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hi guys gus here and in this video we're
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going to be looking at the guitars
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of skydog dwayne norman was born on
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november the 20th
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1946 in nashville tennessee dwayne's
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brother
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greg saved up enough money to buy his
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first guitar
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silver tone while dwayne bought a highly
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165 motorbike
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and became the terror of the
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neighborhood tearing up and down the
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road
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the two brothers took it in turns to
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play this guitar and they were often
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fighting over it
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dwayne's interest in guitar soon became
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greater than his interest
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in dirt biking not long after this he
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wrecked his motorbike
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and traded it in for a silvertone guitar
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of his own after he saw bb king perform
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he told his brother greg
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we got to get into this dwayne learned
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to play very quickly
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and soon became the better guitarist of
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the two brothers
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both dwayne and greg were born
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left-handed but the two brothers
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taught themselves to play right-handed
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at the end of 1960 dwayne's mother
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bought him
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a cherry red 1959 gibson les paul jr in
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1963
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dwayne and greg formed their first band
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called the shufflers
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greg played league guitar and duane sang
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in 1964 after seeing the beatles on the
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ed sullivan show
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duane formed a new group called the
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escorts
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and in 1965 the escorts opened for the
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beach boys
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duane used his gibson les paul jr from
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around 1961
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until 1964 or 1965.
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then apparently he pawned it and some
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years later delaney bramlett walked into
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a pawnshop
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and randomly purchased a red les paul jr
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later he showed this guitar to dwayne
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who supposedly
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recognized the guitar as his own by a
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gorge
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or scratch on the back of the body there
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is of course no way of actually
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confirming this
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and many aspects of this story seem too
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random to be true
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but that's what happened at least
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according to delaney
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after 1965 greg and dwayne formed the
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band
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ormond joys and they went on the road
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performing throughout the south
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east and eventually were based in
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nashville after this the allman joys
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became hourglass
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here we can see dwayne norman's 1960s
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gibson
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es335 this is the guitar that he played
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in one of his earliest bands called the
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escorts
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he also used this guitar with the almond
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joys until 1966
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before switching to a 1954 finlay
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telecaster
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this guitar spotted a cherry red finish
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block inlays and a big speech tremolo so
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in this photo here we can see the
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escorts
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opening for the beach boys and you can
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spot
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dwayne norman here with a 335.
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this next guitar is a 1950s fender
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telecaster
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he acquired this guitar when playing
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with the allman joys around 1966
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and he used this as his main guitar
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until 1967 when he was playing
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with the hourglass obviously the first
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thing you'll notice about this guitar
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is it's a telecaster body with a strata
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caster neck
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the neck is most likely from a 1954
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to a 1958 fender stratocaster this
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guitar originally featured a black
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pickguard but was replaced with a white
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one
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another interesting thing about this
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guitar was the fact that it had a fuzz
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or distortion box actually built in and
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connected to two
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broom holders and these were screwed
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into the body unfortunately this
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telecaster was
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stolen during the power of love tour in
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early 1968.
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greg allman states in a guitar world
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acoustic magazine interview
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dwayne traded his main road axe in 1956
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telecaster body with a 53 hog back
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stratocaster neck
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with some kind of crazy booster on the
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side for a gibson j45
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i couldn't believe he did that for me
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because he loved that guitar but he had
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seen
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legitimate signs of a successful
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songwriter in me
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and he knew i needed a boost this next
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guitar is a 1950s
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fender telecaster it was originally
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owned by the bass player in the band the
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hourglass
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pete carr this guitar originally was
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bought from sylvan wells a friend of
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pete and dwayne's
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dwayne set this guitar primarily up for
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slide
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and he also played the first renditions
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of statesboro blues live on stage with
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the hourglass
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in 1968 on this guitar looking at the
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guitar the metal cover of the neck
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pickup has been removed
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the date of manufacture of this guitar
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would be around 1956
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to 1957. at one of the concerts duane
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actually managed to snap the neck of
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this guitar
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and so pete carr took it back to his
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father to get it fixed and it has
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remained with pete ever since
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okay guys let's talk about how dwayne
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began slide guitar so around his
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birthday
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in 1968 dwayne was recovering from an
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injury to his left elbow
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caused from a fall from a horse for his
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birthday brother greg bought him the
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debut album
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from taj mahal and also a bottle of
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coridison pills
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he left them on the front porch and rang
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the bell as dwayne was angry with him
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about the injury
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about two hours after i left the phone
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rang greg recalled
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dwayne had pulled the pills out of the
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bottle washed off the label
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was using it as a slide to play along
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with the album track
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states for a blues dwayne had never
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played sly before greg said
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he just picked it up and started burning
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he was a natural the song became part of
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the allman's brother's repertoire
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okay this next guitar is a 1957 gold top
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gibson let's pull standard i'm first
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going to read you a quote from
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tommy compton who was the original owner
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of dwayne's 57 gold top
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i bought the 57 gold top out of the
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local paper
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guitar and amp for 250 dwayne saw it in
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our apartment in
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early 68 when the hourglass came through
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town
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he later called from jacksonville
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florida and asked to borrow it for a gig
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johnny sadly was here for military
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physical so he carried it to dwayne
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long story short the hourglass broke up
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and dwayne disappeared with a gold top
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my dad was about to put out an apb on
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dwayne
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so i called greg at his mum's and had
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him
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send a wurlitzer electric piano to my
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brother for the guitar
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dwayne was one of the first folks that i
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saw when i got back to macon
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he kind of dropped his head and said he
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was sorry then he grinned and told me
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that he had to have it when folks
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through the years asked me why i didn't
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have dwayne arrested or whatever
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i asked him if they had ever heard him
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play it
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so as you can see in this photo this is
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dwayne with
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his goal top les paul whilst playing
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with the hourglass
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i also want to point out that dwayne
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allman's daughter says
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that this was not the same gold top les
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paul that dwayne played
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whilst in the ormond brothers scott
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lamar who now owns the guitar
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says allman acquired the gold top in
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late 1968
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or early 69 very likely from lipper
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music
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in gainesville florida so this gibson
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les paul gold top had the serial number
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seven three three one two you can see in
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these early photos of dwayne with the
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gold top
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that it has both pickup covers and also
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the toggle switch ring
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and in later photos you can see that
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both the covers
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and the toggle switch ring were removed
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the gold top was used by dwayne on the
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allman brothers debut album released
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in 1969 as well as the second album
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released in 1970
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the albums featured the original
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versions of whipping post
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in memory of elizabeth reed midnight
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rider
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and revival and you can see this guitar
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here on the lomia dime studio sessions
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most notably it was also used on the
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historic
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layla sessions with eric clapton on
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august 1970
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and this guitar was also known as the
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studio guitar at around this time
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dwayne used this guitar the most in the
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studio
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a few weeks after the layla sessions on
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september the 16th
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1970 the allman brothers played a show
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in duane's hometown
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of daytona florida the opening act was
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stone balloon and the guitarist was
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called rick stein
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who played a plain top sunburst 59 les
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paul standard
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whilst making the layla album with eric
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clapton dwayne had fallen in love
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with eric's cherry sunburst list pool
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derek and the domino's keyboard player
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bobby whitlock recalls that layla was
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done before dwayne left the sessions
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he also states that the gold top was a
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main instrument dwayne used in this
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period
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and was very adamant about it being the
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guitar on layla
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the gold top had some pickups that
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dwayne had rewound that he loved
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those were put into the cherry sunburst
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when he traded the gold top
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the stock pickups that were in the
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cherry burst by roadie's red dog
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and joe dan while dwayne went to get the
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cash with the owner or broker
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dwayne likes rick's guitar so he trades
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his gold top
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200 cash and a 50 watt marshall head for
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the burst
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however dwayne did not want to part with
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the pickups already on his goal top
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so he had one of his roadies put them in
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the sunburst
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a common occurrence at a time when the
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word vintage wasn't applied to old
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guitars
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rick stein who now had the gold top
283
00:08:54,399 --> 00:08:56,240
later sold the guitar locally
284
00:08:56,240 --> 00:08:58,160
and somewhere along the line the gold
285
00:08:58,160 --> 00:09:00,480
finish was sanded from the top
286
00:09:00,480 --> 00:09:03,519
fast forward to 1977 and coastal music
287
00:09:03,519 --> 00:09:06,240
a small store in daytona beach where
288
00:09:06,240 --> 00:09:06,720
owner
289
00:09:06,720 --> 00:09:10,399
jim ombi takes it in trade local player
290
00:09:10,399 --> 00:09:12,480
billy bowers sees the guitar and calls
291
00:09:12,480 --> 00:09:13,200
his friend
292
00:09:13,200 --> 00:09:16,240
scott lamarr who buys it later that year
293
00:09:16,240 --> 00:09:18,160
lamar took the guitar to groon's guitar
294
00:09:18,160 --> 00:09:19,279
in nashville
295
00:09:19,279 --> 00:09:21,600
to have the top refinished in gold and
296
00:09:21,600 --> 00:09:23,440
have a bit of wood replaced on the back
297
00:09:23,440 --> 00:09:24,399
of the headstock
298
00:09:24,399 --> 00:09:26,640
where a dog had apparently chewed it not
299
00:09:26,640 --> 00:09:28,080
really liking the refinish
300
00:09:28,080 --> 00:09:31,760
in 1997 he took it to tom murphy
301
00:09:31,760 --> 00:09:35,040
at gibson's historic division
302
00:09:35,040 --> 00:09:37,680
this next guitar is a 1960s coral
303
00:09:37,680 --> 00:09:39,279
electric sitar
304
00:09:39,279 --> 00:09:41,680
the band the hourglass emerged from two
305
00:09:41,680 --> 00:09:43,360
southern bands one of them was the
306
00:09:43,360 --> 00:09:45,920
almond joys featuring both the brothers
307
00:09:45,920 --> 00:09:48,080
relocating two los angeles for their
308
00:09:48,080 --> 00:09:50,640
shot at the big league the renamed
309
00:09:50,640 --> 00:09:51,440
hourglass
310
00:09:51,440 --> 00:09:54,560
wound up recording two albums in 1967
311
00:09:54,560 --> 00:09:58,000
1968 you can hear dwayne playing the
312
00:09:58,000 --> 00:09:59,519
coral electric sitar
313
00:09:59,519 --> 00:10:01,200
on their cover of the beatles song
314
00:10:01,200 --> 00:10:03,200
norwegian wood
315
00:10:03,200 --> 00:10:05,320
an hourglass recording session in early
316
00:10:05,320 --> 00:10:06,640
1968
317
00:10:06,640 --> 00:10:09,120
at fame studios in muscle shoals alabama
318
00:10:09,120 --> 00:10:10,000
caught the ear
319
00:10:10,000 --> 00:10:12,800
of rick hall the owner of fame studios
320
00:10:12,800 --> 00:10:14,480
in 1968 rick hall
321
00:10:14,480 --> 00:10:16,480
bought allman's contract for ten
322
00:10:16,480 --> 00:10:18,959
thousand dollars dwayne's first session
323
00:10:18,959 --> 00:10:19,440
date
324
00:10:19,440 --> 00:10:21,760
was with wilson pickett guys i would
325
00:10:21,760 --> 00:10:23,600
check out the song hey dude by wilson
326
00:10:23,600 --> 00:10:24,320
pickett
327
00:10:24,320 --> 00:10:26,000
dwayne plays some amazing guitar at the
328
00:10:26,000 --> 00:10:27,760
end of the track and it's actually that
329
00:10:27,760 --> 00:10:29,360
guitar playing that brought him to the
330
00:10:29,360 --> 00:10:30,000
attention
331
00:10:30,000 --> 00:10:32,720
of eric clapton who after hearing it
332
00:10:32,720 --> 00:10:33,519
said
333
00:10:33,519 --> 00:10:35,360
i remember hearing wilson pickets hey
334
00:10:35,360 --> 00:10:37,519
jude and being astounded by the lead
335
00:10:37,519 --> 00:10:38,720
break at the end
336
00:10:38,720 --> 00:10:41,120
i had to know who that was immediately
337
00:10:41,120 --> 00:10:42,079
right now
338
00:10:42,079 --> 00:10:44,399
this next guitar is a 1960s fender
339
00:10:44,399 --> 00:10:46,560
stratocaster which dwayne used for most
340
00:10:46,560 --> 00:10:47,760
of his session work
341
00:10:47,760 --> 00:10:50,000
and this includes studios such as queen
342
00:10:50,000 --> 00:10:51,120
v recording studio
343
00:10:51,120 --> 00:10:53,519
sheffield fame recording studios muscle
344
00:10:53,519 --> 00:10:55,680
shoals and atlantic recording studios in
345
00:10:55,680 --> 00:10:56,480
manhattan
346
00:10:56,480 --> 00:10:58,240
and you can hear this guitar on songs by
347
00:10:58,240 --> 00:11:00,079
artists such as wilson pickett king
348
00:11:00,079 --> 00:11:02,000
curtis and aretha franklin
349
00:11:02,000 --> 00:11:03,680
the first photos of dwayne with this
350
00:11:03,680 --> 00:11:05,920
guitar date back to 1968
351
00:11:05,920 --> 00:11:08,800
when he was playing with the hourglass
352
00:11:08,800 --> 00:11:10,240
dwayne painted the pickguard
353
00:11:10,240 --> 00:11:12,720
and the pickup covers black and you can
354
00:11:12,720 --> 00:11:15,120
see dwayne has painted his own horoscope
355
00:11:15,120 --> 00:11:15,680
sign
356
00:11:15,680 --> 00:11:17,920
a red scorpion on the pickguard the
357
00:11:17,920 --> 00:11:19,600
stratocaster was a replacement for the
358
00:11:19,600 --> 00:11:20,880
fender telecaster
359
00:11:20,880 --> 00:11:22,399
he played with the almond joys and
360
00:11:22,399 --> 00:11:24,880
hourglass this strap featured a rosewood
361
00:11:24,880 --> 00:11:25,680
fingerboard
362
00:11:25,680 --> 00:11:27,920
and also a larger headstock at the
363
00:11:27,920 --> 00:11:29,640
earliest it would have been made in late
364
00:11:29,640 --> 00:11:31,440
1965.
365
00:11:31,440 --> 00:11:34,800
okay this is a 1954 fender stratocaster
366
00:11:34,800 --> 00:11:37,200
which is actually on show at the hard
367
00:11:37,200 --> 00:11:38,720
rock cafe
368
00:11:38,720 --> 00:11:40,240
the hard rock cafe state that dwayne
369
00:11:40,240 --> 00:11:42,000
norman played this guitar
370
00:11:42,000 --> 00:11:43,760
but i personally can't find actually any
371
00:11:43,760 --> 00:11:45,360
evidence of it
372
00:11:45,360 --> 00:11:46,720
the serial number of this guitar is
373
00:11:46,720 --> 00:11:49,040
quite interesting as it's number 19.
374
00:11:49,040 --> 00:11:52,079
this is an alpine white 1963 gibson
375
00:11:52,079 --> 00:11:53,120
firebird
376
00:11:53,120 --> 00:11:54,639
and in this photo you can see it being
377
00:11:54,639 --> 00:11:56,480
played by dwayne betts
378
00:11:56,480 --> 00:11:58,240
the story goes that dwayne allman fell
379
00:11:58,240 --> 00:11:59,600
in love with this guitar
380
00:11:59,600 --> 00:12:01,120
and he bought it off wilson pickett's
381
00:12:01,120 --> 00:12:03,519
guitar player there's no certainty that
382
00:12:03,519 --> 00:12:04,959
it was actually used
383
00:12:04,959 --> 00:12:07,279
on a session or anything like that so if
384
00:12:07,279 --> 00:12:08,560
you have any information about this
385
00:12:08,560 --> 00:12:10,320
guitar or dwayne in a photo
386
00:12:10,320 --> 00:12:12,079
or a photo with rain playing this guitar
387
00:12:12,079 --> 00:12:13,839
would be great to hear from you
388
00:12:13,839 --> 00:12:15,519
this is a photo of dwayne playing a
389
00:12:15,519 --> 00:12:18,399
sunburst gibson es335
390
00:12:18,399 --> 00:12:19,839
as you can notice from the photo the
391
00:12:19,839 --> 00:12:21,839
pickguard and pickup covers have been
392
00:12:21,839 --> 00:12:22,880
removed
393
00:12:22,880 --> 00:12:24,560
this would have happened around june
394
00:12:24,560 --> 00:12:25,920
1970
395
00:12:25,920 --> 00:12:27,600
by all accounts dwayne used this guitar
396
00:12:27,600 --> 00:12:29,360
with the ormond brothers around
397
00:12:29,360 --> 00:12:32,399
1970 and he used it at the same time
398
00:12:32,399 --> 00:12:34,399
that he owned the gold topless pool
399
00:12:34,399 --> 00:12:36,000
for the record guys in my opinion dwayne
400
00:12:36,000 --> 00:12:37,839
norman never played a gibson
401
00:12:37,839 --> 00:12:40,959
semi-acoustic es345
402
00:12:40,959 --> 00:12:43,440
however dickie betts actually early on
403
00:12:43,440 --> 00:12:46,079
in the olmer brothers did use an es345
404
00:12:46,079 --> 00:12:47,839
with a trapeze bridge
405
00:12:47,839 --> 00:12:51,279
so this gibson es335
406
00:12:51,279 --> 00:12:53,120
next sunburst model would have been a
407
00:12:53,120 --> 00:12:54,720
guitar that he owned in the early days
408
00:12:54,720 --> 00:12:56,000
of the allman brothers
409
00:12:56,000 --> 00:12:58,320
apparently years later dickey betts gave
410
00:12:58,320 --> 00:12:59,360
it to a young
411
00:12:59,360 --> 00:13:02,639
eddie shafer along with dickey's 55
412
00:13:02,639 --> 00:13:03,200
strat
413
00:13:03,200 --> 00:13:04,720
which would become eddie's workhorse
414
00:13:04,720 --> 00:13:06,880
guitar after eddie's death in the year
415
00:13:06,880 --> 00:13:07,680
2000
416
00:13:07,680 --> 00:13:09,519
the guitar has now ended up with willie
417
00:13:09,519 --> 00:13:12,000
nelson and apparently willie keeps it in
418
00:13:12,000 --> 00:13:12,880
his safe
419
00:13:12,880 --> 00:13:15,040
here we can see dwayne with the 1950s
420
00:13:15,040 --> 00:13:16,560
gibson les paul jr
421
00:13:16,560 --> 00:13:18,399
this is footage of the ormond brothers
422
00:13:18,399 --> 00:13:19,600
playing a concert
423
00:13:19,600 --> 00:13:22,480
at love valley festival in 1970. it's
424
00:13:22,480 --> 00:13:24,079
quite possible that this was his backup
425
00:13:24,079 --> 00:13:24,720
guitar
426
00:13:24,720 --> 00:13:26,880
as you can see from this photo it is a
427
00:13:26,880 --> 00:13:27,839
tv yellow
428
00:13:27,839 --> 00:13:30,160
color it comes with one single pickup a
429
00:13:30,160 --> 00:13:31,760
tone knob and a volume knob
430
00:13:31,760 --> 00:13:34,000
not much is known about this guitar and
431
00:13:34,000 --> 00:13:35,680
there's not a lot of photos with
432
00:13:35,680 --> 00:13:38,800
dwayne playing it this is a 1966
433
00:13:38,800 --> 00:13:41,519
fender coronado 2 guitar apparently
434
00:13:41,519 --> 00:13:43,120
dwayne bought this from the
435
00:13:43,120 --> 00:13:45,440
makon music store and traded it for a
436
00:13:45,440 --> 00:13:47,920
yellow les paul jr in the late 60s
437
00:13:47,920 --> 00:13:49,760
notice in this photo of hourglass
438
00:13:49,760 --> 00:13:50,800
performing
439
00:13:50,800 --> 00:13:53,120
duane is holding a telecaster but behind
440
00:13:53,120 --> 00:13:54,480
him to his left
441
00:13:54,480 --> 00:13:57,839
is a fender electric 12 12 string guitar
442
00:13:57,839 --> 00:13:59,360
this would really suit the music that
443
00:13:59,360 --> 00:14:01,120
the hourglass were playing at the time
444
00:14:01,120 --> 00:14:02,720
there are no photos of him actually
445
00:14:02,720 --> 00:14:04,240
playing this guitar but it's quite
446
00:14:04,240 --> 00:14:05,760
possible that he would use this for
447
00:14:05,760 --> 00:14:07,120
concerts and recording
448
00:14:07,120 --> 00:14:09,760
here is dwayne playing a 1968 fender
449
00:14:09,760 --> 00:14:11,760
rosewood telecaster this was the very
450
00:14:11,760 --> 00:14:13,760
guitar that george harrison used on the
451
00:14:13,760 --> 00:14:14,800
let it be movie
452
00:14:14,800 --> 00:14:16,720
during the abbey road studio sessions
453
00:14:16,720 --> 00:14:18,639
george gave it to delaney bramlett in
454
00:14:18,639 --> 00:14:19,760
1969
455
00:14:19,760 --> 00:14:21,279
and here you can see dwayne playing this
456
00:14:21,279 --> 00:14:23,279
guitar which i think is kind of cool
457
00:14:23,279 --> 00:14:25,279
two years after george harrison died
458
00:14:25,279 --> 00:14:27,279
bramlett put the guitar up for auction
459
00:14:27,279 --> 00:14:29,199
and it was purchased by harrison's widow
460
00:14:29,199 --> 00:14:30,800
olivia for more than four hundred and
461
00:14:30,800 --> 00:14:32,240
seventy thousand dollars
462
00:14:32,240 --> 00:14:35,279
this is duane with the 1968 gibson les
463
00:14:35,279 --> 00:14:36,480
paul custom
464
00:14:36,480 --> 00:14:38,560
serial number five three seven eight
465
00:14:38,560 --> 00:14:40,720
three seven it was owned first by dwayne
466
00:14:40,720 --> 00:14:42,880
allman and then later his brother greg
467
00:14:42,880 --> 00:14:45,600
in 1993 it was bought by larry english a
468
00:14:45,600 --> 00:14:47,760
former executive vice president
469
00:14:47,760 --> 00:14:49,519
of gibson guitars on the back of the
470
00:14:49,519 --> 00:14:51,600
body it reads donna i love you
471
00:14:51,600 --> 00:14:53,279
carved into the body by dwayne the
472
00:14:53,279 --> 00:14:55,279
pickup covers have both been removed and
473
00:14:55,279 --> 00:14:56,639
the neck pickup seems to have been
474
00:14:56,639 --> 00:14:57,360
replaced
475
00:14:57,360 --> 00:14:59,279
past it quite possibly with a dmr zero
476
00:14:59,279 --> 00:15:00,639
pickup here you can see dwayne playing
477
00:15:00,639 --> 00:15:00,880
the
478
00:15:00,880 --> 00:15:03,199
guitar in 1970. as you can see from the
479
00:15:03,199 --> 00:15:04,320
photo
480
00:15:04,320 --> 00:15:06,880
installed are what are called amp knobs
481
00:15:06,880 --> 00:15:09,040
and these were used by gibson on guitars
482
00:15:09,040 --> 00:15:10,720
from 1968 onwards
483
00:15:10,720 --> 00:15:13,120
as discussed earlier this is the 1959
484
00:15:13,120 --> 00:15:15,920
gibson les paul standard cherry burst
485
00:15:15,920 --> 00:15:19,279
which dwayne traded in september 1970
486
00:15:19,279 --> 00:15:21,839
with stone balloons guitarist rick stein
487
00:15:21,839 --> 00:15:23,199
for his gold top
488
00:15:23,199 --> 00:15:26,639
a marshall head and 200 dollars and as
489
00:15:26,639 --> 00:15:28,800
stated before dwayne wanted to keep his
490
00:15:28,800 --> 00:15:31,040
original path pickups from his goal top
491
00:15:31,040 --> 00:15:32,639
as you can see this is the cherry
492
00:15:32,639 --> 00:15:34,959
sunburst finish dwayne always preferred
493
00:15:34,959 --> 00:15:35,279
to
494
00:15:35,279 --> 00:15:37,279
remove the pickguards from his les paul
495
00:15:37,279 --> 00:15:39,120
guitars the pickups from the gold top
496
00:15:39,120 --> 00:15:40,480
didn't have covers
497
00:15:40,480 --> 00:15:42,160
so the common belief is that duane
498
00:15:42,160 --> 00:15:43,920
installed covers before he put
499
00:15:43,920 --> 00:15:46,320
these pickups into his cherry sunburst
500
00:15:46,320 --> 00:15:49,120
pool so from september 1970
501
00:15:49,120 --> 00:15:51,120
until the end of dwayne's career this is
502
00:15:51,120 --> 00:15:52,639
the guitar that he played
503
00:15:52,639 --> 00:15:55,279
dwayne played this guitar until he died
504
00:15:55,279 --> 00:15:57,440
you can hear it most noticeably on the
505
00:15:57,440 --> 00:16:00,120
live album at fillmore east recorded in
506
00:16:00,120 --> 00:16:01,440
1971.
507
00:16:01,440 --> 00:16:03,440
this is a photo of how the les paul
508
00:16:03,440 --> 00:16:05,360
looks like now and as you can see the
509
00:16:05,360 --> 00:16:07,040
red has completely faded
510
00:16:07,040 --> 00:16:08,800
this guitar is now owned by dwayne's
511
00:16:08,800 --> 00:16:10,320
daughter galadriel
512
00:16:10,320 --> 00:16:12,320
in order to keep it safe it is kept with
513
00:16:12,320 --> 00:16:14,399
the rock and roll hall of fame museum
514
00:16:14,399 --> 00:16:15,839
the cherry burst les paul became
515
00:16:15,839 --> 00:16:18,000
dwayne's main guitar as you can see from
516
00:16:18,000 --> 00:16:19,920
the photo the tuners are the original
517
00:16:19,920 --> 00:16:20,800
klusons
518
00:16:20,800 --> 00:16:22,560
one thing to point out is path pickups
519
00:16:22,560 --> 00:16:24,000
from 1957
520
00:16:24,000 --> 00:16:26,320
were normally lower output than those
521
00:16:26,320 --> 00:16:28,240
installed in 1959
522
00:16:28,240 --> 00:16:29,920
yielding greater clarity and
523
00:16:29,920 --> 00:16:33,199
articulation as was usual for 1957
524
00:16:33,199 --> 00:16:35,680
these pickups had fatter wire double
525
00:16:35,680 --> 00:16:38,000
black bobbins and were both wound with a
526
00:16:38,000 --> 00:16:39,199
dcr
527
00:16:39,199 --> 00:16:42,480
of approximately 7 ohms when gibson
528
00:16:42,480 --> 00:16:44,399
custom shop had this guitar in-house for
529
00:16:44,399 --> 00:16:45,360
replication
530
00:16:45,360 --> 00:16:49,360
the resistance decided on was 6.97 k
531
00:16:49,360 --> 00:16:52,560
in the neck and 7.04 k
532
00:16:52,560 --> 00:16:54,959
in the bridge here you can see a photo
533
00:16:54,959 --> 00:16:56,880
of dwayne and his cherry burst
534
00:16:56,880 --> 00:16:59,279
with eric clapton together for the album
535
00:16:59,279 --> 00:17:01,040
sessions for derek and the dominoes
536
00:17:01,040 --> 00:17:02,959
so my question to you guys is is this
537
00:17:02,959 --> 00:17:04,799
the guitar that was used on the song
538
00:17:04,799 --> 00:17:07,039
leila or was it the gold top the dway
539
00:17:07,039 --> 00:17:09,120
norman went back for a last session
540
00:17:09,120 --> 00:17:11,360
and that included the song layla where
541
00:17:11,360 --> 00:17:13,679
he laid down some overdubs
542
00:17:13,679 --> 00:17:15,199
recently when the cherry burst was
543
00:17:15,199 --> 00:17:17,439
examined guitar tech tommy alderson had
544
00:17:17,439 --> 00:17:18,240
this to say
545
00:17:18,240 --> 00:17:20,000
about the pickup setup on the cherry
546
00:17:20,000 --> 00:17:22,160
burst less pool they are set different
547
00:17:22,160 --> 00:17:24,559
than anything i've ever encountered he
548
00:17:24,559 --> 00:17:26,480
said dropped down a fair amount below
549
00:17:26,480 --> 00:17:28,240
the pickup ring the pickup pole
550
00:17:28,240 --> 00:17:30,640
adjustments had the screws turned up
551
00:17:30,640 --> 00:17:32,799
so they would pick up the signal also
552
00:17:32,799 --> 00:17:33,760
unusual
553
00:17:33,760 --> 00:17:35,520
the bridge pickup is a lot weaker than
554
00:17:35,520 --> 00:17:37,200
the neck pickup i plugged it in
555
00:17:37,200 --> 00:17:38,960
and put it in the middle and it was the
556
00:17:38,960 --> 00:17:40,960
one way out sound it was just crazy to
557
00:17:40,960 --> 00:17:42,799
hear
558
00:17:42,799 --> 00:17:46,240
here's dwayne with the 1961 gibson sg
559
00:17:46,240 --> 00:17:48,240
les paul as you can see it's finished in
560
00:17:48,240 --> 00:17:50,480
cherry red this is a guitar that he got
561
00:17:50,480 --> 00:17:52,320
from dickie betts who himself played it
562
00:17:52,320 --> 00:17:54,559
in the early days of the um brothers
563
00:17:54,559 --> 00:17:56,400
what happened back then was i had this
564
00:17:56,400 --> 00:17:58,799
sg when we started the band
565
00:17:58,799 --> 00:18:01,679
and then i got a les paul my 57 and when
566
00:18:01,679 --> 00:18:03,360
dwayne wanted to play slide
567
00:18:03,360 --> 00:18:05,120
he would always have to retune his
568
00:18:05,120 --> 00:18:06,480
guitar every time
569
00:18:06,480 --> 00:18:08,400
and i got tired of it and said here take
570
00:18:08,400 --> 00:18:10,799
this guitar tune it and leave it tuned
571
00:18:10,799 --> 00:18:13,600
and gave him my sg he loved that guitar
572
00:18:13,600 --> 00:18:16,000
this guitar was bought in early 1970
573
00:18:16,000 --> 00:18:17,600
from the lipper music store in
574
00:18:17,600 --> 00:18:20,280
gainesville duane started to use it in
575
00:18:20,280 --> 00:18:21,919
mid-1971
576
00:18:21,919 --> 00:18:23,440
as you can see from this photo there is
577
00:18:23,440 --> 00:18:25,440
a snake bite as this guitar originally
578
00:18:25,440 --> 00:18:27,440
featured a gibson's sideways
579
00:18:27,440 --> 00:18:29,600
rib roller tremolo and you can see that
580
00:18:29,600 --> 00:18:31,600
it's been modified with a stop tail
581
00:18:31,600 --> 00:18:32,160
piece
582
00:18:32,160 --> 00:18:34,480
it featured two gibson paf humpbacking
583
00:18:34,480 --> 00:18:35,600
pickups
584
00:18:35,600 --> 00:18:37,919
the original small pickguard however the
585
00:18:37,919 --> 00:18:39,840
truss rod cover does not feature the les
586
00:18:39,840 --> 00:18:40,240
paul
587
00:18:40,240 --> 00:18:42,400
logo dwayne would have set this guitar
588
00:18:42,400 --> 00:18:44,000
up for slide so it would have been in an
589
00:18:44,000 --> 00:18:45,200
open tuning
590
00:18:45,200 --> 00:18:47,679
dwayne mostly tuned this guitar to an
591
00:18:47,679 --> 00:18:48,880
open e
592
00:18:48,880 --> 00:18:52,000
so load to higher that would be e b e g
593
00:18:52,000 --> 00:18:55,440
sharp b e the design of the sg with its
594
00:18:55,440 --> 00:18:56,720
double cutaway body
595
00:18:56,720 --> 00:18:58,559
was well suited to his slide work
596
00:18:58,559 --> 00:19:00,080
allowing easy access
597
00:19:00,080 --> 00:19:02,000
to the upper regions of the fretboard
598
00:19:02,000 --> 00:19:04,400
duane chose to wear the sg high on his
599
00:19:04,400 --> 00:19:04,799
body
600
00:19:04,799 --> 00:19:06,640
to facilitate navigating the board
601
00:19:06,640 --> 00:19:08,880
overall in this photo you can see
602
00:19:08,880 --> 00:19:10,640
dickie betts with the guitar when he
603
00:19:10,640 --> 00:19:12,799
featured the sideways tremolo which was
604
00:19:12,799 --> 00:19:13,919
later removed
605
00:19:13,919 --> 00:19:16,000
the sg is the instrument that was played
606
00:19:16,000 --> 00:19:17,679
on the live recording of statesboro
607
00:19:17,679 --> 00:19:18,320
blues
608
00:19:18,320 --> 00:19:20,240
from the allman brothers bands classic
609
00:19:20,240 --> 00:19:22,720
at film east this guitar went for sale
610
00:19:22,720 --> 00:19:26,480
at auction fetching 591 thousand dollars
611
00:19:26,480 --> 00:19:27,919
making it one of the most valuable
612
00:19:27,919 --> 00:19:29,520
electric guitars ever sold
613
00:19:29,520 --> 00:19:31,200
after dwayne orman's death the guitar
614
00:19:31,200 --> 00:19:32,720
was acquired by former member of the
615
00:19:32,720 --> 00:19:34,000
holly's graham nash
616
00:19:34,000 --> 00:19:36,240
nash bought the guitar after fred walaki
617
00:19:36,240 --> 00:19:37,600
the owner of the guitar store in
618
00:19:37,600 --> 00:19:38,080
possession
619
00:19:38,080 --> 00:19:39,840
of the instrument made him aware that
620
00:19:39,840 --> 00:19:41,440
the instrument was available prior to
621
00:19:41,440 --> 00:19:42,000
the sale
622
00:19:42,000 --> 00:19:43,760
nash had this to say about the guitar
623
00:19:43,760 --> 00:19:46,000
this is the famous from one brother to
624
00:19:46,000 --> 00:19:46,559
another
625
00:19:46,559 --> 00:19:48,960
guitar traded between dickie betts and
626
00:19:48,960 --> 00:19:50,880
dwayne on all their live shows
627
00:19:50,880 --> 00:19:53,039
like at beacon theater in new york this
628
00:19:53,039 --> 00:19:54,559
is a very special guitar
629
00:19:54,559 --> 00:19:56,160
dwayne was obviously one of the great
630
00:19:56,160 --> 00:19:57,840
guitar players in the world to be able
631
00:19:57,840 --> 00:19:58,960
to hold this guitar
632
00:19:58,960 --> 00:20:01,360
and humbly play an a minor that's about
633
00:20:01,360 --> 00:20:02,720
the best thing i can do
634
00:20:02,720 --> 00:20:04,400
i don't want to play slide who would
635
00:20:04,400 --> 00:20:06,720
want to do that this is a great guitar
636
00:20:06,720 --> 00:20:08,159
the guitar was supposed to be buried
637
00:20:08,159 --> 00:20:09,919
next to dwayne but greg
638
00:20:09,919 --> 00:20:11,840
supposedly remembered that dwayne had
639
00:20:11,840 --> 00:20:14,320
told him that he wanted jerry groom to
640
00:20:14,320 --> 00:20:15,840
have the guitar if anything ever
641
00:20:15,840 --> 00:20:17,280
happened to him
642
00:20:17,280 --> 00:20:19,520
years later jerry sold it to graham nash
643
00:20:19,520 --> 00:20:20,720
of the hollies
644
00:20:20,720 --> 00:20:23,120
since that time the guitar was featured
645
00:20:23,120 --> 00:20:25,280
at the rock hall of fame exhibit hosted
646
00:20:25,280 --> 00:20:26,240
by nash
647
00:20:26,240 --> 00:20:28,480
okay this last guitar is the guitar
648
00:20:28,480 --> 00:20:30,080
known as hotlanta
649
00:20:30,080 --> 00:20:33,600
this is quite probably a 1959 gibson les
650
00:20:33,600 --> 00:20:34,480
paul standard
651
00:20:34,480 --> 00:20:36,960
and it's known as a dark burst in june
652
00:20:36,960 --> 00:20:38,080
1971
653
00:20:38,080 --> 00:20:40,799
guitar dealer kurt linhoff sold away in
654
00:20:40,799 --> 00:20:41,840
the dark burst
655
00:20:41,840 --> 00:20:43,919
which became his main guitar until his
656
00:20:43,919 --> 00:20:45,919
death on october the 29th
657
00:20:45,919 --> 00:20:48,960
1971. dwayne met kurt lindhoff through
658
00:20:48,960 --> 00:20:51,679
billy gibbons of zz top cz top was
659
00:20:51,679 --> 00:20:53,360
opening for the allman brothers
660
00:20:53,360 --> 00:20:55,440
dwayne was looking for a tobacco burst
661
00:20:55,440 --> 00:20:56,720
dwayne's terms were
662
00:20:56,720 --> 00:20:58,400
i'll pay you the cost of the guitar plus
663
00:20:58,400 --> 00:21:00,320
half plus half of that
664
00:21:00,320 --> 00:21:02,960
plus half of that and half of that it
665
00:21:02,960 --> 00:21:04,080
became a running joke
666
00:21:04,080 --> 00:21:06,080
the rest of the almonds also gave curt a
667
00:21:06,080 --> 00:21:07,679
shopping list of gear they were looking
668
00:21:07,679 --> 00:21:08,880
for as well
669
00:21:08,880 --> 00:21:10,720
when kurt found and first acquired the
670
00:21:10,720 --> 00:21:12,400
less pool it had already had a
671
00:21:12,400 --> 00:21:13,760
replacement headstock
672
00:21:13,760 --> 00:21:16,240
peghead on it because the original had
673
00:21:16,240 --> 00:21:17,280
been broken off
674
00:21:17,280 --> 00:21:19,039
and the owner had it fixed because of
675
00:21:19,039 --> 00:21:20,799
this accurate dating of dwayne's les
676
00:21:20,799 --> 00:21:21,919
paul becomes almost
677
00:21:21,919 --> 00:21:23,760
impossible therefore it's difficult to
678
00:21:23,760 --> 00:21:25,600
determine that this guitar was made in
679
00:21:25,600 --> 00:21:26,720
1959.
680
00:21:26,720 --> 00:21:28,240
kurt had the guitar for a couple of
681
00:21:28,240 --> 00:21:29,760
months before delivery
682
00:21:29,760 --> 00:21:31,760
during this time he switched the pickups
683
00:21:31,760 --> 00:21:33,520
the rhythm pickup was switched to the
684
00:21:33,520 --> 00:21:34,400
bridge position
685
00:21:34,400 --> 00:21:36,240
and the bridge to the rhythm this was a
686
00:21:36,240 --> 00:21:37,760
common practice amongst early burst
687
00:21:37,760 --> 00:21:38,720
connoisseurs
688
00:21:38,720 --> 00:21:40,559
as the les paul was designed originally
689
00:21:40,559 --> 00:21:42,480
as a solid body jazz guitar
690
00:21:42,480 --> 00:21:45,679
hotlanta pickups measured 8.7 ohms in
691
00:21:45,679 --> 00:21:46,559
the bridge
692
00:21:46,559 --> 00:21:49,919
and 8.3 ohms in the neck curt says
693
00:21:49,919 --> 00:21:52,320
he has only come across one path that
694
00:21:52,320 --> 00:21:53,919
was hotter than hotlanta
695
00:21:53,919 --> 00:21:57,520
and that was a path reading 8.99 k
696
00:21:57,520 --> 00:21:59,360
fittingly it was scoots who traveled to
697
00:21:59,360 --> 00:22:01,120
cleveland to transport the guitars to
698
00:22:01,120 --> 00:22:02,080
new york
699
00:22:02,080 --> 00:22:04,559
kurt linov states wayne was flawed and
700
00:22:04,559 --> 00:22:05,200
in love
701
00:22:05,200 --> 00:22:07,120
dwayne tried out the tobacco burst
702
00:22:07,120 --> 00:22:08,720
against the cherry burst
703
00:22:08,720 --> 00:22:11,120
others have stated that this guitar is a
704
00:22:11,120 --> 00:22:12,000
1958
705
00:22:12,000 --> 00:22:14,480
tobacco sunburst and that originally it
706
00:22:14,480 --> 00:22:16,240
came from san antonio
707
00:22:16,240 --> 00:22:18,880
and belonged to christopher cross even
708
00:22:18,880 --> 00:22:20,080
though this is sometimes called the
709
00:22:20,080 --> 00:22:21,360
tobacco burst
710
00:22:21,360 --> 00:22:24,720
it has a dark red ring around the edges
711
00:22:24,720 --> 00:22:26,159
it's not known if the headstock has
712
00:22:26,159 --> 00:22:28,240
actually been replaced or just repaired
713
00:22:28,240 --> 00:22:29,760
those who have personally examined the
714
00:22:29,760 --> 00:22:30,720
tobacco burst
715
00:22:30,720 --> 00:22:33,120
believe it is a 1959 model when the
716
00:22:33,120 --> 00:22:33,919
guitar needed
717
00:22:33,919 --> 00:22:36,400
refretting twig slide and didn't want
718
00:22:36,400 --> 00:22:38,320
even to let the original frets go
719
00:22:38,320 --> 00:22:39,840
so he just hammered them into the back
720
00:22:39,840 --> 00:22:42,000
of the guitar spelling dwayne
721
00:22:42,000 --> 00:22:44,240
after dwayne's death greg had the dark
722
00:22:44,240 --> 00:22:46,480
burst but the band's road manager twix
723
00:22:46,480 --> 00:22:47,039
linden
724
00:22:47,039 --> 00:22:49,679
was worried about its fate a classic
725
00:22:49,679 --> 00:22:51,039
card aficionado
726
00:22:51,039 --> 00:22:54,080
lyndon traded greg in 1939 ford
727
00:22:54,080 --> 00:22:56,799
opera coupe for the guitar determined to
728
00:22:56,799 --> 00:22:58,480
hold it for galadriel
729
00:22:58,480 --> 00:23:00,159
he took the guitar on tour with the
730
00:23:00,159 --> 00:23:02,320
dixie dregs and it was on the road with
731
00:23:02,320 --> 00:23:04,480
him and the band when lyndon died in a
732
00:23:04,480 --> 00:23:07,280
skydiving accident in 1979.
733
00:23:07,280 --> 00:23:09,520
drex guitarist steve moore safeguarded
734
00:23:09,520 --> 00:23:11,440
the guitar for over a decade
735
00:23:11,440 --> 00:23:13,440
recording several tracks with it on
736
00:23:13,440 --> 00:23:15,039
april the 2nd 1990
737
00:23:15,039 --> 00:23:17,440
twig's brother scoots lyndon met donna
738
00:23:17,440 --> 00:23:18,880
orman at dwayne's
739
00:23:18,880 --> 00:23:21,200
macon grave and presented her with the
740
00:23:21,200 --> 00:23:22,000
guitar for her
741
00:23:22,000 --> 00:23:24,559
daughter many thanks indeed guys for
742
00:23:24,559 --> 00:23:25,919
watching this video
743
00:23:25,919 --> 00:23:27,360
we're going to be back with much more
744
00:23:27,360 --> 00:23:29,600
very soon until then don't forget to
745
00:23:29,600 --> 00:23:30,640
subscribe
746
00:23:30,640 --> 00:23:33,120
this is goose signing out god bless take
747
00:23:33,120 --> 00:23:35,840
care48793
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