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[Music]
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[Applause]
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[Music]
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thank you
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[Music]
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foreign
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[Music]
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foreign
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[Applause]
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foreign
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[Music]
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information on these songs we can only
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speculate on the exact dates that were
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recorded Jamaica's title comes from a
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British plane words based on an old joke
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my wife's gone to the West Indies
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Jamaica no she went on her own accord
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the song is a 50s do with construction
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disguised as a record track it has a
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court structure of 1645 that was common
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in do-up this could be transposed to
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different tones with the same backbone
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both Elton John's 1972 hit Crocodile
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Rock and Frank Zappa's Bobby Brown from
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1979 used the 50s progression through
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great effect that Zeppelin played this
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chord sequence on their 1971 live
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version of Benny King Stand By Me
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foreign
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[Music]
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[Music]
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has openly admitted his distaste for the
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track calling it Dreadful with the whole
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point of Reggae being that the drums and
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bass have strict rules on what they have
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to play but I'm not being a fan of this
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musical genre didn't help with the final
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product
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[Music]
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jumper John's quote Bonzo didn't hate
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Jazz but he hated playing reggae he
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thought it was really boring he wouldn't
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play anything but the same Shuffle beat
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all the way through it Jones believes
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that they've worked on it a bit more the
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end result might have been better
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Bonham's massive drum sound was achieved
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with three microphones at a distance the
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song was never performed live with only
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lyric Snippets by plan appearing at
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random on Jam sections for other numbers
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reggae music was in the air and it
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inspired Paul McCartney's living to die
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recorded in October 1972 a fascinating
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example of how rock and roll artists are
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inspired by similar ideas to No Surprise
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out of his love for 50s music Robert
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Plant was very fond of the track he
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managed to get the band to release it as
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a single in 1973 is a sort of Proto
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honey drippers
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[Music]
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the Rover emerged from a demo written
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back in 1970 during page and plan's
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Cottage sessions
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[Music]
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it was recorded with Jimmy using a
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phaser effect and bottom playing a
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heavy-handed Groove with multiple hi-hat
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accents like over the hills and far away
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page played a guitar solo in the scale
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of F sharp in the middle section with a
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tasteful selection of notes although the
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song was never premiered in the stage in
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front of an audience it was rehearsed in
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full on July 6 1973 during a sound check
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at Chicago Stadium the Rover's intro was
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played on the 1977 tour before going
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sick again as a two-song series a
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similar songwriting style and BackBeat
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[Music]
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[Music]
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[Applause]
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[Music]
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American classic rock band hard played
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their own rendition in 1975.
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[Music]
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foreign
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Dream Theater performed melee Dublin
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medley for the 1995 change of season CP
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the track feature portions of the Rover
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akita's Last Stand and the sun Remains
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the Same Greta Van fleet's Highway tune
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seems to be heavily inspired by Led
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Zeppelin's riff
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the song had Jimmy and Robert recording
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outdoors with all of its problems like
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an airplane sound recording engineer
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Eddie Kramer can be heard asking Jimmy
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if they leave it on the final take
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Robert tells him that's fine they begin
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like Dancing Days Jimmy's guitar uses an
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open G tuning photographs suggests they
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recorded the acoustic and vocal Parts
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first with Jones and Bonham adding their
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parts later on the lyrics describe a man
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disappointed at his partner's temper and
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actions one of the verses seems
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prophetic as Robert Plant divorced
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Maureen Wilson in 1983. eight years
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later he dated Maureen's sister Shirley
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with whom he had a child Jesse Lee plan
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born in 1991 black country woman was
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played live once in 1972 it was revived
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on their 1977 US tour featuring John
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Paul Jones on up type Bass the song was
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performed in 2008 by Robert Plant and
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Alison Krauss for the racing sand tour
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Jim page for The Song Remains the Same
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as an introduction for the Rain Song
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following a composition structure found
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in classical music Paige has been
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outspoken about his admiration of yes
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and the parallels are evident from
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Rhythm tracks to Jimmy soloing which is
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reminiscent of Steve Howe's pool off
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technique
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[Music]
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jungle Jones economy of notes makes up
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for a vicious attack on the base that
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complements Paige with the perfect
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Counterpoint The Song Remains the Same
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as also the chance for Jimmy to rework
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her 1967 yard Bridge number
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[Music]
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thank you
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[Music]
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[Music]
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much has been said about George Harrison
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motivating Paige to write the Rain song
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after telling Bonham Led Zeppelin didn't
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do any ballads Jimmy's not to The
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Beatles Something on the rain song's
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intro is the first of three Beetle
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references on the album one of the
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instrumental breaks of The Song Remains
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the Same has a second tribute to
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something and here comes the sun's
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downward Cascade riff
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[Music]
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thank you
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[Music]
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now here's where things get strange
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George Harrison seems to have used the
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previously mentioned 1967 Yardbird song
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as inspiration for Here Comes the Sun
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Well Jimmy's guitar layers got a chance
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to shine on the fourth album it was a
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Song Remains the Same a platform that
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Amplified his guitar Army of
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architecture and vision with little to
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no Distortion Paige created a wall of
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sound attack with a fender powered Trio
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of a Stratocaster telecaster and Fender
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Zone 12-string model a massive creative
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spark empowered Jimmy to write this epic
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to in the Blends eastern and western
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musical styles to great effect the
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composition is attributed to Blues
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rockabilly Indian Raga Japanese
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traditional music finger picking country
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Jazz and hard rock and a single
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statement that resonates to this day
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Robert Plant was so impressed by the
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power of this instrumental that he
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decided to write lyrics for it because
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his voice was filtering from performance
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extremes and health problems a special
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technique was employed to try to boost
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it back to the high range of 71. you see
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the band recorded instrumental track in
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D Major it was then lowered via various
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speed done to see Robert Sand the lyrics
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with this reference and then the take
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was sped up back to D making his vocals
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sound higher but artificial to some
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extent the question remains why the band
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decided to do this when Robert himself
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managed to sing this live without
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harmonizers nor down tuning the song his
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live Renditions were consistent on the
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172 times it was performed in the 70s
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which makes a studio version vocally
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pale in comparison the final product on
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the album sounds like a parody of Robert
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Plant's original intention the premise
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of his lyrics revolve around the idea of
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rock and roll as a single unifying chant
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for the world and concert goers while
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his wording may not be profound the
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energy conveys a sense of
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multi-dimensional perception through the
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power of music in the immediate forever
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from the California sunlight of
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Zeppelin's first tours to their travels
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to India and sweet color rain the song
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is a celebration of moments and
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photographs of success the Honolulu
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starbrite reference speaks of Zeppelin's
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three shows in this Hawaiian City from
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1969 to 1971. live versions of the song
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had Jimmy Page using a double neck sound
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for rhythm and fast-picking solo
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segments this particular EDS 1275 color
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padded was used to predict standby at
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other 70s Legend mahavishnu orchestra's
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own John McLaughlin and his extreme Jazz
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fusionally passages like Jimmy but
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glockne started using the instrument in
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1971 and became an important part of a
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signature sound John mcducken taught
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chords and Harmony to Jimmy Page back in
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1960. he also played with John Paul
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Jones in the r b band Herbie Goins circa
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1966 The Song Remains the Same frenetic
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Journey was led by Bonham's fast temper
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Groove that evolved into a live drumming
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Showcase with the use of timpani drums
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on the song's famous transition going to
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the first verse many Zeppelin fans
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considered 1973 to be the best life year
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for the song right behind 1977 and
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Bottom's wild and aggressive take on the
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drums
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[Music]
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foreign
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[Music]
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[Music]
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a similar beat to the sun Remains the
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Same in a hard-hitting number Walter's
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walk was recorded at Star grooves traces
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of the rift can be heard on live
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versions of days and Confused from 1972.
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the song was finally released in 1982.
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you can find more information about this
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track on the making of Coda featuring my
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pose up in 1981 to 1999 series
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as the band plays the last hit an accent
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on The Song Remains the Same FD chord we
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get one of the best transition if not
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the smoothest welcome to track number 2
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from the whole Zeppelin catalog a
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Monumental statement of tension and
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release as Jimmy strings from track 1
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still resonate The Rain Song reveals a
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world of Wonders and textures of the
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alternate tuning of dgc gcd writing a
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song on standard tuning is hard enough
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the alternate tuning just makes it worse
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in terms of core shapes making their
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guitars go through a lot of trial and
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error situations to come up with a
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cohesive narrative so Jimmy writing a
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song like this with alternate tuning is
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an achievement on its own for all the
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critics who point fingers at Led
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Zeppelin's early years of Blues and spy
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riffs the rain songs musical passages
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saw the band reaching new heights of
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taste and quintessential and shade the
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combination of their acoustic
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Explorations resulted in this Timeless
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classic which Bears the question how did
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Jimmy Page come up with the song the
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composition was developed at his home in
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Plumpton having a console handy gave
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Paige the ability to construct the song
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away from the hassle of touring
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airplanes and hotel room sketches the
280
00:14:17,459 --> 00:14:18,959
Vista model was extracted from the
281
00:14:18,959 --> 00:14:21,120
famous pile mobile Studio which had been
282
00:14:21,120 --> 00:14:23,040
used to record Led Zeppelin's 1970 Royal
283
00:14:23,040 --> 00:14:24,660
Albert Hall performance and the Who's
284
00:14:24,660 --> 00:14:26,820
Live at Leeds album John Barnum left his
285
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drumsticks aside and played with brushes
286
00:14:28,560 --> 00:14:30,180
through the whole track his beat is
287
00:14:30,180 --> 00:14:32,459
deceptively simple yet subtle he
288
00:14:32,459 --> 00:14:34,320
complements the song and never overplays
289
00:14:34,320 --> 00:14:36,180
the drums
290
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[Music]
291
00:14:47,880 --> 00:14:49,730
foreign
292
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[Music]
293
00:15:19,100 --> 00:15:21,360
lyrics and vocals remain one of his
294
00:15:21,360 --> 00:15:23,160
finest moments in the Dublin John Paul
295
00:15:23,160 --> 00:15:25,620
Jones played bass grand piano and EMS
296
00:15:25,620 --> 00:15:28,560
vcs3 synthesizer and an MK2 melotron
297
00:15:28,560 --> 00:15:30,600
Jones's use of balotron feeds from
298
00:15:30,600 --> 00:15:31,980
progressive rock directly with King
299
00:15:31,980 --> 00:15:33,480
Crimson in Focus featuring the
300
00:15:33,480 --> 00:15:35,760
instrument under 71 releases as the sort
301
00:15:35,760 --> 00:15:37,800
of Astral synchronicity yes use the
302
00:15:37,800 --> 00:15:39,060
instrument for the close to the edge
303
00:15:39,060 --> 00:15:40,740
sessions that took place from February
304
00:15:40,740 --> 00:15:43,440
to June of 1972. Genesis would soon join
305
00:15:43,440 --> 00:15:45,420
the melaton club with wetter of Disguise
306
00:15:45,420 --> 00:15:47,459
from their foxtrot album recorded August
307
00:15:47,459 --> 00:15:49,860
through September of 1972 while a great
308
00:15:49,860 --> 00:15:51,779
tool in the studio the melotron had an
309
00:15:51,779 --> 00:15:53,579
unreliable tape mechanism that could be
310
00:15:53,579 --> 00:15:55,380
a nightmare and tour leading to tapes
311
00:15:55,380 --> 00:15:57,240
getting jammed the Metatron consisted in
312
00:15:57,240 --> 00:15:58,800
a series of tape loops with string
313
00:15:58,800 --> 00:16:00,120
sounds that would play accordingly
314
00:16:00,120 --> 00:16:01,680
because the loops were less than 5
315
00:16:01,680 --> 00:16:03,779
Seconds long Jones was a volume pedal
316
00:16:03,779 --> 00:16:05,459
before and after playing his parts to
317
00:16:05,459 --> 00:16:07,199
make them more realistic his orchestral
318
00:16:07,199 --> 00:16:09,060
vision and Arrangement deserved him
319
00:16:09,060 --> 00:16:10,440
being on the writing credits for the
320
00:16:10,440 --> 00:16:12,240
song beyond the page and plan note front
321
00:16:12,240 --> 00:16:13,980
on the record Jones played the Metatron
322
00:16:13,980 --> 00:16:15,260
on all
323
00:16:15,260 --> 00:16:17,940
1973-1975 versions before switching to a
324
00:16:17,940 --> 00:16:21,360
Yamaha gx1 in 1979 and a fairlight CMI
325
00:16:21,360 --> 00:16:23,639
series for 1980. Led Zeppelin performed
326
00:16:23,639 --> 00:16:26,579
this song A total of 141 times Jimmy's
327
00:16:26,579 --> 00:16:28,079
live take on the song had him playing
328
00:16:28,079 --> 00:16:29,820
The Song Remains the Same on the 12th
329
00:16:29,820 --> 00:16:31,440
string then switching down to the sixth
330
00:16:31,440 --> 00:16:33,360
string fretboard without returning low
331
00:16:33,360 --> 00:16:36,300
to high of edad taking the original
332
00:16:36,300 --> 00:16:38,880
studio version key of G up to a this
333
00:16:38,880 --> 00:16:40,500
allowed for a quick guitar setup from
334
00:16:40,500 --> 00:16:43,560
standard tuning EAD gpe with just a
335
00:16:43,560 --> 00:16:45,060
third and second string needed to be
336
00:16:45,060 --> 00:16:47,279
tweaked such guitar configuration make
337
00:16:47,279 --> 00:16:48,779
both The Song Remains the Same and the
338
00:16:48,779 --> 00:16:50,579
Rain Song sonically Inseparable until
339
00:16:50,579 --> 00:16:53,519
1979 and 1980 where the Rain song was
340
00:16:53,519 --> 00:16:55,320
played as a standalone number The Rain
341
00:16:55,320 --> 00:16:56,880
Song is one of the few Zeppelin tracks
342
00:16:56,880 --> 00:16:58,620
which both live and Studio versions are
343
00:16:58,620 --> 00:17:00,660
Exquisite Jimmy's guitar work at concert
344
00:17:00,660 --> 00:17:02,399
Arenas require a high degree of
345
00:17:02,399 --> 00:17:04,439
concentration that his session player
346
00:17:04,439 --> 00:17:06,780
days trained him well to do so the
347
00:17:06,780 --> 00:17:09,059
song's outro is what separates page from
348
00:17:09,059 --> 00:17:11,040
most guitar players at the time yes many
349
00:17:11,040 --> 00:17:12,780
could solo but very few created their
350
00:17:12,780 --> 00:17:14,459
own Universe the rain song's
351
00:17:14,459 --> 00:17:16,319
inventiveness exemplifies while the
352
00:17:16,319 --> 00:17:17,880
Zeppelin went beyond any Hard Rock
353
00:17:17,880 --> 00:17:20,160
definitions or heavy metal labels the
354
00:17:20,160 --> 00:17:22,260
1972 version of the band could do it all
355
00:17:22,260 --> 00:17:23,880
the track was a breakthrough to embark
356
00:17:23,880 --> 00:17:25,740
on more ambitious projects on future
357
00:17:25,740 --> 00:17:27,900
albums if Stairway to Heaven sums up the
358
00:17:27,900 --> 00:17:30,299
ban at its peak The Rain Song is the
359
00:17:30,299 --> 00:17:31,919
sound of forever Paige and plan
360
00:17:31,919 --> 00:17:33,660
Revisited the track for their 1994
361
00:17:33,660 --> 00:17:35,340
unplugged performance with Jimmy playing
362
00:17:35,340 --> 00:17:37,140
it on acoustic live for the first time
363
00:17:37,140 --> 00:17:39,960
the song was played 10 times under 1996
364
00:17:39,960 --> 00:17:41,880
tour Robert Plant returned to the song
365
00:17:41,880 --> 00:17:45,000
from 2015 to 2019 for a total of 44
366
00:17:45,000 --> 00:17:47,720
performances
367
00:17:50,539 --> 00:17:53,780
all because
368
00:17:54,310 --> 00:18:02,010
[Music]
369
00:18:02,010 --> 00:18:05,109
[Applause]
370
00:18:07,090 --> 00:18:15,239
[Music]
371
00:18:18,200 --> 00:18:20,580
let yourself
372
00:18:20,580 --> 00:18:22,760
hello
373
00:18:33,650 --> 00:18:36,480
[Music]
374
00:18:36,480 --> 00:18:39,480
foreign
375
00:18:40,870 --> 00:18:52,460
[Music]
376
00:18:55,130 --> 00:18:58,699
[Music]
377
00:19:01,320 --> 00:19:05,460
[Music]
378
00:19:05,460 --> 00:19:07,500
foreign
379
00:19:07,500 --> 00:19:16,940
[Music]
380
00:19:24,600 --> 00:19:28,380
[Applause]
381
00:19:29,020 --> 00:19:42,600
[Music]
382
00:19:42,600 --> 00:19:45,020
here
383
00:19:45,970 --> 00:19:49,140
[Music]
384
00:19:52,020 --> 00:19:55,100
thank you
385
00:19:55,890 --> 00:20:19,620
[Music]
386
00:20:19,620 --> 00:20:22,620
foreign
387
00:20:23,440 --> 00:20:46,779
[Music]
388
00:20:54,120 --> 00:20:57,320
[Applause]
389
00:20:57,740 --> 00:21:00,919
thank you
390
00:21:03,630 --> 00:21:08,229
[Music]
391
00:21:10,740 --> 00:21:13,910
[Music]
392
00:21:17,400 --> 00:21:20,100
some people describe it harshly as a
393
00:21:20,100 --> 00:21:22,380
zone of decay
394
00:21:22,380 --> 00:21:25,020
at any rate business has declined with
395
00:21:25,020 --> 00:21:26,820
much of the Commerce fleeing to the
396
00:21:26,820 --> 00:21:29,159
suburbs
397
00:21:29,159 --> 00:21:31,500
the old major hotels are said to be
398
00:21:31,500 --> 00:21:33,900
attracting fewer clients
399
00:21:33,900 --> 00:21:36,240
one department store cut back its
400
00:21:36,240 --> 00:21:38,580
downtown selling space another announced
401
00:21:38,580 --> 00:21:41,820
it will close its downtown branch
402
00:21:41,820 --> 00:21:44,460
First Run movie houses folded one after
403
00:21:44,460 --> 00:21:46,200
another
404
00:21:46,200 --> 00:21:49,940
and now there is none downtown
405
00:21:49,980 --> 00:21:52,559
however on the southern rim of the
406
00:21:52,559 --> 00:21:54,720
central business district a prosperous
407
00:21:54,720 --> 00:21:56,940
convention complex has been developed
408
00:21:56,940 --> 00:22:00,360
and there are plans to add to it
409
00:22:00,360 --> 00:22:03,299
it is a self-contained area for visitors
410
00:22:03,299 --> 00:22:06,120
with auditoriums stores restaurants and
411
00:22:06,120 --> 00:22:09,020
hotel accommodations
412
00:22:09,590 --> 00:22:12,690
[Applause]
413
00:22:15,120 --> 00:22:17,760
hello John Bonham hi-hat tambourine they
414
00:22:17,760 --> 00:22:19,380
kicked off the tour in Detroit on June
415
00:22:19,380 --> 00:22:21,240
6th well this was a concert run to
416
00:22:21,240 --> 00:22:23,340
promote a diploid 4. they performed an
417
00:22:23,340 --> 00:22:25,740
almost carbon copy of their 1971 setlist
418
00:22:25,740 --> 00:22:27,419
with the same three songs from their new
419
00:22:27,419 --> 00:22:29,340
album it's almost as if they overplayed
420
00:22:29,340 --> 00:22:30,840
rock and roll black dogs that would have
421
00:22:30,840 --> 00:22:32,700
happened so much in advance that by the
422
00:22:32,700 --> 00:22:34,740
time they came back in 72 they showed up
423
00:22:34,740 --> 00:22:36,000
empty-handed in the experience
424
00:22:36,000 --> 00:22:38,100
enhancement Department to make matters
425
00:22:38,100 --> 00:22:39,900
worse the three coincided with the
426
00:22:39,900 --> 00:22:41,940
Rolling Stones highly publicized 1972
427
00:22:41,940 --> 00:22:43,919
American tour the Entourage of
428
00:22:43,919 --> 00:22:45,480
celebrities and socialize around the
429
00:22:45,480 --> 00:22:47,460
stones overshadowed Zeppelin's visit
430
00:22:47,460 --> 00:22:49,679
Peter Grant and his boys took note more
431
00:22:49,679 --> 00:22:51,179
on this later while the tour was a
432
00:22:51,179 --> 00:22:53,220
financial success it seems to be lost in
433
00:22:53,220 --> 00:22:55,440
time between the excitement of 71 and
434
00:22:55,440 --> 00:22:57,419
their bigger than life status of 73.
435
00:22:57,419 --> 00:22:59,820
2003's held there was was one featured
436
00:22:59,820 --> 00:23:02,100
two shows from this tour June 25th and
437
00:23:02,100 --> 00:23:04,440
June 27th at The Forum in Long Beach
438
00:23:04,440 --> 00:23:06,299
arena it didn't do well commercially as
439
00:23:06,299 --> 00:23:08,280
the Zeppelin DVD released simultaneously
440
00:23:08,280 --> 00:23:10,260
was fierce competition and Confused
441
00:23:10,260 --> 00:23:12,299
record buyers thinking the three CD set
442
00:23:12,299 --> 00:23:14,100
was the soundtrack version of it its
443
00:23:14,100 --> 00:23:15,840
underwhelming response in terms of sales
444
00:23:15,840 --> 00:23:17,880
remains a mystery despite the band's
445
00:23:17,880 --> 00:23:19,530
tight performance
446
00:23:19,530 --> 00:23:33,979
[Music]
447
00:23:35,460 --> 00:23:37,919
it's got every possibility of being
448
00:23:37,919 --> 00:23:40,680
called burn that candle
449
00:23:40,680 --> 00:23:42,960
[Music]
450
00:23:42,960 --> 00:23:45,360
the 1972 concert series was the last
451
00:23:45,360 --> 00:23:46,940
time the acoustic set was played until
452
00:23:46,940 --> 00:23:49,500
1977. Jimmy Page's clothing walked
453
00:23:49,500 --> 00:23:51,179
towards his iconic looks premiering his
454
00:23:51,179 --> 00:23:52,679
Rose patterning black suit halfway
455
00:23:52,679 --> 00:23:54,179
through the Tour in Seattle the new
456
00:23:54,179 --> 00:23:56,159
jacket became his armor on stage and
457
00:23:56,159 --> 00:23:58,020
rockfying his guitar performer will set
458
00:23:58,020 --> 00:24:00,419
free previous onstage Jimmy was somewhat
459
00:24:00,419 --> 00:24:02,159
shy and seemed to hide between sweaters
460
00:24:02,159 --> 00:24:04,500
long hair his black beard and more
461
00:24:04,500 --> 00:24:06,600
sweaters Robert's thin sounding vocal
462
00:24:06,600 --> 00:24:08,640
tone was a red flag he was still hitting
463
00:24:08,640 --> 00:24:10,320
the high notes but with less mid-range
464
00:24:10,320 --> 00:24:12,480
Force having Immigrant Song Heartbreaker
465
00:24:12,480 --> 00:24:14,100
and black dog as openers throughout the
466
00:24:14,100 --> 00:24:15,780
tour didn't help his voice cracked at
467
00:24:15,780 --> 00:24:17,820
random and the low and high registers on
468
00:24:17,820 --> 00:24:19,799
the opposite end Paige Jones and Barnum
469
00:24:19,799 --> 00:24:21,480
Drew Tyler would length the instrumental
470
00:24:21,480 --> 00:24:23,460
passages opening the doors of their
471
00:24:23,460 --> 00:24:25,260
absolute Peak the band premiered three
472
00:24:25,260 --> 00:24:26,700
songs from their next album including
473
00:24:26,700 --> 00:24:28,260
the Grinch featuring the middle section
474
00:24:28,260 --> 00:24:30,480
of Jason refused plan did a good job on
475
00:24:30,480 --> 00:24:31,980
the new tracks but his previous vocal
476
00:24:31,980 --> 00:24:33,840
abilities would never come back it got
477
00:24:33,840 --> 00:24:35,880
worse as months went by with a proper
478
00:24:35,880 --> 00:24:37,620
vocal coach and this North American tour
479
00:24:37,620 --> 00:24:39,539
postponed Robert Wood had had a better
480
00:24:39,539 --> 00:24:41,460
chance of recovery before it was too
481
00:24:41,460 --> 00:24:43,320
late the reasons why this was over look
482
00:24:43,320 --> 00:24:45,360
suggests a short-sighted vision and the
483
00:24:45,360 --> 00:24:46,620
necessity to battle their way through
484
00:24:46,620 --> 00:24:48,539
the busy throwing Market that Japan was
485
00:24:48,539 --> 00:24:49,919
not the ban of No Quarter in the Rain
486
00:24:49,919 --> 00:24:51,659
song Waiting to Showcase her Newfound
487
00:24:51,659 --> 00:24:53,760
Treasures in the meantime They carried
488
00:24:53,760 --> 00:24:56,299
on with the show
489
00:25:10,660 --> 00:25:14,749
[Music]
490
00:25:16,510 --> 00:25:19,200
[Applause]
491
00:25:19,200 --> 00:25:21,000
Advanced up in New York to make some
492
00:25:21,000 --> 00:25:22,620
tracks from the upcoming album the
493
00:25:22,620 --> 00:25:24,179
bright sound of houses of the Holy may
494
00:25:24,179 --> 00:25:26,279
be linked to the Sonic president of 1971
495
00:25:26,279 --> 00:25:28,799
despite its success the dip in force
496
00:25:28,799 --> 00:25:30,480
suffered from a Sinister issue when
497
00:25:30,480 --> 00:25:32,039
Paige returned with the master tapes
498
00:25:32,039 --> 00:25:34,080
back to England the album was mixed at
499
00:25:34,080 --> 00:25:36,179
Sunset sound in Los Angeles Jimmy was
500
00:25:36,179 --> 00:25:37,500
pleased with the results but when he
501
00:25:37,500 --> 00:25:39,179
played it back to his bandmates it
502
00:25:39,179 --> 00:25:41,580
sounded muddy it was bad his bandmates
503
00:25:41,580 --> 00:25:44,100
were angry humidity hypotheses of train
504
00:25:44,100 --> 00:25:46,380
magnets affecting the tapes nobody had a
505
00:25:46,380 --> 00:25:48,059
clear answer so the entire album had to
506
00:25:48,059 --> 00:25:49,620
be remixed with only When the Levee
507
00:25:49,620 --> 00:25:51,419
Breaks Reviving The Sunset sound mixes
508
00:25:51,419 --> 00:25:53,640
this massive delay heard the process and
509
00:25:53,640 --> 00:25:55,200
the end result was good but not great
510
00:25:55,200 --> 00:25:57,120
from what Paige heard on the mixing
511
00:25:57,120 --> 00:25:59,159
board in Los Angeles engineering for
512
00:25:59,159 --> 00:26:00,900
houses of the Holy made sure nothing was
513
00:26:00,900 --> 00:26:03,299
muddy nor dark thus the Enterprise is
514
00:26:03,299 --> 00:26:05,880
bright very bright the EQ parameters
515
00:26:05,880 --> 00:26:07,440
weren't two opposite ends of the audio
516
00:26:07,440 --> 00:26:09,779
spectrum of four the drums were crisp
517
00:26:09,779 --> 00:26:11,100
and the high frequencies were given
518
00:26:11,100 --> 00:26:13,440
Center Stage sometimes at the expense of
519
00:26:13,440 --> 00:26:15,179
the low end which remains one of the
520
00:26:15,179 --> 00:26:16,620
main audiophile complaints from the
521
00:26:16,620 --> 00:26:18,900
record to no fault of their own the
522
00:26:18,900 --> 00:26:20,880
material overall was more ambitious and
523
00:26:20,880 --> 00:26:22,200
this was a learning curve for the band
524
00:26:22,200 --> 00:26:24,299
their light and shade benefited from a
525
00:26:24,299 --> 00:26:26,400
darker sounding palette houses was a
526
00:26:26,400 --> 00:26:30,380
leap of faith into a more polished sound
527
00:26:33,560 --> 00:26:37,240
[Music]
528
00:26:38,220 --> 00:26:39,490
foreign
529
00:26:39,490 --> 00:27:31,400
[Music]
530
00:27:31,400 --> 00:27:33,840
Led Zeppelin returned to Japan for the
531
00:27:33,840 --> 00:27:35,460
first unofficial tour of houses of the
532
00:27:35,460 --> 00:27:37,380
Holy it featured major adjustments to
533
00:27:37,380 --> 00:27:39,240
the reset list now taking the someone's
534
00:27:39,240 --> 00:27:40,980
scripted shape and form of yours to come
535
00:27:40,980 --> 00:27:42,840
these spontaneous shows and looks of the
536
00:27:42,840 --> 00:27:44,940
past evolve into the inevitable of Show
537
00:27:44,940 --> 00:27:46,919
Business control chaos to cater to
538
00:27:46,919 --> 00:27:49,679
expectations 1972 was another busy
539
00:27:49,679 --> 00:27:51,179
concert year in Japan with the first
540
00:27:51,179 --> 00:27:52,980
time visit of credence in February the
541
00:27:52,980 --> 00:27:54,720
return of Pink Floyd for six shows in
542
00:27:54,720 --> 00:27:57,659
March Chicago in June ELP supported by
543
00:27:57,659 --> 00:27:59,820
free in July and deep purple's legendary
544
00:27:59,820 --> 00:28:01,980
three shows in August Led Zeppelin shows
545
00:28:01,980 --> 00:28:03,480
began with rock and roll keeping Robert
546
00:28:03,480 --> 00:28:05,760
Plant's voice a chance to warm up Misty
547
00:28:05,760 --> 00:28:07,500
Mountain Hop was back since Spain 10
548
00:28:07,500 --> 00:28:10,559
1971 and became a regular concert staple
549
00:28:10,559 --> 00:28:13,620
played 81 times until July 1973. the
550
00:28:13,620 --> 00:28:15,120
song featured a new Arrangement at the
551
00:28:15,120 --> 00:28:16,440
end in which the band played a sudden
552
00:28:16,440 --> 00:28:18,059
stub to go into Since I've Been Loving
553
00:28:18,059 --> 00:28:19,679
You their upcoming fifth album was
554
00:28:19,679 --> 00:28:21,539
represented with five songs over the
555
00:28:21,539 --> 00:28:23,760
hills and far away Dancing Days the
556
00:28:23,760 --> 00:28:25,020
grunge in the middle of days and
557
00:28:25,020 --> 00:28:27,240
Confused the ocean played on October 3rd
558
00:28:27,240 --> 00:28:28,799
and best of all the first ever
559
00:28:28,799 --> 00:28:30,779
performances of both The Song Remains
560
00:28:30,779 --> 00:28:32,700
the Same and the Rain Song The Band
561
00:28:32,700 --> 00:28:34,380
Played these two on all Six States from
562
00:28:34,380 --> 00:28:36,720
the tour plan's voice showed signs of a
563
00:28:36,720 --> 00:28:38,700
more drastic decline his never-ending
564
00:28:38,700 --> 00:28:40,679
tobacco smoking habit further buried his
565
00:28:40,679 --> 00:28:42,539
chance of recovery despite the changes
566
00:28:42,539 --> 00:28:44,580
on the show's Dynamics Robert's vocals
567
00:28:44,580 --> 00:28:46,020
were not consistent when he tried to
568
00:28:46,020 --> 00:28:47,760
sing the high notes he managed to warm
569
00:28:47,760 --> 00:28:49,260
up towards the middle of the tour to
570
00:28:49,260 --> 00:28:50,580
their previous North American show
571
00:28:50,580 --> 00:28:52,620
levels but Immigrant Song is closing
572
00:28:52,620 --> 00:28:54,179
number didn't help him took it back on
573
00:28:54,179 --> 00:28:55,080
track
574
00:28:55,080 --> 00:28:57,280
foreign
575
00:28:57,280 --> 00:29:06,730
[Music]
576
00:29:06,730 --> 00:29:07,180
[Applause]
577
00:29:07,180 --> 00:29:10,559
[Music]
578
00:29:11,270 --> 00:29:14,440
[Applause]
579
00:29:26,110 --> 00:29:32,839
[Music]
580
00:29:34,320 --> 00:29:37,320
foreign
581
00:29:37,940 --> 00:29:41,049
[Music]
582
00:29:46,940 --> 00:29:55,880
[Music]
583
00:29:56,670 --> 00:29:59,799
[Applause]
584
00:30:02,770 --> 00:30:04,559
[Music]
585
00:30:04,559 --> 00:30:06,860
foreign
586
00:30:09,900 --> 00:30:31,259
[Music]
587
00:30:31,440 --> 00:30:34,580
[Applause]
588
00:30:34,580 --> 00:30:38,640
[Music]
589
00:30:46,420 --> 00:31:07,940
[Music]
590
00:31:15,240 --> 00:31:16,240
hello
591
00:31:16,240 --> 00:31:22,799
[Music]
592
00:31:28,620 --> 00:31:29,860
hello
593
00:31:29,860 --> 00:31:56,940
[Music]
594
00:31:59,640 --> 00:32:01,940
foreign
595
00:32:02,380 --> 00:32:16,800
[Music]
596
00:32:20,240 --> 00:32:33,400
[Music]
597
00:32:36,240 --> 00:32:38,539
foreign
598
00:32:48,500 --> 00:32:49,150
[Music]
599
00:32:49,150 --> 00:32:56,339
[Applause]
600
00:33:07,440 --> 00:33:10,630
[Music]
601
00:33:13,740 --> 00:33:19,349
[Music]
602
00:33:21,940 --> 00:33:26,190
[Music]
603
00:33:27,059 --> 00:33:28,350
foreign
604
00:33:28,350 --> 00:33:55,330
[Music]
605
00:33:55,330 --> 00:33:59,080
[Applause]
606
00:34:21,040 --> 00:34:28,919
[Applause]
607
00:34:53,139 --> 00:34:56,389
[Applause]
608
00:34:59,080 --> 00:35:00,300
[Applause]
609
00:35:00,300 --> 00:35:03,300
foreign
610
00:35:05,460 --> 00:35:06,930
wow
611
00:35:06,930 --> 00:35:30,220
[Music]
612
00:35:33,599 --> 00:35:35,370
foreign
613
00:35:35,370 --> 00:35:46,079
[Applause]
614
00:35:55,260 --> 00:35:58,389
[Music]
615
00:36:17,640 --> 00:36:20,060
foreign
616
00:36:26,030 --> 00:36:29,219
[Applause]
617
00:36:31,250 --> 00:36:39,360
[Applause]
618
00:36:45,530 --> 00:36:47,820
[Music]
619
00:36:47,820 --> 00:36:49,200
hi
620
00:36:49,200 --> 00:36:54,260
we still have yet to find a name for it
621
00:36:55,079 --> 00:36:57,780
you can call it the campaign
622
00:36:57,780 --> 00:36:58,590
yes yes
623
00:36:58,590 --> 00:37:04,560
[Music]
624
00:37:04,560 --> 00:37:08,820
[Applause]
625
00:37:10,010 --> 00:37:13,409
[Music]
626
00:37:13,890 --> 00:37:17,580
[Applause]
627
00:37:17,890 --> 00:37:20,949
[Music]
628
00:37:23,579 --> 00:37:24,850
foreign
629
00:37:24,850 --> 00:37:40,260
[Music]
630
00:37:40,260 --> 00:37:46,920
[Applause]
631
00:37:46,920 --> 00:37:53,860
[Music]
632
00:37:53,860 --> 00:38:00,010
[Applause]
633
00:38:00,170 --> 00:38:09,350
[Music]
634
00:38:09,350 --> 00:38:10,480
[Applause]
635
00:38:10,480 --> 00:38:14,940
[Music]
636
00:38:24,140 --> 00:38:27,520
isn't hard to believe
637
00:38:27,520 --> 00:38:33,039
[Music]
638
00:38:35,070 --> 00:38:38,160
[Music]
639
00:38:38,160 --> 00:38:39,540
foreign
640
00:38:39,540 --> 00:38:42,670
[Music]
641
00:38:48,880 --> 00:39:01,800
[Music]
642
00:39:01,800 --> 00:39:02,360
[Applause]
643
00:39:02,360 --> 00:39:03,190
[Music]
644
00:39:03,190 --> 00:39:07,199
[Applause]
645
00:39:10,510 --> 00:39:13,599
[Music]
646
00:39:16,180 --> 00:39:21,119
[Applause]
647
00:39:21,119 --> 00:39:25,800
and uh yeah yeah just the inside the
648
00:39:25,800 --> 00:39:28,400
general inside42618
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