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My family got me into classic rock at
age five with the likes of the Beatles
and Carlos Santana. By the time I
reached high school, everybody was into
new metal. And although I did listen to
it in the year 2000, it just didn't hold
a candle against the classics. [music]
[music]
Ladies [cheering] and gentlemen,
2001 was a pivotal year. My mom bought
me a copy of [music] the Zeppelin 3 and
that changed everything. I quit video
games and I was interested in playing
the guitar. I had a reason. My world
became Zeppelin and guitars 24 [music]
hours, 7 days a week. My classmates
thought Lincoln Park was the greatest
band ever. They tried to convince me it
didn't work. Making friends my age was
tough. I got music advice from whom I
thought were old-timers back then. Most
of them would stick to Zeppelin's
[music] greatest hits for the remasters
collection aka Pizza Box. Their
knowledge on the band was limited and
finding a good historian on the matter
was hard. 2003 I had the first four
albums and I had to wait for either my
birthday [music] or a special occasion
to get a new record. I had to choose
wisely. So, I got the latter day CD as a
way of completing my collection. This
will be my last one, I thought. But of
course, denial is the first sign of
addiction. Every song was a thrilling
discovery. But it was in the evening,
all my love, the ones that puzzled me.
They sounded different. They had
synthesizers.
It was dark and bittersweet, as if there
was a sad story behind the songs. I
didn't know what nostalgia was back
then, but I felt it. This wasn't the ban
on my VHS copy of The Song [music]
Remains the Same doing 30inut runs of
Days and Confused. Yet, it retained the
essence and [music] finesse of their
greatness. I checked the latter days
booklet and saw a two-page photo of
their discoraphy. The track list didn't
say which albums the songs came from.
So, my research began [music] and I
found out about In Through the Outdoor.
It got little to no praise in online
publications down to a brief comment or
bad review. Why was this period barely
mentioned in their biographies? [music]
What was so wrong about this record?
2004. I started doing weekly visits to a
local bookstore downtown. The owner
hated Zeppelin's music. I browsed
through the used vinyl section and found
a copy of the guy sitting at the bar. I
didn't have a record player. I didn't
care. I just had to have it.
I got to the cashier and was shamed for
my purchase. Just like a scene from High
Fidelity. I had to fight for my music.
Can I have it then?
No. No, [music] you can't.
Why not?
Well, it's sentimental tacky crap.
That's why not.
Two weeks later, same [music] place,
same thing. This time, I got a used CD
version from the8s. [music] The owner
asked me, "How does it feel having bad
taste?
I found out the album was originally
sold with [music] a brown paperback and
had six different sleeves. The Zeppelin
Madness took over. I bought the
remaining studio albums, read every
article, learned their songs, and played
the [music] part of Jimmy Paige in
Zeppelin tribute bands for 15 years.
[music]
Heat.
[music]
[music]
Heat.
[music]
[music]
[music]
[music]
The older I got, the more [music] into
the outdoor grew. on me. It became like
a secret society for hardcore Led
[music] Zeppelin fans. Fast forward
nowadays and I own 32 copies and
counting. I have a fever and the only
prescription is more copies of Infoor.
Its influence on 80s synth rock cannot
be overlooked. There is no this
without this
with the help of a British friend who
provides her voiceover talents. I hope
you enjoyed the video as we dive into
the story of the Delin's final studio
album as we go in through the outdoor.
[music]
[music]
[music]
Heat. Heat.
Jimmy Paige was the [clears throat]
chief executive officer with an extra
paycheck as the band's producer. Peter
Grant was chief operation officer
running both Led Zeppelin and Swanong.
They were the leaders calling the shots.
Led Zeppelin's unofficial breakup
occurred on July 27th, 1977 after a
4-day period of extreme tension,
violence, and death. This was no [music]
time off. They stopped working and
management tried to hide it from the
press as much as possible. Times were
changing. Music production was evolving
and the industry was catching up. Jimmy
was 35, known as Priy in [music] the
Zeppelin camp. He financed their first
album in 1969. He was the guy in the
Yard Birds who toured the United States
long before his sepilan bandmates.
[music]
He knew how to use the studio as musical
instrument. From 1968 to [music] 1973,
he was untouchable and his guitar
technique legendary. He was the older
brother who made things possible. Peter
[music] Grant was the father and had a
favorite child in Jimmy. The other three
were junior partners.
John Bonham Bonso was 31. [music] A team
player who followed orders. He was
Zeppelin's biggest fan and cornerstone.
He may have had a jackal and high
personality, but he loved the group
dearly and never crossed Jimmy the wrong
way. He [music] had the best guitar ears
to compliment Paige's riffs. He was
Joan's rhythm section musical soulmate
and Robert's brother from the early days
in the Black Country. Peter Grant saw a
version of himself in Bonham's Wild
Temper.
[music]
[music]
Back in ' 68 though, Bonso wasn't sure
about joining Paige's new project. He
just couldn't [music] leave his weekly
gigs. He had a family and needed the
money. So, Zeppelin put him on salary
until 1970.
John Paul Jones was 33. His bandmates
knew him as Johny, a
multi-instrumentalist who could deliver
the goods on bass guitar, electric
[music] organ, electric piano, harp,
clavinet, double bass, melatron,
keyboards, mandolin, triple neck guitar,
flute recorder, [music] lap steel
guitar, ukulele, sitter, banjo, and
cello. Both his parents were
professional musicians. His father
encouraged him to learn to read and
write music, [music] a skill which would
prove invaluable in his career. By 1968,
he had choir master and orchestral
arrangement experience, plus being a
famous session player. His zeppelin
chops never suffered. A musical wizard
who was a glue that held the pieces
together and didn't get as much writing
credits as one would expect.
[music]
[music]
[cheering]
Whether conscious or not, he needed
change and well-deserved recognition for
his monumental contributions. Robert
Plant was 31. [music] His nickname was
Percy. Despite his iconic voice and
mighty stage presence, [music] he never
had much saying nor political power and
led Zeppelin up to this point. In the
eyes of management, he was still the guy
that Paige and Grant discovered back in
[music] ' 68. Even [singing] when I
kissed you,
[music] I couldn't please you.
Oh, and then all [music]
I ever was gone.
All you love [music] me was our son.
He would slowly question his life
outside the dysfunctional family.
[music] Robert lost his son and Bonham
stood by his side. Carak's funeral was
held on the first week of August 1977.
The others didn't go. John Paul Jones,
Jimmy Paige, and Peter Grant were
absent. This was the turning point for
Plant. [music]
He stepped back and went into isolation.
If a career in music was to be, it would
be on his terms and his terms only. The
brotherhood was gone. Bonham remained
his only friend within Zeppelin. [music]
Robert had one foot outside the door.
Plant and Jones were never best friends.
both would take small jabs at each other
through the years. To quote Peter Grant,
"We were sharing a cab in Munich [music]
1975. It was freezing outside." Robert
was behind his lyrics and apologized to
Jon [music] who said, "Personally,
Robert, I've never bothered to listen to
the lyrics on any of our albums." 1978's
collaboration between Plant and Jones
seemed impossible, but if we take a
closer look, it was a chance to put
aside any differences and work together
to serve their personal interests. A new
Zeppelin was born. Two of them awakened,
two of them dazed and confused. Jones
got artistic power. Robert wanted out
the ship and be the captain
simultaneously. The great calamity of in
Through the Outdoor is to be the only
album from this new working model to see
the light of day. A music statement and
greeting to new decade and we only got a
glimpse of it. It was their comeback. It
was a reunion album. Plant's alliance
with Jones proved elusive as he would
never work with him again. Jones found
out about the unded project through the
papers. He would thank his bandmates in
1995.
[music]
The Yamaha GX1 keyboard, the dream
[music] machine, became the centerpiece
of a new chapter in Zeppelin's history.
Yamaha's original retail price for the
GX1 was $60,000, almost 300 grand today.
Only about 27 to 30 GX1s were ever
manufactured and sold. It was the most
powerful polyonic synthesizer at the
time. It had three keyboards, a volume
pedal, VO controller, and unheard levels
of touch control. [music]
Its total weight in a road case was
about half a ton. This was the basis for
Yamaha's popular CS80 model. Jones
bought his GX1 [music] in late 1977 to
work on string arrangements and discover
its special features. He used it on
Zeppelin's 1979 shows as his primary
keyboard for a wide variety of sounds.
His new [music] tool replaced some
unreliable machines like the famous
Malatron, a technician's nightmare prone
to failure. This explains the different
sonic textures on the Rain Solid
Networth.
[music]
[music]
John Paul Jones would later sell his GX1
to Keith Emerson in the mid80s. Keith
bought his first unit in 1976 [music]
and used it extensively on his late7s
material with Emerson Lake and Palmer.
Keith would later sell the previously
Jones owned keyboard [music] to renowned
film composer Hans Zimmer in the mid90s.
Besides the Yamaha keyboard, there were
some gear similarities between Led
Zeppelin and Emerson, Lake and Palmer.
Jones started using Olympic bass guitars
in 1977. So did Greg Lake. John Bonham
started playing as Stainless Steel. So
did Carl Palmer. Jones cut his hair
short and wore white during Zep's last
tour. So did Greg Lake on their final
run in 78. Last but not least, Zeppelin
did two rehearsals at Mantica Studios, a
music [music] facility owned by Emerson
Lake and Palmer
with him spending more and more time
sitting down at concerts in Through the
Outdoor was the natural extension of his
abilities. The album was [music] the
biggest change in sound since Led
Zeppelin 3 in 1970. Oh, by the way, it
was John Paul Jones who came up with his
riffs. [music]
[music]
[music]
Suddenly, one of the finest and most
sophisticated [music] music studios in
the world. It opened its doors in May
1978. The master plan came from the
genius duo of Bjornov and Benny Anderson
from legendary pop sensation ABBA and
their manager Sticken Anderson. The
premise was simple. Assemble a studio
that had the right gear, facilities, and
competence for it all. Word spread
rapidly in the music community. Genesis
held its 1979 Duke Sessions plus their
bandmates Mike Rotherfords and Tony
Banks [music] solo albums. In the words
of Led Zeppelin's manager, Peter Grant,
Aba came to us and offered it. It was
actually a slo to do it. We used to
[music] get the noon flight on Monday
and then return on Friday for the
weekend. It was cold and dark all the
time. Jones and Plant worked by day with
Bonso and Paige completing their parts
by night. Benny Anderson owned Yamaha
GX1, so the band wouldn't have to fly
June's keyboard up to Sweden. Some of
Jones sound presets on the GX1 were
later used on ABBA's 1979 release.
Recording dates for and through the
outdoor took place from November 14th
through November 23rd. An additional
[music] over dubbing session took place
on December 19th. Final mixes for the
album were done at Polar on February
1979.
The band cut 10 songs. Leaf Macy's
worked as engineer for the sessions at
Polar Studios. Maces was interviewed
years later and said that he would make
work in progress cassette tapes for the
band members as proof for their wives
that their time in Sweden was actually
productive when returning [music] on the
weekends back to England. November 15th,
1978. Led Zeppelin was about to record
for the first time since 1975. History
was in the making. A miracle many
thought would never happen. What took
them so [music] long and what was the
road that led up to this moment?
Oh,
[music]
[music]
I got
[music]
you.
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