All language subtitles for Ghost.Whisperer.S04E04.1080p.WEBRip.x265-RARBG

[SHIP'S HORN BLOWS]

CAPTIONING MADE POSSIBLE
BY TOUCHSTONE TELEVISION
AND CBS, INC.

IT'LL BE 3 DAYS
OF RELAXATION.

IN A TUXEDO.

Melinda: IT'LL BE ROMANTIC.

WHAT IF WE GET SEASICK?

I MIGHT BE OVULATING.

THIS COULD BE THE BEST
ANNIVERSARY TRIP EVER.

HEY, CAN YOU PLEASE
STOP TALKING AND SMILE?

OH, SORRY.

AHA. THERE WE GO.

WHAT WERE YOU TWO
WHISPERIN' ABOUT ANYWAY?

OH, I WAS
JUST TELLING HIM
HOW EXCITED I AM

TO PICK UP SOME
REALLY GREAT PIECES
FOR THE SHOP.

IT'S KIND OF SAD

THAT THEY'RE
JUST GONNA SCRAP

THIS GIGANTIC
THING.

YEAH, BUT FIRST
THEY'RE GONNA
AUCTION OFF EVERYTHING.

PROMISE ME YOU
WON'T GO OVERBOARD.

YES, YES.

I KNOW WHEN
TO STOP BIDDING. SHUSH.

NO, FOR ONCE,
I'M BEING LITERAL.

I'M TALKING
ABOUT THAT WOMAN

WHO JUMPED OFF
THIS SHIP LAST WEEK.

DON'T YOU GUYS
WATCH THE NEWS?

YEAH. ALL THEY FOUND
WERE HER SHOES
BY THE RAILING.

PEOPLE DO THAT
APPARENTLY.

THEY JUST TAKE OFF
THEIR SHOES
BEFORE THEY JUMP.

OH, YOU'RE NOT JUST
BEING LITERAL.

YOU'RE BEING KIND OF WEIRD,

AND NO ONE
IS GOING OVERBOARD.

[HORN HONKS]
[P.A.] ALL ABOARD!

OOH. OK.

DON'T FORGET
THEY'RE COMING SATURDAY

TO DELIVER
THE NEW FRIDGE
FOR THE GARAGE.

I GOT IT. GO.
HAVE FUN.

BYE, D.
BYE.

HAVEN'T TOLD HER
WE'RE TRYING TO GET PREGNANT?

I DON'T WANT TO MAKE
AN ANNOUNCEMENT

UNTIL THERE'S
SOMETHING TO ANNOUNCE.

BUT YOU KNOW, 3 DAYS,
THE OPEN SEA,

WITH NOTHING ELSE TO DO.

NO AUCTION PREVIEW?

EVERY NOW AND THEN,
YOU HAVE TO
TAKE A BREAK.

OH, DO YOU?

OHH.

DID YOUR GHOST-DAR
GO PING?

THERE MAY BE ONE OR...

20.

FINALLY.
SOMEBODY WHO CAN SEE US.

OH, DON'T MIND THEM.
THEY'RE ALL ON EDGE

ABOUT THE SHIP
GOING TO THE BREAKERS,

BUT ALL GOOD PARTIES
HAVE TO END, RIGHT?

WELCOME ABOARD.
I'M BETTY.

UM, MELINDA.

WHAT HAPPENED
TO YOU?

OH. PHEW. SO SORRY.

I WAS DEAD IN MY STATEROOM
BEFORE THE STEWARD FOUND ME.

BLOOD SETTLED
TO THAT SIDE.

MY ADVICE--IF YOU'RE HAVING
A MASSIVE CORONARY,

DON'T PUT
THE "DO NOT DISTURB" SIGN
OUT FIRST.

NOW, COME ON.
YOU'RE GONNA LOVE THE CLARIDON.

I ALREADY DO.

YOU MAKING FRIENDS
ALREADY?

YEAH, ONE THAT'S
ACTUALLY NICE.

SO YOU'VE BEEN HERE
SINCE THE FIFTIES?

NO. GOD, NO.

'99. I WAS
A VINTAGE-CLOTHING
DEALER.

SO YOU SAID
YOU'RE IN M-110?

OH,
IT'S A LOVELY ROOM.

AUDREY HEPBURN
ONCE STAYED THERE.

YOU REMIND ME
OF HER.

IT'S JUST UP AHEAD
ON THE RIGHT.

[GASPS]
OH, GOD.

NOT NOW, MR. LINARCOS.

LIKE I SAID,
THEY'RE ALL RESTLESS,

WORRIED THAT WHEN
THE SHIP IS DESTROYED,

THEY'LL BE LOST FOREVER.

Woman: WELL, BRIBE THE STEWARD.
I CAN'T STAND OUR ROOM ANYMORE.

AT LEAST YOU CAN
BREATHE IN HERE.

Man: THE SHIP'S
SOLD OUT.

WHOEVER BOOKED
THIS ROOM IS GONNA
BE HERE ANY MINUTE.

THEN WE SHOULD HURRY.

UH, HI. I THINK
THIS IS OUR ROOM. HEH.

RIGHT. SORRY.

WE WERE JUST, UH...

BEING NOSY. HEH.

HI. I'M RICH HENDERSON,

AND THIS IS MY FIANCÉE--
I MEAN--HEH--MY WIFE.

JULIA. IT'S HARD TO TELL,
BUT WE'RE ON OUR HONEYMOON.

AWW.
CONGRATULATIONS.

I-I'M MELINDA, AND THIS
IS MY HUSBAND JIM.

WE'RE IN--IN 108,
RIGHT NEXT DOOR.

OH. HAVE YOU GUYS BEEN HERE
SINCE THE START OF THE TRIP?

SOUTHAMPTON
TO HALIFAX,

AND NOW HERE WE ARE.

RICH'S IDEA.
HE'S SORT OF A SHIP GEEK.

PERSONALLY, YOU CAN'T SCRAP
THE OLD TUB FAST ENOUGH FOR ME.

THE S.S. CLARIDON IS
ONE OF THE LAST TRUE
OCEAN LINERS.

AND IF WE DIDN'T
TAKE THIS TRIP NOW--

THEN WE'D BE
ON A BEACH IN MAUI.

I WARN YOU, IF YOUR A.C.
IS ANYTHING LIKE OURS,

KEEP YOUR UNDERWEAR
IN THE MINIBAR.

[SHIP'S HORN BLOWS]
Rich: SO SORRY.

BON VOYAGE.

OOH, I AM
SO SORRY I'M LATE.

DID YOU KNOW THAT THERE
ARE OVER 55 KINDS

OF EXOTIC WOODS
ON THE S.S. CLARIDON?

YOU KNOW, I'VE BEEN READING
ABOUT THIS FOR THE LAST, UM,
HALF AN HOUR.

OH, I SWEAR
I TRIED TO TEXT YOU.

YEAH, CELL SERVICE
IS SO SPOTTY ON THE HIGH SEAS.

WHAT HAPPENED?

WELL, THE SPA WAS A ZOO,

AND THEIR BEST MASSEUR
QUIT IN HALIFAX,

BUT THERE IS STILL TIME
FOR A ROMANTIC STROLL
BEFORE DINNER.

DO I HAVE TO WEAR
A PENGUIN SUIT FOR THAT?

NO. FIRST NIGHT,
IT'S JUST JACKET
AND TIE,

AND DON'T WORRY,
'CAUSE YOU WON'T
BE IN IT LONG.

OH. SO THERE'S AN UPSIDE.

[BOTH LAUGH]

YOU KNOW, I NEVER
TAKE FOR GRANTED
HOW LUCKY WE ARE.

ME EITHER.

OK, WHAT ARE WE
TALKIN' ABOUT HERE?

WELL, I RAN INTO JULIA
AT THE SPA,

AND SHE KEPT
APOLOGIZING FOR TRYING
TO STEAL OUR ROOM,

BUT I GUESS THEY'RE
HAVING SOME PROBLEMS,
YOU KNOW, IN BED.

OHH. ON THEIR HONEYMOON?
YIKES.

I KNOW. I GUESS EVERY
TIME IT GETS ROMANTIC,

HE FALLS ASLEEP.

THAT'S WHY THEY
WANTED TO SWITCH,

'CAUSE IT WAS TOO HOT.

OR NOT HOT ENOUGH
BY THE LOOKS OF IT.

YOU KNOW,
YOU DO HAVE A SPOOKY KNACK

FOR GETTING PEOPLE
TO OPEN UP TO YOU.

YEAH. EXCEPT USUALLY
IT'S AFTER THEY'VE DIED.

HMM.

OH.

POOR GUY.
WHAT'S WRONG WITH HIM?

I MEAN, IS HE SICK,

IS IT JUST THE PRESSURE
FROM THE HONEYMOON, OR WHAT?

THERE'S A THIRD OPTION.

Girl: CAN YOU SEE US?

Jim: WOW.
A KISSING GHOST.

LITTLE KINKY.

IT'S NOT SEXY.

I MEAN, SHE'S ALL BANGED UP
AND COVERED IN SEAWEED.

WAIT A MINUTE. DO YOU
THINK SHE'S THE WOMAN

THAT DELIA
WAS TALKIN' ABOUT?

IT'S POSSIBLE.

THEN WHY IS SHE
HAUNTING RICH?

WELL, THAT'S A GOOD QUESTION,
BUT WHATEVER THE ANSWER IS,

WE KNOW WHY THERE ARE NOT
SPARKS FLYING IN THE BEDROOM.

NOW, WAIT A MINUTE.
YOU THINK HE'S HAVING
AN AFFAIR

WITH THE JUMPER
ON HIS HONEYMOON?

WELL, SHE'S HAUNTING
HIS TONGUE FOR SOME REASON.

GOOD LUCK
BRINGING THAT UP

IN CASUAL CONVERSATION.

ACTUALLY, I WAS HOPING
THAT YOU COULD

HANG OUT WITH HIM.
YOU KNOW, GUY TALK.

[SIGHS] DO WE HAVE TO
GET INVOLVED IN THIS?

YES. SHE'S A VERY
POWERFUL GHOST,

AND SHE'S PRACTICALLY
FEEDING OFF OF HIM.

BUT YOU SAID
THAT'S WHAT GHOSTS DO,

THEY FEED OFF THE ENERGY
OF THE LIVING.

RIGHT, BUT SHE'S THE REASON
HE'S NOT SLEEPING,

WHICH COULD MAKE THEIR MARRIAGE
END BEFORE IT EVEN STARTED.

OH, HI. AGAIN.

HI. YOU HAVEN'T SEEN
MY SO-CALLED HUSBAND,
HAVE YOU?

UH, Y--

YEAH, HE WAS
ON THE DECK,

TAKING A NAP
A LITTLE WHILE AGO.

ARE YOU KIDDING ME?

THAT'S THE--

FINALLY.

[YAWNS]

SORRY. I--
I WAS CHANGING.

NEXT THING I KNOW,
I--I WOKE UP ON DECK.

YOU'RE SLEEPWALKING AGAIN?

RICH, YOU'VE GOTTA GO SEE
THE SHIP'S DOCTOR.

I'LL CALL HER
IN THE MORNING.

WELL,
WE SHOULD, UH--

UH, JOIN YOU,
IF THAT'S OK.

PLEASE.

[YAWNS]

[JAZZ PLAYING]

Rich: AMERICA IS THE LAST HOLDER
OF THE BLUE RIBAND FOR THE
FASTEST TRANSATLANTIC CROSSING.

AND THE S.S. UNITED STATES
COULD GO FASTER IN REVERSE

THAN THE CLARIDON
CAN GO FORWARD, EVEN TODAY.

BUT SHE WAS NEVER
BUILT FOR SPEED.

IN FACT, BECAUSE THE CLARIDON
WAS THE LAST 3-STACK
LINER EVER BUILT, THE--

RICH, SWEETIE.

OH, I'M SORRY.
ONCE I GET STARTED, I--

NO, IT'S
FASCINATING, REALLY.

Jim: YEAH.
YEAH, IT WAS.

DID YOU GUYS, UM--

WERE YOU ONBOARD,
UH, LAST WEEK?
I HEARD A RUMOR

THAT A WOMAN JUMPED
OFF, JUMPED OVERBOARD.

GEORGIA KENT. JUMPED OFF
RIGHT BEFORE WE REACHED HALIFAX.

MOST EXCITEMENT
WE'VE SEEN ON THE SHIP,

NOT TO BE DISRESPECTFUL.

HEH. DID YOU
EVER TALK TO HER?

RICH RAN INTO HER
A COUPLE TIMES.

MMM, JUST IN PASSING,

RESERVING TIME
ON THE SQUASH COURT.

YEAH. HE'S BEEN PLAYIN'
A LOT OF SQUASH.

APPARENTLY DOESN'T
LEAVE A LOT OF ENERGY

FOR OTHER THINGS, BUT...

JIM LOVES SQUASH.

PRACTICALLY ADDICTED,
RIGHT, SWEETHEART?

YEAH. I DO.
THANKS, SWEETHEART.

I GOT A COURT RESERVED
8 A.M. TOMORROW.

ARE YOU READY TO LOSE?

IT'S MY LUCKY DAY.

YOU KNOW, THEY'RE HAVING
A KARAOKE CONTEST

IN THE CLUB INTERNATIONAL.
WHO'S IN?

OH, I--I THINK
WE'RE GONNA TURN IN.

YEAH, I REALLY
SHOULD SAVE ENERGY
FOR THE SQUASH.

WELL, I AM GONNA GO TRY
MY BEST RIHANNA.

WE'VE BEEN AVOIDING
OUR CABIN.

IT'S SO HOT AND NOISY
IN THERE.

I THINK WE MUST BE NEAR
A VENTILATION SHAFT.

A LOT OF SCRATCHING
AND BANGING FROM
THE ENGINE ROOM.

MORE LIKE SCRATCHING
FROM A RATS' NEST.

AND THE AIR THAT COMES
OUT OF THAT THING IN THE WALL--

PUNKA LOUVRE.

WHATEVER. IT'S CREEPY.

SOUNDS LIKE MOANING FROM--
FROM A WOMAN SINGING.

WELL, THEY SAY
THE CLARID IS HAUNTED.

SO THEY SAY. GOOD NIGHT.

GOOD NIGHT.
GOOD NIGHT.

CAN YOU GET A MESSAGE
TO MY FAMILY IN QUEENS?

LOOK, MY HUSBAND
PROBABLY FOUND SOME LETTERS.
THEY'RE NOT WHAT HE THINKS.

THERE ISN'T MUCH TIME.

I NEED YOU TO TELL
MY BROTHER THOSE WITHDRAWALS

FROM THE COMPANY ACCOUNT
WEREN'T MINE.

OHH!
[CROWD GASPS]

WHOA.

WE'RE ALL SCARED.
SOMETHING HORRIBLE'S
GONNA HAPPEN.

OK, I-IT'S NOTHING BAD.
IT'S JUST--

JUST A CHANGE, OK,
AND I CAN HELP YOU.

MEL.

THEIR HOME IS ABOUT
TO BE DESTROYED,

AND THEY'RE
GETTING STRONGER.

NOW GO. SPREAD THE WORD
AND FOLLOW ME.

SO MUCH
FOR NOTHING TO DO.

[RINGS]

[RING]

WHAT? UH, OH.

SOMEBODY BETTER BE DEAD.

CAREFUL
WHAT YOU WISH FOR.

MELINDA?

WHAT THE HELL?
I THOUGHT YOU WERE ON A BOAT.

I AM. DO YOU STILL
WANNA LEARN?

NOT AT 1:00 IN THE MORNING.

YEAH, WELL,
IT COMES WITH THE JOB.

I HAVE ABOUT 2 DOZEN
LOST SOULS HERE.

SO WHAT, YOU WANT ME
TO PARACHUTE IN?

NO. JUST LISTEN.
GET THEIR NAMES, THEIR
UNFINISHED BUSINESS

AND START
RELAYING THE MESSAGES
TO THEIR NEXT OF KIN

AND THEN E-MAIL ME
WHEN YOU'RE DONE.

OH. SHIP-TO-SHORE
CROSSOVERS.

I NEED YOUR HELP,
SO GRAB A PEN.

OK, EVERYBODY,
HIS NAME'S ELI.

HE CAN HEAR YOU.

UH, YEAH...

THE NAME'S ROGO.

UM...

HOW DO YOU
SPELL THAT?

I GIVE UP.
YOU WIN.

GOOD GAME.

THANKS.

GLAD IT'S OVER.

IT WAS ROAST--
ROASTING IN HERE.

YEAH.
HEY, HEY, HEY. WAIT.

WHAT'D YOU DO
TO YOUR BACK?

OH. WHAT--WHAT THE HELL?

I--I DON'T KN--

I DON'T--UM...

UH...

I GOTTA HIT
THE SHOWERS.

YEAH. RIGHT.

HEY, UH, EXCUSE ME.

COULD--COULD YOU
HELP ME WIN A BET?

I DON'T KNOW. CAN I?

UM, LOOK, MY BUDDY HERE
SAYS HE PLAYED

EVERY MORNING
OF THE TRANSATLANTIC,

BUT I DON'T BELIEVE HIM.

UH, HIS NAME'S
RICHARD HENDERSON.

HOPE YOU DIDN'T BET MUCH.

HE'S IN EVERY DAY
BRIGHT AND EARLY.

DOESN'T SEEM TO HELP
HIS GAME OUT MUCH, THOUGH.

WAIT A MINUTE. HE PLAYED
WITH THE WOMAN WHO
JUMPED OVERBOARD?

EXCUSE ME.

LOOK. RIGHT THERE.

SAME NAME, SAME TIME,
3 DIFFERENT DAYS.

GEORGIA KENT.

I NEVER SAW 'EM
PLAY TOGETHER.

IN FACT, SHE CAME DOWN
AT NIGHT BEFORE DINNER,

USUALLY WITH HER HUSBAND,

BOOKED HER TIME RELIGIOUSLY,

BUT SHE NEVER ONCE
SHOWED UP TO PLAY.

HEY, YOU DIDN'T
HEAR IT FROM ME.

YEAH.

CAN I USE
YOUR PHONE?

SO SHE BOOKED
TIME ON THE COURT

AS A COVER FOR SOME OTHER
SHIPBOARD ACTIVITY?

YEAH.
BUT WAIT A MINUTE.

THE DAY SHE WAS BOOKED,
THE SHIP WAS AT SEA,

SO WHATEVER SHE WAS DOING,
SHE WAS DOING IT
ON THE SHIP.

OR YOU MEAN WHOMEVER
SHE WAS DOING.

WELL, RICH WAS
DEFINITELY PLAYING SQUASH,

AND SHE JUMPED BEFORE
THE SHIP DOCKED IN HALIFAX,

SO--

YOU KNOW WHAT?

I'LL SEE YOU
UP ON DECK LATER.

I HAVE TO GO BACK
TO THE SPA.

WHAT, ANOTHER MASSAGE?

NOPE. JUST FOLLOWING
A HUNCH.

YOU'RE GOOD.

I SAW HOW YOU HANDLED
THAT SPA ATTENDANT.

SO YOU REALLY THINK
THAT GEORGIA KENT WOMAN...

OH, IT'S SIMPLE MATH,
YOU KNOW.

SHE DISAPPEARED
BEFORE HALIFAX.

THE MASSEUR ABANDONED
SHIP IN HALIFAX.

2 PLUS 2 EQUALS
A TORRID AFFAIR.

AND SO MODEST.

HEY!

DID YOU HEAR THE LATEST?

OUR STEWARD JUST TOLD US
THE CRUISE LINE

RECEIVED AN ANONYMOUS
PHONE CALL FROM SOMEBODY
ABOARD THE SHIP.

THAT WOMAN WHO SUPPOSEDLY
JUMPED OVERBOARD,

THEY FOUND HER ALIVE,

SHACKED UP WITH
THE SHIP'S MASSEUR IN HALIFAX.

NO KIDDING.

THIS WOMAN LEAVES HER HUSBAND

AND--AND FAKES HER OWN SUICIDE

SO AT LEAST HER HUSBAND
WILL GET THE INSURANCE MONEY.

I MEAN, CAN YOU IMAGINE?

HONEY, THEY WERE OUT
OF CRANBERRY J--

I DON'T KNOW
WHAT'S HAPPENING TO US.

IT'S OK.

LOOK, I CAN HELP YOU,
BUT PLEASE,

IF YOU'RE
NOT GEORGIA KENT,
THEN WHO ARE YOU?

HE SWORE HE'D MARRY ME.
HE LIED TO ME.

SO WE RULED OUT
THE JUMPER, HUH?

YEAH, I KNOW,

BUT THIS SHIP IS OLDER
THAN MY GREAT-GRANDMA.

I MEAN, THIS GHOST
COULD BE ANYBODY.

YOU SURE YOU DIDN'T GET
ANYTHING ELSE FROM RICH?

NO. RICH IS JUST
A DECENT GUY

WHOSE FAMILY, COWORKERS,
AND COHORTS ARE STILL
VERY MUCH ALIVE,

AND DID I MENTION
THAT HE LOVES SHIPS?

SHE'S CONVINCED
SHE'S GONNA MARRY HIM.

MM-MMM. HE TOLD ME HE'S
BEEN WITH JULIA SINCE
HE WAS IN HIGH SCHOOL.

WELL, WHOEVER SHE IS,

SHE OBVIOUSLY MET
A VERY VIOLENT END.

WHAT, LIKE MURDERED?

IT'S POSSIBLE.

SHE WAS DEFINITELY THROWN
OR JUMPED OVERBOARD.

NOTHING ABOUT SLEEPWALKING?

NO. NO.

I MEAN, HE HAD THESE
SCRATCHES ON HIS BACK,

LIKE FINGERNAILS, BUT--
COULD A GHOST DO THAT?

IF SHE'S ANGRY OR
TRYING TO TELL US SOMETHING.

LIKE WHAT?

I DON'T KNOW,

BUT WE BETTER
FIGURE IT OUT

BEFORE THIS PROBLEM
GETS MORE THAN SKIN-DEEP.

YEAH.

I'LL GET RIGHT ON THAT.

I'M GOING.

[KISS]

AH, THANK YOU.

RICH.

HEY.

THE, UH--
THE 3:08 COCKTAIL'S

THE MOST IMPORTANT
DRINK OF THE DAY.

I'M CELEBRATING.

SHIP'S DOCTOR GAVE ME
A CLEAN BILL OF HEALTH.

THERE'S NOTHING WRONG
WITH ME.

CHEERS.

CAN I GET A BEER? TAP.

CLARIDON ISN'T
THE ONLY THING HEADING
TO THE SCRAP YARD

SHE'S DRAGGIN'
MY MARRIAGE WITH HER.

AH. YOU SLEEPIN' A LOT,
TOO, HUH?

TOO?

YEAH, I MEAN, I'M--
I DON'T KNOW ABOUT YOU,
BUT I'M EXHAUSTED.

I MEAN, I KEEP
FALLIN' ASLEEP, YOU KNOW,
AT THE WORST POSSIBLE MOMENTS.

MY WIFE'S GETTIN' CRAZY
ABOUT IT.

YOU HAVIN' DREAMS?

YEAH, BUT I--I MEAN,
I DON'T REMEMBER THEM

WHEN I WAKE UP.
WHAT ABOUT YOU?

YOU KIDDING ME?

ALMOST LIKE
THEY AREN'T DREAMS.

AND THIS MORNING,
WHEN YOU SAW

THOSE SCRATCHES
ON MY BACK--

YEAH, WHAT WAS
GOIN' ON WITH THAT?

HEH. I KNOW IT
SOUNDS CRAZY, BUT...

THERE'S THIS WOMAN--

LONG HAIR,
WEARING THIS
RIPPED BALL GOWN,

AND--AND SHE'S
ALL OVER ME,

HER FINGERNAILS.

HOW CAN A DREAM
DO THAT?

YOU GOT ME.

ALWAYS BEGINS
IN OUR CABIN.

GETS SO HOT IN THERE
I CAN BARELY BREATHE,

AND I DON'T EVEN
REMEMBER FALLING ASLEEP,

AND SHE'S
WHISPERING IN MY EAR,

KISSING ME.

USED TO BE ABLE TO
WAKE MYSELF OUT OF IT,

BUT NOW, I--IT'S LIKE
I'M LOSING MY WILL.

I JUST GO WITH IT,
AND THEN...

I MEAN, I KNOW
IT'S JUST A DREAM,

BUT I--I MEAN,
ON MY HONEYMOON?

AND THEN
SHE TAKES MY HAND,

LEADS ME OUT.
I WAKE UP...

SOMEWHERE WITH NO IDEA
HOW I GOT THERE.

YOU'RE NOT HAVIN'
THE SAME THING?

NO.

OLD GIRLFRIEND, MAYBE?

NAH. I'VE NEVER
SEEN HER BEFORE.

HEY, LOOK, YOU--YOU KNOW A LOT
ABOUT THIS BOAT, DON'T YOU?

YOU KNOW A LOT ABOUT
THE S.S. CLARIDON.

MORE THAN ANYONE
SHOULD KNOW. WHY?

DO YOU KNOW ANYTHING
ABOUT, UM--

I DON'T KNOW. THE ROOM
YOU'RE STAYIN' IN, M-108.

I'M--I'M MORE
OF A RIVET COUNTER.

BILL BRADFORD
MIGHT BE ABLE TO HELP
YOU OUT THERE. WHY?

WHO'S THAT?

MARITIME HISTORIAN.

HE'S DOING A BOOK
SIGNING UP ON THE
MAIN DECK RIGHT NOW.

RIGHT.
WHAT'S THIS, UH--

NOTHING. UH, YOU KNOW,
I GOTTA TALK TO MY WIFE.

UM, JUST SOMETHIN' SHE'D
BE REALLY INTERESTED IN.

SORRY, MAN.
HERE, THIS ONE'S ON ME.

TAKE IT EASY.
THANKS.

THERE YOU GO. ENJOY.

HI, MR. BRADFORD.

COULD YOU SIGN IT
TO MELINDA?

PLEASE. IT'S BILL,
AND I'D BE DELIGHTED.

DO YOU MIND IF I ASK YOU
A STRANGE QUESTION?

I TRAVEL ON SHIPS
YEAR-ROUND LECTURING

AND MEETING EVERY KIND
OF LINER LOONEY
YOU CAN IMAGINE.

BELIEVE ME,
NOTHING'S STRANGE.

UH, IT'S ABOUT CABIN M-108.

HAS ANYTHING TRAGIC
EVER HAPPENED IN THERE?

M-108?

ARE YOU ASKING
IF IT'S HAUNTED?

'CAUSE I'VE GOT NEWS
FOR YOU. THIS WHOLE
SHIP IS HAUNTED.

YOU THINK?

[DRAMATIC]
OH, GHOSTS EVERYWHERE.

[LAUGHS] IF YOU BELIEVE
THAT SORT OF THING.

PERSONALLY, I DON'T.

FUNNY, YOU DON'T LOOK
LIKE A GHOST CHASER.

UH, I JUST HAVE A...

CASUAL INTEREST.

WELL, TO ANSWER
YOUR QUESTION,

THERE WERE 86
RECORDED DEATHS ON THIS
SHIP DURING HER CAREER,

BUT...

NONE SO FAR AS I KNOW
IN M-108.

EXCEPT FOR ROMANCE.
EXCUSE THE POETRY.

LOTS OF RELATIONSHIPS
HIT AN ICEBERG IN THERE.

NOBODY KNOWS WHY.

DO THOSE RECORDS
STILL EXIST?

MM-HMM. THEY'RE ALL PART
OF THE SHIP'S ARCHIVES,

WHICH ARE SADLY ALSO
BEING SOLD AT AUCTION.

I'LL TELL YOU,
IT'S A CRIME

WHAT'S ABOUT TO HAPPEN
TO THIS LOVELY LADY.

HER TIME HAS COME, BILL.

YOU SHOULD KNOW THAT
AS WELL AS ANYBODY.

SORRY, CLIFF. DIDN'T SEE
YOU SNEAKIN' UP ON ME.

I DON'T SNEAK, BILLY.
CLIFF STURGES.

THIS IS MY FRIEND TERRY.

HI. MELINDA.

NICE TO MEET YOU.

CLIFF OWNS THE SHIP.

HE'S THE ONE
SENDING HER
TO THE SCRAPPERS.

WELL, HE'S DEFINITELY OFF
MY CHRISTMAS CARD LIST.

THE CLARIDON'S
COMPLETELY OUTDATED,

AND WHEN THE NEW
SAFETY REGULATIONS
KICK IN IN 2010,

PRACTICALLY HAVE TO GUT
THE WHOLE SHIP AND
START OVER AGAIN.

STILL, IT'S SAD TO LOSE
SUCH A BEAUTIFUL
PIECE OF HISTORY.

I'M WITH YOU.

WELL, SHIPS ARE
A LOT LIKE PEOPLE.

WE ALL HAVE TO DIE
SOMETIME.

NOW, IF YOU'LL
EXCUSE US...

COME WITH ME.

[GURGLING]

TELL ME YOU'RE SORRY.

WHY AM I HERE?

Man: SECURE THE FRAPPING
LINES, STEADY HER UP.

I WOKE UP,
AND HE WAS GONE.

AND THE DOOR WAS OPEN,
AND...

I GOT HERE
RIGHT AS HE FELL.

HE'S GONNA BE OK.
THEY GOT HIM.

YOU PULLED THE ALARM?

NO. I JUST STARTED
SCREAMING, A-AND
THE ALARM WENT OFF.

THEN WHO SOUNDED IT?

I DON'T KNOW. RICH!

THANKS.

THANK GOD YOU'RE OK.

MAYBE IT WAS
YOUR GHOST.

YOU COULD HAVE
KILLED HIM.

ARE YOU ALL RIGHT?

YEAH.

I DIDN'T MEAN...

SHE WAS SCREAMING
AND SCREAMING

FOR SOMEONE
NAMED RICH.

WHAT ARE YOU
DOING OUT THERE?
I DON'T KNOW.

I REALIZED
IT WASN'T HIM.

WHO? YOUR FIANCÉ?

LOOK WHAT HE DID TO ME.

[SIGHS] SHE'S LOOKING
FOR HER FIANCÉ.

HE THE REASON
SHE'S SO BANGED UP?

I THINK HE MAY HAVE
KILLED HER,

BUT I DON'T KNOW
IF SHE WANTS REVENGE

OR FOR HIM TO MEET HER
IN THE AFTERLIFE.

WHAT I DO KNOW IS THAT
IT ALL GOES BACK
TO CABIN M-108.

WAIT. SO WE'RE GONNA
HAVE TO CHANGE ROOMS?

YEAH, JUST FOR
THE NIGHT, BUT I WON'T

LET HER HURT YOU.
DON'T WORRY.

NO, WHAT I'M WORRIED ABOUT

IS I'M ACTUALLY FINDING THIS
KIND OF EXCITING.

I MEAN,
WHAT DOES THAT MAKE ME?

A MAN I LOVE.

[SIGHS]

[GAS HISSING]

[WOMAN MOANING]

[SCRATCHING]

JIM, WAKE UP.

MY HUSBAND ISN'T
THE MAN THAT YOU'RE
LOOKING FOR EITHER,

SO MAYBE YOU
SHOULD TALK TO ME.

HE'S NOT
MY FIANCÉ?

UH, NO.

IS THAT WHY YOU'VE BEEN
HAUNTING THIS ROOM?

HE DOESN'T KNOW
I'M HERE.

NO ONE DOES.

I HAVE TO FIND HIM.

HE HAS TO PAY
FOR WHAT HE DID.

JIM, WAKE UP!

HEY, WH--WAIT A MINUTE.
I WAS, UH--

DREAMING?
DID YOU SEE HER?

NO. NO, I CAN'T
REMEMBER ANYTHING.

LOOK, JUST GET DRESSED.
THE GHOST WAS HERE.

AND I'M PRETTY SURE THAT
I JUST SAW THE WORD "AFT"

BRUISED INTO HER BACK.

WHAT DOES THAT MEAN?

THE REAR OF THE SHIP.

I KNOW THAT, BUT--
BUT WHAT'S IT DOING THERE?

I DON'T KNOW. IT LOOKED
LIKE SHE'D FALLEN

OR WAS PUSHED
AGAINST SOMETHING.

ARE YOU SURE THAT
YOU DON'T REMEMBER
ANY OF YOUR DREAM?

YEAH, SCOUT'S HONOR. WHY?

GOOD. COME ON.

WHERE ARE WE GOIN'?

AFT.

WHAT ABOUT
THE SCRATCHES?

I DON'T KNOW YET.

THE GHOST JUST LATCHES
ON TO WHATEVER GUY IS
STAYING IN THE ROOM?

IT'S CLASSIC
IMPRINT HAUNTING.

THE GHOST REPEATS
THE SAME BEHAVIOR
OVER AND OVER AGAIN.

WE KNOW THAT HER FIANCÉ
WAS IN THAT ROOM,

WE KNOW THAT HE
OBVIOUSLY HURT HER,

BUT IT'S LIKE HE DIDN'T
KNOW SHE WAS ON THE SHIP.

SHE SAID NOBODY KNEW.

WAIT A MINUTE.
WAIT A MINUTE.

WHENEVER YOU SEE HER,
SHE'S RUNNING
OR HIDING, RIGHT?

YEAH. WHY?

SHE MIGHT HAVE BEEN
A STOWAWAY.

YOU MIGHT BE THE SMARTEST MAN
ON THIS SHIP.

AWESOME. WHAT ARE WE
LOOKING FOR?

ANYTHING THAT SAYS "AFT."
ALL RIGHT.

[GASPS]

[LAUGHTER AND
CELEBRATION]

[PANTING]

THIS IS WHERE HER BODY
WAS THROWN OVERBOARD.

WAIT A MINUTE. SHE WAS
ALREADY DEAD BEFORE--

YEAH. AND I THINK ONE
OF THE CREW MEMBERS KILLED HER.

SO WHILE ELI FINISHED
HIS GHOST TO-DO LIST,

I SPENT THE WHOLE DAY
FINDING OUT PASSENGER
INFORMATION.

THE AMOUNT OF PEOPLE
WHO HAVE STAYED IN M-108

OVER THE YEARS--
MIND-BOGGLING.

NOT ONE OF THEM DIED.

YEAH, AND IF SHE
WAS A STOWAWAY,

IT'S GONNA BE
NEXT TO IMPOSSIBLE
TO FIGURE OUT WHO SHE WAS.

YOU KNOW, I HATE
TO BRING THIS UP, BUT...

DO YOU THINK YOUR FRIEND BETTY
MIGHT KNOW SOMETHING
ABOUT THE GHOST?

'FRAID NOT.
SHE KEEPS TO HERSELF.

FANTASTIC DRESS,
BY THE WAY.
HAUTE COUTURE?

SHE DOESN'T,
AND THANKS.

SAMPLE SALE.

OK. UM--

HEH. SO YOU THINK
SHE WAS MURDERED
AND THEN THROWN OVERBOARD.

YEAH, AND POSSIBLY
BY HER FIANCÉ.

I MEAN, I READ
IN BILL BRADFORD'S BOOK

THAT SOME OF THE CREW
WOULD USE EMPTY
STATEROOMS FOR HOOKUPS.

WOW. SO YOU THINK
HE KILLED HER THERE.

YEAH, AND NOW SHE'S
HAUNTING ANY COUPLE
WHO STAYS IN THAT ROOM,

YOU KNOW, CONFUSING THEM
FOR THE MAN WHO
KILLED HER. ZIP ME.

YEAH, YEAH, YEAH, YEAH.
NOW, IN YOUR VISION,
YOU SAW A PITCHFORK?

PITCHFORK?

YEAH. I HAD THIS VISION,

AND THERE WAS TRASH
ON THE DECK,

LIKE EGGS, FLOUR, AND
A PITCHFORK, 3 PRONGS.

OH, IT SOUNDS MORE LIKE
NEPTUNE'S TRIDENT

FOR THE CROSSING THE LINE
CEREMONY.

WHENEVER A SHIP
CROSSES THE EQUATOR,
THE CREW DRESSES IN COSTUME

AND INITIATES ANYONE
WHO'S NEVER CROSSED BEFORE.

IT'S CALLED
THE NEPTUNE RITUAL.

SO HOW MANY TIMES
HAS THE CLARIDON
CROSSED THE EQUATOR?

I'M A GHOST, HON,
NOT AN ANCIENT MARINER.

JIM, WE HAVE WORK TO DO
BEFORE DINNER.

TOODLES.

NEEDLE, MEET HAYSTACK.

WELL, SO FAR, WE KNOW
THAT THE CLARIDON

HAS CROSSED
THE EQUATOR 8 TIMES

DURING WORLD WAR II
AS A TROOP SHIP,

BUT SERIOUSLY DOUBT
THERE WAS ANYONE
IN A BALL GOWN ABOARD.

WAIT. HERE'S SOMETHING.

VOYAGE 401, S.S. CLARIDON.

"THE FUN WAY TO RIO."

FILE FOR THE WHOLE TRIP'S HERE.

IS THERE A DATE?

YEAH. LEAVING NEW YORK
MARCH 30, 1975,

RETURNING 3 WEEKS LATER.

AND THEN CROSSING
THE LINE TWICE.

YEAH.

WHAT DO YOU GOT?

UH, PICTURES OF
THE NEPTUNE RITUAL.

THAT DOESN'T LOOK LIKE
THE FUN WAY TO RIO.

IT IS IF YOU ENJOY
HAVING FLOUR AND EGGS
POURED ON YOU

BEFORE BEING DUNKED
IN THE POOL.

OH, MY GOD.

WHAT?

THAT'S HIM.

THAT'S THE GUY
THAT I SAW THROWING
THE BODY OVERBOARD.

AND THE PHOTOGRAPHER
WAS NICE ENOUGH

TO WRITE DOWN
THEIR NAMES.

YOU GOTTA BE KIDDIN' ME.

WE NEED TO TALK TO YOU.

OH, HI. LOOK, I'M RUNNING
A LITTLE LATE FOR DRINKS,

BUT, UH, IF YOU'D
LIKE TO MEET AFTER...

YOU WERE PART
OF THE SHIP'S CREW
IN THE SEVENTIES.

THAT'S RIGHT.
WROTE ABOUT IT IN MY BOOK.

AND YOU WERE ABOARD
THE RIO CRUISE IN 1975,

WHERE A WOMAN'S BODY
WAS THROWN OVERBOARD.

SHE HAD THE WORD "AFT"
BRUISED INTO HER BACK.

YOU KNOW WHAT
THAT MEANS, DON'T YOU?

HOW--

HER GHOST IS STILL HERE,

AND I'VE TALKED TO HER.

I DON'T KNOW IF YOU
BELIEVE THAT OR NOT,

BUT I THINK
YOU HAVE SOMETHING
TO DO WITH THIS.

UM...

IT'S NOT WHAT YOU THINK.

I HATED LAW SCHOOL,
SO I QUIT,

AND I WAS SO THRILLED TO BE
SERVING ON THIS GREAT SHIP.

I STARTED
IN THE ENGINE ROOM.

WERE YOU ENGAGED?
ME? OH, NO.

CONFIRMED BACHELOR.

YEAH, BUT YOU STILL
HAVEN'T TOLD US
WHO SHE WAS.

SHE SAID HER NAME
WAS LORELEI.

IT WAS MY FIRST SAILING.

I WAS DOWN ON THE WELL DECK

WHEN I CAUGHT HER SNEAKING
OUT OF THE CARGO HOLD.

HEY. YOU'RE NOT SUPPOSED
TO BE DOWN HERE.

SHE HAD STOWED AWAY
BEFORE WE DEPARTED RIO

AND HAD BORROWED
SOMETHING TO WEAR

SO SHE COULD SNEAK
INTO FIRST CLASS.

I'M GOING UP
TO FIRST CLASS.

Jim: YOU DIDN'T
TURN HER IN?

NO. MAYBE
IF I HAD, SHE'D
STILL BE ALIVE.

I DON'T KNOW.

SO WHAT HAPPENED?

SHE WAS
AN AMERICAN

WORKING AS
AN AU PAIR IN RIO.

THERE'S THIS GUY.
ONCE I FIND HIM, HE'LL PAY
FOR MY TICKET, I PROMISE.

TOLD ME SHE'D
COME ONBOARD

TO SURPRISE A MAN
THAT SHE'D FALLEN
IN LOVE WITH.

I'M AFRAID SHE
DIDN'T SAY HIS NAME.

SO WE MADE
A SILLY DEAL.

IT WAS KID STUFF,
REALLY.

I WOULDN'T
TURN HER IN,

AND SHE WOULDN'T TELL
MY COMMANDING OFFICER

I WAS SMOKING
WHILE I WAS ON DUTY.

SO IS IT A DEAL?

THEN I TOLD HER HOW TO
GET UP TO FIRST CLASS,

AND I WARNED HER NOT
TO LET ANYBODY SEE HER.

THAT WAS THE LAST TIME
I SAW HER ALIVE.

SHE WAS--SHE WAS
RUNNING OFF EXCITED,

SO FULL OF LIFE.

3 DAYS LATER...

I FOUND HER BODY HERE.

[GASPS]

THIS AREA IS CALLED
THE SHAFT ALLEY?

THAT'S RIGHT.

CHIEF ENGINEER ORDERED ME...

TO DISPOSE OF HER BODY.

SHE WAS JUST SOME...

STUPID STOWAWAY, AND IT
WOULD LOOK BAD FOR THE COMPANY.

2 YEARS LATER,
HE GOT HIS THROAT SLIT
AFTER A CARD GAME.

SERVED HIM RIGHT.

MR. LINARCOS.

YEAH. I MET HIM, TOO.

AW, JEEZ.

THIS GHOST THING
IS REAL.

LIKE YOU
WOULDN'T BELIEVE.

SHE KNOWS
WHAT SHE'S DOING.

I WAS A SCARED KID,

AND I WAS FOLLOWING
SOME REALLY BAD ORDERS.

BEEN HAUNTED BY IT
EVER SINCE.

APPARENTLY YOU'RE
NOT THE ONLY ONE.

IT'S HOT IN HERE.

WHERE DOES THIS GO?

IT, UH, GOES
THE FULL HEIGHT
OF THE SHIP.

CREWMEN USE IT
TO GET FROM ONE DECK
TO ANOTHER

WITHOUT BEING SEEN
BY THE PASSENGERS.

WAIT. HONEY, YOU THINK
SOMEBODY KILLED HER AND
THEN HID HER BODY HERE?

OR THEY DUMPED HER
FROM ABOVE.

BUT SHE WAS STILL ALIVE
WHEN SHE HIT THE BOTTOM.

A-ARE THERE
CABIN ASSIGNMENTS
IN THAT FILE?

WE HAVE TO FIND OUT
WHO WAS IN M-108.

CLIFF STURGES.
IS THAT EVEN POSSIBLE?

WELL, HIS FAMILY OWNED
THE SHIPPING LINE.

WE COULD ALWAYS
GO ASK HIM.

HE'S ABOARD?

NO. WAIT.
NOW?

HE'S COME BACK FOR ME?

Melinda: LORELEI!

WE HAVE TO FIND CLIFF
RIGHT AWAY.

RIGHT.
COME ON, BILL.

MR. STURGES,
ARE YOU IN THERE?

WHERE'S THE SHIP'S DOCTOR?
CLIFF'S COLLAPSED.

I'M A PARAMEDIC.

HE WAS COMPLAINING
ABOUT BEING HOT,

AND THEN HE FELL
ONTO THE BED.

LORELEI,
YOU HAVE TO STOP.

Terry:
WHAT'S GOING ON?

WHO'S LORELEI?

DON'T ASK.

THANK YOU FOR
HELPING ME FIND HIM.

NOW WE CAN BE
TOGETHER FOREVER.

SHE DIED IN 1975?

Melinda: YES,
ABOARD THE CLARIDON.

Terry: HERE, HONEY.

SHE STOWED AWAY
JUST TO JOIN YOU.

BUT HOW?
WHAT HAPPENED?

WHY DON'T YOU
TELL US?

ALL I KNOW IS THAT
SHE DISAPPEARED.

LAST TIME I EVER SAW HER
WAS ON THE AFT DECK.

IN THOSE DAYS,
YOU WERE ALLOWED

TO HAVE GUESTS ON THE SHIP
WHEN SHE WAS IN PORT.

WE'D BEEN DOCKED
FOR A WEEK IN RIO.

I--I MET HER THAT FIRST DAY...

OH, MY GOD.
[LAUGHS]

IN A SMALL CAFE
ON THE AVENUE RIO BRANCO.

FROM THEN ON,
WE WERE LIKE SOUL MATES.

MARRY ME.

MARRY ME RIGHT NOW
AND COME BACK
TO THE STATES.

I--I WANT TO, BUT...

I CAN'T JUST LEAVE NOW.

THIS IS CRAZY.

THEN I'LL SEND FOR YOU.

BUT IN THE MEANTIME...

I GOT YOU THIS.

[NARRATING]
WE WERE SO YOUNG.

THEY CALLED
ALL VISITORS ASHORE.

THEN SHE LEFT.

I NEVER SAW HER AGAIN.

AS SOON AS I GOT
BACK ON THE DOCK,

I KNEW I WAS
MAKING A MISTAKE.

THERE WERE SOME MEN
LOADING CARGO

TOWARD THE FRONT
OF THE SHIP.

I JUST WALKED
RIGHT PAST THEM.

SHE SNUCK BACK ONBOARD.

HOW DO YOU KNOW THAT?

SHE JUST TOLD ME.

UM...

I HAVE A GIFT.

I CAN SEE AND TALK
TO THE DEAD.

Bill:
TRUST ME, CLIFF.

YOU SHOULD LISTEN
TO HER.

IN THAT CASE, TELL ME
WHAT HAPPENED TO HER.

I'VE BEEN WANTING TO KNOW
FOR THE LAST 33 YEARS.

HE'S LYING.

HE HURT ME.

SHE SAID YOU'RE LYING

AND THAT YOU HURT HER.

THAT DOESN'T MAKE
ANY SENSE.

AFTER THE SHIP
HAD SAILED,

I FOUND SOME CLOTHES
IN THE CARGO DECK.

I WENT TO FIND
HIS ROOM,

M-108.

WE HAD STAYED THERE
MOST OF THE WEEK

WHILE THE SHIP
WAS ANCHORED.

I WAS SO HUMILIATED,

AND I KNEW
IF I GOT CAUGHT,

HIS FAMILY OWNED
THE SHIPPING LINE

AND HE'D FIND OUT
I WAS THERE,

AND I'D JUST BE THIS
PATHETIC GIRL

WHO WAS STUPID
ENOUGH TO BELIEVE
HE LOVED ME.

[INDISTINCT
CONVERSATION
AND LAUGHTER]

[HATCH CLOSES]

[RATTLING]

SHE WENT TO YOUR ROOM,

AND SHE SAW YOU
KISSING ANOTHER WOMAN.

OF COURSE. UH...

PATSY, MY FIANCÉE.

WHAT, YOU HAD 2?

MY FAMILY PRESSURED ME
TO GET ENGAGED TO HER.

THAT'S WHY
I'D GONE ON THAT CRUISE,
TO THINK THINGS THROUGH.

THAT NIGHT,
AFTER THE SHIP SET SAIL,

PATSY SURPRISED ME
IN MY ROOM.

SHE'D GOTTEN NERVOUS,

AND SHE'D FLOWN
DOWN TO RIO.

I MET SOMEONE.
I DON'T KNOW WHAT...

SO I SAT HER DOWN, AND I
TOLD HER ABOUT LORELEI.

IF LORELEI SAW A KISS,
IT WAS...

JUST PATSY SAYING GOOD-BYE.

WHAT HAPPENED TO HER?

I TRIED TO OPEN
THE HATCH.

BUT IT WAS STUCK.

SO I STARTED UP
TO THE NEXT DECK.

[SCREAMS]

[BODY LANDS]

I DIDN'T KNOW.

MY GOD, WE--

WE WERE SO IN LOVE.

I-I'M SORRY, TERRY.

THIS MUST BE DIFFICULT
FOR YOU TO HEAR.

IT EXPLAINS A LOT.

WE'VE
BEEN GOING TOGETHER
FOR NEARLY 3 YEARS,

AND HE STILL
INTRODUCES ME
AS HIS FRIEND.

THAT'S WHY I CAME
ON THIS CRUISE,

SO THAT I COULD
LET GO OF THE PAST.

ALL THESE YEARS, I'VE BEEN
OBSESSED WITH LORELEI.

I FLEW DOWN TO RIO TWICE,

BUT THE FAMILY SHE
WAS WORKING FOR SAID SHE
JUST VANISHED ONE DAY.

I LOOKED FOR HER
IN THE STATES AND...

EUROPE. I HIRED
PRIVATE DETECTIVES,
BUT NOTHING.

I MEAN, YOU PROBABLY
THINK I'M NUTS.

I MEAN, I KNEW THIS GIRL
FOR ONE WEEK WHEN
I WAS 20 YEARS OLD.

BUT I NEVER FORGOT HER...

EVER.

I FOUND THIS ON THE FLOOR
THE DAY SHE LEFT.

I THOUGHT SHE'D
SOMEHOW MANAGED

TO SLIP IT BACK
INTO MY POCKET.

I'VE KEPT IT WITH ME
EVER SINCE.

I'VE COME BACK TO THAT ROOM
LOOKING FOR HIM OVER AND OVER.

YOU DON'T HAVE TO
DO THAT ANYMORE.

I DIDN'T MEAN
TO HURT ANYONE.

I LOVED HIM SO MUCH.

I LOOKED IN A THOUSAND FACES
TRYING TO FIND HIM.

HE'S STILL SO HANDSOME.

SHE LOVED YOU...

SO MUCH SHE NEVER
STOPPED LOOKING FOR YOU.

NEITHER ONE OF US DID.

WE WERE BOTH CHASING A DREAM
WE COULD NEVER CATCH.

MAYBE HE DID
CATCH THE DREAM.

HE JUST DOESN'T
KNOW IT YET.

WHAT IS THAT?

IT'S FOR YOU.

YOU CAN MOVE ON NOW.

TELL CLIFF HE SHOULD, TOO.

UH, IT'S FOR
ALL OF YOU.

YOU CAN SEE IT
'CAUSE YOU'RE
READY TO GO.

UH-UH.

[SHIP'S HORN BLOWS]

HEY.

HI.

BEAUTIFUL SIGHT,
ISN'T IT?

I WAS JUST SAYING TO JIM
IT'S SO SAD.

SUCH A WONDERFUL SHIP.

AH. AND THAT'S WHY
I'M CALLING OFF THE AUCTION,

DECIDED TO
PUT HER UP FOR SALE
AS A FLOATING MUSEUM.

WHY THE CHANGE
OF HEART?

I THINK I WANTED
TO BREAK HER UP
FOR SELFISH REASONS,

REASONS THAT DON'T
REALLY EXIST ANYMORE,
THANKS TO MELINDA.

CAN I TELL THEM?

WELL, I HAVEN'T
CHANGED MY MIND.

CLIFF PROPOSED
TO ME THIS MORNING.

OH, MY GOD.
CONGRATULATIONS.

THANK YOU.
THANK YOU.

AND NOW, IF YOU COULD
ALL BE MY WITNESSES...

SAW THAT IN A MOVIE ONCE.

THANKS, MELINDA.

YOU'RE WELCOME.

Betty: THEY'VE BEEN
GOING AT IT LIKE BUNNIES.

NOT THAT I NOTICED.

HOW COME YOU DIDN'T
GO WITH THE OTHERS
LAST NIGHT?

WHEN I WAS 39,
MY DOCTOR TOLD ME I HAD
CONGESTIVE HEART FAILURE

AND COULD DROP DEAD
ANY SECOND,

SO I PACKED
ALL MY BEST CLOTHES,
MY MEDICAL RECORDS,

GOT MY WILL IN ORDER,
AND BOOKED A WORLD CRUISE
ON THE CLARIDON.

I WANTED IT TO LAST FOREVER.

SO FAR, SO GOOD.

THE SHIP'S OWNER
JUST TOLD ME THAT HE'S

NOT SENDING
THE CLARIDON
TO THE BREAKERS.

YOU DON'T BELONG HERE
ANYMORE.

YOU SHOULD GO
INTO THE LIGHT.

HA! ARE YOU KIDDING?

THE ONLY PLACE I'M GOING
IS INTO THE BAR.

BON VOYAGE.

HI.

ALL RIGHT.

JUST WANNA SEE IF
THE FRIDGE CAME IN.

NICE.
AHH.

[GROANS]

HEY. WHOA.

[SIGHS]

YOU ALL RIGHT?

YEAH. IT'S JUST,
YOU KNOW,

THE WHOLE TIME
WE WERE ON THE BOAT,

I DIDN'T HAVE
ANY SEASICKNESS,

AND NOW THAT
WE'RE ON DRY LAND...

RIGHT.

HEY, YOU DON'T THINK,

UM...

I MIGHT BE PREGNANT.

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