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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:03,390 [Music] 2 00:00:03,390 --> 00:00:06,450 [Applause] 3 00:00:07,780 --> 00:00:19,750 [Music] 4 00:00:20,420 --> 00:00:23,420 thank you 5 00:00:24,270 --> 00:00:27,829 [Music] 6 00:00:39,059 --> 00:00:42,059 foreign 7 00:00:52,470 --> 00:01:03,240 [Music] 8 00:01:13,619 --> 00:01:15,950 foreign 9 00:01:15,950 --> 00:01:19,489 [Applause] 10 00:02:05,880 --> 00:02:07,980 foreign 11 00:02:07,980 --> 00:02:14,769 [Music] 12 00:02:15,620 --> 00:02:18,060 information on these songs we can only 13 00:02:18,060 --> 00:02:19,800 speculate on the exact dates that were 14 00:02:19,800 --> 00:02:21,959 recorded Jamaica's title comes from a 15 00:02:21,959 --> 00:02:23,700 British plane words based on an old joke 16 00:02:23,700 --> 00:02:25,680 my wife's gone to the West Indies 17 00:02:25,680 --> 00:02:28,200 Jamaica no she went on her own accord 18 00:02:28,200 --> 00:02:30,480 the song is a 50s do with construction 19 00:02:30,480 --> 00:02:33,120 disguised as a record track it has a 20 00:02:33,120 --> 00:02:35,580 court structure of 1645 that was common 21 00:02:35,580 --> 00:02:37,620 in do-up this could be transposed to 22 00:02:37,620 --> 00:02:39,300 different tones with the same backbone 23 00:02:39,300 --> 00:02:42,300 both Elton John's 1972 hit Crocodile 24 00:02:42,300 --> 00:02:44,519 Rock and Frank Zappa's Bobby Brown from 25 00:02:44,519 --> 00:02:47,040 1979 used the 50s progression through 26 00:02:47,040 --> 00:02:48,900 great effect that Zeppelin played this 27 00:02:48,900 --> 00:02:50,700 chord sequence on their 1971 live 28 00:02:50,700 --> 00:02:54,239 version of Benny King Stand By Me 29 00:02:54,239 --> 00:02:57,239 foreign 30 00:02:57,920 --> 00:03:01,040 [Music] 31 00:03:03,190 --> 00:03:07,169 [Music] 32 00:03:09,200 --> 00:03:12,000 has openly admitted his distaste for the 33 00:03:12,000 --> 00:03:13,920 track calling it Dreadful with the whole 34 00:03:13,920 --> 00:03:15,300 point of Reggae being that the drums and 35 00:03:15,300 --> 00:03:16,980 bass have strict rules on what they have 36 00:03:16,980 --> 00:03:19,140 to play but I'm not being a fan of this 37 00:03:19,140 --> 00:03:20,700 musical genre didn't help with the final 38 00:03:20,700 --> 00:03:23,060 product 39 00:03:23,310 --> 00:03:31,440 [Music] 40 00:03:31,440 --> 00:03:33,959 jumper John's quote Bonzo didn't hate 41 00:03:33,959 --> 00:03:36,239 Jazz but he hated playing reggae he 42 00:03:36,239 --> 00:03:37,980 thought it was really boring he wouldn't 43 00:03:37,980 --> 00:03:39,720 play anything but the same Shuffle beat 44 00:03:39,720 --> 00:03:41,580 all the way through it Jones believes 45 00:03:41,580 --> 00:03:43,260 that they've worked on it a bit more the 46 00:03:43,260 --> 00:03:44,459 end result might have been better 47 00:03:44,459 --> 00:03:46,799 Bonham's massive drum sound was achieved 48 00:03:46,799 --> 00:03:48,840 with three microphones at a distance the 49 00:03:48,840 --> 00:03:50,580 song was never performed live with only 50 00:03:50,580 --> 00:03:52,319 lyric Snippets by plan appearing at 51 00:03:52,319 --> 00:03:54,060 random on Jam sections for other numbers 52 00:03:54,060 --> 00:03:56,220 reggae music was in the air and it 53 00:03:56,220 --> 00:03:57,840 inspired Paul McCartney's living to die 54 00:03:57,840 --> 00:04:00,780 recorded in October 1972 a fascinating 55 00:04:00,780 --> 00:04:02,879 example of how rock and roll artists are 56 00:04:02,879 --> 00:04:05,340 inspired by similar ideas to No Surprise 57 00:04:05,340 --> 00:04:07,140 out of his love for 50s music Robert 58 00:04:07,140 --> 00:04:09,000 Plant was very fond of the track he 59 00:04:09,000 --> 00:04:10,500 managed to get the band to release it as 60 00:04:10,500 --> 00:04:13,319 a single in 1973 is a sort of Proto 61 00:04:13,319 --> 00:04:16,040 honey drippers 62 00:04:18,000 --> 00:04:21,529 [Music] 63 00:04:26,060 --> 00:04:28,620 the Rover emerged from a demo written 64 00:04:28,620 --> 00:04:30,660 back in 1970 during page and plan's 65 00:04:30,660 --> 00:04:31,870 Cottage sessions 66 00:04:31,870 --> 00:04:47,900 [Music] 67 00:04:47,900 --> 00:04:50,160 it was recorded with Jimmy using a 68 00:04:50,160 --> 00:04:51,900 phaser effect and bottom playing a 69 00:04:51,900 --> 00:04:53,699 heavy-handed Groove with multiple hi-hat 70 00:04:53,699 --> 00:04:55,560 accents like over the hills and far away 71 00:04:55,560 --> 00:04:57,660 page played a guitar solo in the scale 72 00:04:57,660 --> 00:04:59,759 of F sharp in the middle section with a 73 00:04:59,759 --> 00:05:01,620 tasteful selection of notes although the 74 00:05:01,620 --> 00:05:03,180 song was never premiered in the stage in 75 00:05:03,180 --> 00:05:05,040 front of an audience it was rehearsed in 76 00:05:05,040 --> 00:05:08,040 full on July 6 1973 during a sound check 77 00:05:08,040 --> 00:05:10,500 at Chicago Stadium the Rover's intro was 78 00:05:10,500 --> 00:05:12,600 played on the 1977 tour before going 79 00:05:12,600 --> 00:05:15,120 sick again as a two-song series a 80 00:05:15,120 --> 00:05:19,100 similar songwriting style and BackBeat 81 00:05:27,430 --> 00:05:42,040 [Music] 82 00:05:47,450 --> 00:05:48,910 [Music] 83 00:05:48,910 --> 00:05:51,999 [Applause] 84 00:05:56,540 --> 00:06:05,400 [Music] 85 00:06:05,400 --> 00:06:07,560 American classic rock band hard played 86 00:06:07,560 --> 00:06:10,370 their own rendition in 1975. 87 00:06:10,370 --> 00:06:13,620 [Music] 88 00:06:13,620 --> 00:06:16,620 foreign 89 00:06:21,860 --> 00:06:24,360 Dream Theater performed melee Dublin 90 00:06:24,360 --> 00:06:26,940 medley for the 1995 change of season CP 91 00:06:26,940 --> 00:06:28,860 the track feature portions of the Rover 92 00:06:28,860 --> 00:06:31,380 akita's Last Stand and the sun Remains 93 00:06:31,380 --> 00:06:33,479 the Same Greta Van fleet's Highway tune 94 00:06:33,479 --> 00:06:35,520 seems to be heavily inspired by Led 95 00:06:35,520 --> 00:06:38,180 Zeppelin's riff 96 00:06:46,919 --> 00:06:48,900 the song had Jimmy and Robert recording 97 00:06:48,900 --> 00:06:50,819 outdoors with all of its problems like 98 00:06:50,819 --> 00:06:52,800 an airplane sound recording engineer 99 00:06:52,800 --> 00:06:54,479 Eddie Kramer can be heard asking Jimmy 100 00:06:54,479 --> 00:06:55,919 if they leave it on the final take 101 00:06:55,919 --> 00:06:57,900 Robert tells him that's fine they begin 102 00:06:57,900 --> 00:07:00,240 like Dancing Days Jimmy's guitar uses an 103 00:07:00,240 --> 00:07:02,280 open G tuning photographs suggests they 104 00:07:02,280 --> 00:07:03,840 recorded the acoustic and vocal Parts 105 00:07:03,840 --> 00:07:05,699 first with Jones and Bonham adding their 106 00:07:05,699 --> 00:07:07,800 parts later on the lyrics describe a man 107 00:07:07,800 --> 00:07:09,720 disappointed at his partner's temper and 108 00:07:09,720 --> 00:07:11,400 actions one of the verses seems 109 00:07:11,400 --> 00:07:12,900 prophetic as Robert Plant divorced 110 00:07:12,900 --> 00:07:15,000 Maureen Wilson in 1983. eight years 111 00:07:15,000 --> 00:07:16,919 later he dated Maureen's sister Shirley 112 00:07:16,919 --> 00:07:19,440 with whom he had a child Jesse Lee plan 113 00:07:19,440 --> 00:07:21,960 born in 1991 black country woman was 114 00:07:21,960 --> 00:07:24,720 played live once in 1972 it was revived 115 00:07:24,720 --> 00:07:26,940 on their 1977 US tour featuring John 116 00:07:26,940 --> 00:07:29,220 Paul Jones on up type Bass the song was 117 00:07:29,220 --> 00:07:31,020 performed in 2008 by Robert Plant and 118 00:07:31,020 --> 00:07:35,060 Alison Krauss for the racing sand tour 119 00:07:42,060 --> 00:07:44,039 Jim page for The Song Remains the Same 120 00:07:44,039 --> 00:07:45,660 as an introduction for the Rain Song 121 00:07:45,660 --> 00:07:47,520 following a composition structure found 122 00:07:47,520 --> 00:07:49,199 in classical music Paige has been 123 00:07:49,199 --> 00:07:50,880 outspoken about his admiration of yes 124 00:07:50,880 --> 00:07:52,440 and the parallels are evident from 125 00:07:52,440 --> 00:07:54,360 Rhythm tracks to Jimmy soloing which is 126 00:07:54,360 --> 00:07:56,160 reminiscent of Steve Howe's pool off 127 00:07:56,160 --> 00:07:58,520 technique 128 00:08:00,370 --> 00:08:02,220 [Music] 129 00:08:02,220 --> 00:08:04,259 jungle Jones economy of notes makes up 130 00:08:04,259 --> 00:08:06,060 for a vicious attack on the base that 131 00:08:06,060 --> 00:08:07,259 complements Paige with the perfect 132 00:08:07,259 --> 00:08:08,880 Counterpoint The Song Remains the Same 133 00:08:08,880 --> 00:08:10,560 as also the chance for Jimmy to rework 134 00:08:10,560 --> 00:08:12,440 her 1967 yard Bridge number 135 00:08:12,440 --> 00:08:20,300 [Music] 136 00:08:25,819 --> 00:08:28,010 thank you 137 00:08:28,010 --> 00:08:34,380 [Music] 138 00:08:37,630 --> 00:08:39,719 [Music] 139 00:08:39,719 --> 00:08:41,580 much has been said about George Harrison 140 00:08:41,580 --> 00:08:43,380 motivating Paige to write the Rain song 141 00:08:43,380 --> 00:08:45,240 after telling Bonham Led Zeppelin didn't 142 00:08:45,240 --> 00:08:47,519 do any ballads Jimmy's not to The 143 00:08:47,519 --> 00:08:49,200 Beatles Something on the rain song's 144 00:08:49,200 --> 00:08:50,880 intro is the first of three Beetle 145 00:08:50,880 --> 00:08:52,620 references on the album one of the 146 00:08:52,620 --> 00:08:54,180 instrumental breaks of The Song Remains 147 00:08:54,180 --> 00:08:55,560 the Same has a second tribute to 148 00:08:55,560 --> 00:08:57,420 something and here comes the sun's 149 00:08:57,420 --> 00:09:00,680 downward Cascade riff 150 00:09:05,960 --> 00:09:07,220 [Music] 151 00:09:07,220 --> 00:09:08,250 thank you 152 00:09:08,250 --> 00:09:17,450 [Music] 153 00:09:20,240 --> 00:09:22,500 now here's where things get strange 154 00:09:22,500 --> 00:09:24,480 George Harrison seems to have used the 155 00:09:24,480 --> 00:09:26,940 previously mentioned 1967 Yardbird song 156 00:09:26,940 --> 00:09:31,040 as inspiration for Here Comes the Sun 157 00:09:36,440 --> 00:09:38,820 Well Jimmy's guitar layers got a chance 158 00:09:38,820 --> 00:09:40,560 to shine on the fourth album it was a 159 00:09:40,560 --> 00:09:42,240 Song Remains the Same a platform that 160 00:09:42,240 --> 00:09:43,860 Amplified his guitar Army of 161 00:09:43,860 --> 00:09:45,720 architecture and vision with little to 162 00:09:45,720 --> 00:09:47,640 no Distortion Paige created a wall of 163 00:09:47,640 --> 00:09:49,800 sound attack with a fender powered Trio 164 00:09:49,800 --> 00:09:52,200 of a Stratocaster telecaster and Fender 165 00:09:52,200 --> 00:09:54,779 Zone 12-string model a massive creative 166 00:09:54,779 --> 00:09:56,760 spark empowered Jimmy to write this epic 167 00:09:56,760 --> 00:09:58,260 to in the Blends eastern and western 168 00:09:58,260 --> 00:10:00,240 musical styles to great effect the 169 00:10:00,240 --> 00:10:01,800 composition is attributed to Blues 170 00:10:01,800 --> 00:10:03,959 rockabilly Indian Raga Japanese 171 00:10:03,959 --> 00:10:06,360 traditional music finger picking country 172 00:10:06,360 --> 00:10:08,220 Jazz and hard rock and a single 173 00:10:08,220 --> 00:10:09,959 statement that resonates to this day 174 00:10:09,959 --> 00:10:11,640 Robert Plant was so impressed by the 175 00:10:11,640 --> 00:10:12,779 power of this instrumental that he 176 00:10:12,779 --> 00:10:14,580 decided to write lyrics for it because 177 00:10:14,580 --> 00:10:16,560 his voice was filtering from performance 178 00:10:16,560 --> 00:10:18,360 extremes and health problems a special 179 00:10:18,360 --> 00:10:19,860 technique was employed to try to boost 180 00:10:19,860 --> 00:10:22,140 it back to the high range of 71. you see 181 00:10:22,140 --> 00:10:23,820 the band recorded instrumental track in 182 00:10:23,820 --> 00:10:25,920 D Major it was then lowered via various 183 00:10:25,920 --> 00:10:27,899 speed done to see Robert Sand the lyrics 184 00:10:27,899 --> 00:10:29,459 with this reference and then the take 185 00:10:29,459 --> 00:10:32,040 was sped up back to D making his vocals 186 00:10:32,040 --> 00:10:33,720 sound higher but artificial to some 187 00:10:33,720 --> 00:10:35,700 extent the question remains why the band 188 00:10:35,700 --> 00:10:37,500 decided to do this when Robert himself 189 00:10:37,500 --> 00:10:39,360 managed to sing this live without 190 00:10:39,360 --> 00:10:42,240 harmonizers nor down tuning the song his 191 00:10:42,240 --> 00:10:44,100 live Renditions were consistent on the 192 00:10:44,100 --> 00:10:46,800 172 times it was performed in the 70s 193 00:10:46,800 --> 00:10:48,480 which makes a studio version vocally 194 00:10:48,480 --> 00:10:50,700 pale in comparison the final product on 195 00:10:50,700 --> 00:10:52,200 the album sounds like a parody of Robert 196 00:10:52,200 --> 00:10:54,360 Plant's original intention the premise 197 00:10:54,360 --> 00:10:56,279 of his lyrics revolve around the idea of 198 00:10:56,279 --> 00:10:58,500 rock and roll as a single unifying chant 199 00:10:58,500 --> 00:11:00,360 for the world and concert goers while 200 00:11:00,360 --> 00:11:02,399 his wording may not be profound the 201 00:11:02,399 --> 00:11:03,720 energy conveys a sense of 202 00:11:03,720 --> 00:11:05,820 multi-dimensional perception through the 203 00:11:05,820 --> 00:11:07,680 power of music in the immediate forever 204 00:11:07,680 --> 00:11:09,540 from the California sunlight of 205 00:11:09,540 --> 00:11:11,700 Zeppelin's first tours to their travels 206 00:11:11,700 --> 00:11:14,040 to India and sweet color rain the song 207 00:11:14,040 --> 00:11:15,540 is a celebration of moments and 208 00:11:15,540 --> 00:11:17,760 photographs of success the Honolulu 209 00:11:17,760 --> 00:11:19,620 starbrite reference speaks of Zeppelin's 210 00:11:19,620 --> 00:11:21,480 three shows in this Hawaiian City from 211 00:11:21,480 --> 00:11:24,600 1969 to 1971. live versions of the song 212 00:11:24,600 --> 00:11:26,820 had Jimmy Page using a double neck sound 213 00:11:26,820 --> 00:11:28,380 for rhythm and fast-picking solo 214 00:11:28,380 --> 00:11:31,320 segments this particular EDS 1275 color 215 00:11:31,320 --> 00:11:33,360 padded was used to predict standby at 216 00:11:33,360 --> 00:11:35,579 other 70s Legend mahavishnu orchestra's 217 00:11:35,579 --> 00:11:37,440 own John McLaughlin and his extreme Jazz 218 00:11:37,440 --> 00:11:39,600 fusionally passages like Jimmy but 219 00:11:39,600 --> 00:11:41,279 glockne started using the instrument in 220 00:11:41,279 --> 00:11:43,800 1971 and became an important part of a 221 00:11:43,800 --> 00:11:45,600 signature sound John mcducken taught 222 00:11:45,600 --> 00:11:47,459 chords and Harmony to Jimmy Page back in 223 00:11:47,459 --> 00:11:49,440 1960. he also played with John Paul 224 00:11:49,440 --> 00:11:52,019 Jones in the r b band Herbie Goins circa 225 00:11:52,019 --> 00:11:54,779 1966 The Song Remains the Same frenetic 226 00:11:54,779 --> 00:11:56,459 Journey was led by Bonham's fast temper 227 00:11:56,459 --> 00:11:58,260 Groove that evolved into a live drumming 228 00:11:58,260 --> 00:11:59,940 Showcase with the use of timpani drums 229 00:11:59,940 --> 00:12:01,680 on the song's famous transition going to 230 00:12:01,680 --> 00:12:03,420 the first verse many Zeppelin fans 231 00:12:03,420 --> 00:12:05,519 considered 1973 to be the best life year 232 00:12:05,519 --> 00:12:07,920 for the song right behind 1977 and 233 00:12:07,920 --> 00:12:09,720 Bottom's wild and aggressive take on the 234 00:12:09,720 --> 00:12:10,740 drums 235 00:12:10,740 --> 00:12:13,909 [Music] 236 00:12:14,579 --> 00:12:17,579 foreign 237 00:12:27,050 --> 00:12:32,549 [Music] 238 00:12:42,290 --> 00:12:48,350 [Music] 239 00:12:50,880 --> 00:12:52,920 a similar beat to the sun Remains the 240 00:12:52,920 --> 00:12:54,899 Same in a hard-hitting number Walter's 241 00:12:54,899 --> 00:12:56,940 walk was recorded at Star grooves traces 242 00:12:56,940 --> 00:12:58,079 of the rift can be heard on live 243 00:12:58,079 --> 00:13:00,360 versions of days and Confused from 1972. 244 00:13:00,360 --> 00:13:02,639 the song was finally released in 1982. 245 00:13:02,639 --> 00:13:04,380 you can find more information about this 246 00:13:04,380 --> 00:13:06,779 track on the making of Coda featuring my 247 00:13:06,779 --> 00:13:11,240 pose up in 1981 to 1999 series 248 00:13:18,240 --> 00:13:19,920 as the band plays the last hit an accent 249 00:13:19,920 --> 00:13:22,079 on The Song Remains the Same FD chord we 250 00:13:22,079 --> 00:13:23,519 get one of the best transition if not 251 00:13:23,519 --> 00:13:25,200 the smoothest welcome to track number 2 252 00:13:25,200 --> 00:13:27,120 from the whole Zeppelin catalog a 253 00:13:27,120 --> 00:13:28,680 Monumental statement of tension and 254 00:13:28,680 --> 00:13:30,720 release as Jimmy strings from track 1 255 00:13:30,720 --> 00:13:32,820 still resonate The Rain Song reveals a 256 00:13:32,820 --> 00:13:34,260 world of Wonders and textures of the 257 00:13:34,260 --> 00:13:37,980 alternate tuning of dgc gcd writing a 258 00:13:37,980 --> 00:13:39,480 song on standard tuning is hard enough 259 00:13:39,480 --> 00:13:41,399 the alternate tuning just makes it worse 260 00:13:41,399 --> 00:13:43,139 in terms of core shapes making their 261 00:13:43,139 --> 00:13:44,399 guitars go through a lot of trial and 262 00:13:44,399 --> 00:13:46,320 error situations to come up with a 263 00:13:46,320 --> 00:13:48,300 cohesive narrative so Jimmy writing a 264 00:13:48,300 --> 00:13:50,459 song like this with alternate tuning is 265 00:13:50,459 --> 00:13:52,440 an achievement on its own for all the 266 00:13:52,440 --> 00:13:53,639 critics who point fingers at Led 267 00:13:53,639 --> 00:13:55,200 Zeppelin's early years of Blues and spy 268 00:13:55,200 --> 00:13:57,000 riffs the rain songs musical passages 269 00:13:57,000 --> 00:13:58,500 saw the band reaching new heights of 270 00:13:58,500 --> 00:14:00,660 taste and quintessential and shade the 271 00:14:00,660 --> 00:14:01,800 combination of their acoustic 272 00:14:01,800 --> 00:14:03,779 Explorations resulted in this Timeless 273 00:14:03,779 --> 00:14:06,120 classic which Bears the question how did 274 00:14:06,120 --> 00:14:07,980 Jimmy Page come up with the song the 275 00:14:07,980 --> 00:14:09,540 composition was developed at his home in 276 00:14:09,540 --> 00:14:11,579 Plumpton having a console handy gave 277 00:14:11,579 --> 00:14:13,200 Paige the ability to construct the song 278 00:14:13,200 --> 00:14:14,839 away from the hassle of touring 279 00:14:14,839 --> 00:14:17,459 airplanes and hotel room sketches the 280 00:14:17,459 --> 00:14:18,959 Vista model was extracted from the 281 00:14:18,959 --> 00:14:21,120 famous pile mobile Studio which had been 282 00:14:21,120 --> 00:14:23,040 used to record Led Zeppelin's 1970 Royal 283 00:14:23,040 --> 00:14:24,660 Albert Hall performance and the Who's 284 00:14:24,660 --> 00:14:26,820 Live at Leeds album John Barnum left his 285 00:14:26,820 --> 00:14:28,560 drumsticks aside and played with brushes 286 00:14:28,560 --> 00:14:30,180 through the whole track his beat is 287 00:14:30,180 --> 00:14:32,459 deceptively simple yet subtle he 288 00:14:32,459 --> 00:14:34,320 complements the song and never overplays 289 00:14:34,320 --> 00:14:36,180 the drums 290 00:14:36,180 --> 00:14:47,880 [Music] 291 00:14:47,880 --> 00:14:49,730 foreign 292 00:14:49,730 --> 00:15:19,080 [Music] 293 00:15:19,100 --> 00:15:21,360 lyrics and vocals remain one of his 294 00:15:21,360 --> 00:15:23,160 finest moments in the Dublin John Paul 295 00:15:23,160 --> 00:15:25,620 Jones played bass grand piano and EMS 296 00:15:25,620 --> 00:15:28,560 vcs3 synthesizer and an MK2 melotron 297 00:15:28,560 --> 00:15:30,600 Jones's use of balotron feeds from 298 00:15:30,600 --> 00:15:31,980 progressive rock directly with King 299 00:15:31,980 --> 00:15:33,480 Crimson in Focus featuring the 300 00:15:33,480 --> 00:15:35,760 instrument under 71 releases as the sort 301 00:15:35,760 --> 00:15:37,800 of Astral synchronicity yes use the 302 00:15:37,800 --> 00:15:39,060 instrument for the close to the edge 303 00:15:39,060 --> 00:15:40,740 sessions that took place from February 304 00:15:40,740 --> 00:15:43,440 to June of 1972. Genesis would soon join 305 00:15:43,440 --> 00:15:45,420 the melaton club with wetter of Disguise 306 00:15:45,420 --> 00:15:47,459 from their foxtrot album recorded August 307 00:15:47,459 --> 00:15:49,860 through September of 1972 while a great 308 00:15:49,860 --> 00:15:51,779 tool in the studio the melotron had an 309 00:15:51,779 --> 00:15:53,579 unreliable tape mechanism that could be 310 00:15:53,579 --> 00:15:55,380 a nightmare and tour leading to tapes 311 00:15:55,380 --> 00:15:57,240 getting jammed the Metatron consisted in 312 00:15:57,240 --> 00:15:58,800 a series of tape loops with string 313 00:15:58,800 --> 00:16:00,120 sounds that would play accordingly 314 00:16:00,120 --> 00:16:01,680 because the loops were less than 5 315 00:16:01,680 --> 00:16:03,779 Seconds long Jones was a volume pedal 316 00:16:03,779 --> 00:16:05,459 before and after playing his parts to 317 00:16:05,459 --> 00:16:07,199 make them more realistic his orchestral 318 00:16:07,199 --> 00:16:09,060 vision and Arrangement deserved him 319 00:16:09,060 --> 00:16:10,440 being on the writing credits for the 320 00:16:10,440 --> 00:16:12,240 song beyond the page and plan note front 321 00:16:12,240 --> 00:16:13,980 on the record Jones played the Metatron 322 00:16:13,980 --> 00:16:15,260 on all 323 00:16:15,260 --> 00:16:17,940 1973-1975 versions before switching to a 324 00:16:17,940 --> 00:16:21,360 Yamaha gx1 in 1979 and a fairlight CMI 325 00:16:21,360 --> 00:16:23,639 series for 1980. Led Zeppelin performed 326 00:16:23,639 --> 00:16:26,579 this song A total of 141 times Jimmy's 327 00:16:26,579 --> 00:16:28,079 live take on the song had him playing 328 00:16:28,079 --> 00:16:29,820 The Song Remains the Same on the 12th 329 00:16:29,820 --> 00:16:31,440 string then switching down to the sixth 330 00:16:31,440 --> 00:16:33,360 string fretboard without returning low 331 00:16:33,360 --> 00:16:36,300 to high of edad taking the original 332 00:16:36,300 --> 00:16:38,880 studio version key of G up to a this 333 00:16:38,880 --> 00:16:40,500 allowed for a quick guitar setup from 334 00:16:40,500 --> 00:16:43,560 standard tuning EAD gpe with just a 335 00:16:43,560 --> 00:16:45,060 third and second string needed to be 336 00:16:45,060 --> 00:16:47,279 tweaked such guitar configuration make 337 00:16:47,279 --> 00:16:48,779 both The Song Remains the Same and the 338 00:16:48,779 --> 00:16:50,579 Rain Song sonically Inseparable until 339 00:16:50,579 --> 00:16:53,519 1979 and 1980 where the Rain song was 340 00:16:53,519 --> 00:16:55,320 played as a standalone number The Rain 341 00:16:55,320 --> 00:16:56,880 Song is one of the few Zeppelin tracks 342 00:16:56,880 --> 00:16:58,620 which both live and Studio versions are 343 00:16:58,620 --> 00:17:00,660 Exquisite Jimmy's guitar work at concert 344 00:17:00,660 --> 00:17:02,399 Arenas require a high degree of 345 00:17:02,399 --> 00:17:04,439 concentration that his session player 346 00:17:04,439 --> 00:17:06,780 days trained him well to do so the 347 00:17:06,780 --> 00:17:09,059 song's outro is what separates page from 348 00:17:09,059 --> 00:17:11,040 most guitar players at the time yes many 349 00:17:11,040 --> 00:17:12,780 could solo but very few created their 350 00:17:12,780 --> 00:17:14,459 own Universe the rain song's 351 00:17:14,459 --> 00:17:16,319 inventiveness exemplifies while the 352 00:17:16,319 --> 00:17:17,880 Zeppelin went beyond any Hard Rock 353 00:17:17,880 --> 00:17:20,160 definitions or heavy metal labels the 354 00:17:20,160 --> 00:17:22,260 1972 version of the band could do it all 355 00:17:22,260 --> 00:17:23,880 the track was a breakthrough to embark 356 00:17:23,880 --> 00:17:25,740 on more ambitious projects on future 357 00:17:25,740 --> 00:17:27,900 albums if Stairway to Heaven sums up the 358 00:17:27,900 --> 00:17:30,299 ban at its peak The Rain Song is the 359 00:17:30,299 --> 00:17:31,919 sound of forever Paige and plan 360 00:17:31,919 --> 00:17:33,660 Revisited the track for their 1994 361 00:17:33,660 --> 00:17:35,340 unplugged performance with Jimmy playing 362 00:17:35,340 --> 00:17:37,140 it on acoustic live for the first time 363 00:17:37,140 --> 00:17:39,960 the song was played 10 times under 1996 364 00:17:39,960 --> 00:17:41,880 tour Robert Plant returned to the song 365 00:17:41,880 --> 00:17:45,000 from 2015 to 2019 for a total of 44 366 00:17:45,000 --> 00:17:47,720 performances 367 00:17:50,539 --> 00:17:53,780 all because 368 00:17:54,310 --> 00:18:02,010 [Music] 369 00:18:02,010 --> 00:18:05,109 [Applause] 370 00:18:07,090 --> 00:18:15,239 [Music] 371 00:18:18,200 --> 00:18:20,580 let yourself 372 00:18:20,580 --> 00:18:22,760 hello 373 00:18:33,650 --> 00:18:36,480 [Music] 374 00:18:36,480 --> 00:18:39,480 foreign 375 00:18:40,870 --> 00:18:52,460 [Music] 376 00:18:55,130 --> 00:18:58,699 [Music] 377 00:19:01,320 --> 00:19:05,460 [Music] 378 00:19:05,460 --> 00:19:07,500 foreign 379 00:19:07,500 --> 00:19:16,940 [Music] 380 00:19:24,600 --> 00:19:28,380 [Applause] 381 00:19:29,020 --> 00:19:42,600 [Music] 382 00:19:42,600 --> 00:19:45,020 here 383 00:19:45,970 --> 00:19:49,140 [Music] 384 00:19:52,020 --> 00:19:55,100 thank you 385 00:19:55,890 --> 00:20:19,620 [Music] 386 00:20:19,620 --> 00:20:22,620 foreign 387 00:20:23,440 --> 00:20:46,779 [Music] 388 00:20:54,120 --> 00:20:57,320 [Applause] 389 00:20:57,740 --> 00:21:00,919 thank you 390 00:21:03,630 --> 00:21:08,229 [Music] 391 00:21:10,740 --> 00:21:13,910 [Music] 392 00:21:17,400 --> 00:21:20,100 some people describe it harshly as a 393 00:21:20,100 --> 00:21:22,380 zone of decay 394 00:21:22,380 --> 00:21:25,020 at any rate business has declined with 395 00:21:25,020 --> 00:21:26,820 much of the Commerce fleeing to the 396 00:21:26,820 --> 00:21:29,159 suburbs 397 00:21:29,159 --> 00:21:31,500 the old major hotels are said to be 398 00:21:31,500 --> 00:21:33,900 attracting fewer clients 399 00:21:33,900 --> 00:21:36,240 one department store cut back its 400 00:21:36,240 --> 00:21:38,580 downtown selling space another announced 401 00:21:38,580 --> 00:21:41,820 it will close its downtown branch 402 00:21:41,820 --> 00:21:44,460 First Run movie houses folded one after 403 00:21:44,460 --> 00:21:46,200 another 404 00:21:46,200 --> 00:21:49,940 and now there is none downtown 405 00:21:49,980 --> 00:21:52,559 however on the southern rim of the 406 00:21:52,559 --> 00:21:54,720 central business district a prosperous 407 00:21:54,720 --> 00:21:56,940 convention complex has been developed 408 00:21:56,940 --> 00:22:00,360 and there are plans to add to it 409 00:22:00,360 --> 00:22:03,299 it is a self-contained area for visitors 410 00:22:03,299 --> 00:22:06,120 with auditoriums stores restaurants and 411 00:22:06,120 --> 00:22:09,020 hotel accommodations 412 00:22:09,590 --> 00:22:12,690 [Applause] 413 00:22:15,120 --> 00:22:17,760 hello John Bonham hi-hat tambourine they 414 00:22:17,760 --> 00:22:19,380 kicked off the tour in Detroit on June 415 00:22:19,380 --> 00:22:21,240 6th well this was a concert run to 416 00:22:21,240 --> 00:22:23,340 promote a diploid 4. they performed an 417 00:22:23,340 --> 00:22:25,740 almost carbon copy of their 1971 setlist 418 00:22:25,740 --> 00:22:27,419 with the same three songs from their new 419 00:22:27,419 --> 00:22:29,340 album it's almost as if they overplayed 420 00:22:29,340 --> 00:22:30,840 rock and roll black dogs that would have 421 00:22:30,840 --> 00:22:32,700 happened so much in advance that by the 422 00:22:32,700 --> 00:22:34,740 time they came back in 72 they showed up 423 00:22:34,740 --> 00:22:36,000 empty-handed in the experience 424 00:22:36,000 --> 00:22:38,100 enhancement Department to make matters 425 00:22:38,100 --> 00:22:39,900 worse the three coincided with the 426 00:22:39,900 --> 00:22:41,940 Rolling Stones highly publicized 1972 427 00:22:41,940 --> 00:22:43,919 American tour the Entourage of 428 00:22:43,919 --> 00:22:45,480 celebrities and socialize around the 429 00:22:45,480 --> 00:22:47,460 stones overshadowed Zeppelin's visit 430 00:22:47,460 --> 00:22:49,679 Peter Grant and his boys took note more 431 00:22:49,679 --> 00:22:51,179 on this later while the tour was a 432 00:22:51,179 --> 00:22:53,220 financial success it seems to be lost in 433 00:22:53,220 --> 00:22:55,440 time between the excitement of 71 and 434 00:22:55,440 --> 00:22:57,419 their bigger than life status of 73. 435 00:22:57,419 --> 00:22:59,820 2003's held there was was one featured 436 00:22:59,820 --> 00:23:02,100 two shows from this tour June 25th and 437 00:23:02,100 --> 00:23:04,440 June 27th at The Forum in Long Beach 438 00:23:04,440 --> 00:23:06,299 arena it didn't do well commercially as 439 00:23:06,299 --> 00:23:08,280 the Zeppelin DVD released simultaneously 440 00:23:08,280 --> 00:23:10,260 was fierce competition and Confused 441 00:23:10,260 --> 00:23:12,299 record buyers thinking the three CD set 442 00:23:12,299 --> 00:23:14,100 was the soundtrack version of it its 443 00:23:14,100 --> 00:23:15,840 underwhelming response in terms of sales 444 00:23:15,840 --> 00:23:17,880 remains a mystery despite the band's 445 00:23:17,880 --> 00:23:19,530 tight performance 446 00:23:19,530 --> 00:23:33,979 [Music] 447 00:23:35,460 --> 00:23:37,919 it's got every possibility of being 448 00:23:37,919 --> 00:23:40,680 called burn that candle 449 00:23:40,680 --> 00:23:42,960 [Music] 450 00:23:42,960 --> 00:23:45,360 the 1972 concert series was the last 451 00:23:45,360 --> 00:23:46,940 time the acoustic set was played until 452 00:23:46,940 --> 00:23:49,500 1977. Jimmy Page's clothing walked 453 00:23:49,500 --> 00:23:51,179 towards his iconic looks premiering his 454 00:23:51,179 --> 00:23:52,679 Rose patterning black suit halfway 455 00:23:52,679 --> 00:23:54,179 through the Tour in Seattle the new 456 00:23:54,179 --> 00:23:56,159 jacket became his armor on stage and 457 00:23:56,159 --> 00:23:58,020 rockfying his guitar performer will set 458 00:23:58,020 --> 00:24:00,419 free previous onstage Jimmy was somewhat 459 00:24:00,419 --> 00:24:02,159 shy and seemed to hide between sweaters 460 00:24:02,159 --> 00:24:04,500 long hair his black beard and more 461 00:24:04,500 --> 00:24:06,600 sweaters Robert's thin sounding vocal 462 00:24:06,600 --> 00:24:08,640 tone was a red flag he was still hitting 463 00:24:08,640 --> 00:24:10,320 the high notes but with less mid-range 464 00:24:10,320 --> 00:24:12,480 Force having Immigrant Song Heartbreaker 465 00:24:12,480 --> 00:24:14,100 and black dog as openers throughout the 466 00:24:14,100 --> 00:24:15,780 tour didn't help his voice cracked at 467 00:24:15,780 --> 00:24:17,820 random and the low and high registers on 468 00:24:17,820 --> 00:24:19,799 the opposite end Paige Jones and Barnum 469 00:24:19,799 --> 00:24:21,480 Drew Tyler would length the instrumental 470 00:24:21,480 --> 00:24:23,460 passages opening the doors of their 471 00:24:23,460 --> 00:24:25,260 absolute Peak the band premiered three 472 00:24:25,260 --> 00:24:26,700 songs from their next album including 473 00:24:26,700 --> 00:24:28,260 the Grinch featuring the middle section 474 00:24:28,260 --> 00:24:30,480 of Jason refused plan did a good job on 475 00:24:30,480 --> 00:24:31,980 the new tracks but his previous vocal 476 00:24:31,980 --> 00:24:33,840 abilities would never come back it got 477 00:24:33,840 --> 00:24:35,880 worse as months went by with a proper 478 00:24:35,880 --> 00:24:37,620 vocal coach and this North American tour 479 00:24:37,620 --> 00:24:39,539 postponed Robert Wood had had a better 480 00:24:39,539 --> 00:24:41,460 chance of recovery before it was too 481 00:24:41,460 --> 00:24:43,320 late the reasons why this was over look 482 00:24:43,320 --> 00:24:45,360 suggests a short-sighted vision and the 483 00:24:45,360 --> 00:24:46,620 necessity to battle their way through 484 00:24:46,620 --> 00:24:48,539 the busy throwing Market that Japan was 485 00:24:48,539 --> 00:24:49,919 not the ban of No Quarter in the Rain 486 00:24:49,919 --> 00:24:51,659 song Waiting to Showcase her Newfound 487 00:24:51,659 --> 00:24:53,760 Treasures in the meantime They carried 488 00:24:53,760 --> 00:24:56,299 on with the show 489 00:25:10,660 --> 00:25:14,749 [Music] 490 00:25:16,510 --> 00:25:19,200 [Applause] 491 00:25:19,200 --> 00:25:21,000 Advanced up in New York to make some 492 00:25:21,000 --> 00:25:22,620 tracks from the upcoming album the 493 00:25:22,620 --> 00:25:24,179 bright sound of houses of the Holy may 494 00:25:24,179 --> 00:25:26,279 be linked to the Sonic president of 1971 495 00:25:26,279 --> 00:25:28,799 despite its success the dip in force 496 00:25:28,799 --> 00:25:30,480 suffered from a Sinister issue when 497 00:25:30,480 --> 00:25:32,039 Paige returned with the master tapes 498 00:25:32,039 --> 00:25:34,080 back to England the album was mixed at 499 00:25:34,080 --> 00:25:36,179 Sunset sound in Los Angeles Jimmy was 500 00:25:36,179 --> 00:25:37,500 pleased with the results but when he 501 00:25:37,500 --> 00:25:39,179 played it back to his bandmates it 502 00:25:39,179 --> 00:25:41,580 sounded muddy it was bad his bandmates 503 00:25:41,580 --> 00:25:44,100 were angry humidity hypotheses of train 504 00:25:44,100 --> 00:25:46,380 magnets affecting the tapes nobody had a 505 00:25:46,380 --> 00:25:48,059 clear answer so the entire album had to 506 00:25:48,059 --> 00:25:49,620 be remixed with only When the Levee 507 00:25:49,620 --> 00:25:51,419 Breaks Reviving The Sunset sound mixes 508 00:25:51,419 --> 00:25:53,640 this massive delay heard the process and 509 00:25:53,640 --> 00:25:55,200 the end result was good but not great 510 00:25:55,200 --> 00:25:57,120 from what Paige heard on the mixing 511 00:25:57,120 --> 00:25:59,159 board in Los Angeles engineering for 512 00:25:59,159 --> 00:26:00,900 houses of the Holy made sure nothing was 513 00:26:00,900 --> 00:26:03,299 muddy nor dark thus the Enterprise is 514 00:26:03,299 --> 00:26:05,880 bright very bright the EQ parameters 515 00:26:05,880 --> 00:26:07,440 weren't two opposite ends of the audio 516 00:26:07,440 --> 00:26:09,779 spectrum of four the drums were crisp 517 00:26:09,779 --> 00:26:11,100 and the high frequencies were given 518 00:26:11,100 --> 00:26:13,440 Center Stage sometimes at the expense of 519 00:26:13,440 --> 00:26:15,179 the low end which remains one of the 520 00:26:15,179 --> 00:26:16,620 main audiophile complaints from the 521 00:26:16,620 --> 00:26:18,900 record to no fault of their own the 522 00:26:18,900 --> 00:26:20,880 material overall was more ambitious and 523 00:26:20,880 --> 00:26:22,200 this was a learning curve for the band 524 00:26:22,200 --> 00:26:24,299 their light and shade benefited from a 525 00:26:24,299 --> 00:26:26,400 darker sounding palette houses was a 526 00:26:26,400 --> 00:26:30,380 leap of faith into a more polished sound 527 00:26:33,560 --> 00:26:37,240 [Music] 528 00:26:38,220 --> 00:26:39,490 foreign 529 00:26:39,490 --> 00:27:31,400 [Music] 530 00:27:31,400 --> 00:27:33,840 Led Zeppelin returned to Japan for the 531 00:27:33,840 --> 00:27:35,460 first unofficial tour of houses of the 532 00:27:35,460 --> 00:27:37,380 Holy it featured major adjustments to 533 00:27:37,380 --> 00:27:39,240 the reset list now taking the someone's 534 00:27:39,240 --> 00:27:40,980 scripted shape and form of yours to come 535 00:27:40,980 --> 00:27:42,840 these spontaneous shows and looks of the 536 00:27:42,840 --> 00:27:44,940 past evolve into the inevitable of Show 537 00:27:44,940 --> 00:27:46,919 Business control chaos to cater to 538 00:27:46,919 --> 00:27:49,679 expectations 1972 was another busy 539 00:27:49,679 --> 00:27:51,179 concert year in Japan with the first 540 00:27:51,179 --> 00:27:52,980 time visit of credence in February the 541 00:27:52,980 --> 00:27:54,720 return of Pink Floyd for six shows in 542 00:27:54,720 --> 00:27:57,659 March Chicago in June ELP supported by 543 00:27:57,659 --> 00:27:59,820 free in July and deep purple's legendary 544 00:27:59,820 --> 00:28:01,980 three shows in August Led Zeppelin shows 545 00:28:01,980 --> 00:28:03,480 began with rock and roll keeping Robert 546 00:28:03,480 --> 00:28:05,760 Plant's voice a chance to warm up Misty 547 00:28:05,760 --> 00:28:07,500 Mountain Hop was back since Spain 10 548 00:28:07,500 --> 00:28:10,559 1971 and became a regular concert staple 549 00:28:10,559 --> 00:28:13,620 played 81 times until July 1973. the 550 00:28:13,620 --> 00:28:15,120 song featured a new Arrangement at the 551 00:28:15,120 --> 00:28:16,440 end in which the band played a sudden 552 00:28:16,440 --> 00:28:18,059 stub to go into Since I've Been Loving 553 00:28:18,059 --> 00:28:19,679 You their upcoming fifth album was 554 00:28:19,679 --> 00:28:21,539 represented with five songs over the 555 00:28:21,539 --> 00:28:23,760 hills and far away Dancing Days the 556 00:28:23,760 --> 00:28:25,020 grunge in the middle of days and 557 00:28:25,020 --> 00:28:27,240 Confused the ocean played on October 3rd 558 00:28:27,240 --> 00:28:28,799 and best of all the first ever 559 00:28:28,799 --> 00:28:30,779 performances of both The Song Remains 560 00:28:30,779 --> 00:28:32,700 the Same and the Rain Song The Band 561 00:28:32,700 --> 00:28:34,380 Played these two on all Six States from 562 00:28:34,380 --> 00:28:36,720 the tour plan's voice showed signs of a 563 00:28:36,720 --> 00:28:38,700 more drastic decline his never-ending 564 00:28:38,700 --> 00:28:40,679 tobacco smoking habit further buried his 565 00:28:40,679 --> 00:28:42,539 chance of recovery despite the changes 566 00:28:42,539 --> 00:28:44,580 on the show's Dynamics Robert's vocals 567 00:28:44,580 --> 00:28:46,020 were not consistent when he tried to 568 00:28:46,020 --> 00:28:47,760 sing the high notes he managed to warm 569 00:28:47,760 --> 00:28:49,260 up towards the middle of the tour to 570 00:28:49,260 --> 00:28:50,580 their previous North American show 571 00:28:50,580 --> 00:28:52,620 levels but Immigrant Song is closing 572 00:28:52,620 --> 00:28:54,179 number didn't help him took it back on 573 00:28:54,179 --> 00:28:55,080 track 574 00:28:55,080 --> 00:28:57,280 foreign 575 00:28:57,280 --> 00:29:06,730 [Music] 576 00:29:06,730 --> 00:29:07,180 [Applause] 577 00:29:07,180 --> 00:29:10,559 [Music] 578 00:29:11,270 --> 00:29:14,440 [Applause] 579 00:29:26,110 --> 00:29:32,839 [Music] 580 00:29:34,320 --> 00:29:37,320 foreign 581 00:29:37,940 --> 00:29:41,049 [Music] 582 00:29:46,940 --> 00:29:55,880 [Music] 583 00:29:56,670 --> 00:29:59,799 [Applause] 584 00:30:02,770 --> 00:30:04,559 [Music] 585 00:30:04,559 --> 00:30:06,860 foreign 586 00:30:09,900 --> 00:30:31,259 [Music] 587 00:30:31,440 --> 00:30:34,580 [Applause] 588 00:30:34,580 --> 00:30:38,640 [Music] 589 00:30:46,420 --> 00:31:07,940 [Music] 590 00:31:15,240 --> 00:31:16,240 hello 591 00:31:16,240 --> 00:31:22,799 [Music] 592 00:31:28,620 --> 00:31:29,860 hello 593 00:31:29,860 --> 00:31:56,940 [Music] 594 00:31:59,640 --> 00:32:01,940 foreign 595 00:32:02,380 --> 00:32:16,800 [Music] 596 00:32:20,240 --> 00:32:33,400 [Music] 597 00:32:36,240 --> 00:32:38,539 foreign 598 00:32:48,500 --> 00:32:49,150 [Music] 599 00:32:49,150 --> 00:32:56,339 [Applause] 600 00:33:07,440 --> 00:33:10,630 [Music] 601 00:33:13,740 --> 00:33:19,349 [Music] 602 00:33:21,940 --> 00:33:26,190 [Music] 603 00:33:27,059 --> 00:33:28,350 foreign 604 00:33:28,350 --> 00:33:55,330 [Music] 605 00:33:55,330 --> 00:33:59,080 [Applause] 606 00:34:21,040 --> 00:34:28,919 [Applause] 607 00:34:53,139 --> 00:34:56,389 [Applause] 608 00:34:59,080 --> 00:35:00,300 [Applause] 609 00:35:00,300 --> 00:35:03,300 foreign 610 00:35:05,460 --> 00:35:06,930 wow 611 00:35:06,930 --> 00:35:30,220 [Music] 612 00:35:33,599 --> 00:35:35,370 foreign 613 00:35:35,370 --> 00:35:46,079 [Applause] 614 00:35:55,260 --> 00:35:58,389 [Music] 615 00:36:17,640 --> 00:36:20,060 foreign 616 00:36:26,030 --> 00:36:29,219 [Applause] 617 00:36:31,250 --> 00:36:39,360 [Applause] 618 00:36:45,530 --> 00:36:47,820 [Music] 619 00:36:47,820 --> 00:36:49,200 hi 620 00:36:49,200 --> 00:36:54,260 we still have yet to find a name for it 621 00:36:55,079 --> 00:36:57,780 you can call it the campaign 622 00:36:57,780 --> 00:36:58,590 yes yes 623 00:36:58,590 --> 00:37:04,560 [Music] 624 00:37:04,560 --> 00:37:08,820 [Applause] 625 00:37:10,010 --> 00:37:13,409 [Music] 626 00:37:13,890 --> 00:37:17,580 [Applause] 627 00:37:17,890 --> 00:37:20,949 [Music] 628 00:37:23,579 --> 00:37:24,850 foreign 629 00:37:24,850 --> 00:37:40,260 [Music] 630 00:37:40,260 --> 00:37:46,920 [Applause] 631 00:37:46,920 --> 00:37:53,860 [Music] 632 00:37:53,860 --> 00:38:00,010 [Applause] 633 00:38:00,170 --> 00:38:09,350 [Music] 634 00:38:09,350 --> 00:38:10,480 [Applause] 635 00:38:10,480 --> 00:38:14,940 [Music] 636 00:38:24,140 --> 00:38:27,520 isn't hard to believe 637 00:38:27,520 --> 00:38:33,039 [Music] 638 00:38:35,070 --> 00:38:38,160 [Music] 639 00:38:38,160 --> 00:38:39,540 foreign 640 00:38:39,540 --> 00:38:42,670 [Music] 641 00:38:48,880 --> 00:39:01,800 [Music] 642 00:39:01,800 --> 00:39:02,360 [Applause] 643 00:39:02,360 --> 00:39:03,190 [Music] 644 00:39:03,190 --> 00:39:07,199 [Applause] 645 00:39:10,510 --> 00:39:13,599 [Music] 646 00:39:16,180 --> 00:39:21,119 [Applause] 647 00:39:21,119 --> 00:39:25,800 and uh yeah yeah just the inside the 648 00:39:25,800 --> 00:39:28,400 general inside42618

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