celebration Day – Led Zeppelin’s Epic 2007 Reunion (Episode 2)

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These are the user uploaded subtitles that are being translated: 1 00:00:02,760 --> 00:00:04,879 thank you 2 00:00:09,100 --> 00:00:40,180 [Music] 3 00:00:49,140 --> 00:00:51,420 now they were one of Iraq's greatest and 4 00:00:51,420 --> 00:00:53,460 most influential bands now for the first 5 00:00:53,460 --> 00:00:55,920 time in 19 years Led Zeppelin will be 6 00:00:55,920 --> 00:00:57,899 back on stage this evening the band 7 00:00:57,899 --> 00:01:00,120 members have reunited for a one-off gig 8 00:01:00,120 --> 00:01:02,879 at the O2 Arena in London hundreds of 9 00:01:02,879 --> 00:01:04,559 fans already there and our Arts 10 00:01:04,559 --> 00:01:06,600 correspondent Razia Iqbal is with them 11 00:01:06,600 --> 00:01:08,040 Razia 12 00:01:08,040 --> 00:01:10,560 yes George it's just a few hours to wait 13 00:01:10,560 --> 00:01:12,420 before Led Zeppelin take to the stage 14 00:01:12,420 --> 00:01:14,700 forget all the other musical reunions 15 00:01:14,700 --> 00:01:16,320 we've seen this year this is the big 16 00:01:16,320 --> 00:01:18,299 league Led Zeppelin are often described 17 00:01:18,299 --> 00:01:20,759 as the first the biggest and the best 18 00:01:20,759 --> 00:01:22,860 that's if the fans are to be believed 19 00:01:22,860 --> 00:01:24,659 more than a million applied for tickets 20 00:01:24,659 --> 00:01:27,900 20 000 were successful among them are 21 00:01:27,900 --> 00:01:29,759 those who've seen them decades ago 22 00:01:29,759 --> 00:01:32,939 others are too young but as Keen it's 23 00:01:32,939 --> 00:01:36,119 not 1977 it's never going to be 1977. 24 00:01:36,119 --> 00:01:38,280 I'm an awful lot slower than I was 30 25 00:01:38,280 --> 00:01:39,840 years ago so if they are they're well 26 00:01:39,840 --> 00:01:41,340 forgiven 27 00:01:41,340 --> 00:01:42,960 well I mean if I get through it without 28 00:01:42,960 --> 00:01:45,079 a Zoomer frame they're doing all right 29 00:01:45,079 --> 00:01:47,939 no no they're cool they're cool they're 30 00:01:47,939 --> 00:01:50,600 old but they're cool 31 00:01:51,180 --> 00:01:53,159 one man who's followed them from the 32 00:01:53,159 --> 00:01:55,259 beginning has also met his Heroes 33 00:01:55,259 --> 00:01:57,180 they're not old men trying to plant 34 00:01:57,180 --> 00:02:00,000 teenagers they're you know they've got 35 00:02:00,000 --> 00:02:03,720 such musicianship chemistry all that 36 00:02:03,720 --> 00:02:05,159 chemistry that was there in the band all 37 00:02:05,159 --> 00:02:07,020 those years ago it's still going to be 38 00:02:07,020 --> 00:02:08,220 there tonight 39 00:02:08,220 --> 00:02:10,619 this isn't merely a tribute concert or 40 00:02:10,619 --> 00:02:12,720 even just for the Die Hard fans it's 41 00:02:12,720 --> 00:02:14,340 making rock and roll history and 42 00:02:14,340 --> 00:02:17,340 everyone wants to be a part of it 43 00:02:17,340 --> 00:02:19,440 and big names in the world of rock are 44 00:02:19,440 --> 00:02:22,200 expected tonight 45 00:02:22,200 --> 00:02:24,000 um and it's that's really a testament to 46 00:02:24,000 --> 00:02:26,040 how influential Led Zeppelin have been 47 00:02:26,040 --> 00:02:29,040 and a testament to how loyal their fans 48 00:02:29,040 --> 00:02:31,319 are to them that's you all right all 49 00:02:31,319 --> 00:02:34,980 right Monday December 10 2007. I had a 50 00:02:34,980 --> 00:02:36,300 case of the Mondays and at the same time 51 00:02:36,300 --> 00:02:38,760 I daydreamed of being at the old tour in 52 00:02:38,760 --> 00:02:41,400 London to witness the historic show with 53 00:02:41,400 --> 00:02:43,319 no Instagram nor YouTube live streams 54 00:02:43,319 --> 00:02:45,720 back then I could only imagine and wait 55 00:02:45,720 --> 00:02:47,760 for somebody to take the show I told my 56 00:02:47,760 --> 00:02:49,800 co-workers about it they smiled and 57 00:02:49,800 --> 00:02:52,080 replied so how was your weekend I 58 00:02:52,080 --> 00:02:54,120 couldn't care less my favorite band was 59 00:02:54,120 --> 00:02:55,739 reuniting this was the best Christmas 60 00:02:55,739 --> 00:02:58,440 gift ever read the next day reactions 61 00:02:58,440 --> 00:03:00,180 and music forums felt like old-time 62 00:03:00,180 --> 00:03:02,220 telegrams and mail people sharing their 63 00:03:02,220 --> 00:03:03,959 thoughts nobody could believe the band 64 00:03:03,959 --> 00:03:05,879 played for your life for the very first 65 00:03:05,879 --> 00:03:08,580 time and yet I had no audio of it how I 66 00:03:08,580 --> 00:03:09,959 treasure the days in which everything 67 00:03:09,959 --> 00:03:12,420 was not on your fingertips the Mystique 68 00:03:12,420 --> 00:03:15,060 of silence and patience A zeppelin Fan's 69 00:03:15,060 --> 00:03:17,640 right of passage months later I got my 70 00:03:17,640 --> 00:03:19,260 hands on a bootlet recording and it 71 00:03:19,260 --> 00:03:21,300 sounded great despite some minor issues 72 00:03:21,300 --> 00:03:23,280 like the base frequencies being kind of 73 00:03:23,280 --> 00:03:25,019 lost at the arena and the songs being 74 00:03:25,019 --> 00:03:27,900 downtuned to fit plan's vocal range I 75 00:03:27,900 --> 00:03:29,459 played that thing a thousand times and 76 00:03:29,459 --> 00:03:31,140 enjoyed every minute of it this was the 77 00:03:31,140 --> 00:03:34,140 live in 1985 in Atlantic 1988 of my 78 00:03:34,140 --> 00:03:36,959 generation but I had no visuals yet I 79 00:03:36,959 --> 00:03:38,879 was excited and for a second I thought 80 00:03:38,879 --> 00:03:40,500 they were going to tour and I was making 81 00:03:40,500 --> 00:03:42,659 plans to go see them and so was the 82 00:03:42,659 --> 00:03:45,900 entire Legion of the Zeppelin fans 83 00:03:45,900 --> 00:03:47,940 the O2 Arena show began with the band 84 00:03:47,940 --> 00:03:49,980 featuring Keith Emerson Chris Squire 85 00:03:49,980 --> 00:03:52,560 Alan white and Simon Kirk with the best 86 00:03:52,560 --> 00:03:54,480 section from Bill Wyman's Rhythm kings 87 00:03:54,480 --> 00:03:56,280 that it was up to the living Kings 88 00:03:56,280 --> 00:03:58,620 featuring Maggie Bell and Alvin Lee Paul 89 00:03:58,620 --> 00:04:01,500 Rogers Paolo Nutini and Mae Jones from 90 00:04:01,500 --> 00:04:03,150 Foreigner to get things going 91 00:04:03,150 --> 00:04:11,220 [Music] 92 00:04:11,220 --> 00:04:13,860 the gentleman that you whom by now 93 00:04:13,860 --> 00:04:17,959 you've all have heard of called armor 94 00:04:19,620 --> 00:04:22,380 and his brother founded 95 00:04:22,380 --> 00:04:25,220 a company called event 96 00:04:25,620 --> 00:04:26,160 um 97 00:04:26,160 --> 00:04:30,300 Atlantic Records turn s not only 98 00:04:30,300 --> 00:04:32,639 signing the best of American rhythm and 99 00:04:32,639 --> 00:04:35,820 blues but also the best of the best of 100 00:04:35,820 --> 00:04:38,460 the British Acts and tonight we've got 101 00:04:38,460 --> 00:04:42,900 quite a selection for you all the money 102 00:04:42,900 --> 00:04:46,620 those tickets after the basic costs are 103 00:04:46,620 --> 00:04:49,860 going to pay for three lifetime 104 00:04:49,860 --> 00:04:52,520 scholarships one in America 105 00:04:52,520 --> 00:04:55,919 one in Turkey in the hotel 106 00:04:55,919 --> 00:05:00,120 of Ahmed and one here in one of the 107 00:05:00,120 --> 00:05:02,040 colleges of Oxford University and those 108 00:05:02,040 --> 00:05:03,720 scholarships will run every year for 109 00:05:03,720 --> 00:05:04,440 every 110 00:05:04,440 --> 00:05:05,880 student 111 00:05:05,880 --> 00:05:08,840 in addition 112 00:05:09,360 --> 00:05:12,080 in addition 113 00:05:12,960 --> 00:05:15,479 for money to start a course and pay for 114 00:05:15,479 --> 00:05:18,540 five scholarships at Ravens born 115 00:05:18,540 --> 00:05:20,759 University which is actually being built 116 00:05:20,759 --> 00:05:23,340 right outside this Dome so when we've 117 00:05:23,340 --> 00:05:24,840 got everything together in about 18 118 00:05:24,840 --> 00:05:27,360 months time at University will be open 119 00:05:27,360 --> 00:05:30,360 outside the Dome and we'll have now a 120 00:05:30,360 --> 00:05:32,639 music scholarship courtesy of you guys 121 00:05:32,639 --> 00:05:35,120 so thank you very much 122 00:05:35,120 --> 00:05:36,480 all right 123 00:05:36,480 --> 00:05:44,499 [Music] 124 00:05:48,420 --> 00:05:51,970 [Music] 125 00:05:52,020 --> 00:05:56,420 [Applause] 126 00:06:04,199 --> 00:06:06,620 foreign 127 00:06:14,640 --> 00:06:37,450 [Applause] 128 00:06:39,360 --> 00:06:41,759 [Music] 129 00:06:41,759 --> 00:06:44,700 foreign 130 00:06:44,700 --> 00:06:49,940 [Applause] 131 00:06:59,020 --> 00:07:02,089 [Music] 132 00:07:20,460 --> 00:07:21,960 fire 133 00:07:21,960 --> 00:07:29,760 [Applause] 134 00:07:30,259 --> 00:07:32,240 ball 135 00:07:32,240 --> 00:07:36,539 Club football for you thank you so much 136 00:07:36,539 --> 00:07:38,840 everybody 137 00:07:39,000 --> 00:07:41,280 okay so let's go over the show for 138 00:07:41,280 --> 00:07:42,840 storyline and accurate timeline purposes 139 00:07:42,840 --> 00:07:44,460 I will use the recordings we had before 140 00:07:44,460 --> 00:07:47,280 the official release the set list seems 141 00:07:47,280 --> 00:07:49,080 to be inspired by Led Zeppelin's March 142 00:07:49,080 --> 00:07:53,160 27 1975 show at the Forum 11 or 15 songs 143 00:07:53,160 --> 00:07:54,960 played that night were repeated on the 144 00:07:54,960 --> 00:07:57,120 2007 reunion an interesting choice 145 00:07:57,120 --> 00:07:59,520 indeed as a 1975 tour doesn't get 146 00:07:59,520 --> 00:08:03,180 praised like 1977 or 1973 within the 147 00:08:03,180 --> 00:08:05,039 Zeppelin Community we can speculate on 148 00:08:05,039 --> 00:08:06,720 the visual and marketing significance of 149 00:08:06,720 --> 00:08:09,240 1975 as the Pinnacle of their career 150 00:08:09,240 --> 00:08:11,160 just before a series of accidents and 151 00:08:11,160 --> 00:08:13,560 tragic events happened Physical Graffiti 152 00:08:13,560 --> 00:08:15,300 remains one of the most popular albums 153 00:08:15,300 --> 00:08:17,340 it's critical and Commercial Acclaim 154 00:08:17,340 --> 00:08:19,979 make it a centerpiece of 70s rock with 155 00:08:19,979 --> 00:08:22,259 cashmere a Monumental achievement after 156 00:08:22,259 --> 00:08:24,479 the impossible task of coming up with 157 00:08:24,479 --> 00:08:26,699 material after a Stairway to Heaven and 158 00:08:26,699 --> 00:08:28,860 the Rain song every Led Zeppelin album 159 00:08:28,860 --> 00:08:30,960 was represented on the 2007 setlist 160 00:08:30,960 --> 00:08:33,539 except in through the outdoor that still 161 00:08:33,539 --> 00:08:35,760 hurts after all these years while they 162 00:08:35,760 --> 00:08:37,140 didn't choose a song from the last 163 00:08:37,140 --> 00:08:39,959 studio album Still puzzles me Jason 164 00:08:39,959 --> 00:08:41,940 Bonham stated that he suggested the idea 165 00:08:41,940 --> 00:08:43,979 of an acoustic set for the reunion it 166 00:08:43,979 --> 00:08:45,600 was briefly rehearsed with songs like 167 00:08:45,600 --> 00:08:48,180 going to California and tangerine the 168 00:08:48,180 --> 00:08:49,800 reasons why it was discarded aren't 169 00:08:49,800 --> 00:08:52,019 clear although maybe what page and plan 170 00:08:52,019 --> 00:08:54,180 didn't want to say was sorry we already 171 00:08:54,180 --> 00:08:56,220 did that for years without your Jonesy 172 00:08:56,220 --> 00:08:59,100 no hard feelings right every Zeppelin 173 00:08:59,100 --> 00:09:00,899 fan has a list of songs they wish the 174 00:09:00,899 --> 00:09:03,000 band perform at the reunion I would like 175 00:09:03,000 --> 00:09:04,800 to know your opinion on this so please 176 00:09:04,800 --> 00:09:06,480 share your list of songs on the comments 177 00:09:06,480 --> 00:09:07,260 below 178 00:09:07,260 --> 00:09:09,420 if you ask me well of course I wanted 179 00:09:09,420 --> 00:09:11,700 carusalem brand there but being a bit 180 00:09:11,700 --> 00:09:13,680 more realistic I only have two songs 181 00:09:13,680 --> 00:09:16,260 first swapping Dazed and Confused for 182 00:09:16,260 --> 00:09:18,000 the 1979 version of in the evening 183 00:09:18,000 --> 00:09:20,459 featuring Jimmy's violin bow solo as 184 00:09:20,459 --> 00:09:22,860 intro I'm crazy right well looking at 185 00:09:22,860 --> 00:09:24,300 the small accident that happened in 186 00:09:24,300 --> 00:09:26,640 decent confused 2007 there was a reason 187 00:09:26,640 --> 00:09:28,440 the track was retired from the Dublin 188 00:09:28,440 --> 00:09:32,399 set after 1975 when Jimmy was 31. by 189 00:09:32,399 --> 00:09:33,959 then they really stretched the song as 190 00:09:33,959 --> 00:09:35,580 far as they could and because Jimmy 191 00:09:35,580 --> 00:09:37,980 wasn't an active performer in 2007 like 192 00:09:37,980 --> 00:09:39,839 the great Jeff Beck was until his 193 00:09:39,839 --> 00:09:42,540 untimely passing in early 2023 Jason 194 00:09:42,540 --> 00:09:45,120 confuses a challenging song that demands 195 00:09:45,120 --> 00:09:46,920 the working conditions of Youth to 196 00:09:46,920 --> 00:09:49,560 maximize its power because Paige needed 197 00:09:49,560 --> 00:09:51,839 a vehicle for his violin bow Solo in the 198 00:09:51,839 --> 00:09:54,600 evening 1979 gave him that and more with 199 00:09:54,600 --> 00:09:56,220 the band able to cover at least one of 200 00:09:56,220 --> 00:09:57,540 the tracks for men through the outdoor 201 00:09:57,540 --> 00:09:59,519 the song could have been performed on a 202 00:09:59,519 --> 00:10:02,040 lower key as further Evidence the fact 203 00:10:02,040 --> 00:10:03,600 that Paige and plan played this song 204 00:10:03,600 --> 00:10:05,880 plus a middle portion of cursed lambra 205 00:10:05,880 --> 00:10:09,300 on their 1995 to 1998 Taurus shows it 206 00:10:09,300 --> 00:10:12,720 worked next the Rain song why on Earth 207 00:10:12,720 --> 00:10:14,459 didn't they play this after The Song 208 00:10:14,459 --> 00:10:16,680 Remains the Same one of the best life 209 00:10:16,680 --> 00:10:19,399 moments in their career those 210 00:10:19,399 --> 00:10:21,980 1972-1975 versions were these two songs 211 00:10:21,980 --> 00:10:24,240 coexisted as a progressive rock 212 00:10:24,240 --> 00:10:27,060 Adventure the world deserved a pose 1980 213 00:10:27,060 --> 00:10:28,800 version of distract with John Paul Jones 214 00:10:28,800 --> 00:10:30,600 on keyboards the track could have been 215 00:10:30,600 --> 00:10:32,339 played on the sixth string neck in the 216 00:10:32,339 --> 00:10:34,140 key of G instead of the usual live a 217 00:10:34,140 --> 00:10:36,300 tuning plan had the voice for it and 218 00:10:36,300 --> 00:10:38,100 Jason played this in the mid 90s with 219 00:10:38,100 --> 00:10:40,380 his own band the band's concert fixation 220 00:10:40,380 --> 00:10:42,779 and Misty Mountain Hop is strange to 221 00:10:42,779 --> 00:10:45,420 this day it didn't stand out on the 1988 222 00:10:45,420 --> 00:10:47,519 reunion and here it just works as a sort 223 00:10:47,519 --> 00:10:50,640 of transition for Kashmir imagine had 224 00:10:50,640 --> 00:10:52,860 they played the Rain song before epic 225 00:10:52,860 --> 00:10:54,779 would be an understatement but one can 226 00:10:54,779 --> 00:10:56,310 dream right 227 00:10:56,310 --> 00:10:59,440 [Music] 228 00:11:24,800 --> 00:11:30,680 [Applause] 229 00:11:30,680 --> 00:11:35,720 239 that even beat the Beatles record 230 00:11:37,320 --> 00:11:40,320 Zeppelin 231 00:11:41,579 --> 00:11:44,640 they travel with their own jet waiting 232 00:11:44,640 --> 00:11:46,980 at the airport two limousines 233 00:11:46,980 --> 00:11:50,300 and a police escort 234 00:11:51,620 --> 00:11:54,899 just 40 minutes show time Led Zeppelin 235 00:11:54,899 --> 00:11:56,940 arrive here at Tampa Air Center at the 236 00:11:56,940 --> 00:11:59,300 Tampa International Airport 237 00:11:59,300 --> 00:12:01,560 I'm pleased to say to one of the group's 238 00:12:01,560 --> 00:12:04,079 four members has my same name that's 239 00:12:04,079 --> 00:12:05,940 John Paul Jones and he's their bass 240 00:12:05,940 --> 00:12:07,980 player Jimmy Page he's the lead 241 00:12:07,980 --> 00:12:11,339 guitarist Robert Plant lead singer he 242 00:12:11,339 --> 00:12:14,940 won the long curly hair and John Fine is 243 00:12:14,940 --> 00:12:17,399 the drummer Robert 244 00:12:17,399 --> 00:12:18,300 you 245 00:12:18,300 --> 00:12:21,860 need John Paul George 246 00:12:24,240 --> 00:12:26,339 you were at Tampa Stadium tonight or 247 00:12:26,339 --> 00:12:29,160 anywhere nearby that's the sort of thing 248 00:12:29,160 --> 00:12:31,019 you saw and 249 00:12:31,019 --> 00:12:31,650 hurt 250 00:12:31,650 --> 00:12:37,800 [Applause] 251 00:12:37,800 --> 00:12:39,800 s 252 00:12:47,600 --> 00:12:51,570 told you what it means to be a man 253 00:12:51,570 --> 00:12:54,699 [Applause] 254 00:12:54,740 --> 00:12:57,120 the band comes in with an aggressive 255 00:12:57,120 --> 00:13:00,779 punch and the attitude of 1969. holding 256 00:13:00,779 --> 00:13:03,360 on prisoners they go all in out of a 257 00:13:03,360 --> 00:13:04,560 couple of feedback issues in the first 258 00:13:04,560 --> 00:13:07,680 verses the group is tight so tight it's 259 00:13:07,680 --> 00:13:09,480 scary Jason Bonham sings Harmony 260 00:13:09,480 --> 00:13:11,399 alongside planned for a closer rendition 261 00:13:11,399 --> 00:13:13,320 to the studio version white-haired Jimmy 262 00:13:13,320 --> 00:13:15,060 comes on the stage wearing dark glasses 263 00:13:15,060 --> 00:13:17,160 with zeppen for the first time since the 264 00:13:17,160 --> 00:13:20,220 1977 tour and a code reminiscent of bath 265 00:13:20,220 --> 00:13:22,740 1970. he kind of looks like prague's own 266 00:13:22,740 --> 00:13:25,440 Eddie jobson his rhythm work is Stellar 267 00:13:25,440 --> 00:13:26,880 the way he comes back from the guitar 268 00:13:26,880 --> 00:13:30,740 solo to the chorus is incredible 269 00:13:30,820 --> 00:13:34,509 [Music] 270 00:13:35,720 --> 00:13:38,399 Johnson delivers his famous base licks 271 00:13:38,399 --> 00:13:40,380 to great effect and Jason kicks the 272 00:13:40,380 --> 00:13:42,000 living hell out of his drums and 273 00:13:42,000 --> 00:13:43,260 Zeppelin never performed the track 274 00:13:43,260 --> 00:13:45,240 entirely but use the intro on seven 275 00:13:45,240 --> 00:13:48,000 shows from 1969 including the parents 276 00:13:48,000 --> 00:13:49,440 concert released on the deluxe edition 277 00:13:49,440 --> 00:13:51,959 of Led Zeppelin 1 as a side note Robert 278 00:13:51,959 --> 00:13:53,639 Plant and Jimmy Page performed this song 279 00:13:53,639 --> 00:13:57,500 once during their 1995 tour 280 00:13:58,560 --> 00:13:59,750 thank you 281 00:13:59,750 --> 00:14:12,820 [Music] 282 00:14:13,339 --> 00:14:15,600 they jump straight into Ramble On 283 00:14:15,600 --> 00:14:17,399 technically speaking our first time for 284 00:14:17,399 --> 00:14:19,320 Jones were not for the others page and 285 00:14:19,320 --> 00:14:21,300 plan played the song a total of 153 286 00:14:21,300 --> 00:14:24,480 times under 1995 to 1988 tours Jason 287 00:14:24,480 --> 00:14:27,060 Barton played it on his 1997 album in 288 00:14:27,060 --> 00:14:28,920 the name of my father the long band 289 00:14:28,920 --> 00:14:31,440 mates Jazz Western vocals Tony Catanio 290 00:14:31,440 --> 00:14:33,540 on guitar and John Smith's son and bass 291 00:14:33,540 --> 00:14:35,700 plan is great here like a gypsy 292 00:14:35,700 --> 00:14:37,740 searching for his Muse The Traveling 293 00:14:37,740 --> 00:14:39,779 Blues Vibe is present while the chorus 294 00:14:39,779 --> 00:14:41,639 is a bit demanding on his voice the band 295 00:14:41,639 --> 00:14:43,380 manages to keep it under control the 296 00:14:43,380 --> 00:14:45,360 light and shade contrast is superb Jimmy 297 00:14:45,360 --> 00:14:47,160 plays a great solo despite no rhythm 298 00:14:47,160 --> 00:14:49,380 guitar behind him it works wonders and 299 00:14:49,380 --> 00:14:51,839 he controls the Distortion well well a 300 00:14:51,839 --> 00:14:53,579 very nice rendition of the song it does 301 00:14:53,579 --> 00:14:55,139 need the acoustic element on the verses 302 00:14:55,139 --> 00:14:57,120 I can see while it's Apple never did the 303 00:14:57,120 --> 00:14:58,980 song back in their Heyday other than a 304 00:14:58,980 --> 00:15:00,480 small reference during the horror Love 305 00:15:00,480 --> 00:15:02,820 Medley as it is a bad repetitive the 306 00:15:02,820 --> 00:15:04,680 ending features a small reference to the 307 00:15:04,680 --> 00:15:06,180 closing riff of what is and what should 308 00:15:06,180 --> 00:15:07,740 never be 309 00:15:07,740 --> 00:15:08,820 foreign 310 00:15:08,820 --> 00:15:12,019 [Applause] 311 00:15:14,230 --> 00:15:16,440 [Applause] 312 00:15:16,440 --> 00:15:20,499 [Music] 313 00:15:23,660 --> 00:15:26,100 takes off his Shades the 10 point 314 00:15:26,100 --> 00:15:27,600 between the verses is kept with great 315 00:15:27,600 --> 00:15:29,699 swing and plan delivers a solid vocal 316 00:15:29,699 --> 00:15:32,220 performance in the Downton key of G his 317 00:15:32,220 --> 00:15:34,199 voice manages to keep its strength while 318 00:15:34,199 --> 00:15:35,699 entertaining the crowd that sings along 319 00:15:35,699 --> 00:15:37,620 with him guitar and drum and bass are 320 00:15:37,620 --> 00:15:39,540 locked in this version is similar in 321 00:15:39,540 --> 00:15:41,459 energy and force to the final concert 322 00:15:41,459 --> 00:15:43,860 runs of 1980. human delivers a great 323 00:15:43,860 --> 00:15:46,079 solo with some 1973 moments here and 324 00:15:46,079 --> 00:15:47,639 there while he battles with the extra 325 00:15:47,639 --> 00:15:50,220 vibrant strings of the low tuning as a 326 00:15:50,220 --> 00:15:51,899 guitarist myself I cannot stress this 327 00:15:51,899 --> 00:15:54,480 enough soloing or no tuning strings is 328 00:15:54,480 --> 00:15:56,279 hard Jimmy Page worked out a miracle 329 00:15:56,279 --> 00:15:58,519 there 330 00:16:00,240 --> 00:16:01,350 foreign 331 00:16:01,350 --> 00:16:18,180 [Applause] 332 00:16:18,180 --> 00:16:22,760 [Music] 333 00:16:26,820 --> 00:16:30,720 [Music] 334 00:16:30,720 --> 00:16:32,579 one of the outstanding tracks from the 335 00:16:32,579 --> 00:16:34,920 concert top to bottom a fantastic 336 00:16:34,920 --> 00:16:36,839 rendition of a song that Zeppelin played 337 00:16:36,839 --> 00:16:39,839 for the last time on June 25th 1977 at 338 00:16:39,839 --> 00:16:41,940 the Le Forum Jimmy Page played this on 339 00:16:41,940 --> 00:16:44,160 his 1988 solo tour while Robert Plant 340 00:16:44,160 --> 00:16:46,800 did three live Renditions in 1983 it had 341 00:16:46,800 --> 00:16:49,450 to be revived for the show 342 00:16:49,450 --> 00:16:54,120 [Applause] 343 00:16:54,120 --> 00:16:55,800 the first bar on the drum entrance but 344 00:16:55,800 --> 00:16:57,660 managed to get back into the song he 345 00:16:57,660 --> 00:16:59,639 really enjoys playing this riff Urban 346 00:16:59,639 --> 00:17:01,980 starts off quiet but slowly delivers a 347 00:17:01,980 --> 00:17:04,020 passionate take on this classic jumper 348 00:17:04,020 --> 00:17:06,240 Jones's base is a bit low on the mix but 349 00:17:06,240 --> 00:17:07,860 he delivers a fantastic performance 350 00:17:07,860 --> 00:17:09,839 Jason Bonham is very much focused 351 00:17:09,839 --> 00:17:11,939 throughout the song his heavy accents 352 00:17:11,939 --> 00:17:14,280 and groove are Dynamite rubber bands on 353 00:17:14,280 --> 00:17:16,140 my Jesus moment steals the show within 354 00:17:16,140 --> 00:17:18,600 the song and the band comes back in like 355 00:17:18,600 --> 00:17:20,640 a massive wave 356 00:17:20,640 --> 00:17:23,640 Jesus 357 00:17:23,730 --> 00:17:30,469 [Music] 358 00:17:33,940 --> 00:17:38,259 [Music] 359 00:17:40,270 --> 00:17:40,830 [Music] 360 00:17:40,830 --> 00:17:44,710 [Applause] 361 00:17:50,179 --> 00:17:53,220 well thank you 362 00:17:53,220 --> 00:17:56,240 following up 363 00:17:57,900 --> 00:18:00,360 for thousands and thousands of emotions 364 00:18:00,360 --> 00:18:01,799 that we've been going through for the 365 00:18:01,799 --> 00:18:04,440 last six weeks together 366 00:18:04,440 --> 00:18:07,919 and finally get to this point 367 00:18:07,919 --> 00:18:10,850 for almond to bring Jason in 368 00:18:10,850 --> 00:18:17,250 [Applause] 369 00:18:18,059 --> 00:18:20,940 this one we've uh this is a first 370 00:18:20,940 --> 00:18:22,919 adventure with this song 371 00:18:22,919 --> 00:18:24,440 in public 372 00:18:24,440 --> 00:18:26,760 [Music] 373 00:18:26,760 --> 00:18:29,760 [Applause] 374 00:18:29,760 --> 00:18:30,540 [Music] 375 00:18:30,540 --> 00:18:33,320 [Applause] 376 00:18:33,320 --> 00:18:36,059 in my humble opinion the third best 377 00:18:36,059 --> 00:18:37,860 track from the show never played before 378 00:18:37,860 --> 00:18:39,360 by Led Zeppelin and no other live 379 00:18:39,360 --> 00:18:41,400 reference but this one and what a treat 380 00:18:41,400 --> 00:18:43,260 where the original presence recording 381 00:18:43,260 --> 00:18:44,820 has a somewhat disjointed friendly 382 00:18:44,820 --> 00:18:46,980 Stratocaster and base frequencies this 383 00:18:46,980 --> 00:18:49,020 version brings much Gibson humbucker 384 00:18:49,020 --> 00:18:51,059 pickup Justice to the Exquisite G chord 385 00:18:51,059 --> 00:18:53,400 opening and interplay A Brave and Bold 386 00:18:53,400 --> 00:18:55,740 move by the band if any casual fans went 387 00:18:55,740 --> 00:18:57,539 to the show this was the ultimate filter 388 00:18:57,539 --> 00:19:00,120 to ask what song is this again this is a 389 00:19:00,120 --> 00:19:01,620 track that stands out from the set list 390 00:19:01,620 --> 00:19:03,780 like glowing 9 the luxury of playing a b 391 00:19:03,780 --> 00:19:05,760 side was a dream come true for hardcore 392 00:19:05,760 --> 00:19:07,919 fans the level of confidence shown by 393 00:19:07,919 --> 00:19:09,539 the ban on stage is up there with the 394 00:19:09,539 --> 00:19:11,820 70s Jimmy's rhythm guitar Shines on his 395 00:19:11,820 --> 00:19:13,919 Gibson Black Beauty custom a very 396 00:19:13,919 --> 00:19:16,020 special six-string weapon that made up 397 00:19:16,020 --> 00:19:17,460 for the original black beauty that was 398 00:19:17,460 --> 00:19:19,919 stolen in 1970. the guitar was returned 399 00:19:19,919 --> 00:19:22,200 to him in 2015. Back to the song Stand 400 00:19:22,200 --> 00:19:24,240 Up moments that do it when you won a 401 00:19:24,240 --> 00:19:26,340 line against the group is magnificent a 402 00:19:26,340 --> 00:19:28,679 master class of tempo and feel 403 00:19:28,679 --> 00:19:29,950 foreign 404 00:19:29,950 --> 00:19:33,130 [Applause] 405 00:19:37,260 --> 00:19:41,559 [Applause] 406 00:19:47,000 --> 00:19:49,860 bombs the song may be a strange setlist 407 00:19:49,860 --> 00:19:51,900 choice but it sheds light on the 408 00:19:51,900 --> 00:19:54,000 what-ifs of presence that the band chose 409 00:19:54,000 --> 00:19:55,740 to play more cuts from the album under 410 00:19:55,740 --> 00:19:58,880 1977 tour 411 00:20:04,940 --> 00:20:07,160 1935 Robert Johnson 412 00:20:07,160 --> 00:20:09,660 recorded a song called airplane blues 413 00:20:09,660 --> 00:20:11,520 and uh 414 00:20:11,520 --> 00:20:14,460 it's appeared in a thousand 415 00:20:14,460 --> 00:20:17,820 different guises since 416 00:20:17,820 --> 00:20:19,620 when maybe Johnson's going from 417 00:20:19,620 --> 00:20:21,179 somewhere else I'm sure he did everybody 418 00:20:21,179 --> 00:20:24,900 likes it this is the kind of 419 00:20:24,900 --> 00:20:26,940 the Led Zeppelin Terror playing Blues 420 00:20:26,940 --> 00:20:30,000 it's called trampled on the foot 421 00:20:30,000 --> 00:20:31,919 a song Led Zeppelin played on every show 422 00:20:31,919 --> 00:20:34,679 from 1975 till their final date on July 423 00:20:34,679 --> 00:20:37,559 7th 1980. one of the Cornerstone tracks 424 00:20:37,559 --> 00:20:39,660 that has to be there her plan featured 425 00:20:39,660 --> 00:20:42,059 this song on his 1988 and 1983 tours 426 00:20:42,059 --> 00:20:43,919 while John Paul Jones performed this on 427 00:20:43,919 --> 00:20:46,620 his tours from 1999 and the year 2000. 428 00:20:46,620 --> 00:20:49,020 fun fact Jason Bonham plays this song on 429 00:20:49,020 --> 00:20:50,760 drums during the net worth 1979 430 00:20:50,760 --> 00:20:52,679 soundcheck a solid Groove that 431 00:20:52,679 --> 00:20:54,539 hypnotizes the audience in a trance of G 432 00:20:54,539 --> 00:20:56,400 minor in the most respectful way 433 00:20:56,400 --> 00:20:58,559 possible I have to say this is Led 434 00:20:58,559 --> 00:21:00,360 Zeppelin and autopilot and one of those 435 00:21:00,360 --> 00:21:01,860 moments for them to enjoy the show 436 00:21:01,860 --> 00:21:03,720 taking off some pressure in the insane 437 00:21:03,720 --> 00:21:05,640 levels of stress of other numbers on the 438 00:21:05,640 --> 00:21:08,100 set everybody's in top form with Jonesy 439 00:21:08,100 --> 00:21:09,419 commanding their way and the cabinet 440 00:21:09,419 --> 00:21:11,400 sounds while Jimmy strikes the whammy 441 00:21:11,400 --> 00:21:15,020 pedal playing with the octaves 442 00:21:15,950 --> 00:21:17,880 [Applause] 443 00:21:17,880 --> 00:21:20,179 foreign 444 00:21:35,220 --> 00:21:38,100 Blues 445 00:21:38,100 --> 00:21:39,299 [Music] 446 00:21:39,299 --> 00:21:41,100 Robert Johnson 447 00:21:41,100 --> 00:21:43,440 1936. 448 00:21:43,440 --> 00:21:45,360 this next song that's been immortalized 449 00:21:45,360 --> 00:21:46,740 by 450 00:21:46,740 --> 00:21:49,500 Staple Singers 451 00:21:49,500 --> 00:21:51,960 more recently by The Blind Boys from 452 00:21:51,960 --> 00:21:53,230 Alabama 453 00:21:53,230 --> 00:21:54,900 [Applause] 454 00:21:54,900 --> 00:21:56,940 and 455 00:21:56,940 --> 00:22:00,480 I think we must have heard this from 456 00:22:00,480 --> 00:22:02,159 we were in a church somewhere in 457 00:22:02,159 --> 00:22:03,780 Mississippi 458 00:22:03,780 --> 00:22:05,960 in about 1932 459 00:22:05,960 --> 00:22:06,960 [Applause] 460 00:22:06,960 --> 00:22:07,830 um 461 00:22:07,830 --> 00:22:11,619 [Music] 462 00:22:21,720 --> 00:22:23,580 the band played this with a low tuning 463 00:22:23,580 --> 00:22:25,679 of D with rubber band using a harmonica 464 00:22:25,679 --> 00:22:27,480 in the key of G instead of a Jim's 465 00:22:27,480 --> 00:22:29,220 guitar playing strikes like thunder with 466 00:22:29,220 --> 00:22:31,320 Stoner metal Vibes to it the group plays 467 00:22:31,320 --> 00:22:33,059 with absolute aggression the stops and 468 00:22:33,059 --> 00:22:34,200 fills are played with discipline 469 00:22:34,200 --> 00:22:35,940 previous live versions of the song were 470 00:22:35,940 --> 00:22:37,740 a showcased for the tasty crunchiness of 471 00:22:37,740 --> 00:22:39,539 the strings and this is now let down 472 00:22:39,539 --> 00:22:42,120 sounding like a metal and darker take on 473 00:22:42,120 --> 00:22:44,159 this Blues Anthem Robert's harmonica 474 00:22:44,159 --> 00:22:46,320 solo features a slight variation on the 475 00:22:46,320 --> 00:22:50,600 backing rhythm with an extended D5 chord 476 00:22:50,870 --> 00:22:54,090 [Applause] 477 00:22:54,419 --> 00:22:57,419 foreign 478 00:23:19,040 --> 00:23:25,280 [Music] 479 00:23:25,280 --> 00:23:28,400 [Applause] 480 00:23:33,179 --> 00:23:35,039 the second best track from the show 481 00:23:35,039 --> 00:23:37,380 playing the original live key of D Minor 482 00:23:37,380 --> 00:23:39,000 the John Paul Jones Institute of 483 00:23:39,000 --> 00:23:40,799 progressive rock and Sonic Explorations 484 00:23:40,799 --> 00:23:43,200 take Center Stage his delicate touch 485 00:23:43,200 --> 00:23:45,000 through the modern day keywords take 486 00:23:45,000 --> 00:23:46,500 this composition to the highest places 487 00:23:46,500 --> 00:23:48,840 in space it's a Redemption Song after 488 00:23:48,840 --> 00:23:50,820 page and plan used the title for their 489 00:23:50,820 --> 00:23:53,100 1994 album jumble Jones shows the world 490 00:23:53,100 --> 00:23:55,200 what they were missing his craftsmanship 491 00:23:55,200 --> 00:23:57,000 and wisdom reclaimed the song back to 492 00:23:57,000 --> 00:23:58,860 his quarters Led Zeppelin stopped 493 00:23:58,860 --> 00:24:01,320 playing this after 1977 a rock and roll 494 00:24:01,320 --> 00:24:02,700 favorite through the years it 495 00:24:02,700 --> 00:24:04,380 transformed the O2 Arena into the 496 00:24:04,380 --> 00:24:06,299 Psychedelic playground away from the 497 00:24:06,299 --> 00:24:08,460 scripts and possibly calculated moments 498 00:24:08,460 --> 00:24:10,440 of the show while Jimmy solo is nowhere 499 00:24:10,440 --> 00:24:13,200 near his 1973 Renditions it's filled 500 00:24:13,200 --> 00:24:14,580 with appropriate textures and technique 501 00:24:14,580 --> 00:24:18,539 to honor the past with Grace 502 00:24:18,539 --> 00:24:20,960 foreign 503 00:24:28,000 --> 00:24:34,140 [Applause] 504 00:24:35,480 --> 00:24:38,220 great take on a fan favorite that Led 505 00:24:38,220 --> 00:24:41,100 Zeppelin played 297 times before page 506 00:24:41,100 --> 00:24:43,679 delivers a combination of late 70s chops 507 00:24:43,679 --> 00:24:46,140 of the highest emotional delivery as he 508 00:24:46,140 --> 00:24:47,400 reached the end of the opening section 509 00:24:47,400 --> 00:24:49,260 Jimmy crushes it with just one note 510 00:24:49,260 --> 00:24:51,480 Robert delivers elegant phrasing in his 511 00:24:51,480 --> 00:24:53,760 prepared choice of intentions Jason's 512 00:24:53,760 --> 00:24:55,860 heavy drumming is a pulsating force with 513 00:24:55,860 --> 00:24:57,720 Jones holding the pieces together with 514 00:24:57,720 --> 00:25:00,179 tasteful keyboard Parts Jimmy Spain solo 515 00:25:00,179 --> 00:25:01,679 is filled with spaces between the nodes 516 00:25:01,679 --> 00:25:03,419 and recollection of his favorite licks 517 00:25:03,419 --> 00:25:05,700 which is refreshing it doesn't sound 518 00:25:05,700 --> 00:25:07,620 like senseless shredding but a reminder 519 00:25:07,620 --> 00:25:09,720 of why he's a part of rock royalty this 520 00:25:09,720 --> 00:25:11,640 one wipes off the floor of the 1984 and 521 00:25:11,640 --> 00:25:13,559 plug show version and many times more 522 00:25:13,559 --> 00:25:18,740 exciting than their 1979 and 1980 shows 523 00:25:19,970 --> 00:25:22,440 [Applause] 524 00:25:22,440 --> 00:25:23,490 foreign 525 00:25:23,490 --> 00:25:27,530 [Applause] 526 00:25:27,530 --> 00:25:28,020 [Music] 527 00:25:28,020 --> 00:25:36,990 [Applause] 528 00:25:38,419 --> 00:25:43,200 together but to think about creating a 529 00:25:43,200 --> 00:25:45,840 dynamic evening 530 00:25:45,840 --> 00:25:48,000 choosing something from 10 different 531 00:25:48,000 --> 00:25:49,080 albums 532 00:25:49,080 --> 00:25:52,460 um there were certain songs 533 00:25:52,559 --> 00:25:55,580 and uh 534 00:25:56,120 --> 00:25:59,180 and this is one of them 535 00:25:59,180 --> 00:26:10,500 [Applause] 536 00:26:10,500 --> 00:26:12,659 giving this song A go was like walking a 537 00:26:12,659 --> 00:26:14,340 very tight rope you can see planets 538 00:26:14,340 --> 00:26:16,140 excited to play this again Jason is 539 00:26:16,140 --> 00:26:17,700 having fun and channeling all the live 540 00:26:17,700 --> 00:26:19,559 versions he knows by heart now on to 541 00:26:19,559 --> 00:26:21,299 Jimmy's violin bow segment with the 542 00:26:21,299 --> 00:26:22,919 guitar tuning once the blower playing 543 00:26:22,919 --> 00:26:24,900 the violin bow is a nightmare of trying 544 00:26:24,900 --> 00:26:27,539 to control vibration Distortion feedback 545 00:26:27,539 --> 00:26:29,460 passive section they go into the guitar 546 00:26:29,460 --> 00:26:31,559 solo and then a funny and tragic 547 00:26:31,559 --> 00:26:33,960 accident happens Jimmy makes a signal to 548 00:26:33,960 --> 00:26:36,480 Jason to shift gears going into the Eda 549 00:26:36,480 --> 00:26:38,580 EG chord section which Paige and Jones 550 00:26:38,580 --> 00:26:40,440 only played twice 551 00:26:40,440 --> 00:26:43,400 foreign 552 00:26:51,540 --> 00:26:57,030 [Music] 553 00:26:57,030 --> 00:27:00,690 [Applause] 554 00:27:00,690 --> 00:27:01,250 [Music] 555 00:27:01,250 --> 00:27:03,620 [Applause] 556 00:27:03,620 --> 00:27:05,640 thought they would play that part like 557 00:27:05,640 --> 00:27:08,039 the Japan used to do this is why he was 558 00:27:08,039 --> 00:27:09,720 thrown off when Jimmy came in too early 559 00:27:09,720 --> 00:27:11,460 with the B5 riff 560 00:27:11,460 --> 00:27:13,380 because Pages less time performing the 561 00:27:13,380 --> 00:27:15,779 song was in 2002 I think his memory got 562 00:27:15,779 --> 00:27:17,760 mixed up and he went back to that 563 00:27:17,760 --> 00:27:21,240 version of the track check it out 564 00:27:21,240 --> 00:27:24,349 [Music] 565 00:27:26,980 --> 00:27:30,069 [Applause] 566 00:27:41,820 --> 00:27:47,750 [Music] 567 00:27:47,750 --> 00:27:53,319 [Applause] 568 00:28:00,779 --> 00:28:02,640 Jason what I'm trying to fix it as best 569 00:28:02,640 --> 00:28:04,500 as he could stopping and counting it 570 00:28:04,500 --> 00:28:06,419 again I can't imagine the stress he went 571 00:28:06,419 --> 00:28:08,340 through at this point it seems like the 572 00:28:08,340 --> 00:28:11,039 ghost of live 8 1985 came back but at 573 00:28:11,039 --> 00:28:12,720 least Jason knew how to fix it from his 574 00:28:12,720 --> 00:28:14,460 Led Zeppelin studies unlike the other 575 00:28:14,460 --> 00:28:16,260 two drummers that day the sun wasn't 576 00:28:16,260 --> 00:28:18,240 ruined but it showed what the nature of 577 00:28:18,240 --> 00:28:19,919 Dazed and Confused was in the Zeppelin 578 00:28:19,919 --> 00:28:22,440 70s Peak Anything could happen at least 579 00:28:22,440 --> 00:28:24,179 they reminded everybody that this was a 580 00:28:24,179 --> 00:28:28,279 live show and they were human after all 581 00:28:28,380 --> 00:28:39,060 [Applause] 582 00:28:39,060 --> 00:28:40,820 [Music] 583 00:28:40,820 --> 00:28:43,260 other than a brief Japanese TV 584 00:28:43,260 --> 00:28:45,720 appearance in 1994 third plan I hadn't 585 00:28:45,720 --> 00:28:47,159 played this song on stage since the 586 00:28:47,159 --> 00:28:49,860 Atlantic 1980 reunion that's 19 years of 587 00:28:49,860 --> 00:28:51,179 hating the track and letting the world 588 00:28:51,179 --> 00:28:52,919 know about it Jimmy Page played this for 589 00:28:52,919 --> 00:28:55,559 the last time on November 26 1988 during 590 00:28:55,559 --> 00:28:57,659 his outrider solo tour series of heaven 591 00:28:57,659 --> 00:28:59,400 was played one step down in the key of G 592 00:28:59,400 --> 00:29:01,500 minor which again makes it a dreaded 593 00:29:01,500 --> 00:29:03,240 task on the double Nick without having 594 00:29:03,240 --> 00:29:05,340 to push his voice to an extreme bird 595 00:29:05,340 --> 00:29:07,140 plan seems to enjoy this one last time 596 00:29:07,140 --> 00:29:09,240 but abstained himself from the does 597 00:29:09,240 --> 00:29:11,580 anybody remember laughter ad-lib plant's 598 00:29:11,580 --> 00:29:12,960 performance while a great walk down 599 00:29:12,960 --> 00:29:15,299 memory lane its version of a man he can 600 00:29:15,299 --> 00:29:17,159 no longer be the distance it took from 601 00:29:17,159 --> 00:29:19,500 it makes sense and dignifies its Legacy 602 00:29:19,500 --> 00:29:21,779 instead of milking it to death like many 603 00:29:21,779 --> 00:29:23,179 of his peers do with their hit songs 604 00:29:23,179 --> 00:29:25,380 Jones's keyboard parts are noticeable 605 00:29:25,380 --> 00:29:27,960 and provide a solid backbone Jimmy solo 606 00:29:27,960 --> 00:29:29,580 has one weird opening note but other 607 00:29:29,580 --> 00:29:31,620 than that it plays out well Jason 608 00:29:31,620 --> 00:29:33,480 strumming elevates the song's momentum 609 00:29:33,480 --> 00:29:36,360 Big Time a great rendition overall thank 610 00:29:36,360 --> 00:29:37,980 you Robert 611 00:29:37,980 --> 00:29:40,039 [Music] 612 00:29:40,039 --> 00:29:42,650 two things 613 00:29:42,650 --> 00:29:45,739 [Music] 614 00:29:52,580 --> 00:29:55,860 hey almonds we did it 615 00:29:55,860 --> 00:29:59,830 [Music] 616 00:30:01,610 --> 00:30:04,720 [Applause] 617 00:30:18,899 --> 00:30:20,580 okay this is a weird place in the set 618 00:30:20,580 --> 00:30:22,919 list for the song and for the record is 619 00:30:22,919 --> 00:30:24,960 one of my top 10 maybe top five Zeppelin 620 00:30:24,960 --> 00:30:27,679 songs ever following the teachings of 621 00:30:27,679 --> 00:30:30,240 1973-1975 this had to come in before 622 00:30:30,240 --> 00:30:32,340 stairway as the effect does not remain 623 00:30:32,340 --> 00:30:34,380 the same because of the down tuning to 624 00:30:34,380 --> 00:30:36,240 see the tractors is definition and it 625 00:30:36,240 --> 00:30:38,100 sounds muddy out of the four guys up 626 00:30:38,100 --> 00:30:39,899 there Jason played the most recent take 627 00:30:39,899 --> 00:30:42,419 on the song in 1997 on his Zeppelin 628 00:30:42,419 --> 00:30:44,460 tribute album page plan and Jones had 629 00:30:44,460 --> 00:30:46,159 not performed the song since August 11 630 00:30:46,159 --> 00:30:49,140 1979 at net worth while plant does his 631 00:30:49,140 --> 00:30:50,700 best to deliver a memorable performance 632 00:30:50,700 --> 00:30:52,559 the harmonic muddiness of the Rhythm 633 00:30:52,559 --> 00:30:54,659 tracks is hard to let go even the drums 634 00:30:54,659 --> 00:30:56,039 sound lost in the mix for some reason 635 00:30:56,039 --> 00:30:58,380 despite Jason's hardest hitting feels 636 00:30:58,380 --> 00:31:00,179 not sure why they picked us over a cute 637 00:31:00,179 --> 00:31:01,380 is less than but there you have it 638 00:31:01,380 --> 00:31:04,489 [Music] 639 00:31:04,740 --> 00:31:07,740 foreign 640 00:31:14,240 --> 00:31:18,500 drums come on 641 00:31:18,899 --> 00:31:23,299 now Jason has um 642 00:31:25,100 --> 00:31:27,539 I can't even remember how long as I was 643 00:31:27,539 --> 00:31:30,539 but the chase was like there's a pig 644 00:31:30,539 --> 00:31:33,419 his mom his dad 645 00:31:33,419 --> 00:31:35,220 is the same 646 00:31:35,220 --> 00:31:36,840 they were the best Jimi Hendrix 647 00:31:36,840 --> 00:31:39,000 impersonators in the whole 648 00:31:39,000 --> 00:31:40,940 Worcestershire and 649 00:31:40,940 --> 00:31:43,620 Pat's got a great voice 650 00:31:43,620 --> 00:31:45,960 I remember John used to be in a man from 651 00:31:45,960 --> 00:31:47,700 Birmingham and used to sing 652 00:31:47,700 --> 00:31:50,460 the women Cries Mary about 400 times a 653 00:31:50,460 --> 00:31:51,740 night 654 00:31:51,740 --> 00:31:55,200 that was how it was and Jason's pretty 655 00:31:55,200 --> 00:31:56,820 cool singer too 656 00:31:56,820 --> 00:31:59,340 um so I could feature Jason on vocals 657 00:31:59,340 --> 00:32:00,070 again 658 00:32:00,070 --> 00:32:06,050 [Applause] 659 00:32:06,050 --> 00:32:08,000 [Music] 660 00:32:08,000 --> 00:32:10,860 so it would be wrong if you didn't hear 661 00:32:10,860 --> 00:32:14,299 how Jason sings on his own 662 00:32:14,940 --> 00:32:17,940 please 663 00:32:19,840 --> 00:32:21,030 [Music] 664 00:32:21,030 --> 00:32:23,570 [Applause] 665 00:32:23,570 --> 00:32:26,140 [Music] 666 00:32:26,140 --> 00:32:28,430 [Applause] 667 00:32:28,430 --> 00:32:31,539 [Music] 668 00:32:34,460 --> 00:32:37,200 [Music] 669 00:32:37,200 --> 00:32:38,940 I don't have much to say about this song 670 00:32:38,940 --> 00:32:40,500 other than a Japanese studio version 671 00:32:40,500 --> 00:32:42,360 remains my favorite take this one is 672 00:32:42,360 --> 00:32:44,279 better than the Atlantic 1988 version as 673 00:32:44,279 --> 00:32:46,020 we can actually hear jumble Jones's 674 00:32:46,020 --> 00:32:47,940 keywords but man is the band obsessed 675 00:32:47,940 --> 00:32:49,980 with this song 676 00:32:49,980 --> 00:32:52,919 fun fact Devo's uncontrollable urge is 677 00:32:52,919 --> 00:32:55,160 just a faster version of the song 678 00:32:55,160 --> 00:32:58,269 [Music] 679 00:33:05,170 --> 00:33:05,960 [Music] 680 00:33:05,960 --> 00:33:21,680 [Applause] 681 00:33:21,900 --> 00:33:30,840 [Music] 682 00:33:30,840 --> 00:33:33,299 the best song from a reunion putting the 683 00:33:33,299 --> 00:33:36,059 1988 and 1998 Puff Daddy versions to 684 00:33:36,059 --> 00:33:39,179 shame note the 1984 take was great and 685 00:33:39,179 --> 00:33:40,799 the Egyptian Orchestra finale was sick 686 00:33:40,799 --> 00:33:43,140 so it's not fair to compare this one to 687 00:33:43,140 --> 00:33:45,779 say Cash 3 2007 stole the show is an 688 00:33:45,779 --> 00:33:47,820 understatement it had the right Groove 689 00:33:47,820 --> 00:33:50,399 the right keyboards plus a Kidder active 690 00:33:50,399 --> 00:33:52,500 synth bass sound Jimmy ditched at an 691 00:33:52,500 --> 00:33:54,120 electron went back to the Les Paul which 692 00:33:54,120 --> 00:33:56,580 made the 1975 version so good Robert 693 00:33:56,580 --> 00:33:59,279 sang his heart out he gave everything he 694 00:33:59,279 --> 00:34:02,279 had and more Jason Bonham what can we 695 00:34:02,279 --> 00:34:04,440 say about his heroic drumming he made 696 00:34:04,440 --> 00:34:07,380 his dad proud very proud the band's 697 00:34:07,380 --> 00:34:09,540 passion and performance Rivals those of 698 00:34:09,540 --> 00:34:11,700 70s Led Zeppelin this topic has been 699 00:34:11,700 --> 00:34:13,379 discussed for years in online forums and 700 00:34:13,379 --> 00:34:15,419 it has to be said while the best Kashmir 701 00:34:15,419 --> 00:34:16,980 version has to feature Joe Monument 702 00:34:16,980 --> 00:34:18,780 drums the sun expect from an 703 00:34:18,780 --> 00:34:21,599 architecture of 2007 managed to recreate 704 00:34:21,599 --> 00:34:23,820 the songs 3D element like the 70s 705 00:34:23,820 --> 00:34:25,500 couldn't out of limited technological 706 00:34:25,500 --> 00:34:27,659 resources Jason Bonham's drumming here 707 00:34:27,659 --> 00:34:31,099 is up there next to his father 708 00:34:40,159 --> 00:34:42,839 fun fact the visual backdrop around the 709 00:34:42,839 --> 00:34:44,520 six minute Mark shows the shape of the 710 00:34:44,520 --> 00:34:46,619 object from presence I find it hilarious 711 00:34:46,619 --> 00:34:48,659 as cashmere belongs to Physical Graffiti 712 00:34:48,659 --> 00:34:50,339 we can think of the animation designer 713 00:34:50,339 --> 00:34:52,200 not being that much of a fan but it's 714 00:34:52,200 --> 00:34:54,240 still that no one else saw this before 715 00:34:54,240 --> 00:34:56,399 the final approval was given the ending 716 00:34:56,399 --> 00:34:58,440 is incredible rock and roll reunion 717 00:34:58,440 --> 00:35:00,420 history was made I believe at this very 718 00:35:00,420 --> 00:35:02,700 moment both Amit ertigan and John Bonham 719 00:35:02,700 --> 00:35:04,260 smile from above a Led Zeppelin 720 00:35:04,260 --> 00:35:06,420 catharsis of tragedy and fate clashing 721 00:35:06,420 --> 00:35:08,820 with the power of stardom success and 722 00:35:08,820 --> 00:35:11,040 forgiveness one of the band's most epic 723 00:35:11,040 --> 00:35:13,980 moments captured in film was now forever 724 00:35:13,980 --> 00:35:16,320 after Kashmir the band comes in for two 725 00:35:16,320 --> 00:35:18,420 encores in the style of 1980 happier 726 00:35:18,420 --> 00:35:20,400 than ever the worst was over in terms of 727 00:35:20,400 --> 00:35:22,380 stress they could just have fun and be 728 00:35:22,380 --> 00:35:24,000 thankful to the power of now they 729 00:35:24,000 --> 00:35:25,980 deliver strong performances it's a walk 730 00:35:25,980 --> 00:35:27,720 in the park at this point it's Led 731 00:35:27,720 --> 00:35:29,880 Zeppelin the winter thing excitement and 732 00:35:29,880 --> 00:35:31,920 meaning screaming from the crowd reminds 733 00:35:31,920 --> 00:35:34,380 us the classics never grow old a 734 00:35:34,380 --> 00:35:35,940 thrilling and vibrant Celebration Day 735 00:35:35,940 --> 00:35:38,099 coming to an end and the world was 736 00:35:38,099 --> 00:35:40,579 watching 737 00:35:43,280 --> 00:35:49,210 [Music] 738 00:35:49,210 --> 00:35:50,080 [Applause] 739 00:35:50,080 --> 00:35:52,420 [Music] 740 00:35:52,420 --> 00:35:57,320 [Applause] 741 00:36:02,890 --> 00:36:03,740 [Music] 742 00:36:03,740 --> 00:36:08,169 [Applause] 743 00:36:08,380 --> 00:36:09,660 [Music] 744 00:36:09,660 --> 00:36:11,420 foreign 745 00:36:11,420 --> 00:36:24,730 [Music] 746 00:36:24,730 --> 00:36:30,800 [Applause]49721

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