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I know many of you have been waiting for
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this one myself included so here I go
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presents Led Zeppelin 7 Studio album
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well I covered some of the timeline
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events as context and background for my
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into the outdoor video series I'm
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excited to solely focus on presence as a
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historic turning point for the band
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musically and psychologically while
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their personal finances grew they did
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leave a lot of money on the table the
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expectations to make up for the last
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concert year of 1976 were huge and
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dangerously decadent when they came back
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on the road with their most ambitious
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tour and tragic swan song for North
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America into the outdoor was like a
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carbon copy of the events of presence or
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should I say presidents laid the
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groundwork and instructions for any
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future emergency landing situations I
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have an end to the other type of
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fascination with presence let's look at
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the parallels between these two albums
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which I find quite strange both albums
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are preceded by bad news strike in the
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planned household with Jimmy Page
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remaining optimistic about the future
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both albums were recorded in November at
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dry sounding Studios owned by pop
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masterminds and freezing temperature
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European cities both albums have seven
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tracks each with an opening song in the
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key of E minor a third track with
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percussion and a closing ballad with
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similar heavy accents and drum symbol
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attack both albums have a 50s inspired
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track where planet does his best
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rockabilly impression and One Track
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whose lyrics are a direct jab by one
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man-made only three songs from each
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album were officially performed under
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the name Led Zeppelin 1978 had planned
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close to his family thinking about
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walking away from the band 1975 had
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planned close to Jimmy away from his
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family in recovery and worried about
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being able to walk ever again eventually
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out there was about Hope and getting
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back together presence was a survival
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piece in the inertia of moving record
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sales and decadent chemicals of the mid
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70s Rockstar feast so his presence
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important yes of course it's a menacing
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record worked out in emotionally a
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typical yet musically familiar
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circumstances unlike their previous
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albums up to 1975 which were planned and
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ran relatively smooth and the obstacles
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Department presence was not planned it
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just happened and had the shortest
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songwriting preparation of all their
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albums forced to cancel a lucrative
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series of shows plus Elite singers on
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stage career in Jeopardy no other album
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in their catalog had this previous mood
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and background so it's no wonder this is
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a hard rock statement with such Brute
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Force humor and careless bravado we
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hardcore Zeppelin fans love how presence
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doesn't feel like a follow-up to
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Physical Graffiti it seems as if the
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band had no expectations other than what
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the hell just happened presence for me
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is like a VIP access private rehearsal
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captured on tape without the
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expectations of Hadley Grange or British
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recording studios you can sense the
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relaxed environment of page and plants
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Malibu writing sessions against the
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silent urgency of not losing their 1975
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moment bottom this is a record conceived
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in the Los Angeles after party of social
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dying hippie trails at the mercy of
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self-indulgent destructive human beings
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presence has no statement and that's the
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beauty and curse of it after Physical
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Graffiti they couldn't go for another
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keyboard epic or acoustic lighting shade
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piece I will not say presence has the
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same composition depth and quality of
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server to heaven but it created a very
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special Club in place where Zeppelin
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fans will not be bothered by The
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Greatest Hits crowds people seem to
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overlook the greatest thing about
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presence even with little preparation
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and business anxiety they managed to
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construct their most rhythmically
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complex record learning them on bass
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guitar and drums really hits you in the
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face with nuances and details that rival
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the heaviest of 70s albums the songs are
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hard to play and tricky beyond belief
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the album has the good high travel
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brightness of houses of the Holy the
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maniac riffing of Led Zeppelin II and
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the good low end of their debut so how
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did I discover presence well I'll keep
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it short like other albums I've talked
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about latter days was my first step into
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the material my first reaction was not
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that great for Achilles Last Stand it
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sounded angry and almost meddled in
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places I missed the light and shade
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elements of previous works I was never a
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big fan of heavy metal I could only
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digest so much and sometimes it sounded
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like a parody of itself while the
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technical proficiency of these bands was
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never in doubt I did not revisit metal
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that often back in high school my metal
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head friends who were into Iron Maiden
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loved every minute of Achilles how
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couldn't they right I believe Steve
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Harris spaced his career on the Baseline
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for Achilles Last Stand because of the
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metal head appreciation for Achilles I
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had a distant relationship with it for
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years I Associated a tune with the
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average heavy metal fan who had no time
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for Zeppelin's acoustic Works calling
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them boring I absolutely love the middle
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section of nobody's fault but mine with
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the bass and drums playing that weird
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Rhythm pattern around the guitar Motif
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so what made me change my mind okay I
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had a music teacher in high school he
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had the energy and style of Jack Black
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in School of Rock he was a virtuous with
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guitar player himself and inspired me to
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practice on my second year with the
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instrument his name was Alvar matus he
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was a 35 year old married man and father
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of two back then he was the only teacher
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in my Christian School I could share my
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passion for Zeppelin and guitar
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magazines with I thank him to this day
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for sharing his musical knowledge he was
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heavy into Jethro Tull Joe Pass and
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seven is Prague broke overall it made
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him sort of a black sheep among
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Christians and he also helped me
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understand the politics behind the
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organized religion nowadays I see many
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types of Fanatics out there trying to
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get people to behave a certain way it
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reminds me of high school is there any
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hope for True freedom of thought anyway
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back to the story the year was 2002. my
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music teacher Alvaro played in a backup
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band for a mega church he was a cool guy
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with a great sense of humor who when
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they told me out of the blue do you have
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a vinyl copy of presence if you do I'll
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buy it it's the best Led Zeppelin album
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I was shocked he overlooked all the
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other Zeppelin albums and said this
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because my teacher knew so much music
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theory this puzzled me and had my
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Zeppelin hamster wheel at full speed why
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was the album so good why presence I had
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many questions he left our school in
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2002 and I missed him dearly the new
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teacher was a keyboardist raised in
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church from day one who didn't know who
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Keith Urban was he did know Beethoven
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but told us to go with Christian battles
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instead as they were quote better I had
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just watched Clockwork Orange back then
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so I raised my hand and said is that a
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jab an insult at the great Ludwig van I
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got sent to the principal's office good
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times I couldn't stop thinking about
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presence I had to get a copy but that
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proved to be a challenge I couldn't find
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a record anywhere and even found into
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the outdoor first I waited a couple of
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years until I got my hands on a cassette
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copy of presents in 2005 listening to
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the whole thing made me understand
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Achilles less than and nobody's fault
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but mine in the right context next to
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all the other Cuts t for one blew my
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mind like Since I've Been Loving You
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Part Two it was a strange record it took
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me a while to process it was hard for me
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to understand the emotions behind it
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until it became the occasional driving
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soundtrack in the good bad and ugly
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parts of my 20s t41 after a nasty
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breakup Royal Orleans and Hudson for now
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are hitting the local bars on a Friday
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night for your life in a late night
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romantic Endeavor next to a temporary
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lady trying to like candy store Rock
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while driving through heavy traffic
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playing her guitar to nobody's fault but
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mine and highway speed with Achilles
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that stand before a job interview for
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motivation and self-confidence once I
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got my hands on the Led Zeppelin DVD
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with net worth 1979 sounding like never
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before I was 100 sold in presence
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Achilles and nobody's fault were Heavy
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Hitters no question playing the material
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with tribute bands gave me a different
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perspective on the songs
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[Music]
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everybody
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I own four copies of the album this is
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the making of presence
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[Music]
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foreign
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[Music]
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[Music]
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foreign
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[Music]
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[Music]
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[Music]
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1975 the year of the rabbit the Dublin's
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35 showed 10th Heroes tour was a
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commercial success with their album
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released in the middle of the tour a
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logistics miracle that had not happened
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since their 1969 debut every other album
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was either released before or after a
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concert tour it sell very well and they
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were bigger than the stones despite
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their 46 States tour the Americas from
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June to August physical Graffiti's
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double album attack was everywhere some
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of the preview Zeppelin camaraderie and
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random friendships were lost through
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armed guards outside hotel rooms with
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death threats sent to the band one lady
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Lynette Squeaky from demanded to speak
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to Jimmy Page as she had a vision of bad
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events happening to the guitarist months
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later she was arrested for trying to
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shoot President Gerald Ford and yes she
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was a part of the Charles Manson cult
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while Mark Chapman shot John Lennon he
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was just one of thousands of deranged
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fans trying to get close to famous
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musicians it wasn't strange that someone
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wanted to shoot their favorite artist
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the thing with Chapman was that he
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actually did it the Japanese rock and
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roll operation grew too big for the ways
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and Free Will of recent years it was now
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a corporation of muscle brains and all
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the extra help they could hire let's
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open return to England at the end of
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March 1975 after the band's three nights
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at The Forum Peter had the idea of
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staging an event reminiscent of his
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quarter and Empire days of the 50s three
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nights at the historic arrows Court
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Exhibition Center in May sold out in
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just two hours
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two extra dates were added Earl's Court
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opened its doors in 1937 and had an
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internal pool or lake which took for
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days to fill and four days to empty it
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hosted many events including watercraft
277
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exhibitions such as an annual Boat Show
278
00:11:08,519 --> 00:11:10,440
which can be seen on the backdrop for
279
00:11:10,440 --> 00:11:12,600
presents Peter Graham promoter Mel Bush
280
00:11:12,600 --> 00:11:14,339
arranged for British trains to supply
281
00:11:14,339 --> 00:11:16,620
extra units to transport fans into the
282
00:11:16,620 --> 00:11:18,420
city these were dubbed the Zeppelin
283
00:11:18,420 --> 00:11:20,220
Express previous acts that played
284
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Adele's Court included David Bowie and
285
00:11:22,019 --> 00:11:26,399
Pink Floyd both in 1973.
286
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[Applause]
287
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good
288
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[Music]
289
00:11:40,920 --> 00:11:42,600
morning
290
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[Music]
291
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okay
292
00:11:53,160 --> 00:11:54,720
wow
293
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[Music]
294
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[Music]
295
00:12:15,720 --> 00:12:17,120
all right darling
296
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[Music]
297
00:12:26,600 --> 00:12:31,100
I want to talk about Johnny too bad
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[Music]
299
00:12:47,380 --> 00:12:50,570
[Music]
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[Applause]
301
00:12:58,440 --> 00:13:01,440
foreign
302
00:13:05,420 --> 00:13:08,100
machines lasers and video screens it was
303
00:13:08,100 --> 00:13:09,600
the biggest production ever staged at
304
00:13:09,600 --> 00:13:11,459
the venue back then and Led Zeppelin's
305
00:13:11,459 --> 00:13:14,639
last UK show until 1979 at net worth
306
00:13:14,639 --> 00:13:16,920
with an almost perfect set list the
307
00:13:16,920 --> 00:13:18,600
show's average time clocked in at three
308
00:13:18,600 --> 00:13:20,639
and a half hours while the band looked
309
00:13:20,639 --> 00:13:22,500
great some of the performances were
310
00:13:22,500 --> 00:13:24,480
uneven they probably felt the massive
311
00:13:24,480 --> 00:13:26,220
expectations over their home country
312
00:13:26,220 --> 00:13:28,500
upon them the long runs of Moby Dick and
313
00:13:28,500 --> 00:13:30,480
Jason confused showed signs of
314
00:13:30,480 --> 00:13:32,639
exhaustion Peter Grant told a journalist
315
00:13:32,639 --> 00:13:34,680
the mafia wanted a piece of the huge
316
00:13:34,680 --> 00:13:36,480
cash business of 70s rock and roll
317
00:13:36,480 --> 00:13:38,459
organized crime in the music industry
318
00:13:38,459 --> 00:13:40,320
have been friends in the past where
319
00:13:40,320 --> 00:13:42,720
musicians were heavily exploited nobody
320
00:13:42,720 --> 00:13:44,399
was making more money than a Zeppelin
321
00:13:44,399 --> 00:13:46,380
and the mob made offers they could
322
00:13:46,380 --> 00:13:48,779
refuse according to Rook manager Ed
323
00:13:48,779 --> 00:13:50,700
Bicknell Peter grants attorney is an
324
00:13:50,700 --> 00:13:52,560
underworld friends in Vegas New York and
325
00:13:52,560 --> 00:13:55,260
Chicago will do anything for him at
326
00:13:55,260 --> 00:13:56,639
recall at time they went to an Italian
327
00:13:56,639 --> 00:13:58,500
restaurant like a scene from Goodfellas
328
00:13:58,500 --> 00:14:00,839
they treated pretty Grand like a king he
329
00:14:00,839 --> 00:14:02,339
seemed to gravitate towards anyone
330
00:14:02,339 --> 00:14:04,440
connected whether government or the
331
00:14:04,440 --> 00:14:06,839
streets so one song so the arrival of a
332
00:14:06,839 --> 00:14:08,459
mysterious man and collaborator by the
333
00:14:08,459 --> 00:14:10,620
name of herb Atkin I know this is a bit
334
00:14:10,620 --> 00:14:12,000
of a rabbit hole but you have to check
335
00:14:12,000 --> 00:14:14,399
this out it's like a Hollywood movie in
336
00:14:14,399 --> 00:14:17,880
1967 Atkin was a 41 year lawyer who went
337
00:14:17,880 --> 00:14:20,100
by the name of Herbert itkin he worked
338
00:14:20,100 --> 00:14:22,079
undercover as a government Informer and
339
00:14:22,079 --> 00:14:23,700
feared for his life in protective
340
00:14:23,700 --> 00:14:25,620
custody he had evidence of a pension
341
00:14:25,620 --> 00:14:27,180
fund New York City contracts case
342
00:14:27,180 --> 00:14:29,519
involving union workers that led to a
343
00:14:29,519 --> 00:14:31,100
conviction of local officials
344
00:14:31,100 --> 00:14:33,720
politicians and 20 organized crime
345
00:14:33,720 --> 00:14:35,940
figures intruding their boss Antonio
346
00:14:35,940 --> 00:14:38,760
Tony Doug's corralu Herbert itkin
347
00:14:38,760 --> 00:14:40,740
testified that he worked for the CIA and
348
00:14:40,740 --> 00:14:42,600
FBI on assignments in Central North
349
00:14:42,600 --> 00:14:45,300
America as well as London Herbert was to
350
00:14:45,300 --> 00:14:48,240
inform on other 30 cases but in May 1967
351
00:14:48,240 --> 00:14:50,519
he refused after custody for his
352
00:14:50,519 --> 00:14:52,019
children couldn't be granted by the
353
00:14:52,019 --> 00:14:53,940
government it can began his careers
354
00:14:53,940 --> 00:14:56,040
informant for Senator Joseph McCarthy
355
00:14:56,040 --> 00:14:57,660
who led him to the actor in Central
356
00:14:57,660 --> 00:15:00,420
Intelligence Island Dallas the CIA
357
00:15:00,420 --> 00:15:02,339
suggested her bit can develop contacts
358
00:15:02,339 --> 00:15:04,500
with gangsters and Mafia circles Herbert
359
00:15:04,500 --> 00:15:05,940
went into Witness this protection
360
00:15:05,940 --> 00:15:08,579
changed his name to Herb Atkin not the
361
00:15:08,579 --> 00:15:10,199
most creative name change right his
362
00:15:10,199 --> 00:15:12,000
private detective agency was set up in
363
00:15:12,000 --> 00:15:13,620
Los Angeles but he had to leave the
364
00:15:13,620 --> 00:15:15,839
states after the New York Times revealed
365
00:15:15,839 --> 00:15:17,519
his identity regarding an industrial
366
00:15:17,519 --> 00:15:19,920
Espionage case thus confirming he sent
367
00:15:19,920 --> 00:15:22,139
Tony Doug's corello to prison her
368
00:15:22,139 --> 00:15:23,880
backing was introduced to peer Graham by
369
00:15:23,880 --> 00:15:26,820
lawyer Steve Weiss after the 1973 Drake
370
00:15:26,820 --> 00:15:29,339
Hotel robbery which Atkin promised to
371
00:15:29,339 --> 00:15:31,019
investigate quote Peter Graham's
372
00:15:31,019 --> 00:15:33,300
daughter Helen I did wonder why dad had
373
00:15:33,300 --> 00:15:35,519
him on board herb used to come down in a
374
00:15:35,519 --> 00:15:37,980
helicopter with his wife it was like JFK
375
00:15:37,980 --> 00:15:40,139
and Jackie Kennedy rocking up Peter
376
00:15:40,139 --> 00:15:41,699
Grant hired part-time actor in Northern
377
00:15:41,699 --> 00:15:44,399
crime connected bodyguard John binden in
378
00:15:44,399 --> 00:15:47,040
1974. Benton was recommended by Richard
379
00:15:47,040 --> 00:15:49,800
Cole after he intervened at a speakeasy
380
00:15:49,800 --> 00:15:51,480
brawl involving Cole and singer Roy
381
00:15:51,480 --> 00:15:53,279
Harper who accidentally hit someone
382
00:15:53,279 --> 00:15:55,440
after throwing a champagne bottle John
383
00:15:55,440 --> 00:15:58,260
Benton saved their lives nicknamed bifo
384
00:15:58,260 --> 00:16:00,480
John was witty Charming aggressive and
385
00:16:00,480 --> 00:16:02,699
intimidating and yes this has been done
386
00:16:02,699 --> 00:16:04,740
wearing a shirt that reads enjoy cocaine
387
00:16:04,740 --> 00:16:06,899
Nick to Princess Margaret on vacation
388
00:16:06,899 --> 00:16:09,839
spring 1975 Paul Rogers walked up the
389
00:16:09,839 --> 00:16:11,820
stairs at Swanson headquarters in King's
390
00:16:11,820 --> 00:16:14,160
Road rugroup Queen came down and nodded
391
00:16:14,160 --> 00:16:16,019
at each other the band had a huge hit
392
00:16:16,019 --> 00:16:17,699
with killer queen and was months away
393
00:16:17,699 --> 00:16:19,680
from recording their fourth album they
394
00:16:19,680 --> 00:16:21,300
weren't happy with their management of
395
00:16:21,300 --> 00:16:23,339
Norman and Barry Sheffield whom Peter
396
00:16:23,339 --> 00:16:24,959
Graham knew from his days at the two ice
397
00:16:24,959 --> 00:16:27,120
coffee Queen sold out venues but its
398
00:16:27,120 --> 00:16:28,680
band members could barely pay for rent
399
00:16:28,680 --> 00:16:30,540
Peter's meeting with the band had him
400
00:16:30,540 --> 00:16:32,459
telling them of Led Zeppelin's in for a
401
00:16:32,459 --> 00:16:34,079
quick Garden series of shows at Madison
402
00:16:34,079 --> 00:16:36,660
Square Garden in February he made a few
403
00:16:36,660 --> 00:16:38,820
calls and helped Queen get 125 000
404
00:16:38,820 --> 00:16:40,740
pounds from the sheffields as much as
405
00:16:40,740 --> 00:16:42,480
Grant wanted to manage Queen he just
406
00:16:42,480 --> 00:16:44,100
didn't have the time and passed on the
407
00:16:44,100 --> 00:16:46,139
opportunity that's all picture Queen on
408
00:16:46,139 --> 00:16:48,060
the swan song label next to Led Zeppelin
409
00:16:48,060 --> 00:16:49,800
and by company I don't think the world
410
00:16:49,800 --> 00:16:51,660
nor competing record labels were ready
411
00:16:51,660 --> 00:16:54,019
for that
412
00:16:55,750 --> 00:16:58,019
[Music]
413
00:16:58,019 --> 00:17:01,019
wow
414
00:17:06,069 --> 00:17:09,229
[Music]
415
00:17:14,819 --> 00:17:16,559
that company's second album straight
416
00:17:16,559 --> 00:17:18,240
shooter was recorded at Clearwater
417
00:17:18,240 --> 00:17:20,939
Castle in September of 74. it raised to
418
00:17:20,939 --> 00:17:23,160
the Billboard top 10 to hit songs good
419
00:17:23,160 --> 00:17:24,900
loving gone bad and feel like making
420
00:17:24,900 --> 00:17:27,179
love it took the band just two albums to
421
00:17:27,179 --> 00:17:28,799
jump from nowhere to rockstars playing
422
00:17:28,799 --> 00:17:30,840
stadium shows Swan song's second
423
00:17:30,840 --> 00:17:32,460
best-selling ban was not short of his
424
00:17:32,460 --> 00:17:34,020
problems despite its money-making
425
00:17:34,020 --> 00:17:35,760
figures Peter Grant described Paul
426
00:17:35,760 --> 00:17:37,679
Rodgers as quote the most difficult
427
00:17:37,679 --> 00:17:39,720
person I've ever had to work with let's
428
00:17:39,720 --> 00:17:41,340
remember Peter Grant had to work with
429
00:17:41,340 --> 00:17:43,860
Jim Vincent's drunk in violent ways so
430
00:17:43,860 --> 00:17:45,840
Paul Rogers was worse than Gene Vincent
431
00:17:45,840 --> 00:17:48,000
he was a boxer and a 7th Dan in karate
432
00:17:48,000 --> 00:17:50,100
there were many fights on and off the
433
00:17:50,100 --> 00:17:52,140
stage that company was all about gold
434
00:17:52,140 --> 00:17:54,419
records sold out shows and Hard Cash
435
00:17:54,419 --> 00:17:56,700
profits their musical style was upfront
436
00:17:56,700 --> 00:17:58,140
and direct without diving into the
437
00:17:58,140 --> 00:18:00,059
Obscure nor long jams of Led Zeppelin
438
00:18:00,059 --> 00:18:01,500
but followed some other Physical
439
00:18:01,500 --> 00:18:03,840
Graffiti some textures to the tea but
440
00:18:03,840 --> 00:18:05,700
company was able to co-exist on the
441
00:18:05,700 --> 00:18:07,799
Swanson label without stealing the
442
00:18:07,799 --> 00:18:09,900
Thunder of its famous brother they were
443
00:18:09,900 --> 00:18:11,160
at the right time in players were in
444
00:18:11,160 --> 00:18:12,960
rock and roll fully embraced scripted
445
00:18:12,960 --> 00:18:14,760
shows and heavy passages new audio
446
00:18:14,760 --> 00:18:16,620
audiences were eager to enjoy this Back
447
00:18:16,620 --> 00:18:18,240
to Basics approach with Paul Rogers
448
00:18:18,240 --> 00:18:19,919
vocal performance stealing the show
449
00:18:19,919 --> 00:18:22,020
backed up by the mighty power of Boss
450
00:18:22,020 --> 00:18:25,020
barrel and bass Simon Kirk and drums and
451
00:18:25,020 --> 00:18:27,120
Mig Ralph's On guitar but companies soon
452
00:18:27,120 --> 00:18:28,380
enjoyed the same protection as Led
453
00:18:28,380 --> 00:18:30,840
Zeppelin on their 1975 U.S tour after
454
00:18:30,840 --> 00:18:32,880
lawyer Steve wise hired former detective
455
00:18:32,880 --> 00:18:34,919
Stephen Rosenberg as head of security
456
00:18:34,919 --> 00:18:38,220
they had cops CIA and FBI agents taking
457
00:18:38,220 --> 00:18:40,380
days off to join them on the road by
458
00:18:40,380 --> 00:18:42,539
company's tour manager Phil Carlo at
459
00:18:42,539 --> 00:18:44,039
this point I discovered the only people
460
00:18:44,039 --> 00:18:46,140
who could jump red lights with a police
461
00:18:46,140 --> 00:18:48,000
escort where the president of the United
462
00:18:48,000 --> 00:18:51,679
States and Peter Grant
463
00:18:51,960 --> 00:19:02,840
[Music]
464
00:19:02,840 --> 00:19:06,200
take it down
465
00:19:09,299 --> 00:19:11,340
touring America back to back with two
466
00:19:11,340 --> 00:19:12,960
successful bands was exhausting for
467
00:19:12,960 --> 00:19:15,120
Peter Grant but he had another reason
468
00:19:15,120 --> 00:19:18,000
not to be in England tax Exile you see
469
00:19:18,000 --> 00:19:19,559
tax income after the second world war
470
00:19:19,559 --> 00:19:22,980
was as high as 97 to the 50s and 60s it
471
00:19:22,980 --> 00:19:26,400
lowered down to 75 percent in 1971. then
472
00:19:26,400 --> 00:19:28,919
in 1974 through a labored party campaign
473
00:19:28,919 --> 00:19:31,200
of taxing the rich it was raised all the
474
00:19:31,200 --> 00:19:33,840
way up to 83 percent for top income and
475
00:19:33,840 --> 00:19:36,480
98 percent of her investment labor party
476
00:19:36,480 --> 00:19:38,160
member Dennis Healey was one of the main
477
00:19:38,160 --> 00:19:40,380
advocates for this policy with Robert
478
00:19:40,380 --> 00:19:42,179
Plant dedicating a song for him at
479
00:19:42,179 --> 00:19:44,220
Elle's Court this was eventually lowered
480
00:19:44,220 --> 00:19:45,360
during Margaret Thatcher's
481
00:19:45,360 --> 00:19:47,520
Administration by raising value-added
482
00:19:47,520 --> 00:19:49,440
tax with this said you had bands like
483
00:19:49,440 --> 00:19:51,120
the stones and others heading out for
484
00:19:51,120 --> 00:19:53,220
fancy destinations in Europe they
485
00:19:53,220 --> 00:19:54,780
followed a similar blueprint for
486
00:19:54,780 --> 00:19:56,400
recording parting and assorted
487
00:19:56,400 --> 00:19:58,200
activities Led Zeppelin kept their
488
00:19:58,200 --> 00:20:00,299
bandmates houses in the UK but had to
489
00:20:00,299 --> 00:20:01,799
spend nine months away they became
490
00:20:01,799 --> 00:20:03,840
gypsies setting up temporary housing in
491
00:20:03,840 --> 00:20:06,720
France Switzerland and Jersey Island who
492
00:20:06,720 --> 00:20:08,460
believe the labor party offers the best
493
00:20:08,460 --> 00:20:10,980
hope for Britain's future my faith in
494
00:20:10,980 --> 00:20:12,720
the moral values which socialism
495
00:20:12,720 --> 00:20:16,080
represents remains undiminished now
496
00:20:16,080 --> 00:20:17,880
admittedly you wrote that some years ago
497
00:20:17,880 --> 00:20:22,020
does it apply today I think so yes see
498
00:20:22,020 --> 00:20:24,240
I'm just wondering when September of
499
00:20:24,240 --> 00:20:25,980
1973 when you were actually shadow
500
00:20:25,980 --> 00:20:28,919
Chancellor you said quote and this is
501
00:20:28,919 --> 00:20:31,080
about Labor's tax plan
502
00:20:31,080 --> 00:20:33,840
I warn you there are going to be howls
503
00:20:33,840 --> 00:20:36,179
of Anguish from those Rich enough to pay
504
00:20:36,179 --> 00:20:40,200
over 75 on the top slice of their
505
00:20:40,200 --> 00:20:42,960
earning and there was I'm sure there was
506
00:20:42,960 --> 00:20:46,919
yeah but I just wonder why now with the
507
00:20:46,919 --> 00:20:48,480
labor government in power you believe
508
00:20:48,480 --> 00:20:49,440
that
509
00:20:49,440 --> 00:20:52,020
there is no talk of increasing the top
510
00:20:52,020 --> 00:20:53,940
rate of Taxation on those earning the
511
00:20:53,940 --> 00:20:57,179
most money Beyond 40 percent because all
512
00:20:57,179 --> 00:20:59,160
they do is they move their money abroad
513
00:20:59,160 --> 00:21:00,960
which is bad for us because we lose
514
00:21:00,960 --> 00:21:03,120
income from it past the five children
515
00:21:03,120 --> 00:21:05,100
cord Robert Plant took his family on a
516
00:21:05,100 --> 00:21:07,799
holiday to Morocco the others Peter gun
517
00:21:07,799 --> 00:21:09,600
included stayed in Exile mode in
518
00:21:09,600 --> 00:21:11,640
Montreal Jimmy Page joined Robert
519
00:21:11,640 --> 00:21:13,740
halfway through June Marrakesh with us
520
00:21:13,740 --> 00:21:15,059
are higher in the Atlas Mountains
521
00:21:15,059 --> 00:21:17,220
Majestic scenery pigeon plan talked
522
00:21:17,220 --> 00:21:18,720
about recording music with the ambience
523
00:21:18,720 --> 00:21:20,760
and Rhythm sounds of Morocco the plan
524
00:21:20,760 --> 00:21:22,440
would be shelved until 19 years later
525
00:21:22,440 --> 00:21:24,299
interesting to think How They carried
526
00:21:24,299 --> 00:21:26,160
out the plan what would Barnum and John
527
00:21:26,160 --> 00:21:28,500
say about it Page and Plant rovery Range
528
00:21:28,500 --> 00:21:30,600
Rover to the Atlantic coast visiting the
529
00:21:30,600 --> 00:21:33,179
Spanish Sahara of Asura and tantan the
530
00:21:33,179 --> 00:21:34,860
Spanish Army had left and the Moroccan
531
00:21:34,860 --> 00:21:36,419
government had roadblocks every few
532
00:21:36,419 --> 00:21:38,580
miles after reaching a dead end they
533
00:21:38,580 --> 00:21:40,559
headed out north crossing the Strait of
534
00:21:40,559 --> 00:21:43,020
Gibraltar by ferry then driving up to
535
00:21:43,020 --> 00:21:44,700
France for a final destination in
536
00:21:44,700 --> 00:21:47,039
Montreal Switzerland Led Zeppelin made
537
00:21:47,039 --> 00:21:49,080
tentative plans for a USA tour in the
538
00:21:49,080 --> 00:21:51,000
fall and possible concerts in South
539
00:21:51,000 --> 00:21:52,679
America which seemed like a risky
540
00:21:52,679 --> 00:21:54,600
Venture I would say Argentina was the
541
00:21:54,600 --> 00:21:56,400
best place to go before withela's
542
00:21:56,400 --> 00:21:58,919
dictatorship which began in March 1976
543
00:21:58,919 --> 00:22:00,720
the country's soaring rock and roll
544
00:22:00,720 --> 00:22:03,299
scene up to 1975 saw many Geniuses
545
00:22:03,299 --> 00:22:05,159
blossomed in the way of Russ Alberto
546
00:22:05,159 --> 00:22:07,440
spinetta Charlie Garcia and many more
547
00:22:07,440 --> 00:22:08,940
that I would need a couple of hours to
548
00:22:08,940 --> 00:22:11,400
cover rug Giants sui Henry slash shows
549
00:22:11,400 --> 00:22:13,740
at Luna Park on September 12th saw a
550
00:22:13,740 --> 00:22:16,080
crowd of 30 000 fans there was a market
551
00:22:16,080 --> 00:22:17,940
for a Led Zeppelin show just imagine
552
00:22:17,940 --> 00:22:19,679
Robert Plant's plantations in Spanish
553
00:22:19,679 --> 00:22:21,960
good evening Argentina we're gonna do a
554
00:22:21,960 --> 00:22:24,360
song called kachemira the Montreal Just
555
00:22:24,360 --> 00:22:27,059
Festival of 1975 was held from July 3rd
556
00:22:27,059 --> 00:22:29,580
to July 20th everybody played there just
557
00:22:29,580 --> 00:22:33,419
to name a few Billy Covenant Julie Felix
558
00:22:33,419 --> 00:22:37,140
Larry Corel magma Paul Butterfield Rory
559
00:22:37,140 --> 00:22:39,900
Gallagher Aubrey King Oscar Peterson
560
00:22:39,900 --> 00:22:43,559
Ella Fitzgerald Joe Pass sadaw Watanabe
561
00:22:43,559 --> 00:22:46,020
Count Basie and his orchestra Bill Evans
562
00:22:46,020 --> 00:22:48,480
and Charles Mingus Etta James played on
563
00:22:48,480 --> 00:22:51,539
July 11th with Jones and bass and then
564
00:22:51,539 --> 00:22:53,220
19 year old future modern day Paul
565
00:22:53,220 --> 00:22:57,500
McCartney sidekick Brian Ray on guitar
566
00:22:58,500 --> 00:23:00,150
foreign
567
00:23:00,150 --> 00:23:12,140
[Music]
568
00:23:12,140 --> 00:23:15,600
August 4th Rhodes Greece quite a
569
00:23:15,600 --> 00:23:17,640
premonitory name for an island Rhodes
570
00:23:17,640 --> 00:23:20,159
was not to be a good vacation Marine
571
00:23:20,159 --> 00:23:21,720
plan was driving a rented car with
572
00:23:21,720 --> 00:23:23,580
Robert next to her in the front seat in
573
00:23:23,580 --> 00:23:24,780
the back seat where their children
574
00:23:24,780 --> 00:23:27,200
Carrick and Carmen plus Scarlet page
575
00:23:27,200 --> 00:23:29,220
mourinhos control the vehicle and
576
00:23:29,220 --> 00:23:31,380
crashed the car almost went down a cliff
577
00:23:31,380 --> 00:23:33,659
it was stopped by a tree Robert looked
578
00:23:33,659 --> 00:23:35,640
at his unconscious wife she had a
579
00:23:35,640 --> 00:23:37,860
fractured skull and pelvis Robert had a
580
00:23:37,860 --> 00:23:39,900
badly broken ankle and elbow both
581
00:23:39,900 --> 00:23:41,820
Carrick and Carmen were badly bruised
582
00:23:41,820 --> 00:23:44,700
and crying scarred page wasn't harmed
583
00:23:44,700 --> 00:23:46,980
there was no ambulance in sight it took
584
00:23:46,980 --> 00:23:48,900
hours for a local farmer to take them to
585
00:23:48,900 --> 00:23:50,159
the hospital in the back of his truck
586
00:23:50,159 --> 00:23:52,440
tour manager Richard Cole got a phone
587
00:23:52,440 --> 00:23:53,700
call next day from Jimmy's wife
588
00:23:53,700 --> 00:23:56,100
Charlotte Martin Maureen plan needed a
589
00:23:56,100 --> 00:23:58,020
blood transfusion and her time was not
590
00:23:58,020 --> 00:24:00,179
available in Rhodes Richard Cole had to
591
00:24:00,179 --> 00:24:01,799
think fast and get a Charlie plane to
592
00:24:01,799 --> 00:24:04,020
fly the roads rescue them and save
593
00:24:04,020 --> 00:24:06,120
Maureen's life since Peter Grant and
594
00:24:06,120 --> 00:24:08,100
Bonds were in the south of France Cole
595
00:24:08,100 --> 00:24:09,299
had to figure this one out of his own
596
00:24:09,299 --> 00:24:11,960
own making calls to doctors and surgeons
597
00:24:11,960 --> 00:24:13,860
Swanson's account and told him he
598
00:24:13,860 --> 00:24:15,059
couldn't authorize the money without
599
00:24:15,059 --> 00:24:17,280
Peter Grant's approval Richard yelled at
600
00:24:17,280 --> 00:24:19,080
him trying to explain the situation one
601
00:24:19,080 --> 00:24:20,760
of the surgeons Richard contacted had
602
00:24:20,760 --> 00:24:22,559
treated a pilot who borrowed his private
603
00:24:22,559 --> 00:24:24,600
jet for the Zeppelin mission two
604
00:24:24,600 --> 00:24:26,340
physicians in fresh blood landed in
605
00:24:26,340 --> 00:24:28,440
roads where the owner of the car rental
606
00:24:28,440 --> 00:24:31,080
agency claimed Marine plan was drunk at
607
00:24:31,080 --> 00:24:33,000
the time of the accident Greek lawyers
608
00:24:33,000 --> 00:24:34,380
planned their way at scoring big money
609
00:24:34,380 --> 00:24:36,720
from swansong in Led Zeppelin Mantra
610
00:24:36,720 --> 00:24:39,179
just Festival founded Cloud knobs saved
611
00:24:39,179 --> 00:24:40,919
the day he wired the funds to fire
612
00:24:40,919 --> 00:24:43,260
everyone out of Roads Cole managed to go
613
00:24:43,260 --> 00:24:44,940
to the hospital get them into the
614
00:24:44,940 --> 00:24:46,860
vehicle back to the airport and take off
615
00:24:46,860 --> 00:24:49,039
for Rome with Final Destination England
616
00:24:49,039 --> 00:24:51,720
Maureen spent weeks in bed Robert Plant
617
00:24:51,720 --> 00:24:53,460
quote if we hadn't had the money
618
00:24:53,460 --> 00:24:55,260
available to fly to England right away
619
00:24:55,260 --> 00:24:57,419
for the best medical treatment I'm
620
00:24:57,419 --> 00:24:59,039
certain my wife wouldn't be alive now
621
00:24:59,039 --> 00:25:01,200
because of the labor party tax Excel
622
00:25:01,200 --> 00:25:03,419
policy Robert was only allowed to stay
623
00:25:03,419 --> 00:25:05,640
in Britain for a few days per year had
624
00:25:05,640 --> 00:25:07,860
he stayed past his limit he would be
625
00:25:07,860 --> 00:25:09,840
liable for taxes in his Force and would
626
00:25:09,840 --> 00:25:11,760
have taken a huge hit with just hours
627
00:25:11,760 --> 00:25:14,100
before the deadline Richard Cole saved
628
00:25:14,100 --> 00:25:15,600
plants Millions by calling British
629
00:25:15,600 --> 00:25:17,460
Airways getting Robert in an ambulance
630
00:25:17,460 --> 00:25:19,620
to the airport and using a forklift to
631
00:25:19,620 --> 00:25:21,240
get him on the plane for all the
632
00:25:21,240 --> 00:25:23,159
Latter-Day bad beef between Cole and the
633
00:25:23,159 --> 00:25:25,559
Led Zeppelin organization Richard was a
634
00:25:25,559 --> 00:25:29,039
hero in 1975.
635
00:25:37,500 --> 00:25:39,659
Jersey Island was home away from home
636
00:25:39,659 --> 00:25:41,580
where plant in a wheelchair was joined
637
00:25:41,580 --> 00:25:43,740
by the rest of the band Led Zeppelin's
638
00:25:43,740 --> 00:25:46,080
touring momentum was gone the idea to
639
00:25:46,080 --> 00:25:47,640
revive the film Project they had in the
640
00:25:47,640 --> 00:25:49,440
can would slowly take shape the biggest
641
00:25:49,440 --> 00:25:51,000
band in the world was now living in
642
00:25:51,000 --> 00:25:53,159
Excel within their Exile Jersey Island
643
00:25:53,159 --> 00:25:54,779
was to beat a Zeppelin's isolation
644
00:25:54,779 --> 00:25:56,700
headquarters this is the same place
645
00:25:56,700 --> 00:25:59,039
where Paige planned Jones and Grant met
646
00:25:59,039 --> 00:26:01,559
on November 7 1980 to talk about John
647
00:26:01,559 --> 00:26:04,260
Bonham and calm terms with his passing a
648
00:26:04,260 --> 00:26:05,460
press conference announced a
649
00:26:05,460 --> 00:26:07,860
cancellation of any 1975 touring plans
650
00:26:07,860 --> 00:26:09,840
including the day at the green shows at
651
00:26:09,840 --> 00:26:11,760
Auckland Coliseum with Joe Walsh and the
652
00:26:11,760 --> 00:26:14,220
pretty things scheduled for August 23rd
653
00:26:14,220 --> 00:26:16,940
and 24th
654
00:26:21,440 --> 00:26:24,500
thank you
655
00:26:25,620 --> 00:26:27,480
from visiting the Victoria Pub to
656
00:26:27,480 --> 00:26:29,460
nightclubs on the seafront the Zeppelin
657
00:26:29,460 --> 00:26:31,380
crew had a lot of time on their hands I
658
00:26:31,380 --> 00:26:32,880
believe most of the inspiration for
659
00:26:32,880 --> 00:26:34,740
presents was based on the band's mood
660
00:26:34,740 --> 00:26:36,960
and sentiments at Jersey Island you had
661
00:26:36,960 --> 00:26:38,700
the boats representing Stillness and
662
00:26:38,700 --> 00:26:40,140
restaurants Gathering them for dinner
663
00:26:40,140 --> 00:26:42,299
trying to make sense of what was going
664
00:26:42,299 --> 00:26:44,640
on nobody wanted to stop the show and
665
00:26:44,640 --> 00:26:46,080
they couldn't go home thanks to the
666
00:26:46,080 --> 00:26:48,539
labor party policies what the object may
667
00:26:48,539 --> 00:26:51,000
represent is a metaphor of frustration
668
00:26:51,000 --> 00:26:53,460
no matter how they spend their time the
669
00:26:53,460 --> 00:26:55,200
feeling was absolute there was no escape
670
00:26:55,200 --> 00:26:57,419
from its presence in everyday activities
671
00:26:57,419 --> 00:26:59,460
while their vaults were filled with cash
672
00:26:59,460 --> 00:27:01,620
the questions piled up at Swanson
673
00:27:01,620 --> 00:27:04,020
offices John bottom and Jimmy Page flew
674
00:27:04,020 --> 00:27:05,580
back to London for the Melody Maker
675
00:27:05,580 --> 00:27:07,940
Awards held on September 17
676
00:27:07,940 --> 00:27:10,440
1975. the band picked up prices for Top
677
00:27:10,440 --> 00:27:13,679
Male vocalist best album best group and
678
00:27:13,679 --> 00:27:15,960
best live act Peter Grant suggested his
679
00:27:15,960 --> 00:27:17,820
boys to head out overseas to write and
680
00:27:17,820 --> 00:27:19,440
rehearse material for their next album
681
00:27:19,440 --> 00:27:21,840
in the same way the stones wrote most of
682
00:27:21,840 --> 00:27:25,580
Exile on Main Street in France
683
00:27:26,900 --> 00:27:30,360
thank you
684
00:27:30,360 --> 00:27:33,720
late September 1975 Robert Plant and Jim
685
00:27:33,720 --> 00:27:35,580
page relocated to the Continental height
686
00:27:35,580 --> 00:27:37,500
in Los Angeles before going to the
687
00:27:37,500 --> 00:27:39,120
exclusive Malibu colony where they
688
00:27:39,120 --> 00:27:41,100
rented beach houses Richie Blackman
689
00:27:41,100 --> 00:27:42,900
lived here while forming his new band
690
00:27:42,900 --> 00:27:44,520
and recording its debut album at
691
00:27:44,520 --> 00:27:46,320
musicland Studios Munich in the early
692
00:27:46,320 --> 00:27:49,020
part of 75. Blackburn knew the Studio's
693
00:27:49,020 --> 00:27:50,700
Deep Purple stormbringer was recorded
694
00:27:50,700 --> 00:27:53,159
there in 74. because he was now an LA
695
00:27:53,159 --> 00:27:55,140
neighbor some sources stated Robert
696
00:27:55,140 --> 00:27:56,820
Plant attended deep purple's June
697
00:27:56,820 --> 00:27:58,620
rehearsals with guitarist Tommy Bolin
698
00:27:58,620 --> 00:28:00,120
this would make sense as they would
699
00:28:00,120 --> 00:28:01,679
later be seen hanging out together and
700
00:28:01,679 --> 00:28:03,539
well the rock and roll world is a
701
00:28:03,539 --> 00:28:05,340
close-knitive community purple's next
702
00:28:05,340 --> 00:28:07,140
album was also recorded at musicland
703
00:28:07,140 --> 00:28:09,299
Studios from August to September com
704
00:28:09,299 --> 00:28:10,980
taste the band added the tell me bowling
705
00:28:10,980 --> 00:28:12,960
momentum after recording with James gang
706
00:28:12,960 --> 00:28:15,240
and Billy coven Spectrum which put him
707
00:28:15,240 --> 00:28:17,159
on the map as a one-of-a-kind musician
708
00:28:17,159 --> 00:28:20,279
who could tackle Jazz Rock and Funk fun
709
00:28:20,279 --> 00:28:23,039
fact Tommy Bolin span Zephyr open for
710
00:28:23,039 --> 00:28:25,740
Led Zeppelin back in 1969 Robert Plant
711
00:28:25,740 --> 00:28:27,600
polished his lyrics and Jimmy worked on
712
00:28:27,600 --> 00:28:29,640
his own agenda including Godfather for
713
00:28:29,640 --> 00:28:32,340
Swan song's new band detective members
714
00:28:32,340 --> 00:28:34,020
of Led Zeppelin met British rock singer
715
00:28:34,020 --> 00:28:35,820
Michael der Barnes after watching him on
716
00:28:35,820 --> 00:28:37,380
stage with his old band silverhead
717
00:28:37,380 --> 00:28:40,500
around 1974 with Robbie plant on guitar
718
00:28:40,500 --> 00:28:42,900
a future Robert Plant solo career frame
719
00:28:42,900 --> 00:28:45,720
his playing is just amazing detective
720
00:28:45,720 --> 00:28:47,820
had their bars on vocals former yes
721
00:28:47,820 --> 00:28:50,220
member Tony K on keywords John Hyde on
722
00:28:50,220 --> 00:28:52,380
drums Bobby Pickett on bass and Michael
723
00:28:52,380 --> 00:28:54,539
Monarch on guitar you may remember him
724
00:28:54,539 --> 00:28:56,100
for his signature sounds scoring big
725
00:28:56,100 --> 00:28:58,080
hits with Steppenwolf according to
726
00:28:58,080 --> 00:28:59,700
Michael their bars Peter Grant in the
727
00:28:59,700 --> 00:29:01,320
hot California weather was strange but
728
00:29:01,320 --> 00:29:04,320
necessary as his job was demanding 24 7.
729
00:29:04,320 --> 00:29:06,179
John Barnum and John Paul Jones arrived
730
00:29:06,179 --> 00:29:08,940
in Los Angeles in October 1975. John
731
00:29:08,940 --> 00:29:10,919
Bonham's daughter Zoe was born on June
732
00:29:10,919 --> 00:29:12,840
10th and he was reluctant of leaving his
733
00:29:12,840 --> 00:29:14,700
family while Paige planning Bonham
734
00:29:14,700 --> 00:29:16,440
stayed in separate bungalows in Malibu
735
00:29:16,440 --> 00:29:18,360
John Paul Jones booked himself into the
736
00:29:18,360 --> 00:29:20,399
good old Continental Hyatt in Sunset
737
00:29:20,399 --> 00:29:22,080
Boulevard one of the main complaints
738
00:29:22,080 --> 00:29:23,880
within the Zeppelin Camp were Paige's
739
00:29:23,880 --> 00:29:26,039
nocturnal hours an alternate lifestyle
740
00:29:26,039 --> 00:29:28,620
choices quote John Paul Jones Robert and
741
00:29:28,620 --> 00:29:30,120
I seem to keep a different time sequence
742
00:29:30,120 --> 00:29:32,220
to Jimmy Jimmy expressed the same
743
00:29:32,220 --> 00:29:33,899
complaint against John Paul Jones Who
744
00:29:33,899 --> 00:29:36,480
quote was never around the new Zeppelin
745
00:29:36,480 --> 00:29:38,340
music had Funk and unexpected routes of
746
00:29:38,340 --> 00:29:39,720
Eastern roots and American Rhythm
747
00:29:39,720 --> 00:29:41,700
sections complex time signatures and
748
00:29:41,700 --> 00:29:43,440
crazy Arrangements while Robert Plant
749
00:29:43,440 --> 00:29:45,299
sang in a wheelchair a contrast like
750
00:29:45,299 --> 00:29:47,520
never before the Led Zeppelin rehearsals
751
00:29:47,520 --> 00:29:51,440
took place at sir Studios in Hollywood
752
00:29:54,179 --> 00:29:55,760
foreign
753
00:29:55,760 --> 00:30:02,539
[Music]
754
00:30:24,680 --> 00:30:33,559
[Music]
755
00:30:33,559 --> 00:30:35,640
Electric Light Orchestra followed
756
00:30:35,640 --> 00:30:37,140
Richard Blackman's advice and traveled
757
00:30:37,140 --> 00:30:38,580
to Munich for their face their music
758
00:30:38,580 --> 00:30:40,740
sessions held May through June the
759
00:30:40,740 --> 00:30:42,179
Rolling Stones his initial work for
760
00:30:42,179 --> 00:30:43,860
black and blue in Munich took place in
761
00:30:43,860 --> 00:30:46,200
March as we can see musicland's name
762
00:30:46,200 --> 00:30:48,480
resonated heavy musicland was a new
763
00:30:48,480 --> 00:30:51,240
place during these tax Exile Times Los
764
00:30:51,240 --> 00:30:53,399
Angeles 1975 was a place of excess
765
00:30:53,399 --> 00:30:56,940
cocaine Quaaludes heroin and alcohol not
766
00:30:56,940 --> 00:30:58,440
the safest or healthiest bet for
767
00:30:58,440 --> 00:31:00,419
millionaire rock stars with the world at
768
00:31:00,419 --> 00:31:02,100
their feet and an army of inhalers
769
00:31:02,100 --> 00:31:04,620
catering to the drug of choice parties
770
00:31:04,620 --> 00:31:07,260
late night missions and behind closed
771
00:31:07,260 --> 00:31:08,880
door rituals were the agenda for the
772
00:31:08,880 --> 00:31:10,799
kings of rock and roll as much as Led
773
00:31:10,799 --> 00:31:13,500
Zeppelin's 1977 U.S tour gets a bad rap
774
00:31:13,500 --> 00:31:15,659
for excess the seats of Destruction were
775
00:31:15,659 --> 00:31:18,059
planted throughout 1975 besides
776
00:31:18,059 --> 00:31:20,100
dangerous business partners I don't want
777
00:31:20,100 --> 00:31:21,659
to point fingers on addiction but based
778
00:31:21,659 --> 00:31:23,220
on testimonials and cultural habits at
779
00:31:23,220 --> 00:31:25,620
the time time we the fans know what was
780
00:31:25,620 --> 00:31:27,480
going on Jimmy's close friend back then
781
00:31:27,480 --> 00:31:29,880
Keith Richards was quite outspoken in
782
00:31:29,880 --> 00:31:31,559
his relationship with Heroin on his
783
00:31:31,559 --> 00:31:33,299
autobiography which I definitely
784
00:31:33,299 --> 00:31:35,340
recommend reading Keith even went as far
785
00:31:35,340 --> 00:31:36,720
as saying that when they switched from
786
00:31:36,720 --> 00:31:38,460
pharmaceutical cocaine to the stuff
787
00:31:38,460 --> 00:31:40,380
being imported from South America things
788
00:31:40,380 --> 00:31:42,779
took a nosedive no pun intended Keith
789
00:31:42,779 --> 00:31:44,940
Richards quote pharmaceutical cocaine
790
00:31:44,940 --> 00:31:46,559
could not be compared in any way to
791
00:31:46,559 --> 00:31:48,299
cocaine produced in Central or South
792
00:31:48,299 --> 00:31:50,220
America it is pure and it doesn't bring
793
00:31:50,220 --> 00:31:52,380
any depression or lethargy a totally
794
00:31:52,380 --> 00:31:54,120
different type of euphoria there were
795
00:31:54,120 --> 00:31:56,100
absolutely no withdrawal symptoms moving
796
00:31:56,100 --> 00:31:57,899
on to hard drugs the level of chemical
797
00:31:57,899 --> 00:31:59,580
dependence heroin had on so many
798
00:31:59,580 --> 00:32:02,460
musicians was reflected in post-1975
799
00:32:02,460 --> 00:32:04,679
rock albums from that era pod was
800
00:32:04,679 --> 00:32:07,440
Freedom cocaine was permission heroin
801
00:32:07,440 --> 00:32:09,600
was prison and you can see it on stage
802
00:32:09,600 --> 00:32:11,640
that it's tight you know and that kind
803
00:32:11,640 --> 00:32:12,720
of respect you have for each other and
804
00:32:12,720 --> 00:32:14,700
how do you kind of maintain that well
805
00:32:14,700 --> 00:32:16,320
really because of the fact that we have
806
00:32:16,320 --> 00:32:19,980
been able to to keep creating a material
807
00:32:19,980 --> 00:32:23,760
that varies so much you know design many
808
00:32:23,760 --> 00:32:26,460
aspects of uh imagination that can be
809
00:32:26,460 --> 00:32:29,039
brought ahead in the music and in the
810
00:32:29,039 --> 00:32:30,659
lyrics
811
00:32:30,659 --> 00:32:33,779
um that this is the stimulus that keeps
812
00:32:33,779 --> 00:32:35,279
us together you know I mean if if we
813
00:32:35,279 --> 00:32:36,899
found that we were getting getting no
814
00:32:36,899 --> 00:32:38,640
farther or we were
815
00:32:38,640 --> 00:32:41,279
channeling ourselves down onto a one
816
00:32:41,279 --> 00:32:42,919
plane and sort of
817
00:32:42,919 --> 00:32:47,039
one musical level then we would be we
818
00:32:47,039 --> 00:32:49,740
would start to get bored now let's
819
00:32:49,740 --> 00:32:52,140
discuss the 1975 songwriting process in
820
00:32:52,140 --> 00:32:53,820
a year of great records we know that
821
00:32:53,820 --> 00:32:55,620
page and plan worked out sketches and
822
00:32:55,620 --> 00:32:57,600
basic elements before Jones and Barnum
823
00:32:57,600 --> 00:32:59,399
joined forces for the electric side of
824
00:32:59,399 --> 00:33:01,320
things I went back and listened to a
825
00:33:01,320 --> 00:33:03,360
nice selection of albums released in 75
826
00:33:03,360 --> 00:33:05,159
and while the rock and roll guitars and
827
00:33:05,159 --> 00:33:06,899
style was present there was a growing
828
00:33:06,899 --> 00:33:08,940
Funk movement going mainstream with
829
00:33:08,940 --> 00:33:10,980
proto-discal rhythms without drum
830
00:33:10,980 --> 00:33:12,720
machines but opening the door as
831
00:33:12,720 --> 00:33:14,580
preparation you see Zeppelin's Physical
832
00:33:14,580 --> 00:33:16,380
Graffiti was a prophetic piece of work
833
00:33:16,380 --> 00:33:18,419
in the sense that their peers took note
834
00:33:18,419 --> 00:33:20,220
from ambitious guitar overdubs to
835
00:33:20,220 --> 00:33:22,080
prominent keywords let's up and look
836
00:33:22,080 --> 00:33:23,460
into the future with trampled on their
837
00:33:23,460 --> 00:33:25,019
foot's Hard Rock Funk and ironically
838
00:33:25,019 --> 00:33:26,580
presence seems to take Hue from their
839
00:33:26,580 --> 00:33:28,200
double album slash track about the LA
840
00:33:28,200 --> 00:33:31,019
queens and scenery October 1975 had
841
00:33:31,019 --> 00:33:33,240
Paige plan Jones and Barnum living in
842
00:33:33,240 --> 00:33:35,279
the place of sick again here's a summary
843
00:33:35,279 --> 00:33:36,899
of albums or songs released between
844
00:33:36,899 --> 00:33:38,700
March and October that I deem relevant
845
00:33:38,700 --> 00:33:40,500
in the musical production styles that
846
00:33:40,500 --> 00:33:42,840
played a part in present Sonic design
847
00:33:42,840 --> 00:33:45,179
1975 was an interesting year where many
848
00:33:45,179 --> 00:33:46,740
breakthrough tracks led to both
849
00:33:46,740 --> 00:33:48,659
Innovation and parity for some of its
850
00:33:48,659 --> 00:33:50,519
creators there doesn't seem to be Middle
851
00:33:50,519 --> 00:33:52,799
Ground of intention it's either over the
852
00:33:52,799 --> 00:33:55,080
top or bust Led Zeppelin's Rock peers
853
00:33:55,080 --> 00:33:56,460
were getting dangerously better at their
854
00:33:56,460 --> 00:33:58,440
game the industry jumps down overall
855
00:33:58,440 --> 00:34:00,299
improved towards High recording quality
856
00:34:00,299 --> 00:34:02,039
accentuating the brightness of the
857
00:34:02,039 --> 00:34:04,860
hi-hats symbols and Dynamics guitars
858
00:34:04,860 --> 00:34:07,320
were wider and beefier overdubs staring
859
00:34:07,320 --> 00:34:09,300
keyboards and synths create a vocal
860
00:34:09,300 --> 00:34:11,099
phrasing the industry was like a big
861
00:34:11,099 --> 00:34:12,839
dance floor moving to the sound of Casey
862
00:34:12,839 --> 00:34:14,940
and the Sunshine's debut long gone the
863
00:34:14,940 --> 00:34:17,339
flower power hello Flower Powder there
864
00:34:17,339 --> 00:34:19,560
was room for everyone and everything
865
00:34:19,560 --> 00:34:21,540
David Bowie's Young Americans had the
866
00:34:21,540 --> 00:34:23,879
funk Powerhouse in Fame and tried to put
867
00:34:23,879 --> 00:34:25,200
the style on the radio where previous
868
00:34:25,200 --> 00:34:27,179
British Explorations may have been a bit
869
00:34:27,179 --> 00:34:30,119
shy 10 cc's of not enough remains one of
870
00:34:30,119 --> 00:34:31,800
the most complex Studio creations of
871
00:34:31,800 --> 00:34:34,679
1975 with massive keywords and overdubs
872
00:34:34,679 --> 00:34:36,679
of Epic tape editing proportions
873
00:34:36,679 --> 00:34:38,879
nazareth's Love Hurts set the template
874
00:34:38,879 --> 00:34:40,859
for 80s power ballads and they shot
875
00:34:40,859 --> 00:34:42,480
themselves in the foot with a hit single
876
00:34:42,480 --> 00:34:44,580
that overshadowed their Hardware catalog
877
00:34:44,580 --> 00:34:46,379
a classic number never to leave the
878
00:34:46,379 --> 00:34:47,879
radio stations and soundtrack for
879
00:34:47,879 --> 00:34:49,919
breakups while chugging a six-pack of
880
00:34:49,919 --> 00:34:51,540
beers at a parking lot late at night
881
00:34:51,540 --> 00:34:53,580
camels the snow goose elevated the art
882
00:34:53,580 --> 00:34:55,379
of the guitar solo as melodic substance
883
00:34:55,379 --> 00:34:57,240
as well as the ensemble's wisdom to
884
00:34:57,240 --> 00:34:59,520
deliver an almost perfect progrog album
885
00:34:59,520 --> 00:35:01,740
Jeff Beck's Blow by blow hit the shelves
886
00:35:01,740 --> 00:35:03,359
and put the master himself in jazz
887
00:35:03,359 --> 00:35:05,280
fusion Waters I'm almost positive it
888
00:35:05,280 --> 00:35:07,080
shook the Led Zeppelin World hard and
889
00:35:07,080 --> 00:35:09,000
had Jimmy Page thinking you've done it
890
00:35:09,000 --> 00:35:11,040
again Jeff bloody brilliant you can hear
891
00:35:11,040 --> 00:35:12,660
Beck's influence on many solos and
892
00:35:12,660 --> 00:35:14,579
Rhythm lines from presence check out
893
00:35:14,579 --> 00:35:16,260
constipated duck and tell me Royal
894
00:35:16,260 --> 00:35:18,180
Orleans doesn't have some of that flavor
895
00:35:18,180 --> 00:35:20,280
there's a bit of cause winner lovers on
896
00:35:20,280 --> 00:35:22,680
t41 as well Aerosmith's Toys in the
897
00:35:22,680 --> 00:35:24,660
Attic this one's pretty obvious a
898
00:35:24,660 --> 00:35:26,160
meeting point for previous stones and
899
00:35:26,160 --> 00:35:28,020
Zeppelin Milestones with a Twist the
900
00:35:28,020 --> 00:35:29,760
guitar upfront mix have walked this way
901
00:35:29,760 --> 00:35:31,740
in Sweet Emotion are a powerful American
902
00:35:31,740 --> 00:35:33,900
muscle car nod to the full first British
903
00:35:33,900 --> 00:35:35,820
Invasion that Black Sabbath had the
904
00:35:35,820 --> 00:35:37,560
answer for with their seminal heavy
905
00:35:37,560 --> 00:35:40,200
metal release sabotage how can you not
906
00:35:40,200 --> 00:35:41,820
bang your head to hole in the sky right
907
00:35:41,820 --> 00:35:43,920
Casey and the Sunshine band's debut
908
00:35:43,920 --> 00:35:45,480
album filled with future Greatest Hits
909
00:35:45,480 --> 00:35:47,820
open the mainstream dancer for some
910
00:35:47,820 --> 00:35:49,859
Friday Night Fever and the major labels
911
00:35:49,859 --> 00:35:51,900
took note the Wilson sisters followed
912
00:35:51,900 --> 00:35:53,820
the Zeppelin footsteps mix of acoustic
913
00:35:53,820 --> 00:35:55,500
and electric Vibes while pouring their
914
00:35:55,500 --> 00:35:58,140
heart on key track's Magic Man and the
915
00:35:58,140 --> 00:35:59,820
fast-paced drum beat of crazy on you
916
00:35:59,820 --> 00:36:02,040
call me crazy but Achilles less than has
917
00:36:02,040 --> 00:36:04,020
some of that Groove attack and harmonies
918
00:36:04,020 --> 00:36:06,480
within Wars why can we be friends and no
919
00:36:06,480 --> 00:36:08,160
Rider from their seventh studio album
920
00:36:08,160 --> 00:36:11,220
added humor fun and I lose attitude on
921
00:36:11,220 --> 00:36:13,260
mainstream radio Frank Zappa's one size
922
00:36:13,260 --> 00:36:14,880
fits all has to be on the list because
923
00:36:14,880 --> 00:36:17,339
of its crazy Los Angeles Vibes a killer
924
00:36:17,339 --> 00:36:18,720
record that challenged musicians
925
00:36:18,720 --> 00:36:21,180
everywhere Herbie Hancock's Manchild is
926
00:36:21,180 --> 00:36:22,680
a funk Masterpiece of the highest order
927
00:36:22,680 --> 00:36:25,740
it rocks and grooves hard track one hang
928
00:36:25,740 --> 00:36:27,960
up your Hang-Ups is DJ sample Heaven
929
00:36:27,960 --> 00:36:29,760
Pink Floyd's wish you were here was
930
00:36:29,760 --> 00:36:31,800
another career Milestone with its great
931
00:36:31,800 --> 00:36:34,200
production carefully EQ drums and
932
00:36:34,200 --> 00:36:36,359
Architectural psychedelic passages it
933
00:36:36,359 --> 00:36:38,520
was the best-selling album of 1975
934
00:36:38,520 --> 00:36:40,859
beating second place Physical Graffiti
935
00:36:40,859 --> 00:36:43,140
by a landslide Ted Nugent came in after
936
00:36:43,140 --> 00:36:45,180
with his trash in hotel Stranglehold
937
00:36:45,180 --> 00:36:47,280
sound and him not to Griff to win the
938
00:36:47,280 --> 00:36:49,260
guitar battle over foghat's slow dried
939
00:36:49,260 --> 00:36:51,359
while the BG's toyed around the idea of
940
00:36:51,359 --> 00:36:53,040
future Saturday night falsetto and
941
00:36:53,040 --> 00:36:54,599
knights from Broadway Gary Wright
942
00:36:54,599 --> 00:36:56,099
reminded everyone that you could Rock
943
00:36:56,099 --> 00:36:58,500
and Funk without guitars or Bass his
944
00:36:58,500 --> 00:37:00,000
synthesized Textures in Love is alive
945
00:37:00,000 --> 00:37:01,920
and Dreamweaver help you forget today's
946
00:37:01,920 --> 00:37:04,619
pain and reach the Morning Light so this
947
00:37:04,619 --> 00:37:06,359
was a vibrant and crazy music Arena Led
948
00:37:06,359 --> 00:37:07,680
Zeppelin had around them as they
949
00:37:07,680 --> 00:37:09,780
rehearsed in Los Angeles competition was
950
00:37:09,780 --> 00:37:11,339
serious but they were now the band of
951
00:37:11,339 --> 00:37:14,000
Kashmir time was on their side for now
952
00:37:14,000 --> 00:37:16,020
similar to the houses of the Holy
953
00:37:16,020 --> 00:37:17,880
sessions presidents began at the shadow
954
00:37:17,880 --> 00:37:20,400
of a monster release on only page plan
955
00:37:20,400 --> 00:37:22,079
Jones and Barnum could dare to work
956
00:37:22,079 --> 00:37:23,940
against the clock right after Physical
957
00:37:23,940 --> 00:37:26,099
Graffiti looking at all the tracks for
958
00:37:26,099 --> 00:37:27,960
presence everything was sourced from
959
00:37:27,960 --> 00:37:30,240
previous onstage ideas which makes sense
960
00:37:30,240 --> 00:37:32,280
given the fact that the band was working
961
00:37:32,280 --> 00:37:34,320
with a strange sense of immediacy a
962
00:37:34,320 --> 00:37:35,940
studio album with little pre-production
963
00:37:35,940 --> 00:37:38,099
based on their live setting Vibes lives
964
00:37:38,099 --> 00:37:40,260
in the same vein of their 1969 debut
965
00:37:40,260 --> 00:37:42,359
with gimulating the writing process he
966
00:37:42,359 --> 00:37:44,520
went for what was Within Reach he was
967
00:37:44,520 --> 00:37:46,560
not in his best creative shape and while
968
00:37:46,560 --> 00:37:48,359
the final product features stutter and
969
00:37:48,359 --> 00:37:50,579
weird guitar work this album did not
970
00:37:50,579 --> 00:37:52,020
break new grounds they haven't done
971
00:37:52,020 --> 00:37:54,359
before it feels to some extent like
972
00:37:54,359 --> 00:37:55,980
wishful thinking of the shows that never
973
00:37:55,980 --> 00:37:58,619
happened after Robert's accident looking
974
00:37:58,619 --> 00:38:00,540
at their personal lives back then Jones
975
00:38:00,540 --> 00:38:02,640
and Bonham deserve so much praise for
976
00:38:02,640 --> 00:38:04,500
transforming guitar sketches into such
977
00:38:04,500 --> 00:38:06,000
complex and ambitious Rhythm
978
00:38:06,000 --> 00:38:07,740
arrangements as much as people say
979
00:38:07,740 --> 00:38:09,720
presence was Jimmy's album one of the
980
00:38:09,720 --> 00:38:11,579
greatest attributes of this record is
981
00:38:11,579 --> 00:38:13,680
the fine bass in drum interplay let's
982
00:38:13,680 --> 00:38:15,300
take a look at the song so I can share
983
00:38:15,300 --> 00:38:16,800
some thoughts I have on the 7 Studio
984
00:38:16,800 --> 00:38:19,079
album we have one Epic aggressive and
985
00:38:19,079 --> 00:38:21,060
ambition track that speaks of trials and
986
00:38:21,060 --> 00:38:22,859
tribulations from a Sonic design
987
00:38:22,859 --> 00:38:24,720
perspective you can tell this was
988
00:38:24,720 --> 00:38:26,940
Priority One at Munich the mix is hot
989
00:38:26,940 --> 00:38:28,920
and well defined but it is probably the
990
00:38:28,920 --> 00:38:30,720
only misleading opener from the Zeppelin
991
00:38:30,720 --> 00:38:32,339
catalog compared to what follows
992
00:38:32,339 --> 00:38:34,380
Achilles is like a dream sequence before
993
00:38:34,380 --> 00:38:36,079
the character wakes up in Los Angeles
994
00:38:36,079 --> 00:38:39,599
1975 with a massive hangover or a broken
995
00:38:39,599 --> 00:38:41,760
ankle in a wheelchair for your life is a
996
00:38:41,760 --> 00:38:43,560
middle ground mid-tempo song with a
997
00:38:43,560 --> 00:38:45,540
complicated structure that brings you
998
00:38:45,540 --> 00:38:48,060
into the world of isolated excess it is
999
00:38:48,060 --> 00:38:50,160
not funny but not serious either you
1000
00:38:50,160 --> 00:38:51,359
just call with the flow and check your
1001
00:38:51,359 --> 00:38:53,520
nose for any powder Trails adding
1002
00:38:53,520 --> 00:38:55,140
vibrant colors to the cold sessions of
1003
00:38:55,140 --> 00:38:58,079
Munich would get three Cuts Royal Lanes
1004
00:38:58,079 --> 00:39:00,480
candy store Rock and Hudson for nowhere
1005
00:39:00,480 --> 00:39:03,240
a stressed and almost comic relief that
1006
00:39:03,240 --> 00:39:05,160
Zeppelin was prone to any of these
1007
00:39:05,160 --> 00:39:06,599
tracks could have been on houses of the
1008
00:39:06,599 --> 00:39:08,579
Holy nobody's fault but mine is like
1009
00:39:08,579 --> 00:39:10,800
side B of Achilles that stand using
1010
00:39:10,800 --> 00:39:12,839
another fade in as intro challenging
1011
00:39:12,839 --> 00:39:14,760
musical accents and the crashing Rhythm
1012
00:39:14,760 --> 00:39:16,440
sounds of Zeppelin's trademark extreme
1013
00:39:16,440 --> 00:39:18,599
closing track t for one brings night
1014
00:39:18,599 --> 00:39:21,119
time to the story a slow tempo Blues to
1015
00:39:21,119 --> 00:39:22,500
thank the host for throwing the party
1016
00:39:22,500 --> 00:39:25,079
and drive home empty-handed sound wise
1017
00:39:25,079 --> 00:39:26,820
it seems for your life did not receive
1018
00:39:26,820 --> 00:39:28,680
the up for drums and bright treatment of
1019
00:39:28,680 --> 00:39:30,420
the rest of the album the snare drum in
1020
00:39:30,420 --> 00:39:32,040
particular has a prominent Reverb sound
1021
00:39:32,040 --> 00:39:33,359
that makes you think it was either
1022
00:39:33,359 --> 00:39:35,160
post-production or recorded in a
1023
00:39:35,160 --> 00:39:36,839
different room at musicland for your
1024
00:39:36,839 --> 00:39:39,119
livestreams make up for a muddy mix you
1025
00:39:39,119 --> 00:39:40,500
see with all the respect I think the
1026
00:39:40,500 --> 00:39:42,060
final track list could have been better
1027
00:39:42,060 --> 00:39:44,520
and make presents stand out more because
1028
00:39:44,520 --> 00:39:46,560
the melancholic heavy metal intensity of
1029
00:39:46,560 --> 00:39:48,480
Achilles takes you down for your life
1030
00:39:48,480 --> 00:39:50,460
gives you no time to recover it may
1031
00:39:50,460 --> 00:39:52,079
throw off The Listener after and maybe
1032
00:39:52,079 --> 00:39:54,540
just maybe like this record was not well
1033
00:39:54,540 --> 00:39:56,700
received back then I would put nobody's
1034
00:39:56,700 --> 00:39:58,740
fault but mine at number two so the
1035
00:39:58,740 --> 00:40:00,359
intro prepares you for another hard rock
1036
00:40:00,359 --> 00:40:02,940
session track 3 candy store Rock sound
1037
00:40:02,940 --> 00:40:04,619
stronger after the previous Blues number
1038
00:40:04,619 --> 00:40:06,780
making rockabilly a nice transition that
1039
00:40:06,780 --> 00:40:08,880
carries the listener into track 4 Royal
1040
00:40:08,880 --> 00:40:11,040
Orleans which would close side a with a
1041
00:40:11,040 --> 00:40:12,540
nice reprise of Jones and Barnum's
1042
00:40:12,540 --> 00:40:14,640
merciless heavy attack for side B I
1043
00:40:14,640 --> 00:40:16,380
would do for your life Hudson for
1044
00:40:16,380 --> 00:40:18,839
nowhere and T for one a decade in
1045
00:40:18,839 --> 00:40:20,339
Eternal City Adventure against the
1046
00:40:20,339 --> 00:40:22,560
individual questioning life itself in
1047
00:40:22,560 --> 00:40:27,180
the suspended animation days of 1975.
1048
00:40:27,380 --> 00:40:30,680
it's fun
1049
00:40:50,640 --> 00:40:55,579
[Music]
1050
00:41:15,970 --> 00:41:25,860
[Music]
1051
00:41:28,280 --> 00:41:36,949
[Music]
1052
00:41:39,660 --> 00:41:42,260
thank you
1053
00:41:43,630 --> 00:41:58,139
[Music]
1054
00:42:02,920 --> 00:42:18,520
[Music]
1055
00:42:20,990 --> 00:42:27,679
[Music]
1056
00:42:33,560 --> 00:42:36,359
it started out as a wheelchair song in
1057
00:42:36,359 --> 00:42:37,740
reference to Robert Plant's accident
1058
00:42:37,740 --> 00:42:39,900
with him unable to walk for almost a
1059
00:42:39,900 --> 00:42:42,060
year sessions for presence challenge
1060
00:42:42,060 --> 00:42:43,920
past freedoms with its lyrics
1061
00:42:43,920 --> 00:42:45,720
referencing the Atlas Mountains in
1062
00:42:45,720 --> 00:42:47,760
Morocco and William breaks the dance of
1063
00:42:47,760 --> 00:42:49,800
Albion it is a compelling tale of
1064
00:42:49,800 --> 00:42:52,500
survival rage and uncertainty so let's
1065
00:42:52,500 --> 00:42:54,599
talk about the music Bonham's drums and
1066
00:42:54,599 --> 00:42:56,220
these sessions remain a mystery with
1067
00:42:56,220 --> 00:42:58,140
some claiming a Ludwig silver Sparkle
1068
00:42:58,140 --> 00:43:00,720
set was used for we do know for sure is
1069
00:43:00,720 --> 00:43:02,220
jumble Jones played his eighth string
1070
00:43:02,220 --> 00:43:04,140
Olympic base with a pick and inspired
1071
00:43:04,140 --> 00:43:07,380
both Hearts 1977 Barracuda and kisses
1072
00:43:07,380 --> 00:43:10,260
1979 hit I was made for loving you from
1073
00:43:10,260 --> 00:43:12,240
the Galloping beat to the harmonies it
1074
00:43:12,240 --> 00:43:14,160
reads Akira's Last Stand All Over Jimmy
1075
00:43:14,160 --> 00:43:16,140
had the entire guitar Army of tones in
1076
00:43:16,140 --> 00:43:17,940
here from let's pause to strats to
1077
00:43:17,940 --> 00:43:19,920
telecasters his color pattern is
1078
00:43:19,920 --> 00:43:21,420
exquisite and served as deciding
1079
00:43:21,420 --> 00:43:24,240
reference for the 1977 tour the intro
1080
00:43:24,240 --> 00:43:26,040
employs a modulation of both the minor
1081
00:43:26,040 --> 00:43:28,020
9th chord and F sharp answering each
1082
00:43:28,020 --> 00:43:30,060
other's arpeggio motifs this is the
1083
00:43:30,060 --> 00:43:31,680
first of three times in presence where
1084
00:43:31,680 --> 00:43:33,839
page used in modulation as a harmonic
1085
00:43:33,839 --> 00:43:35,819
resource to stir things up while they
1086
00:43:35,819 --> 00:43:37,440
say Jimmy was musically inspired by his
1087
00:43:37,440 --> 00:43:39,180
trip to Morocco and the cyclical Middle
1088
00:43:39,180 --> 00:43:41,160
Eastern themes the roots from Achilles
1089
00:43:41,160 --> 00:43:43,140
Last Stand were actually hidden in plain
1090
00:43:43,140 --> 00:43:45,240
sight on stage there's a reason this
1091
00:43:45,240 --> 00:43:46,500
strike sounds conceptually different
1092
00:43:46,500 --> 00:43:47,819
from the rest of the material and
1093
00:43:47,819 --> 00:43:49,920
presence all the riffs and sections here
1094
00:43:49,920 --> 00:43:51,599
seemed like a rearrangement and best
1095
00:43:51,599 --> 00:43:53,220
moments from their Dazed and Confused
1096
00:43:53,220 --> 00:43:56,880
gems of 1973 and 1975. you see Jimmy
1097
00:43:56,880 --> 00:43:59,220
Page never discarded ideas and this may
1098
00:43:59,220 --> 00:44:00,960
explain its level of complexity yet
1099
00:44:00,960 --> 00:44:03,060
familiar Trails where Jones and Bonham
1100
00:44:03,060 --> 00:44:04,980
knew exactly what to play while the
1101
00:44:04,980 --> 00:44:06,720
Dublin retired isn't confused from the
1102
00:44:06,720 --> 00:44:09,060
concert's past arrows Court it never
1103
00:44:09,060 --> 00:44:11,099
left it just transformed itself into
1104
00:44:11,099 --> 00:44:13,859
Achilles the 75 runs were long and a bit
1105
00:44:13,859 --> 00:44:15,480
self-indulgent with some versions
1106
00:44:15,480 --> 00:44:17,700
clocking in at 40 minutes while it was a
1107
00:44:17,700 --> 00:44:19,140
tour of the forest and centerpiece of
1108
00:44:19,140 --> 00:44:21,359
their live show it also suggested a new
1109
00:44:21,359 --> 00:44:23,280
song could come out from it Jimmy was
1110
00:44:23,280 --> 00:44:24,780
experimenting with new harmonies and
1111
00:44:24,780 --> 00:44:26,760
textures that shaped things to come this
1112
00:44:26,760 --> 00:44:27,900
can give us an idea of what the Los
1113
00:44:27,900 --> 00:44:29,400
Angeles rehearsals were like before
1114
00:44:29,400 --> 00:44:31,619
going to Munich the musical unit and
1115
00:44:31,619 --> 00:44:33,000
kitchen of this and Confused gave the
1116
00:44:33,000 --> 00:44:34,920
them every tool into working this new
1117
00:44:34,920 --> 00:44:36,660
monster piece let me do a Sonic
1118
00:44:36,660 --> 00:44:38,220
explanation so I can express myself
1119
00:44:38,220 --> 00:44:40,579
better
1120
00:44:42,359 --> 00:44:45,060
piece from presence
1121
00:44:45,060 --> 00:44:47,359
it's the wheelchair piece is called
1122
00:44:47,359 --> 00:44:51,140
Achilles Last Stand
1123
00:44:53,570 --> 00:45:18,550
[Music]
1124
00:45:26,740 --> 00:45:36,409
[Music]
1125
00:45:40,680 --> 00:45:41,900
foreign
1126
00:45:41,900 --> 00:45:54,960
[Music]
1127
00:45:57,760 --> 00:45:59,339
[Music]
1128
00:45:59,339 --> 00:46:02,260
foreign
1129
00:46:02,260 --> 00:46:05,929
[Music]
1130
00:46:09,560 --> 00:46:24,300
[Music]
1131
00:46:24,300 --> 00:46:27,240
[Applause]
1132
00:46:27,240 --> 00:46:28,730
foreign
1133
00:46:28,730 --> 00:46:54,699
[Music]
1134
00:47:01,460 --> 00:47:04,539
[Music]
1135
00:47:04,619 --> 00:47:06,599
half of Achilles LA stand is a clever
1136
00:47:06,599 --> 00:47:08,880
run of E minor and D major the other
1137
00:47:08,880 --> 00:47:10,920
half is a genius variation of just D
1138
00:47:10,920 --> 00:47:13,140
minor and C Major Seventh think about it
1139
00:47:13,140 --> 00:47:14,940
a 10 minute track based around two
1140
00:47:14,940 --> 00:47:17,040
progressions and yet it keeps the energy
1141
00:47:17,040 --> 00:47:18,960
up without losing a beat that's
1142
00:47:18,960 --> 00:47:21,119
chemistry if you ask me Jimmy's epic
1143
00:47:21,119 --> 00:47:22,859
guitar solo on the track is a mixture of
1144
00:47:22,859 --> 00:47:24,480
preview San Francisco and Woodstock
1145
00:47:24,480 --> 00:47:27,180
passages on days of infused the staccato
1146
00:47:27,180 --> 00:47:28,859
semi Bolero drum and bass part behind
1147
00:47:28,859 --> 00:47:30,960
the solos can be heard in a Zeppelin's
1148
00:47:30,960 --> 00:47:33,359
1973 versions of days of confused deep
1149
00:47:33,359 --> 00:47:35,700
purple's Child In Time from 1970 and
1150
00:47:35,700 --> 00:47:37,440
later an influence behind Metallica's
1151
00:47:37,440 --> 00:47:39,300
one live versions of the track feature
1152
00:47:39,300 --> 00:47:41,099
an insane drum field by John Bonham
1153
00:47:41,099 --> 00:47:42,720
right after page delivers one of his
1154
00:47:42,720 --> 00:47:44,640
signature licks the way they come back
1155
00:47:44,640 --> 00:47:46,020
into the groove is nothing short of
1156
00:47:46,020 --> 00:47:47,780
spectacular
1157
00:47:47,780 --> 00:47:54,710
[Music]
1158
00:48:03,100 --> 00:48:05,700
[Music]
1159
00:48:05,700 --> 00:48:08,119
oh
1160
00:48:12,730 --> 00:48:14,460
[Applause]
1161
00:48:14,460 --> 00:48:16,700
foreign
1162
00:48:18,770 --> 00:48:20,610
[Music]
1163
00:48:20,610 --> 00:48:20,890
[Applause]
1164
00:48:20,890 --> 00:48:23,949
[Music]
1165
00:48:40,150 --> 00:48:59,939
[Music]
1166
00:49:03,960 --> 00:49:05,700
the music
1167
00:49:05,700 --> 00:49:08,339
I was so fortunate to be around so many
1168
00:49:08,339 --> 00:49:11,280
amazingly gifted players and and if you
1169
00:49:11,280 --> 00:49:14,160
think about Led Zeppelin as being a trio
1170
00:49:14,160 --> 00:49:16,980
really we're the kind of
1171
00:49:16,980 --> 00:49:20,220
Wedding Singer stuck up the front
1172
00:49:20,220 --> 00:49:23,220
that's I always saw the reality of what
1173
00:49:23,220 --> 00:49:25,380
was going on in
1174
00:49:25,380 --> 00:49:28,980
my enthusiasm was a good contribution
1175
00:49:28,980 --> 00:49:32,760
but in truth those guys were amazing and
1176
00:49:32,760 --> 00:49:35,819
and I think Achilles Last Stand was
1177
00:49:35,819 --> 00:49:37,680
um one of those
1178
00:49:37,680 --> 00:49:40,500
it was an uncomfortable time
1179
00:49:40,500 --> 00:49:42,420
recording the album from which it
1180
00:49:42,420 --> 00:49:45,180
arrived which was presence it was a
1181
00:49:45,180 --> 00:49:48,119
disparate time I was in a wheelchair for
1182
00:49:48,119 --> 00:49:49,680
seven months or whatever it was at that
1183
00:49:49,680 --> 00:49:52,680
time but the music was continuing to be
1184
00:49:52,680 --> 00:49:55,140
developed and even though presence is
1185
00:49:55,140 --> 00:49:58,260
not always the most comfortable listen
1186
00:49:58,260 --> 00:50:00,660
in terms of I think I'll just settle
1187
00:50:00,660 --> 00:50:02,040
down with my girlfriend with a glass of
1188
00:50:02,040 --> 00:50:04,500
wine and listen to her presence but the
1189
00:50:04,500 --> 00:50:06,900
interplay and the melding of the
1190
00:50:06,900 --> 00:50:08,760
musicality of those three guys on that
1191
00:50:08,760 --> 00:50:11,760
track is insane yeah absolutely incense
1192
00:50:11,760 --> 00:50:15,960
magnificent and uh so magnificent I had
1193
00:50:15,960 --> 00:50:18,260
a lady friend who I was playing
1194
00:50:18,260 --> 00:50:23,760
it came on in the house loud and she
1195
00:50:23,760 --> 00:50:25,560
said I don't want to be left in a room
1196
00:50:25,560 --> 00:50:27,420
with this on my own we're the mighty
1197
00:50:27,420 --> 00:50:28,980
arms of Atlas hold the heavens from the
1198
00:50:28,980 --> 00:50:31,020
earth is just like um it's not a yes
1199
00:50:31,020 --> 00:50:33,060
song
1200
00:50:33,060 --> 00:50:35,099
it's not something from Tales of
1201
00:50:35,099 --> 00:50:37,560
topographical oceans but it was just I
1202
00:50:37,560 --> 00:50:39,660
was so desperate to get away from that
1203
00:50:39,660 --> 00:50:42,000
being trapped in that environment hop
1204
00:50:42,000 --> 00:50:43,859
off the bed into the wheelchair and have
1205
00:50:43,859 --> 00:50:45,420
somebody pushed me around and I was
1206
00:50:45,420 --> 00:50:48,980
saying let's get out of here
1207
00:50:52,370 --> 00:50:57,540
[Music]
1208
00:50:57,540 --> 00:50:59,599
oh85764
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