All language subtitles for LED ZEPPELIN 1975 – The Making of Physical Graffiti (Episode 1)

before I begin this series I just want

to be clear that the research process

and production standards were handled

with the same dedication and attention

to detail as my previous videos by no

means did my personal opinions on the

album make me cut corners or put Less

hours into this Physical Graffiti is a

double album so double the effort it was

I thank you beforehand now on to the

show and that was the last good record I

made Physical Graffiti really so

everything in between has been okay

that's a sweet B statement but it's what

I believe so like with all the other

Latter Day L Zeppelin albums I've talked

about on my channel I will go to latter

days as the starting point for this

story the year was 2002 past the first

four albums this compilation was an

extension to safely dive into the second

half of their career I was at my

childhood friend's house when I played

the album on his CD player first two

songs had me on the edge of my seat with

its progressive rock Vibes next was

houses of the h

and I had no idea there was a zeppelin

album by the same name Robert's vocals

sounded playful with a very catch you

pop song disguise as rock and roll I try

to guess the time period for this one by

going over the booklet my guess was

somewhere between 1972 and

1973 this track reminded me of the theme

song for that 70 show I pictured myself

dancing with Donna to its guitar crunch

PM Blitz trample Under Foot was next and

I enjoyed its Mighty funk power Robert's

vocal sounded different but the

instrumental behind it was infectious I

checked the booklet again and thought

this had to be

1975 cashmir was next and as I mentioned

on my worst performing video on this

channel I looked at my friend like dude

this is a song from Godzilla check out

that episode for more details on this

historic moment I absolutely loved

cashmir uh-huh yeah 10 years gone had

some of the inspiration from the third

album next to to the raw guitar sound

and room style drum punch of the

previous two numbers I really like the

opening Vibes and solo but I felt it was

a bit repetitive towards the end without

the excitement of trample Under Foot nor

the progressive style of cashmere I

eventually got my copy of houses only to

realize houses of the Holy was not in

there now remember molan Pedro from a

1995 episode well because Physical

Graffiti was a double album it was

always an expensive CD at all three

music stores there living on a rock and

roll budget was hard I had to prioritize

other record Acquisitions before

spending my money on a gluta act like a

double album the day came when I finally

got the courage and parental unit cash

to purchase my first ever double album

Physical Graffiti I got home and

couldn't understand how the 2 CD Jewel

box worked ashamed of myself I went back

to the record store where the salesman

looked at me like kids these days and

gave me a 10-second tutorial on how to

do it back back home again I looked at

the 15 track list with caution I was

afraid of playing it out of insane

expectations on the material and its

ridiculous retail price at the time year

after year I became quite selective with

graffiti and probably over played 10

years gone past many girlfriend breakups

in early 20s friend zone heartbreaks I

slowly realized my absolute favorite

Tunes were cut down to eight numbers

technically an album worth of material

leaving seven tracks out of both

cassette mixtapes and CDR comp ations

whenever I took graffiti on the road it

was always a struggle to switch between

CD number one and number two revisiting

my favorites rarely did I listen to the

whole thing in one sitting never mind

NightLight then this YouTube channel

happened and I worked on in through the

outdoor houses of the Holy and presence

knowing graffiti was looking at me from

a distance then I released my errol's

court 1975 series in December 2023 and I

thought okay I'm ready let's do this so

here here I am with enough knowledge and

understanding on the pre-imposed

graffiti events to finally delve into a

double album that holds a very

complicated backstory hidden in The

Shining exterior walls of success and it

wasn't complicated because of accidents

or tragedies but passive tension

building up in a new found place for the

band finally taking the time to enjoy

their fortune and riches from 5 years of

very hard work a physical manifestation

occurred from the early scars of

agulation to the prestigious traps of

high roller excess why is this record

love so much is it cashmir why seven

outakes Coda had a maybe it's a

storytelling piece of the travels and

hassle inside the thrill-seeking music

business maybe it's a cabin fever scream

for help of Continental higher desires

and Drake Hotel Mysteries if houses of

the Hol expansion presence premonition

maybe graffiti is a regression of the

real 10 years gone since 1965 when the

world was young and the bandmates paths

converged in a single song or maybe it's

just the 70s rock and roll instruction

manual where everyone can find a

soundtrack number through their impulses

let's go inside the swans song offices

inside the Zeppelin building an album I

have five copies of this is a making of

Physical

[Music]

Graffiti

[Music]

w

[Music]

[Music]

oh

[Music]

oh

[Music]

baby

baby I want to thank

you thank

[Music]

you the double album Story begins on

Monday July 30th 1973 with the morning

after charting Billboard's Hot 100 by

the end of the week the ban wish there

was a morning after holding through the

night looking for the money that was

stolen from the safe deposit box at the

Drake Hotel on Sunday they partied hard

that night at the caral hotel near

Central Park it was the last show of a

very successful tour and they received

Gold Records for houses of the Holy that

evening yeah that's Jimmy Page wearing

the moon and stars suit next to Benny

Hanah restaurant founder Roki at the

Drake Hotel before leaving with jle

Jones and Peter Grant to join Robert and

bonso already at the party no hangovers

could stop by zelin Press Conference

held at the hotel telling the world

about the safe deposit incident in the

bandmaid star rooms lyrics for the

morning after teased them Tire rock

stars we had a chance to find the

sunshine let's keep on looking for the

Light newspaper headlines talked about

the airplane disaster at Boston killing

83 passengers and the Watergate scandal

heating up in the Senate the music

business in July saw Queen Barry man

love and 10 CC's debut albums short hair

Carlos Santana dressed in white Genesis

first live album zzy tops hard Blues

rocking grooves Funkadelic Sensational

Cosmic stop Grand funks were an American

band becoming their second best-selling

studio record and the swets Blockbuster

making its us debut on the charts all

four Le zeppin members were interviewed

about the robbery by NYPD detectives on

July 31st they all said they didn't have

any knowledge on how their touring money

was handled besides selling out all 34

American dates Robert PL probably told

the policeman that he was still a golden

god Bonzo laughed out loud and sang the

chorus for the Beatles Golden Slumbers

Jones laughed in silence James Patrick

paage was still recovering from not

sleeping for 5 days the morning after

was back on the radio the lyrics were

prophetic for the band we're moving

closer to the shore I know we'll be

there by tomorrow and we'll escape the

darkness we won't be searching anymore

the band left the United States on

August 1st back home to britania the

English motherland as a plane took off

from New York Roberto flax killing me

softly with his song came on the

speakers of the airport memories of

their ninth visit to America were now

part of a rock and roll dream that

couldn't do no wrong stories for

generations to come and the question

remained how could they top themselves

where would they go from here Robert

plan headed out to Morocco for a long

overdue vacation and soon to be a zeppin

tradition August 197 73 continued The

Fabulous list of album releases with

inner Visions featuring Stevie wander

playing all instruments for his hit

single Higher Ground Marvin Gay's career

defining let's get it on Leonard

Skinner's multi-layer guitar debut

influenced a million bands later

perfecting the game of their electric

forefathers with free bird becoming a

70s Anthem it was clear the rock and

roll game had strong newcomers the

Rolling Stones released her heavily

underrated 13th studio album in America

Gold Head soup lives in the shadow of

their previous double vinyl set to this

day hit single Angie gave them a nice

Financial return for their efforts just

in time for their European tour NBC News

aired a special report on August 31st

shot back in July on the Starship in

route to the zeppin shows at Madison

Square Garden sources stayed paig and

bonam were dancing here to the sound of

I do like to be beside the

seaside

a Mickey most produced hit by the name

of Brother Louie top to charts written

by hot chocolate and covered by American

band stories that same year its sound

seems to have influence L Zeppelin more

on this later on last but not least

American Graffiti scored $115 million at

the box office making it the third most

successful movie of 1973 its retro Rock

and doob soundtrack outsold yes songs

quad phenia and Sabbath Bloody Sabbath

it certainly left a lasting impression

on the word graffiti in Show Business

Atlantic Records released a strange

singles combo of Jamaica and the crunch

on September 17th 1973 in order to get

these regga and Funk numbers to compete

in a very diverse musical landscape that

year Robert plan attended the Melody

Maker award ceremony on September 29th

winning for best male singer on the

international section of the poll with

which also had lelin at number five for

best group John bonam at number three

for drummers jle Jones at number five

for Bas players Jimmy Page on number

five for guitarists houses of the ho at

the bottom of the list for albums beaten

by very good competitors including birds

of fire and Santana's karanai Jimmy got

the third spot for best producer and

composer with Robert Plant brightest

hope award went to Beck Boger in a piece

talk about wishful thinking right best

live act went to Alice Cooper with Le

Zeppelin at number four a ranger award

had Roy wood Jimmy paig and Frank Zappa

tied in at number five let's take a look

at the other categories for 1973 on the

UK side of things you had David Bowie as

best male singer the zeppin a number

five for best group and number seven for

best album beating made in Japan it was

quite obvious why only Robert PL showed

up for this ceremony quite a miracle he

did

really good evening the Middle East War

produced develop velopments all over the

world today the oil producing countries

of the Arab world decided to use their

oil as a political weapon they will

reduce oil production by 5% a month

until the Israelis withdraw from

occupied territories every day

refineries in the United States rely on

26 million gallons of crude oil from the

Middle East to keep operating at full

capacity that is only 5 or 6% of our

daily fuel needs but if in the months to

come the Arabs cut it off gradually as

they threaten by next summer the

shortage will be far more serious than

it was this past summer

means before we go into Le dein's

recording process at the time I want to

discuss the musical setting of late 1972

all through 1973 from my production

standpoint thanks to my dear patrons who

fund my research I managed to find 50

references that could have worked as

inspiration for Physical Graffiti color

p bid I promise to share them later on

this documentary because these guys

didn't have portable playlists outside

of cassette mixtapes and buying a lot of

Records on and off the road the

circumstantial Factor cannot be ignored

as it plays a subconscious part in

developing new compositions 1972 brought

a strong Funk influence and

orchestration courtesy of The

Temptations Papa Was a Rolling Stone

courtis Mayfield's Superfly Stevie

wander Superstition with its signature

Clavin it sounds and The OJ's love train

with a leading wa wa guitar this style

of music opened the doors for a

mainstream Funk appreciation in 1973 now

from a Sonic design perspective check

out the dubie brothers evil woman from

March 1973's the captain and me the big

room sounding drums signaled into the

Zeppelin's

future

[Music]

sessions for Physical Graffiti began in

October 1973 in a familiar setting for

the band the fourth album shelter a

musical hiding place from the world

Headley Grange British rock band help

yourself lived there ever since zelen's

departure in 1971 working on their

beware the Shadow and strange ofair

albums certainly a place for rock and

roll inspiration Jimmy pige wanted to

keep the strategy from their last two

albums and make use of the countryside

as instrument the recording protocol

remained the same except Ronnie Lane's

Mobile unit coming in to capture the new

songs acquired by the faceone Ronnie

Lane the LMS or Lane mobile Studio was

built by engineer Ron neon whose name

will come up later in the Zeppelin story

The LMS was previously booked June

through July 1973 for the who's

Quadrophenia I know what you're thinking

Was a Rolling Stones mobile truck

available well it was booked for the

purples November remember 1973 sessions

for burn so we could say it wasn't

available legin's first session took

place on October 17th with a loose Jam

of 50s covers to remove the rust from

their vacations this recording is

rumored to exist next they went into

working out their own ideas let's take a

look at all eight songs brought to the

table jumel Jones had two keyboard Tunes

trample oner foot and in the light going

for new sounds and vibrations Jimmy Pig

was the predominant songwriter with six

are dominated tracks built around chords

as the natural progression from his work

in houses of the Holy while these songs

have Rifts within they were used as a

secondary tool next to the protagonist

Rhythm patterns there's a conceptual

sameness in these new tracks for example

the open acord for custard pie can be

found in the middle section for cashmere

while the chromatic descending riff of

the wanton song can be found in custard

pie speed-wise there is an overall Style

going for mid-tempo drum grooves with

the wanton song somewhat fast Physical

Graffiti is mostly a page and botom

sonic wall of open cords and Long Middle

Tempo grooves picking up right where

When the Levy Breaks left it was also

the result of being tired from concert

Prime performance levels of touring both

Europe and the states that year Jimmy's

viritual hulit guitar was the

culmination of a 5-year process the new

album had him looking for new trails the

unlocking a signature musical style for

the rest of his recording career open

cord Crunch and expressionistic soloing

graffiti is rhythm guitar in Paradise an

ambitious approach in tune with Liz

elin's business changing course as well

their record Leal with Atlantic was to

expire that same month the band was

inspired by The Beatles and apple

records they wanted to have their own

lable

[Music]

[Music]

[Music]

you

[Music]

[Music]

oh

[Music]

[Music]

exhausted from touring and Ed Zeppelin

getting in the way of his precious

Family Life jle Jones talked to Peter

Grant about his growing sentiments

towards quitting the band in favor of

new challenges

contrary to what many fans believe and

what even Robert plan himself has said

about recording graffiti without Jones

this is not entirely true it was a

complicated moment that only the best

rock and roll manager could handle and

certainly speaks of the band's changing

politics it wasn't bonum nor Paige nor

plan who tug Jonesy out of quitting the

Zeppelin but Peter Grant and just for

the record Jones saying he wanted to

take a job as an organist at London's

Westminster Abbey was a joke in response

to somebody asking him about his

thoughts on Zeppelin at the time Peter

Graham was of course terrified at the

idea of Jonesy leaving the group and

suggested he take the rest of the year

off to work in his projects and spend

time with his family the way Peter

played this with everybody else was to

say Jones was a bit tired and needed

some time to rest now I've read online

forums discussed the what if scenario of

Jones quitting for good and I don't

really understand fans who even suggest

the possibility of someone replacing

Jonesy yes there were many musici Ians

at the time who would have loved to take

this job but plain and simple jle Jones

was Irreplaceable as the secret weapon

who made things work on stage plus

adding his unique and let me underline

this unique musicianship in the studio

you need further proof of this go watch

my POS delin 1990 series for the pag and

plan Endeavors including walking into

Clarkdale these on Jones projects would

have been so much better with him on

board the Jones Factor managed to Lu in

with Bonzo possess harmonic telepathy

with Jimmy and deal with Robert's tongue

and cheek communication Styles it was

not an easy job to be the glue that hold

the pieces together in the greatest band

of the 70s now if Jones would have left

graffiti for good that man taking the

serious Funk of trample Under Foot and

the Ethereal travels of in the light

with him oh sorry I also forgot the

orchestral score for cashmir In My Time

of Dying Sur Bas work custard Pi's clav

ined Groove the wanton songs backbone my

point is let Zeppelin Remain the sum of

all parts and their

multi-instrumentalist silent partner was

up there with British Rock royalty next

to Chris guire John Ed whistle and Paul

McCartney now can we blame John PA

Jones's desire to leave zeppin by

October 1973 not really they achieved

success in every corner of the rock and

roll game five hot selling records 4177

shows across North America Europe Japan

and Australia the the world at their

feet with a stupendous collection of

songs Forever cementing their legacy in

popular music looking at the zeppelins

post 1973 stats all the way to 1980 we

have three Studio albums that became

harder to make each time 105 concerts

with set lists featuring less than 40%

of their Latter-Day material excess

taking a dangerous toll on the mental

and physical health and personal tragedy

striking twice yes the money was coming

in and there were milliona

but to a musician's musician like jle

Jones who remained the most consistent

zelman member on stage artistic growth

was a key motivator so what did jump

Jones do in his time away from Physical

Graffiti let me tell you he was busy but

no he did not record a self-titled album

you can get on Amazon for 35 bucks check

out the comment section for this one

it's hilarious jle Jones teamed up for a

second time with American soul singer

meline Bell Jones co-wrote two songs

from 1968's doing things and was back as

producer for her third album coming at

you this 10 track album of jazz funk and

soul excursions features Jones on

keyboards bass electric guitar backing

vocals and Engineering duties coming

outro included John Pier ring isou who

played guitar for Johnny Holiday from

1969 to 1977 drumming duties were shared

between Barry the zoza and Tony Newman

Barry was a well-known session player

with credits such as 1972 song Fall by

Philip goodhan Tate and future James

Bond work for

1977's the spy who loved me Tony Newman

played on Donovan's barab jel where he

met backing vocalist meline Bell his

resume at the time included laying his

drumming skills on Jeff Beck's beola

Jackie LX is this what you want

Driftwood and may Blitz his debut albums

Eddie Harden's home is where you find it

John baldre is good to be alive Alan

clar's headro and yes that album cover

was designed by hypnosis Roger Cook's

minst in Flight yep another hypnosis

cover and 1973's three-man army with the

great Paul gervitz Tony Newman would

also go on to record David boe's Diamond

Dogs as well as Bowie's first live album

he also worked on David coverdale's

fantastic solo album North winds and

white snake's first EP by the name of

snake bite okay back to mine Bell's

record the lineup was completed with Jim

Lawless on percussion and several

backing vocal credits including Jones's

wife Moren Orchestra conductor duties

were performed by David Katz the album

was recorded at two locations London's

Morgan Studios where a couple of songs

from the dein 2 were done and jle

Jones's home studio AKA door Mouse in

Sussex so is coming at your worth a

listen you're damn right it is mine's

voice is captivating and you can also

hear Jones's prominent base work on on

the mix as well as his other fine

instrumental contributions mine Bell and

Jonesy will team up again some 11 years

later for the scream for help

sessions aside from writing those other

two songs we wrote about 10 others

didn't we didn't we 100 seems like 100

okay we're going to try and get through

this number John's leading off the band

so taking away

jpj

[Music]

living fre that's my

calling feel real no time

stalling I'm coming at

you tipping right up on

you there's no telling what I might

do that I'm B

sometime and I do likeing with all my

mind now Jonesy worked on a second

project somewhere in November 1973 Jo

br's glamrock Masterpiece creatures of

the street released in January 1974 this

is one bizarre and exciting record of

History onic performances who's J brith

you ask that was a stage name for

American musician and actor Bruce Wayne

Campbell born in Pennsylvania he was a

child prodigy on piano in Oregon

studying The Works of prv as well as

writing his own classical inspired

compositions past high school he

embarked in the world of musical theater

Landing the part of Neil wolf Donovan in

the 1968 lineup of the controversial

Rock musical hair he was eventually

fired for upstaging the rest of the cast

Jo brith recorded a debut album by the

name of pigeon released through DEA in

1969 he then relocated to California Jo

Bryan lived a trouble life hustling to

survive he was discovered by manager

Jerry Bran who got him a half a million

2 record deal with elector records in

many ways before Freddy Mercury's

overthe toop attitude there was Joe brth

who also rival David Bowie in the Quest

for best glamrock artist his debut album

was heavily promoted gaining both good

and bad press his followup featured

musical contributions by Peter Frampton

and jle Jones with Eddie Kramer himself

as producer now it's hard to determine

Jones's exact contributions here as

there are other bass players on the

album like American J fun basist Gordon

Edwards whose long and impressive list

of credits include John Lennon's Mind

Games R Legend Bernard perie also plays

on the album Joe Bry Salsbury died of

AIDS complications in

1983 back at Headley range the page

planet bonom Camp was left to work as a

trio based on physical Graffiti's deluxe

edition bonus material such as an early

version of sick again dated October 25th

it seems initial recording sessions were

held without Jones to lay down the basic

tracks for several songs we can only

imagine what was going through their

minds knowing a new album was being made

without guarantees on their

instrumentalist coming back this

explains the rhythm guitar dominance of

graffiti it was really carved out as an

instrumental duel Pig and

[Music]

[Music]

bonum

[Music]

[Music]

sick again was the second track worked

out in October with a guitar riff

inspired by 50s rockabilly the Rolling

Stones and 1973 music offerings such as

Fairport conventions nights on the road

and T-Rex is the

[Music]

Groover s again opens up with Jimmy's

aggressive chords going into an a major

and a minor variation the main Rift

features an interesting time signature a

54 with botoms ride and high hard work

work a descending E minor scale and a

three- powered core response traces of

these E minor notes can be found on

Jimmy's viol B solo from

[Music]

1973 next there's a corus section in a

major followed by a descending Baseline

of b a a flat and F sharp over a guitar

aredo in B major if this sounds familiar

it's because it is Paige used a similar

idea on 19 69s what is and what should

never

be Jimmy's bl's Inspire solo is backed

up by a captivating Sly guitar that

creates a sense of urgency with Jones

and Bonham's Stellar Rhythm work

rivaling the spotlight this is one of my

favorite moments on the album the song's

guitar cut off ending is similar to

entitled When the Levy Breaks Robert

plants lyrics are a cinematic

description of the lives and aspirations

of La groupies he saw in the band most

recent tour of America while Leed

Zeppelin's friendship with them is well

known in the rock and roll books what

Robert talks about here is a shift in

the nature of such partnership going

from the love of music into blindfolded

agulation the best explanation for this

can be found on the movie Almost Famous

when Penny n explains to William Miller

that they are not groupies but Band-Aids

who want to contribute to their creative

process and take good care of the

musicians sag was performed on The 1975

and 197 7 tours plus a last return in

1979 at one show in Copenhagen and both

Networth

States one of Le dein's signature songs

and most Innovative tracks from their

catalog much has been discussed on what

inspired Jimmy Page to write this

hypnotic guitar part and after much

thought I believe it came from one of

the top 10 movies for 1973 live and the

Die Why cashmir sh shares a similar

chromatic Motif to the James Bond theme

that is quite noticeable if you play

them back to

back there's also the movie's theme song

by Paul McCartney and Wings kashmir's

descending Court progression on the

first part has some influence of Liv and

L D's orchestral

[Music]

hits

[Music]

now there are other songs I deem

relevant in cashmir production choices

check them

[Music]

out another small source of inspir

Iration can be traced back to the 1973

versions of ton confused where Jimmy

would play around a dominant key of D

with subsequent

[Music]

variations Jimmy Revisited Black

Mountain Side in white Summer's d a Gad

guitar tuning for cashmir which is a

three against four po rhythm with the

drums following a 4x4 time signature the

song was mostly worked between Pig and

bonam in 1973 with all other elements

Orchestra included added in 1974 the

middle section for the song is a

somewhat a major Blues call and response

situation that later moves into a G

minor to a major plus a augmented

portion this last bit is reminiscent of

Spanish flamco progressions as well as

Arabian works and scales in the final

ascending

[Music]

part

cashmir was a great example of world

music Robert plan really outdid himself

in the lyrics Department with a personal

recollection of his travels in Morocco

now he was intimidated at first by the

music but later found inspiration in

singing against the beat in an almost

progressive rock way like yes

geographically speaking Kashmir is very

far away from Morocco sitting in the

middle of India and Pakistan as well as

China and India a location with a long

history of extreme Violence by all

parties involved trying to claim its

rights Lin's timing for writing this

song was interesting as a peace

agreement for the cashmir conflict was

signed on July 2nd 1972 putting a

temporary Solution on a NeverEnding war

that was resumed in the '90s to this day

although he wasn't credited as a

songwriter jle Jones played a key role

besides his base Parts in arranging the

mon m al 3D score for cashmir which was

recorded with actual strings a brass

section and jle Jones a Metatron all

mixed together the orchestra was

performed by session musicians the

question remains if they knew who the

session was for because they are not

created it most likely they

[Music]

didn't

[Music]

sh

[Music]

[Applause]

[Music]

cashmir was played on every L zein show

from 1975 until 1980 featuring a John

Bonham Showcase of drum fields in the

last part of the song it was also

performed at both reunion shows in 1988

and 2007 you can check my POS Le zel

1990 series for both a deep dive on page

and pl working out their Egyptian

arrangement for cashmir and the

controversial Puff Daddy version for

Godzilla looking to make use of precious

studio time with the zeppin schedule on

hold Peter Grant sent back company to

Headley range for them to record their

debut in November 1973 signed to the

Zeppelin's still Untitled label they

were discovered by Zeppelin's Roy leader

Clive Coulson who made the connection

with Peter Grant former free band mates

Paul Rogers and Simon Kirk exm hoop Mick

Ralphs on guitar and ex King Crimson BOS

Burl on Bas recorded a tracks with sound

engineer Ron neon in other news Robert

plann got nodul surgery on his vocal

chords which brings the question on how

the new Physical Graffiti numbers

sounded back in October when he still

had this voice this medical procedure

was kept away from the Press at the time

Robert couldn't speak for 3 weeks and

his vocal sound changed Forever by the

time the dein reconvened in early 1974

Robert PL sounded horse and raspy his

old voice was

gone one of Jimmy's finest guitar

achievements the main Rhythm tracks were

recorded in November Jones's bass

overdubs and Robert's vocals were added

in 1974 following the lessons of houses

of the Holy Jimmy P worked out this song

in advance at his home studio in order

to come up with the arrangements and

layers needed to convey an emotion of

nostalgia regression and acceptance with

Robert's lyrics about a past girlfriend

who had him choose between their

relationship and rock and roll C 1964 it

is one of Zeppelin's last songs to feed

from an acoustic Source the composition

features a drop de guitar tuning with

open chord mov movement in a major

Bonham's drumming goes for a cashmir

inspired Tempo throughout the piece and

similar FS to another graffiti number in

the light the way John Bonham comes in

with the main groove on the 2.5 pulse of

the 4x4 bar is classic bonso Jimmy's

guitar solo is backed up by D major 7th

G and E minor which elevates his elegant

phrasing the Hard Rock section has a

powerful Crunch and resolution with a

big open de chord hand hence the drop d

tuning coming in handy several Major

Seventh chords create a sort of

instrumental Bridge back to the main

Motif where Paige added his army of

guitars emulating a brass

[Music]

[Applause]

[Music]

section

[Music]

10 years G and was premiered on the

zel's 1977 tour with jle Jones using a

triple neck guitar it was always lacking

the extra layer of tasty baselines that

were just impossible to do on stage 10

years gone made two final appearances

with John Bonham in 1979 at Copenhagen

and neth the song was played once on

pigan pl's 1996 show in Osaka it was

later Revisited by Jimmy pige on his

brief partnership with the black crow

captur in the life of the Greek album

1973 ended with Denny's coffee of

Scorpio Fame and his 1971 version of

quote whole lot of love coming back to

the charts okay guys the story stops

here but please stay tuned for episode 2

as we go into 1974

bye-bye

[Applause]