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[Music]
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breaking through a door has always been
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one of the most difficult oh well never
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mind commercial successes in themselves
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Italian westerns have also brought
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prosperity to Al Maria on the Costa Del
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sa of southern Spain once a sleepy
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provincial town alaria has bloomed under
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the influx of Italian film Capital into
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a Spanish
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Hollywood luxury hotels fashionable
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restaurants and shops have sprung up to
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cater to the International Film
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set the reason for Al Maria's Success is
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Not only because there are more sunny
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days here than anywhere else in Europe
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but also because of its real Western
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Countryside within 20 mi of the city
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there are Barren deserts Mexican
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villages and deep Canyons
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[Music]
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w
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[Music]
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fore
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[Music]
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Al Maria also has its Western towns
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today it's hickland gateway to the
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Mexican border tomorrow it could be
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Dodge City Tombstone or abene but always
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populated by local gypsies pressed into
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Service as Mexican trick riders and
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stuntmen
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Al Maria's five Western Villages and
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Rome's 10 are the world's liveliest
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ghost towns
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[Music]
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well dozen of small producers are
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following each other in and out of the
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western
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towns the man who started it all Sergio
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Leon has completed his fourth and
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biggest
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Western he says it will be his
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last the unknown director who couldn't
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interest anyone in his first Western is
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now the alltime Italian box office
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Champion for his film about about the
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construction of the railroad across the
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American West Ser Jo Leon built his own
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track in the remote Spanish
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Countryside he even blasted a mountain
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out of the way and then hauled an
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ancient Spanish locomotive rescued from
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a Barcelona scrap Heap to run on his
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iron
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[Music]
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Road and who be riding the
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train well there's Henry Fonda clodia
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cardali Jason robarts and Charles
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Bronson among
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[Applause]
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others yes American actors are coming to
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work in the European version of the old
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west the most recent arrival is
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television star Chuck Connors
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hi Chuck how's your Italian coming
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along Chuck according to your experience
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starring an American TV and feature
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westerns how does the Italian Western
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differ from those made in the
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USA well there are many things basically
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the same about doing a western here in
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Italy as well as America the sets look
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the the same we have the horses and the
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extras and the Cavalry and the Cowboys
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and what have you I would say the
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underlying difference to me is the
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emphasis that's placed on the elements
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of the Western that make it a western H
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by that I mean for instance in a western
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you usually have one or two or maybe
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three fights fist fights among the uh
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contesting parties well in American
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Western there might be five or six or
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maybe seven punches thrown here you'll
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you'll see a fight go on for 5 minutes
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they may throw 25 30 or 40 punches
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another element of the western is the
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shooting of a gun uh when we make one at
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home we fire the gun two or three times
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here that gun May Fire 40 or 50 times
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I'm sure that when we get to riding
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horses the same thing will be true what
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they do is that they set it up in a
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larger frame the Western element of the
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western motion picture and I think
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they've come a long way and I I expect
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that they'll get better as time
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progresses uh basically however I uh
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I've enjoyed it very much and we
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continue to the one element which might
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be in contradiction to that is that from
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what I've seen of course my viewing is
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limited I've seen about seven or eight
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Italian westerns and of course I know
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this script that uh the early American
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Western the hero was always a pure hero
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it was a question of black and white and
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uh I noticed in most Italian pictures
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I've seen that the hero is really an
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anti-hero there's a lot of bad in him as
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a matter of fact I myself for the first
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time in a long time am playing someone
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somebody who's not a pure hero and
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truthfully I kind of like it all right
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we'll give that stuntman just one more
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chance I just don't believe it
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[Music]7927
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