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thank you
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[Music]
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now they were one of Iraq's greatest and
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most influential bands now for the first
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time in 19 years Led Zeppelin will be
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back on stage this evening the band
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members have reunited for a one-off gig
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at the O2 Arena in London hundreds of
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fans already there and our Arts
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correspondent Razia Iqbal is with them
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Razia
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yes George it's just a few hours to wait
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before Led Zeppelin take to the stage
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forget all the other musical reunions
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we've seen this year this is the big
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league Led Zeppelin are often described
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as the first the biggest and the best
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that's if the fans are to be believed
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more than a million applied for tickets
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20 000 were successful among them are
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those who've seen them decades ago
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others are too young but as Keen it's
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not 1977 it's never going to be 1977.
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I'm an awful lot slower than I was 30
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years ago so if they are they're well
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forgiven
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well I mean if I get through it without
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a Zoomer frame they're doing all right
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no no they're cool they're cool they're
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old but they're cool
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one man who's followed them from the
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beginning has also met his Heroes
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they're not old men trying to plant
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teenagers they're you know they've got
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such musicianship chemistry all that
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chemistry that was there in the band all
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those years ago it's still going to be
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there tonight
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this isn't merely a tribute concert or
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even just for the Die Hard fans it's
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making rock and roll history and
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everyone wants to be a part of it
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and big names in the world of rock are
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expected tonight
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um and it's that's really a testament to
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how influential Led Zeppelin have been
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and a testament to how loyal their fans
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are to them that's you all right all
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right Monday December 10 2007. I had a
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case of the Mondays and at the same time
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I daydreamed of being at the old tour in
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London to witness the historic show with
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no Instagram nor YouTube live streams
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back then I could only imagine and wait
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for somebody to take the show I told my
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co-workers about it they smiled and
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replied so how was your weekend I
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couldn't care less my favorite band was
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reuniting this was the best Christmas
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gift ever read the next day reactions
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and music forums felt like old-time
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telegrams and mail people sharing their
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thoughts nobody could believe the band
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played for your life for the very first
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time and yet I had no audio of it how I
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treasure the days in which everything
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was not on your fingertips the Mystique
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of silence and patience A zeppelin Fan's
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right of passage months later I got my
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hands on a bootlet recording and it
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sounded great despite some minor issues
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like the base frequencies being kind of
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lost at the arena and the songs being
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downtuned to fit plan's vocal range I
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played that thing a thousand times and
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enjoyed every minute of it this was the
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live in 1985 in Atlantic 1988 of my
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generation but I had no visuals yet I
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was excited and for a second I thought
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they were going to tour and I was making
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plans to go see them and so was the
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entire Legion of the Zeppelin fans
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the O2 Arena show began with the band
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featuring Keith Emerson Chris Squire
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Alan white and Simon Kirk with the best
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section from Bill Wyman's Rhythm kings
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that it was up to the living Kings
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featuring Maggie Bell and Alvin Lee Paul
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Rogers Paolo Nutini and Mae Jones from
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Foreigner to get things going
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[Music]
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the gentleman that you whom by now
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you've all have heard of called armor
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and his brother founded
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a company called event
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um
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Atlantic Records turn s not only
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signing the best of American rhythm and
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blues but also the best of the best of
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the British Acts and tonight we've got
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quite a selection for you all the money
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those tickets after the basic costs are
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going to pay for three lifetime
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scholarships one in America
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one in Turkey in the hotel
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of Ahmed and one here in one of the
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colleges of Oxford University and those
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scholarships will run every year for
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every
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student
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in addition
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in addition
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for money to start a course and pay for
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five scholarships at Ravens born
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University which is actually being built
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right outside this Dome so when we've
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got everything together in about 18
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months time at University will be open
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outside the Dome and we'll have now a
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music scholarship courtesy of you guys
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so thank you very much
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all right
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[Music]
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[Music]
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[Applause]
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foreign
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[Applause]
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[Music]
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foreign
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[Applause]
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[Music]
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fire
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[Applause]
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ball
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Club football for you thank you so much
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everybody
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okay so let's go over the show for
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storyline and accurate timeline purposes
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I will use the recordings we had before
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the official release the set list seems
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to be inspired by Led Zeppelin's March
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27 1975 show at the Forum 11 or 15 songs
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played that night were repeated on the
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2007 reunion an interesting choice
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indeed as a 1975 tour doesn't get
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praised like 1977 or 1973 within the
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Zeppelin Community we can speculate on
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the visual and marketing significance of
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1975 as the Pinnacle of their career
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just before a series of accidents and
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tragic events happened Physical Graffiti
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remains one of the most popular albums
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it's critical and Commercial Acclaim
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make it a centerpiece of 70s rock with
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cashmere a Monumental achievement after
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the impossible task of coming up with
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material after a Stairway to Heaven and
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the Rain song every Led Zeppelin album
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was represented on the 2007 setlist
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except in through the outdoor that still
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hurts after all these years while they
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didn't choose a song from the last
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studio album Still puzzles me Jason
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Bonham stated that he suggested the idea
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of an acoustic set for the reunion it
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was briefly rehearsed with songs like
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going to California and tangerine the
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reasons why it was discarded aren't
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clear although maybe what page and plan
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didn't want to say was sorry we already
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did that for years without your Jonesy
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no hard feelings right every Zeppelin
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fan has a list of songs they wish the
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band perform at the reunion I would like
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to know your opinion on this so please
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share your list of songs on the comments
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below
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if you ask me well of course I wanted
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carusalem brand there but being a bit
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more realistic I only have two songs
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first swapping Dazed and Confused for
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the 1979 version of in the evening
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featuring Jimmy's violin bow solo as
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intro I'm crazy right well looking at
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the small accident that happened in
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decent confused 2007 there was a reason
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the track was retired from the Dublin
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set after 1975 when Jimmy was 31. by
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then they really stretched the song as
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far as they could and because Jimmy
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wasn't an active performer in 2007 like
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the great Jeff Beck was until his
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untimely passing in early 2023 Jason
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confuses a challenging song that demands
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the working conditions of Youth to
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maximize its power because Paige needed
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a vehicle for his violin bow Solo in the
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evening 1979 gave him that and more with
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the band able to cover at least one of
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the tracks for men through the outdoor
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the song could have been performed on a
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lower key as further Evidence the fact
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that Paige and plan played this song
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plus a middle portion of cursed lambra
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on their 1995 to 1998 Taurus shows it
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worked next the Rain song why on Earth
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didn't they play this after The Song
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Remains the Same one of the best life
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moments in their career those
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1972-1975 versions were these two songs
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coexisted as a progressive rock
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Adventure the world deserved a pose 1980
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version of distract with John Paul Jones
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on keyboards the track could have been
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played on the sixth string neck in the
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key of G instead of the usual live a
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tuning plan had the voice for it and
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Jason played this in the mid 90s with
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his own band the band's concert fixation
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and Misty Mountain Hop is strange to
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this day it didn't stand out on the 1988
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reunion and here it just works as a sort
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of transition for Kashmir imagine had
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they played the Rain song before epic
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would be an understatement but one can
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dream right
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[Music]
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[Applause]
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239 that even beat the Beatles record
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Zeppelin
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they travel with their own jet waiting
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at the airport two limousines
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and a police escort
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just 40 minutes show time Led Zeppelin
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arrive here at Tampa Air Center at the
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Tampa International Airport
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I'm pleased to say to one of the group's
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four members has my same name that's
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John Paul Jones and he's their bass
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player Jimmy Page he's the lead
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guitarist Robert Plant lead singer he
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won the long curly hair and John Fine is
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the drummer Robert
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you
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need John Paul George
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you were at Tampa Stadium tonight or
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anywhere nearby that's the sort of thing
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you saw and
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hurt
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[Applause]
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s
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told you what it means to be a man
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[Applause]
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the band comes in with an aggressive
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punch and the attitude of 1969. holding
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on prisoners they go all in out of a
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couple of feedback issues in the first
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verses the group is tight so tight it's
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scary Jason Bonham sings Harmony
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alongside planned for a closer rendition
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to the studio version white-haired Jimmy
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comes on the stage wearing dark glasses
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with zeppen for the first time since the
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1977 tour and a code reminiscent of bath
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1970. he kind of looks like prague's own
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Eddie jobson his rhythm work is Stellar
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the way he comes back from the guitar
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solo to the chorus is incredible
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[Music]
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Johnson delivers his famous base licks
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to great effect and Jason kicks the
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living hell out of his drums and
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Zeppelin never performed the track
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entirely but use the intro on seven
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shows from 1969 including the parents
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concert released on the deluxe edition
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of Led Zeppelin 1 as a side note Robert
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Plant and Jimmy Page performed this song
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once during their 1995 tour
280
00:13:58,560 --> 00:13:59,750
thank you
281
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[Music]
282
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they jump straight into Ramble On
283
00:14:15,600 --> 00:14:17,399
technically speaking our first time for
284
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Jones were not for the others page and
285
00:14:19,320 --> 00:14:21,300
plan played the song a total of 153
286
00:14:21,300 --> 00:14:24,480
times under 1995 to 1988 tours Jason
287
00:14:24,480 --> 00:14:27,060
Barton played it on his 1997 album in
288
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the name of my father the long band
289
00:14:28,920 --> 00:14:31,440
mates Jazz Western vocals Tony Catanio
290
00:14:31,440 --> 00:14:33,540
on guitar and John Smith's son and bass
291
00:14:33,540 --> 00:14:35,700
plan is great here like a gypsy
292
00:14:35,700 --> 00:14:37,740
searching for his Muse The Traveling
293
00:14:37,740 --> 00:14:39,779
Blues Vibe is present while the chorus
294
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is a bit demanding on his voice the band
295
00:14:41,639 --> 00:14:43,380
manages to keep it under control the
296
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light and shade contrast is superb Jimmy
297
00:14:45,360 --> 00:14:47,160
plays a great solo despite no rhythm
298
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guitar behind him it works wonders and
299
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he controls the Distortion well well a
300
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very nice rendition of the song it does
301
00:14:53,579 --> 00:14:55,139
need the acoustic element on the verses
302
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I can see while it's Apple never did the
303
00:14:57,120 --> 00:14:58,980
song back in their Heyday other than a
304
00:14:58,980 --> 00:15:00,480
small reference during the horror Love
305
00:15:00,480 --> 00:15:02,820
Medley as it is a bad repetitive the
306
00:15:02,820 --> 00:15:04,680
ending features a small reference to the
307
00:15:04,680 --> 00:15:06,180
closing riff of what is and what should
308
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never be
309
00:15:07,740 --> 00:15:08,820
foreign
310
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[Applause]
311
00:15:14,230 --> 00:15:16,440
[Applause]
312
00:15:16,440 --> 00:15:20,499
[Music]
313
00:15:23,660 --> 00:15:26,100
takes off his Shades the 10 point
314
00:15:26,100 --> 00:15:27,600
between the verses is kept with great
315
00:15:27,600 --> 00:15:29,699
swing and plan delivers a solid vocal
316
00:15:29,699 --> 00:15:32,220
performance in the Downton key of G his
317
00:15:32,220 --> 00:15:34,199
voice manages to keep its strength while
318
00:15:34,199 --> 00:15:35,699
entertaining the crowd that sings along
319
00:15:35,699 --> 00:15:37,620
with him guitar and drum and bass are
320
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locked in this version is similar in
321
00:15:39,540 --> 00:15:41,459
energy and force to the final concert
322
00:15:41,459 --> 00:15:43,860
runs of 1980. human delivers a great
323
00:15:43,860 --> 00:15:46,079
solo with some 1973 moments here and
324
00:15:46,079 --> 00:15:47,639
there while he battles with the extra
325
00:15:47,639 --> 00:15:50,220
vibrant strings of the low tuning as a
326
00:15:50,220 --> 00:15:51,899
guitarist myself I cannot stress this
327
00:15:51,899 --> 00:15:54,480
enough soloing or no tuning strings is
328
00:15:54,480 --> 00:15:56,279
hard Jimmy Page worked out a miracle
329
00:15:56,279 --> 00:15:58,519
there
330
00:16:00,240 --> 00:16:01,350
foreign
331
00:16:01,350 --> 00:16:18,180
[Applause]
332
00:16:18,180 --> 00:16:22,760
[Music]
333
00:16:26,820 --> 00:16:30,720
[Music]
334
00:16:30,720 --> 00:16:32,579
one of the outstanding tracks from the
335
00:16:32,579 --> 00:16:34,920
concert top to bottom a fantastic
336
00:16:34,920 --> 00:16:36,839
rendition of a song that Zeppelin played
337
00:16:36,839 --> 00:16:39,839
for the last time on June 25th 1977 at
338
00:16:39,839 --> 00:16:41,940
the Le Forum Jimmy Page played this on
339
00:16:41,940 --> 00:16:44,160
his 1988 solo tour while Robert Plant
340
00:16:44,160 --> 00:16:46,800
did three live Renditions in 1983 it had
341
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to be revived for the show
342
00:16:49,450 --> 00:16:54,120
[Applause]
343
00:16:54,120 --> 00:16:55,800
the first bar on the drum entrance but
344
00:16:55,800 --> 00:16:57,660
managed to get back into the song he
345
00:16:57,660 --> 00:16:59,639
really enjoys playing this riff Urban
346
00:16:59,639 --> 00:17:01,980
starts off quiet but slowly delivers a
347
00:17:01,980 --> 00:17:04,020
passionate take on this classic jumper
348
00:17:04,020 --> 00:17:06,240
Jones's base is a bit low on the mix but
349
00:17:06,240 --> 00:17:07,860
he delivers a fantastic performance
350
00:17:07,860 --> 00:17:09,839
Jason Bonham is very much focused
351
00:17:09,839 --> 00:17:11,939
throughout the song his heavy accents
352
00:17:11,939 --> 00:17:14,280
and groove are Dynamite rubber bands on
353
00:17:14,280 --> 00:17:16,140
my Jesus moment steals the show within
354
00:17:16,140 --> 00:17:18,600
the song and the band comes back in like
355
00:17:18,600 --> 00:17:20,640
a massive wave
356
00:17:20,640 --> 00:17:23,640
Jesus
357
00:17:23,730 --> 00:17:30,469
[Music]
358
00:17:33,940 --> 00:17:38,259
[Music]
359
00:17:40,270 --> 00:17:40,830
[Music]
360
00:17:40,830 --> 00:17:44,710
[Applause]
361
00:17:50,179 --> 00:17:53,220
well thank you
362
00:17:53,220 --> 00:17:56,240
following up
363
00:17:57,900 --> 00:18:00,360
for thousands and thousands of emotions
364
00:18:00,360 --> 00:18:01,799
that we've been going through for the
365
00:18:01,799 --> 00:18:04,440
last six weeks together
366
00:18:04,440 --> 00:18:07,919
and finally get to this point
367
00:18:07,919 --> 00:18:10,850
for almond to bring Jason in
368
00:18:10,850 --> 00:18:17,250
[Applause]
369
00:18:18,059 --> 00:18:20,940
this one we've uh this is a first
370
00:18:20,940 --> 00:18:22,919
adventure with this song
371
00:18:22,919 --> 00:18:24,440
in public
372
00:18:24,440 --> 00:18:26,760
[Music]
373
00:18:26,760 --> 00:18:29,760
[Applause]
374
00:18:29,760 --> 00:18:30,540
[Music]
375
00:18:30,540 --> 00:18:33,320
[Applause]
376
00:18:33,320 --> 00:18:36,059
in my humble opinion the third best
377
00:18:36,059 --> 00:18:37,860
track from the show never played before
378
00:18:37,860 --> 00:18:39,360
by Led Zeppelin and no other live
379
00:18:39,360 --> 00:18:41,400
reference but this one and what a treat
380
00:18:41,400 --> 00:18:43,260
where the original presence recording
381
00:18:43,260 --> 00:18:44,820
has a somewhat disjointed friendly
382
00:18:44,820 --> 00:18:46,980
Stratocaster and base frequencies this
383
00:18:46,980 --> 00:18:49,020
version brings much Gibson humbucker
384
00:18:49,020 --> 00:18:51,059
pickup Justice to the Exquisite G chord
385
00:18:51,059 --> 00:18:53,400
opening and interplay A Brave and Bold
386
00:18:53,400 --> 00:18:55,740
move by the band if any casual fans went
387
00:18:55,740 --> 00:18:57,539
to the show this was the ultimate filter
388
00:18:57,539 --> 00:19:00,120
to ask what song is this again this is a
389
00:19:00,120 --> 00:19:01,620
track that stands out from the set list
390
00:19:01,620 --> 00:19:03,780
like glowing 9 the luxury of playing a b
391
00:19:03,780 --> 00:19:05,760
side was a dream come true for hardcore
392
00:19:05,760 --> 00:19:07,919
fans the level of confidence shown by
393
00:19:07,919 --> 00:19:09,539
the ban on stage is up there with the
394
00:19:09,539 --> 00:19:11,820
70s Jimmy's rhythm guitar Shines on his
395
00:19:11,820 --> 00:19:13,919
Gibson Black Beauty custom a very
396
00:19:13,919 --> 00:19:16,020
special six-string weapon that made up
397
00:19:16,020 --> 00:19:17,460
for the original black beauty that was
398
00:19:17,460 --> 00:19:19,919
stolen in 1970. the guitar was returned
399
00:19:19,919 --> 00:19:22,200
to him in 2015. Back to the song Stand
400
00:19:22,200 --> 00:19:24,240
Up moments that do it when you won a
401
00:19:24,240 --> 00:19:26,340
line against the group is magnificent a
402
00:19:26,340 --> 00:19:28,679
master class of tempo and feel
403
00:19:28,679 --> 00:19:29,950
foreign
404
00:19:29,950 --> 00:19:33,130
[Applause]
405
00:19:37,260 --> 00:19:41,559
[Applause]
406
00:19:47,000 --> 00:19:49,860
bombs the song may be a strange setlist
407
00:19:49,860 --> 00:19:51,900
choice but it sheds light on the
408
00:19:51,900 --> 00:19:54,000
what-ifs of presence that the band chose
409
00:19:54,000 --> 00:19:55,740
to play more cuts from the album under
410
00:19:55,740 --> 00:19:58,880
1977 tour
411
00:20:04,940 --> 00:20:07,160
1935 Robert Johnson
412
00:20:07,160 --> 00:20:09,660
recorded a song called airplane blues
413
00:20:09,660 --> 00:20:11,520
and uh
414
00:20:11,520 --> 00:20:14,460
it's appeared in a thousand
415
00:20:14,460 --> 00:20:17,820
different guises since
416
00:20:17,820 --> 00:20:19,620
when maybe Johnson's going from
417
00:20:19,620 --> 00:20:21,179
somewhere else I'm sure he did everybody
418
00:20:21,179 --> 00:20:24,900
likes it this is the kind of
419
00:20:24,900 --> 00:20:26,940
the Led Zeppelin Terror playing Blues
420
00:20:26,940 --> 00:20:30,000
it's called trampled on the foot
421
00:20:30,000 --> 00:20:31,919
a song Led Zeppelin played on every show
422
00:20:31,919 --> 00:20:34,679
from 1975 till their final date on July
423
00:20:34,679 --> 00:20:37,559
7th 1980. one of the Cornerstone tracks
424
00:20:37,559 --> 00:20:39,660
that has to be there her plan featured
425
00:20:39,660 --> 00:20:42,059
this song on his 1988 and 1983 tours
426
00:20:42,059 --> 00:20:43,919
while John Paul Jones performed this on
427
00:20:43,919 --> 00:20:46,620
his tours from 1999 and the year 2000.
428
00:20:46,620 --> 00:20:49,020
fun fact Jason Bonham plays this song on
429
00:20:49,020 --> 00:20:50,760
drums during the net worth 1979
430
00:20:50,760 --> 00:20:52,679
soundcheck a solid Groove that
431
00:20:52,679 --> 00:20:54,539
hypnotizes the audience in a trance of G
432
00:20:54,539 --> 00:20:56,400
minor in the most respectful way
433
00:20:56,400 --> 00:20:58,559
possible I have to say this is Led
434
00:20:58,559 --> 00:21:00,360
Zeppelin and autopilot and one of those
435
00:21:00,360 --> 00:21:01,860
moments for them to enjoy the show
436
00:21:01,860 --> 00:21:03,720
taking off some pressure in the insane
437
00:21:03,720 --> 00:21:05,640
levels of stress of other numbers on the
438
00:21:05,640 --> 00:21:08,100
set everybody's in top form with Jonesy
439
00:21:08,100 --> 00:21:09,419
commanding their way and the cabinet
440
00:21:09,419 --> 00:21:11,400
sounds while Jimmy strikes the whammy
441
00:21:11,400 --> 00:21:15,020
pedal playing with the octaves
442
00:21:15,950 --> 00:21:17,880
[Applause]
443
00:21:17,880 --> 00:21:20,179
foreign
444
00:21:35,220 --> 00:21:38,100
Blues
445
00:21:38,100 --> 00:21:39,299
[Music]
446
00:21:39,299 --> 00:21:41,100
Robert Johnson
447
00:21:41,100 --> 00:21:43,440
1936.
448
00:21:43,440 --> 00:21:45,360
this next song that's been immortalized
449
00:21:45,360 --> 00:21:46,740
by
450
00:21:46,740 --> 00:21:49,500
Staple Singers
451
00:21:49,500 --> 00:21:51,960
more recently by The Blind Boys from
452
00:21:51,960 --> 00:21:53,230
Alabama
453
00:21:53,230 --> 00:21:54,900
[Applause]
454
00:21:54,900 --> 00:21:56,940
and
455
00:21:56,940 --> 00:22:00,480
I think we must have heard this from
456
00:22:00,480 --> 00:22:02,159
we were in a church somewhere in
457
00:22:02,159 --> 00:22:03,780
Mississippi
458
00:22:03,780 --> 00:22:05,960
in about 1932
459
00:22:05,960 --> 00:22:06,960
[Applause]
460
00:22:06,960 --> 00:22:07,830
um
461
00:22:07,830 --> 00:22:11,619
[Music]
462
00:22:21,720 --> 00:22:23,580
the band played this with a low tuning
463
00:22:23,580 --> 00:22:25,679
of D with rubber band using a harmonica
464
00:22:25,679 --> 00:22:27,480
in the key of G instead of a Jim's
465
00:22:27,480 --> 00:22:29,220
guitar playing strikes like thunder with
466
00:22:29,220 --> 00:22:31,320
Stoner metal Vibes to it the group plays
467
00:22:31,320 --> 00:22:33,059
with absolute aggression the stops and
468
00:22:33,059 --> 00:22:34,200
fills are played with discipline
469
00:22:34,200 --> 00:22:35,940
previous live versions of the song were
470
00:22:35,940 --> 00:22:37,740
a showcased for the tasty crunchiness of
471
00:22:37,740 --> 00:22:39,539
the strings and this is now let down
472
00:22:39,539 --> 00:22:42,120
sounding like a metal and darker take on
473
00:22:42,120 --> 00:22:44,159
this Blues Anthem Robert's harmonica
474
00:22:44,159 --> 00:22:46,320
solo features a slight variation on the
475
00:22:46,320 --> 00:22:50,600
backing rhythm with an extended D5 chord
476
00:22:50,870 --> 00:22:54,090
[Applause]
477
00:22:54,419 --> 00:22:57,419
foreign
478
00:23:19,040 --> 00:23:25,280
[Music]
479
00:23:25,280 --> 00:23:28,400
[Applause]
480
00:23:33,179 --> 00:23:35,039
the second best track from the show
481
00:23:35,039 --> 00:23:37,380
playing the original live key of D Minor
482
00:23:37,380 --> 00:23:39,000
the John Paul Jones Institute of
483
00:23:39,000 --> 00:23:40,799
progressive rock and Sonic Explorations
484
00:23:40,799 --> 00:23:43,200
take Center Stage his delicate touch
485
00:23:43,200 --> 00:23:45,000
through the modern day keywords take
486
00:23:45,000 --> 00:23:46,500
this composition to the highest places
487
00:23:46,500 --> 00:23:48,840
in space it's a Redemption Song after
488
00:23:48,840 --> 00:23:50,820
page and plan used the title for their
489
00:23:50,820 --> 00:23:53,100
1994 album jumble Jones shows the world
490
00:23:53,100 --> 00:23:55,200
what they were missing his craftsmanship
491
00:23:55,200 --> 00:23:57,000
and wisdom reclaimed the song back to
492
00:23:57,000 --> 00:23:58,860
his quarters Led Zeppelin stopped
493
00:23:58,860 --> 00:24:01,320
playing this after 1977 a rock and roll
494
00:24:01,320 --> 00:24:02,700
favorite through the years it
495
00:24:02,700 --> 00:24:04,380
transformed the O2 Arena into the
496
00:24:04,380 --> 00:24:06,299
Psychedelic playground away from the
497
00:24:06,299 --> 00:24:08,460
scripts and possibly calculated moments
498
00:24:08,460 --> 00:24:10,440
of the show while Jimmy solo is nowhere
499
00:24:10,440 --> 00:24:13,200
near his 1973 Renditions it's filled
500
00:24:13,200 --> 00:24:14,580
with appropriate textures and technique
501
00:24:14,580 --> 00:24:18,539
to honor the past with Grace
502
00:24:18,539 --> 00:24:20,960
foreign
503
00:24:28,000 --> 00:24:34,140
[Applause]
504
00:24:35,480 --> 00:24:38,220
great take on a fan favorite that Led
505
00:24:38,220 --> 00:24:41,100
Zeppelin played 297 times before page
506
00:24:41,100 --> 00:24:43,679
delivers a combination of late 70s chops
507
00:24:43,679 --> 00:24:46,140
of the highest emotional delivery as he
508
00:24:46,140 --> 00:24:47,400
reached the end of the opening section
509
00:24:47,400 --> 00:24:49,260
Jimmy crushes it with just one note
510
00:24:49,260 --> 00:24:51,480
Robert delivers elegant phrasing in his
511
00:24:51,480 --> 00:24:53,760
prepared choice of intentions Jason's
512
00:24:53,760 --> 00:24:55,860
heavy drumming is a pulsating force with
513
00:24:55,860 --> 00:24:57,720
Jones holding the pieces together with
514
00:24:57,720 --> 00:25:00,179
tasteful keyboard Parts Jimmy Spain solo
515
00:25:00,179 --> 00:25:01,679
is filled with spaces between the nodes
516
00:25:01,679 --> 00:25:03,419
and recollection of his favorite licks
517
00:25:03,419 --> 00:25:05,700
which is refreshing it doesn't sound
518
00:25:05,700 --> 00:25:07,620
like senseless shredding but a reminder
519
00:25:07,620 --> 00:25:09,720
of why he's a part of rock royalty this
520
00:25:09,720 --> 00:25:11,640
one wipes off the floor of the 1984 and
521
00:25:11,640 --> 00:25:13,559
plug show version and many times more
522
00:25:13,559 --> 00:25:18,740
exciting than their 1979 and 1980 shows
523
00:25:19,970 --> 00:25:22,440
[Applause]
524
00:25:22,440 --> 00:25:23,490
foreign
525
00:25:23,490 --> 00:25:27,530
[Applause]
526
00:25:27,530 --> 00:25:28,020
[Music]
527
00:25:28,020 --> 00:25:36,990
[Applause]
528
00:25:38,419 --> 00:25:43,200
together but to think about creating a
529
00:25:43,200 --> 00:25:45,840
dynamic evening
530
00:25:45,840 --> 00:25:48,000
choosing something from 10 different
531
00:25:48,000 --> 00:25:49,080
albums
532
00:25:49,080 --> 00:25:52,460
um there were certain songs
533
00:25:52,559 --> 00:25:55,580
and uh
534
00:25:56,120 --> 00:25:59,180
and this is one of them
535
00:25:59,180 --> 00:26:10,500
[Applause]
536
00:26:10,500 --> 00:26:12,659
giving this song A go was like walking a
537
00:26:12,659 --> 00:26:14,340
very tight rope you can see planets
538
00:26:14,340 --> 00:26:16,140
excited to play this again Jason is
539
00:26:16,140 --> 00:26:17,700
having fun and channeling all the live
540
00:26:17,700 --> 00:26:19,559
versions he knows by heart now on to
541
00:26:19,559 --> 00:26:21,299
Jimmy's violin bow segment with the
542
00:26:21,299 --> 00:26:22,919
guitar tuning once the blower playing
543
00:26:22,919 --> 00:26:24,900
the violin bow is a nightmare of trying
544
00:26:24,900 --> 00:26:27,539
to control vibration Distortion feedback
545
00:26:27,539 --> 00:26:29,460
passive section they go into the guitar
546
00:26:29,460 --> 00:26:31,559
solo and then a funny and tragic
547
00:26:31,559 --> 00:26:33,960
accident happens Jimmy makes a signal to
548
00:26:33,960 --> 00:26:36,480
Jason to shift gears going into the Eda
549
00:26:36,480 --> 00:26:38,580
EG chord section which Paige and Jones
550
00:26:38,580 --> 00:26:40,440
only played twice
551
00:26:40,440 --> 00:26:43,400
foreign
552
00:26:51,540 --> 00:26:57,030
[Music]
553
00:26:57,030 --> 00:27:00,690
[Applause]
554
00:27:00,690 --> 00:27:01,250
[Music]
555
00:27:01,250 --> 00:27:03,620
[Applause]
556
00:27:03,620 --> 00:27:05,640
thought they would play that part like
557
00:27:05,640 --> 00:27:08,039
the Japan used to do this is why he was
558
00:27:08,039 --> 00:27:09,720
thrown off when Jimmy came in too early
559
00:27:09,720 --> 00:27:11,460
with the B5 riff
560
00:27:11,460 --> 00:27:13,380
because Pages less time performing the
561
00:27:13,380 --> 00:27:15,779
song was in 2002 I think his memory got
562
00:27:15,779 --> 00:27:17,760
mixed up and he went back to that
563
00:27:17,760 --> 00:27:21,240
version of the track check it out
564
00:27:21,240 --> 00:27:24,349
[Music]
565
00:27:26,980 --> 00:27:30,069
[Applause]
566
00:27:41,820 --> 00:27:47,750
[Music]
567
00:27:47,750 --> 00:27:53,319
[Applause]
568
00:28:00,779 --> 00:28:02,640
Jason what I'm trying to fix it as best
569
00:28:02,640 --> 00:28:04,500
as he could stopping and counting it
570
00:28:04,500 --> 00:28:06,419
again I can't imagine the stress he went
571
00:28:06,419 --> 00:28:08,340
through at this point it seems like the
572
00:28:08,340 --> 00:28:11,039
ghost of live 8 1985 came back but at
573
00:28:11,039 --> 00:28:12,720
least Jason knew how to fix it from his
574
00:28:12,720 --> 00:28:14,460
Led Zeppelin studies unlike the other
575
00:28:14,460 --> 00:28:16,260
two drummers that day the sun wasn't
576
00:28:16,260 --> 00:28:18,240
ruined but it showed what the nature of
577
00:28:18,240 --> 00:28:19,919
Dazed and Confused was in the Zeppelin
578
00:28:19,919 --> 00:28:22,440
70s Peak Anything could happen at least
579
00:28:22,440 --> 00:28:24,179
they reminded everybody that this was a
580
00:28:24,179 --> 00:28:28,279
live show and they were human after all
581
00:28:28,380 --> 00:28:39,060
[Applause]
582
00:28:39,060 --> 00:28:40,820
[Music]
583
00:28:40,820 --> 00:28:43,260
other than a brief Japanese TV
584
00:28:43,260 --> 00:28:45,720
appearance in 1994 third plan I hadn't
585
00:28:45,720 --> 00:28:47,159
played this song on stage since the
586
00:28:47,159 --> 00:28:49,860
Atlantic 1980 reunion that's 19 years of
587
00:28:49,860 --> 00:28:51,179
hating the track and letting the world
588
00:28:51,179 --> 00:28:52,919
know about it Jimmy Page played this for
589
00:28:52,919 --> 00:28:55,559
the last time on November 26 1988 during
590
00:28:55,559 --> 00:28:57,659
his outrider solo tour series of heaven
591
00:28:57,659 --> 00:28:59,400
was played one step down in the key of G
592
00:28:59,400 --> 00:29:01,500
minor which again makes it a dreaded
593
00:29:01,500 --> 00:29:03,240
task on the double Nick without having
594
00:29:03,240 --> 00:29:05,340
to push his voice to an extreme bird
595
00:29:05,340 --> 00:29:07,140
plan seems to enjoy this one last time
596
00:29:07,140 --> 00:29:09,240
but abstained himself from the does
597
00:29:09,240 --> 00:29:11,580
anybody remember laughter ad-lib plant's
598
00:29:11,580 --> 00:29:12,960
performance while a great walk down
599
00:29:12,960 --> 00:29:15,299
memory lane its version of a man he can
600
00:29:15,299 --> 00:29:17,159
no longer be the distance it took from
601
00:29:17,159 --> 00:29:19,500
it makes sense and dignifies its Legacy
602
00:29:19,500 --> 00:29:21,779
instead of milking it to death like many
603
00:29:21,779 --> 00:29:23,179
of his peers do with their hit songs
604
00:29:23,179 --> 00:29:25,380
Jones's keyboard parts are noticeable
605
00:29:25,380 --> 00:29:27,960
and provide a solid backbone Jimmy solo
606
00:29:27,960 --> 00:29:29,580
has one weird opening note but other
607
00:29:29,580 --> 00:29:31,620
than that it plays out well Jason
608
00:29:31,620 --> 00:29:33,480
strumming elevates the song's momentum
609
00:29:33,480 --> 00:29:36,360
Big Time a great rendition overall thank
610
00:29:36,360 --> 00:29:37,980
you Robert
611
00:29:37,980 --> 00:29:40,039
[Music]
612
00:29:40,039 --> 00:29:42,650
two things
613
00:29:42,650 --> 00:29:45,739
[Music]
614
00:29:52,580 --> 00:29:55,860
hey almonds we did it
615
00:29:55,860 --> 00:29:59,830
[Music]
616
00:30:01,610 --> 00:30:04,720
[Applause]
617
00:30:18,899 --> 00:30:20,580
okay this is a weird place in the set
618
00:30:20,580 --> 00:30:22,919
list for the song and for the record is
619
00:30:22,919 --> 00:30:24,960
one of my top 10 maybe top five Zeppelin
620
00:30:24,960 --> 00:30:27,679
songs ever following the teachings of
621
00:30:27,679 --> 00:30:30,240
1973-1975 this had to come in before
622
00:30:30,240 --> 00:30:32,340
stairway as the effect does not remain
623
00:30:32,340 --> 00:30:34,380
the same because of the down tuning to
624
00:30:34,380 --> 00:30:36,240
see the tractors is definition and it
625
00:30:36,240 --> 00:30:38,100
sounds muddy out of the four guys up
626
00:30:38,100 --> 00:30:39,899
there Jason played the most recent take
627
00:30:39,899 --> 00:30:42,419
on the song in 1997 on his Zeppelin
628
00:30:42,419 --> 00:30:44,460
tribute album page plan and Jones had
629
00:30:44,460 --> 00:30:46,159
not performed the song since August 11
630
00:30:46,159 --> 00:30:49,140
1979 at net worth while plant does his
631
00:30:49,140 --> 00:30:50,700
best to deliver a memorable performance
632
00:30:50,700 --> 00:30:52,559
the harmonic muddiness of the Rhythm
633
00:30:52,559 --> 00:30:54,659
tracks is hard to let go even the drums
634
00:30:54,659 --> 00:30:56,039
sound lost in the mix for some reason
635
00:30:56,039 --> 00:30:58,380
despite Jason's hardest hitting feels
636
00:30:58,380 --> 00:31:00,179
not sure why they picked us over a cute
637
00:31:00,179 --> 00:31:01,380
is less than but there you have it
638
00:31:01,380 --> 00:31:04,489
[Music]
639
00:31:04,740 --> 00:31:07,740
foreign
640
00:31:14,240 --> 00:31:18,500
drums come on
641
00:31:18,899 --> 00:31:23,299
now Jason has um
642
00:31:25,100 --> 00:31:27,539
I can't even remember how long as I was
643
00:31:27,539 --> 00:31:30,539
but the chase was like there's a pig
644
00:31:30,539 --> 00:31:33,419
his mom his dad
645
00:31:33,419 --> 00:31:35,220
is the same
646
00:31:35,220 --> 00:31:36,840
they were the best Jimi Hendrix
647
00:31:36,840 --> 00:31:39,000
impersonators in the whole
648
00:31:39,000 --> 00:31:40,940
Worcestershire and
649
00:31:40,940 --> 00:31:43,620
Pat's got a great voice
650
00:31:43,620 --> 00:31:45,960
I remember John used to be in a man from
651
00:31:45,960 --> 00:31:47,700
Birmingham and used to sing
652
00:31:47,700 --> 00:31:50,460
the women Cries Mary about 400 times a
653
00:31:50,460 --> 00:31:51,740
night
654
00:31:51,740 --> 00:31:55,200
that was how it was and Jason's pretty
655
00:31:55,200 --> 00:31:56,820
cool singer too
656
00:31:56,820 --> 00:31:59,340
um so I could feature Jason on vocals
657
00:31:59,340 --> 00:32:00,070
again
658
00:32:00,070 --> 00:32:06,050
[Applause]
659
00:32:06,050 --> 00:32:08,000
[Music]
660
00:32:08,000 --> 00:32:10,860
so it would be wrong if you didn't hear
661
00:32:10,860 --> 00:32:14,299
how Jason sings on his own
662
00:32:14,940 --> 00:32:17,940
please
663
00:32:19,840 --> 00:32:21,030
[Music]
664
00:32:21,030 --> 00:32:23,570
[Applause]
665
00:32:23,570 --> 00:32:26,140
[Music]
666
00:32:26,140 --> 00:32:28,430
[Applause]
667
00:32:28,430 --> 00:32:31,539
[Music]
668
00:32:34,460 --> 00:32:37,200
[Music]
669
00:32:37,200 --> 00:32:38,940
I don't have much to say about this song
670
00:32:38,940 --> 00:32:40,500
other than a Japanese studio version
671
00:32:40,500 --> 00:32:42,360
remains my favorite take this one is
672
00:32:42,360 --> 00:32:44,279
better than the Atlantic 1988 version as
673
00:32:44,279 --> 00:32:46,020
we can actually hear jumble Jones's
674
00:32:46,020 --> 00:32:47,940
keywords but man is the band obsessed
675
00:32:47,940 --> 00:32:49,980
with this song
676
00:32:49,980 --> 00:32:52,919
fun fact Devo's uncontrollable urge is
677
00:32:52,919 --> 00:32:55,160
just a faster version of the song
678
00:32:55,160 --> 00:32:58,269
[Music]
679
00:33:05,170 --> 00:33:05,960
[Music]
680
00:33:05,960 --> 00:33:21,680
[Applause]
681
00:33:21,900 --> 00:33:30,840
[Music]
682
00:33:30,840 --> 00:33:33,299
the best song from a reunion putting the
683
00:33:33,299 --> 00:33:36,059
1988 and 1998 Puff Daddy versions to
684
00:33:36,059 --> 00:33:39,179
shame note the 1984 take was great and
685
00:33:39,179 --> 00:33:40,799
the Egyptian Orchestra finale was sick
686
00:33:40,799 --> 00:33:43,140
so it's not fair to compare this one to
687
00:33:43,140 --> 00:33:45,779
say Cash 3 2007 stole the show is an
688
00:33:45,779 --> 00:33:47,820
understatement it had the right Groove
689
00:33:47,820 --> 00:33:50,399
the right keyboards plus a Kidder active
690
00:33:50,399 --> 00:33:52,500
synth bass sound Jimmy ditched at an
691
00:33:52,500 --> 00:33:54,120
electron went back to the Les Paul which
692
00:33:54,120 --> 00:33:56,580
made the 1975 version so good Robert
693
00:33:56,580 --> 00:33:59,279
sang his heart out he gave everything he
694
00:33:59,279 --> 00:34:02,279
had and more Jason Bonham what can we
695
00:34:02,279 --> 00:34:04,440
say about his heroic drumming he made
696
00:34:04,440 --> 00:34:07,380
his dad proud very proud the band's
697
00:34:07,380 --> 00:34:09,540
passion and performance Rivals those of
698
00:34:09,540 --> 00:34:11,700
70s Led Zeppelin this topic has been
699
00:34:11,700 --> 00:34:13,379
discussed for years in online forums and
700
00:34:13,379 --> 00:34:15,419
it has to be said while the best Kashmir
701
00:34:15,419 --> 00:34:16,980
version has to feature Joe Monument
702
00:34:16,980 --> 00:34:18,780
drums the sun expect from an
703
00:34:18,780 --> 00:34:21,599
architecture of 2007 managed to recreate
704
00:34:21,599 --> 00:34:23,820
the songs 3D element like the 70s
705
00:34:23,820 --> 00:34:25,500
couldn't out of limited technological
706
00:34:25,500 --> 00:34:27,659
resources Jason Bonham's drumming here
707
00:34:27,659 --> 00:34:31,099
is up there next to his father
708
00:34:40,159 --> 00:34:42,839
fun fact the visual backdrop around the
709
00:34:42,839 --> 00:34:44,520
six minute Mark shows the shape of the
710
00:34:44,520 --> 00:34:46,619
object from presence I find it hilarious
711
00:34:46,619 --> 00:34:48,659
as cashmere belongs to Physical Graffiti
712
00:34:48,659 --> 00:34:50,339
we can think of the animation designer
713
00:34:50,339 --> 00:34:52,200
not being that much of a fan but it's
714
00:34:52,200 --> 00:34:54,240
still that no one else saw this before
715
00:34:54,240 --> 00:34:56,399
the final approval was given the ending
716
00:34:56,399 --> 00:34:58,440
is incredible rock and roll reunion
717
00:34:58,440 --> 00:35:00,420
history was made I believe at this very
718
00:35:00,420 --> 00:35:02,700
moment both Amit ertigan and John Bonham
719
00:35:02,700 --> 00:35:04,260
smile from above a Led Zeppelin
720
00:35:04,260 --> 00:35:06,420
catharsis of tragedy and fate clashing
721
00:35:06,420 --> 00:35:08,820
with the power of stardom success and
722
00:35:08,820 --> 00:35:11,040
forgiveness one of the band's most epic
723
00:35:11,040 --> 00:35:13,980
moments captured in film was now forever
724
00:35:13,980 --> 00:35:16,320
after Kashmir the band comes in for two
725
00:35:16,320 --> 00:35:18,420
encores in the style of 1980 happier
726
00:35:18,420 --> 00:35:20,400
than ever the worst was over in terms of
727
00:35:20,400 --> 00:35:22,380
stress they could just have fun and be
728
00:35:22,380 --> 00:35:24,000
thankful to the power of now they
729
00:35:24,000 --> 00:35:25,980
deliver strong performances it's a walk
730
00:35:25,980 --> 00:35:27,720
in the park at this point it's Led
731
00:35:27,720 --> 00:35:29,880
Zeppelin the winter thing excitement and
732
00:35:29,880 --> 00:35:31,920
meaning screaming from the crowd reminds
733
00:35:31,920 --> 00:35:34,380
us the classics never grow old a
734
00:35:34,380 --> 00:35:35,940
thrilling and vibrant Celebration Day
735
00:35:35,940 --> 00:35:38,099
coming to an end and the world was
736
00:35:38,099 --> 00:35:40,579
watching
737
00:35:43,280 --> 00:35:49,210
[Music]
738
00:35:49,210 --> 00:35:50,080
[Applause]
739
00:35:50,080 --> 00:35:52,420
[Music]
740
00:35:52,420 --> 00:35:57,320
[Applause]
741
00:36:02,890 --> 00:36:03,740
[Music]
742
00:36:03,740 --> 00:36:08,169
[Applause]
743
00:36:08,380 --> 00:36:09,660
[Music]
744
00:36:09,660 --> 00:36:11,420
foreign
745
00:36:11,420 --> 00:36:24,730
[Music]
746
00:36:24,730 --> 00:36:30,800
[Applause]49721
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