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don't fire shot
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I'm John Baxter
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Sheriff
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yeah well they're here this year if you
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were to get these men Underground
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[Music]
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westons are some of the most iconic
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movies ever made with them having been
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an integral part of Cinema since the
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Great Train Robbery in 1903 they're
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still incredibly important to the movie
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world today with revisionist westerns
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like Django Unchained and the power of
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the dog receiving immense critical
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Acclaim it's clear westerns have been
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insanely important for as long as film
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has existed as an art form but there's a
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type of Western that has become arguably
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more iconic than the standard Western
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the Spaghetti Western
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[Music]
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it'll be a lot easier with it now this
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is not to say that traditional westerns
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are bad you've got to remember that
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without them we wouldn't even have the
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Spaghetti Western in the first place and
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there is absolutely zero doubt that
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classic American-made westerns have
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their own merits however this video is
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discussing how the Revolutionary
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spaghetti western ended up receiving the
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same amount or sometimes even more
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critical Acclaim than the American-made
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ones some have even ended up being some
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of the highest rated movies of all time
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the sub-genre has not only directly
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provided us with Summer Cinema's
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greatest moments but has also indirectly
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provided us with masterpieces from
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contemporary filmmakers so the real
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question is what makes Spaghetti
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Westerns so good
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thank you this
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I'm sure many of you are already
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familiar with the sub-genre but for
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those who aren't here's a very quick
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rundown on what a spaghetti western
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actually is strange name right why
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spaghetti well as funny and stupid as it
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sounds the name comes from the fact that
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these films were produced and directed
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by Italians the name was supposedly
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coined by Spanish journalist Alfonso
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Sanchez although I can literally not
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find anything on this guy online so it's
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hard to say if that is actually true
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there's a lot of debate over what the
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first spaghetti western actually is but
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it's safe to say that the most famous
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and successful films of the sub-genre
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are those in the Dallas Trilogy directed
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by the amazing Sergio Leone and starring
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the incredibly talented Clint Eastwood A
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Fistful of Dollars is arguably the movie
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that introduced The Wider world to the
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Spaghetti Western with it and its two
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sequels being among the most
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recognizable westerns of all time it was
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also the success of A Fistful of Dollars
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that pave the way for even more
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Spaghetti Westerns to find their footing
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in the Cinematic world so as I was
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saying what is it about them that makes
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them so good
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difference
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well before we get into the more nuanced
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reasons we should talk about the sort of
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umbrella explanation for the incredible
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quality of spaghetti westerns that being
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their difference not uniqueness per se
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although that is certainly another bonus
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they have but the way in which they're
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different to the traditional
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American-made Western is what makes them
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so good while the two genres share the
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same skeleton the tweaks that spaghetti
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westerns made to the original formula is
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what sets them apart from their American
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counterparts and ultimately ended up
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revolutionizing this corner of Cinema
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itself there's a plethora of examples
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for this and I'd like to start with the
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Aesthetics
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when talking about the medium of film
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it's pretty much imperative to talk
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about the visuals while the writing
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which we'll get to is of equal
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importance we have to remember that film
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is a visual based format the Aesthetics
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of a spaghetti western are very
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different to that of an American Western
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while the American westerns at the time
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favored clean Aesthetics with
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protagonists wearing immaculately clean
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shirts and hats often being clean shaven
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and having Short Hair Etc spaghetti
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Western's featured characters who are
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often scruffy and unkempt because of
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this there's more of a sense of realism
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in spaghetti westerns in terms of their
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looks at least the antagonists are
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sometimes better groomed than the
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protagonists and there isn't always a
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clear visual divide between the good guy
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being attractive and the bad guy being
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ugly
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it's not always as easy to tell who's
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the protagonist or antagonist from their
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looks alone which you could more often
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than not do in the older American
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westerns
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equally towns and their inhabitants are
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also not necessarily the best looking
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with the towns looking dirty and
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dangerous and the townsfolk being hairy
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filthy dressed Gunslingers or Saloon
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goers
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and like I said the actual towns
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themselves as settings are more Grammy
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and disreputable the almost
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picture-perfect Golden Sands and
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well-kept wooden buildings are gone and
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have been replaced with dingy rundown
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structures that reside in Barren
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unappealing deserts sometimes there's
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even thick disgusting mud Paving the
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street of these places
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foreign
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[Music]
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Star Wars success was because of how
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different it looked instead of utilizing
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the Sleek Silvers and bright costumes of
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the Sci-Fi that came before it it used
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more toned down colors and grimy
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locations plus the protagonist was
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scruffy and not in flashy space suits
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like the aforementioned sci-fi before
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well the exact same thing happened to
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Spaghetti Westerns about a decade
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earlier the brutality of the Wild West
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while certainly exaggerated was finally
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being displayed properly through these
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movies while definitely stylized in
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different ways the spaghetti western got
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rid of the overly clean and attractive
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Landscapes people and settings and
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replace them with the brutal reality of
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living life in the Wild West
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in fact that brings me on to my next
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point the brutality and morally gray
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characters
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thank you
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when you have to shoot shoot don't talk
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another reason as to why Spaghetti
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Westerns are so good it's because of
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their willingness to show not only the
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harsh brutality of the old west but also
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the distinct lack of Morality In the
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majority of characters or in other words
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it's their ability to have protagonists
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that are Charming but sometimes equally
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as brutal as the antagonist or simply
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just out for themselves
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gunfights can be unfair in these movies
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either at the hands of the protagonist
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or the antagonist a good example is when
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the men with no name points a rifle at
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El Indio during the final Jewel of for a
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few dollars more or when the titular
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Django mercilessly guns down his enemies
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with a machine gun in Django by Sergio
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corbuchi
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kobuchi's films are an excellent
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demonstration of a spaghetti westerns
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way of displaying the harsh violence
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that resided in every town in the wild
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west does the aforementioned example in
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Django which also features horrendous
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brutality at the hands of the film's
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antagonist who has Django's hands
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completely shattered under horse Hooves
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there's no confusion as to who the bad
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guy is of course but even still the fact
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the protagonist is willing to machine
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gun tens of people down shows how
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violent the time was
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this is also similar to how the man with
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no name in The Good the Bad and the Ugly
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has the highest kill count in the entire
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film despite being the supposed well
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good
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in kobuchi's 1968 film The Grand silence
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the protagonist's silence shoots the
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thumbs off of his victims instead of
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giving the quick One-Shot death like
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previous Western Heroes would have done
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kobuchi's in Leone's respective series
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also feature beatings which result in
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quite Gory for the time at least
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outcomes protagonist and antagonists are
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beaten relentlessly at times and blood
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is drawn which sounds stupid and tame by
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nowaday standards but remember at the
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time this was practically unheard of in
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American-made westerns this is also same
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with the shootings that happen in these
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movies these feature characters bleeding
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from their mouths and gunshot wounds in
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their dying moments making them
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incredibly different to the bloodless
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immediate deaths of traditional Western
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characters
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there's even a scene in Django where a
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man has his ear cut off which is
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actually so gross and gory even for the
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time that I don't think I'm gonna risk
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showing the clip here on YouTube but it
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is out there if you do want to see it
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there's no order to the violence or
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barbarity of the West like there is in
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other westerns protagonists will commit
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acts as stomach churning as the villain
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sometimes and our main characters aren't
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righteous lawmen or Justice Bringers
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they're cold-blooded Killers who
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although certainly possess a sense of
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morality are ultimately often out for
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themselves
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more often than not the leads are in
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pursuit of selfish gain whether it be
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through the pursuit of gold or revenge
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and along the way they leave a trail of
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not only dead antagonists but also other
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people who just simply stood in their
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way
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spaghetti western protagonists were
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ruthless and would draw their gun at the
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first sight of anyone who could be an
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obstacle
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characters will also openly betray one
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another for the sake of their own
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personal advancement this can be seen
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throughout pretty much the entirety of
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the good the bad the ugly in which all
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three main characters constantly double
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cross each other for the sake of
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attaining the two hundred thousand
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dollar reward at the end of the journey
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and this is why I find them so
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compelling we don't follow Heroes we
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follow criminals who are ultimately
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scumbags when you really think about it
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yet they're still charismatic and fun to
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watch because they practically always
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end up doing the right thing even if
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that is only because it aids them in
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their selfish quest for vengeance or
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money
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and all of this beautiful storytelling
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Charming yet brutally selfish characters
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and extreme violence is backed by
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another example of why Spaghetti
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Westerns are so great
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the music
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now I know talking about copyrighted
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music in a YouTube video is
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counter-intuitive because I can't play
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any of it but to talk about Spaghetti
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Westerns without talking about their
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soundtracks is to basically commit a
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crime in itself the scores of these
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films are exceptional loud Grand brass
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instrumentals are a staple of the
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franchise with them backing the swelling
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climaxes of the famous standoffs that
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feature so prominently in the sub-genre
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the trumpet solo solidified the tension
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while bouncy electric guitars play over
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scenes of horse riding or other exciting
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action pieces to really get you hyped up
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for what's coming next however there is
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also the use of some strange musical
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combinations and sounds throughout the
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soundtracks that result in some
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amazingly unique pieces once again
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straying away from the traditional
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sounds of the classic Western
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the best example for this and probably
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the best example of any spaghetti
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western soundtrack is the score for the
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Good the Bad and the Ugly in the main
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theme we have a combination of the
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aforementioned energetic guitars
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whistles chanting and even cannon fire
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then in the beautiful Ecstasy of Gold we
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met with wildly Lively trumpets which
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contrast nicely with the epically ground
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operatic vocals throughout the track and
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finally the song the trio uses a
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combination of Spanish flamenco guitar
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castanets and once again the infamous
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Mexican style trumpets to create an epic
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finale that creates an almost palpable
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tension
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few other notable examples I'd like to
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quickly mention is the final Jewel song
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in Once Upon a Time in the West the
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Striking combination of the almost Eerie
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harmonica dramatic guitar stings and a
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powerful string Arrangement results in
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cinema soundtrack gold and it's an
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example that I think perfectly cements
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the legendary status of spaghetti
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westerns and their music then the
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opening titles to Django are
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astoundingly epic and thrush you into
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the film's action and drama immediately
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they were such a powerful inclusion
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Quentin Tarantino even used them for the
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opening of Django Unchained but it's not
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just epic sounding grandiosity that
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makes the music of spaghetti western so
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good it's also the more somber quieter
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scores that make them so enjoyable there
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are plenty of examples throughout the
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dollages trilogy however I'd like to get
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away from those movies for a second as
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there's a piece of music in another
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spaghetti western which I think
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highlights this point perfectly the
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piece in question is titled at the Grand
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Jewel Parts Prima and it is a hauntingly
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beautiful piece it's a slow piece that
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almost evokes mystery with its harmonica
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and almost Airy strings it's great like
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all the other pieces I mentioned
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each musical score complements The Scene
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It features in perfectly making
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spaghetti westerns as amazing as they
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are to be able to have the music
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flawlessly convey the same emotions as
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what's actually happening on screen is
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the skill which I feel wasn't always
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present in American westerns at the time
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each film soundtrack can make you
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excited tense or even quite sort of
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melancholy with ease and does so with
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the use of these unconventional musical
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combinations once again another factor
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of filmmaking is executed so
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magnificently in this sub-genre
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demonstrating exactly why it's heralded
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as one of the best and most influential
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sub-genres of all time
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thank you foreign
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ly I was going to end this video by
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summing up my thoughts on my spaghetti
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westerns are so good but I think there's
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an aspect of them that shows just how
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good they are which we haven't spoken
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about yet and that's their effect on
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Cinema as a whole because they're not
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just great themselves but are also great
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in how they managed to spawn some great
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movies after they themselves were long
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gone the biggest example of this is how
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the spaghetti western actually changed
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westerns as a whole all of the violence
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disreputable protagonists Etc eventually
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found its way into the more mainstream
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American-made westerns that followed
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these components could particularly be
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found in Clint Eastwood's mostly only
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westerns such as High Plains Drifter
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which sees his character reek as much
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revenge on the town's folk as he does
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the Outlaws in fact the magnitude of
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influence spaghetti westerns have had on
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Cinema goes beyond the films that
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followed shortly after as we see their
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influence still affecting Cinema to this
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day most notably as I mentioned before
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in the work of Quentin Tarantino both of
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his westerns Django Unchained and the
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hateful eight take a lot of elements
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from Spaghetti Westerns and I mean a lot
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not only does Django and chain partially
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share the name with kobuchi's 1966
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release it also utilizes the music from
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two Spaghetti Westerns one being Django
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of course and the other being Trinity
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titoli which features in the comedy
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spaghetti western They Call Me Trinity
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the same can be said for the hateful
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eight with its Snowden environment being
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taken directly from the great silence
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so Spaghetti Westerns May technically be
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dead and gone in their purest form but
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the quality they possess has resulted in
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their Spirits living on through
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contemporary filmmakers meaning they
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will always be a substantial part of
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Cinema history and that is why Spaghetti
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Westerns are so good
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foreign
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[Music]29310
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