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These are the user uploaded subtitles that are being translated: 1 00:00:12,360 --> 00:00:14,040 I know many of you have been waiting for 2 00:00:14,040 --> 00:00:16,260 this one myself included so here I go 3 00:00:16,260 --> 00:00:19,140 presents Led Zeppelin 7 Studio album 4 00:00:19,140 --> 00:00:20,820 well I covered some of the timeline 5 00:00:20,820 --> 00:00:22,800 events as context and background for my 6 00:00:22,800 --> 00:00:24,660 into the outdoor video series I'm 7 00:00:24,660 --> 00:00:27,060 excited to solely focus on presence as a 8 00:00:27,060 --> 00:00:28,380 historic turning point for the band 9 00:00:28,380 --> 00:00:30,660 musically and psychologically while 10 00:00:30,660 --> 00:00:32,880 their personal finances grew they did 11 00:00:32,880 --> 00:00:34,680 leave a lot of money on the table the 12 00:00:34,680 --> 00:00:36,360 expectations to make up for the last 13 00:00:36,360 --> 00:00:39,360 concert year of 1976 were huge and 14 00:00:39,360 --> 00:00:40,920 dangerously decadent when they came back 15 00:00:40,920 --> 00:00:42,660 on the road with their most ambitious 16 00:00:42,660 --> 00:00:44,399 tour and tragic swan song for North 17 00:00:44,399 --> 00:00:46,620 America into the outdoor was like a 18 00:00:46,620 --> 00:00:49,020 carbon copy of the events of presence or 19 00:00:49,020 --> 00:00:50,460 should I say presidents laid the 20 00:00:50,460 --> 00:00:52,500 groundwork and instructions for any 21 00:00:52,500 --> 00:00:54,899 future emergency landing situations I 22 00:00:54,899 --> 00:00:56,280 have an end to the other type of 23 00:00:56,280 --> 00:00:58,559 fascination with presence let's look at 24 00:00:58,559 --> 00:01:00,239 the parallels between these two albums 25 00:01:00,239 --> 00:01:02,760 which I find quite strange both albums 26 00:01:02,760 --> 00:01:04,559 are preceded by bad news strike in the 27 00:01:04,559 --> 00:01:06,299 planned household with Jimmy Page 28 00:01:06,299 --> 00:01:07,860 remaining optimistic about the future 29 00:01:07,860 --> 00:01:10,619 both albums were recorded in November at 30 00:01:10,619 --> 00:01:12,320 dry sounding Studios owned by pop 31 00:01:12,320 --> 00:01:14,340 masterminds and freezing temperature 32 00:01:14,340 --> 00:01:16,979 European cities both albums have seven 33 00:01:16,979 --> 00:01:19,080 tracks each with an opening song in the 34 00:01:19,080 --> 00:01:21,119 key of E minor a third track with 35 00:01:21,119 --> 00:01:23,340 percussion and a closing ballad with 36 00:01:23,340 --> 00:01:25,259 similar heavy accents and drum symbol 37 00:01:25,259 --> 00:01:27,840 attack both albums have a 50s inspired 38 00:01:27,840 --> 00:01:29,159 track where planet does his best 39 00:01:29,159 --> 00:01:30,840 rockabilly impression and One Track 40 00:01:30,840 --> 00:01:32,640 whose lyrics are a direct jab by one 41 00:01:32,640 --> 00:01:34,500 man-made only three songs from each 42 00:01:34,500 --> 00:01:36,360 album were officially performed under 43 00:01:36,360 --> 00:01:39,180 the name Led Zeppelin 1978 had planned 44 00:01:39,180 --> 00:01:40,500 close to his family thinking about 45 00:01:40,500 --> 00:01:43,140 walking away from the band 1975 had 46 00:01:43,140 --> 00:01:45,000 planned close to Jimmy away from his 47 00:01:45,000 --> 00:01:46,560 family in recovery and worried about 48 00:01:46,560 --> 00:01:49,020 being able to walk ever again eventually 49 00:01:49,020 --> 00:01:50,340 out there was about Hope and getting 50 00:01:50,340 --> 00:01:52,560 back together presence was a survival 51 00:01:52,560 --> 00:01:54,119 piece in the inertia of moving record 52 00:01:54,119 --> 00:01:56,460 sales and decadent chemicals of the mid 53 00:01:56,460 --> 00:01:59,100 70s Rockstar feast so his presence 54 00:01:59,100 --> 00:02:01,920 important yes of course it's a menacing 55 00:02:01,920 --> 00:02:03,540 record worked out in emotionally a 56 00:02:03,540 --> 00:02:05,219 typical yet musically familiar 57 00:02:05,219 --> 00:02:07,140 circumstances unlike their previous 58 00:02:07,140 --> 00:02:10,200 albums up to 1975 which were planned and 59 00:02:10,200 --> 00:02:12,000 ran relatively smooth and the obstacles 60 00:02:12,000 --> 00:02:14,819 Department presence was not planned it 61 00:02:14,819 --> 00:02:16,200 just happened and had the shortest 62 00:02:16,200 --> 00:02:17,640 songwriting preparation of all their 63 00:02:17,640 --> 00:02:19,739 albums forced to cancel a lucrative 64 00:02:19,739 --> 00:02:21,900 series of shows plus Elite singers on 65 00:02:21,900 --> 00:02:24,060 stage career in Jeopardy no other album 66 00:02:24,060 --> 00:02:25,800 in their catalog had this previous mood 67 00:02:25,800 --> 00:02:28,020 and background so it's no wonder this is 68 00:02:28,020 --> 00:02:29,940 a hard rock statement with such Brute 69 00:02:29,940 --> 00:02:33,180 Force humor and careless bravado we 70 00:02:33,180 --> 00:02:35,220 hardcore Zeppelin fans love how presence 71 00:02:35,220 --> 00:02:36,540 doesn't feel like a follow-up to 72 00:02:36,540 --> 00:02:38,640 Physical Graffiti it seems as if the 73 00:02:38,640 --> 00:02:40,800 band had no expectations other than what 74 00:02:40,800 --> 00:02:42,840 the hell just happened presence for me 75 00:02:42,840 --> 00:02:44,940 is like a VIP access private rehearsal 76 00:02:44,940 --> 00:02:46,980 captured on tape without the 77 00:02:46,980 --> 00:02:49,319 expectations of Hadley Grange or British 78 00:02:49,319 --> 00:02:51,420 recording studios you can sense the 79 00:02:51,420 --> 00:02:53,160 relaxed environment of page and plants 80 00:02:53,160 --> 00:02:55,379 Malibu writing sessions against the 81 00:02:55,379 --> 00:02:57,720 silent urgency of not losing their 1975 82 00:02:57,720 --> 00:03:00,120 moment bottom this is a record conceived 83 00:03:00,120 --> 00:03:01,860 in the Los Angeles after party of social 84 00:03:01,860 --> 00:03:04,200 dying hippie trails at the mercy of 85 00:03:04,200 --> 00:03:06,060 self-indulgent destructive human beings 86 00:03:06,060 --> 00:03:08,940 presence has no statement and that's the 87 00:03:08,940 --> 00:03:10,560 beauty and curse of it after Physical 88 00:03:10,560 --> 00:03:11,940 Graffiti they couldn't go for another 89 00:03:11,940 --> 00:03:14,099 keyboard epic or acoustic lighting shade 90 00:03:14,099 --> 00:03:16,319 piece I will not say presence has the 91 00:03:16,319 --> 00:03:17,940 same composition depth and quality of 92 00:03:17,940 --> 00:03:20,040 server to heaven but it created a very 93 00:03:20,040 --> 00:03:21,720 special Club in place where Zeppelin 94 00:03:21,720 --> 00:03:23,700 fans will not be bothered by The 95 00:03:23,700 --> 00:03:25,500 Greatest Hits crowds people seem to 96 00:03:25,500 --> 00:03:26,640 overlook the greatest thing about 97 00:03:26,640 --> 00:03:28,680 presence even with little preparation 98 00:03:28,680 --> 00:03:31,019 and business anxiety they managed to 99 00:03:31,019 --> 00:03:32,400 construct their most rhythmically 100 00:03:32,400 --> 00:03:34,440 complex record learning them on bass 101 00:03:34,440 --> 00:03:36,060 guitar and drums really hits you in the 102 00:03:36,060 --> 00:03:38,159 face with nuances and details that rival 103 00:03:38,159 --> 00:03:40,799 the heaviest of 70s albums the songs are 104 00:03:40,799 --> 00:03:43,019 hard to play and tricky beyond belief 105 00:03:43,019 --> 00:03:44,819 the album has the good high travel 106 00:03:44,819 --> 00:03:47,040 brightness of houses of the Holy the 107 00:03:47,040 --> 00:03:49,140 maniac riffing of Led Zeppelin II and 108 00:03:49,140 --> 00:03:51,299 the good low end of their debut so how 109 00:03:51,299 --> 00:03:53,700 did I discover presence well I'll keep 110 00:03:53,700 --> 00:03:55,500 it short like other albums I've talked 111 00:03:55,500 --> 00:03:57,540 about latter days was my first step into 112 00:03:57,540 --> 00:03:59,580 the material my first reaction was not 113 00:03:59,580 --> 00:04:01,620 that great for Achilles Last Stand it 114 00:04:01,620 --> 00:04:03,299 sounded angry and almost meddled in 115 00:04:03,299 --> 00:04:04,920 places I missed the light and shade 116 00:04:04,920 --> 00:04:07,140 elements of previous works I was never a 117 00:04:07,140 --> 00:04:08,700 big fan of heavy metal I could only 118 00:04:08,700 --> 00:04:10,860 digest so much and sometimes it sounded 119 00:04:10,860 --> 00:04:12,540 like a parody of itself while the 120 00:04:12,540 --> 00:04:14,340 technical proficiency of these bands was 121 00:04:14,340 --> 00:04:16,260 never in doubt I did not revisit metal 122 00:04:16,260 --> 00:04:18,479 that often back in high school my metal 123 00:04:18,479 --> 00:04:20,340 head friends who were into Iron Maiden 124 00:04:20,340 --> 00:04:22,079 loved every minute of Achilles how 125 00:04:22,079 --> 00:04:23,820 couldn't they right I believe Steve 126 00:04:23,820 --> 00:04:25,740 Harris spaced his career on the Baseline 127 00:04:25,740 --> 00:04:27,840 for Achilles Last Stand because of the 128 00:04:27,840 --> 00:04:30,180 metal head appreciation for Achilles I 129 00:04:30,180 --> 00:04:31,919 had a distant relationship with it for 130 00:04:31,919 --> 00:04:34,259 years I Associated a tune with the 131 00:04:34,259 --> 00:04:36,060 average heavy metal fan who had no time 132 00:04:36,060 --> 00:04:37,860 for Zeppelin's acoustic Works calling 133 00:04:37,860 --> 00:04:39,900 them boring I absolutely love the middle 134 00:04:39,900 --> 00:04:41,699 section of nobody's fault but mine with 135 00:04:41,699 --> 00:04:43,259 the bass and drums playing that weird 136 00:04:43,259 --> 00:04:45,120 Rhythm pattern around the guitar Motif 137 00:04:45,120 --> 00:04:48,060 so what made me change my mind okay I 138 00:04:48,060 --> 00:04:49,740 had a music teacher in high school he 139 00:04:49,740 --> 00:04:51,360 had the energy and style of Jack Black 140 00:04:51,360 --> 00:04:53,520 in School of Rock he was a virtuous with 141 00:04:53,520 --> 00:04:55,620 guitar player himself and inspired me to 142 00:04:55,620 --> 00:04:56,940 practice on my second year with the 143 00:04:56,940 --> 00:04:59,759 instrument his name was Alvar matus he 144 00:04:59,759 --> 00:05:01,440 was a 35 year old married man and father 145 00:05:01,440 --> 00:05:03,600 of two back then he was the only teacher 146 00:05:03,600 --> 00:05:05,280 in my Christian School I could share my 147 00:05:05,280 --> 00:05:06,720 passion for Zeppelin and guitar 148 00:05:06,720 --> 00:05:09,000 magazines with I thank him to this day 149 00:05:09,000 --> 00:05:11,040 for sharing his musical knowledge he was 150 00:05:11,040 --> 00:05:13,680 heavy into Jethro Tull Joe Pass and 151 00:05:13,680 --> 00:05:16,020 seven is Prague broke overall it made 152 00:05:16,020 --> 00:05:17,639 him sort of a black sheep among 153 00:05:17,639 --> 00:05:19,320 Christians and he also helped me 154 00:05:19,320 --> 00:05:20,820 understand the politics behind the 155 00:05:20,820 --> 00:05:23,039 organized religion nowadays I see many 156 00:05:23,039 --> 00:05:24,539 types of Fanatics out there trying to 157 00:05:24,539 --> 00:05:26,759 get people to behave a certain way it 158 00:05:26,759 --> 00:05:28,560 reminds me of high school is there any 159 00:05:28,560 --> 00:05:30,600 hope for True freedom of thought anyway 160 00:05:30,600 --> 00:05:33,840 back to the story the year was 2002. my 161 00:05:33,840 --> 00:05:35,520 music teacher Alvaro played in a backup 162 00:05:35,520 --> 00:05:37,979 band for a mega church he was a cool guy 163 00:05:37,979 --> 00:05:39,720 with a great sense of humor who when 164 00:05:39,720 --> 00:05:41,820 they told me out of the blue do you have 165 00:05:41,820 --> 00:05:44,400 a vinyl copy of presence if you do I'll 166 00:05:44,400 --> 00:05:46,440 buy it it's the best Led Zeppelin album 167 00:05:46,440 --> 00:05:48,900 I was shocked he overlooked all the 168 00:05:48,900 --> 00:05:50,520 other Zeppelin albums and said this 169 00:05:50,520 --> 00:05:52,500 because my teacher knew so much music 170 00:05:52,500 --> 00:05:54,660 theory this puzzled me and had my 171 00:05:54,660 --> 00:05:57,060 Zeppelin hamster wheel at full speed why 172 00:05:57,060 --> 00:05:59,940 was the album so good why presence I had 173 00:05:59,940 --> 00:06:02,039 many questions he left our school in 174 00:06:02,039 --> 00:06:04,380 2002 and I missed him dearly the new 175 00:06:04,380 --> 00:06:06,060 teacher was a keyboardist raised in 176 00:06:06,060 --> 00:06:08,100 church from day one who didn't know who 177 00:06:08,100 --> 00:06:10,320 Keith Urban was he did know Beethoven 178 00:06:10,320 --> 00:06:12,300 but told us to go with Christian battles 179 00:06:12,300 --> 00:06:15,120 instead as they were quote better I had 180 00:06:15,120 --> 00:06:16,800 just watched Clockwork Orange back then 181 00:06:16,800 --> 00:06:19,139 so I raised my hand and said is that a 182 00:06:19,139 --> 00:06:22,199 jab an insult at the great Ludwig van I 183 00:06:22,199 --> 00:06:24,300 got sent to the principal's office good 184 00:06:24,300 --> 00:06:26,100 times I couldn't stop thinking about 185 00:06:26,100 --> 00:06:28,319 presence I had to get a copy but that 186 00:06:28,319 --> 00:06:30,000 proved to be a challenge I couldn't find 187 00:06:30,000 --> 00:06:32,100 a record anywhere and even found into 188 00:06:32,100 --> 00:06:34,199 the outdoor first I waited a couple of 189 00:06:34,199 --> 00:06:36,000 years until I got my hands on a cassette 190 00:06:36,000 --> 00:06:39,000 copy of presents in 2005 listening to 191 00:06:39,000 --> 00:06:40,020 the whole thing made me understand 192 00:06:40,020 --> 00:06:41,940 Achilles less than and nobody's fault 193 00:06:41,940 --> 00:06:44,160 but mine in the right context next to 194 00:06:44,160 --> 00:06:46,319 all the other Cuts t for one blew my 195 00:06:46,319 --> 00:06:47,940 mind like Since I've Been Loving You 196 00:06:47,940 --> 00:06:50,400 Part Two it was a strange record it took 197 00:06:50,400 --> 00:06:52,560 me a while to process it was hard for me 198 00:06:52,560 --> 00:06:54,180 to understand the emotions behind it 199 00:06:54,180 --> 00:06:56,160 until it became the occasional driving 200 00:06:56,160 --> 00:06:58,139 soundtrack in the good bad and ugly 201 00:06:58,139 --> 00:07:01,199 parts of my 20s t41 after a nasty 202 00:07:01,199 --> 00:07:03,300 breakup Royal Orleans and Hudson for now 203 00:07:03,300 --> 00:07:04,740 are hitting the local bars on a Friday 204 00:07:04,740 --> 00:07:06,780 night for your life in a late night 205 00:07:06,780 --> 00:07:08,880 romantic Endeavor next to a temporary 206 00:07:08,880 --> 00:07:11,220 lady trying to like candy store Rock 207 00:07:11,220 --> 00:07:12,600 while driving through heavy traffic 208 00:07:12,600 --> 00:07:14,880 playing her guitar to nobody's fault but 209 00:07:14,880 --> 00:07:17,100 mine and highway speed with Achilles 210 00:07:17,100 --> 00:07:19,020 that stand before a job interview for 211 00:07:19,020 --> 00:07:21,539 motivation and self-confidence once I 212 00:07:21,539 --> 00:07:23,400 got my hands on the Led Zeppelin DVD 213 00:07:23,400 --> 00:07:26,280 with net worth 1979 sounding like never 214 00:07:26,280 --> 00:07:28,979 before I was 100 sold in presence 215 00:07:28,979 --> 00:07:31,199 Achilles and nobody's fault were Heavy 216 00:07:31,199 --> 00:07:33,300 Hitters no question playing the material 217 00:07:33,300 --> 00:07:34,620 with tribute bands gave me a different 218 00:07:34,620 --> 00:07:36,500 perspective on the songs 219 00:07:36,500 --> 00:07:39,709 [Music] 220 00:07:42,900 --> 00:07:45,900 everybody 221 00:07:47,039 --> 00:07:49,560 I own four copies of the album this is 222 00:07:49,560 --> 00:07:52,740 the making of presence 223 00:07:52,740 --> 00:08:11,690 [Music] 224 00:08:12,240 --> 00:08:15,240 foreign 225 00:08:17,750 --> 00:08:34,960 [Music] 226 00:08:41,059 --> 00:08:47,309 [Music] 227 00:08:50,640 --> 00:08:53,640 foreign 228 00:08:58,370 --> 00:09:01,600 [Music] 229 00:09:03,890 --> 00:09:11,259 [Music] 230 00:09:17,090 --> 00:09:25,210 [Music] 231 00:09:27,920 --> 00:09:31,320 1975 the year of the rabbit the Dublin's 232 00:09:31,320 --> 00:09:33,420 35 showed 10th Heroes tour was a 233 00:09:33,420 --> 00:09:35,339 commercial success with their album 234 00:09:35,339 --> 00:09:37,440 released in the middle of the tour a 235 00:09:37,440 --> 00:09:39,000 logistics miracle that had not happened 236 00:09:39,000 --> 00:09:41,820 since their 1969 debut every other album 237 00:09:41,820 --> 00:09:43,800 was either released before or after a 238 00:09:43,800 --> 00:09:46,260 concert tour it sell very well and they 239 00:09:46,260 --> 00:09:48,000 were bigger than the stones despite 240 00:09:48,000 --> 00:09:50,160 their 46 States tour the Americas from 241 00:09:50,160 --> 00:09:52,200 June to August physical Graffiti's 242 00:09:52,200 --> 00:09:54,360 double album attack was everywhere some 243 00:09:54,360 --> 00:09:56,100 of the preview Zeppelin camaraderie and 244 00:09:56,100 --> 00:09:58,140 random friendships were lost through 245 00:09:58,140 --> 00:10:00,540 armed guards outside hotel rooms with 246 00:10:00,540 --> 00:10:02,700 death threats sent to the band one lady 247 00:10:02,700 --> 00:10:05,040 Lynette Squeaky from demanded to speak 248 00:10:05,040 --> 00:10:07,140 to Jimmy Page as she had a vision of bad 249 00:10:07,140 --> 00:10:09,540 events happening to the guitarist months 250 00:10:09,540 --> 00:10:11,040 later she was arrested for trying to 251 00:10:11,040 --> 00:10:13,380 shoot President Gerald Ford and yes she 252 00:10:13,380 --> 00:10:15,180 was a part of the Charles Manson cult 253 00:10:15,180 --> 00:10:18,120 while Mark Chapman shot John Lennon he 254 00:10:18,120 --> 00:10:20,040 was just one of thousands of deranged 255 00:10:20,040 --> 00:10:21,600 fans trying to get close to famous 256 00:10:21,600 --> 00:10:24,300 musicians it wasn't strange that someone 257 00:10:24,300 --> 00:10:25,860 wanted to shoot their favorite artist 258 00:10:25,860 --> 00:10:27,899 the thing with Chapman was that he 259 00:10:27,899 --> 00:10:29,760 actually did it the Japanese rock and 260 00:10:29,760 --> 00:10:31,860 roll operation grew too big for the ways 261 00:10:31,860 --> 00:10:34,260 and Free Will of recent years it was now 262 00:10:34,260 --> 00:10:37,380 a corporation of muscle brains and all 263 00:10:37,380 --> 00:10:39,240 the extra help they could hire let's 264 00:10:39,240 --> 00:10:40,800 open return to England at the end of 265 00:10:40,800 --> 00:10:43,920 March 1975 after the band's three nights 266 00:10:43,920 --> 00:10:45,779 at The Forum Peter had the idea of 267 00:10:45,779 --> 00:10:47,640 staging an event reminiscent of his 268 00:10:47,640 --> 00:10:50,100 quarter and Empire days of the 50s three 269 00:10:50,100 --> 00:10:51,480 nights at the historic arrows Court 270 00:10:51,480 --> 00:10:53,820 Exhibition Center in May sold out in 271 00:10:53,820 --> 00:10:55,019 just two hours 272 00:10:55,019 --> 00:10:57,600 two extra dates were added Earl's Court 273 00:10:57,600 --> 00:11:00,360 opened its doors in 1937 and had an 274 00:11:00,360 --> 00:11:02,519 internal pool or lake which took for 275 00:11:02,519 --> 00:11:04,800 days to fill and four days to empty it 276 00:11:04,800 --> 00:11:06,360 hosted many events including watercraft 277 00:11:06,360 --> 00:11:08,519 exhibitions such as an annual Boat Show 278 00:11:08,519 --> 00:11:10,440 which can be seen on the backdrop for 279 00:11:10,440 --> 00:11:12,600 presents Peter Graham promoter Mel Bush 280 00:11:12,600 --> 00:11:14,339 arranged for British trains to supply 281 00:11:14,339 --> 00:11:16,620 extra units to transport fans into the 282 00:11:16,620 --> 00:11:18,420 city these were dubbed the Zeppelin 283 00:11:18,420 --> 00:11:20,220 Express previous acts that played 284 00:11:20,220 --> 00:11:22,019 Adele's Court included David Bowie and 285 00:11:22,019 --> 00:11:26,399 Pink Floyd both in 1973. 286 00:11:26,430 --> 00:11:33,600 [Applause] 287 00:11:33,600 --> 00:11:36,140 good 288 00:11:36,630 --> 00:11:40,920 [Music] 289 00:11:40,920 --> 00:11:42,600 morning 290 00:11:42,600 --> 00:11:45,779 [Music] 291 00:11:45,779 --> 00:11:48,200 okay 292 00:11:53,160 --> 00:11:54,720 wow 293 00:11:54,720 --> 00:12:10,589 [Music] 294 00:12:13,270 --> 00:12:15,720 [Music] 295 00:12:15,720 --> 00:12:17,120 all right darling 296 00:12:17,120 --> 00:12:26,169 [Music] 297 00:12:26,600 --> 00:12:31,100 I want to talk about Johnny too bad 298 00:12:34,630 --> 00:12:43,909 [Music] 299 00:12:47,380 --> 00:12:50,570 [Music] 300 00:12:50,570 --> 00:12:55,410 [Applause] 301 00:12:58,440 --> 00:13:01,440 foreign 302 00:13:05,420 --> 00:13:08,100 machines lasers and video screens it was 303 00:13:08,100 --> 00:13:09,600 the biggest production ever staged at 304 00:13:09,600 --> 00:13:11,459 the venue back then and Led Zeppelin's 305 00:13:11,459 --> 00:13:14,639 last UK show until 1979 at net worth 306 00:13:14,639 --> 00:13:16,920 with an almost perfect set list the 307 00:13:16,920 --> 00:13:18,600 show's average time clocked in at three 308 00:13:18,600 --> 00:13:20,639 and a half hours while the band looked 309 00:13:20,639 --> 00:13:22,500 great some of the performances were 310 00:13:22,500 --> 00:13:24,480 uneven they probably felt the massive 311 00:13:24,480 --> 00:13:26,220 expectations over their home country 312 00:13:26,220 --> 00:13:28,500 upon them the long runs of Moby Dick and 313 00:13:28,500 --> 00:13:30,480 Jason confused showed signs of 314 00:13:30,480 --> 00:13:32,639 exhaustion Peter Grant told a journalist 315 00:13:32,639 --> 00:13:34,680 the mafia wanted a piece of the huge 316 00:13:34,680 --> 00:13:36,480 cash business of 70s rock and roll 317 00:13:36,480 --> 00:13:38,459 organized crime in the music industry 318 00:13:38,459 --> 00:13:40,320 have been friends in the past where 319 00:13:40,320 --> 00:13:42,720 musicians were heavily exploited nobody 320 00:13:42,720 --> 00:13:44,399 was making more money than a Zeppelin 321 00:13:44,399 --> 00:13:46,380 and the mob made offers they could 322 00:13:46,380 --> 00:13:48,779 refuse according to Rook manager Ed 323 00:13:48,779 --> 00:13:50,700 Bicknell Peter grants attorney is an 324 00:13:50,700 --> 00:13:52,560 underworld friends in Vegas New York and 325 00:13:52,560 --> 00:13:55,260 Chicago will do anything for him at 326 00:13:55,260 --> 00:13:56,639 recall at time they went to an Italian 327 00:13:56,639 --> 00:13:58,500 restaurant like a scene from Goodfellas 328 00:13:58,500 --> 00:14:00,839 they treated pretty Grand like a king he 329 00:14:00,839 --> 00:14:02,339 seemed to gravitate towards anyone 330 00:14:02,339 --> 00:14:04,440 connected whether government or the 331 00:14:04,440 --> 00:14:06,839 streets so one song so the arrival of a 332 00:14:06,839 --> 00:14:08,459 mysterious man and collaborator by the 333 00:14:08,459 --> 00:14:10,620 name of herb Atkin I know this is a bit 334 00:14:10,620 --> 00:14:12,000 of a rabbit hole but you have to check 335 00:14:12,000 --> 00:14:14,399 this out it's like a Hollywood movie in 336 00:14:14,399 --> 00:14:17,880 1967 Atkin was a 41 year lawyer who went 337 00:14:17,880 --> 00:14:20,100 by the name of Herbert itkin he worked 338 00:14:20,100 --> 00:14:22,079 undercover as a government Informer and 339 00:14:22,079 --> 00:14:23,700 feared for his life in protective 340 00:14:23,700 --> 00:14:25,620 custody he had evidence of a pension 341 00:14:25,620 --> 00:14:27,180 fund New York City contracts case 342 00:14:27,180 --> 00:14:29,519 involving union workers that led to a 343 00:14:29,519 --> 00:14:31,100 conviction of local officials 344 00:14:31,100 --> 00:14:33,720 politicians and 20 organized crime 345 00:14:33,720 --> 00:14:35,940 figures intruding their boss Antonio 346 00:14:35,940 --> 00:14:38,760 Tony Doug's corralu Herbert itkin 347 00:14:38,760 --> 00:14:40,740 testified that he worked for the CIA and 348 00:14:40,740 --> 00:14:42,600 FBI on assignments in Central North 349 00:14:42,600 --> 00:14:45,300 America as well as London Herbert was to 350 00:14:45,300 --> 00:14:48,240 inform on other 30 cases but in May 1967 351 00:14:48,240 --> 00:14:50,519 he refused after custody for his 352 00:14:50,519 --> 00:14:52,019 children couldn't be granted by the 353 00:14:52,019 --> 00:14:53,940 government it can began his careers 354 00:14:53,940 --> 00:14:56,040 informant for Senator Joseph McCarthy 355 00:14:56,040 --> 00:14:57,660 who led him to the actor in Central 356 00:14:57,660 --> 00:15:00,420 Intelligence Island Dallas the CIA 357 00:15:00,420 --> 00:15:02,339 suggested her bit can develop contacts 358 00:15:02,339 --> 00:15:04,500 with gangsters and Mafia circles Herbert 359 00:15:04,500 --> 00:15:05,940 went into Witness this protection 360 00:15:05,940 --> 00:15:08,579 changed his name to Herb Atkin not the 361 00:15:08,579 --> 00:15:10,199 most creative name change right his 362 00:15:10,199 --> 00:15:12,000 private detective agency was set up in 363 00:15:12,000 --> 00:15:13,620 Los Angeles but he had to leave the 364 00:15:13,620 --> 00:15:15,839 states after the New York Times revealed 365 00:15:15,839 --> 00:15:17,519 his identity regarding an industrial 366 00:15:17,519 --> 00:15:19,920 Espionage case thus confirming he sent 367 00:15:19,920 --> 00:15:22,139 Tony Doug's corello to prison her 368 00:15:22,139 --> 00:15:23,880 backing was introduced to peer Graham by 369 00:15:23,880 --> 00:15:26,820 lawyer Steve Weiss after the 1973 Drake 370 00:15:26,820 --> 00:15:29,339 Hotel robbery which Atkin promised to 371 00:15:29,339 --> 00:15:31,019 investigate quote Peter Graham's 372 00:15:31,019 --> 00:15:33,300 daughter Helen I did wonder why dad had 373 00:15:33,300 --> 00:15:35,519 him on board herb used to come down in a 374 00:15:35,519 --> 00:15:37,980 helicopter with his wife it was like JFK 375 00:15:37,980 --> 00:15:40,139 and Jackie Kennedy rocking up Peter 376 00:15:40,139 --> 00:15:41,699 Grant hired part-time actor in Northern 377 00:15:41,699 --> 00:15:44,399 crime connected bodyguard John binden in 378 00:15:44,399 --> 00:15:47,040 1974. Benton was recommended by Richard 379 00:15:47,040 --> 00:15:49,800 Cole after he intervened at a speakeasy 380 00:15:49,800 --> 00:15:51,480 brawl involving Cole and singer Roy 381 00:15:51,480 --> 00:15:53,279 Harper who accidentally hit someone 382 00:15:53,279 --> 00:15:55,440 after throwing a champagne bottle John 383 00:15:55,440 --> 00:15:58,260 Benton saved their lives nicknamed bifo 384 00:15:58,260 --> 00:16:00,480 John was witty Charming aggressive and 385 00:16:00,480 --> 00:16:02,699 intimidating and yes this has been done 386 00:16:02,699 --> 00:16:04,740 wearing a shirt that reads enjoy cocaine 387 00:16:04,740 --> 00:16:06,899 Nick to Princess Margaret on vacation 388 00:16:06,899 --> 00:16:09,839 spring 1975 Paul Rogers walked up the 389 00:16:09,839 --> 00:16:11,820 stairs at Swanson headquarters in King's 390 00:16:11,820 --> 00:16:14,160 Road rugroup Queen came down and nodded 391 00:16:14,160 --> 00:16:16,019 at each other the band had a huge hit 392 00:16:16,019 --> 00:16:17,699 with killer queen and was months away 393 00:16:17,699 --> 00:16:19,680 from recording their fourth album they 394 00:16:19,680 --> 00:16:21,300 weren't happy with their management of 395 00:16:21,300 --> 00:16:23,339 Norman and Barry Sheffield whom Peter 396 00:16:23,339 --> 00:16:24,959 Graham knew from his days at the two ice 397 00:16:24,959 --> 00:16:27,120 coffee Queen sold out venues but its 398 00:16:27,120 --> 00:16:28,680 band members could barely pay for rent 399 00:16:28,680 --> 00:16:30,540 Peter's meeting with the band had him 400 00:16:30,540 --> 00:16:32,459 telling them of Led Zeppelin's in for a 401 00:16:32,459 --> 00:16:34,079 quick Garden series of shows at Madison 402 00:16:34,079 --> 00:16:36,660 Square Garden in February he made a few 403 00:16:36,660 --> 00:16:38,820 calls and helped Queen get 125 000 404 00:16:38,820 --> 00:16:40,740 pounds from the sheffields as much as 405 00:16:40,740 --> 00:16:42,480 Grant wanted to manage Queen he just 406 00:16:42,480 --> 00:16:44,100 didn't have the time and passed on the 407 00:16:44,100 --> 00:16:46,139 opportunity that's all picture Queen on 408 00:16:46,139 --> 00:16:48,060 the swan song label next to Led Zeppelin 409 00:16:48,060 --> 00:16:49,800 and by company I don't think the world 410 00:16:49,800 --> 00:16:51,660 nor competing record labels were ready 411 00:16:51,660 --> 00:16:54,019 for that 412 00:16:55,750 --> 00:16:58,019 [Music] 413 00:16:58,019 --> 00:17:01,019 wow 414 00:17:06,069 --> 00:17:09,229 [Music] 415 00:17:14,819 --> 00:17:16,559 that company's second album straight 416 00:17:16,559 --> 00:17:18,240 shooter was recorded at Clearwater 417 00:17:18,240 --> 00:17:20,939 Castle in September of 74. it raised to 418 00:17:20,939 --> 00:17:23,160 the Billboard top 10 to hit songs good 419 00:17:23,160 --> 00:17:24,900 loving gone bad and feel like making 420 00:17:24,900 --> 00:17:27,179 love it took the band just two albums to 421 00:17:27,179 --> 00:17:28,799 jump from nowhere to rockstars playing 422 00:17:28,799 --> 00:17:30,840 stadium shows Swan song's second 423 00:17:30,840 --> 00:17:32,460 best-selling ban was not short of his 424 00:17:32,460 --> 00:17:34,020 problems despite its money-making 425 00:17:34,020 --> 00:17:35,760 figures Peter Grant described Paul 426 00:17:35,760 --> 00:17:37,679 Rodgers as quote the most difficult 427 00:17:37,679 --> 00:17:39,720 person I've ever had to work with let's 428 00:17:39,720 --> 00:17:41,340 remember Peter Grant had to work with 429 00:17:41,340 --> 00:17:43,860 Jim Vincent's drunk in violent ways so 430 00:17:43,860 --> 00:17:45,840 Paul Rogers was worse than Gene Vincent 431 00:17:45,840 --> 00:17:48,000 he was a boxer and a 7th Dan in karate 432 00:17:48,000 --> 00:17:50,100 there were many fights on and off the 433 00:17:50,100 --> 00:17:52,140 stage that company was all about gold 434 00:17:52,140 --> 00:17:54,419 records sold out shows and Hard Cash 435 00:17:54,419 --> 00:17:56,700 profits their musical style was upfront 436 00:17:56,700 --> 00:17:58,140 and direct without diving into the 437 00:17:58,140 --> 00:18:00,059 Obscure nor long jams of Led Zeppelin 438 00:18:00,059 --> 00:18:01,500 but followed some other Physical 439 00:18:01,500 --> 00:18:03,840 Graffiti some textures to the tea but 440 00:18:03,840 --> 00:18:05,700 company was able to co-exist on the 441 00:18:05,700 --> 00:18:07,799 Swanson label without stealing the 442 00:18:07,799 --> 00:18:09,900 Thunder of its famous brother they were 443 00:18:09,900 --> 00:18:11,160 at the right time in players were in 444 00:18:11,160 --> 00:18:12,960 rock and roll fully embraced scripted 445 00:18:12,960 --> 00:18:14,760 shows and heavy passages new audio 446 00:18:14,760 --> 00:18:16,620 audiences were eager to enjoy this Back 447 00:18:16,620 --> 00:18:18,240 to Basics approach with Paul Rogers 448 00:18:18,240 --> 00:18:19,919 vocal performance stealing the show 449 00:18:19,919 --> 00:18:22,020 backed up by the mighty power of Boss 450 00:18:22,020 --> 00:18:25,020 barrel and bass Simon Kirk and drums and 451 00:18:25,020 --> 00:18:27,120 Mig Ralph's On guitar but companies soon 452 00:18:27,120 --> 00:18:28,380 enjoyed the same protection as Led 453 00:18:28,380 --> 00:18:30,840 Zeppelin on their 1975 U.S tour after 454 00:18:30,840 --> 00:18:32,880 lawyer Steve wise hired former detective 455 00:18:32,880 --> 00:18:34,919 Stephen Rosenberg as head of security 456 00:18:34,919 --> 00:18:38,220 they had cops CIA and FBI agents taking 457 00:18:38,220 --> 00:18:40,380 days off to join them on the road by 458 00:18:40,380 --> 00:18:42,539 company's tour manager Phil Carlo at 459 00:18:42,539 --> 00:18:44,039 this point I discovered the only people 460 00:18:44,039 --> 00:18:46,140 who could jump red lights with a police 461 00:18:46,140 --> 00:18:48,000 escort where the president of the United 462 00:18:48,000 --> 00:18:51,679 States and Peter Grant 463 00:18:51,960 --> 00:19:02,840 [Music] 464 00:19:02,840 --> 00:19:06,200 take it down 465 00:19:09,299 --> 00:19:11,340 touring America back to back with two 466 00:19:11,340 --> 00:19:12,960 successful bands was exhausting for 467 00:19:12,960 --> 00:19:15,120 Peter Grant but he had another reason 468 00:19:15,120 --> 00:19:18,000 not to be in England tax Exile you see 469 00:19:18,000 --> 00:19:19,559 tax income after the second world war 470 00:19:19,559 --> 00:19:22,980 was as high as 97 to the 50s and 60s it 471 00:19:22,980 --> 00:19:26,400 lowered down to 75 percent in 1971. then 472 00:19:26,400 --> 00:19:28,919 in 1974 through a labored party campaign 473 00:19:28,919 --> 00:19:31,200 of taxing the rich it was raised all the 474 00:19:31,200 --> 00:19:33,840 way up to 83 percent for top income and 475 00:19:33,840 --> 00:19:36,480 98 percent of her investment labor party 476 00:19:36,480 --> 00:19:38,160 member Dennis Healey was one of the main 477 00:19:38,160 --> 00:19:40,380 advocates for this policy with Robert 478 00:19:40,380 --> 00:19:42,179 Plant dedicating a song for him at 479 00:19:42,179 --> 00:19:44,220 Elle's Court this was eventually lowered 480 00:19:44,220 --> 00:19:45,360 during Margaret Thatcher's 481 00:19:45,360 --> 00:19:47,520 Administration by raising value-added 482 00:19:47,520 --> 00:19:49,440 tax with this said you had bands like 483 00:19:49,440 --> 00:19:51,120 the stones and others heading out for 484 00:19:51,120 --> 00:19:53,220 fancy destinations in Europe they 485 00:19:53,220 --> 00:19:54,780 followed a similar blueprint for 486 00:19:54,780 --> 00:19:56,400 recording parting and assorted 487 00:19:56,400 --> 00:19:58,200 activities Led Zeppelin kept their 488 00:19:58,200 --> 00:20:00,299 bandmates houses in the UK but had to 489 00:20:00,299 --> 00:20:01,799 spend nine months away they became 490 00:20:01,799 --> 00:20:03,840 gypsies setting up temporary housing in 491 00:20:03,840 --> 00:20:06,720 France Switzerland and Jersey Island who 492 00:20:06,720 --> 00:20:08,460 believe the labor party offers the best 493 00:20:08,460 --> 00:20:10,980 hope for Britain's future my faith in 494 00:20:10,980 --> 00:20:12,720 the moral values which socialism 495 00:20:12,720 --> 00:20:16,080 represents remains undiminished now 496 00:20:16,080 --> 00:20:17,880 admittedly you wrote that some years ago 497 00:20:17,880 --> 00:20:22,020 does it apply today I think so yes see 498 00:20:22,020 --> 00:20:24,240 I'm just wondering when September of 499 00:20:24,240 --> 00:20:25,980 1973 when you were actually shadow 500 00:20:25,980 --> 00:20:28,919 Chancellor you said quote and this is 501 00:20:28,919 --> 00:20:31,080 about Labor's tax plan 502 00:20:31,080 --> 00:20:33,840 I warn you there are going to be howls 503 00:20:33,840 --> 00:20:36,179 of Anguish from those Rich enough to pay 504 00:20:36,179 --> 00:20:40,200 over 75 on the top slice of their 505 00:20:40,200 --> 00:20:42,960 earning and there was I'm sure there was 506 00:20:42,960 --> 00:20:46,919 yeah but I just wonder why now with the 507 00:20:46,919 --> 00:20:48,480 labor government in power you believe 508 00:20:48,480 --> 00:20:49,440 that 509 00:20:49,440 --> 00:20:52,020 there is no talk of increasing the top 510 00:20:52,020 --> 00:20:53,940 rate of Taxation on those earning the 511 00:20:53,940 --> 00:20:57,179 most money Beyond 40 percent because all 512 00:20:57,179 --> 00:20:59,160 they do is they move their money abroad 513 00:20:59,160 --> 00:21:00,960 which is bad for us because we lose 514 00:21:00,960 --> 00:21:03,120 income from it past the five children 515 00:21:03,120 --> 00:21:05,100 cord Robert Plant took his family on a 516 00:21:05,100 --> 00:21:07,799 holiday to Morocco the others Peter gun 517 00:21:07,799 --> 00:21:09,600 included stayed in Exile mode in 518 00:21:09,600 --> 00:21:11,640 Montreal Jimmy Page joined Robert 519 00:21:11,640 --> 00:21:13,740 halfway through June Marrakesh with us 520 00:21:13,740 --> 00:21:15,059 are higher in the Atlas Mountains 521 00:21:15,059 --> 00:21:17,220 Majestic scenery pigeon plan talked 522 00:21:17,220 --> 00:21:18,720 about recording music with the ambience 523 00:21:18,720 --> 00:21:20,760 and Rhythm sounds of Morocco the plan 524 00:21:20,760 --> 00:21:22,440 would be shelved until 19 years later 525 00:21:22,440 --> 00:21:24,299 interesting to think How They carried 526 00:21:24,299 --> 00:21:26,160 out the plan what would Barnum and John 527 00:21:26,160 --> 00:21:28,500 say about it Page and Plant rovery Range 528 00:21:28,500 --> 00:21:30,600 Rover to the Atlantic coast visiting the 529 00:21:30,600 --> 00:21:33,179 Spanish Sahara of Asura and tantan the 530 00:21:33,179 --> 00:21:34,860 Spanish Army had left and the Moroccan 531 00:21:34,860 --> 00:21:36,419 government had roadblocks every few 532 00:21:36,419 --> 00:21:38,580 miles after reaching a dead end they 533 00:21:38,580 --> 00:21:40,559 headed out north crossing the Strait of 534 00:21:40,559 --> 00:21:43,020 Gibraltar by ferry then driving up to 535 00:21:43,020 --> 00:21:44,700 France for a final destination in 536 00:21:44,700 --> 00:21:47,039 Montreal Switzerland Led Zeppelin made 537 00:21:47,039 --> 00:21:49,080 tentative plans for a USA tour in the 538 00:21:49,080 --> 00:21:51,000 fall and possible concerts in South 539 00:21:51,000 --> 00:21:52,679 America which seemed like a risky 540 00:21:52,679 --> 00:21:54,600 Venture I would say Argentina was the 541 00:21:54,600 --> 00:21:56,400 best place to go before withela's 542 00:21:56,400 --> 00:21:58,919 dictatorship which began in March 1976 543 00:21:58,919 --> 00:22:00,720 the country's soaring rock and roll 544 00:22:00,720 --> 00:22:03,299 scene up to 1975 saw many Geniuses 545 00:22:03,299 --> 00:22:05,159 blossomed in the way of Russ Alberto 546 00:22:05,159 --> 00:22:07,440 spinetta Charlie Garcia and many more 547 00:22:07,440 --> 00:22:08,940 that I would need a couple of hours to 548 00:22:08,940 --> 00:22:11,400 cover rug Giants sui Henry slash shows 549 00:22:11,400 --> 00:22:13,740 at Luna Park on September 12th saw a 550 00:22:13,740 --> 00:22:16,080 crowd of 30 000 fans there was a market 551 00:22:16,080 --> 00:22:17,940 for a Led Zeppelin show just imagine 552 00:22:17,940 --> 00:22:19,679 Robert Plant's plantations in Spanish 553 00:22:19,679 --> 00:22:21,960 good evening Argentina we're gonna do a 554 00:22:21,960 --> 00:22:24,360 song called kachemira the Montreal Just 555 00:22:24,360 --> 00:22:27,059 Festival of 1975 was held from July 3rd 556 00:22:27,059 --> 00:22:29,580 to July 20th everybody played there just 557 00:22:29,580 --> 00:22:33,419 to name a few Billy Covenant Julie Felix 558 00:22:33,419 --> 00:22:37,140 Larry Corel magma Paul Butterfield Rory 559 00:22:37,140 --> 00:22:39,900 Gallagher Aubrey King Oscar Peterson 560 00:22:39,900 --> 00:22:43,559 Ella Fitzgerald Joe Pass sadaw Watanabe 561 00:22:43,559 --> 00:22:46,020 Count Basie and his orchestra Bill Evans 562 00:22:46,020 --> 00:22:48,480 and Charles Mingus Etta James played on 563 00:22:48,480 --> 00:22:51,539 July 11th with Jones and bass and then 564 00:22:51,539 --> 00:22:53,220 19 year old future modern day Paul 565 00:22:53,220 --> 00:22:57,500 McCartney sidekick Brian Ray on guitar 566 00:22:58,500 --> 00:23:00,150 foreign 567 00:23:00,150 --> 00:23:12,140 [Music] 568 00:23:12,140 --> 00:23:15,600 August 4th Rhodes Greece quite a 569 00:23:15,600 --> 00:23:17,640 premonitory name for an island Rhodes 570 00:23:17,640 --> 00:23:20,159 was not to be a good vacation Marine 571 00:23:20,159 --> 00:23:21,720 plan was driving a rented car with 572 00:23:21,720 --> 00:23:23,580 Robert next to her in the front seat in 573 00:23:23,580 --> 00:23:24,780 the back seat where their children 574 00:23:24,780 --> 00:23:27,200 Carrick and Carmen plus Scarlet page 575 00:23:27,200 --> 00:23:29,220 mourinhos control the vehicle and 576 00:23:29,220 --> 00:23:31,380 crashed the car almost went down a cliff 577 00:23:31,380 --> 00:23:33,659 it was stopped by a tree Robert looked 578 00:23:33,659 --> 00:23:35,640 at his unconscious wife she had a 579 00:23:35,640 --> 00:23:37,860 fractured skull and pelvis Robert had a 580 00:23:37,860 --> 00:23:39,900 badly broken ankle and elbow both 581 00:23:39,900 --> 00:23:41,820 Carrick and Carmen were badly bruised 582 00:23:41,820 --> 00:23:44,700 and crying scarred page wasn't harmed 583 00:23:44,700 --> 00:23:46,980 there was no ambulance in sight it took 584 00:23:46,980 --> 00:23:48,900 hours for a local farmer to take them to 585 00:23:48,900 --> 00:23:50,159 the hospital in the back of his truck 586 00:23:50,159 --> 00:23:52,440 tour manager Richard Cole got a phone 587 00:23:52,440 --> 00:23:53,700 call next day from Jimmy's wife 588 00:23:53,700 --> 00:23:56,100 Charlotte Martin Maureen plan needed a 589 00:23:56,100 --> 00:23:58,020 blood transfusion and her time was not 590 00:23:58,020 --> 00:24:00,179 available in Rhodes Richard Cole had to 591 00:24:00,179 --> 00:24:01,799 think fast and get a Charlie plane to 592 00:24:01,799 --> 00:24:04,020 fly the roads rescue them and save 593 00:24:04,020 --> 00:24:06,120 Maureen's life since Peter Grant and 594 00:24:06,120 --> 00:24:08,100 Bonds were in the south of France Cole 595 00:24:08,100 --> 00:24:09,299 had to figure this one out of his own 596 00:24:09,299 --> 00:24:11,960 own making calls to doctors and surgeons 597 00:24:11,960 --> 00:24:13,860 Swanson's account and told him he 598 00:24:13,860 --> 00:24:15,059 couldn't authorize the money without 599 00:24:15,059 --> 00:24:17,280 Peter Grant's approval Richard yelled at 600 00:24:17,280 --> 00:24:19,080 him trying to explain the situation one 601 00:24:19,080 --> 00:24:20,760 of the surgeons Richard contacted had 602 00:24:20,760 --> 00:24:22,559 treated a pilot who borrowed his private 603 00:24:22,559 --> 00:24:24,600 jet for the Zeppelin mission two 604 00:24:24,600 --> 00:24:26,340 physicians in fresh blood landed in 605 00:24:26,340 --> 00:24:28,440 roads where the owner of the car rental 606 00:24:28,440 --> 00:24:31,080 agency claimed Marine plan was drunk at 607 00:24:31,080 --> 00:24:33,000 the time of the accident Greek lawyers 608 00:24:33,000 --> 00:24:34,380 planned their way at scoring big money 609 00:24:34,380 --> 00:24:36,720 from swansong in Led Zeppelin Mantra 610 00:24:36,720 --> 00:24:39,179 just Festival founded Cloud knobs saved 611 00:24:39,179 --> 00:24:40,919 the day he wired the funds to fire 612 00:24:40,919 --> 00:24:43,260 everyone out of Roads Cole managed to go 613 00:24:43,260 --> 00:24:44,940 to the hospital get them into the 614 00:24:44,940 --> 00:24:46,860 vehicle back to the airport and take off 615 00:24:46,860 --> 00:24:49,039 for Rome with Final Destination England 616 00:24:49,039 --> 00:24:51,720 Maureen spent weeks in bed Robert Plant 617 00:24:51,720 --> 00:24:53,460 quote if we hadn't had the money 618 00:24:53,460 --> 00:24:55,260 available to fly to England right away 619 00:24:55,260 --> 00:24:57,419 for the best medical treatment I'm 620 00:24:57,419 --> 00:24:59,039 certain my wife wouldn't be alive now 621 00:24:59,039 --> 00:25:01,200 because of the labor party tax Excel 622 00:25:01,200 --> 00:25:03,419 policy Robert was only allowed to stay 623 00:25:03,419 --> 00:25:05,640 in Britain for a few days per year had 624 00:25:05,640 --> 00:25:07,860 he stayed past his limit he would be 625 00:25:07,860 --> 00:25:09,840 liable for taxes in his Force and would 626 00:25:09,840 --> 00:25:11,760 have taken a huge hit with just hours 627 00:25:11,760 --> 00:25:14,100 before the deadline Richard Cole saved 628 00:25:14,100 --> 00:25:15,600 plants Millions by calling British 629 00:25:15,600 --> 00:25:17,460 Airways getting Robert in an ambulance 630 00:25:17,460 --> 00:25:19,620 to the airport and using a forklift to 631 00:25:19,620 --> 00:25:21,240 get him on the plane for all the 632 00:25:21,240 --> 00:25:23,159 Latter-Day bad beef between Cole and the 633 00:25:23,159 --> 00:25:25,559 Led Zeppelin organization Richard was a 634 00:25:25,559 --> 00:25:29,039 hero in 1975. 635 00:25:37,500 --> 00:25:39,659 Jersey Island was home away from home 636 00:25:39,659 --> 00:25:41,580 where plant in a wheelchair was joined 637 00:25:41,580 --> 00:25:43,740 by the rest of the band Led Zeppelin's 638 00:25:43,740 --> 00:25:46,080 touring momentum was gone the idea to 639 00:25:46,080 --> 00:25:47,640 revive the film Project they had in the 640 00:25:47,640 --> 00:25:49,440 can would slowly take shape the biggest 641 00:25:49,440 --> 00:25:51,000 band in the world was now living in 642 00:25:51,000 --> 00:25:53,159 Excel within their Exile Jersey Island 643 00:25:53,159 --> 00:25:54,779 was to beat a Zeppelin's isolation 644 00:25:54,779 --> 00:25:56,700 headquarters this is the same place 645 00:25:56,700 --> 00:25:59,039 where Paige planned Jones and Grant met 646 00:25:59,039 --> 00:26:01,559 on November 7 1980 to talk about John 647 00:26:01,559 --> 00:26:04,260 Bonham and calm terms with his passing a 648 00:26:04,260 --> 00:26:05,460 press conference announced a 649 00:26:05,460 --> 00:26:07,860 cancellation of any 1975 touring plans 650 00:26:07,860 --> 00:26:09,840 including the day at the green shows at 651 00:26:09,840 --> 00:26:11,760 Auckland Coliseum with Joe Walsh and the 652 00:26:11,760 --> 00:26:14,220 pretty things scheduled for August 23rd 653 00:26:14,220 --> 00:26:16,940 and 24th 654 00:26:21,440 --> 00:26:24,500 thank you 655 00:26:25,620 --> 00:26:27,480 from visiting the Victoria Pub to 656 00:26:27,480 --> 00:26:29,460 nightclubs on the seafront the Zeppelin 657 00:26:29,460 --> 00:26:31,380 crew had a lot of time on their hands I 658 00:26:31,380 --> 00:26:32,880 believe most of the inspiration for 659 00:26:32,880 --> 00:26:34,740 presents was based on the band's mood 660 00:26:34,740 --> 00:26:36,960 and sentiments at Jersey Island you had 661 00:26:36,960 --> 00:26:38,700 the boats representing Stillness and 662 00:26:38,700 --> 00:26:40,140 restaurants Gathering them for dinner 663 00:26:40,140 --> 00:26:42,299 trying to make sense of what was going 664 00:26:42,299 --> 00:26:44,640 on nobody wanted to stop the show and 665 00:26:44,640 --> 00:26:46,080 they couldn't go home thanks to the 666 00:26:46,080 --> 00:26:48,539 labor party policies what the object may 667 00:26:48,539 --> 00:26:51,000 represent is a metaphor of frustration 668 00:26:51,000 --> 00:26:53,460 no matter how they spend their time the 669 00:26:53,460 --> 00:26:55,200 feeling was absolute there was no escape 670 00:26:55,200 --> 00:26:57,419 from its presence in everyday activities 671 00:26:57,419 --> 00:26:59,460 while their vaults were filled with cash 672 00:26:59,460 --> 00:27:01,620 the questions piled up at Swanson 673 00:27:01,620 --> 00:27:04,020 offices John bottom and Jimmy Page flew 674 00:27:04,020 --> 00:27:05,580 back to London for the Melody Maker 675 00:27:05,580 --> 00:27:07,940 Awards held on September 17 676 00:27:07,940 --> 00:27:10,440 1975. the band picked up prices for Top 677 00:27:10,440 --> 00:27:13,679 Male vocalist best album best group and 678 00:27:13,679 --> 00:27:15,960 best live act Peter Grant suggested his 679 00:27:15,960 --> 00:27:17,820 boys to head out overseas to write and 680 00:27:17,820 --> 00:27:19,440 rehearse material for their next album 681 00:27:19,440 --> 00:27:21,840 in the same way the stones wrote most of 682 00:27:21,840 --> 00:27:25,580 Exile on Main Street in France 683 00:27:26,900 --> 00:27:30,360 thank you 684 00:27:30,360 --> 00:27:33,720 late September 1975 Robert Plant and Jim 685 00:27:33,720 --> 00:27:35,580 page relocated to the Continental height 686 00:27:35,580 --> 00:27:37,500 in Los Angeles before going to the 687 00:27:37,500 --> 00:27:39,120 exclusive Malibu colony where they 688 00:27:39,120 --> 00:27:41,100 rented beach houses Richie Blackman 689 00:27:41,100 --> 00:27:42,900 lived here while forming his new band 690 00:27:42,900 --> 00:27:44,520 and recording its debut album at 691 00:27:44,520 --> 00:27:46,320 musicland Studios Munich in the early 692 00:27:46,320 --> 00:27:49,020 part of 75. Blackburn knew the Studio's 693 00:27:49,020 --> 00:27:50,700 Deep Purple stormbringer was recorded 694 00:27:50,700 --> 00:27:53,159 there in 74. because he was now an LA 695 00:27:53,159 --> 00:27:55,140 neighbor some sources stated Robert 696 00:27:55,140 --> 00:27:56,820 Plant attended deep purple's June 697 00:27:56,820 --> 00:27:58,620 rehearsals with guitarist Tommy Bolin 698 00:27:58,620 --> 00:28:00,120 this would make sense as they would 699 00:28:00,120 --> 00:28:01,679 later be seen hanging out together and 700 00:28:01,679 --> 00:28:03,539 well the rock and roll world is a 701 00:28:03,539 --> 00:28:05,340 close-knitive community purple's next 702 00:28:05,340 --> 00:28:07,140 album was also recorded at musicland 703 00:28:07,140 --> 00:28:09,299 Studios from August to September com 704 00:28:09,299 --> 00:28:10,980 taste the band added the tell me bowling 705 00:28:10,980 --> 00:28:12,960 momentum after recording with James gang 706 00:28:12,960 --> 00:28:15,240 and Billy coven Spectrum which put him 707 00:28:15,240 --> 00:28:17,159 on the map as a one-of-a-kind musician 708 00:28:17,159 --> 00:28:20,279 who could tackle Jazz Rock and Funk fun 709 00:28:20,279 --> 00:28:23,039 fact Tommy Bolin span Zephyr open for 710 00:28:23,039 --> 00:28:25,740 Led Zeppelin back in 1969 Robert Plant 711 00:28:25,740 --> 00:28:27,600 polished his lyrics and Jimmy worked on 712 00:28:27,600 --> 00:28:29,640 his own agenda including Godfather for 713 00:28:29,640 --> 00:28:32,340 Swan song's new band detective members 714 00:28:32,340 --> 00:28:34,020 of Led Zeppelin met British rock singer 715 00:28:34,020 --> 00:28:35,820 Michael der Barnes after watching him on 716 00:28:35,820 --> 00:28:37,380 stage with his old band silverhead 717 00:28:37,380 --> 00:28:40,500 around 1974 with Robbie plant on guitar 718 00:28:40,500 --> 00:28:42,900 a future Robert Plant solo career frame 719 00:28:42,900 --> 00:28:45,720 his playing is just amazing detective 720 00:28:45,720 --> 00:28:47,820 had their bars on vocals former yes 721 00:28:47,820 --> 00:28:50,220 member Tony K on keywords John Hyde on 722 00:28:50,220 --> 00:28:52,380 drums Bobby Pickett on bass and Michael 723 00:28:52,380 --> 00:28:54,539 Monarch on guitar you may remember him 724 00:28:54,539 --> 00:28:56,100 for his signature sounds scoring big 725 00:28:56,100 --> 00:28:58,080 hits with Steppenwolf according to 726 00:28:58,080 --> 00:28:59,700 Michael their bars Peter Grant in the 727 00:28:59,700 --> 00:29:01,320 hot California weather was strange but 728 00:29:01,320 --> 00:29:04,320 necessary as his job was demanding 24 7. 729 00:29:04,320 --> 00:29:06,179 John Barnum and John Paul Jones arrived 730 00:29:06,179 --> 00:29:08,940 in Los Angeles in October 1975. John 731 00:29:08,940 --> 00:29:10,919 Bonham's daughter Zoe was born on June 732 00:29:10,919 --> 00:29:12,840 10th and he was reluctant of leaving his 733 00:29:12,840 --> 00:29:14,700 family while Paige planning Bonham 734 00:29:14,700 --> 00:29:16,440 stayed in separate bungalows in Malibu 735 00:29:16,440 --> 00:29:18,360 John Paul Jones booked himself into the 736 00:29:18,360 --> 00:29:20,399 good old Continental Hyatt in Sunset 737 00:29:20,399 --> 00:29:22,080 Boulevard one of the main complaints 738 00:29:22,080 --> 00:29:23,880 within the Zeppelin Camp were Paige's 739 00:29:23,880 --> 00:29:26,039 nocturnal hours an alternate lifestyle 740 00:29:26,039 --> 00:29:28,620 choices quote John Paul Jones Robert and 741 00:29:28,620 --> 00:29:30,120 I seem to keep a different time sequence 742 00:29:30,120 --> 00:29:32,220 to Jimmy Jimmy expressed the same 743 00:29:32,220 --> 00:29:33,899 complaint against John Paul Jones Who 744 00:29:33,899 --> 00:29:36,480 quote was never around the new Zeppelin 745 00:29:36,480 --> 00:29:38,340 music had Funk and unexpected routes of 746 00:29:38,340 --> 00:29:39,720 Eastern roots and American Rhythm 747 00:29:39,720 --> 00:29:41,700 sections complex time signatures and 748 00:29:41,700 --> 00:29:43,440 crazy Arrangements while Robert Plant 749 00:29:43,440 --> 00:29:45,299 sang in a wheelchair a contrast like 750 00:29:45,299 --> 00:29:47,520 never before the Led Zeppelin rehearsals 751 00:29:47,520 --> 00:29:51,440 took place at sir Studios in Hollywood 752 00:29:54,179 --> 00:29:55,760 foreign 753 00:29:55,760 --> 00:30:02,539 [Music] 754 00:30:24,680 --> 00:30:33,559 [Music] 755 00:30:33,559 --> 00:30:35,640 Electric Light Orchestra followed 756 00:30:35,640 --> 00:30:37,140 Richard Blackman's advice and traveled 757 00:30:37,140 --> 00:30:38,580 to Munich for their face their music 758 00:30:38,580 --> 00:30:40,740 sessions held May through June the 759 00:30:40,740 --> 00:30:42,179 Rolling Stones his initial work for 760 00:30:42,179 --> 00:30:43,860 black and blue in Munich took place in 761 00:30:43,860 --> 00:30:46,200 March as we can see musicland's name 762 00:30:46,200 --> 00:30:48,480 resonated heavy musicland was a new 763 00:30:48,480 --> 00:30:51,240 place during these tax Exile Times Los 764 00:30:51,240 --> 00:30:53,399 Angeles 1975 was a place of excess 765 00:30:53,399 --> 00:30:56,940 cocaine Quaaludes heroin and alcohol not 766 00:30:56,940 --> 00:30:58,440 the safest or healthiest bet for 767 00:30:58,440 --> 00:31:00,419 millionaire rock stars with the world at 768 00:31:00,419 --> 00:31:02,100 their feet and an army of inhalers 769 00:31:02,100 --> 00:31:04,620 catering to the drug of choice parties 770 00:31:04,620 --> 00:31:07,260 late night missions and behind closed 771 00:31:07,260 --> 00:31:08,880 door rituals were the agenda for the 772 00:31:08,880 --> 00:31:10,799 kings of rock and roll as much as Led 773 00:31:10,799 --> 00:31:13,500 Zeppelin's 1977 U.S tour gets a bad rap 774 00:31:13,500 --> 00:31:15,659 for excess the seats of Destruction were 775 00:31:15,659 --> 00:31:18,059 planted throughout 1975 besides 776 00:31:18,059 --> 00:31:20,100 dangerous business partners I don't want 777 00:31:20,100 --> 00:31:21,659 to point fingers on addiction but based 778 00:31:21,659 --> 00:31:23,220 on testimonials and cultural habits at 779 00:31:23,220 --> 00:31:25,620 the time time we the fans know what was 780 00:31:25,620 --> 00:31:27,480 going on Jimmy's close friend back then 781 00:31:27,480 --> 00:31:29,880 Keith Richards was quite outspoken in 782 00:31:29,880 --> 00:31:31,559 his relationship with Heroin on his 783 00:31:31,559 --> 00:31:33,299 autobiography which I definitely 784 00:31:33,299 --> 00:31:35,340 recommend reading Keith even went as far 785 00:31:35,340 --> 00:31:36,720 as saying that when they switched from 786 00:31:36,720 --> 00:31:38,460 pharmaceutical cocaine to the stuff 787 00:31:38,460 --> 00:31:40,380 being imported from South America things 788 00:31:40,380 --> 00:31:42,779 took a nosedive no pun intended Keith 789 00:31:42,779 --> 00:31:44,940 Richards quote pharmaceutical cocaine 790 00:31:44,940 --> 00:31:46,559 could not be compared in any way to 791 00:31:46,559 --> 00:31:48,299 cocaine produced in Central or South 792 00:31:48,299 --> 00:31:50,220 America it is pure and it doesn't bring 793 00:31:50,220 --> 00:31:52,380 any depression or lethargy a totally 794 00:31:52,380 --> 00:31:54,120 different type of euphoria there were 795 00:31:54,120 --> 00:31:56,100 absolutely no withdrawal symptoms moving 796 00:31:56,100 --> 00:31:57,899 on to hard drugs the level of chemical 797 00:31:57,899 --> 00:31:59,580 dependence heroin had on so many 798 00:31:59,580 --> 00:32:02,460 musicians was reflected in post-1975 799 00:32:02,460 --> 00:32:04,679 rock albums from that era pod was 800 00:32:04,679 --> 00:32:07,440 Freedom cocaine was permission heroin 801 00:32:07,440 --> 00:32:09,600 was prison and you can see it on stage 802 00:32:09,600 --> 00:32:11,640 that it's tight you know and that kind 803 00:32:11,640 --> 00:32:12,720 of respect you have for each other and 804 00:32:12,720 --> 00:32:14,700 how do you kind of maintain that well 805 00:32:14,700 --> 00:32:16,320 really because of the fact that we have 806 00:32:16,320 --> 00:32:19,980 been able to to keep creating a material 807 00:32:19,980 --> 00:32:23,760 that varies so much you know design many 808 00:32:23,760 --> 00:32:26,460 aspects of uh imagination that can be 809 00:32:26,460 --> 00:32:29,039 brought ahead in the music and in the 810 00:32:29,039 --> 00:32:30,659 lyrics 811 00:32:30,659 --> 00:32:33,779 um that this is the stimulus that keeps 812 00:32:33,779 --> 00:32:35,279 us together you know I mean if if we 813 00:32:35,279 --> 00:32:36,899 found that we were getting getting no 814 00:32:36,899 --> 00:32:38,640 farther or we were 815 00:32:38,640 --> 00:32:41,279 channeling ourselves down onto a one 816 00:32:41,279 --> 00:32:42,919 plane and sort of 817 00:32:42,919 --> 00:32:47,039 one musical level then we would be we 818 00:32:47,039 --> 00:32:49,740 would start to get bored now let's 819 00:32:49,740 --> 00:32:52,140 discuss the 1975 songwriting process in 820 00:32:52,140 --> 00:32:53,820 a year of great records we know that 821 00:32:53,820 --> 00:32:55,620 page and plan worked out sketches and 822 00:32:55,620 --> 00:32:57,600 basic elements before Jones and Barnum 823 00:32:57,600 --> 00:32:59,399 joined forces for the electric side of 824 00:32:59,399 --> 00:33:01,320 things I went back and listened to a 825 00:33:01,320 --> 00:33:03,360 nice selection of albums released in 75 826 00:33:03,360 --> 00:33:05,159 and while the rock and roll guitars and 827 00:33:05,159 --> 00:33:06,899 style was present there was a growing 828 00:33:06,899 --> 00:33:08,940 Funk movement going mainstream with 829 00:33:08,940 --> 00:33:10,980 proto-discal rhythms without drum 830 00:33:10,980 --> 00:33:12,720 machines but opening the door as 831 00:33:12,720 --> 00:33:14,580 preparation you see Zeppelin's Physical 832 00:33:14,580 --> 00:33:16,380 Graffiti was a prophetic piece of work 833 00:33:16,380 --> 00:33:18,419 in the sense that their peers took note 834 00:33:18,419 --> 00:33:20,220 from ambitious guitar overdubs to 835 00:33:20,220 --> 00:33:22,080 prominent keywords let's up and look 836 00:33:22,080 --> 00:33:23,460 into the future with trampled on their 837 00:33:23,460 --> 00:33:25,019 foot's Hard Rock Funk and ironically 838 00:33:25,019 --> 00:33:26,580 presence seems to take Hue from their 839 00:33:26,580 --> 00:33:28,200 double album slash track about the LA 840 00:33:28,200 --> 00:33:31,019 queens and scenery October 1975 had 841 00:33:31,019 --> 00:33:33,240 Paige plan Jones and Barnum living in 842 00:33:33,240 --> 00:33:35,279 the place of sick again here's a summary 843 00:33:35,279 --> 00:33:36,899 of albums or songs released between 844 00:33:36,899 --> 00:33:38,700 March and October that I deem relevant 845 00:33:38,700 --> 00:33:40,500 in the musical production styles that 846 00:33:40,500 --> 00:33:42,840 played a part in present Sonic design 847 00:33:42,840 --> 00:33:45,179 1975 was an interesting year where many 848 00:33:45,179 --> 00:33:46,740 breakthrough tracks led to both 849 00:33:46,740 --> 00:33:48,659 Innovation and parity for some of its 850 00:33:48,659 --> 00:33:50,519 creators there doesn't seem to be Middle 851 00:33:50,519 --> 00:33:52,799 Ground of intention it's either over the 852 00:33:52,799 --> 00:33:55,080 top or bust Led Zeppelin's Rock peers 853 00:33:55,080 --> 00:33:56,460 were getting dangerously better at their 854 00:33:56,460 --> 00:33:58,440 game the industry jumps down overall 855 00:33:58,440 --> 00:34:00,299 improved towards High recording quality 856 00:34:00,299 --> 00:34:02,039 accentuating the brightness of the 857 00:34:02,039 --> 00:34:04,860 hi-hats symbols and Dynamics guitars 858 00:34:04,860 --> 00:34:07,320 were wider and beefier overdubs staring 859 00:34:07,320 --> 00:34:09,300 keyboards and synths create a vocal 860 00:34:09,300 --> 00:34:11,099 phrasing the industry was like a big 861 00:34:11,099 --> 00:34:12,839 dance floor moving to the sound of Casey 862 00:34:12,839 --> 00:34:14,940 and the Sunshine's debut long gone the 863 00:34:14,940 --> 00:34:17,339 flower power hello Flower Powder there 864 00:34:17,339 --> 00:34:19,560 was room for everyone and everything 865 00:34:19,560 --> 00:34:21,540 David Bowie's Young Americans had the 866 00:34:21,540 --> 00:34:23,879 funk Powerhouse in Fame and tried to put 867 00:34:23,879 --> 00:34:25,200 the style on the radio where previous 868 00:34:25,200 --> 00:34:27,179 British Explorations may have been a bit 869 00:34:27,179 --> 00:34:30,119 shy 10 cc's of not enough remains one of 870 00:34:30,119 --> 00:34:31,800 the most complex Studio creations of 871 00:34:31,800 --> 00:34:34,679 1975 with massive keywords and overdubs 872 00:34:34,679 --> 00:34:36,679 of Epic tape editing proportions 873 00:34:36,679 --> 00:34:38,879 nazareth's Love Hurts set the template 874 00:34:38,879 --> 00:34:40,859 for 80s power ballads and they shot 875 00:34:40,859 --> 00:34:42,480 themselves in the foot with a hit single 876 00:34:42,480 --> 00:34:44,580 that overshadowed their Hardware catalog 877 00:34:44,580 --> 00:34:46,379 a classic number never to leave the 878 00:34:46,379 --> 00:34:47,879 radio stations and soundtrack for 879 00:34:47,879 --> 00:34:49,919 breakups while chugging a six-pack of 880 00:34:49,919 --> 00:34:51,540 beers at a parking lot late at night 881 00:34:51,540 --> 00:34:53,580 camels the snow goose elevated the art 882 00:34:53,580 --> 00:34:55,379 of the guitar solo as melodic substance 883 00:34:55,379 --> 00:34:57,240 as well as the ensemble's wisdom to 884 00:34:57,240 --> 00:34:59,520 deliver an almost perfect progrog album 885 00:34:59,520 --> 00:35:01,740 Jeff Beck's Blow by blow hit the shelves 886 00:35:01,740 --> 00:35:03,359 and put the master himself in jazz 887 00:35:03,359 --> 00:35:05,280 fusion Waters I'm almost positive it 888 00:35:05,280 --> 00:35:07,080 shook the Led Zeppelin World hard and 889 00:35:07,080 --> 00:35:09,000 had Jimmy Page thinking you've done it 890 00:35:09,000 --> 00:35:11,040 again Jeff bloody brilliant you can hear 891 00:35:11,040 --> 00:35:12,660 Beck's influence on many solos and 892 00:35:12,660 --> 00:35:14,579 Rhythm lines from presence check out 893 00:35:14,579 --> 00:35:16,260 constipated duck and tell me Royal 894 00:35:16,260 --> 00:35:18,180 Orleans doesn't have some of that flavor 895 00:35:18,180 --> 00:35:20,280 there's a bit of cause winner lovers on 896 00:35:20,280 --> 00:35:22,680 t41 as well Aerosmith's Toys in the 897 00:35:22,680 --> 00:35:24,660 Attic this one's pretty obvious a 898 00:35:24,660 --> 00:35:26,160 meeting point for previous stones and 899 00:35:26,160 --> 00:35:28,020 Zeppelin Milestones with a Twist the 900 00:35:28,020 --> 00:35:29,760 guitar upfront mix have walked this way 901 00:35:29,760 --> 00:35:31,740 in Sweet Emotion are a powerful American 902 00:35:31,740 --> 00:35:33,900 muscle car nod to the full first British 903 00:35:33,900 --> 00:35:35,820 Invasion that Black Sabbath had the 904 00:35:35,820 --> 00:35:37,560 answer for with their seminal heavy 905 00:35:37,560 --> 00:35:40,200 metal release sabotage how can you not 906 00:35:40,200 --> 00:35:41,820 bang your head to hole in the sky right 907 00:35:41,820 --> 00:35:43,920 Casey and the Sunshine band's debut 908 00:35:43,920 --> 00:35:45,480 album filled with future Greatest Hits 909 00:35:45,480 --> 00:35:47,820 open the mainstream dancer for some 910 00:35:47,820 --> 00:35:49,859 Friday Night Fever and the major labels 911 00:35:49,859 --> 00:35:51,900 took note the Wilson sisters followed 912 00:35:51,900 --> 00:35:53,820 the Zeppelin footsteps mix of acoustic 913 00:35:53,820 --> 00:35:55,500 and electric Vibes while pouring their 914 00:35:55,500 --> 00:35:58,140 heart on key track's Magic Man and the 915 00:35:58,140 --> 00:35:59,820 fast-paced drum beat of crazy on you 916 00:35:59,820 --> 00:36:02,040 call me crazy but Achilles less than has 917 00:36:02,040 --> 00:36:04,020 some of that Groove attack and harmonies 918 00:36:04,020 --> 00:36:06,480 within Wars why can we be friends and no 919 00:36:06,480 --> 00:36:08,160 Rider from their seventh studio album 920 00:36:08,160 --> 00:36:11,220 added humor fun and I lose attitude on 921 00:36:11,220 --> 00:36:13,260 mainstream radio Frank Zappa's one size 922 00:36:13,260 --> 00:36:14,880 fits all has to be on the list because 923 00:36:14,880 --> 00:36:17,339 of its crazy Los Angeles Vibes a killer 924 00:36:17,339 --> 00:36:18,720 record that challenged musicians 925 00:36:18,720 --> 00:36:21,180 everywhere Herbie Hancock's Manchild is 926 00:36:21,180 --> 00:36:22,680 a funk Masterpiece of the highest order 927 00:36:22,680 --> 00:36:25,740 it rocks and grooves hard track one hang 928 00:36:25,740 --> 00:36:27,960 up your Hang-Ups is DJ sample Heaven 929 00:36:27,960 --> 00:36:29,760 Pink Floyd's wish you were here was 930 00:36:29,760 --> 00:36:31,800 another career Milestone with its great 931 00:36:31,800 --> 00:36:34,200 production carefully EQ drums and 932 00:36:34,200 --> 00:36:36,359 Architectural psychedelic passages it 933 00:36:36,359 --> 00:36:38,520 was the best-selling album of 1975 934 00:36:38,520 --> 00:36:40,859 beating second place Physical Graffiti 935 00:36:40,859 --> 00:36:43,140 by a landslide Ted Nugent came in after 936 00:36:43,140 --> 00:36:45,180 with his trash in hotel Stranglehold 937 00:36:45,180 --> 00:36:47,280 sound and him not to Griff to win the 938 00:36:47,280 --> 00:36:49,260 guitar battle over foghat's slow dried 939 00:36:49,260 --> 00:36:51,359 while the BG's toyed around the idea of 940 00:36:51,359 --> 00:36:53,040 future Saturday night falsetto and 941 00:36:53,040 --> 00:36:54,599 knights from Broadway Gary Wright 942 00:36:54,599 --> 00:36:56,099 reminded everyone that you could Rock 943 00:36:56,099 --> 00:36:58,500 and Funk without guitars or Bass his 944 00:36:58,500 --> 00:37:00,000 synthesized Textures in Love is alive 945 00:37:00,000 --> 00:37:01,920 and Dreamweaver help you forget today's 946 00:37:01,920 --> 00:37:04,619 pain and reach the Morning Light so this 947 00:37:04,619 --> 00:37:06,359 was a vibrant and crazy music Arena Led 948 00:37:06,359 --> 00:37:07,680 Zeppelin had around them as they 949 00:37:07,680 --> 00:37:09,780 rehearsed in Los Angeles competition was 950 00:37:09,780 --> 00:37:11,339 serious but they were now the band of 951 00:37:11,339 --> 00:37:14,000 Kashmir time was on their side for now 952 00:37:14,000 --> 00:37:16,020 similar to the houses of the Holy 953 00:37:16,020 --> 00:37:17,880 sessions presidents began at the shadow 954 00:37:17,880 --> 00:37:20,400 of a monster release on only page plan 955 00:37:20,400 --> 00:37:22,079 Jones and Barnum could dare to work 956 00:37:22,079 --> 00:37:23,940 against the clock right after Physical 957 00:37:23,940 --> 00:37:26,099 Graffiti looking at all the tracks for 958 00:37:26,099 --> 00:37:27,960 presence everything was sourced from 959 00:37:27,960 --> 00:37:30,240 previous onstage ideas which makes sense 960 00:37:30,240 --> 00:37:32,280 given the fact that the band was working 961 00:37:32,280 --> 00:37:34,320 with a strange sense of immediacy a 962 00:37:34,320 --> 00:37:35,940 studio album with little pre-production 963 00:37:35,940 --> 00:37:38,099 based on their live setting Vibes lives 964 00:37:38,099 --> 00:37:40,260 in the same vein of their 1969 debut 965 00:37:40,260 --> 00:37:42,359 with gimulating the writing process he 966 00:37:42,359 --> 00:37:44,520 went for what was Within Reach he was 967 00:37:44,520 --> 00:37:46,560 not in his best creative shape and while 968 00:37:46,560 --> 00:37:48,359 the final product features stutter and 969 00:37:48,359 --> 00:37:50,579 weird guitar work this album did not 970 00:37:50,579 --> 00:37:52,020 break new grounds they haven't done 971 00:37:52,020 --> 00:37:54,359 before it feels to some extent like 972 00:37:54,359 --> 00:37:55,980 wishful thinking of the shows that never 973 00:37:55,980 --> 00:37:58,619 happened after Robert's accident looking 974 00:37:58,619 --> 00:38:00,540 at their personal lives back then Jones 975 00:38:00,540 --> 00:38:02,640 and Bonham deserve so much praise for 976 00:38:02,640 --> 00:38:04,500 transforming guitar sketches into such 977 00:38:04,500 --> 00:38:06,000 complex and ambitious Rhythm 978 00:38:06,000 --> 00:38:07,740 arrangements as much as people say 979 00:38:07,740 --> 00:38:09,720 presence was Jimmy's album one of the 980 00:38:09,720 --> 00:38:11,579 greatest attributes of this record is 981 00:38:11,579 --> 00:38:13,680 the fine bass in drum interplay let's 982 00:38:13,680 --> 00:38:15,300 take a look at the song so I can share 983 00:38:15,300 --> 00:38:16,800 some thoughts I have on the 7 Studio 984 00:38:16,800 --> 00:38:19,079 album we have one Epic aggressive and 985 00:38:19,079 --> 00:38:21,060 ambition track that speaks of trials and 986 00:38:21,060 --> 00:38:22,859 tribulations from a Sonic design 987 00:38:22,859 --> 00:38:24,720 perspective you can tell this was 988 00:38:24,720 --> 00:38:26,940 Priority One at Munich the mix is hot 989 00:38:26,940 --> 00:38:28,920 and well defined but it is probably the 990 00:38:28,920 --> 00:38:30,720 only misleading opener from the Zeppelin 991 00:38:30,720 --> 00:38:32,339 catalog compared to what follows 992 00:38:32,339 --> 00:38:34,380 Achilles is like a dream sequence before 993 00:38:34,380 --> 00:38:36,079 the character wakes up in Los Angeles 994 00:38:36,079 --> 00:38:39,599 1975 with a massive hangover or a broken 995 00:38:39,599 --> 00:38:41,760 ankle in a wheelchair for your life is a 996 00:38:41,760 --> 00:38:43,560 middle ground mid-tempo song with a 997 00:38:43,560 --> 00:38:45,540 complicated structure that brings you 998 00:38:45,540 --> 00:38:48,060 into the world of isolated excess it is 999 00:38:48,060 --> 00:38:50,160 not funny but not serious either you 1000 00:38:50,160 --> 00:38:51,359 just call with the flow and check your 1001 00:38:51,359 --> 00:38:53,520 nose for any powder Trails adding 1002 00:38:53,520 --> 00:38:55,140 vibrant colors to the cold sessions of 1003 00:38:55,140 --> 00:38:58,079 Munich would get three Cuts Royal Lanes 1004 00:38:58,079 --> 00:39:00,480 candy store Rock and Hudson for nowhere 1005 00:39:00,480 --> 00:39:03,240 a stressed and almost comic relief that 1006 00:39:03,240 --> 00:39:05,160 Zeppelin was prone to any of these 1007 00:39:05,160 --> 00:39:06,599 tracks could have been on houses of the 1008 00:39:06,599 --> 00:39:08,579 Holy nobody's fault but mine is like 1009 00:39:08,579 --> 00:39:10,800 side B of Achilles that stand using 1010 00:39:10,800 --> 00:39:12,839 another fade in as intro challenging 1011 00:39:12,839 --> 00:39:14,760 musical accents and the crashing Rhythm 1012 00:39:14,760 --> 00:39:16,440 sounds of Zeppelin's trademark extreme 1013 00:39:16,440 --> 00:39:18,599 closing track t for one brings night 1014 00:39:18,599 --> 00:39:21,119 time to the story a slow tempo Blues to 1015 00:39:21,119 --> 00:39:22,500 thank the host for throwing the party 1016 00:39:22,500 --> 00:39:25,079 and drive home empty-handed sound wise 1017 00:39:25,079 --> 00:39:26,820 it seems for your life did not receive 1018 00:39:26,820 --> 00:39:28,680 the up for drums and bright treatment of 1019 00:39:28,680 --> 00:39:30,420 the rest of the album the snare drum in 1020 00:39:30,420 --> 00:39:32,040 particular has a prominent Reverb sound 1021 00:39:32,040 --> 00:39:33,359 that makes you think it was either 1022 00:39:33,359 --> 00:39:35,160 post-production or recorded in a 1023 00:39:35,160 --> 00:39:36,839 different room at musicland for your 1024 00:39:36,839 --> 00:39:39,119 livestreams make up for a muddy mix you 1025 00:39:39,119 --> 00:39:40,500 see with all the respect I think the 1026 00:39:40,500 --> 00:39:42,060 final track list could have been better 1027 00:39:42,060 --> 00:39:44,520 and make presents stand out more because 1028 00:39:44,520 --> 00:39:46,560 the melancholic heavy metal intensity of 1029 00:39:46,560 --> 00:39:48,480 Achilles takes you down for your life 1030 00:39:48,480 --> 00:39:50,460 gives you no time to recover it may 1031 00:39:50,460 --> 00:39:52,079 throw off The Listener after and maybe 1032 00:39:52,079 --> 00:39:54,540 just maybe like this record was not well 1033 00:39:54,540 --> 00:39:56,700 received back then I would put nobody's 1034 00:39:56,700 --> 00:39:58,740 fault but mine at number two so the 1035 00:39:58,740 --> 00:40:00,359 intro prepares you for another hard rock 1036 00:40:00,359 --> 00:40:02,940 session track 3 candy store Rock sound 1037 00:40:02,940 --> 00:40:04,619 stronger after the previous Blues number 1038 00:40:04,619 --> 00:40:06,780 making rockabilly a nice transition that 1039 00:40:06,780 --> 00:40:08,880 carries the listener into track 4 Royal 1040 00:40:08,880 --> 00:40:11,040 Orleans which would close side a with a 1041 00:40:11,040 --> 00:40:12,540 nice reprise of Jones and Barnum's 1042 00:40:12,540 --> 00:40:14,640 merciless heavy attack for side B I 1043 00:40:14,640 --> 00:40:16,380 would do for your life Hudson for 1044 00:40:16,380 --> 00:40:18,839 nowhere and T for one a decade in 1045 00:40:18,839 --> 00:40:20,339 Eternal City Adventure against the 1046 00:40:20,339 --> 00:40:22,560 individual questioning life itself in 1047 00:40:22,560 --> 00:40:27,180 the suspended animation days of 1975. 1048 00:40:27,380 --> 00:40:30,680 it's fun 1049 00:40:50,640 --> 00:40:55,579 [Music] 1050 00:41:15,970 --> 00:41:25,860 [Music] 1051 00:41:28,280 --> 00:41:36,949 [Music] 1052 00:41:39,660 --> 00:41:42,260 thank you 1053 00:41:43,630 --> 00:41:58,139 [Music] 1054 00:42:02,920 --> 00:42:18,520 [Music] 1055 00:42:20,990 --> 00:42:27,679 [Music] 1056 00:42:33,560 --> 00:42:36,359 it started out as a wheelchair song in 1057 00:42:36,359 --> 00:42:37,740 reference to Robert Plant's accident 1058 00:42:37,740 --> 00:42:39,900 with him unable to walk for almost a 1059 00:42:39,900 --> 00:42:42,060 year sessions for presence challenge 1060 00:42:42,060 --> 00:42:43,920 past freedoms with its lyrics 1061 00:42:43,920 --> 00:42:45,720 referencing the Atlas Mountains in 1062 00:42:45,720 --> 00:42:47,760 Morocco and William breaks the dance of 1063 00:42:47,760 --> 00:42:49,800 Albion it is a compelling tale of 1064 00:42:49,800 --> 00:42:52,500 survival rage and uncertainty so let's 1065 00:42:52,500 --> 00:42:54,599 talk about the music Bonham's drums and 1066 00:42:54,599 --> 00:42:56,220 these sessions remain a mystery with 1067 00:42:56,220 --> 00:42:58,140 some claiming a Ludwig silver Sparkle 1068 00:42:58,140 --> 00:43:00,720 set was used for we do know for sure is 1069 00:43:00,720 --> 00:43:02,220 jumble Jones played his eighth string 1070 00:43:02,220 --> 00:43:04,140 Olympic base with a pick and inspired 1071 00:43:04,140 --> 00:43:07,380 both Hearts 1977 Barracuda and kisses 1072 00:43:07,380 --> 00:43:10,260 1979 hit I was made for loving you from 1073 00:43:10,260 --> 00:43:12,240 the Galloping beat to the harmonies it 1074 00:43:12,240 --> 00:43:14,160 reads Akira's Last Stand All Over Jimmy 1075 00:43:14,160 --> 00:43:16,140 had the entire guitar Army of tones in 1076 00:43:16,140 --> 00:43:17,940 here from let's pause to strats to 1077 00:43:17,940 --> 00:43:19,920 telecasters his color pattern is 1078 00:43:19,920 --> 00:43:21,420 exquisite and served as deciding 1079 00:43:21,420 --> 00:43:24,240 reference for the 1977 tour the intro 1080 00:43:24,240 --> 00:43:26,040 employs a modulation of both the minor 1081 00:43:26,040 --> 00:43:28,020 9th chord and F sharp answering each 1082 00:43:28,020 --> 00:43:30,060 other's arpeggio motifs this is the 1083 00:43:30,060 --> 00:43:31,680 first of three times in presence where 1084 00:43:31,680 --> 00:43:33,839 page used in modulation as a harmonic 1085 00:43:33,839 --> 00:43:35,819 resource to stir things up while they 1086 00:43:35,819 --> 00:43:37,440 say Jimmy was musically inspired by his 1087 00:43:37,440 --> 00:43:39,180 trip to Morocco and the cyclical Middle 1088 00:43:39,180 --> 00:43:41,160 Eastern themes the roots from Achilles 1089 00:43:41,160 --> 00:43:43,140 Last Stand were actually hidden in plain 1090 00:43:43,140 --> 00:43:45,240 sight on stage there's a reason this 1091 00:43:45,240 --> 00:43:46,500 strike sounds conceptually different 1092 00:43:46,500 --> 00:43:47,819 from the rest of the material and 1093 00:43:47,819 --> 00:43:49,920 presence all the riffs and sections here 1094 00:43:49,920 --> 00:43:51,599 seemed like a rearrangement and best 1095 00:43:51,599 --> 00:43:53,220 moments from their Dazed and Confused 1096 00:43:53,220 --> 00:43:56,880 gems of 1973 and 1975. you see Jimmy 1097 00:43:56,880 --> 00:43:59,220 Page never discarded ideas and this may 1098 00:43:59,220 --> 00:44:00,960 explain its level of complexity yet 1099 00:44:00,960 --> 00:44:03,060 familiar Trails where Jones and Bonham 1100 00:44:03,060 --> 00:44:04,980 knew exactly what to play while the 1101 00:44:04,980 --> 00:44:06,720 Dublin retired isn't confused from the 1102 00:44:06,720 --> 00:44:09,060 concert's past arrows Court it never 1103 00:44:09,060 --> 00:44:11,099 left it just transformed itself into 1104 00:44:11,099 --> 00:44:13,859 Achilles the 75 runs were long and a bit 1105 00:44:13,859 --> 00:44:15,480 self-indulgent with some versions 1106 00:44:15,480 --> 00:44:17,700 clocking in at 40 minutes while it was a 1107 00:44:17,700 --> 00:44:19,140 tour of the forest and centerpiece of 1108 00:44:19,140 --> 00:44:21,359 their live show it also suggested a new 1109 00:44:21,359 --> 00:44:23,280 song could come out from it Jimmy was 1110 00:44:23,280 --> 00:44:24,780 experimenting with new harmonies and 1111 00:44:24,780 --> 00:44:26,760 textures that shaped things to come this 1112 00:44:26,760 --> 00:44:27,900 can give us an idea of what the Los 1113 00:44:27,900 --> 00:44:29,400 Angeles rehearsals were like before 1114 00:44:29,400 --> 00:44:31,619 going to Munich the musical unit and 1115 00:44:31,619 --> 00:44:33,000 kitchen of this and Confused gave the 1116 00:44:33,000 --> 00:44:34,920 them every tool into working this new 1117 00:44:34,920 --> 00:44:36,660 monster piece let me do a Sonic 1118 00:44:36,660 --> 00:44:38,220 explanation so I can express myself 1119 00:44:38,220 --> 00:44:40,579 better 1120 00:44:42,359 --> 00:44:45,060 piece from presence 1121 00:44:45,060 --> 00:44:47,359 it's the wheelchair piece is called 1122 00:44:47,359 --> 00:44:51,140 Achilles Last Stand 1123 00:44:53,570 --> 00:45:18,550 [Music] 1124 00:45:26,740 --> 00:45:36,409 [Music] 1125 00:45:40,680 --> 00:45:41,900 foreign 1126 00:45:41,900 --> 00:45:54,960 [Music] 1127 00:45:57,760 --> 00:45:59,339 [Music] 1128 00:45:59,339 --> 00:46:02,260 foreign 1129 00:46:02,260 --> 00:46:05,929 [Music] 1130 00:46:09,560 --> 00:46:24,300 [Music] 1131 00:46:24,300 --> 00:46:27,240 [Applause] 1132 00:46:27,240 --> 00:46:28,730 foreign 1133 00:46:28,730 --> 00:46:54,699 [Music] 1134 00:47:01,460 --> 00:47:04,539 [Music] 1135 00:47:04,619 --> 00:47:06,599 half of Achilles LA stand is a clever 1136 00:47:06,599 --> 00:47:08,880 run of E minor and D major the other 1137 00:47:08,880 --> 00:47:10,920 half is a genius variation of just D 1138 00:47:10,920 --> 00:47:13,140 minor and C Major Seventh think about it 1139 00:47:13,140 --> 00:47:14,940 a 10 minute track based around two 1140 00:47:14,940 --> 00:47:17,040 progressions and yet it keeps the energy 1141 00:47:17,040 --> 00:47:18,960 up without losing a beat that's 1142 00:47:18,960 --> 00:47:21,119 chemistry if you ask me Jimmy's epic 1143 00:47:21,119 --> 00:47:22,859 guitar solo on the track is a mixture of 1144 00:47:22,859 --> 00:47:24,480 preview San Francisco and Woodstock 1145 00:47:24,480 --> 00:47:27,180 passages on days of infused the staccato 1146 00:47:27,180 --> 00:47:28,859 semi Bolero drum and bass part behind 1147 00:47:28,859 --> 00:47:30,960 the solos can be heard in a Zeppelin's 1148 00:47:30,960 --> 00:47:33,359 1973 versions of days of confused deep 1149 00:47:33,359 --> 00:47:35,700 purple's Child In Time from 1970 and 1150 00:47:35,700 --> 00:47:37,440 later an influence behind Metallica's 1151 00:47:37,440 --> 00:47:39,300 one live versions of the track feature 1152 00:47:39,300 --> 00:47:41,099 an insane drum field by John Bonham 1153 00:47:41,099 --> 00:47:42,720 right after page delivers one of his 1154 00:47:42,720 --> 00:47:44,640 signature licks the way they come back 1155 00:47:44,640 --> 00:47:46,020 into the groove is nothing short of 1156 00:47:46,020 --> 00:47:47,780 spectacular 1157 00:47:47,780 --> 00:47:54,710 [Music] 1158 00:48:03,100 --> 00:48:05,700 [Music] 1159 00:48:05,700 --> 00:48:08,119 oh 1160 00:48:12,730 --> 00:48:14,460 [Applause] 1161 00:48:14,460 --> 00:48:16,700 foreign 1162 00:48:18,770 --> 00:48:20,610 [Music] 1163 00:48:20,610 --> 00:48:20,890 [Applause] 1164 00:48:20,890 --> 00:48:23,949 [Music] 1165 00:48:40,150 --> 00:48:59,939 [Music] 1166 00:49:03,960 --> 00:49:05,700 the music 1167 00:49:05,700 --> 00:49:08,339 I was so fortunate to be around so many 1168 00:49:08,339 --> 00:49:11,280 amazingly gifted players and and if you 1169 00:49:11,280 --> 00:49:14,160 think about Led Zeppelin as being a trio 1170 00:49:14,160 --> 00:49:16,980 really we're the kind of 1171 00:49:16,980 --> 00:49:20,220 Wedding Singer stuck up the front 1172 00:49:20,220 --> 00:49:23,220 that's I always saw the reality of what 1173 00:49:23,220 --> 00:49:25,380 was going on in 1174 00:49:25,380 --> 00:49:28,980 my enthusiasm was a good contribution 1175 00:49:28,980 --> 00:49:32,760 but in truth those guys were amazing and 1176 00:49:32,760 --> 00:49:35,819 and I think Achilles Last Stand was 1177 00:49:35,819 --> 00:49:37,680 um one of those 1178 00:49:37,680 --> 00:49:40,500 it was an uncomfortable time 1179 00:49:40,500 --> 00:49:42,420 recording the album from which it 1180 00:49:42,420 --> 00:49:45,180 arrived which was presence it was a 1181 00:49:45,180 --> 00:49:48,119 disparate time I was in a wheelchair for 1182 00:49:48,119 --> 00:49:49,680 seven months or whatever it was at that 1183 00:49:49,680 --> 00:49:52,680 time but the music was continuing to be 1184 00:49:52,680 --> 00:49:55,140 developed and even though presence is 1185 00:49:55,140 --> 00:49:58,260 not always the most comfortable listen 1186 00:49:58,260 --> 00:50:00,660 in terms of I think I'll just settle 1187 00:50:00,660 --> 00:50:02,040 down with my girlfriend with a glass of 1188 00:50:02,040 --> 00:50:04,500 wine and listen to her presence but the 1189 00:50:04,500 --> 00:50:06,900 interplay and the melding of the 1190 00:50:06,900 --> 00:50:08,760 musicality of those three guys on that 1191 00:50:08,760 --> 00:50:11,760 track is insane yeah absolutely incense 1192 00:50:11,760 --> 00:50:15,960 magnificent and uh so magnificent I had 1193 00:50:15,960 --> 00:50:18,260 a lady friend who I was playing 1194 00:50:18,260 --> 00:50:23,760 it came on in the house loud and she 1195 00:50:23,760 --> 00:50:25,560 said I don't want to be left in a room 1196 00:50:25,560 --> 00:50:27,420 with this on my own we're the mighty 1197 00:50:27,420 --> 00:50:28,980 arms of Atlas hold the heavens from the 1198 00:50:28,980 --> 00:50:31,020 earth is just like um it's not a yes 1199 00:50:31,020 --> 00:50:33,060 song 1200 00:50:33,060 --> 00:50:35,099 it's not something from Tales of 1201 00:50:35,099 --> 00:50:37,560 topographical oceans but it was just I 1202 00:50:37,560 --> 00:50:39,660 was so desperate to get away from that 1203 00:50:39,660 --> 00:50:42,000 being trapped in that environment hop 1204 00:50:42,000 --> 00:50:43,859 off the bed into the wheelchair and have 1205 00:50:43,859 --> 00:50:45,420 somebody pushed me around and I was 1206 00:50:45,420 --> 00:50:48,980 saying let's get out of here 1207 00:50:52,370 --> 00:50:57,540 [Music] 1208 00:50:57,540 --> 00:50:59,599 oh85764

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