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My family got me into classic rock at
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age five with the likes of the Beatles
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and Carlos Santana. By the time I
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reached high school, everybody was into
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new metal. And although I did listen to
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it in the year 2000, it just didn't hold
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a candle against the classics. [music]
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[music]
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Ladies [cheering] and gentlemen,
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2001 was a pivotal year. My mom bought
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me a copy of [music] the Zeppelin 3 and
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that changed everything. I quit video
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games and I was interested in playing
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the guitar. I had a reason. My world
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became Zeppelin and guitars 24 [music]
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hours, 7 days a week. My classmates
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thought Lincoln Park was the greatest
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band ever. They tried to convince me it
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didn't work. Making friends my age was
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tough. I got music advice from whom I
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thought were old-timers back then. Most
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of them would stick to Zeppelin's
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[music] greatest hits for the remasters
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collection aka Pizza Box. Their
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knowledge on the band was limited and
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finding a good historian on the matter
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was hard. 2003 I had the first four
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albums and I had to wait for either my
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birthday [music] or a special occasion
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to get a new record. I had to choose
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wisely. So, I got the latter day CD as a
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way of completing my collection. This
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will be my last one, I thought. But of
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course, denial is the first sign of
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addiction. Every song was a thrilling
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discovery. But it was in the evening,
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all my love, the ones that puzzled me.
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They sounded different. They had
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synthesizers.
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It was dark and bittersweet, as if there
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was a sad story behind the songs. I
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didn't know what nostalgia was back
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then, but I felt it. This wasn't the ban
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on my VHS copy of The Song [music]
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Remains the Same doing 30inut runs of
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Days and Confused. Yet, it retained the
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essence and [music] finesse of their
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greatness. I checked the latter days
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booklet and saw a two-page photo of
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their discoraphy. The track list didn't
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say which albums the songs came from.
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So, my research began [music] and I
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found out about In Through the Outdoor.
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It got little to no praise in online
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publications down to a brief comment or
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bad review. Why was this period barely
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mentioned in their biographies? [music]
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What was so wrong about this record?
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2004. I started doing weekly visits to a
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local bookstore downtown. The owner
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hated Zeppelin's music. I browsed
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through the used vinyl section and found
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a copy of the guy sitting at the bar. I
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didn't have a record player. I didn't
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care. I just had to have it.
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I got to the cashier and was shamed for
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my purchase. Just like a scene from High
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Fidelity. I had to fight for my music.
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Can I have it then?
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No. No, [music] you can't.
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Why not?
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Well, it's sentimental tacky crap.
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That's why not.
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Two weeks later, same [music] place,
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same thing. This time, I got a used CD
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version from the8s. [music] The owner
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asked me, "How does it feel having bad
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taste?
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I found out the album was originally
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sold with [music] a brown paperback and
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had six different sleeves. The Zeppelin
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Madness took over. I bought the
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remaining studio albums, read every
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article, learned their songs, and played
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the [music] part of Jimmy Paige in
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Zeppelin tribute bands for 15 years.
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[music]
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Heat.
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[music]
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[music]
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Heat.
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[music]
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[music]
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[music]
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[music]
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The older I got, the more [music] into
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the outdoor grew. on me. It became like
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a secret society for hardcore Led
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[music] Zeppelin fans. Fast forward
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nowadays and I own 32 copies and
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counting. I have a fever and the only
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prescription is more copies of Infoor.
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Its influence on 80s synth rock cannot
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be overlooked. There is no this
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without this
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with the help of a British friend who
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provides her voiceover talents. I hope
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you enjoyed the video as we dive into
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the story of the Delin's final studio
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album as we go in through the outdoor.
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[music]
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[music]
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[music]
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Heat. Heat.
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Jimmy Paige was the [clears throat]
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chief executive officer with an extra
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paycheck as the band's producer. Peter
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Grant was chief operation officer
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running both Led Zeppelin and Swanong.
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They were the leaders calling the shots.
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Led Zeppelin's unofficial breakup
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occurred on July 27th, 1977 after a
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4-day period of extreme tension,
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violence, and death. This was no [music]
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time off. They stopped working and
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management tried to hide it from the
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press as much as possible. Times were
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changing. Music production was evolving
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and the industry was catching up. Jimmy
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was 35, known as Priy in [music] the
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Zeppelin camp. He financed their first
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album in 1969. He was the guy in the
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Yard Birds who toured the United States
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long before his sepilan bandmates.
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[music]
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He knew how to use the studio as musical
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instrument. From 1968 to [music] 1973,
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he was untouchable and his guitar
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technique legendary. He was the older
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brother who made things possible. Peter
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[music] Grant was the father and had a
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favorite child in Jimmy. The other three
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were junior partners.
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John Bonham Bonso was 31. [music] A team
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player who followed orders. He was
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Zeppelin's biggest fan and cornerstone.
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He may have had a jackal and high
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personality, but he loved the group
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dearly and never crossed Jimmy the wrong
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way. He [music] had the best guitar ears
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to compliment Paige's riffs. He was
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Joan's rhythm section musical soulmate
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and Robert's brother from the early days
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in the Black Country. Peter Grant saw a
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version of himself in Bonham's Wild
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Temper.
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[music]
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[music]
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Back in ' 68 though, Bonso wasn't sure
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about joining Paige's new project. He
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just couldn't [music] leave his weekly
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gigs. He had a family and needed the
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money. So, Zeppelin put him on salary
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until 1970.
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John Paul Jones was 33. His bandmates
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knew him as Johny, a
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multi-instrumentalist who could deliver
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the goods on bass guitar, electric
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[music] organ, electric piano, harp,
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clavinet, double bass, melatron,
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keyboards, mandolin, triple neck guitar,
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flute recorder, [music] lap steel
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guitar, ukulele, sitter, banjo, and
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cello. Both his parents were
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professional musicians. His father
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encouraged him to learn to read and
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write music, [music] a skill which would
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prove invaluable in his career. By 1968,
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he had choir master and orchestral
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arrangement experience, plus being a
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famous session player. His zeppelin
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chops never suffered. A musical wizard
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who was a glue that held the pieces
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together and didn't get as much writing
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credits as one would expect.
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[music]
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[music]
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[cheering]
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Whether conscious or not, he needed
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change and well-deserved recognition for
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his monumental contributions. Robert
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Plant was 31. [music] His nickname was
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Percy. Despite his iconic voice and
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mighty stage presence, [music] he never
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had much saying nor political power and
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led Zeppelin up to this point. In the
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eyes of management, he was still the guy
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that Paige and Grant discovered back in
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[music] ' 68. Even [singing] when I
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kissed you,
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[music] I couldn't please you.
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Oh, and then all [music]
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I ever was gone.
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All you love [music] me was our son.
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He would slowly question his life
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outside the dysfunctional family.
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[music] Robert lost his son and Bonham
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stood by his side. Carak's funeral was
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held on the first week of August 1977.
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The others didn't go. John Paul Jones,
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Jimmy Paige, and Peter Grant were
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absent. This was the turning point for
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Plant. [music]
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He stepped back and went into isolation.
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If a career in music was to be, it would
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be on his terms and his terms only. The
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brotherhood was gone. Bonham remained
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his only friend within Zeppelin. [music]
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Robert had one foot outside the door.
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Plant and Jones were never best friends.
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both would take small jabs at each other
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through the years. To quote Peter Grant,
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"We were sharing a cab in Munich [music]
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1975. It was freezing outside." Robert
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was behind his lyrics and apologized to
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Jon [music] who said, "Personally,
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Robert, I've never bothered to listen to
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the lyrics on any of our albums." 1978's
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collaboration between Plant and Jones
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seemed impossible, but if we take a
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closer look, it was a chance to put
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aside any differences and work together
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to serve their personal interests. A new
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Zeppelin was born. Two of them awakened,
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two of them dazed and confused. Jones
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got artistic power. Robert wanted out
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the ship and be the captain
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simultaneously. The great calamity of in
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Through the Outdoor is to be the only
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album from this new working model to see
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the light of day. A music statement and
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greeting to new decade and we only got a
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glimpse of it. It was their comeback. It
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was a reunion album. Plant's alliance
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with Jones proved elusive as he would
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never work with him again. Jones found
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out about the unded project through the
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papers. He would thank his bandmates in
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1995.
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[music]
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The Yamaha GX1 keyboard, the dream
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[music] machine, became the centerpiece
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of a new chapter in Zeppelin's history.
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Yamaha's original retail price for the
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GX1 was $60,000, almost 300 grand today.
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Only about 27 to 30 GX1s were ever
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manufactured and sold. It was the most
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powerful polyonic synthesizer at the
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time. It had three keyboards, a volume
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pedal, VO controller, and unheard levels
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of touch control. [music]
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Its total weight in a road case was
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about half a ton. This was the basis for
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Yamaha's popular CS80 model. Jones
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bought his GX1 [music] in late 1977 to
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work on string arrangements and discover
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its special features. He used it on
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Zeppelin's 1979 shows as his primary
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keyboard for a wide variety of sounds.
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His new [music] tool replaced some
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unreliable machines like the famous
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Malatron, a technician's nightmare prone
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to failure. This explains the different
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sonic textures on the Rain Solid
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Networth.
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[music]
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[music]
278
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John Paul Jones would later sell his GX1
279
00:13:49,120 --> 00:13:51,440
to Keith Emerson in the mid80s. Keith
280
00:13:51,440 --> 00:13:53,920
bought his first unit in 1976 [music]
281
00:13:53,920 --> 00:13:56,399
and used it extensively on his late7s
282
00:13:56,399 --> 00:14:00,920
material with Emerson Lake and Palmer.
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00:14:11,519 --> 00:14:13,199
Keith would later sell the previously
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Jones owned keyboard [music] to renowned
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00:14:14,880 --> 00:14:17,519
film composer Hans Zimmer in the mid90s.
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00:14:17,519 --> 00:14:19,360
Besides the Yamaha keyboard, there were
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00:14:19,360 --> 00:14:21,040
some gear similarities between Led
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00:14:21,040 --> 00:14:23,519
Zeppelin and Emerson, Lake and Palmer.
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00:14:23,519 --> 00:14:25,839
Jones started using Olympic bass guitars
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00:14:25,839 --> 00:14:29,600
in 1977. So did Greg Lake. John Bonham
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00:14:29,600 --> 00:14:31,519
started playing as Stainless Steel. So
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00:14:31,519 --> 00:14:33,760
did Carl Palmer. Jones cut his hair
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00:14:33,760 --> 00:14:35,760
short and wore white during Zep's last
294
00:14:35,760 --> 00:14:37,680
tour. So did Greg Lake on their final
295
00:14:37,680 --> 00:14:41,120
run in 78. Last but not least, Zeppelin
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00:14:41,120 --> 00:14:43,600
did two rehearsals at Mantica Studios, a
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00:14:43,600 --> 00:14:45,440
music [music] facility owned by Emerson
298
00:14:45,440 --> 00:14:48,320
Lake and Palmer
299
00:14:48,320 --> 00:14:50,000
with him spending more and more time
300
00:14:50,000 --> 00:14:52,000
sitting down at concerts in Through the
301
00:14:52,000 --> 00:14:53,839
Outdoor was the natural extension of his
302
00:14:53,839 --> 00:14:55,680
abilities. The album was [music] the
303
00:14:55,680 --> 00:14:57,360
biggest change in sound since Led
304
00:14:57,360 --> 00:15:00,720
Zeppelin 3 in 1970. Oh, by the way, it
305
00:15:00,720 --> 00:15:02,639
was John Paul Jones who came up with his
306
00:15:02,639 --> 00:15:05,930
riffs. [music]
307
00:15:10,460 --> 00:15:12,480
[music]
308
00:15:32,075 --> 00:15:34,095
[music]
309
00:15:39,360 --> 00:15:41,279
Suddenly, one of the finest and most
310
00:15:41,279 --> 00:15:43,279
sophisticated [music] music studios in
311
00:15:43,279 --> 00:15:45,120
the world. It opened its doors in May
312
00:15:45,120 --> 00:15:47,920
1978. The master plan came from the
313
00:15:47,920 --> 00:15:50,480
genius duo of Bjornov and Benny Anderson
314
00:15:50,480 --> 00:15:52,800
from legendary pop sensation ABBA and
315
00:15:52,800 --> 00:15:54,800
their manager Sticken Anderson. The
316
00:15:54,800 --> 00:15:57,199
premise was simple. Assemble a studio
317
00:15:57,199 --> 00:15:59,519
that had the right gear, facilities, and
318
00:15:59,519 --> 00:16:01,759
competence for it all. Word spread
319
00:16:01,759 --> 00:16:04,320
rapidly in the music community. Genesis
320
00:16:04,320 --> 00:16:06,880
held its 1979 Duke Sessions plus their
321
00:16:06,880 --> 00:16:08,560
bandmates Mike Rotherfords and Tony
322
00:16:08,560 --> 00:16:10,560
Banks [music] solo albums. In the words
323
00:16:10,560 --> 00:16:12,959
of Led Zeppelin's manager, Peter Grant,
324
00:16:12,959 --> 00:16:14,959
Aba came to us and offered it. It was
325
00:16:14,959 --> 00:16:16,616
actually a slo to do it. We used to
326
00:16:16,616 --> 00:16:18,160
[music] get the noon flight on Monday
327
00:16:18,160 --> 00:16:19,920
and then return on Friday for the
328
00:16:19,920 --> 00:16:21,920
weekend. It was cold and dark all the
329
00:16:21,920 --> 00:16:24,320
time. Jones and Plant worked by day with
330
00:16:24,320 --> 00:16:26,240
Bonso and Paige completing their parts
331
00:16:26,240 --> 00:16:28,800
by night. Benny Anderson owned Yamaha
332
00:16:28,800 --> 00:16:30,959
GX1, so the band wouldn't have to fly
333
00:16:30,959 --> 00:16:33,199
June's keyboard up to Sweden. Some of
334
00:16:33,199 --> 00:16:35,600
Jones sound presets on the GX1 were
335
00:16:35,600 --> 00:16:40,759
later used on ABBA's 1979 release.
336
00:16:46,880 --> 00:16:48,480
Recording dates for and through the
337
00:16:48,480 --> 00:16:50,560
outdoor took place from November 14th
338
00:16:50,560 --> 00:16:52,641
through November 23rd. An additional
339
00:16:52,641 --> 00:16:54,240
[music] over dubbing session took place
340
00:16:54,240 --> 00:16:56,800
on December 19th. Final mixes for the
341
00:16:56,800 --> 00:16:58,480
album were done at Polar on February
342
00:16:58,480 --> 00:17:00,000
1979.
343
00:17:00,000 --> 00:17:02,639
The band cut 10 songs. Leaf Macy's
344
00:17:02,639 --> 00:17:04,319
worked as engineer for the sessions at
345
00:17:04,319 --> 00:17:06,720
Polar Studios. Maces was interviewed
346
00:17:06,720 --> 00:17:08,319
years later and said that he would make
347
00:17:08,319 --> 00:17:10,079
work in progress cassette tapes for the
348
00:17:10,079 --> 00:17:12,079
band members as proof for their wives
349
00:17:12,079 --> 00:17:13,839
that their time in Sweden was actually
350
00:17:13,839 --> 00:17:15,280
productive when returning [music] on the
351
00:17:15,280 --> 00:17:17,839
weekends back to England. November 15th,
352
00:17:17,839 --> 00:17:21,039
1978. Led Zeppelin was about to record
353
00:17:21,039 --> 00:17:23,839
for the first time since 1975. History
354
00:17:23,839 --> 00:17:25,919
was in the making. A miracle many
355
00:17:25,919 --> 00:17:27,839
thought would never happen. What took
356
00:17:27,839 --> 00:17:28,960
them so [music] long and what was the
357
00:17:28,960 --> 00:17:33,000
road that led up to this moment?
358
00:17:34,720 --> 00:17:37,720
Oh,
359
00:17:41,112 --> 00:17:43,132
[music]
360
00:17:47,662 --> 00:17:49,682
[music]
361
00:17:54,960 --> 00:17:56,832
I got
362
00:17:56,832 --> 00:17:57,600
[music]
363
00:17:57,600 --> 00:18:00,600
you.24973
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