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These are the user uploaded subtitles that are being translated: 1 00:00:00,060 --> 00:00:03,319 don't fire shot 2 00:00:03,480 --> 00:00:05,700 I'm John Baxter 3 00:00:05,700 --> 00:00:08,280 Sheriff 4 00:00:08,280 --> 00:00:10,500 yeah well they're here this year if you 5 00:00:10,500 --> 00:00:13,470 were to get these men Underground 6 00:00:13,470 --> 00:00:17,019 [Music] 7 00:00:17,119 --> 00:00:19,440 westons are some of the most iconic 8 00:00:19,440 --> 00:00:21,600 movies ever made with them having been 9 00:00:21,600 --> 00:00:23,939 an integral part of Cinema since the 10 00:00:23,939 --> 00:00:26,760 Great Train Robbery in 1903 they're 11 00:00:26,760 --> 00:00:28,800 still incredibly important to the movie 12 00:00:28,800 --> 00:00:31,199 world today with revisionist westerns 13 00:00:31,199 --> 00:00:33,239 like Django Unchained and the power of 14 00:00:33,239 --> 00:00:35,160 the dog receiving immense critical 15 00:00:35,160 --> 00:00:37,559 Acclaim it's clear westerns have been 16 00:00:37,559 --> 00:00:39,660 insanely important for as long as film 17 00:00:39,660 --> 00:00:42,660 has existed as an art form but there's a 18 00:00:42,660 --> 00:00:44,879 type of Western that has become arguably 19 00:00:44,879 --> 00:00:47,760 more iconic than the standard Western 20 00:00:47,760 --> 00:00:49,410 the Spaghetti Western 21 00:00:49,410 --> 00:00:55,890 [Music] 22 00:00:57,480 --> 00:01:00,539 it'll be a lot easier with it now this 23 00:01:00,539 --> 00:01:02,760 is not to say that traditional westerns 24 00:01:02,760 --> 00:01:04,379 are bad you've got to remember that 25 00:01:04,379 --> 00:01:06,240 without them we wouldn't even have the 26 00:01:06,240 --> 00:01:08,460 Spaghetti Western in the first place and 27 00:01:08,460 --> 00:01:10,500 there is absolutely zero doubt that 28 00:01:10,500 --> 00:01:12,720 classic American-made westerns have 29 00:01:12,720 --> 00:01:15,659 their own merits however this video is 30 00:01:15,659 --> 00:01:17,460 discussing how the Revolutionary 31 00:01:17,460 --> 00:01:20,159 spaghetti western ended up receiving the 32 00:01:20,159 --> 00:01:22,320 same amount or sometimes even more 33 00:01:22,320 --> 00:01:24,360 critical Acclaim than the American-made 34 00:01:24,360 --> 00:01:26,820 ones some have even ended up being some 35 00:01:26,820 --> 00:01:28,820 of the highest rated movies of all time 36 00:01:28,820 --> 00:01:31,740 the sub-genre has not only directly 37 00:01:31,740 --> 00:01:33,659 provided us with Summer Cinema's 38 00:01:33,659 --> 00:01:36,360 greatest moments but has also indirectly 39 00:01:36,360 --> 00:01:38,759 provided us with masterpieces from 40 00:01:38,759 --> 00:01:41,759 contemporary filmmakers so the real 41 00:01:41,759 --> 00:01:44,520 question is what makes Spaghetti 42 00:01:44,520 --> 00:01:47,220 Westerns so good 43 00:01:47,220 --> 00:01:50,420 thank you this 44 00:01:53,159 --> 00:01:55,020 I'm sure many of you are already 45 00:01:55,020 --> 00:01:57,420 familiar with the sub-genre but for 46 00:01:57,420 --> 00:01:59,340 those who aren't here's a very quick 47 00:01:59,340 --> 00:02:01,259 rundown on what a spaghetti western 48 00:02:01,259 --> 00:02:04,439 actually is strange name right why 49 00:02:04,439 --> 00:02:07,619 spaghetti well as funny and stupid as it 50 00:02:07,619 --> 00:02:09,599 sounds the name comes from the fact that 51 00:02:09,599 --> 00:02:11,520 these films were produced and directed 52 00:02:11,520 --> 00:02:13,800 by Italians the name was supposedly 53 00:02:13,800 --> 00:02:16,379 coined by Spanish journalist Alfonso 54 00:02:16,379 --> 00:02:18,780 Sanchez although I can literally not 55 00:02:18,780 --> 00:02:21,120 find anything on this guy online so it's 56 00:02:21,120 --> 00:02:22,739 hard to say if that is actually true 57 00:02:22,739 --> 00:02:25,020 there's a lot of debate over what the 58 00:02:25,020 --> 00:02:27,180 first spaghetti western actually is but 59 00:02:27,180 --> 00:02:28,800 it's safe to say that the most famous 60 00:02:28,800 --> 00:02:31,260 and successful films of the sub-genre 61 00:02:31,260 --> 00:02:33,660 are those in the Dallas Trilogy directed 62 00:02:33,660 --> 00:02:36,420 by the amazing Sergio Leone and starring 63 00:02:36,420 --> 00:02:39,300 the incredibly talented Clint Eastwood A 64 00:02:39,300 --> 00:02:41,280 Fistful of Dollars is arguably the movie 65 00:02:41,280 --> 00:02:43,260 that introduced The Wider world to the 66 00:02:43,260 --> 00:02:45,420 Spaghetti Western with it and its two 67 00:02:45,420 --> 00:02:47,160 sequels being among the most 68 00:02:47,160 --> 00:02:50,099 recognizable westerns of all time it was 69 00:02:50,099 --> 00:02:52,379 also the success of A Fistful of Dollars 70 00:02:52,379 --> 00:02:54,120 that pave the way for even more 71 00:02:54,120 --> 00:02:56,400 Spaghetti Westerns to find their footing 72 00:02:56,400 --> 00:02:59,340 in the Cinematic world so as I was 73 00:02:59,340 --> 00:03:01,620 saying what is it about them that makes 74 00:03:01,620 --> 00:03:04,739 them so good 75 00:03:04,739 --> 00:03:06,540 difference 76 00:03:06,540 --> 00:03:09,360 well before we get into the more nuanced 77 00:03:09,360 --> 00:03:12,120 reasons we should talk about the sort of 78 00:03:12,120 --> 00:03:14,159 umbrella explanation for the incredible 79 00:03:14,159 --> 00:03:16,860 quality of spaghetti westerns that being 80 00:03:16,860 --> 00:03:20,099 their difference not uniqueness per se 81 00:03:20,099 --> 00:03:22,379 although that is certainly another bonus 82 00:03:22,379 --> 00:03:24,120 they have but the way in which they're 83 00:03:24,120 --> 00:03:25,440 different to the traditional 84 00:03:25,440 --> 00:03:27,780 American-made Western is what makes them 85 00:03:27,780 --> 00:03:30,599 so good while the two genres share the 86 00:03:30,599 --> 00:03:32,940 same skeleton the tweaks that spaghetti 87 00:03:32,940 --> 00:03:35,340 westerns made to the original formula is 88 00:03:35,340 --> 00:03:37,280 what sets them apart from their American 89 00:03:37,280 --> 00:03:39,860 counterparts and ultimately ended up 90 00:03:39,860 --> 00:03:41,879 revolutionizing this corner of Cinema 91 00:03:41,879 --> 00:03:44,700 itself there's a plethora of examples 92 00:03:44,700 --> 00:03:47,400 for this and I'd like to start with the 93 00:03:47,400 --> 00:03:49,500 Aesthetics 94 00:03:49,500 --> 00:03:51,959 when talking about the medium of film 95 00:03:51,959 --> 00:03:54,360 it's pretty much imperative to talk 96 00:03:54,360 --> 00:03:56,879 about the visuals while the writing 97 00:03:56,879 --> 00:03:58,860 which we'll get to is of equal 98 00:03:58,860 --> 00:04:01,260 importance we have to remember that film 99 00:04:01,260 --> 00:04:04,440 is a visual based format the Aesthetics 100 00:04:04,440 --> 00:04:06,299 of a spaghetti western are very 101 00:04:06,299 --> 00:04:08,159 different to that of an American Western 102 00:04:08,159 --> 00:04:10,739 while the American westerns at the time 103 00:04:10,739 --> 00:04:12,959 favored clean Aesthetics with 104 00:04:12,959 --> 00:04:15,060 protagonists wearing immaculately clean 105 00:04:15,060 --> 00:04:18,479 shirts and hats often being clean shaven 106 00:04:18,479 --> 00:04:21,600 and having Short Hair Etc spaghetti 107 00:04:21,600 --> 00:04:23,580 Western's featured characters who are 108 00:04:23,580 --> 00:04:26,340 often scruffy and unkempt because of 109 00:04:26,340 --> 00:04:28,320 this there's more of a sense of realism 110 00:04:28,320 --> 00:04:30,900 in spaghetti westerns in terms of their 111 00:04:30,900 --> 00:04:33,540 looks at least the antagonists are 112 00:04:33,540 --> 00:04:35,100 sometimes better groomed than the 113 00:04:35,100 --> 00:04:37,380 protagonists and there isn't always a 114 00:04:37,380 --> 00:04:39,600 clear visual divide between the good guy 115 00:04:39,600 --> 00:04:42,120 being attractive and the bad guy being 116 00:04:42,120 --> 00:04:43,020 ugly 117 00:04:43,020 --> 00:04:45,180 it's not always as easy to tell who's 118 00:04:45,180 --> 00:04:47,340 the protagonist or antagonist from their 119 00:04:47,340 --> 00:04:49,680 looks alone which you could more often 120 00:04:49,680 --> 00:04:51,479 than not do in the older American 121 00:04:51,479 --> 00:04:53,520 westerns 122 00:04:53,520 --> 00:04:56,400 equally towns and their inhabitants are 123 00:04:56,400 --> 00:04:58,320 also not necessarily the best looking 124 00:04:58,320 --> 00:05:00,600 with the towns looking dirty and 125 00:05:00,600 --> 00:05:03,360 dangerous and the townsfolk being hairy 126 00:05:03,360 --> 00:05:05,580 filthy dressed Gunslingers or Saloon 127 00:05:05,580 --> 00:05:06,660 goers 128 00:05:06,660 --> 00:05:09,120 and like I said the actual towns 129 00:05:09,120 --> 00:05:11,460 themselves as settings are more Grammy 130 00:05:11,460 --> 00:05:13,400 and disreputable the almost 131 00:05:13,400 --> 00:05:15,720 picture-perfect Golden Sands and 132 00:05:15,720 --> 00:05:17,940 well-kept wooden buildings are gone and 133 00:05:17,940 --> 00:05:20,040 have been replaced with dingy rundown 134 00:05:20,040 --> 00:05:22,320 structures that reside in Barren 135 00:05:22,320 --> 00:05:25,080 unappealing deserts sometimes there's 136 00:05:25,080 --> 00:05:27,660 even thick disgusting mud Paving the 137 00:05:27,660 --> 00:05:29,759 street of these places 138 00:05:29,759 --> 00:05:32,000 foreign 139 00:05:35,090 --> 00:05:42,179 [Music] 140 00:05:42,259 --> 00:05:45,000 Star Wars success was because of how 141 00:05:45,000 --> 00:05:47,759 different it looked instead of utilizing 142 00:05:47,759 --> 00:05:50,220 the Sleek Silvers and bright costumes of 143 00:05:50,220 --> 00:05:52,740 the Sci-Fi that came before it it used 144 00:05:52,740 --> 00:05:55,259 more toned down colors and grimy 145 00:05:55,259 --> 00:05:57,840 locations plus the protagonist was 146 00:05:57,840 --> 00:06:00,360 scruffy and not in flashy space suits 147 00:06:00,360 --> 00:06:02,419 like the aforementioned sci-fi before 148 00:06:02,419 --> 00:06:05,220 well the exact same thing happened to 149 00:06:05,220 --> 00:06:07,080 Spaghetti Westerns about a decade 150 00:06:07,080 --> 00:06:09,840 earlier the brutality of the Wild West 151 00:06:09,840 --> 00:06:12,660 while certainly exaggerated was finally 152 00:06:12,660 --> 00:06:14,520 being displayed properly through these 153 00:06:14,520 --> 00:06:17,160 movies while definitely stylized in 154 00:06:17,160 --> 00:06:19,440 different ways the spaghetti western got 155 00:06:19,440 --> 00:06:21,360 rid of the overly clean and attractive 156 00:06:21,360 --> 00:06:24,419 Landscapes people and settings and 157 00:06:24,419 --> 00:06:26,639 replace them with the brutal reality of 158 00:06:26,639 --> 00:06:28,800 living life in the Wild West 159 00:06:28,800 --> 00:06:31,259 in fact that brings me on to my next 160 00:06:31,259 --> 00:06:34,319 point the brutality and morally gray 161 00:06:34,319 --> 00:06:36,740 characters 162 00:06:41,180 --> 00:06:44,180 thank you 163 00:06:44,220 --> 00:06:48,380 when you have to shoot shoot don't talk 164 00:06:49,139 --> 00:06:51,419 another reason as to why Spaghetti 165 00:06:51,419 --> 00:06:53,400 Westerns are so good it's because of 166 00:06:53,400 --> 00:06:55,380 their willingness to show not only the 167 00:06:55,380 --> 00:06:58,080 harsh brutality of the old west but also 168 00:06:58,080 --> 00:07:00,300 the distinct lack of Morality In the 169 00:07:00,300 --> 00:07:03,060 majority of characters or in other words 170 00:07:03,060 --> 00:07:05,340 it's their ability to have protagonists 171 00:07:05,340 --> 00:07:07,440 that are Charming but sometimes equally 172 00:07:07,440 --> 00:07:09,780 as brutal as the antagonist or simply 173 00:07:09,780 --> 00:07:11,960 just out for themselves 174 00:07:11,960 --> 00:07:14,400 gunfights can be unfair in these movies 175 00:07:14,400 --> 00:07:16,560 either at the hands of the protagonist 176 00:07:16,560 --> 00:07:19,440 or the antagonist a good example is when 177 00:07:19,440 --> 00:07:21,780 the men with no name points a rifle at 178 00:07:21,780 --> 00:07:24,780 El Indio during the final Jewel of for a 179 00:07:24,780 --> 00:07:27,180 few dollars more or when the titular 180 00:07:27,180 --> 00:07:29,940 Django mercilessly guns down his enemies 181 00:07:29,940 --> 00:07:32,699 with a machine gun in Django by Sergio 182 00:07:32,699 --> 00:07:34,160 corbuchi 183 00:07:34,160 --> 00:07:36,180 kobuchi's films are an excellent 184 00:07:36,180 --> 00:07:38,580 demonstration of a spaghetti westerns 185 00:07:38,580 --> 00:07:40,500 way of displaying the harsh violence 186 00:07:40,500 --> 00:07:43,080 that resided in every town in the wild 187 00:07:43,080 --> 00:07:45,660 west does the aforementioned example in 188 00:07:45,660 --> 00:07:47,940 Django which also features horrendous 189 00:07:47,940 --> 00:07:49,740 brutality at the hands of the film's 190 00:07:49,740 --> 00:07:52,199 antagonist who has Django's hands 191 00:07:52,199 --> 00:07:54,240 completely shattered under horse Hooves 192 00:07:54,240 --> 00:07:56,520 there's no confusion as to who the bad 193 00:07:56,520 --> 00:07:59,039 guy is of course but even still the fact 194 00:07:59,039 --> 00:08:00,840 the protagonist is willing to machine 195 00:08:00,840 --> 00:08:03,360 gun tens of people down shows how 196 00:08:03,360 --> 00:08:05,099 violent the time was 197 00:08:05,099 --> 00:08:07,620 this is also similar to how the man with 198 00:08:07,620 --> 00:08:09,780 no name in The Good the Bad and the Ugly 199 00:08:09,780 --> 00:08:11,940 has the highest kill count in the entire 200 00:08:11,940 --> 00:08:15,000 film despite being the supposed well 201 00:08:15,000 --> 00:08:16,680 good 202 00:08:16,680 --> 00:08:20,460 in kobuchi's 1968 film The Grand silence 203 00:08:20,460 --> 00:08:22,979 the protagonist's silence shoots the 204 00:08:22,979 --> 00:08:25,080 thumbs off of his victims instead of 205 00:08:25,080 --> 00:08:27,060 giving the quick One-Shot death like 206 00:08:27,060 --> 00:08:29,599 previous Western Heroes would have done 207 00:08:29,599 --> 00:08:32,099 kobuchi's in Leone's respective series 208 00:08:32,099 --> 00:08:34,620 also feature beatings which result in 209 00:08:34,620 --> 00:08:36,839 quite Gory for the time at least 210 00:08:36,839 --> 00:08:40,140 outcomes protagonist and antagonists are 211 00:08:40,140 --> 00:08:42,479 beaten relentlessly at times and blood 212 00:08:42,479 --> 00:08:45,120 is drawn which sounds stupid and tame by 213 00:08:45,120 --> 00:08:47,580 nowaday standards but remember at the 214 00:08:47,580 --> 00:08:49,680 time this was practically unheard of in 215 00:08:49,680 --> 00:08:52,620 American-made westerns this is also same 216 00:08:52,620 --> 00:08:54,720 with the shootings that happen in these 217 00:08:54,720 --> 00:08:56,880 movies these feature characters bleeding 218 00:08:56,880 --> 00:08:58,980 from their mouths and gunshot wounds in 219 00:08:58,980 --> 00:09:00,899 their dying moments making them 220 00:09:00,899 --> 00:09:02,820 incredibly different to the bloodless 221 00:09:02,820 --> 00:09:04,860 immediate deaths of traditional Western 222 00:09:04,860 --> 00:09:06,600 characters 223 00:09:06,600 --> 00:09:09,000 there's even a scene in Django where a 224 00:09:09,000 --> 00:09:10,740 man has his ear cut off which is 225 00:09:10,740 --> 00:09:13,320 actually so gross and gory even for the 226 00:09:13,320 --> 00:09:15,480 time that I don't think I'm gonna risk 227 00:09:15,480 --> 00:09:18,300 showing the clip here on YouTube but it 228 00:09:18,300 --> 00:09:19,980 is out there if you do want to see it 229 00:09:19,980 --> 00:09:22,380 there's no order to the violence or 230 00:09:22,380 --> 00:09:24,600 barbarity of the West like there is in 231 00:09:24,600 --> 00:09:27,120 other westerns protagonists will commit 232 00:09:27,120 --> 00:09:29,100 acts as stomach churning as the villain 233 00:09:29,100 --> 00:09:31,380 sometimes and our main characters aren't 234 00:09:31,380 --> 00:09:33,480 righteous lawmen or Justice Bringers 235 00:09:33,480 --> 00:09:35,459 they're cold-blooded Killers who 236 00:09:35,459 --> 00:09:37,680 although certainly possess a sense of 237 00:09:37,680 --> 00:09:40,019 morality are ultimately often out for 238 00:09:40,019 --> 00:09:41,160 themselves 239 00:09:41,160 --> 00:09:43,680 more often than not the leads are in 240 00:09:43,680 --> 00:09:46,019 pursuit of selfish gain whether it be 241 00:09:46,019 --> 00:09:48,240 through the pursuit of gold or revenge 242 00:09:48,240 --> 00:09:50,580 and along the way they leave a trail of 243 00:09:50,580 --> 00:09:52,860 not only dead antagonists but also other 244 00:09:52,860 --> 00:09:54,600 people who just simply stood in their 245 00:09:54,600 --> 00:09:55,560 way 246 00:09:55,560 --> 00:09:57,480 spaghetti western protagonists were 247 00:09:57,480 --> 00:09:59,640 ruthless and would draw their gun at the 248 00:09:59,640 --> 00:10:01,500 first sight of anyone who could be an 249 00:10:01,500 --> 00:10:02,459 obstacle 250 00:10:02,459 --> 00:10:05,339 characters will also openly betray one 251 00:10:05,339 --> 00:10:06,959 another for the sake of their own 252 00:10:06,959 --> 00:10:09,600 personal advancement this can be seen 253 00:10:09,600 --> 00:10:11,580 throughout pretty much the entirety of 254 00:10:11,580 --> 00:10:13,740 the good the bad the ugly in which all 255 00:10:13,740 --> 00:10:15,959 three main characters constantly double 256 00:10:15,959 --> 00:10:17,880 cross each other for the sake of 257 00:10:17,880 --> 00:10:19,620 attaining the two hundred thousand 258 00:10:19,620 --> 00:10:22,019 dollar reward at the end of the journey 259 00:10:22,019 --> 00:10:24,060 and this is why I find them so 260 00:10:24,060 --> 00:10:26,580 compelling we don't follow Heroes we 261 00:10:26,580 --> 00:10:28,200 follow criminals who are ultimately 262 00:10:28,200 --> 00:10:30,300 scumbags when you really think about it 263 00:10:30,300 --> 00:10:33,240 yet they're still charismatic and fun to 264 00:10:33,240 --> 00:10:34,980 watch because they practically always 265 00:10:34,980 --> 00:10:37,200 end up doing the right thing even if 266 00:10:37,200 --> 00:10:39,240 that is only because it aids them in 267 00:10:39,240 --> 00:10:41,100 their selfish quest for vengeance or 268 00:10:41,100 --> 00:10:41,940 money 269 00:10:41,940 --> 00:10:44,160 and all of this beautiful storytelling 270 00:10:44,160 --> 00:10:46,800 Charming yet brutally selfish characters 271 00:10:46,800 --> 00:10:49,320 and extreme violence is backed by 272 00:10:49,320 --> 00:10:51,180 another example of why Spaghetti 273 00:10:51,180 --> 00:10:52,920 Westerns are so great 274 00:10:52,920 --> 00:10:55,760 the music 275 00:10:56,480 --> 00:10:59,579 now I know talking about copyrighted 276 00:10:59,579 --> 00:11:01,560 music in a YouTube video is 277 00:11:01,560 --> 00:11:03,480 counter-intuitive because I can't play 278 00:11:03,480 --> 00:11:05,880 any of it but to talk about Spaghetti 279 00:11:05,880 --> 00:11:07,620 Westerns without talking about their 280 00:11:07,620 --> 00:11:09,779 soundtracks is to basically commit a 281 00:11:09,779 --> 00:11:12,720 crime in itself the scores of these 282 00:11:12,720 --> 00:11:16,380 films are exceptional loud Grand brass 283 00:11:16,380 --> 00:11:18,240 instrumentals are a staple of the 284 00:11:18,240 --> 00:11:20,579 franchise with them backing the swelling 285 00:11:20,579 --> 00:11:23,459 climaxes of the famous standoffs that 286 00:11:23,459 --> 00:11:25,800 feature so prominently in the sub-genre 287 00:11:25,800 --> 00:11:29,040 the trumpet solo solidified the tension 288 00:11:29,040 --> 00:11:31,800 while bouncy electric guitars play over 289 00:11:31,800 --> 00:11:34,560 scenes of horse riding or other exciting 290 00:11:34,560 --> 00:11:37,260 action pieces to really get you hyped up 291 00:11:37,260 --> 00:11:40,200 for what's coming next however there is 292 00:11:40,200 --> 00:11:42,240 also the use of some strange musical 293 00:11:42,240 --> 00:11:44,220 combinations and sounds throughout the 294 00:11:44,220 --> 00:11:45,959 soundtracks that result in some 295 00:11:45,959 --> 00:11:48,420 amazingly unique pieces once again 296 00:11:48,420 --> 00:11:50,339 straying away from the traditional 297 00:11:50,339 --> 00:11:52,680 sounds of the classic Western 298 00:11:52,680 --> 00:11:55,140 the best example for this and probably 299 00:11:55,140 --> 00:11:57,120 the best example of any spaghetti 300 00:11:57,120 --> 00:11:59,339 western soundtrack is the score for the 301 00:11:59,339 --> 00:12:01,440 Good the Bad and the Ugly in the main 302 00:12:01,440 --> 00:12:03,300 theme we have a combination of the 303 00:12:03,300 --> 00:12:05,339 aforementioned energetic guitars 304 00:12:05,339 --> 00:12:08,160 whistles chanting and even cannon fire 305 00:12:08,160 --> 00:12:11,880 then in the beautiful Ecstasy of Gold we 306 00:12:11,880 --> 00:12:14,279 met with wildly Lively trumpets which 307 00:12:14,279 --> 00:12:16,680 contrast nicely with the epically ground 308 00:12:16,680 --> 00:12:19,920 operatic vocals throughout the track and 309 00:12:19,920 --> 00:12:22,800 finally the song the trio uses a 310 00:12:22,800 --> 00:12:25,339 combination of Spanish flamenco guitar 311 00:12:25,339 --> 00:12:28,260 castanets and once again the infamous 312 00:12:28,260 --> 00:12:31,320 Mexican style trumpets to create an epic 313 00:12:31,320 --> 00:12:33,660 finale that creates an almost palpable 314 00:12:33,660 --> 00:12:35,040 tension 315 00:12:35,040 --> 00:12:37,440 few other notable examples I'd like to 316 00:12:37,440 --> 00:12:39,660 quickly mention is the final Jewel song 317 00:12:39,660 --> 00:12:42,180 in Once Upon a Time in the West the 318 00:12:42,180 --> 00:12:44,639 Striking combination of the almost Eerie 319 00:12:44,639 --> 00:12:47,700 harmonica dramatic guitar stings and a 320 00:12:47,700 --> 00:12:49,860 powerful string Arrangement results in 321 00:12:49,860 --> 00:12:52,139 cinema soundtrack gold and it's an 322 00:12:52,139 --> 00:12:54,300 example that I think perfectly cements 323 00:12:54,300 --> 00:12:56,160 the legendary status of spaghetti 324 00:12:56,160 --> 00:12:58,980 westerns and their music then the 325 00:12:58,980 --> 00:13:01,139 opening titles to Django are 326 00:13:01,139 --> 00:13:03,300 astoundingly epic and thrush you into 327 00:13:03,300 --> 00:13:05,399 the film's action and drama immediately 328 00:13:05,399 --> 00:13:07,680 they were such a powerful inclusion 329 00:13:07,680 --> 00:13:10,139 Quentin Tarantino even used them for the 330 00:13:10,139 --> 00:13:12,839 opening of Django Unchained but it's not 331 00:13:12,839 --> 00:13:15,660 just epic sounding grandiosity that 332 00:13:15,660 --> 00:13:18,000 makes the music of spaghetti western so 333 00:13:18,000 --> 00:13:21,300 good it's also the more somber quieter 334 00:13:21,300 --> 00:13:23,820 scores that make them so enjoyable there 335 00:13:23,820 --> 00:13:25,500 are plenty of examples throughout the 336 00:13:25,500 --> 00:13:28,440 dollages trilogy however I'd like to get 337 00:13:28,440 --> 00:13:31,139 away from those movies for a second as 338 00:13:31,139 --> 00:13:32,760 there's a piece of music in another 339 00:13:32,760 --> 00:13:34,560 spaghetti western which I think 340 00:13:34,560 --> 00:13:37,440 highlights this point perfectly the 341 00:13:37,440 --> 00:13:39,600 piece in question is titled at the Grand 342 00:13:39,600 --> 00:13:43,079 Jewel Parts Prima and it is a hauntingly 343 00:13:43,079 --> 00:13:46,019 beautiful piece it's a slow piece that 344 00:13:46,019 --> 00:13:48,540 almost evokes mystery with its harmonica 345 00:13:48,540 --> 00:13:51,899 and almost Airy strings it's great like 346 00:13:51,899 --> 00:13:54,240 all the other pieces I mentioned 347 00:13:54,240 --> 00:13:57,000 each musical score complements The Scene 348 00:13:57,000 --> 00:13:59,220 It features in perfectly making 349 00:13:59,220 --> 00:14:01,320 spaghetti westerns as amazing as they 350 00:14:01,320 --> 00:14:03,420 are to be able to have the music 351 00:14:03,420 --> 00:14:06,180 flawlessly convey the same emotions as 352 00:14:06,180 --> 00:14:08,399 what's actually happening on screen is 353 00:14:08,399 --> 00:14:10,139 the skill which I feel wasn't always 354 00:14:10,139 --> 00:14:12,540 present in American westerns at the time 355 00:14:12,540 --> 00:14:15,000 each film soundtrack can make you 356 00:14:15,000 --> 00:14:17,519 excited tense or even quite sort of 357 00:14:17,519 --> 00:14:19,740 melancholy with ease and does so with 358 00:14:19,740 --> 00:14:21,839 the use of these unconventional musical 359 00:14:21,839 --> 00:14:25,019 combinations once again another factor 360 00:14:25,019 --> 00:14:27,180 of filmmaking is executed so 361 00:14:27,180 --> 00:14:29,120 magnificently in this sub-genre 362 00:14:29,120 --> 00:14:31,680 demonstrating exactly why it's heralded 363 00:14:31,680 --> 00:14:33,899 as one of the best and most influential 364 00:14:33,899 --> 00:14:37,339 sub-genres of all time 365 00:14:38,220 --> 00:14:42,420 thank you foreign 366 00:14:43,699 --> 00:14:46,620 ly I was going to end this video by 367 00:14:46,620 --> 00:14:48,839 summing up my thoughts on my spaghetti 368 00:14:48,839 --> 00:14:50,940 westerns are so good but I think there's 369 00:14:50,940 --> 00:14:52,920 an aspect of them that shows just how 370 00:14:52,920 --> 00:14:54,839 good they are which we haven't spoken 371 00:14:54,839 --> 00:14:57,240 about yet and that's their effect on 372 00:14:57,240 --> 00:15:00,000 Cinema as a whole because they're not 373 00:15:00,000 --> 00:15:02,579 just great themselves but are also great 374 00:15:02,579 --> 00:15:04,800 in how they managed to spawn some great 375 00:15:04,800 --> 00:15:07,139 movies after they themselves were long 376 00:15:07,139 --> 00:15:09,839 gone the biggest example of this is how 377 00:15:09,839 --> 00:15:11,880 the spaghetti western actually changed 378 00:15:11,880 --> 00:15:14,279 westerns as a whole all of the violence 379 00:15:14,279 --> 00:15:17,459 disreputable protagonists Etc eventually 380 00:15:17,459 --> 00:15:19,560 found its way into the more mainstream 381 00:15:19,560 --> 00:15:21,680 American-made westerns that followed 382 00:15:21,680 --> 00:15:24,600 these components could particularly be 383 00:15:24,600 --> 00:15:26,639 found in Clint Eastwood's mostly only 384 00:15:26,639 --> 00:15:29,100 westerns such as High Plains Drifter 385 00:15:29,100 --> 00:15:31,320 which sees his character reek as much 386 00:15:31,320 --> 00:15:33,300 revenge on the town's folk as he does 387 00:15:33,300 --> 00:15:36,180 the Outlaws in fact the magnitude of 388 00:15:36,180 --> 00:15:38,339 influence spaghetti westerns have had on 389 00:15:38,339 --> 00:15:40,380 Cinema goes beyond the films that 390 00:15:40,380 --> 00:15:42,899 followed shortly after as we see their 391 00:15:42,899 --> 00:15:45,120 influence still affecting Cinema to this 392 00:15:45,120 --> 00:15:47,639 day most notably as I mentioned before 393 00:15:47,639 --> 00:15:50,699 in the work of Quentin Tarantino both of 394 00:15:50,699 --> 00:15:52,860 his westerns Django Unchained and the 395 00:15:52,860 --> 00:15:55,320 hateful eight take a lot of elements 396 00:15:55,320 --> 00:15:57,899 from Spaghetti Westerns and I mean a lot 397 00:15:57,899 --> 00:16:00,360 not only does Django and chain partially 398 00:16:00,360 --> 00:16:03,360 share the name with kobuchi's 1966 399 00:16:03,360 --> 00:16:06,360 release it also utilizes the music from 400 00:16:06,360 --> 00:16:09,120 two Spaghetti Westerns one being Django 401 00:16:09,120 --> 00:16:11,120 of course and the other being Trinity 402 00:16:11,120 --> 00:16:13,560 titoli which features in the comedy 403 00:16:13,560 --> 00:16:16,740 spaghetti western They Call Me Trinity 404 00:16:16,740 --> 00:16:18,660 the same can be said for the hateful 405 00:16:18,660 --> 00:16:21,000 eight with its Snowden environment being 406 00:16:21,000 --> 00:16:24,360 taken directly from the great silence 407 00:16:24,360 --> 00:16:27,600 so Spaghetti Westerns May technically be 408 00:16:27,600 --> 00:16:29,940 dead and gone in their purest form but 409 00:16:29,940 --> 00:16:32,220 the quality they possess has resulted in 410 00:16:32,220 --> 00:16:33,779 their Spirits living on through 411 00:16:33,779 --> 00:16:36,240 contemporary filmmakers meaning they 412 00:16:36,240 --> 00:16:38,639 will always be a substantial part of 413 00:16:38,639 --> 00:16:42,180 Cinema history and that is why Spaghetti 414 00:16:42,180 --> 00:16:45,680 Westerns are so good 415 00:16:46,199 --> 00:16:48,170 foreign 416 00:16:48,170 --> 00:16:52,700 [Music]29310

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