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[Music]
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thank you
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foreign
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[Music]
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we've had an approach from ABBA or and
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Communications with them they built a
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studio and they really wanted to put it
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on the map so they offered us a great
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deal and we in turn off a Democrat deal
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and we went to Stockholm the worst thing
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about it was that we we had a great deal
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we went there but we went in the winter
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and although the studio itself was
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remarkable at the time going to and from
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it was probably one of the most
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experiences ever it was probably like
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Napoleon's return from Moscow the
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Russian campaign gone wrong and so you
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had to drink several hits of schnapps
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before you could actually even get off
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out of the hotel it was so cold but yeah
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experiments in sand basically and I
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think the drum sound on in through the
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outdoor was really phenomenal you did a
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lot of work on on improving outdoor
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recorded in right in myhometones.com
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wasn't it particularly bad at the time
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um there was probably yes it probably
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Rose to a head but the upshot was that
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we put out a good album of the people
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who were there doing it you know Robert
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and I were at the rehearsals first me
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and Jesse were always there before the
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others we were up so we we put them down
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didn't we but I mean it's always been
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the way of of the band sort of whoever
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gets this first come first served really
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as far as the members are concerned yeah
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if Jimmy gets to the rehearsal place
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first the next album will go totally
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differently
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I'd just taken delivery of this big
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Yamaha
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organ synthesizer thing I mean three
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keyboards and full pedalboard and so as
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is always the way with me I was very
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inspired with this new instrument so I
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just started writing stuff and I had it
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delivered to the rehearsal rooms and I
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was there early playing it yeah and then
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Robert turned up next and by the time
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Bonzo and Jimmy had turned up we kind of
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finished the album we're not written
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most of the album
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is really done before we went into the
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studio and then we went to the studio
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and put it down but not much changed
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from the rehearsal to the studio whereas
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normally the writing um the writing
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process with Led Zeppelin is that an
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idea would start with any member of the
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band perhaps and then everybody would
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work on that and became Zeppelin
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property as it were
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[Music]
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foreign
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[Music]
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[Music]
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foreign
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[Music]
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[Music]
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foreign
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[Music]
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[Music]
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foreign
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[Music]
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[Music]
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foreign
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[Music]
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[Applause]
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[Music]
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foreign
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[Music]
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[Music]
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thank you
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[Music]
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Cara salambra
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which is a peculiar title I suppose
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really
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it got slammed in the British press for
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being once again that tired old mystical
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feel but what it is is in fact an
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extended piece with John Paul doing a
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lot of the kind of work on it well not a
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lot of the kind of work but by dictating
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the movement of the thing it's not on
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one of those nice little hidden things
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where one day the person who it's all
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about okay oh my God is it really like
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that you know it's a long piece and it's
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an interesting piece in a way and that's
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one of the good things really it's it's
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not like Achilles Last Stand which I
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really love but it's it contains some of
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the Majesty that was in that song I mean
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Achilles Last Stand was basically about
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travels and dreams and wishes and
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positivity whereas this is like a
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retrospective
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a period of time and a few characters
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so Carousel Amber is one of the more
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lengthy bits that we do
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[Music]
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the Epic indeed a three-part Suite A
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Trilogy of moments poetry in motion John
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Paul Jones delivers a wild frenzy of
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synthesizer leads futuristic soundscapes
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and pulsating rhythm-based lines a
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progressive suite and a cinematic
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experience for the listener despite
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being heavily associated with this
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iconic guitar this is the only Studio
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track that features Jimmy's Famous
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Gibson Ed s1275 previous recordings had
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Jimmy using a fender electric 12 string
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Carissa lambra gave the double neck
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guitar space to shine those long cord
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openers had page revisiting a similar
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idea found in The Song Remains the Same
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foreign
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[Music]
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's intro features an A Minor sequence
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that is basically 10 Years Gone In
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Reverse
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there's a sense of urgency in the
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revolving sound in this carousel number
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which could explain the song's title as
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British musicians refer to songs as
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numbers and they love a play on words
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Bonham's Groove and fills enhance Jones
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because of keyboard work
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[Music]
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in terms of composition its sums Led
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Zeppelin's story of recent years and
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three parts like a symphony first
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movement Fanfare for the Rockstar men
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adulation and destruction of Veteran
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life the search for excitement fans away
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the heroes expectations High the music
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theme acts like a big announcement the
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landing of the aircraft dwelling
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non-stop moving across the map Led
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Zeppelin searching for another place to
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play plant describes the colorful and at
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the same time Grim Vibes of the Majestic
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Fishbowl microcosmos of excess
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Sisters of the Wayside by their time in
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quiet peace a way that place within the
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Ring of calm still stand to turn in
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seconds of release await the call they
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know may never come in times of
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lightness no Intruder dared upon to
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jeopardize the cause upset the run and
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always joy and hands were raised toward
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the Sun as love in the halls of Plenty
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overrun
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second movement
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[Music]
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an arpeggio instrumental leads us into
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the second part of the song a tired riff
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a cry for help this is Robert at his
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most honest regarding the incidents from
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1977 and what became inevitable it's no
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coincidence that Jimmy buried the vocals
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when mixing the album especially on the
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song where was your word where did you
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go where was your helping where was your
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bow
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does the armor cold as the day hard was
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the journey dark was the way I heard the
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word I couldn't stay I couldn't stand it
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another day
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[Music]
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[Music]
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foreign
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[Music]
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[Applause]
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[Music]
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[Applause]
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[Music]
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[Applause]
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[Music]
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[Applause]
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foreign
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[Applause]
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[Music]
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[Applause]
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[Music]
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[Applause]
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[Music]
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[Applause]
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[Music]
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[Applause]
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foreign
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[Music]
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textures representing present-day
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Zeppelin In 1978 embracing the sounds of
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now in an almost prophetic way Robert
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Plant describes his final days with the
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band he had a foot outside the door
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while fronting Zeppelin in through the
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outdoor
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touched by the timely coming roused from
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the Keeper's sleep release the grip
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throw down the key held now within the
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knowing rest now within the piece take
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of the fruit began the seed
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they had to stay held now within the
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knowing rest now within the peace take
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off the fruit burgard the seed
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[Music]
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foreign
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[Music]
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uh I'm gonna crawl
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it's got nothing to do with carpet Burns
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or anything like that
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in the 60s there were there was a great
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kind of movement with Atlantic Records
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and a lot of little Independent Record
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companies the first thing that Wilson
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Pickett ever did it's too late yes you
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know and all those great slow RMB but
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just going into Seoul
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[Music]
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foreign
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so look well I thought I wanted to just
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do something a little bit like that but
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a little bit
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kind of tongue-in-cheek too God forbid
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that it should be taken seriously and so
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like I mean the lyrics are really
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mundane it's really like she's the apple
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of my eye Vibe you know but it's a great
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great atmosphere I mean really good
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atmosphere and the only thing that's
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missing is the horn section because
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Jersey couldn't learn how to play horns
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in time you know
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but it's great I love that it's really
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good it's very moody
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[Music]
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foreign
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[Music]
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[Music]
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[Music]
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[Music]
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foreign
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[Music]
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[Music]
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scream when the closing moment says it
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all the band crawled their way out of
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Despair into the unknown sights of a new
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decade
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the fitting coder as if they felt the
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end was near or maybe they hoped their
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Brotherhood would never die
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[Music]
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[Music]
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foreign
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I hope you're doing well I just recorded
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a special musical tribute that I wanted
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to share with you guys as you know
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sessions for the album ended up
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circulating as a bootleg recording that
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featured Bonham's isolated drum tracks
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While most of his grooves are
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recognizable there is one song that
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remains Untitled it appears to be taken
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from a synth based number but it doesn't
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sound like anything on the Final Mix for
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info the outdoor using the intro and
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Main Groove I wrote a special tribute
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for the band adding guitar layers over
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bonzo's drums inspired by Jimmy's Latter
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day style this is my take on the last
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song recorded at polar Studios I laid
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down the Bass track first and then built
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the backing track so all guitar layers
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could be recorded on camera I know this
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has been done before but without most
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respect for Led Zeppelin I hope you
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enjoy this guitar layer experiment as
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always thank you for watching please
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subscribe
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stay tuned for episode 7 and the events
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of 1980 a year of Hope expectations and
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tragedy bye bye
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[Music]
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foreign
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foreign
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[Music]19382
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