All language subtitles for LED ZEPPELIN 1979 - Making Of In Through the Out Door_ Fool in the Rain, Hot Dog & Zeppelin’s 1979 Comeback Ep. 5

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These are the user uploaded subtitles that are being translated: 1 00:00:08,029 --> 00:00:11,129 [Music] 2 00:00:28,320 --> 00:00:30,880 hi everybody hope you're doing well 3 00:00:30,880 --> 00:00:33,200 i have good news to share with you 4 00:00:33,200 --> 00:00:35,200 as you know i have a fever and the only 5 00:00:35,200 --> 00:00:37,680 prescription is copies of in through the 6 00:00:37,680 --> 00:00:39,920 author this week i bought copies number 7 00:00:39,920 --> 00:00:42,879 34 and 35 for my collection just in time 8 00:00:42,879 --> 00:00:44,960 for my 35th birthday coming up next 9 00:00:44,960 --> 00:00:45,920 saturday 10 00:00:45,920 --> 00:00:47,520 i was going to buy all three copies of 11 00:00:47,520 --> 00:00:49,520 the store but one of them was in poor 12 00:00:49,520 --> 00:00:51,360 condition so i didn't take it but i 13 00:00:51,360 --> 00:00:55,280 wanted to but i didn't i got a fever 14 00:00:55,280 --> 00:00:56,840 i want to thank my patrons for your 15 00:00:56,840 --> 00:00:59,440 support this project benefits greatly by 16 00:00:59,440 --> 00:01:01,760 your contributions and kind words 17 00:01:01,760 --> 00:01:04,080 thank you thank you thank you please 18 00:01:04,080 --> 00:01:08,199 let's give them a round of applause 19 00:01:08,930 --> 00:01:18,630 [Applause] 20 00:01:18,630 --> 00:01:21,940 [Music] 21 00:01:22,479 --> 00:01:23,920 as always 22 00:01:23,920 --> 00:01:25,280 please subscribe 23 00:01:25,280 --> 00:01:28,400 and thank you for watching 24 00:01:29,680 --> 00:01:31,840 happy birthday 25 00:01:31,840 --> 00:01:33,680 not yet 26 00:01:33,680 --> 00:01:35,040 one week 27 00:01:35,040 --> 00:01:36,640 i would like to thank everybody who's 28 00:01:36,640 --> 00:01:38,640 come from everywhere to 29 00:01:38,640 --> 00:01:40,960 create kind of an atmosphere that we've 30 00:01:40,960 --> 00:01:43,200 had 31 00:01:43,280 --> 00:01:44,479 we said on 32 00:01:44,479 --> 00:01:47,119 at these gigs that we keep it short and 33 00:01:47,119 --> 00:01:50,799 sweet and crisp and like no long solos 34 00:01:50,799 --> 00:01:52,079 none you know because when we played the 35 00:01:52,079 --> 00:01:53,439 forum it was going on for three and a 36 00:01:53,439 --> 00:01:55,759 half hours and it was like james he was 37 00:01:55,759 --> 00:01:56,799 playing 38 00:01:56,799 --> 00:01:59,439 uh piano concertos and paige he was like 39 00:01:59,439 --> 00:02:00,880 doing everything that you could possibly 40 00:02:00,880 --> 00:02:02,560 do to a guitar 41 00:02:02,560 --> 00:02:04,240 and all this sort of you know and it was 42 00:02:04,240 --> 00:02:05,680 going on in the end i was like an 43 00:02:05,680 --> 00:02:07,680 innocent bystander smoking loads of 44 00:02:07,680 --> 00:02:09,280 cigarettes and watching from the wings 45 00:02:09,280 --> 00:02:11,039 so we said this time we cut it all down 46 00:02:11,039 --> 00:02:15,800 short just bang bang bang 47 00:02:22,820 --> 00:02:27,720 [Music] 48 00:02:28,480 --> 00:02:30,400 one of the most original sounding tracks 49 00:02:30,400 --> 00:02:32,480 the band ever put down on tape 50 00:02:32,480 --> 00:02:34,480 zeppelin's musical exploration was a 51 00:02:34,480 --> 00:02:36,480 vital component in their journey 52 00:02:36,480 --> 00:02:38,239 up to this point they've covered blues 53 00:02:38,239 --> 00:02:40,800 prague middle east and themes reggae and 54 00:02:40,800 --> 00:02:42,560 the live shows featured a musical 55 00:02:42,560 --> 00:02:44,239 kitchen that led them to wild fusion 56 00:02:44,239 --> 00:02:47,560 rhythm patterns 57 00:02:48,740 --> 00:02:50,400 [Music] 58 00:02:50,400 --> 00:02:52,560 with a band's eclectic set of influences 59 00:02:52,560 --> 00:02:54,080 this track shows that they were never 60 00:02:54,080 --> 00:02:56,160 left behind in terms of musical taste 61 00:02:56,160 --> 00:02:59,040 bonza was always 62 00:02:59,120 --> 00:03:01,760 a very complicated drummer who sounded 63 00:03:01,760 --> 00:03:04,400 very simple 64 00:03:04,400 --> 00:03:05,519 and 65 00:03:05,519 --> 00:03:07,280 and 66 00:03:07,280 --> 00:03:09,280 it's deceptively simple when you listen 67 00:03:09,280 --> 00:03:12,400 to what what bonzo plays but there's al 68 00:03:12,400 --> 00:03:14,959 always tiny little kicks and little 69 00:03:14,959 --> 00:03:17,040 little beats all over the place that 70 00:03:17,040 --> 00:03:18,720 just contribute to this 71 00:03:18,720 --> 00:03:20,000 this feel 72 00:03:20,000 --> 00:03:22,480 that he this incredible feel that he had 73 00:03:22,480 --> 00:03:24,640 the groove was that was just the best 74 00:03:24,640 --> 00:03:27,640 ever 75 00:03:32,000 --> 00:03:34,159 two 76 00:03:34,159 --> 00:03:35,120 one 77 00:03:35,120 --> 00:03:36,000 two 78 00:03:36,000 --> 00:03:39,910 one two three four 79 00:03:39,910 --> 00:03:43,169 [Music] 80 00:03:45,460 --> 00:03:48,580 [Music] 81 00:03:57,280 --> 00:03:59,200 some state john bonham's half-time 82 00:03:59,200 --> 00:04:01,239 shuffle was inspired by steely dan's 83 00:04:01,239 --> 00:04:04,080 1977 song home at last featuring 84 00:04:04,080 --> 00:04:06,010 legendary drummer bernard purdy 85 00:04:06,010 --> 00:04:09,520 [Music] 86 00:04:09,599 --> 00:04:11,439 the pretty shuffle goes something like 87 00:04:11,439 --> 00:04:14,439 this 88 00:04:14,799 --> 00:04:16,959 toto's jeff borcaro would later pay 89 00:04:16,959 --> 00:04:19,359 tribute to these songs on the 1982 hit 90 00:04:19,359 --> 00:04:22,000 rosanna i used the halftime shuffle 91 00:04:22,000 --> 00:04:24,160 groove on the tune rosanna the total cut 92 00:04:24,160 --> 00:04:26,479 i stole that beat from listening to two 93 00:04:26,479 --> 00:04:27,520 records 94 00:04:27,520 --> 00:04:30,400 one was home at last another is the john 95 00:04:30,400 --> 00:04:32,720 bonham on a fool in the rain as led 96 00:04:32,720 --> 00:04:34,320 zeppelin tune 97 00:04:34,320 --> 00:04:36,080 the bernard purdy thing 98 00:04:36,080 --> 00:04:37,440 i like to call it the bernard purdy 99 00:04:37,440 --> 00:04:40,900 halftime shuffle is basically this 100 00:04:40,900 --> 00:04:43,360 [Music] 101 00:04:43,360 --> 00:04:45,759 the john bonham beat that i copied from 102 00:04:45,759 --> 00:04:48,990 fool in the rain was something like this 103 00:04:48,990 --> 00:04:52,319 [Music] 104 00:04:52,320 --> 00:04:53,919 for rosanna 105 00:04:53,919 --> 00:04:55,280 i added 106 00:04:55,280 --> 00:04:57,120 the bo diddley figure it's a shuffle bow 107 00:04:57,120 --> 00:04:59,840 diddly figure 108 00:05:01,199 --> 00:05:02,160 putting them together this is what it 109 00:05:02,160 --> 00:05:03,630 came up with 110 00:05:03,630 --> 00:05:05,840 [Music] 111 00:05:05,840 --> 00:05:08,320 jones piano motif is a clever variation 112 00:05:08,320 --> 00:05:13,240 on richie valen's la bamba from 1958 113 00:05:16,720 --> 00:05:18,800 plant delivers his storytelling vocals 114 00:05:18,800 --> 00:05:20,720 about a man supposed to meet a woman in 115 00:05:20,720 --> 00:05:22,400 a certain corner street address on a 116 00:05:22,400 --> 00:05:24,479 rainy evening when she doesn't show up 117 00:05:24,479 --> 00:05:26,639 he thinks he's been fooled phil collins 118 00:05:26,639 --> 00:05:28,560 would later revisit the same topic on 119 00:05:28,560 --> 00:05:31,120 genesis 1980 hit song misunderstanding 120 00:05:31,120 --> 00:05:33,520 and yes this track was also recorded at 121 00:05:33,520 --> 00:05:36,840 polar studios 122 00:05:37,500 --> 00:05:40,240 [Music] 123 00:05:40,240 --> 00:05:41,919 full in the rain pushed the envelope of 124 00:05:41,919 --> 00:05:44,320 what zeppelin could tackle robert plant 125 00:05:44,320 --> 00:05:46,560 was a big soccer fan himself which makes 126 00:05:46,560 --> 00:05:49,280 people wonder if the 1978 world cup had 127 00:05:49,280 --> 00:05:51,120 an influence on the song's famous middle 128 00:05:51,120 --> 00:05:53,520 section the zeppelin samba starts off 129 00:05:53,520 --> 00:05:55,360 with james's latin-flavored piano 130 00:05:55,360 --> 00:05:57,360 grooves plus additional effects courtesy 131 00:05:57,360 --> 00:06:01,160 of his yamaha gx1 132 00:06:14,960 --> 00:06:17,120 bonham's army of drums timpani wood 133 00:06:17,120 --> 00:06:19,039 locks percussion and whistle sounds 134 00:06:19,039 --> 00:06:21,280 built up in full carnival fashion bonzo 135 00:06:21,280 --> 00:06:23,039 had explored the idea of multi-layered 136 00:06:23,039 --> 00:06:26,240 rhythms back the 1976 studio experiment 137 00:06:26,240 --> 00:06:28,639 bonzo's mantra which remained unreleased 138 00:06:28,639 --> 00:06:32,680 at the time of and through the outdoor 139 00:06:36,560 --> 00:06:38,800 fool in the rain is uh 140 00:06:38,800 --> 00:06:41,360 most unusual for us really because 141 00:06:41,360 --> 00:06:42,639 well i don't think we would have played 142 00:06:42,639 --> 00:06:45,840 it had situations been different but 143 00:06:45,840 --> 00:06:49,039 with the world cup in argentina 144 00:06:49,039 --> 00:06:50,080 in uh 145 00:06:50,080 --> 00:06:51,919 78 and a lot of this kind of south 146 00:06:51,919 --> 00:06:53,840 american thing going around 147 00:06:53,840 --> 00:06:56,400 and it being every time you watched any 148 00:06:56,400 --> 00:06:57,919 soccer on television it was always a 149 00:06:57,919 --> 00:07:00,240 south american kind of rhythm thing that 150 00:07:00,240 --> 00:07:04,080 going on it's not an attempt to be 151 00:07:04,080 --> 00:07:06,639 carlos santana or anything like that 152 00:07:06,639 --> 00:07:08,479 it's kind of a little bit diversified 153 00:07:08,479 --> 00:07:10,400 from straightforward 154 00:07:10,400 --> 00:07:11,360 you know 155 00:07:11,360 --> 00:07:13,120 instead of a traditional league guitar 156 00:07:13,120 --> 00:07:15,280 tone jimmy's octave pedal solo was a 157 00:07:15,280 --> 00:07:17,120 great choice as it doesn't compete with 158 00:07:17,120 --> 00:07:19,599 the song's motif but plays along with it 159 00:07:19,599 --> 00:07:21,520 a refreshing approach that despite his 160 00:07:21,520 --> 00:07:23,680 personal battles at the time showcased 161 00:07:23,680 --> 00:07:25,520 his great studio instincts for sound 162 00:07:25,520 --> 00:07:28,000 design his acoustic guitar work and 163 00:07:28,000 --> 00:07:30,000 jones piano counterpoint in the last 164 00:07:30,000 --> 00:07:32,240 part of the song are deceptively simple 165 00:07:32,240 --> 00:07:34,080 the level of gusto and musicianship 166 00:07:34,080 --> 00:07:35,599 reminds us while they were some of 167 00:07:35,599 --> 00:07:37,280 england's hottest session hands back in 168 00:07:37,280 --> 00:07:40,440 the 60s 169 00:07:52,560 --> 00:07:54,560 mexican rockers mana covered this song 170 00:07:54,560 --> 00:07:57,440 in 1995 as tonto en la luvia 171 00:07:57,440 --> 00:07:59,840 instrumentally speaking it's good vocal 172 00:07:59,840 --> 00:08:01,919 is speaking i don't know rick you be the 173 00:08:01,919 --> 00:08:02,960 judge 174 00:08:02,960 --> 00:08:13,599 [Music] 175 00:08:13,599 --> 00:08:16,599 love 176 00:08:19,870 --> 00:08:30,220 [Music] 177 00:08:32,340 --> 00:08:38,889 [Music] 178 00:08:40,240 --> 00:08:43,240 oh 179 00:08:46,060 --> 00:08:49,170 [Music] 180 00:09:16,410 --> 00:09:18,959 [Music] 181 00:09:18,959 --> 00:09:21,959 is 182 00:10:15,200 --> 00:10:18,200 um 183 00:10:23,440 --> 00:10:26,480 up until the summer of 1979 the american 184 00:10:26,480 --> 00:10:28,560 recording industry was experiencing one 185 00:10:28,560 --> 00:10:30,399 of the worst slumps in its history for 186 00:10:30,399 --> 00:10:32,640 several reasons massive returns of 187 00:10:32,640 --> 00:10:35,600 unsold records by retail outlets disco 188 00:10:35,600 --> 00:10:38,480 music sold singles not albums slumping 189 00:10:38,480 --> 00:10:40,480 sales by nearly all record companies 190 00:10:40,480 --> 00:10:44,079 after 25-year growth rate of 20 per year 191 00:10:44,079 --> 00:10:45,760 soundtracks for greece and saturday 192 00:10:45,760 --> 00:10:48,640 night fever sold 27 million units and 193 00:10:48,640 --> 00:10:50,320 record companies thought this would be 194 00:10:50,320 --> 00:10:52,480 the norm a rise in the sales of blank 195 00:10:52,480 --> 00:10:54,800 recording tape home taping was becoming 196 00:10:54,800 --> 00:10:56,880 a problem it suggested a tendency for 197 00:10:56,880 --> 00:10:58,640 music lovers to record songs from 198 00:10:58,640 --> 00:11:00,399 borrowed albums or radio 199 00:11:00,399 --> 00:11:02,079 infringe outdoor was intended for 200 00:11:02,079 --> 00:11:04,079 release before the band's twin concerts 201 00:11:04,079 --> 00:11:06,160 at net worth but production delays kept 202 00:11:06,160 --> 00:11:08,000 this from happening so the album that 203 00:11:08,000 --> 00:11:10,079 came out two weeks ago unfortunately got 204 00:11:10,079 --> 00:11:12,079 a bit delayed again unless it was a 205 00:11:12,079 --> 00:11:15,600 fortnight ago then it was a week ago now 206 00:11:15,600 --> 00:11:17,440 it's next friday 207 00:11:17,440 --> 00:11:19,920 just goes on and on and on 208 00:11:19,920 --> 00:11:22,399 in the uh neolithic caves in peru 209 00:11:22,399 --> 00:11:23,760 they've been finding a lot of coloured 210 00:11:23,760 --> 00:11:25,200 drawings 211 00:11:25,200 --> 00:11:26,640 on the walls 212 00:11:26,640 --> 00:11:28,079 along with the colored drawings they 213 00:11:28,079 --> 00:11:28,920 also found a 214 00:11:28,920 --> 00:11:30,480 [Music] 215 00:11:30,480 --> 00:11:32,560 new album cover we're managing to get 216 00:11:32,560 --> 00:11:34,640 the album out in about two weeks 217 00:11:34,640 --> 00:11:36,399 as you've no doubt read the reviews it's 218 00:11:36,399 --> 00:11:38,959 tremendous 219 00:11:39,440 --> 00:11:41,120 you can imagine 220 00:11:41,120 --> 00:11:43,560 the album was released on august 15 221 00:11:43,560 --> 00:11:47,360 1979. it's called in through the outdoor 222 00:11:47,360 --> 00:11:48,750 which is 223 00:11:48,750 --> 00:11:50,640 [Applause] 224 00:11:50,640 --> 00:11:52,560 one of those methods of entry that 225 00:11:52,560 --> 00:11:54,240 proves to be 226 00:11:54,240 --> 00:11:56,660 harder than one would originally expect 227 00:11:56,660 --> 00:12:09,440 [Music] 228 00:12:09,440 --> 00:12:11,440 led zeppelin's new album gave the whole 229 00:12:11,440 --> 00:12:13,279 industry a shot in the arm while 230 00:12:13,279 --> 00:12:15,360 boosting sales figures for many artists 231 00:12:15,360 --> 00:12:17,680 in the process in three days it was the 232 00:12:17,680 --> 00:12:19,760 number one album in the united states 233 00:12:19,760 --> 00:12:21,680 just the second time in record world's 234 00:12:21,680 --> 00:12:24,399 history it has happened it sold 1.7 235 00:12:24,399 --> 00:12:28,320 million copies within weeks of release 236 00:12:32,000 --> 00:12:34,000 contrary to modern day historians who 237 00:12:34,000 --> 00:12:35,920 insist the album was not well received 238 00:12:35,920 --> 00:12:38,240 it remained on the us top spot for seven 239 00:12:38,240 --> 00:12:40,399 weeks three million copies were shipped 240 00:12:40,399 --> 00:12:43,040 by the end of september as a result the 241 00:12:43,040 --> 00:12:45,040 band occupied a record breaking nine 242 00:12:45,040 --> 00:12:47,120 places on the billboard top 200 for the 243 00:12:47,120 --> 00:12:49,600 week of october 27th with every album in 244 00:12:49,600 --> 00:12:53,140 that catalog on the charts 245 00:12:53,140 --> 00:12:53,710 [Music] 246 00:12:53,710 --> 00:12:57,619 [Applause] 247 00:12:59,279 --> 00:13:00,959 i told paige that one or two people 248 00:13:00,959 --> 00:13:02,560 would be here but he said he doubted it 249 00:13:02,560 --> 00:13:04,399 very much well i can't tell you how it 250 00:13:04,399 --> 00:13:08,480 feels you've got a good idea anyway 251 00:13:10,000 --> 00:13:10,820 but it's great 252 00:13:10,820 --> 00:13:13,839 [Applause] 253 00:13:13,839 --> 00:13:15,360 and 254 00:13:15,360 --> 00:13:18,000 but as an album goes 255 00:13:18,000 --> 00:13:20,320 there are several tracks that are that 256 00:13:20,320 --> 00:13:21,600 are 257 00:13:21,600 --> 00:13:24,880 well they're quite uh diverse 258 00:13:24,880 --> 00:13:27,920 in their very foundation really 259 00:13:27,920 --> 00:13:30,160 you see when i 260 00:13:30,160 --> 00:13:32,000 i had no intention of playing again at 261 00:13:32,000 --> 00:13:32,880 all 262 00:13:32,880 --> 00:13:35,200 or even being a part of anything again 263 00:13:35,200 --> 00:13:37,920 particularly and so when the time came 264 00:13:37,920 --> 00:13:38,800 that it 265 00:13:38,800 --> 00:13:41,279 that i was faced with 266 00:13:41,279 --> 00:13:43,600 either saying goodbye to my fellows and 267 00:13:43,600 --> 00:13:44,560 uh 268 00:13:44,560 --> 00:13:46,800 and doing something totally new not 269 00:13:46,800 --> 00:13:48,639 particularly musically or 270 00:13:48,639 --> 00:13:50,720 or whatever and we had 271 00:13:50,720 --> 00:13:52,480 we got together i said yeah well if i'm 272 00:13:52,480 --> 00:13:54,880 going to do anything at all 273 00:13:54,880 --> 00:13:58,399 it obviously has to be 274 00:13:58,399 --> 00:13:59,199 uh 275 00:13:59,199 --> 00:14:01,120 it's just got to keep changing it always 276 00:14:01,120 --> 00:14:02,560 has changed to a degree but i just 277 00:14:02,560 --> 00:14:03,760 wanted it to 278 00:14:03,760 --> 00:14:05,839 like be a little more mellow or to to 279 00:14:05,839 --> 00:14:07,279 explore 280 00:14:07,279 --> 00:14:08,560 facets that normally we would have 281 00:14:08,560 --> 00:14:10,399 thrown out as being a wee bit too soft 282 00:14:10,399 --> 00:14:13,360 aspects of us that 283 00:14:13,760 --> 00:14:14,880 weren't 284 00:14:14,880 --> 00:14:17,440 probably what people quite expected and 285 00:14:17,440 --> 00:14:19,600 i think really that is 286 00:14:19,600 --> 00:14:21,839 going to be in the next few years our 287 00:14:21,839 --> 00:14:24,160 ability to stay around you the fact that 288 00:14:24,160 --> 00:14:26,000 we're now prepared to explore even 289 00:14:26,000 --> 00:14:28,639 further and this album really is just 290 00:14:28,639 --> 00:14:30,959 the kind of foot in the door yeah for 291 00:14:30,959 --> 00:14:33,199 the next few years to come but isn't 292 00:14:33,199 --> 00:14:34,399 that one of the things that kind of has 293 00:14:34,399 --> 00:14:36,560 been a hallmark of late zeppelin surely 294 00:14:36,560 --> 00:14:38,399 but i think this is like uh 295 00:14:38,399 --> 00:14:40,639 at this point this album 296 00:14:40,639 --> 00:14:41,680 is 297 00:14:41,680 --> 00:14:43,920 even more demonstrative of that that 298 00:14:43,920 --> 00:14:45,839 kind of principle 299 00:14:45,839 --> 00:14:49,279 where you could get a lot of people who 300 00:14:49,279 --> 00:14:51,839 considered that zeptin were only 301 00:14:51,839 --> 00:14:53,199 good for like 302 00:14:53,199 --> 00:14:56,000 the very heavy aspects of things or 303 00:14:56,000 --> 00:14:59,199 heavy blatantly heavy i mean you can be 304 00:14:59,199 --> 00:15:01,199 you can be dramatic without being like 305 00:15:01,199 --> 00:15:03,519 uh thunderous you know 306 00:15:03,519 --> 00:15:05,680 and looming and so i think this album 307 00:15:05,680 --> 00:15:08,480 really is like the sort of the kind of 308 00:15:08,480 --> 00:15:10,320 look whatever california don't like it 309 00:15:10,320 --> 00:15:12,720 but i think really it's just shown that 310 00:15:12,720 --> 00:15:14,880 after uh 311 00:15:14,880 --> 00:15:17,040 dismissing all ideas of 312 00:15:17,040 --> 00:15:19,199 of creativity on a musical level for a 313 00:15:19,199 --> 00:15:20,240 while 314 00:15:20,240 --> 00:15:22,639 that it came back the way it did 315 00:15:22,639 --> 00:15:23,519 you know 316 00:15:23,519 --> 00:15:26,320 and it's good it's interesting it's 317 00:15:26,320 --> 00:15:27,760 probably 318 00:15:27,760 --> 00:15:29,839 the sign of a lot more better things to 319 00:15:29,839 --> 00:15:31,839 come you know i think we had a stagnant 320 00:15:31,839 --> 00:15:33,440 period which we played through to a 321 00:15:33,440 --> 00:15:35,680 degree after the accident 322 00:15:35,680 --> 00:15:38,399 and i think now it's um 323 00:15:38,399 --> 00:15:40,079 well i think we were so grateful when we 324 00:15:40,079 --> 00:15:41,920 got in a studio together and found that 325 00:15:41,920 --> 00:15:44,480 we could still create and it was still 326 00:15:44,480 --> 00:15:46,720 interesting and it wasn't a bluff 327 00:15:46,720 --> 00:15:47,839 you know 328 00:15:47,839 --> 00:15:49,440 that's probably like the the kind of 329 00:15:49,440 --> 00:15:53,040 hallmark of times ahead if it ain't i'm 330 00:15:53,040 --> 00:15:55,680 off you know peter grant once joked how 331 00:15:55,680 --> 00:15:57,839 led zeppelin's albums would sell even if 332 00:15:57,839 --> 00:16:00,320 they were packaged in a paper bag so he 333 00:16:00,320 --> 00:16:02,560 decided to put his theory to the test 334 00:16:02,560 --> 00:16:04,560 the lp's expensive cover art was 335 00:16:04,560 --> 00:16:06,880 concealed inside a brown paper bag this 336 00:16:06,880 --> 00:16:08,639 way fans didn't know which of the six 337 00:16:08,639 --> 00:16:10,639 cover variations they would get the 338 00:16:10,639 --> 00:16:12,399 album cover was designed by storm 339 00:16:12,399 --> 00:16:14,880 fortisson from hypnosis he worked with a 340 00:16:14,880 --> 00:16:17,120 band on previous records as well as the 341 00:16:17,120 --> 00:16:19,920 likes of pink floyd genesis yes and tent 342 00:16:19,920 --> 00:16:22,320 cc in through the outdoor had six 343 00:16:22,320 --> 00:16:23,680 different sleeves 344 00:16:23,680 --> 00:16:26,399 letters a to f the photo session took 345 00:16:26,399 --> 00:16:28,959 place in london the cetri created one of 346 00:16:28,959 --> 00:16:30,959 the band's favorite bars in the united 347 00:16:30,959 --> 00:16:33,519 states the old absinthe house in new 348 00:16:33,519 --> 00:16:35,960 orleans 349 00:16:35,960 --> 00:16:41,760 [Music] 350 00:16:44,760 --> 00:16:53,920 [Music] 351 00:16:53,920 --> 00:16:55,759 both front and back covers display the 352 00:16:55,759 --> 00:16:57,199 perspective from each of the six 353 00:16:57,199 --> 00:16:59,840 characters in the scene 354 00:16:59,840 --> 00:17:10,549 [Music] 355 00:17:13,040 --> 00:17:18,859 [Music] 356 00:17:19,280 --> 00:17:21,439 all back covers features sepia toned 357 00:17:21,439 --> 00:17:23,120 photograph with the man about to burn 358 00:17:23,120 --> 00:17:23,750 the letter 359 00:17:23,750 --> 00:17:31,589 [Music] 360 00:17:31,600 --> 00:17:33,360 the main character is holding a dear 361 00:17:33,360 --> 00:17:35,280 john letter these letters were written 362 00:17:35,280 --> 00:17:37,039 to men by their wives or romantic 363 00:17:37,039 --> 00:17:38,480 partners to inform them that their 364 00:17:38,480 --> 00:17:40,480 relationship was over usually because 365 00:17:40,480 --> 00:17:42,640 their partner found another lover these 366 00:17:42,640 --> 00:17:44,480 were unfortunately popular during times 367 00:17:44,480 --> 00:17:47,440 of war including vietnam 368 00:17:47,440 --> 00:17:49,120 in through the outdoor featured an 369 00:17:49,120 --> 00:17:51,280 unusual gimmick the inner sleeve had a 370 00:17:51,280 --> 00:17:53,120 black and white dotted line artwork 371 00:17:53,120 --> 00:17:55,200 which if washed with water would become 372 00:17:55,200 --> 00:17:57,440 colored because of its production cost 373 00:17:57,440 --> 00:18:01,039 this feature was discontinued after 1980 374 00:18:01,039 --> 00:18:02,960 the album was nominated for a grammy 375 00:18:02,960 --> 00:18:04,720 award in the category of best album 376 00:18:04,720 --> 00:18:07,200 package the award went to super trump's 377 00:18:07,200 --> 00:18:09,200 breakfast in america 378 00:18:09,200 --> 00:18:12,480 another one of atlantic's 1979 releases 379 00:18:12,480 --> 00:18:14,720 shares some striking design similarities 380 00:18:14,720 --> 00:18:16,960 within through the outdoor sheik's third 381 00:18:16,960 --> 00:18:20,320 studio album risque american graphic 382 00:18:20,320 --> 00:18:22,240 designer karen goldberg worked on this 383 00:18:22,240 --> 00:18:24,799 project and it was released in july like 384 00:18:24,799 --> 00:18:27,760 zeppelin's album risque had seven songs 385 00:18:27,760 --> 00:18:29,600 it featured drummer tony thompson who 386 00:18:29,600 --> 00:18:31,840 would later join phil collins plus page 387 00:18:31,840 --> 00:18:34,400 plant and jones on the 1985 live eight 388 00:18:34,400 --> 00:18:36,960 performance thompson was then invited to 389 00:18:36,960 --> 00:18:38,480 england for rehearsals for a led 390 00:18:38,480 --> 00:18:40,400 zeppelin reunion which was cancelled 391 00:18:40,400 --> 00:18:42,160 after thompson was badly injured in a 392 00:18:42,160 --> 00:18:44,880 car crash tony thompson died from cancer 393 00:18:44,880 --> 00:18:47,919 in 2003 394 00:18:47,919 --> 00:18:49,840 both full in the rain and hot dog were 395 00:18:49,840 --> 00:18:52,720 published as singles in 1979. 396 00:18:52,720 --> 00:18:54,400 wearing and tearing was to be released 397 00:18:54,400 --> 00:18:56,000 as a promo single prior to their 398 00:18:56,000 --> 00:18:57,919 networth shows but the idea was 399 00:18:57,919 --> 00:19:00,240 discarded the eight-track version has 400 00:19:00,240 --> 00:19:02,799 the brown paper baggers cover cassette 401 00:19:02,799 --> 00:19:05,120 tape copies use the brown paper back 402 00:19:05,120 --> 00:19:06,960 plus the first and second sleeve is 403 00:19:06,960 --> 00:19:07,840 cover 404 00:19:07,840 --> 00:19:10,080 cd versions of the album do not feature 405 00:19:10,080 --> 00:19:11,760 all six cover sleeves 406 00:19:11,760 --> 00:19:13,919 the 1980 print has the title over the 407 00:19:13,919 --> 00:19:16,240 second sleeve back cover is a solid 408 00:19:16,240 --> 00:19:18,200 color plus track listing 409 00:19:18,200 --> 00:19:20,880 1993's complete studio recordings has 410 00:19:20,880 --> 00:19:23,360 the brown paper bag as cover all six 411 00:19:23,360 --> 00:19:24,960 sleeves are printed in the assorted 412 00:19:24,960 --> 00:19:28,799 booklet the 1994 through 2007 editions 413 00:19:28,799 --> 00:19:31,120 have the second sleeve as main cover the 414 00:19:31,120 --> 00:19:32,880 sixth sleeve is also featured on the 415 00:19:32,880 --> 00:19:34,720 booklet which can be interchangeable by 416 00:19:34,720 --> 00:19:36,960 the collector as well as one cpu toned 417 00:19:36,960 --> 00:19:39,440 photo the tracklist is displayed on a 418 00:19:39,440 --> 00:19:41,120 photograph from one of the original 419 00:19:41,120 --> 00:19:42,600 vinyl back covers 420 00:19:42,600 --> 00:19:45,200 2008's 40th anniversary collection of 421 00:19:45,200 --> 00:19:47,600 vinyl replicas features all six sleeves 422 00:19:47,600 --> 00:19:50,640 plus the paper bag 2015's remaster is a 423 00:19:50,640 --> 00:19:52,640 vinyl replica featuring the first sleeve 424 00:19:52,640 --> 00:19:55,440 only brown paper bag is included as well 425 00:19:55,440 --> 00:19:57,600 as a booklet plus companion disc with a 426 00:19:57,600 --> 00:19:59,360 negative photo effect version of the 427 00:19:59,360 --> 00:20:00,320 cover 428 00:20:00,320 --> 00:20:03,360 2015 super deluxe edition includes two 429 00:20:03,360 --> 00:20:05,039 cds for the remastered album and 430 00:20:05,039 --> 00:20:06,400 companion disc 431 00:20:06,400 --> 00:20:10,320 two lps an 80 page book digital download 432 00:20:10,320 --> 00:20:13,840 card and limited number print 433 00:20:13,919 --> 00:20:16,160 led zeppelin's last three studio album 434 00:20:16,160 --> 00:20:18,080 covers feature an incident that happened 435 00:20:18,080 --> 00:20:20,559 prior to their release physical graffiti 436 00:20:20,559 --> 00:20:22,640 depicts a new york apartment some of the 437 00:20:22,640 --> 00:20:24,400 band's touring money was stolen in new 438 00:20:24,400 --> 00:20:27,120 york during their 1973 shows at madison 439 00:20:27,120 --> 00:20:29,440 square garden presence features a boat 440 00:20:29,440 --> 00:20:31,280 exhibition at earl's court this was the 441 00:20:31,280 --> 00:20:33,039 last venue the band played during the 442 00:20:33,039 --> 00:20:35,760 1975 tour in through the outdoor 443 00:20:35,760 --> 00:20:37,679 features a recreation of a bar in new 444 00:20:37,679 --> 00:20:39,600 orleans the city where robert plant 445 00:20:39,600 --> 00:20:41,520 received the tragic news about carax 446 00:20:41,520 --> 00:20:43,120 passing and the tour was cancelled 447 00:20:43,120 --> 00:20:45,200 immediately it's no surprise that the 448 00:20:45,200 --> 00:20:48,080 other top four selling albums from 1979 449 00:20:48,080 --> 00:20:49,600 came after and through the outdoor was 450 00:20:49,600 --> 00:20:51,919 published here's a list of sales figures 451 00:20:51,919 --> 00:20:55,159 at the time 452 00:21:09,520 --> 00:21:11,520 in through the outdoors main character 453 00:21:11,520 --> 00:21:13,360 had an influence on michael jackson's 454 00:21:13,360 --> 00:21:16,919 moonwalker project 455 00:21:29,679 --> 00:21:33,280 uh a hot dog 456 00:21:33,440 --> 00:21:35,760 owes everything to uh 457 00:21:35,760 --> 00:21:37,919 audrey 458 00:21:37,919 --> 00:21:39,600 from the state of texas yeah to the 459 00:21:39,600 --> 00:21:41,440 state of texas into the state of some of 460 00:21:41,440 --> 00:21:45,000 the people in texas 461 00:21:47,520 --> 00:21:49,600 this is a 462 00:21:49,600 --> 00:21:52,880 track from it that we should 463 00:21:54,080 --> 00:21:56,240 dedicate to 464 00:21:56,240 --> 00:21:58,710 trials in america 465 00:21:58,710 --> 00:22:01,360 [Music] 466 00:22:01,360 --> 00:22:03,840 yeah how come you know what it's called 467 00:22:03,840 --> 00:22:05,600 you've been reading about the swedish 468 00:22:05,600 --> 00:22:07,840 investigation 469 00:22:07,840 --> 00:22:10,120 hotdog 470 00:22:10,120 --> 00:22:23,200 [Music] 471 00:22:23,200 --> 00:22:25,440 a rockable tribute in pastiche that owes 472 00:22:25,440 --> 00:22:27,679 much to the state of texas the band 473 00:22:27,679 --> 00:22:29,520 would rarely do sound checks while on 474 00:22:29,520 --> 00:22:31,520 tour but when they did it was usually 475 00:22:31,520 --> 00:22:33,200 down to a list of elvis presley and 476 00:22:33,200 --> 00:22:35,600 ricky nelson covers medleys and whole 477 00:22:35,600 --> 00:22:38,720 lotta love up to 1972 featured old-time 478 00:22:38,720 --> 00:22:41,039 classics like marilu which seems to be 479 00:22:41,039 --> 00:22:45,480 the main inspiration for hot dog 480 00:22:48,090 --> 00:22:54,000 [Music] 481 00:22:54,000 --> 00:22:56,400 the song was developed on the 1978 482 00:22:56,400 --> 00:22:58,720 rehearsals breaking into hotdog after 483 00:22:58,720 --> 00:23:00,480 working on their new album's complex 484 00:23:00,480 --> 00:23:02,480 songs seems like a good stress relief 485 00:23:02,480 --> 00:23:04,880 therapy 486 00:23:06,080 --> 00:23:08,320 jimmy played a telecaster b bender and a 487 00:23:08,320 --> 00:23:10,320 brief but very audible acoustic bit on 488 00:23:10,320 --> 00:23:12,320 this song he always seemed to have 489 00:23:12,320 --> 00:23:14,559 problems when replicating hotdogs guitar 490 00:23:14,559 --> 00:23:17,280 lines on stage jones adds his favorite 491 00:23:17,280 --> 00:23:19,520 piano bar tricks along bonzo's upbeat 492 00:23:19,520 --> 00:23:21,280 drumming for a road down memory lane to 493 00:23:21,280 --> 00:23:24,300 the early days of rock and roll 494 00:23:24,300 --> 00:23:30,320 [Music] 495 00:23:30,320 --> 00:23:32,080 concert versions of the song featured 496 00:23:32,080 --> 00:23:33,919 robert vocals run through an even tight 497 00:23:33,919 --> 00:23:36,320 harmonizer we can trace the effect back 498 00:23:36,320 --> 00:23:40,760 to the 1977 tour 499 00:23:43,010 --> 00:23:51,539 [Music] 500 00:23:53,580 --> 00:23:56,400 [Applause] 501 00:23:56,400 --> 00:23:59,200 by late 1979 peter grant lived an 502 00:23:59,200 --> 00:24:01,679 isolated life in his mansion and being 503 00:24:01,679 --> 00:24:03,600 out of reach affected his relationship 504 00:24:03,600 --> 00:24:05,919 with led zeppelin plant cautiously 505 00:24:05,919 --> 00:24:08,240 agreed to go back on the road promoter 506 00:24:08,240 --> 00:24:09,760 harvey goldsmith had lined up a 507 00:24:09,760 --> 00:24:11,600 provisional tour in europe but nobody 508 00:24:11,600 --> 00:24:13,919 could make a move until peter said so 509 00:24:13,919 --> 00:24:15,600 november 28th 510 00:24:15,600 --> 00:24:17,840 jones plant and bonham attended the 511 00:24:17,840 --> 00:24:20,320 melody maker poll awards they received 512 00:24:20,320 --> 00:24:23,440 awards for best band best live act album 513 00:24:23,440 --> 00:24:26,640 singer guitarist producer and composer 514 00:24:26,640 --> 00:24:28,880 jimmy page was absent and unable to 515 00:24:28,880 --> 00:24:30,720 attend the ceremony as he was a witness 516 00:24:30,720 --> 00:24:32,720 at the trial for the death of a friend 517 00:24:32,720 --> 00:24:35,360 philip churchill hale a 26 year old 518 00:24:35,360 --> 00:24:37,440 photographer and recent graduate of the 519 00:24:37,440 --> 00:24:39,600 royal college of art was found dead on 520 00:24:39,600 --> 00:24:41,840 october 24th at jimmy's plumpton place 521 00:24:41,840 --> 00:24:44,880 home the 50-acre estate in east sussex 522 00:24:44,880 --> 00:24:48,080 had been paige's residence since 1971. 523 00:24:48,080 --> 00:24:50,480 it included a purpose-built home studio 524 00:24:50,480 --> 00:24:52,400 where he finished the mixing process for 525 00:24:52,400 --> 00:24:54,640 and through the outdoor with paige being 526 00:24:54,640 --> 00:24:56,799 frequently away touring or traveling he 527 00:24:56,799 --> 00:24:58,400 would entrust the house to the care of 528 00:24:58,400 --> 00:25:00,880 phillip hale they became good friends 529 00:25:00,880 --> 00:25:03,279 after meeting in the london pub paige's 530 00:25:03,279 --> 00:25:05,840 housekeeper barbara spencer told how she 531 00:25:05,840 --> 00:25:07,919 arrived at the house to begin work at 9 532 00:25:07,919 --> 00:25:08,880 00 am 533 00:25:08,880 --> 00:25:10,720 hale was asleep in a bedroom known as 534 00:25:10,720 --> 00:25:11,919 the black room 535 00:25:11,919 --> 00:25:14,480 spencer said that paige went to bed soon 536 00:25:14,480 --> 00:25:16,159 when she went away kale there was no 537 00:25:16,159 --> 00:25:18,720 response and called an ambulance hale 538 00:25:18,720 --> 00:25:21,120 was pronounced dead paige's testimony 539 00:25:21,120 --> 00:25:22,640 recalled how hail and a friend had 540 00:25:22,640 --> 00:25:24,720 arrived at his home for drinks paige 541 00:25:24,720 --> 00:25:26,799 said he intended to go to bed and he 542 00:25:26,799 --> 00:25:28,559 lost if he could stay the night which 543 00:25:28,559 --> 00:25:30,480 paige allowed the verdict ruled 544 00:25:30,480 --> 00:25:32,640 accidental death by inhalation of vomit 545 00:25:32,640 --> 00:25:35,200 and asphyxia the autopsy revealed traces 546 00:25:35,200 --> 00:25:37,600 of cocaine and alcohol paige soul 547 00:25:37,600 --> 00:25:39,279 plumped in place and moved to actor 548 00:25:39,279 --> 00:25:41,120 michael caine's old house in kluwer 549 00:25:41,120 --> 00:25:43,760 windsor in 1980 little did he know 550 00:25:43,760 --> 00:25:45,600 history would repeat itself in less than 551 00:25:45,600 --> 00:25:48,240 a year december 29th 552 00:25:48,240 --> 00:25:50,159 plant jones and bonham attended the 553 00:25:50,159 --> 00:25:52,400 final night of concert for the people of 554 00:25:52,400 --> 00:25:55,279 campacha led by paul mccartney robert 555 00:25:55,279 --> 00:25:57,360 plant joined dave edmonds rock pile for 556 00:25:57,360 --> 00:25:59,440 a version of little sister it's also 557 00:25:59,440 --> 00:26:00,880 funny to come off stage and elvis 558 00:26:00,880 --> 00:26:02,480 costello 559 00:26:02,480 --> 00:26:04,000 turned to me and he said i never ever 560 00:26:04,000 --> 00:26:05,360 thought i'd hear dave edmonds do 561 00:26:05,360 --> 00:26:09,960 stairway to heaven which is quite funny 562 00:26:10,090 --> 00:26:11,360 [Music] 563 00:26:11,360 --> 00:26:13,520 mccartney's climax to the wing set was 564 00:26:13,520 --> 00:26:15,120 playing the orchestra theme with all 565 00:26:15,120 --> 00:26:17,560 musicians at the show 566 00:26:17,560 --> 00:26:29,450 [Music] 567 00:26:29,620 --> 00:26:35,440 [Applause] 568 00:26:35,440 --> 00:26:36,960 when do you think the led zeppelin will 569 00:26:36,960 --> 00:26:38,400 tour america because we get that 570 00:26:38,400 --> 00:26:40,720 question asked to us every day 571 00:26:40,720 --> 00:26:42,799 well i don't know it's like when is it 572 00:26:42,799 --> 00:26:45,200 going to rain in england really 573 00:26:45,200 --> 00:26:46,559 so it would be interesting to see what 574 00:26:46,559 --> 00:26:48,799 it's like in america again 575 00:26:48,799 --> 00:26:51,039 especially in dallas 576 00:26:51,039 --> 00:26:52,799 how about los angeles are you strong and 577 00:26:52,799 --> 00:26:54,559 very strong in los angeles and new york 578 00:26:54,559 --> 00:26:56,559 what do we know in los angeles 579 00:26:56,559 --> 00:26:58,799 oh 580 00:26:59,600 --> 00:27:01,200 do you think you'll be able to do it uh 581 00:27:01,200 --> 00:27:03,760 seriously before 1980s out anyway oh 582 00:27:03,760 --> 00:27:05,679 yeah i should think so craig 583 00:27:05,679 --> 00:27:07,360 yeah it's just going to fit in with the 584 00:27:07,360 --> 00:27:08,960 soccer season there 585 00:27:08,960 --> 00:27:10,559 you know we managed to get these two 586 00:27:10,559 --> 00:27:11,760 concerts in 587 00:27:11,760 --> 00:27:13,679 since there's some soccer coming on in 588 00:27:13,679 --> 00:27:15,600 america well we do have the los angeles 589 00:27:15,600 --> 00:27:17,600 aztecs and uh we have got the cosmos in 590 00:27:17,600 --> 00:27:19,120 new york right yeah 591 00:27:19,120 --> 00:27:22,919 but i could play for the aztecs 592 00:27:36,799 --> 00:27:38,880 you38919

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