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Zulu
so during one of my YouTube music live
streams a dear subscriber by the name of
platinum black brought to my attention
Nico's third studio album Desert Shore
and the song afraid as he saw a
similarity to the zepplins in the light
I played it on YouTube during the live
chat and to my surprise it sounds quite
similar
[Music]
but it doesn't stop there track one
janitor of lunacy has a drwn type intro
that I can also identify as an influence
for in the
[Music]
light now is there a niik and a zeppelin
connection there sure is Jimmy Paige
played guitar and produced her first
single 1964 is I'm not saying written by
Canada's own Gordon Lightfoot there's
also JN Paul Jones playing with Roy
Harper at HDE Park
1974 where Nico performed that very same
day music is one big universe of
inspiration it seems welcome to the
making of Physical Graffiti series
finale episode
[Music]
4
[Music]
[Music]
oh
[Music]
w
[Music]
as we saw on episode 3 mixing and
package design sessions for Physical
Graffiti were done by November 1974 a
tentative release date was set for
November 29th but this carded in favor
of the New Year momentum just around the
corner and some printing delays of
course in the meantime swans song
records kept themselves busy with the
release of the pretty thing silk torpedo
which had a tough year on Billboard's
200 chart for 1975 peing at 104 in early
April B company was in the mixing stage
of their followup straight shooter
recorded back in September 1974 at
clearwell Castle with engineer Ron Evon
on board and hypnosis designer the
artwork it was a gold record waiting to
hit the stores in early April
1975 swansong issued a press release on
November 13th announcing the dein's 1975
return to North America with references
to the band's 1973 Tampa Stadium record
and Physical Graffiti quote expected to
ship gold with orders over a million
dollars it was a shot of adrenaline for
concert goers in the United States and
Canada a list of 16 dates in the east
coast and Montreal's Forum was announced
with just three concerts later
rescheduled the press release also
stated like two of shows to begin in
early March all 16,500 tickets for the
band show in Detroit were sold out in 4
hours hot new albums filled record store
shelves in November 1974 thin Lizzy's
nightlife was produced by graffiti and B
company's engineer Ron neon Queen
released sheer heart attack while theep
purple was all about stormbringer and
losing Richie Blackmore in 1975 former
the purple bandm made Roger Glover had a
brilliant debut album that scored big on
the charts with hit single Love is All
Genesis ambitious double vinyl filled
with New York Vibes was almost prophetic
to Physical Graffiti never mind
recording this Monumental piece at
Headley range soon after Lin's visit The
Lamb Lies Down On Broadway was the last
album with frontman Peter Gabriel I
think Riel went to St Mark's building 96
but didn't tell anyone we should ask Mr
Gabriel about this yes El a progressive
rock genius with their relayer
Masterpiece and Baker gervitz Army's
debut album had Ginger Baker leading the
way to Hard Rock Excellence with jle
Jones's friend mateline Bell on vocals
the Zeppelin's tour rehearsals began in
the west London area of elen on November
26th 1974 Jimmy's done Electro guitar
was back after 1970 for In My Time of
Dying while cashmere was played on his
last Paul preparations for their
upcoming tour were made from a very
different play than before for the first
time in their careers they were no
longer the underdog but top dog with
card blanch the world at their feet a
Bohemian rap city indeed UC see 1975 was
the only North American tour in their
12year existence with nothing to prove
1969 and 1970 were the Traveling baners
1971 saw them venturing into the
ambitious sounds of the fourth album
they battled through 1972 in the shadow
of the music papers coverage of the
Rolling Stones 1973 was a championship
moment in every sense from Peak
improvisation to a stute marketing
reminding everyone how they were bigger
than the Beatles 1977 was the comeback
after Robert's accident and their
feature film momentum 1975 had a double
album but what was the angle for the
media what was the struggle they
couldn't tell the Press Jonesy almost
quit the band in late 1973 nor talk
about Robert's vocal surgery Let's help
in swansong businessmen now with Bad
Company bringing in a big pile of riches
Zeppelin was at the most dangerous point
for a band a place of crazy idolization
and fame that exacerbates bad habits if
any and leads humans into the lottery
pitfalls of ego according to Peter
Grant's book bringing on home this was
the first tour where hard substances
were no longer discretionary but as
important as the PA system and
instruments now I'm not interested in
naming names but there are hundreds of
leged stories of heroin gaining an
unfortunate momentum as a new cocaine in
the rock and roll business road is
included let zin's 10th North American
return Amplified the Larger than Life
status of their 1973 personas with Peter
Grant keeping a very tight grip control
of the operation morphing into a music
Corporation there was to be a bigger
everything lighting lasers special
effects a neon logo a drum Riser and of
course personalities with
[Music]
[Music]
hard to make it work not really this was
played on a single 12 string on the
first leg of the 1977 tour with Jonesy
getting his custom triple ax in May no
other number from graffiti was taken on
the road while songs like the Rover and
houses of the Holy could have been Smash
Hits on stage Robert plan was learning
how to use his post 1973 vocals and
couldn't handle the outtake material
plain and simple for the first time in
their careers 60% of the new album would
not be performed to the public
which adds up to the idea that graffiti
should have been a single vinyl release
the 1975 tour is often the place of
heated arguments and polarizing debates
among the Zeppelin fans and music
critics I will go through the many
issues and challenges from this tour but
first I want to start off with the set
list this is a comparison of the average
set list for the North American tours of
1972 73 and 75 as you can see there was
a nice change of seasons after houses of
the Holy was released yet the 19 1975 T
barely changed the structure leaving the
same opening number with just four new
songs replacing old tracks this created
a sameness in the concert experience
that didn't affect ticket sales of
course but signaled into a troubl
turning point for the expectations upon
them this analysis is necessary so we
can understand the context in which the
Physical Graffiti compositions were
premiered and ironically how more songs
from the new album could have made this
tour so much better the improvisation
element of No Quarter Moby Dick and
deson Confused was there but their past
magic was not knowing where these songs
would go by 1975 they knew where they
should take them and what the audience
expectations were for a muscle they
hadn't trained for a year and 5 months
it certainly hurt certain bandmates
except jle Jones who had one of his best
concert years ever since the POS Le
zeppler narrative on 1975 has been to
promote it as their live show Apex we
the fans the scholars the ones who have
listened to a thousand hours of bootlegs
we know it is filled with many magical
moments but it's not their best so what
makes it different and worth revisiting
well the Physical Graffiti numbers of
[Music]
course coming on down to midnight and
the 19 75 4 3 2 1 and happy New
[Applause]
[Applause]
[Music]
Year lose come
[Music]
on this is wlir
92.7 and that was Leed Zeppelin you said
yeah sounded almost right but not quite
right well that was an alternate take of
the won song tickets for Madison Square
Garden 1 for s on January 4th all three
nights were sold out by Sunday afternoon
naso Coliseum tickets had a similar
scenario with a sold out status on the
very same day that were available that
being Monday January 6th things were not
civilized at Boston where all tickets
were sold out on January 5th but an
angry mob of 2,000 concert goers
thrashed the Boston Gardens concession
stands Arena and Celtics locker rooms
this resulted in mayor Kevin White
refusing to issue a license for zel
concert thus the February 4th date was
cancelled and rescheduled for naso
Coliseum a January 7th press release by
Swans song expressed the label's
disappointment with the incident the
band never came back to Boston after
this all tickets for leg one of the 1975
tour were sold out by January 8th now
let's take a look at the tour dates lein
follow their 1972 Playbook and play two
warm-up shows in Netherlands and Belgium
this time switching Amsterdam's outter
eyes for Ram's aoy Holland they repeated
the same venue in Brussels though at the
Forest National where they had performed
on May 28th 1972 the band's North
American date saw them revisit 10 out of
29 venues from their 1973 tour and as
you think these were amongst the fastest
selling tickets what about the rest you
ask okay here's some facts for you this
tour definitely open new grounds for
business and because Mega famous
Zeppelin never Tour the State so early
in the year con promoters had to deal
with Sports Seasons and other variables
opening night at the Met Center in
Bloomington Minnesota was quite the
throwback as the band played here on
April 12th 1970 both Richfield Coliseum
and Market Square Arena open its stores
for concerts in 1974 making the
Zeppelin's visit a crowning moment and
adding their names as a part of the rock
and roll circuit greensbor Coliseum
picked up concerts steam since the
early' 70s with 1974 having Elton John
yes and theep purple Pittsburgh Civic
Arena was a second time for Zeppelin
after March 30th 1970 they also returned
to an also Coliseum The Forum in
Montreal and Philadelphia Spectrum all
these venues they played back in June
1972 Landover Capital Center had eight
shows in December 1973 and 57 in 1974
with big names like Emerson L Palmer
having the dein 1975 was long overdue
second leg of shows included Baton Rouge
Su Assembly Center which started off
slow in 1972 but by 1974 had the king
himself Elvis Presley play two nights
here lein returned to Long Beach arena
for two shows since June 27th 1972 this
V was absent from their 1973 dates in
California making it a nice addition
next to San Diego Sports Arena and their
legendary three nights of the Forum why
no keer Stadium 1975 you ask well Bill
Graham already had this act Festival
booked for March 23rd and because
concerts West was the sole promoting
company working with Zeppelin working
with any other promoter was out of the
picture despite the grandiosity of the
1975 tour there's a strange Logistics
choice on several dates which I'm sure
was a nightmare for Ries and drivers
involved all three nights at Madison
Square Garden were spliced in between
other shows so thanks to my dear patrons
who fund my crazy research I checked the
MBA schedule for the the next 1974 1975
season for answers so they played at
home game on February 4th against the
Lakers forcing Zeppelin to cover NSO
Coliseum and Montreal's Forum before
coming back on February 7th the Knicks
then played at February 8th home game
against the Celtics while Zeppelin
played Philadelphia's spectrum that
night going back to noo col CM at the
n9th was impossible as the New York Nets
played a home game against Virginia
Squires past their captain Capital
Center show on the 10th the Zeppelin
played their third and best show of the
Garden on February 12th then they were
back at NSO Coliseum for two dates March
had another weird schedule with two Long
Beach arena shows in the middle of the
San Diego Sports Arena series and last
but not least there was the same
scenario with Seattle Center Coliseum
with two Pacific Coliseum shows in
between I checked the Seattle
SuperSonics games and they played a home
game on March 19th against Milwaukee The
1975 tour had both Chicago stadium and
La Forum at three shows per venue just
one more than 1973 where Zeppelin played
two nights each now let's talk about the
stage configuration they replaced the
1973 mirrors for a big fabric laminate
that created different color backdrops
thanks to a more ambitious lighting
system light bulbs were also placed on
the edge of the stage for a marquee
effect shoko added huge monitors next to
bonso which can be seen on different
photographs in order to assist his new
musical Heights on the drum Riser
elevating botom above his bandm mates
was a gamble to the previous Jam
chemistry created around all four
musicians close to each other playing
long pieces like cashmere or In My Time
of Dying required a different kind of
concentration that challenged any
previous knowledge while the stage area
itself was not bigger the new design
made it seem more organized than the
sometimes overcrowded space of
1973 this space was ideal for filming
too bad they didn't capture any
professional recorded footage on this
tour the band's image definitely lived
up to the hype and expectations they
look like Superstars outfit wise all
members wore different clothes
throughout the tour and let's remember
Jimmy's iconic Dragon suit was not
premiered until Earl's Court in May one
of the most famous clothing styles
though was Robert Plant's Cherry blouse
warn on 26 of 37 dates from the North
American tour Ford announces a No
Nonsense $250 off the sticker price on
not just any new car but America's
bestselling newcomer Ford Granada in a
limited edition you can order now
specially equipped with new exterior
trim a new bench seat and vinyl door
trim also $250 off Unlimited Edition
granatas with options like stopping
traction so like I said before jle Jones
Remain the most consistent musician
throughout the tour let's talk about the
other three musicians in Zeppelin Robert
plan was still learning to use his
postsurgery voice when he faced a nasty
case of influenza at the beginning of
such a hype tour this was a painful
reminder of the UK tour of 1973 he was
sick again now cancelling dates was not
an option and it further submit his
vocals through much stress moving closer
to permanent damage how nobody suggested
a vocal coach to protect robt its
money-making vocals beats me it's not
like they didn't have the money for it
he may have told the press back then
this was their best tour ever but he
couldn't walk away from his high-range
diminish and returns and warm-up time
taking several songs in the set he may
have looked apart but his vocals were
suffering something happened to Jimmy
pige along the way that there are many
theories on his personal lifestyle
choices affecting his chops but the
musical evidence shows a change in
dexterity and phrasing he was not a
lesser Rhythm player by any means and
the stage moves remain the same but his
lead guitar flow moved away from the DAR
devil approach of previous years into
cerebral soloing as a songwriting tool
within a composition Jimmy injured his
left hand ring finger in January after
getting crushed on a closing train door
in London the timing was horrible of
course just two days before leaving for
North America forcing him to a
resourceful three-finger technique for
several weeks and yes that's what she
said now there's the issue of his guitar
tone a never-ending Topic in countless
guitar forms both audience and
soundboard recordings from the tour
reveal his once beefy Distortion going
for a cleaner approach that worked in
favor of physical Graffiti's Rhythm work
not so much for the old freestyle jams
that he hadn't played since July
1973 okay now on to John Bonham who like
John Jones was a part of the always
reliable Ry Rhythm Section that couldn't
do no wrong bonso didn't lose ability
but was not as flashy on this tour
choosing a more restrained approach on
fills and overall intensity yes the
graffiti numbers were long and he had to
manage his energy well but like Paige
there are theories on his alleged
personal lifestyle choices with a
popular 70s problem painkillers don't
get me wrong the first year of Bottom's
drum Riser era rocks hard is just a bit
far away from his past All or Nothing
approach now because I will do a single
concer perspective from this tour at
some point in the future I will stick to
the Physical Graffiti material only for
this episode let's check out some
shows we have been very busy for 18
months but we do not play very much this
is the second concert in nearly 2 years
for let so it
is this is tonight we going to do new
dance from the new LP Physical Graffiti
which comes out soon
[Music]
[Applause]
[Music]
[Music]
[Music]
hey
[Applause]
my
[Applause]
star
[Music]
[Applause]
[Applause]
[Music]
[Music]
heart
[Music]
[Applause]
thank
you jumo Jes was once again a very good
Orchestra
c l than Orchestra
2 this is another new track from
Physical
Graffiti this is another song of
lust little habit I picked up after
meing F car
and one of
my this is called the one
[Music]
to
[Music]
another new
[Music]
one this is a track called
trembled under the
[Music]
[Music]
[Applause]
[Music]
foot
[Music]
[Music]
[Applause]
all I
want you to do
take my
[Music]
body to make it my d and d and die
[Applause]
[Music]
[Applause]
[Music]
my from my
sh
fire I'm
Afra I'm real Ro
[Music]
[Music]
to
[Music]
this is
[Music]
[Music]
the
[Music]
[Applause]
[Music]
[Music]
time give
you
[Music]
n
[Music]
[Music]
[Applause]
[Music]
this is another new one
it's called it's actually it's a matter
topic that we're not really very
familiar
with that of
females and uh so we go a long way to go
before we really refine this line of
Melody if you like to call it that this
is called the won
[Music]
song
[Music]
hold it
on
[Music]
[Music]
[Applause]
[Music]
I
days just
[Music]
go
[Music]
the way
[Music]
[Music]
go
second leg of the North American tour
was announced via press release on
January 22nd 1975 one concert that
stands out here is a March 8th datee at
West Palm Beach International Raceway
organized as Florida Rock the event was
cancelled on February 28th after concert
promoters failed to provide the
necessary conditions for a rock show not
being able to play in Florida was sad
news for swan song records plans were
made to try to get a last minute venue
down there but shut down as it was too
late and the band's schedule was already
set the Victorious booring 720 Starship
from July 1973 was hired by d purple in
early 1974 followed by Alton John later
that year thus the red and blue paint
Scheme change by the time zelin hired
the aircraft for a full-time job they
decided to leave the paint job as is a
place to relax before arriving at
electricity charge venues it was a
moment to space out and enjoy their
success with their main headquarters
being the New York Plaza Hotel flying to
a show and coming back further isolated
them from the world 1975 had a jelin
busy beyond the stage with Atlantic
Records hosting a party at New York's
pen Club in close proximity to The Plaza
Hotel as we can tell from the room
information the operation ran smooth but
closely guarded from visitors the band's
relationship with the critics more
specifically Rawling Stone moved in a
positive direction for one
thanks to upcoming rock journalist
Cameron Crow whose job was to work with
bands that hated the magazine getting
close to Robert plan and Jimmy Page was
an incredible feat a photo shoot for the
March 13th issue took place by technical
issues with a camera made it unusable
thus the final cover we see here was
chosen Cream Magazine Lisa Robinson
contributed her own share of stories for
a February issue and other Publications
followed as well past rushes Fly by
Night acdc's high voltage
and John Lennon's rock and roll Physical
Graffiti was released on February 24th
1975 in between their St Louis and
Houston shows providing a short vacation
time the Zeppelin six record became the
second best-selling album of 1975 just
one spot above Aeros Smith's Toys in the
Attic but one step behind Pink Floyd's
Wisher we hear taking first place
graffiti peaked at number one on the
billboard 200 charts in March staying
there for a new band record of 6 weeks
March 22nd through April 26th beating
all their previous entries all the North
American tour dates paid off people were
talking about the double album Madness
now despite its heavy promotion historic
numbers for graffiti rank at number six
in total album sales some 3 million
units behind houses of the
Holy Physical Graffiti remained a high
point on the band's catalog for decades
to come and inspired other album covers
as well a sought item of double vinyl
single cassette eight track and double
CD case its influence on music
production was immense from 80s Glam and
heavy metal bands trying to emulate the
Rover to ' 90s grunge following 10 years
gone and future Indie projects going for
the artisanal big room drum sound it
became a Sonic pilgrimage for fans
around the world the album also defined
page and plan signature Styles whenever
they approach Hard Rock in their solo
careers everything sounded like an
extension of graffiti I recommend you
check my POS Le zman 1990 series for a
lot of Physical Graffiti moments
Revisited by both legendary frontman and
jum Paul Jones in 1999 past its many
releases in CD format including box sets
and remaster campaigns we the fans got a
deluxe edition in 2015 with the addition
of a third CD worth of material the
bonus or companion disc featured seven
cuts of powerful rough mixes like brandy
and Coke In My Time of Dying and houses
of the Holy without post- production
Reverb nor guitar overdubs revealing an
even stronger Rhythm Section that puts
in perspective just how insanely
talented these guys were we also got a
short but Exquisite early version of
sick again an alternate version of
everybody makes it through with Jones on
keyboards next to page and botom a 1971
flashback Sunset sound mix of Boogie
with stew Stripped Away from
post-production stuff thus revealing a
strong percussive feel driving through
cashmir got some criticism from many
fans who complained they couldn't tell
the difference from the original while
they are very similar to each other the
orchestra is a bit higher in the mix and
some panning elements are slightly
different thus creating what Paige
himself described as a 3d effect from
all the reissues I must say the 2015
version was a major upgrade from the
'90s adding much Clarity and vigor my
personal favorite though is a 1987 Barry
Diamond mastering release because it's
the one I find to have the best sounding
drums so has making this documentary
changed my overall perspective of
Physical Graffiti somewhat but I still
don't like the studio version of
nightflight but absolutely love the 1998
page and plan version in London because
Robert cannot do the high vocals Jimmy
shreds at the beginning and the drum
sound feels closer to the massive sound
of graffiti if only night flight was
recorded by the 1974 version of the band
now that would have been a killer
version of this song so by the time Le
delin was to play their last three shows
of their 1975 tour in March a swansong
press release stated graffiti was the
number one album in the world plus all
their previous records coming back to
the charts with their highest position
at 83 with L up in one swans song hosted
a party in Los Angeles for one of their
groups on March 26th the pretty things
had played six shows in the United
States sharing the bill with different
bands like the stobs kiss and Bruce
Springstein swans song had another
musical weapon reserved for March 28th
with the release of back company's
straight shooter managing to sell a
historic 3 million copies and put
themselves in the 15 bestselling records
of 1975 llin state in Los Angeles after
the tour was over a Midnight Special
interview by JJ Jackson was recorded in
March 30th 1975 with a pretty things own
Phil May in attendance the official
broadcast was delayed until November
with walf man Jack himself sharing a
quick retrospective on the band The
delman went back to England and followed
separate ways into personal agendas
before bringing their North American
Stage Dimensions into one of London's
biggest venues thank you my dear patrons
and B supporters for your generosity in
funding my research and video production
facility I hope you enjoyed the Physical
Graffiti story and be sure to check my
three-part elcor series for the rest of
the 1975 story see you there
[Music]
[Applause]
bye-bye oh matter I
[Music]
thinking
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