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I know many of you have been waiting for
this one myself included so here I go
presents Led Zeppelin 7 Studio album
well I covered some of the timeline
events as context and background for my
into the outdoor video series I'm
excited to solely focus on presence as a
historic turning point for the band
musically and psychologically while
their personal finances grew they did
leave a lot of money on the table the
expectations to make up for the last
concert year of 1976 were huge and
dangerously decadent when they came back
on the road with their most ambitious
tour and tragic swan song for North
America into the outdoor was like a
carbon copy of the events of presence or
should I say presidents laid the
groundwork and instructions for any
future emergency landing situations I
have an end to the other type of
fascination with presence let's look at
the parallels between these two albums
which I find quite strange both albums
are preceded by bad news strike in the
planned household with Jimmy Page
remaining optimistic about the future
both albums were recorded in November at
dry sounding Studios owned by pop
masterminds and freezing temperature
European cities both albums have seven
tracks each with an opening song in the
key of E minor a third track with
percussion and a closing ballad with
similar heavy accents and drum symbol
attack both albums have a 50s inspired
track where planet does his best
rockabilly impression and One Track
whose lyrics are a direct jab by one
man-made only three songs from each
album were officially performed under
the name Led Zeppelin 1978 had planned
close to his family thinking about
walking away from the band 1975 had
planned close to Jimmy away from his
family in recovery and worried about
being able to walk ever again eventually
out there was about Hope and getting
back together presence was a survival
piece in the inertia of moving record
sales and decadent chemicals of the mid
70s Rockstar feast so his presence
important yes of course it's a menacing
record worked out in emotionally a
typical yet musically familiar
circumstances unlike their previous
albums up to 1975 which were planned and
ran relatively smooth and the obstacles
Department presence was not planned it
just happened and had the shortest
songwriting preparation of all their
albums forced to cancel a lucrative
series of shows plus Elite singers on
stage career in Jeopardy no other album
in their catalog had this previous mood
and background so it's no wonder this is
a hard rock statement with such Brute
Force humor and careless bravado we
hardcore Zeppelin fans love how presence
doesn't feel like a follow-up to
Physical Graffiti it seems as if the
band had no expectations other than what
the hell just happened presence for me
is like a VIP access private rehearsal
captured on tape without the
expectations of Hadley Grange or British
recording studios you can sense the
relaxed environment of page and plants
Malibu writing sessions against the
silent urgency of not losing their 1975
moment bottom this is a record conceived
in the Los Angeles after party of social
dying hippie trails at the mercy of
self-indulgent destructive human beings
presence has no statement and that's the
beauty and curse of it after Physical
Graffiti they couldn't go for another
keyboard epic or acoustic lighting shade
piece I will not say presence has the
same composition depth and quality of
server to heaven but it created a very
special Club in place where Zeppelin
fans will not be bothered by The
Greatest Hits crowds people seem to
overlook the greatest thing about
presence even with little preparation
and business anxiety they managed to
construct their most rhythmically
complex record learning them on bass
guitar and drums really hits you in the
face with nuances and details that rival
the heaviest of 70s albums the songs are
hard to play and tricky beyond belief
the album has the good high travel
brightness of houses of the Holy the
maniac riffing of Led Zeppelin II and
the good low end of their debut so how
did I discover presence well I'll keep
it short like other albums I've talked
about latter days was my first step into
the material my first reaction was not
that great for Achilles Last Stand it
sounded angry and almost meddled in
places I missed the light and shade
elements of previous works I was never a
big fan of heavy metal I could only
digest so much and sometimes it sounded
like a parody of itself while the
technical proficiency of these bands was
never in doubt I did not revisit metal
that often back in high school my metal
head friends who were into Iron Maiden
loved every minute of Achilles how
couldn't they right I believe Steve
Harris spaced his career on the Baseline
for Achilles Last Stand because of the
metal head appreciation for Achilles I
had a distant relationship with it for
years I Associated a tune with the
average heavy metal fan who had no time
for Zeppelin's acoustic Works calling
them boring I absolutely love the middle
section of nobody's fault but mine with
the bass and drums playing that weird
Rhythm pattern around the guitar Motif
so what made me change my mind okay I
had a music teacher in high school he
had the energy and style of Jack Black
in School of Rock he was a virtuous with
guitar player himself and inspired me to
practice on my second year with the
instrument his name was Alvar matus he
was a 35 year old married man and father
of two back then he was the only teacher
in my Christian School I could share my
passion for Zeppelin and guitar
magazines with I thank him to this day
for sharing his musical knowledge he was
heavy into Jethro Tull Joe Pass and
seven is Prague broke overall it made
him sort of a black sheep among
Christians and he also helped me
understand the politics behind the
organized religion nowadays I see many
types of Fanatics out there trying to
get people to behave a certain way it
reminds me of high school is there any
hope for True freedom of thought anyway
back to the story the year was 2002. my
music teacher Alvaro played in a backup
band for a mega church he was a cool guy
with a great sense of humor who when
they told me out of the blue do you have
a vinyl copy of presence if you do I'll
buy it it's the best Led Zeppelin album
I was shocked he overlooked all the
other Zeppelin albums and said this
because my teacher knew so much music
theory this puzzled me and had my
Zeppelin hamster wheel at full speed why
was the album so good why presence I had
many questions he left our school in
2002 and I missed him dearly the new
teacher was a keyboardist raised in
church from day one who didn't know who
Keith Urban was he did know Beethoven
but told us to go with Christian battles
instead as they were quote better I had
just watched Clockwork Orange back then
so I raised my hand and said is that a
jab an insult at the great Ludwig van I
got sent to the principal's office good
times I couldn't stop thinking about
presence I had to get a copy but that
proved to be a challenge I couldn't find
a record anywhere and even found into
the outdoor first I waited a couple of
years until I got my hands on a cassette
copy of presents in 2005 listening to
the whole thing made me understand
Achilles less than and nobody's fault
but mine in the right context next to
all the other Cuts t for one blew my
mind like Since I've Been Loving You
Part Two it was a strange record it took
me a while to process it was hard for me
to understand the emotions behind it
until it became the occasional driving
soundtrack in the good bad and ugly
parts of my 20s t41 after a nasty
breakup Royal Orleans and Hudson for now
are hitting the local bars on a Friday
night for your life in a late night
romantic Endeavor next to a temporary
lady trying to like candy store Rock
while driving through heavy traffic
playing her guitar to nobody's fault but
mine and highway speed with Achilles
that stand before a job interview for
motivation and self-confidence once I
got my hands on the Led Zeppelin DVD
with net worth 1979 sounding like never
before I was 100 sold in presence
Achilles and nobody's fault were Heavy
Hitters no question playing the material
with tribute bands gave me a different
perspective on the songs
[Music]
everybody
I own four copies of the album this is
the making of presence
[Music]
foreign
[Music]
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foreign
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[Music]
1975 the year of the rabbit the Dublin's
35 showed 10th Heroes tour was a
commercial success with their album
released in the middle of the tour a
logistics miracle that had not happened
since their 1969 debut every other album
was either released before or after a
concert tour it sell very well and they
were bigger than the stones despite
their 46 States tour the Americas from
June to August physical Graffiti's
double album attack was everywhere some
of the preview Zeppelin camaraderie and
random friendships were lost through
armed guards outside hotel rooms with
death threats sent to the band one lady
Lynette Squeaky from demanded to speak
to Jimmy Page as she had a vision of bad
events happening to the guitarist months
later she was arrested for trying to
shoot President Gerald Ford and yes she
was a part of the Charles Manson cult
while Mark Chapman shot John Lennon he
was just one of thousands of deranged
fans trying to get close to famous
musicians it wasn't strange that someone
wanted to shoot their favorite artist
the thing with Chapman was that he
actually did it the Japanese rock and
roll operation grew too big for the ways
and Free Will of recent years it was now
a corporation of muscle brains and all
the extra help they could hire let's
open return to England at the end of
March 1975 after the band's three nights
at The Forum Peter had the idea of
staging an event reminiscent of his
quarter and Empire days of the 50s three
nights at the historic arrows Court
Exhibition Center in May sold out in
just two hours
two extra dates were added Earl's Court
opened its doors in 1937 and had an
internal pool or lake which took for
days to fill and four days to empty it
hosted many events including watercraft
exhibitions such as an annual Boat Show
which can be seen on the backdrop for
presents Peter Graham promoter Mel Bush
arranged for British trains to supply
extra units to transport fans into the
city these were dubbed the Zeppelin
Express previous acts that played
Adele's Court included David Bowie and
Pink Floyd both in 1973.
[Applause]
good
[Music]
morning
[Music]
okay
wow
[Music]
[Music]
all right darling
[Music]
I want to talk about Johnny too bad
[Music]
[Music]
[Applause]
foreign
machines lasers and video screens it was
the biggest production ever staged at
the venue back then and Led Zeppelin's
last UK show until 1979 at net worth
with an almost perfect set list the
show's average time clocked in at three
and a half hours while the band looked
great some of the performances were
uneven they probably felt the massive
expectations over their home country
upon them the long runs of Moby Dick and
Jason confused showed signs of
exhaustion Peter Grant told a journalist
the mafia wanted a piece of the huge
cash business of 70s rock and roll
organized crime in the music industry
have been friends in the past where
musicians were heavily exploited nobody
was making more money than a Zeppelin
and the mob made offers they could
refuse according to Rook manager Ed
Bicknell Peter grants attorney is an
underworld friends in Vegas New York and
Chicago will do anything for him at
recall at time they went to an Italian
restaurant like a scene from Goodfellas
they treated pretty Grand like a king he
seemed to gravitate towards anyone
connected whether government or the
streets so one song so the arrival of a
mysterious man and collaborator by the
name of herb Atkin I know this is a bit
of a rabbit hole but you have to check
this out it's like a Hollywood movie in
1967 Atkin was a 41 year lawyer who went
by the name of Herbert itkin he worked
undercover as a government Informer and
feared for his life in protective
custody he had evidence of a pension
fund New York City contracts case
involving union workers that led to a
conviction of local officials
politicians and 20 organized crime
figures intruding their boss Antonio
Tony Doug's corralu Herbert itkin
testified that he worked for the CIA and
FBI on assignments in Central North
America as well as London Herbert was to
inform on other 30 cases but in May 1967
he refused after custody for his
children couldn't be granted by the
government it can began his careers
informant for Senator Joseph McCarthy
who led him to the actor in Central
Intelligence Island Dallas the CIA
suggested her bit can develop contacts
with gangsters and Mafia circles Herbert
went into Witness this protection
changed his name to Herb Atkin not the
most creative name change right his
private detective agency was set up in
Los Angeles but he had to leave the
states after the New York Times revealed
his identity regarding an industrial
Espionage case thus confirming he sent
Tony Doug's corello to prison her
backing was introduced to peer Graham by
lawyer Steve Weiss after the 1973 Drake
Hotel robbery which Atkin promised to
investigate quote Peter Graham's
daughter Helen I did wonder why dad had
him on board herb used to come down in a
helicopter with his wife it was like JFK
and Jackie Kennedy rocking up Peter
Grant hired part-time actor in Northern
crime connected bodyguard John binden in
1974. Benton was recommended by Richard
Cole after he intervened at a speakeasy
brawl involving Cole and singer Roy
Harper who accidentally hit someone
after throwing a champagne bottle John
Benton saved their lives nicknamed bifo
John was witty Charming aggressive and
intimidating and yes this has been done
wearing a shirt that reads enjoy cocaine
Nick to Princess Margaret on vacation
spring 1975 Paul Rogers walked up the
stairs at Swanson headquarters in King's
Road rugroup Queen came down and nodded
at each other the band had a huge hit
with killer queen and was months away
from recording their fourth album they
weren't happy with their management of
Norman and Barry Sheffield whom Peter
Graham knew from his days at the two ice
coffee Queen sold out venues but its
band members could barely pay for rent
Peter's meeting with the band had him
telling them of Led Zeppelin's in for a
quick Garden series of shows at Madison
Square Garden in February he made a few
calls and helped Queen get 125 000
pounds from the sheffields as much as
Grant wanted to manage Queen he just
didn't have the time and passed on the
opportunity that's all picture Queen on
the swan song label next to Led Zeppelin
and by company I don't think the world
nor competing record labels were ready
for that
[Music]
wow
[Music]
that company's second album straight
shooter was recorded at Clearwater
Castle in September of 74. it raised to
the Billboard top 10 to hit songs good
loving gone bad and feel like making
love it took the band just two albums to
jump from nowhere to rockstars playing
stadium shows Swan song's second
best-selling ban was not short of his
problems despite its money-making
figures Peter Grant described Paul
Rodgers as quote the most difficult
person I've ever had to work with let's
remember Peter Grant had to work with
Jim Vincent's drunk in violent ways so
Paul Rogers was worse than Gene Vincent
he was a boxer and a 7th Dan in karate
there were many fights on and off the
stage that company was all about gold
records sold out shows and Hard Cash
profits their musical style was upfront
and direct without diving into the
Obscure nor long jams of Led Zeppelin
but followed some other Physical
Graffiti some textures to the tea but
company was able to co-exist on the
Swanson label without stealing the
Thunder of its famous brother they were
at the right time in players were in
rock and roll fully embraced scripted
shows and heavy passages new audio
audiences were eager to enjoy this Back
to Basics approach with Paul Rogers
vocal performance stealing the show
backed up by the mighty power of Boss
barrel and bass Simon Kirk and drums and
Mig Ralph's On guitar but companies soon
enjoyed the same protection as Led
Zeppelin on their 1975 U.S tour after
lawyer Steve wise hired former detective
Stephen Rosenberg as head of security
they had cops CIA and FBI agents taking
days off to join them on the road by
company's tour manager Phil Carlo at
this point I discovered the only people
who could jump red lights with a police
escort where the president of the United
States and Peter Grant
[Music]
take it down
touring America back to back with two
successful bands was exhausting for
Peter Grant but he had another reason
not to be in England tax Exile you see
tax income after the second world war
was as high as 97 to the 50s and 60s it
lowered down to 75 percent in 1971. then
in 1974 through a labored party campaign
of taxing the rich it was raised all the
way up to 83 percent for top income and
98 percent of her investment labor party
member Dennis Healey was one of the main
advocates for this policy with Robert
Plant dedicating a song for him at
Elle's Court this was eventually lowered
during Margaret Thatcher's
Administration by raising value-added
tax with this said you had bands like
the stones and others heading out for
fancy destinations in Europe they
followed a similar blueprint for
recording parting and assorted
activities Led Zeppelin kept their
bandmates houses in the UK but had to
spend nine months away they became
gypsies setting up temporary housing in
France Switzerland and Jersey Island who
believe the labor party offers the best
hope for Britain's future my faith in
the moral values which socialism
represents remains undiminished now
admittedly you wrote that some years ago
does it apply today I think so yes see
I'm just wondering when September of
1973 when you were actually shadow
Chancellor you said quote and this is
about Labor's tax plan
I warn you there are going to be howls
of Anguish from those Rich enough to pay
over 75 on the top slice of their
earning and there was I'm sure there was
yeah but I just wonder why now with the
labor government in power you believe
that
there is no talk of increasing the top
rate of Taxation on those earning the
most money Beyond 40 percent because all
they do is they move their money abroad
which is bad for us because we lose
income from it past the five children
cord Robert Plant took his family on a
holiday to Morocco the others Peter gun
included stayed in Exile mode in
Montreal Jimmy Page joined Robert
halfway through June Marrakesh with us
are higher in the Atlas Mountains
Majestic scenery pigeon plan talked
about recording music with the ambience
and Rhythm sounds of Morocco the plan
would be shelved until 19 years later
interesting to think How They carried
out the plan what would Barnum and John
say about it Page and Plant rovery Range
Rover to the Atlantic coast visiting the
Spanish Sahara of Asura and tantan the
Spanish Army had left and the Moroccan
government had roadblocks every few
miles after reaching a dead end they
headed out north crossing the Strait of
Gibraltar by ferry then driving up to
France for a final destination in
Montreal Switzerland Led Zeppelin made
tentative plans for a USA tour in the
fall and possible concerts in South
America which seemed like a risky
Venture I would say Argentina was the
best place to go before withela's
dictatorship which began in March 1976
the country's soaring rock and roll
scene up to 1975 saw many Geniuses
blossomed in the way of Russ Alberto
spinetta Charlie Garcia and many more
that I would need a couple of hours to
cover rug Giants sui Henry slash shows
at Luna Park on September 12th saw a
crowd of 30 000 fans there was a market
for a Led Zeppelin show just imagine
Robert Plant's plantations in Spanish
good evening Argentina we're gonna do a
song called kachemira the Montreal Just
Festival of 1975 was held from July 3rd
to July 20th everybody played there just
to name a few Billy Covenant Julie Felix
Larry Corel magma Paul Butterfield Rory
Gallagher Aubrey King Oscar Peterson
Ella Fitzgerald Joe Pass sadaw Watanabe
Count Basie and his orchestra Bill Evans
and Charles Mingus Etta James played on
July 11th with Jones and bass and then
19 year old future modern day Paul
McCartney sidekick Brian Ray on guitar
foreign
[Music]
August 4th Rhodes Greece quite a
premonitory name for an island Rhodes
was not to be a good vacation Marine
plan was driving a rented car with
Robert next to her in the front seat in
the back seat where their children
Carrick and Carmen plus Scarlet page
mourinhos control the vehicle and
crashed the car almost went down a cliff
it was stopped by a tree Robert looked
at his unconscious wife she had a
fractured skull and pelvis Robert had a
badly broken ankle and elbow both
Carrick and Carmen were badly bruised
and crying scarred page wasn't harmed
there was no ambulance in sight it took
hours for a local farmer to take them to
the hospital in the back of his truck
tour manager Richard Cole got a phone
call next day from Jimmy's wife
Charlotte Martin Maureen plan needed a
blood transfusion and her time was not
available in Rhodes Richard Cole had to
think fast and get a Charlie plane to
fly the roads rescue them and save
Maureen's life since Peter Grant and
Bonds were in the south of France Cole
had to figure this one out of his own
own making calls to doctors and surgeons
Swanson's account and told him he
couldn't authorize the money without
Peter Grant's approval Richard yelled at
him trying to explain the situation one
of the surgeons Richard contacted had
treated a pilot who borrowed his private
jet for the Zeppelin mission two
physicians in fresh blood landed in
roads where the owner of the car rental
agency claimed Marine plan was drunk at
the time of the accident Greek lawyers
planned their way at scoring big money
from swansong in Led Zeppelin Mantra
just Festival founded Cloud knobs saved
the day he wired the funds to fire
everyone out of Roads Cole managed to go
to the hospital get them into the
vehicle back to the airport and take off
for Rome with Final Destination England
Maureen spent weeks in bed Robert Plant
quote if we hadn't had the money
available to fly to England right away
for the best medical treatment I'm
certain my wife wouldn't be alive now
because of the labor party tax Excel
policy Robert was only allowed to stay
in Britain for a few days per year had
he stayed past his limit he would be
liable for taxes in his Force and would
have taken a huge hit with just hours
before the deadline Richard Cole saved
plants Millions by calling British
Airways getting Robert in an ambulance
to the airport and using a forklift to
get him on the plane for all the
Latter-Day bad beef between Cole and the
Led Zeppelin organization Richard was a
hero in 1975.
Jersey Island was home away from home
where plant in a wheelchair was joined
by the rest of the band Led Zeppelin's
touring momentum was gone the idea to
revive the film Project they had in the
can would slowly take shape the biggest
band in the world was now living in
Excel within their Exile Jersey Island
was to beat a Zeppelin's isolation
headquarters this is the same place
where Paige planned Jones and Grant met
on November 7 1980 to talk about John
Bonham and calm terms with his passing a
press conference announced a
cancellation of any 1975 touring plans
including the day at the green shows at
Auckland Coliseum with Joe Walsh and the
pretty things scheduled for August 23rd
and 24th
thank you
from visiting the Victoria Pub to
nightclubs on the seafront the Zeppelin
crew had a lot of time on their hands I
believe most of the inspiration for
presents was based on the band's mood
and sentiments at Jersey Island you had
the boats representing Stillness and
restaurants Gathering them for dinner
trying to make sense of what was going
on nobody wanted to stop the show and
they couldn't go home thanks to the
labor party policies what the object may
represent is a metaphor of frustration
no matter how they spend their time the
feeling was absolute there was no escape
from its presence in everyday activities
while their vaults were filled with cash
the questions piled up at Swanson
offices John bottom and Jimmy Page flew
back to London for the Melody Maker
Awards held on September 17
1975. the band picked up prices for Top
Male vocalist best album best group and
best live act Peter Grant suggested his
boys to head out overseas to write and
rehearse material for their next album
in the same way the stones wrote most of
Exile on Main Street in France
thank you
late September 1975 Robert Plant and Jim
page relocated to the Continental height
in Los Angeles before going to the
exclusive Malibu colony where they
rented beach houses Richie Blackman
lived here while forming his new band
and recording its debut album at
musicland Studios Munich in the early
part of 75. Blackburn knew the Studio's
Deep Purple stormbringer was recorded
there in 74. because he was now an LA
neighbor some sources stated Robert
Plant attended deep purple's June
rehearsals with guitarist Tommy Bolin
this would make sense as they would
later be seen hanging out together and
well the rock and roll world is a
close-knitive community purple's next
album was also recorded at musicland
Studios from August to September com
taste the band added the tell me bowling
momentum after recording with James gang
and Billy coven Spectrum which put him
on the map as a one-of-a-kind musician
who could tackle Jazz Rock and Funk fun
fact Tommy Bolin span Zephyr open for
Led Zeppelin back in 1969 Robert Plant
polished his lyrics and Jimmy worked on
his own agenda including Godfather for
Swan song's new band detective members
of Led Zeppelin met British rock singer
Michael der Barnes after watching him on
stage with his old band silverhead
around 1974 with Robbie plant on guitar
a future Robert Plant solo career frame
his playing is just amazing detective
had their bars on vocals former yes
member Tony K on keywords John Hyde on
drums Bobby Pickett on bass and Michael
Monarch on guitar you may remember him
for his signature sounds scoring big
hits with Steppenwolf according to
Michael their bars Peter Grant in the
hot California weather was strange but
necessary as his job was demanding 24 7.
John Barnum and John Paul Jones arrived
in Los Angeles in October 1975. John
Bonham's daughter Zoe was born on June
10th and he was reluctant of leaving his
family while Paige planning Bonham
stayed in separate bungalows in Malibu
John Paul Jones booked himself into the
good old Continental Hyatt in Sunset
Boulevard one of the main complaints
within the Zeppelin Camp were Paige's
nocturnal hours an alternate lifestyle
choices quote John Paul Jones Robert and
I seem to keep a different time sequence
to Jimmy Jimmy expressed the same
complaint against John Paul Jones Who
quote was never around the new Zeppelin
music had Funk and unexpected routes of
Eastern roots and American Rhythm
sections complex time signatures and
crazy Arrangements while Robert Plant
sang in a wheelchair a contrast like
never before the Led Zeppelin rehearsals
took place at sir Studios in Hollywood
foreign
[Music]
[Music]
Electric Light Orchestra followed
Richard Blackman's advice and traveled
to Munich for their face their music
sessions held May through June the
Rolling Stones his initial work for
black and blue in Munich took place in
March as we can see musicland's name
resonated heavy musicland was a new
place during these tax Exile Times Los
Angeles 1975 was a place of excess
cocaine Quaaludes heroin and alcohol not
the safest or healthiest bet for
millionaire rock stars with the world at
their feet and an army of inhalers
catering to the drug of choice parties
late night missions and behind closed
door rituals were the agenda for the
kings of rock and roll as much as Led
Zeppelin's 1977 U.S tour gets a bad rap
for excess the seats of Destruction were
planted throughout 1975 besides
dangerous business partners I don't want
to point fingers on addiction but based
on testimonials and cultural habits at
the time time we the fans know what was
going on Jimmy's close friend back then
Keith Richards was quite outspoken in
his relationship with Heroin on his
autobiography which I definitely
recommend reading Keith even went as far
as saying that when they switched from
pharmaceutical cocaine to the stuff
being imported from South America things
took a nosedive no pun intended Keith
Richards quote pharmaceutical cocaine
could not be compared in any way to
cocaine produced in Central or South
America it is pure and it doesn't bring
any depression or lethargy a totally
different type of euphoria there were
absolutely no withdrawal symptoms moving
on to hard drugs the level of chemical
dependence heroin had on so many
musicians was reflected in post-1975
rock albums from that era pod was
Freedom cocaine was permission heroin
was prison and you can see it on stage
that it's tight you know and that kind
of respect you have for each other and
how do you kind of maintain that well
really because of the fact that we have
been able to to keep creating a material
that varies so much you know design many
aspects of uh imagination that can be
brought ahead in the music and in the
lyrics
um that this is the stimulus that keeps
us together you know I mean if if we
found that we were getting getting no
farther or we were
channeling ourselves down onto a one
plane and sort of
one musical level then we would be we
would start to get bored now let's
discuss the 1975 songwriting process in
a year of great records we know that
page and plan worked out sketches and
basic elements before Jones and Barnum
joined forces for the electric side of
things I went back and listened to a
nice selection of albums released in 75
and while the rock and roll guitars and
style was present there was a growing
Funk movement going mainstream with
proto-discal rhythms without drum
machines but opening the door as
preparation you see Zeppelin's Physical
Graffiti was a prophetic piece of work
in the sense that their peers took note
from ambitious guitar overdubs to
prominent keywords let's up and look
into the future with trampled on their
foot's Hard Rock Funk and ironically
presence seems to take Hue from their
double album slash track about the LA
queens and scenery October 1975 had
Paige plan Jones and Barnum living in
the place of sick again here's a summary
of albums or songs released between
March and October that I deem relevant
in the musical production styles that
played a part in present Sonic design
1975 was an interesting year where many
breakthrough tracks led to both
Innovation and parity for some of its
creators there doesn't seem to be Middle
Ground of intention it's either over the
top or bust Led Zeppelin's Rock peers
were getting dangerously better at their
game the industry jumps down overall
improved towards High recording quality
accentuating the brightness of the
hi-hats symbols and Dynamics guitars
were wider and beefier overdubs staring
keyboards and synths create a vocal
phrasing the industry was like a big
dance floor moving to the sound of Casey
and the Sunshine's debut long gone the
flower power hello Flower Powder there
was room for everyone and everything
David Bowie's Young Americans had the
funk Powerhouse in Fame and tried to put
the style on the radio where previous
British Explorations may have been a bit
shy 10 cc's of not enough remains one of
the most complex Studio creations of
1975 with massive keywords and overdubs
of Epic tape editing proportions
nazareth's Love Hurts set the template
for 80s power ballads and they shot
themselves in the foot with a hit single
that overshadowed their Hardware catalog
a classic number never to leave the
radio stations and soundtrack for
breakups while chugging a six-pack of
beers at a parking lot late at night
camels the snow goose elevated the art
of the guitar solo as melodic substance
as well as the ensemble's wisdom to
deliver an almost perfect progrog album
Jeff Beck's Blow by blow hit the shelves
and put the master himself in jazz
fusion Waters I'm almost positive it
shook the Led Zeppelin World hard and
had Jimmy Page thinking you've done it
again Jeff bloody brilliant you can hear
Beck's influence on many solos and
Rhythm lines from presence check out
constipated duck and tell me Royal
Orleans doesn't have some of that flavor
there's a bit of cause winner lovers on
t41 as well Aerosmith's Toys in the
Attic this one's pretty obvious a
meeting point for previous stones and
Zeppelin Milestones with a Twist the
guitar upfront mix have walked this way
in Sweet Emotion are a powerful American
muscle car nod to the full first British
Invasion that Black Sabbath had the
answer for with their seminal heavy
metal release sabotage how can you not
bang your head to hole in the sky right
Casey and the Sunshine band's debut
album filled with future Greatest Hits
open the mainstream dancer for some
Friday Night Fever and the major labels
took note the Wilson sisters followed
the Zeppelin footsteps mix of acoustic
and electric Vibes while pouring their
heart on key track's Magic Man and the
fast-paced drum beat of crazy on you
call me crazy but Achilles less than has
some of that Groove attack and harmonies
within Wars why can we be friends and no
Rider from their seventh studio album
added humor fun and I lose attitude on
mainstream radio Frank Zappa's one size
fits all has to be on the list because
of its crazy Los Angeles Vibes a killer
record that challenged musicians
everywhere Herbie Hancock's Manchild is
a funk Masterpiece of the highest order
it rocks and grooves hard track one hang
up your Hang-Ups is DJ sample Heaven
Pink Floyd's wish you were here was
another career Milestone with its great
production carefully EQ drums and
Architectural psychedelic passages it
was the best-selling album of 1975
beating second place Physical Graffiti
by a landslide Ted Nugent came in after
with his trash in hotel Stranglehold
sound and him not to Griff to win the
guitar battle over foghat's slow dried
while the BG's toyed around the idea of
future Saturday night falsetto and
knights from Broadway Gary Wright
reminded everyone that you could Rock
and Funk without guitars or Bass his
synthesized Textures in Love is alive
and Dreamweaver help you forget today's
pain and reach the Morning Light so this
was a vibrant and crazy music Arena Led
Zeppelin had around them as they
rehearsed in Los Angeles competition was
serious but they were now the band of
Kashmir time was on their side for now
similar to the houses of the Holy
sessions presidents began at the shadow
of a monster release on only page plan
Jones and Barnum could dare to work
against the clock right after Physical
Graffiti looking at all the tracks for
presence everything was sourced from
previous onstage ideas which makes sense
given the fact that the band was working
with a strange sense of immediacy a
studio album with little pre-production
based on their live setting Vibes lives
in the same vein of their 1969 debut
with gimulating the writing process he
went for what was Within Reach he was
not in his best creative shape and while
the final product features stutter and
weird guitar work this album did not
break new grounds they haven't done
before it feels to some extent like
wishful thinking of the shows that never
happened after Robert's accident looking
at their personal lives back then Jones
and Bonham deserve so much praise for
transforming guitar sketches into such
complex and ambitious Rhythm
arrangements as much as people say
presence was Jimmy's album one of the
greatest attributes of this record is
the fine bass in drum interplay let's
take a look at the song so I can share
some thoughts I have on the 7 Studio
album we have one Epic aggressive and
ambition track that speaks of trials and
tribulations from a Sonic design
perspective you can tell this was
Priority One at Munich the mix is hot
and well defined but it is probably the
only misleading opener from the Zeppelin
catalog compared to what follows
Achilles is like a dream sequence before
the character wakes up in Los Angeles
1975 with a massive hangover or a broken
ankle in a wheelchair for your life is a
middle ground mid-tempo song with a
complicated structure that brings you
into the world of isolated excess it is
not funny but not serious either you
just call with the flow and check your
nose for any powder Trails adding
vibrant colors to the cold sessions of
Munich would get three Cuts Royal Lanes
candy store Rock and Hudson for nowhere
a stressed and almost comic relief that
Zeppelin was prone to any of these
tracks could have been on houses of the
Holy nobody's fault but mine is like
side B of Achilles that stand using
another fade in as intro challenging
musical accents and the crashing Rhythm
sounds of Zeppelin's trademark extreme
closing track t for one brings night
time to the story a slow tempo Blues to
thank the host for throwing the party
and drive home empty-handed sound wise
it seems for your life did not receive
the up for drums and bright treatment of
the rest of the album the snare drum in
particular has a prominent Reverb sound
that makes you think it was either
post-production or recorded in a
different room at musicland for your
livestreams make up for a muddy mix you
see with all the respect I think the
final track list could have been better
and make presents stand out more because
the melancholic heavy metal intensity of
Achilles takes you down for your life
gives you no time to recover it may
throw off The Listener after and maybe
just maybe like this record was not well
received back then I would put nobody's
fault but mine at number two so the
intro prepares you for another hard rock
session track 3 candy store Rock sound
stronger after the previous Blues number
making rockabilly a nice transition that
carries the listener into track 4 Royal
Orleans which would close side a with a
nice reprise of Jones and Barnum's
merciless heavy attack for side B I
would do for your life Hudson for
nowhere and T for one a decade in
Eternal City Adventure against the
individual questioning life itself in
the suspended animation days of 1975.
it's fun
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thank you
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it started out as a wheelchair song in
reference to Robert Plant's accident
with him unable to walk for almost a
year sessions for presence challenge
past freedoms with its lyrics
referencing the Atlas Mountains in
Morocco and William breaks the dance of
Albion it is a compelling tale of
survival rage and uncertainty so let's
talk about the music Bonham's drums and
these sessions remain a mystery with
some claiming a Ludwig silver Sparkle
set was used for we do know for sure is
jumble Jones played his eighth string
Olympic base with a pick and inspired
both Hearts 1977 Barracuda and kisses
1979 hit I was made for loving you from
the Galloping beat to the harmonies it
reads Akira's Last Stand All Over Jimmy
had the entire guitar Army of tones in
here from let's pause to strats to
telecasters his color pattern is
exquisite and served as deciding
reference for the 1977 tour the intro
employs a modulation of both the minor
9th chord and F sharp answering each
other's arpeggio motifs this is the
first of three times in presence where
page used in modulation as a harmonic
resource to stir things up while they
say Jimmy was musically inspired by his
trip to Morocco and the cyclical Middle
Eastern themes the roots from Achilles
Last Stand were actually hidden in plain
sight on stage there's a reason this
strike sounds conceptually different
from the rest of the material and
presence all the riffs and sections here
seemed like a rearrangement and best
moments from their Dazed and Confused
gems of 1973 and 1975. you see Jimmy
Page never discarded ideas and this may
explain its level of complexity yet
familiar Trails where Jones and Bonham
knew exactly what to play while the
Dublin retired isn't confused from the
concert's past arrows Court it never
left it just transformed itself into
Achilles the 75 runs were long and a bit
self-indulgent with some versions
clocking in at 40 minutes while it was a
tour of the forest and centerpiece of
their live show it also suggested a new
song could come out from it Jimmy was
experimenting with new harmonies and
textures that shaped things to come this
can give us an idea of what the Los
Angeles rehearsals were like before
going to Munich the musical unit and
kitchen of this and Confused gave the
them every tool into working this new
monster piece let me do a Sonic
explanation so I can express myself
better
piece from presence
it's the wheelchair piece is called
Achilles Last Stand
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foreign
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foreign
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foreign
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half of Achilles LA stand is a clever
run of E minor and D major the other
half is a genius variation of just D
minor and C Major Seventh think about it
a 10 minute track based around two
progressions and yet it keeps the energy
up without losing a beat that's
chemistry if you ask me Jimmy's epic
guitar solo on the track is a mixture of
preview San Francisco and Woodstock
passages on days of infused the staccato
semi Bolero drum and bass part behind
the solos can be heard in a Zeppelin's
1973 versions of days of confused deep
purple's Child In Time from 1970 and
later an influence behind Metallica's
one live versions of the track feature
an insane drum field by John Bonham
right after page delivers one of his
signature licks the way they come back
into the groove is nothing short of
spectacular
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oh
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foreign
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the music
I was so fortunate to be around so many
amazingly gifted players and and if you
think about Led Zeppelin as being a trio
really we're the kind of
Wedding Singer stuck up the front
that's I always saw the reality of what
was going on in
my enthusiasm was a good contribution
but in truth those guys were amazing and
and I think Achilles Last Stand was
um one of those
it was an uncomfortable time
recording the album from which it
arrived which was presence it was a
disparate time I was in a wheelchair for
seven months or whatever it was at that
time but the music was continuing to be
developed and even though presence is
not always the most comfortable listen
in terms of I think I'll just settle
down with my girlfriend with a glass of
wine and listen to her presence but the
interplay and the melding of the
musicality of those three guys on that
track is insane yeah absolutely incense
magnificent and uh so magnificent I had
a lady friend who I was playing
it came on in the house loud and she
said I don't want to be left in a room
with this on my own we're the mighty
arms of Atlas hold the heavens from the
earth is just like um it's not a yes
song
it's not something from Tales of
topographical oceans but it was just I
was so desperate to get away from that
being trapped in that environment hop
off the bed into the wheelchair and have
somebody pushed me around and I was
saying let's get out of here
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oh
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