All language subtitles for ROLLING STONES - Recording of Beggars Banquet

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These are the user uploaded subtitles that are being translated: 1 00:00:01,560 --> 00:00:04,120 a little more of Keith on the cans he 2 00:00:04,120 --> 00:00:06,839 says Kei I thought having the solo on 3 00:00:06,839 --> 00:00:10,800 the third on the fourth onead of the 4 00:00:10,800 --> 00:00:13,000 that's the way it's the way it sort of 5 00:00:13,000 --> 00:00:15,280 is you 6 00:00:16,119 --> 00:00:19,359 know by 1968 the stones fresh from a 7 00:00:19,359 --> 00:00:21,560 lengthy Battle of the judicial system 8 00:00:21,560 --> 00:00:23,119 now completely embodied an 9 00:00:23,119 --> 00:00:25,720 anti-establishment image the Jou time 10 00:00:25,720 --> 00:00:27,359 had been dropped and they hadn't been 11 00:00:27,359 --> 00:00:29,640 silenced in other words they'd won the 12 00:00:29,640 --> 00:00:32,200 battle Against The Establishment and now 13 00:00:32,200 --> 00:00:34,239 embraced the Diabolical side of swinging 14 00:00:34,239 --> 00:00:36,640 London and set out to ca out and out 15 00:00:36,640 --> 00:00:38,960 Mayhem stones have been pulled into a 16 00:00:38,960 --> 00:00:41,160 fight and suffered the first blow and 17 00:00:41,160 --> 00:00:43,640 now came out all guns blazing they Ed 18 00:00:43,640 --> 00:00:46,000 the word satanic in their album title 19 00:00:46,000 --> 00:00:48,360 they sang lyrics such as the time is 20 00:00:48,360 --> 00:00:51,000 right for fighting in the street they 21 00:00:51,000 --> 00:00:53,039 opened their next album Beggar's Banquet 22 00:00:53,039 --> 00:00:55,120 with a track titled Sympathy for the 23 00:00:55,120 --> 00:00:57,000 Devil they agreed to be filmed during 24 00:00:57,000 --> 00:00:59,160 sessions to appear in a movie pushing 25 00:00:59,160 --> 00:01:02,399 Revolution and Marxist ideologies MC 26 00:01:02,399 --> 00:01:05,239 Jagger had begun reading into Satanism 27 00:01:05,239 --> 00:01:06,680 he would take an acting role in the film 28 00:01:06,680 --> 00:01:08,680 performance of which the director had 29 00:01:08,680 --> 00:01:11,240 connections to the occultist aliser 30 00:01:11,240 --> 00:01:13,640 Crowley devil was frequently mentioned 31 00:01:13,640 --> 00:01:16,320 in Keith Richard's Idol Robert Johnson's 32 00:01:16,320 --> 00:01:18,479 compositions and his girlfriend Anita 33 00:01:18,479 --> 00:01:21,840 penberg obsessively studied the occult 34 00:01:21,840 --> 00:01:24,360 But ultimately they used satanic imagery 35 00:01:24,360 --> 00:01:26,280 to rebel against the 36 00:01:26,280 --> 00:01:28,200 establishment the poor reception they 37 00:01:28,200 --> 00:01:30,320 received from satanic majesties the 38 00:01:30,320 --> 00:01:33,119 stones abandoned their psychedelic image 39 00:01:33,119 --> 00:01:35,240 Keith especially hated the album he 40 00:01:35,240 --> 00:01:38,119 called it a load of [ __ ] he felt the 41 00:01:38,119 --> 00:01:39,840 self- production and the chaotic 42 00:01:39,840 --> 00:01:41,880 recording process didn't serve the band 43 00:01:41,880 --> 00:01:44,240 well he now began studying the blues 44 00:01:44,240 --> 00:01:46,439 again it was Now Keith would ReDiscover 45 00:01:46,439 --> 00:01:49,040 open tunings he later stated it 46 00:01:49,040 --> 00:01:52,000 transformed my life of course he wasn't 47 00:01:52,000 --> 00:01:53,960 totally new to open tunings Brian had 48 00:01:53,960 --> 00:01:55,960 used these in the early days the big 49 00:01:55,960 --> 00:01:57,799 difference was Keith now began playing 50 00:01:57,799 --> 00:02:00,200 them without the use of a slide was 51 00:02:00,200 --> 00:02:02,600 revolutionary for him he now felt it 52 00:02:02,600 --> 00:02:04,119 could translate over so many of the 53 00:02:04,119 --> 00:02:06,240 sounds he had in his head his 54 00:02:06,240 --> 00:02:08,039 experimentation many believe was a 55 00:02:08,039 --> 00:02:10,599 result of Andrew alam's departure in 56 00:02:10,599 --> 00:02:12,720 other words he was free from the Phil 57 00:02:12,720 --> 00:02:15,400 Spectre esque influence it would be a 58 00:02:15,400 --> 00:02:17,239 strange year for Keith musically he'd 59 00:02:17,239 --> 00:02:18,840 ReDiscover his love for the guitar and 60 00:02:18,840 --> 00:02:21,319 hit a creative Peak personally he'll be 61 00:02:21,319 --> 00:02:22,760 racked with jealousy and fear his 62 00:02:22,760 --> 00:02:24,640 girlfriend andita palberg would leave 63 00:02:24,640 --> 00:02:26,879 him he feed she was having an affair 64 00:02:26,879 --> 00:02:28,720 with Marlon Brando he feared she was 65 00:02:28,720 --> 00:02:30,879 having an affair with mck Jagger one of 66 00:02:30,879 --> 00:02:33,280 these fears would come true the album 67 00:02:33,280 --> 00:02:35,120 would contain a mix of standard open D 68 00:02:35,120 --> 00:02:37,720 and open E compositions sensing the M 69 00:02:37,720 --> 00:02:39,640 was near for Brian at least as a member 70 00:02:39,640 --> 00:02:41,920 of The Rolling Stones Keith also began 71 00:02:41,920 --> 00:02:44,680 learning slide guitar he figured he'd 72 00:02:44,680 --> 00:02:47,400 need to fill in for Brian's Parts he 73 00:02:47,400 --> 00:02:48,720 would always used Philip's tape 74 00:02:48,720 --> 00:02:50,840 recorders as a tool to store any guitar 75 00:02:50,840 --> 00:02:53,200 riffs but for the first time it would be 76 00:02:53,200 --> 00:02:55,680 used as a recording technique in the 77 00:02:55,680 --> 00:02:58,120 studio he and Mick would drive the band 78 00:02:58,120 --> 00:02:59,400 through the recording of Beggar's 79 00:02:59,400 --> 00:03:00,400 Banquet 80 00:03:00,400 --> 00:03:02,480 R by this point to personify the drugged 81 00:03:02,480 --> 00:03:04,519 out Rockstar his involvement in the 82 00:03:04,519 --> 00:03:06,920 album was minimal Keith had taken his 83 00:03:06,920 --> 00:03:09,120 girlfriend Anita palberg from him and in 84 00:03:09,120 --> 00:03:11,920 doing so left his own girlfriend Linda 85 00:03:11,920 --> 00:03:14,799 Keith the two both in a sad state had 86 00:03:14,799 --> 00:03:16,760 begun a relationship with each other 87 00:03:16,760 --> 00:03:18,440 Linda moved into Brian's Second Story 88 00:03:18,440 --> 00:03:20,319 flatten Chelsea which had been renting 89 00:03:20,319 --> 00:03:21,519 since 90 00:03:21,519 --> 00:03:24,120 1965 by the end of the year Brian would 91 00:03:24,120 --> 00:03:26,560 purchase a 16th century farmhouse in the 92 00:03:26,560 --> 00:03:29,280 countryside became a refuge a place to 93 00:03:29,280 --> 00:03:31,360 escape the pressures of the band 94 00:03:31,360 --> 00:03:33,280 ironically it was the same place that 95 00:03:33,280 --> 00:03:35,959 would see his demise this is the story 96 00:03:35,959 --> 00:03:38,439 of The Rolling Stones Beggars 97 00:03:38,439 --> 00:03:41,439 Banquet should start off very cool 98 00:03:41,439 --> 00:03:44,120 should be very 99 00:03:44,810 --> 00:03:51,610 [Music] 100 00:03:54,720 --> 00:03:58,400 cool the chaotic year of 1967 over with 101 00:03:58,400 --> 00:04:01,760 as 1968 begins things were looking up 102 00:04:01,760 --> 00:04:03,920 year began with University professors in 103 00:04:03,920 --> 00:04:06,239 California deciding the stones have such 104 00:04:06,239 --> 00:04:08,799 an important contribution it's essential 105 00:04:08,799 --> 00:04:11,879 for music students to study them 106 00:04:11,879 --> 00:04:13,760 meanwhile Mick Keefe and Brian are all 107 00:04:13,760 --> 00:04:16,320 out of the country Bill wman isn't in 108 00:04:16,320 --> 00:04:18,000 the mood for traveling as he's going 109 00:04:18,000 --> 00:04:20,000 through divorce proceedings and lost 110 00:04:20,000 --> 00:04:22,720 custody of his son Charlie Watts the 111 00:04:22,720 --> 00:04:24,919 most stable of the group is sat at home 112 00:04:24,919 --> 00:04:27,040 with his Jazz collection an American 113 00:04:27,040 --> 00:04:30,000 Civil War memorabilia in fact Charlie 114 00:04:30,000 --> 00:04:32,120 Watts never cared for fame it was the 115 00:04:32,120 --> 00:04:34,440 lifestyle that afforded him that was in 116 00:04:34,440 --> 00:04:37,759 his eyes a fair trade all opposite to ke 117 00:04:37,759 --> 00:04:39,759 and Mick he preferred to stay away from 118 00:04:39,759 --> 00:04:42,759 drugs and politics he lived in a 16th 119 00:04:42,759 --> 00:04:44,800 century Cottage in East 120 00:04:44,800 --> 00:04:47,479 Sussex rooms were filled with Antiques 121 00:04:47,479 --> 00:04:50,400 and books Charlie sold the house the 122 00:04:50,400 --> 00:04:53,240 estate agents commented it had been well 123 00:04:53,240 --> 00:04:54,120 looked 124 00:04:54,120 --> 00:04:57,639 after Bill Wyman was not so content the 125 00:04:57,639 --> 00:04:59,840 impending divorce and losing custody of 126 00:04:59,840 --> 00:05:02,520 his son was all too much he suffered a 127 00:05:02,520 --> 00:05:04,400 panic attack in his home in early 128 00:05:04,400 --> 00:05:06,880 February when he contacted a doctor he 129 00:05:06,880 --> 00:05:09,680 was prescribed sleeping pills after he 130 00:05:09,680 --> 00:05:11,960 took one he freaked out even more he 131 00:05:11,960 --> 00:05:13,680 paced the rooms of his Mansion before 132 00:05:13,680 --> 00:05:16,160 the effects wore off he would never take 133 00:05:16,160 --> 00:05:18,440 another sleeping pill again after that 134 00:05:18,440 --> 00:05:20,160 some weeks later he had a medical 135 00:05:20,160 --> 00:05:23,240 checkup but everything was fine on they 136 00:05:23,240 --> 00:05:25,000 return to England Mick and Brian 137 00:05:25,000 --> 00:05:28,280 appeared now heavily bearded Heath left 138 00:05:28,280 --> 00:05:30,639 Paranoid by the police has a 6ft wall 139 00:05:30,639 --> 00:05:32,280 built around Redlands to provide 140 00:05:32,280 --> 00:05:35,360 security and privacy he also has the 141 00:05:35,360 --> 00:05:37,520 moat extended so it goes entirely around 142 00:05:37,520 --> 00:05:38,360 the 143 00:05:38,360 --> 00:05:41,520 house his girlfriend Anita penberg now 144 00:05:41,520 --> 00:05:43,520 began to attend recording sessions and 145 00:05:43,520 --> 00:05:46,400 state her opinions on the stone songs 146 00:05:46,400 --> 00:05:48,280 she became something of a Yoko owner 147 00:05:48,280 --> 00:05:51,199 character in the stones world she later 148 00:05:51,199 --> 00:05:53,520 stated I feel as though I'm rather like 149 00:05:53,520 --> 00:05:56,680 the sixth Rolling Stone Mick Keith and 150 00:05:56,680 --> 00:05:59,280 Brian need me to guide them critique 151 00:05:59,280 --> 00:06:02,479 them and to give them ideas maram 152 00:06:02,479 --> 00:06:04,600 faithful Mick's girlfriend at the time 153 00:06:04,600 --> 00:06:06,560 recall being so impressed Mick had come 154 00:06:06,560 --> 00:06:10,039 out of prison unfazed and unshaken she 155 00:06:10,039 --> 00:06:11,880 was at this point still technically 156 00:06:11,880 --> 00:06:14,680 married to her ex-husband John dumbar 157 00:06:14,680 --> 00:06:16,639 not only that the two had a child 158 00:06:16,639 --> 00:06:19,639 together by this point they'd long been 159 00:06:19,639 --> 00:06:22,000 separated dumbar though was still 160 00:06:22,000 --> 00:06:24,599 holding on to hope he and Maryam would 161 00:06:24,599 --> 00:06:27,319 reconcile this time Mick Maran and her 162 00:06:27,319 --> 00:06:29,000 child Nicholas were living in a 163 00:06:29,000 --> 00:06:32,319 townhouse in Chester Square London one 164 00:06:32,319 --> 00:06:34,440 day the year previous dumbar had showed 165 00:06:34,440 --> 00:06:36,560 up to the house had a blazing rout with 166 00:06:36,560 --> 00:06:38,680 Mick and called him a cheap version of a 167 00:06:38,680 --> 00:06:42,280 beetle Mick was surprised and speechless 168 00:06:42,280 --> 00:06:44,280 the anger had stemmed from the fact that 169 00:06:44,280 --> 00:06:47,000 Mick in his eyes had taken his wife and 170 00:06:47,000 --> 00:06:49,639 son indeed Mick was very fond of 171 00:06:49,639 --> 00:06:52,919 Nicholas and in turn Nicholas loved him 172 00:06:52,919 --> 00:06:54,639 two problems the Rolling Stones were now 173 00:06:54,639 --> 00:06:57,039 facing was first their money situation 174 00:06:57,039 --> 00:06:58,759 didn't it easy that their manager Alan 175 00:06:58,759 --> 00:07:01,599 Klein had deposited their 1.2 million 176 00:07:01,599 --> 00:07:04,879 advance from Deca into his bank account 177 00:07:04,879 --> 00:07:07,319 that was in 1965 and he was still 178 00:07:07,319 --> 00:07:10,280 handing them out money as and when 179 00:07:10,280 --> 00:07:12,520 second problem was their reputation in 180 00:07:12,520 --> 00:07:15,560 the ever evolving musical climate going 181 00:07:15,560 --> 00:07:17,160 forward the group knew they had to 182 00:07:17,160 --> 00:07:19,840 recapture the interests of their fans 183 00:07:19,840 --> 00:07:21,639 without much deliberation they dropped 184 00:07:21,639 --> 00:07:24,319 the psychedelia Kei return to his Blues 185 00:07:24,319 --> 00:07:27,000 Roots Mick stopped the flower power 186 00:07:27,000 --> 00:07:29,759 Persona their next album they knew they 187 00:07:29,759 --> 00:07:32,520 would need a more disciplined approach 188 00:07:32,520 --> 00:07:34,919 Andrew alam's departure Mick now brings 189 00:07:34,919 --> 00:07:37,080 in Jimmy Miller as their new 190 00:07:37,080 --> 00:07:39,360 producer Miller had previously worked 191 00:07:39,360 --> 00:07:42,400 with groups Steve Winwood was part of 192 00:07:42,400 --> 00:07:44,960 Mick contacted him in early 68 as he 193 00:07:44,960 --> 00:07:47,199 liked the work he' done with traffic 194 00:07:47,199 --> 00:07:49,039 Mick told Miller that he'd produced 195 00:07:49,039 --> 00:07:51,039 satanic majesties but he had no 196 00:07:51,039 --> 00:07:53,120 intention of being on both sides of the 197 00:07:53,120 --> 00:07:56,039 control room window again Miller would 198 00:07:56,039 --> 00:07:58,919 produce the Stone's next four albums his 199 00:07:58,919 --> 00:08:01,240 first change as a producer was to demote 200 00:08:01,240 --> 00:08:04,199 Glen Johns and bring in his own Studio 201 00:08:04,199 --> 00:08:06,879 engineer next single Jumping Jack Flash 202 00:08:06,879 --> 00:08:09,800 encapsulated all the emotions from 203 00:08:09,800 --> 00:08:12,560 1967 mink described it as going through 204 00:08:12,560 --> 00:08:14,879 a difficult time and emerging stronger 205 00:08:14,879 --> 00:08:18,080 on the other side it also showcased the 206 00:08:18,080 --> 00:08:21,120 return to their Blues Roots Ryan who is 207 00:08:21,120 --> 00:08:23,520 now lost in drug use had no interest in 208 00:08:23,520 --> 00:08:25,759 the Revival of the group New Direction 209 00:08:25,759 --> 00:08:27,440 they were going in he'd lost any 210 00:08:27,440 --> 00:08:30,039 interest in rock and roll at all in 211 00:08:30,039 --> 00:08:33,240 truth he was now rarely sober in January 212 00:08:33,240 --> 00:08:34,880 he' visited Jimmy Hendrick who was 213 00:08:34,880 --> 00:08:36,680 recording All Along the Watchtower in 214 00:08:36,680 --> 00:08:39,560 Olympic Studios he played piano for the 215 00:08:39,560 --> 00:08:42,479 track but passed out halfway through he 216 00:08:42,479 --> 00:08:44,480 was at this point part of the stones 217 00:08:44,480 --> 00:08:47,519 only by name new producer Jimmy Miller 218 00:08:47,519 --> 00:08:49,240 had been recruited without even 219 00:08:49,240 --> 00:08:52,000 Consulting Brian still a meeting with 220 00:08:52,000 --> 00:08:54,560 him and Brian was scheduled at said 221 00:08:54,560 --> 00:08:56,800 meeting Miller reassured Brian there was 222 00:08:56,800 --> 00:08:59,040 no pressure and he could contribute when 223 00:08:59,040 --> 00:09:01,959 he felt felt like it side note before I 224 00:09:01,959 --> 00:09:03,720 begin talking about the sessions I must 225 00:09:03,720 --> 00:09:05,560 point out it's unclear to exactly when 226 00:09:05,560 --> 00:09:07,600 the sessions took place with different 227 00:09:07,600 --> 00:09:09,600 books giving different accounts I've 228 00:09:09,600 --> 00:09:11,079 assembled what I think is the most 229 00:09:11,079 --> 00:09:13,720 likely chronology of the recordings 230 00:09:13,720 --> 00:09:15,480 sessions begin on March 1st with the 231 00:09:15,480 --> 00:09:18,240 recording of Jumping Jack Flash the song 232 00:09:18,240 --> 00:09:20,320 had actually been written by Bill Wyman 233 00:09:20,320 --> 00:09:22,040 along with Charlie and Brian during a 234 00:09:22,040 --> 00:09:25,000 jam session in February mck and Keef as 235 00:09:25,000 --> 00:09:27,200 usual showed up late but immediately saw 236 00:09:27,200 --> 00:09:30,040 big potential in the sound mix stated 237 00:09:30,040 --> 00:09:32,160 keep playing that and don't forget it it 238 00:09:32,160 --> 00:09:35,240 sounds great it often happened that bill 239 00:09:35,240 --> 00:09:38,160 Charlie and BR contributed crucial Parts 240 00:09:38,160 --> 00:09:40,240 one time after finishing a song Bill had 241 00:09:40,240 --> 00:09:42,519 turned around and said to Mick that part 242 00:09:42,519 --> 00:09:44,760 I did in the middle worked great to 243 00:09:44,760 --> 00:09:48,120 which Mick replied that was my idea Bill 244 00:09:48,120 --> 00:09:50,079 had often tried to argue rotis should be 245 00:09:50,079 --> 00:09:52,040 doed out equally depending on who 246 00:09:52,040 --> 00:09:54,560 contributed most to the song but he 247 00:09:54,560 --> 00:09:56,160 never got the support from Brian and 248 00:09:56,160 --> 00:09:58,079 Charlie that was needed so he would 249 00:09:58,079 --> 00:10:00,560 often be battling Mick Keith and Andrew 250 00:10:00,560 --> 00:10:04,079 Alam over the years he simply gave up 251 00:10:04,079 --> 00:10:06,160 the other free Stones never did get the 252 00:10:06,160 --> 00:10:08,360 songw writing credits they were 253 00:10:08,360 --> 00:10:11,200 due the song Mick had some partially 254 00:10:11,200 --> 00:10:13,519 written lyrics they were inspired by 255 00:10:13,519 --> 00:10:16,800 Keith's Garder Jack Dyer M and Keith had 256 00:10:16,800 --> 00:10:19,240 been up all night at Redlands M dozed 257 00:10:19,240 --> 00:10:21,839 off and was awoken by the heavy Stomps 258 00:10:21,839 --> 00:10:23,839 of Keith's Gardener walking around in 259 00:10:23,839 --> 00:10:27,920 his rubber boots startled Mick asked 260 00:10:27,920 --> 00:10:30,959 what's that he replied that's jumping 261 00:10:30,959 --> 00:10:33,160 jack then started working on the lines 262 00:10:33,160 --> 00:10:35,560 jumping jack strumming his acoustic 263 00:10:35,560 --> 00:10:38,320 guitar he repeated jumping jack then 264 00:10:38,320 --> 00:10:40,680 Mick added the line Flash and that was 265 00:10:40,680 --> 00:10:44,200 that in ' 66 Keith had bought the latest 266 00:10:44,200 --> 00:10:46,200 Phillips cassette recorder with the 267 00:10:46,200 --> 00:10:48,279 intention of laying down 268 00:10:48,279 --> 00:10:51,120 demos found when he overloaded the type 269 00:10:51,120 --> 00:10:54,000 it sounded like an electric guitar he 270 00:10:54,000 --> 00:10:55,920 recorded the Riff in open D and brought 271 00:10:55,920 --> 00:10:58,800 his work to the studio rest of the band 272 00:10:58,800 --> 00:11:01,519 thought he was mad but they indulged him 273 00:11:01,519 --> 00:11:04,000 anyway this new sound gave birth to the 274 00:11:04,000 --> 00:11:05,959 Stones rock tone Mick and Keef had been 275 00:11:05,959 --> 00:11:08,399 searching for put them back at the top 276 00:11:08,399 --> 00:11:10,279 of the charts brought them back from the 277 00:11:10,279 --> 00:11:13,079 dead and began the third phase of their 278 00:11:13,079 --> 00:11:15,399 career the opening of the song You Hear 279 00:11:15,399 --> 00:11:18,320 Keef's overloaded Gibson Hummingbird to 280 00:11:18,320 --> 00:11:19,760 anyone who doesn't understand the 281 00:11:19,760 --> 00:11:22,200 concept this basically means Keith 282 00:11:22,200 --> 00:11:24,240 recorded the acoustic guitar part at 283 00:11:24,240 --> 00:11:26,639 home with his Gibson Hummingbird on his 284 00:11:26,639 --> 00:11:29,360 Phillips cassette recorder hummingbird 285 00:11:29,360 --> 00:11:31,600 was in open duning with a cappo on the 286 00:11:31,600 --> 00:11:33,959 second fret he turned the gain levels up 287 00:11:33,959 --> 00:11:36,480 on the cassette recorder very high as to 288 00:11:36,480 --> 00:11:38,600 overload the signal and when he played 289 00:11:38,600 --> 00:11:41,600 it back it had acted both as a pickup 290 00:11:41,600 --> 00:11:44,880 and an amp he brought the recorded Parts 291 00:11:44,880 --> 00:11:47,160 into the studio the band tried to 292 00:11:47,160 --> 00:11:49,000 replicate the sound but eventually they 293 00:11:49,000 --> 00:11:50,920 gave up and Jimmy Miller placed a 294 00:11:50,920 --> 00:11:52,600 microphone near the cassette and 295 00:11:52,600 --> 00:11:55,519 recorded strip from that turned the 296 00:11:55,519 --> 00:11:57,279 volume up to Max on the cassette player 297 00:11:57,279 --> 00:12:00,639 played it back and recorded what he had 298 00:12:00,639 --> 00:12:02,560 the track played Keith added some bass 299 00:12:02,560 --> 00:12:04,959 on his Fender precision and Brian added 300 00:12:04,959 --> 00:12:08,399 some guitar using kei's Gibson 301 00:12:08,399 --> 00:12:11,079 ES330 to give context to how new 302 00:12:11,079 --> 00:12:13,320 cassette tape recording was at this time 303 00:12:13,320 --> 00:12:14,680 the Phillips 304 00:12:14,680 --> 00:12:17,519 e33 was the first cassette player ever 305 00:12:17,519 --> 00:12:20,079 made meet the easiest to operate tap 306 00:12:20,079 --> 00:12:22,720 recorder in the world Philips cassette 307 00:12:22,720 --> 00:12:24,880 loading battery recorder it's easy 308 00:12:24,880 --> 00:12:26,839 because tape comes in compact cassettes 309 00:12:26,839 --> 00:12:29,199 that you clip in for instant use he 310 00:12:29,199 --> 00:12:31,399 looks back on the track to this day as 311 00:12:31,399 --> 00:12:33,920 in his words the best thing we ever did 312 00:12:33,920 --> 00:12:37,360 with Jimmy Miller he also stated if he 313 00:12:37,360 --> 00:12:39,519 could only ever play one stone song for 314 00:12:39,519 --> 00:12:41,680 the rest of his life it would be Jumping 315 00:12:41,680 --> 00:12:44,360 Jack Flash Mick remembered it 316 00:12:44,360 --> 00:12:46,760 differently he later stated he didn't 317 00:12:46,760 --> 00:12:48,720 like the recording session he felt it 318 00:12:48,720 --> 00:12:51,120 was a bit haphazard and went on to say 319 00:12:51,120 --> 00:12:53,680 the song wasn't quite what he 320 00:12:53,680 --> 00:12:55,959 wanted session continued with jumping 321 00:12:55,959 --> 00:12:59,360 [ __ ] flash on the 16th of March Brian 322 00:12:59,360 --> 00:13:01,120 returned home to his flat he found the 323 00:13:01,120 --> 00:13:03,480 door had been kicked in and Linda had 324 00:13:03,480 --> 00:13:06,320 overdosed the police had been tipped off 325 00:13:06,320 --> 00:13:09,000 kicked in the door and rushed her to 326 00:13:09,000 --> 00:13:11,880 hospital following this Brian who had 327 00:13:11,880 --> 00:13:13,600 never lost his interest in weird and 328 00:13:13,600 --> 00:13:15,880 wonderful music and had been Delvin into 329 00:13:15,880 --> 00:13:18,680 the African roots of Music decided to 330 00:13:18,680 --> 00:13:21,399 travel to Morocco to record the tribal 331 00:13:21,399 --> 00:13:24,279 drum musicians he had a plan to record 332 00:13:24,279 --> 00:13:26,920 them and overdub R&B 333 00:13:26,920 --> 00:13:29,600 music he and Glen Johns flew over over 334 00:13:29,600 --> 00:13:31,600 where they stayed in great luxury at 335 00:13:31,600 --> 00:13:35,480 paor gy Jr's Palace G's father was an 336 00:13:35,480 --> 00:13:38,639 oil tycoon and thus incredibly wealthy 337 00:13:38,639 --> 00:13:41,000 the palace was tiled throughout and lit 338 00:13:41,000 --> 00:13:43,880 by candle light at night was the first 339 00:13:43,880 --> 00:13:45,959 time Glen Johns had been out of Europe 340 00:13:45,959 --> 00:13:47,880 the first time he'd ever tasted fresh 341 00:13:47,880 --> 00:13:51,440 orange juice he loved the experience 342 00:13:51,440 --> 00:13:53,920 from the arrival though Brian was stoned 343 00:13:53,920 --> 00:13:55,360 and remained that way throughout the 344 00:13:55,360 --> 00:13:59,360 entire trip soon Paul GTI Jr felt was 345 00:13:59,360 --> 00:14:01,639 over staying his welcome when the 346 00:14:01,639 --> 00:14:03,759 musicians were recorded and Glen Johns 347 00:14:03,759 --> 00:14:06,399 was packing up and ready to go gy told 348 00:14:06,399 --> 00:14:09,079 JNS in no uncertain terms if he was 349 00:14:09,079 --> 00:14:12,160 leaving he had to take Brian with him 350 00:14:12,160 --> 00:14:14,880 Lind later stated I felt sorry for Brian 351 00:14:14,880 --> 00:14:16,959 at the end he didn't have any real 352 00:14:16,959 --> 00:14:18,040 friends 353 00:14:18,040 --> 00:14:21,040 left side note porti jun's wife would 354 00:14:21,040 --> 00:14:23,360 die of a heroin overdose not long after 355 00:14:23,360 --> 00:14:25,680 and he would thereon become a 356 00:14:25,680 --> 00:14:28,120 recluse the tapes that were recorded 357 00:14:28,120 --> 00:14:30,440 nothing ever came of of them rumors 358 00:14:30,440 --> 00:14:31,959 circulated they weren't recorded 359 00:14:31,959 --> 00:14:34,480 properly but to this day Glen John's 360 00:14:34,480 --> 00:14:37,560 insists they were fine mck meanwhile was 361 00:14:37,560 --> 00:14:39,519 rarely home when not recording there 362 00:14:39,519 --> 00:14:41,560 were always people around him people 363 00:14:41,560 --> 00:14:43,519 just wanted to be around him all the 364 00:14:43,519 --> 00:14:45,720 time the trial of quit from the year 365 00:14:45,720 --> 00:14:48,320 previous had bonded him and Keith but it 366 00:14:48,320 --> 00:14:50,240 would prove to be 367 00:14:50,240 --> 00:14:52,399 shortlived next song they began with on 368 00:14:52,399 --> 00:14:54,680 March 13th was no 369 00:14:54,680 --> 00:14:56,959 expectations it was in complete contrast 370 00:14:56,959 --> 00:14:59,800 to Jumping [ __ ] Flash slow acoustic 371 00:14:59,800 --> 00:15:02,240 ballad that lyrically borrows heavy from 372 00:15:02,240 --> 00:15:05,120 Robert Johnson's love in vain it's a 373 00:15:05,120 --> 00:15:07,959 song about the acceptance of a shattered 374 00:15:07,959 --> 00:15:09,959 relationship it's fitting that Brian 375 00:15:09,959 --> 00:15:12,480 Jones made his last real contribution to 376 00:15:12,480 --> 00:15:16,440 this song adding a haunting slide guitar 377 00:15:16,440 --> 00:15:18,759 indeed the song Story Echoes Brian's 378 00:15:18,759 --> 00:15:21,480 feelings of the group narrator 379 00:15:21,480 --> 00:15:23,600 affectionately remembers the past with 380 00:15:23,600 --> 00:15:26,600 no Illusions it will return though maybe 381 00:15:26,600 --> 00:15:28,480 that's a romantic view and the story 382 00:15:28,480 --> 00:15:31,319 Jones never considered most likely he 383 00:15:31,319 --> 00:15:32,880 was just enthusiastic they were 384 00:15:32,880 --> 00:15:35,040 basically rehashing a Robert Johnson 385 00:15:35,040 --> 00:15:37,880 song either way the track was a perfect 386 00:15:37,880 --> 00:15:39,759 example of the stones returning to their 387 00:15:39,759 --> 00:15:42,800 Blues Roots during the session keath had 388 00:15:42,800 --> 00:15:44,600 played it in standard tuning on his 389 00:15:44,600 --> 00:15:47,319 acoustic Gibson Hummingbird Brian played 390 00:15:47,319 --> 00:15:49,600 slly guitar on his electric Fender 391 00:15:49,600 --> 00:15:51,759 Telecaster fitting perfectly with 392 00:15:51,759 --> 00:15:55,240 Jagger's lyrics our love like our music 393 00:15:55,240 --> 00:15:56,959 is here and then it's 394 00:15:56,959 --> 00:15:59,839 gone R would have no real involvement 395 00:15:59,839 --> 00:16:01,839 again with the Rolling Stones he would 396 00:16:01,839 --> 00:16:03,839 turn up to sessions but he'd play what 397 00:16:03,839 --> 00:16:05,759 they told him to he wasn't really 398 00:16:05,759 --> 00:16:07,399 involved he was just going for the 399 00:16:07,399 --> 00:16:09,680 Motions in truth the others didn't 400 00:16:09,680 --> 00:16:13,040 really want him there the same time a 401 00:16:13,040 --> 00:16:15,519 single was released Bill had produced 402 00:16:15,519 --> 00:16:18,000 the Psychedelic Rock track titled shades 403 00:16:18,000 --> 00:16:21,680 of orange by the end he was easily lost 404 00:16:21,680 --> 00:16:24,839 in the competitive market of 1968 405 00:16:24,839 --> 00:16:27,319 psychedelic Rock the next song they 406 00:16:27,319 --> 00:16:29,440 began was stray capat Blues 407 00:16:29,440 --> 00:16:31,160 the song was heavily inspired by The 408 00:16:31,160 --> 00:16:34,279 Velvet underground's heroin M later 409 00:16:34,279 --> 00:16:36,680 admitted it was basically an imitation 410 00:16:36,680 --> 00:16:40,480 of the band story a pretty controversial 411 00:16:40,480 --> 00:16:43,040 subject with a narrator lusting after a 412 00:16:43,040 --> 00:16:46,199 15-year-old groupy the narrator a 413 00:16:46,199 --> 00:16:48,639 renowned figure is no fool but at the 414 00:16:48,639 --> 00:16:51,120 same time the young girl is hardly naive 415 00:16:51,120 --> 00:16:53,480 either G of the days Chuck Berry sang 416 00:16:53,480 --> 00:16:57,519 Sweet Little 16 or Sam Cook only 16 his 417 00:16:57,519 --> 00:17:00,160 stone song brings an air of decadence to 418 00:17:00,160 --> 00:17:03,120 the subject mck reasons in the song it's 419 00:17:03,120 --> 00:17:06,559 no hanging matter or Capital crime the 420 00:17:06,559 --> 00:17:10,199 age of consent in 1968 being 16 though 421 00:17:10,199 --> 00:17:12,520 the subject of the narrator's desire a 422 00:17:12,520 --> 00:17:16,439 year younger during the 1970s get your y 423 00:17:16,439 --> 00:17:19,319 out concert M change the lyrics from I 424 00:17:19,319 --> 00:17:22,480 can see that you're 15 years old to I 425 00:17:22,480 --> 00:17:25,839 can see that you're 13 years old M 426 00:17:25,839 --> 00:17:28,120 stated it was a deliberate attempt to 427 00:17:28,120 --> 00:17:30,240 stir up 428 00:17:30,240 --> 00:17:32,640 controversy during the sessions Keith 429 00:17:32,640 --> 00:17:36,080 plays his Les pool in open D Brian Jones 430 00:17:36,080 --> 00:17:38,360 doesn't accompany him on guitar Keith 431 00:17:38,360 --> 00:17:41,240 plays both parts he add a second league 432 00:17:41,240 --> 00:17:43,039 guitar for the chorus which will stay 433 00:17:43,039 --> 00:17:45,640 for the remainder of the song Ryan 434 00:17:45,640 --> 00:17:48,200 enters at 248 on the melron but there's 435 00:17:48,200 --> 00:17:51,120 not much added by him later when the 436 00:17:51,120 --> 00:17:53,320 song had been completed and mixed Mick 437 00:17:53,320 --> 00:17:55,559 played it back for Anita penberg and 438 00:17:55,559 --> 00:17:59,679 asked what she thought she stated crap 439 00:17:59,679 --> 00:18:01,840 the vocals are mixed too high the bass 440 00:18:01,840 --> 00:18:04,480 isn't loud enough on the 23rd of March 441 00:18:04,480 --> 00:18:06,120 recording began for their next song 442 00:18:06,120 --> 00:18:09,280 jigsaw puzzle first song with a clear 443 00:18:09,280 --> 00:18:11,919 Bob Dylan influence with the ambiguous 444 00:18:11,919 --> 00:18:14,039 lyrics and chaotic 445 00:18:14,039 --> 00:18:16,159 instrumentation story follows the 446 00:18:16,159 --> 00:18:18,480 narrator assembling a jigsaw puzzle 447 00:18:18,480 --> 00:18:20,960 amongst chaotic characters disturbing 448 00:18:20,960 --> 00:18:23,480 him it's a metaphor for somebody 449 00:18:23,480 --> 00:18:26,360 attempting to create order in a world of 450 00:18:26,360 --> 00:18:29,120 disorder in the song the narrator talks 451 00:18:29,120 --> 00:18:31,960 about a band possibly his own he 452 00:18:31,960 --> 00:18:34,480 describes the guitarists as emotionally 453 00:18:34,480 --> 00:18:37,360 shattered the basist having relationship 454 00:18:37,360 --> 00:18:39,720 troubles the drummer struggling to fit 455 00:18:39,720 --> 00:18:42,039 in with the group and the singer thrown 456 00:18:42,039 --> 00:18:44,799 into an impossible situation without 457 00:18:44,799 --> 00:18:47,559 help these early recordings can be found 458 00:18:47,559 --> 00:18:49,600 on the Rolling Stones Beggars Banquet 459 00:18:49,600 --> 00:18:52,280 sessions released in 460 00:18:52,280 --> 00:18:55,720 2014 ke later stated the song went on a 461 00:18:55,720 --> 00:18:58,480 bit too long ke takes three guitar parts 462 00:18:58,480 --> 00:19:00,520 in this song struming his acoustic 463 00:19:00,520 --> 00:19:02,880 Gibson in standard while he accompanies 464 00:19:02,880 --> 00:19:05,440 himself on electric slide guitar with 465 00:19:05,440 --> 00:19:08,000 another lead guitar added both 466 00:19:08,000 --> 00:19:10,000 accompanying electric parts were done 467 00:19:10,000 --> 00:19:13,120 using his Les pole the electric slide 468 00:19:13,120 --> 00:19:16,320 guitar part was tuned to open E Kei was 469 00:19:16,320 --> 00:19:18,360 still working out slide and you can 470 00:19:18,360 --> 00:19:21,039 clearly hear that during the record 471 00:19:21,039 --> 00:19:23,280 Ronan can be heard playing melron though 472 00:19:23,280 --> 00:19:25,679 ke later stated who were just giving him 473 00:19:25,679 --> 00:19:28,400 something to do at the time next they 474 00:19:28,400 --> 00:19:31,400 begin on parachute woman the story is 475 00:19:31,400 --> 00:19:34,679 just one sexual innuendo no deep meaning 476 00:19:34,679 --> 00:19:37,280 behind it it was another one Kei laid 477 00:19:37,280 --> 00:19:39,320 down his hummingbird then played it back 478 00:19:39,320 --> 00:19:42,080 on an overloaded cassette tape he 479 00:19:42,080 --> 00:19:44,240 accompanied himself on his Les pole in 480 00:19:44,240 --> 00:19:47,240 standard tuning for the lead the guitar 481 00:19:47,240 --> 00:19:49,280 sound of parachute woman ke had 482 00:19:49,280 --> 00:19:52,240 envisioned in his head he was surprised 483 00:19:52,240 --> 00:19:55,120 how easily it translated to the record 484 00:19:55,120 --> 00:19:57,480 for the song bra contributed on acoustic 485 00:19:57,480 --> 00:20:00,320 guitar m provided lead vocals and played 486 00:20:00,320 --> 00:20:03,200 harmonica at the end of the song song 487 00:20:03,200 --> 00:20:04,919 was a testament to both the group 488 00:20:04,919 --> 00:20:07,159 returning to their bluesy roots and 489 00:20:07,159 --> 00:20:09,000 their willingness to push boundaries 490 00:20:09,000 --> 00:20:12,320 with provocative lyrics musically and 491 00:20:12,320 --> 00:20:15,240 lyrically it embodied their rebellious 492 00:20:15,240 --> 00:20:17,799 attitude next they began recording what 493 00:20:17,799 --> 00:20:19,919 would be the closing track of the album 494 00:20:19,919 --> 00:20:22,080 Keith Richard's composition salt of the 495 00:20:22,080 --> 00:20:24,600 earth the lyrics were taken when he once 496 00:20:24,600 --> 00:20:27,039 declared let's drink to the hardworking 497 00:20:27,039 --> 00:20:29,280 people let's drink to the the salt of 498 00:20:29,280 --> 00:20:33,080 the earth he admitted in his book life 499 00:20:33,080 --> 00:20:35,360 he only wrote the chorus mck penned all 500 00:20:35,360 --> 00:20:38,760 the verses the words are also a Biblical 501 00:20:38,760 --> 00:20:41,240 phrase you are the salt of the earth 502 00:20:41,240 --> 00:20:43,960 meaning someone is invaluable and 503 00:20:43,960 --> 00:20:47,159 essential story was a simple tribute to 504 00:20:47,159 --> 00:20:50,480 Everyday people who kept Society Running 505 00:20:50,480 --> 00:20:52,480 celebration of everyday 506 00:20:52,480 --> 00:20:55,080 heroes in the song two things happened 507 00:20:55,080 --> 00:20:57,559 for the first time in Stone's history 508 00:20:57,559 --> 00:21:00,039 Keith was recorded singing solo and a 509 00:21:00,039 --> 00:21:03,679 female choir was on a Stones record sng 510 00:21:03,679 --> 00:21:06,080 closed Beggar's Banquet with a gospell 511 00:21:06,080 --> 00:21:06,880 like 512 00:21:06,880 --> 00:21:09,720 singalong it was at this time Kei came 513 00:21:09,720 --> 00:21:12,320 up with the title Beggar's Banquet it 514 00:21:12,320 --> 00:21:14,200 was taken from his Gardener who would 515 00:21:14,200 --> 00:21:17,159 often State Beggars can't be 516 00:21:17,159 --> 00:21:20,279 choosers so focused on his sound Kei now 517 00:21:20,279 --> 00:21:22,200 personified the fluke player sitting in 518 00:21:22,200 --> 00:21:24,640 the window he carried a guitar with him 519 00:21:24,640 --> 00:21:28,039 everywhere he went maram faithful stated 520 00:21:28,039 --> 00:21:29,679 he was always always working on 521 00:21:29,679 --> 00:21:32,600 something this time Mick begins thinking 522 00:21:32,600 --> 00:21:35,279 seriously about acting though he wasn't 523 00:21:35,279 --> 00:21:37,440 their manager anymore Andrew Oldham was 524 00:21:37,440 --> 00:21:40,000 still a potential business partner he at 525 00:21:40,000 --> 00:21:42,480 this time was stating he would soon own 526 00:21:42,480 --> 00:21:44,320 the rights to Stanley cubrick of 527 00:21:44,320 --> 00:21:46,880 clarkwork orange Mick would be his 528 00:21:46,880 --> 00:21:49,559 choice to play Alex nothing came of it 529 00:21:49,559 --> 00:21:52,520 but nonetheless Mick began taking acting 530 00:21:52,520 --> 00:21:55,039 lessons as April Begins the group take a 531 00:21:55,039 --> 00:21:57,720 break from recording and go on holiday 532 00:21:57,720 --> 00:22:00,080 we can Mary and travel to Dublin where 533 00:22:00,080 --> 00:22:02,679 maryan becomes pregnant Keith and Anita 534 00:22:02,679 --> 00:22:04,799 fly to Rome where Anita is shooting for 535 00:22:04,799 --> 00:22:07,520 the film candy Brian Linda fly to Spain 536 00:22:07,520 --> 00:22:10,159 for 4 days and Bill visits the West 537 00:22:10,159 --> 00:22:13,679 country for three days this time Donald 538 00:22:13,679 --> 00:22:15,840 camel a friend of mix began talking to 539 00:22:15,840 --> 00:22:18,440 him about a film idea he had it is to 540 00:22:18,440 --> 00:22:20,799 revolve around a reclusive rock star and 541 00:22:20,799 --> 00:22:22,320 a gangster on the 542 00:22:22,320 --> 00:22:25,039 Lamb on their return Mick decides the 543 00:22:25,039 --> 00:22:27,000 group should open their own rehearsal 544 00:22:27,000 --> 00:22:29,320 Studio they could practice there and 545 00:22:29,320 --> 00:22:32,360 also let other artists use it thinking 546 00:22:32,360 --> 00:22:34,559 about the money costs Bill Wyman 547 00:22:34,559 --> 00:22:37,679 vehemently opposes the idea but it's no 548 00:22:37,679 --> 00:22:41,400 use he's outvoted by the other members 549 00:22:41,400 --> 00:22:44,000 on April 28th music videos are taped for 550 00:22:44,000 --> 00:22:46,320 their new single Jumping Jack Flash and 551 00:22:46,320 --> 00:22:49,240 it's bside child of the Moon Uncle 552 00:22:49,240 --> 00:22:51,480 Lindsey hog the producer of Ready Steady 553 00:22:51,480 --> 00:22:54,400 go directs the videos he was also a 554 00:22:54,400 --> 00:22:56,880 close friend of mix the first video to 555 00:22:56,880 --> 00:22:58,919 be shot child of the Moon which will be 556 00:22:58,919 --> 00:23:01,320 the bide to their next single was shot 557 00:23:01,320 --> 00:23:04,400 on the 150 acre grounds of swars Le's 558 00:23:04,400 --> 00:23:05,640 estate in 559 00:23:05,640 --> 00:23:08,000 Oxbridge he's chosen for both the 560 00:23:08,000 --> 00:23:10,679 picturesque and Eerie atmosphere 561 00:23:10,679 --> 00:23:12,400 afterwards they return to Olympic 562 00:23:12,400 --> 00:23:15,960 Studios to shoot Jumping Jack Flash four 563 00:23:15,960 --> 00:23:18,080 camera Crews were used and Michael 564 00:23:18,080 --> 00:23:19,600 charges 565 00:23:19,600 --> 00:23:21,520 £675 for his 566 00:23:21,520 --> 00:23:26,200 Services shooting costs come to 567 00:23:26,360 --> 00:23:29,039 2,453 needless to say when their bill 568 00:23:29,039 --> 00:23:31,039 came through Bill Wyman almost had a 569 00:23:31,039 --> 00:23:33,480 heart attack made the rest of the group 570 00:23:33,480 --> 00:23:35,960 finally take action with their finances 571 00:23:35,960 --> 00:23:38,520 he had gone on long enough with Klein 572 00:23:38,520 --> 00:23:40,240 Mick had been looking closely into the 573 00:23:40,240 --> 00:23:42,840 stones financial affairs he had a 574 00:23:42,840 --> 00:23:44,559 fundamental understanding of Finance 575 00:23:44,559 --> 00:23:46,600 from his days at the London School of 576 00:23:46,600 --> 00:23:49,159 Economics but managing the intricate 577 00:23:49,159 --> 00:23:51,679 financial affairs of a hugely successful 578 00:23:51,679 --> 00:23:54,120 rock band was an entirely different ball 579 00:23:54,120 --> 00:23:56,480 game the complexities involved in 580 00:23:56,480 --> 00:23:59,679 royalties taxes and business deals 581 00:23:59,679 --> 00:24:03,320 required specialized knowledge group now 582 00:24:03,320 --> 00:24:05,320 had no other option but to hire 583 00:24:05,320 --> 00:24:08,039 solicitors to look into the matter 584 00:24:08,039 --> 00:24:10,679 immediately the solicitors wrote to Alan 585 00:24:10,679 --> 00:24:13,840 Klein requesting payment information 586 00:24:13,840 --> 00:24:18,120 from the Stone's 1966 World Tour 1967 587 00:24:18,120 --> 00:24:20,960 European tour and royalties paid to Mick 588 00:24:20,960 --> 00:24:21,760 and 589 00:24:21,760 --> 00:24:24,400 Keith May Begins the money situation for 590 00:24:24,400 --> 00:24:27,840 some Stones becomes desperate Bill Wyman 591 00:24:27,840 --> 00:24:31,000 is down to £50 in his bank account he 592 00:24:31,000 --> 00:24:33,279 has a telegram sent to Klein stating 593 00:24:33,279 --> 00:24:36,760 he's penniless and needs £5,000 put into 594 00:24:36,760 --> 00:24:38,279 his bank account 595 00:24:38,279 --> 00:24:41,799 immediately amazingly 4 days later he 596 00:24:41,799 --> 00:24:44,000 receives the money then another two 597 00:24:44,000 --> 00:24:47,279 weeks later he receives £2,000 in unpaid 598 00:24:47,279 --> 00:24:50,480 expenses from the previous years Ryan 599 00:24:50,480 --> 00:24:53,200 receives the same then more checks of 600 00:24:53,200 --> 00:24:56,559 5,000 from kle at the same time Mick and 601 00:24:56,559 --> 00:24:59,039 Keef received 21,000 602 00:24:59,039 --> 00:25:01,840 each it seems solicitors looking into 603 00:25:01,840 --> 00:25:03,919 the Affairs of shake and 604 00:25:03,919 --> 00:25:06,760 Klein on May 12th the stones play the 605 00:25:06,760 --> 00:25:09,120 enemy pole winners concert in 606 00:25:09,120 --> 00:25:11,640 Wembley this performance Jumping Jack 607 00:25:11,640 --> 00:25:14,760 Flash is played for the very first time 608 00:25:14,760 --> 00:25:17,320 reaction is outstanding the group are 609 00:25:17,320 --> 00:25:19,120 very pleased and it renews their 610 00:25:19,120 --> 00:25:21,360 enthusiasm for live 611 00:25:21,360 --> 00:25:24,240 performance he playes Les PA and Brian 612 00:25:24,240 --> 00:25:26,760 accompanies him on his Gibson 613 00:25:26,760 --> 00:25:28,880 ES330 other than the Rock and Roll 614 00:25:28,880 --> 00:25:31,360 Circus this will be the last time Brian 615 00:25:31,360 --> 00:25:35,039 performs live with the Band 3 Days Later 616 00:25:35,039 --> 00:25:38,679 Brian is interviewed for BBC Radio and 617 00:25:38,679 --> 00:25:40,760 Keith asked Brian whether it was a very 618 00:25:40,760 --> 00:25:43,600 important record for the Rolling Stones 619 00:25:43,600 --> 00:25:45,679 I think it is because of the timing I'm 620 00:25:45,679 --> 00:25:48,720 hoping you know in my heart of heart 621 00:25:48,720 --> 00:25:50,320 it's going to be a very big 622 00:25:50,320 --> 00:25:53,440 record I think it's a great record and I 623 00:25:53,440 --> 00:25:56,720 love it I love the other side too and uh 624 00:25:56,720 --> 00:25:58,760 I really hope to makes it the first set 625 00:25:58,760 --> 00:26:01,159 of sessions complete the band celebrate 626 00:26:01,159 --> 00:26:04,200 by watching Stanley Kubrick's 2001 A 627 00:26:04,200 --> 00:26:05,480 Space 628 00:26:05,480 --> 00:26:08,440 Odyssey next day Brian is busted again 629 00:26:08,440 --> 00:26:11,760 for drug possession at 7:00 a.m. police 630 00:26:11,760 --> 00:26:14,240 banged on Brian's door but he refused to 631 00:26:14,240 --> 00:26:16,840 answer after a long wait one of the 632 00:26:16,840 --> 00:26:18,960 policemen climbs in through the window 633 00:26:18,960 --> 00:26:21,039 to find Brian on the phone trying to 634 00:26:21,039 --> 00:26:23,799 contact his solicitor when they search 635 00:26:23,799 --> 00:26:26,440 the property they find some hash in a 636 00:26:26,440 --> 00:26:28,760 drawer as they show it to Bri 637 00:26:28,760 --> 00:26:31,640 he shouts out in despair oh no this 638 00:26:31,640 --> 00:26:33,080 can't happen again just when we're 639 00:26:33,080 --> 00:26:35,480 getting our feet why do you have to pick 640 00:26:35,480 --> 00:26:38,120 on me he was 641 00:26:38,120 --> 00:26:40,559 inconsolable on hearing the news the 642 00:26:40,559 --> 00:26:43,360 Stone's heart sank the timing couldn't 643 00:26:43,360 --> 00:26:45,440 have been worse they were just about to 644 00:26:45,440 --> 00:26:47,279 release their new single Jumping Jack 645 00:26:47,279 --> 00:26:50,240 Flash a day later they worried this 646 00:26:50,240 --> 00:26:52,480 would totally overshadow the 647 00:26:52,480 --> 00:26:55,399 song Ryan was arrested and taken to 648 00:26:55,399 --> 00:26:58,279 Chelsea station there he was charged 649 00:26:58,279 --> 00:27:00,120 while the Press were in attendance and 650 00:27:00,120 --> 00:27:03,200 later released on 1,000 bio he would 651 00:27:03,200 --> 00:27:05,159 afterwards leave his flat grab his 652 00:27:05,159 --> 00:27:07,120 possessions and guitars and head to 653 00:27:07,120 --> 00:27:08,960 kei's Country Mansion 654 00:27:08,960 --> 00:27:11,720 Redlands for a brief period Brian would 655 00:27:11,720 --> 00:27:14,399 be living with Kei when the single was 656 00:27:14,399 --> 00:27:17,960 released it exploded in 3 days it sold 657 00:27:17,960 --> 00:27:18,840 over 658 00:27:18,840 --> 00:27:22,640 93,000 copies one critic stated it was 659 00:27:22,640 --> 00:27:25,120 as perfect as any rock and roll record 660 00:27:25,120 --> 00:27:27,640 could be when the Press asked Mick about 661 00:27:27,640 --> 00:27:30,000 the single he played with them stating 662 00:27:30,000 --> 00:27:31,760 the whole thing had been recorded on 663 00:27:31,760 --> 00:27:34,760 cassette at his home he also stated 664 00:27:34,760 --> 00:27:36,480 Charlie Watts was the leader of the 665 00:27:36,480 --> 00:27:39,720 group and whatever he says goes around 666 00:27:39,720 --> 00:27:41,600 the same time the Press announced Mick 667 00:27:41,600 --> 00:27:43,880 will star alongside James Fox in the 668 00:27:43,880 --> 00:27:45,919 upcoming film 669 00:27:45,919 --> 00:27:48,320 performance back in the recording studio 670 00:27:48,320 --> 00:27:50,279 they begin on their next song Street 671 00:27:50,279 --> 00:27:53,000 Fighting Man make this time took an 672 00:27:53,000 --> 00:27:54,760 interest in America's involvement in the 673 00:27:54,760 --> 00:27:57,840 Vietnam War back on the 17th of March 674 00:27:57,840 --> 00:28:00,760 some 50,000 of which included far-left 675 00:28:00,760 --> 00:28:03,640 extremists and stoned out hippies began 676 00:28:03,640 --> 00:28:05,000 a March in 677 00:28:05,000 --> 00:28:07,559 London intention was to put pressure on 678 00:28:07,559 --> 00:28:09,279 the British government to publicly 679 00:28:09,279 --> 00:28:11,080 oppose America's involvement in the 680 00:28:11,080 --> 00:28:14,519 Vietnam War March started in traga 681 00:28:14,519 --> 00:28:16,760 square before progressing to Mayfair 682 00:28:16,760 --> 00:28:18,440 until they reach their destination of 683 00:28:18,440 --> 00:28:21,480 the US Embassy building those who don't 684 00:28:21,480 --> 00:28:23,159 know this is a place in which American 685 00:28:23,159 --> 00:28:25,480 visas have processed traveling citizens 686 00:28:25,480 --> 00:28:27,240 from the US go to when they lose their 687 00:28:27,240 --> 00:28:29,320 passport an event a hold to provide 688 00:28:29,320 --> 00:28:32,000 information about the us when the crowd 689 00:28:32,000 --> 00:28:34,399 reached the embassy all hell broke loose 690 00:28:34,399 --> 00:28:36,000 the police began to attack the crowd 691 00:28:36,000 --> 00:28:37,960 with brutal force when they attempted to 692 00:28:37,960 --> 00:28:40,440 break through the barrier protesters 693 00:28:40,440 --> 00:28:42,519 began fighting back throwing 694 00:28:42,519 --> 00:28:45,159 stones this was mix inspiration for the 695 00:28:45,159 --> 00:28:47,559 lyrics to Street Fighting Man Jagger's 696 00:28:47,559 --> 00:28:49,480 lyrics propelled an anti-authority 697 00:28:49,480 --> 00:28:51,399 message while expressing no desire to 698 00:28:51,399 --> 00:28:53,399 lead the Rebellion other than the 699 00:28:53,399 --> 00:28:55,200 recording sessions Keith would spend the 700 00:28:55,200 --> 00:28:59,120 rest of 1968 isolated away at Redland 701 00:28:59,120 --> 00:29:00,480 began the process of building a 702 00:29:00,480 --> 00:29:02,480 recording studio but at this point all 703 00:29:02,480 --> 00:29:04,120 it consisted of was his Phillips 704 00:29:04,120 --> 00:29:06,799 cassette recorder was on the cassette he 705 00:29:06,799 --> 00:29:08,480 recorded himself strumming the now 706 00:29:08,480 --> 00:29:11,279 iconic Riff on his gibs and hummingbird 707 00:29:11,279 --> 00:29:13,080 it actually bought the hummingbird in 708 00:29:13,080 --> 00:29:16,519 1965 the year it came out next they 709 00:29:16,519 --> 00:29:19,360 begin recording Mix song Dear doctor 710 00:29:19,360 --> 00:29:21,360 comical tune the song is performed in a 711 00:29:21,360 --> 00:29:23,360 party like atmosphere with mixed singing 712 00:29:23,360 --> 00:29:25,960 in a deliberately silly Southern draw 713 00:29:25,960 --> 00:29:27,559 the story follows a man having second 714 00:29:27,559 --> 00:29:29,799 thoughts about his upcoming wedding he 715 00:29:29,799 --> 00:29:31,480 complains to his doctor the stress is 716 00:29:31,480 --> 00:29:34,320 causing health issues on the day he 717 00:29:34,320 --> 00:29:35,799 finds a note in his pocket from his 718 00:29:35,799 --> 00:29:38,120 fiance informing him she's now in a 719 00:29:38,120 --> 00:29:41,960 relationship with his cousin M said he 720 00:29:41,960 --> 00:29:44,320 sang and wrote it in a country style 721 00:29:44,320 --> 00:29:46,240 employing the tact of looking at life in 722 00:29:46,240 --> 00:29:49,159 a comical Way song ends with the man 723 00:29:49,159 --> 00:29:51,880 relieved reassuring the doctor he's now 724 00:29:51,880 --> 00:29:55,399 fine musically it's Pure Country Blues 725 00:29:55,399 --> 00:29:57,039 from Keith's hummingbird to mix 726 00:29:57,039 --> 00:30:00,320 harmonica Ron Jones had no participation 727 00:30:00,320 --> 00:30:02,960 in this recording to this day the song 728 00:30:02,960 --> 00:30:04,480 has never been performed live by the 729 00:30:04,480 --> 00:30:06,760 band and most likely never 730 00:30:06,760 --> 00:30:09,080 will next they begin on the Biblical 731 00:30:09,080 --> 00:30:11,600 Song and the only cover on the album 732 00:30:11,600 --> 00:30:13,600 prodical song was a parable told by 733 00:30:13,600 --> 00:30:16,120 Jesus the character in the story a young 734 00:30:16,120 --> 00:30:18,880 man asks his father for his inheritance 735 00:30:18,880 --> 00:30:21,720 leaves home and squanders it recklessly 736 00:30:21,720 --> 00:30:23,880 he finds himself in D Straits and 737 00:30:23,880 --> 00:30:26,600 returns home hoping for forgiveness he's 738 00:30:26,600 --> 00:30:29,559 after which welcom back with Open Arms 739 00:30:29,559 --> 00:30:31,600 message Jesus was telling in the story 740 00:30:31,600 --> 00:30:33,440 was that of forgiveness and that it is 741 00:30:33,440 --> 00:30:35,840 possible no matter how far one has 742 00:30:35,840 --> 00:30:38,039 strayed it was the first time a cover 743 00:30:38,039 --> 00:30:39,799 had been featured in a Stones album 744 00:30:39,799 --> 00:30:41,880 since out of our heads in 745 00:30:41,880 --> 00:30:44,320 1965 the country blues singer Robert 746 00:30:44,320 --> 00:30:47,120 Wilkins originally wrote prodigal son it 747 00:30:47,120 --> 00:30:49,000 started his life as a blues player with 748 00:30:49,000 --> 00:30:52,120 a few hits but converted to Christianity 749 00:30:52,120 --> 00:30:54,679 after which he became a minister 30 750 00:30:54,679 --> 00:30:57,399 years later in 1964 Reverend Wilkins 751 00:30:57,399 --> 00:30:59,880 recorded eight gospel numbers one of 752 00:30:59,880 --> 00:31:02,480 which was prodigal son Wilkins had 753 00:31:02,480 --> 00:31:04,840 played the song in open D same chords 754 00:31:04,840 --> 00:31:06,399 but he used to slide through the verses 755 00:31:06,399 --> 00:31:09,159 and pick the strings no doubt Keith came 756 00:31:09,159 --> 00:31:10,760 across the song with his new love of 757 00:31:10,760 --> 00:31:11,760 open 758 00:31:11,760 --> 00:31:13,960 tunings next they begin recording 759 00:31:13,960 --> 00:31:16,720 Factory girl the story is very simple a 760 00:31:16,720 --> 00:31:18,559 man waiting for his girlfriend who works 761 00:31:18,559 --> 00:31:21,279 in a factory to come home and meet him 762 00:31:21,279 --> 00:31:24,159 it's comical in Parts ke later stated he 763 00:31:24,159 --> 00:31:26,600 introduced it to Mick as he did in those 764 00:31:26,600 --> 00:31:29,000 days many times he'd begin playing 765 00:31:29,000 --> 00:31:31,039 something and if Mick was interested 766 00:31:31,039 --> 00:31:33,399 they'd work on it if not he'd go away 767 00:31:33,399 --> 00:31:36,120 and maybe introduce it another time 768 00:31:36,120 --> 00:31:38,399 musically there was a deliberate minimal 769 00:31:38,399 --> 00:31:41,159 Arrangement Charlie Watts played T drums 770 00:31:41,159 --> 00:31:44,600 using sticks instead of his hands it has 771 00:31:44,600 --> 00:31:46,960 a Celtic Zeppelin feeling Parts but the 772 00:31:46,960 --> 00:31:49,799 lyrics are pure country starts with 773 00:31:49,799 --> 00:31:51,760 Keith picking his hummingbird with a 774 00:31:51,760 --> 00:31:54,200 plectrum standard tuning Believe It or 775 00:31:54,200 --> 00:31:56,519 Not Charlie Tamer kicks in perform 776 00:31:56,519 --> 00:31:59,360 mandin features French style violin is 777 00:31:59,360 --> 00:32:01,159 then heard throughout the song and Kei 778 00:32:01,159 --> 00:32:03,480 hits the strings harder to end the 779 00:32:03,480 --> 00:32:06,600 phrase song ends quickly with just a 2 780 00:32:06,600 --> 00:32:08,799 minutes and 10 seconds running 781 00:32:08,799 --> 00:32:11,120 time at this point the matter of the 782 00:32:11,120 --> 00:32:13,880 album art needed to be addressed on June 783 00:32:13,880 --> 00:32:16,200 7th the stone shot the inside cover up 784 00:32:16,200 --> 00:32:18,000 for Beggar's Banquet inside a chuda 785 00:32:18,000 --> 00:32:19,240 mansion in 786 00:32:19,240 --> 00:32:21,600 Hamstead a picture dressed in medieval 787 00:32:21,600 --> 00:32:23,919 clothing engaging in a feast of a whole 788 00:32:23,919 --> 00:32:26,799 pig roast the idea was to portray 789 00:32:26,799 --> 00:32:28,960 themselves as Rebellion non-conformist 790 00:32:28,960 --> 00:32:30,159 medieval 791 00:32:30,159 --> 00:32:32,519 troubadors the end result is both 792 00:32:32,519 --> 00:32:35,159 eccentric and quintessentially English 793 00:32:35,159 --> 00:32:36,840 for the cover they were chauffeured in 794 00:32:36,840 --> 00:32:39,000 limos to swar Stone Pavilion where they 795 00:32:39,000 --> 00:32:41,039 were pictured in various positions again 796 00:32:41,039 --> 00:32:42,919 in medieval 797 00:32:42,919 --> 00:32:45,519 clothing at this time Brian appears in 798 00:32:45,519 --> 00:32:47,600 court for the hearing of his recent drug 799 00:32:47,600 --> 00:32:50,559 bust he decides to fight the charges 800 00:32:50,559 --> 00:32:52,880 stating the police planted the drugs in 801 00:32:52,880 --> 00:32:55,840 his flat a jury will decide in September 802 00:32:55,840 --> 00:32:58,399 whether he's guilty or innocent 803 00:32:58,399 --> 00:33:00,399 the end of June Pink Floyd performed the 804 00:33:00,399 --> 00:33:03,080 first ever free concert in London's Hy 805 00:33:03,080 --> 00:33:06,639 Park 15,000 people attend it was a 806 00:33:06,639 --> 00:33:08,600 significant moment one that would give 807 00:33:08,600 --> 00:33:10,600 the stones an idea to do something 808 00:33:10,600 --> 00:33:12,840 similar around the same time they begin 809 00:33:12,840 --> 00:33:14,760 recording their next track Sympathy for 810 00:33:14,760 --> 00:33:17,120 the Devil and in doing so a documented 811 00:33:17,120 --> 00:33:20,559 for AEM Motion Picture titled 1+ one 812 00:33:20,559 --> 00:33:22,519 judio one in which they filmed in fact 813 00:33:22,519 --> 00:33:25,720 used to be a cinema Jean Luke godard's 814 00:33:25,720 --> 00:33:28,000 film captured the evolution of the 815 00:33:28,000 --> 00:33:30,039 Sympathy for the Devil and also the 816 00:33:30,039 --> 00:33:32,840 Dynamics of the group I.E Mick and Keith 817 00:33:32,840 --> 00:33:35,159 driving a somewhat disinterested Charlie 818 00:33:35,159 --> 00:33:38,120 Watson Bill Wyman ke's legendary Gibson 819 00:33:38,120 --> 00:33:40,720 lespo he' painted in psychedelic colors 820 00:33:40,720 --> 00:33:43,080 during his brief flower power period can 821 00:33:43,080 --> 00:33:46,279 be seen in the film an intoxicated 822 00:33:46,279 --> 00:33:48,760 detached Brian Jones featured who at 823 00:33:48,760 --> 00:33:50,720 this point was somewhat homeless having 824 00:33:50,720 --> 00:33:52,960 been asked to leave his flat in 825 00:33:52,960 --> 00:33:55,279 London some nights he slept on the pile 826 00:33:55,279 --> 00:33:57,399 of cushions in a friend's office and ate 827 00:33:57,399 --> 00:34:00,679 a do of Port p with HP Source at one 828 00:34:00,679 --> 00:34:02,639 point during shooting Brian's filmed 829 00:34:02,639 --> 00:34:05,639 without his guitar connected to anything 830 00:34:05,639 --> 00:34:07,240 Mick at the beginning can be seen shown 831 00:34:07,240 --> 00:34:08,800 Brian the chords he's written for 832 00:34:08,800 --> 00:34:11,440 Sympathy for the Devil this time he 833 00:34:11,440 --> 00:34:14,159 decided to learn how to play guitar Eric 834 00:34:14,159 --> 00:34:16,760 Clapton in fact was teaching him 835 00:34:16,760 --> 00:34:19,240 according to maryan F for's ex-husband 836 00:34:19,240 --> 00:34:21,480 John dumbar whom she'd married for all 837 00:34:21,480 --> 00:34:24,040 of 12 months he'd walked into the house 838 00:34:24,040 --> 00:34:26,720 one day and caught Mick and Eric in bed 839 00:34:26,720 --> 00:34:29,359 together filming for one plus one 840 00:34:29,359 --> 00:34:31,919 concluded the same night godard's lights 841 00:34:31,919 --> 00:34:34,720 set fire to Olympic Studio 842 00:34:34,720 --> 00:34:37,879 ceiling ke later said the fire broke out 843 00:34:37,879 --> 00:34:40,320 so quickly and furiously it was like 844 00:34:40,320 --> 00:34:41,560 being in the 845 00:34:41,560 --> 00:34:43,720 Hindenburg quick Rush was made to gather 846 00:34:43,720 --> 00:34:46,639 the master tapes as the Flames roared 847 00:34:46,639 --> 00:34:48,679 Jimmy Miller and Bill Wyman ran to the 848 00:34:48,679 --> 00:34:50,839 vaults grabbed the tapes and ran to 849 00:34:50,839 --> 00:34:53,159 safety when the fire brigade arrived 850 00:34:53,159 --> 00:34:54,720 they soaked all the equipment and 851 00:34:54,720 --> 00:34:58,000 instruments watering down the ceiling 852 00:34:58,000 --> 00:35:00,119 the end result of the film was strange 853 00:35:00,119 --> 00:35:01,800 cut in between the stones recording 854 00:35:01,800 --> 00:35:03,640 scenes and the black power 855 00:35:03,640 --> 00:35:06,280 revolutionaries and young activists 856 00:35:06,280 --> 00:35:08,839 Keith later called it a total load of 857 00:35:08,839 --> 00:35:12,079 crap n of the stones party including the 858 00:35:12,079 --> 00:35:14,359 engineers at Olympic understood what 859 00:35:14,359 --> 00:35:17,160 Godard was attempting still the band 860 00:35:17,160 --> 00:35:19,800 were paid over £18,000 for the 861 00:35:19,800 --> 00:35:22,440 project song's Sympathy for the Devil 862 00:35:22,440 --> 00:35:25,480 was written by Mick the narrator is the 863 00:35:25,480 --> 00:35:28,000 Devil Himself he recounts various evil 864 00:35:28,000 --> 00:35:29,720 acts throughout history he was present 865 00:35:29,720 --> 00:35:32,560 for such as the death of Jesus World War 866 00:35:32,560 --> 00:35:34,800 II the assassination of Kennedy the 867 00:35:34,800 --> 00:35:37,800 Russian Revolution and the 100-year war 868 00:35:37,800 --> 00:35:39,440 in the chorus the narrator doesn't 869 00:35:39,440 --> 00:35:41,720 outright say who he is but he States 870 00:35:41,720 --> 00:35:44,920 hope you guess my name originally Mick 871 00:35:44,920 --> 00:35:48,160 toled the song The Devil Is My Name the 872 00:35:48,160 --> 00:35:49,800 idea had come to him when he was reading 873 00:35:49,800 --> 00:35:51,160 the master and the 874 00:35:51,160 --> 00:35:53,359 margarita it had been translated to 875 00:35:53,359 --> 00:35:56,359 English a year previously the book is 876 00:35:56,359 --> 00:35:58,599 regarded as one of russan R's greatest 877 00:35:58,599 --> 00:36:00,119 literature 878 00:36:00,119 --> 00:36:02,880 masterpieces it tells two stories one of 879 00:36:02,880 --> 00:36:04,240 the devil exposing the greed and 880 00:36:04,240 --> 00:36:06,160 corruption in Russia and the second 881 00:36:06,160 --> 00:36:08,119 retelling the trial of 882 00:36:08,119 --> 00:36:11,200 Jesus M stated he wrote in a Bob Dylan's 883 00:36:11,200 --> 00:36:13,720 style and indeed when watching 1+ one 884 00:36:13,720 --> 00:36:15,560 you can hear him singing a Bob Dylan 885 00:36:15,560 --> 00:36:16,560 esque 886 00:36:16,560 --> 00:36:19,520 voice in his early stages it does sound 887 00:36:19,520 --> 00:36:20,760 like something that could have been on 888 00:36:20,760 --> 00:36:23,760 bringing it all back home was Keef who 889 00:36:23,760 --> 00:36:26,520 decided the song needed some ump Tempo 890 00:36:26,520 --> 00:36:29,640 was sped up percussion was added Anita 891 00:36:29,640 --> 00:36:31,599 penberg sat in the recording booth with 892 00:36:31,599 --> 00:36:34,000 producer Jimmy Miller the whole time and 893 00:36:34,000 --> 00:36:37,160 at one point she heard Mick asking who 894 00:36:37,160 --> 00:36:39,680 who she quickly suggested they use that 895 00:36:39,680 --> 00:36:42,520 as a chance in the song the chant was 896 00:36:42,520 --> 00:36:44,760 recorded she can be seen joining in with 897 00:36:44,760 --> 00:36:46,040 the backing 898 00:36:46,040 --> 00:36:48,839 vocal recording complete everyone bar 899 00:36:48,839 --> 00:36:52,000 bran flew to LA to mix the album while 900 00:36:52,000 --> 00:36:54,520 in Lai inita discovered a graffiti 901 00:36:54,520 --> 00:36:56,960 covered toilet cubicle she convinced me 902 00:36:56,960 --> 00:36:58,720 and Keith it would be perfect for the 903 00:36:58,720 --> 00:37:01,760 Beggars Banquet album he then enlisted a 904 00:37:01,760 --> 00:37:04,640 photographer to shoot it Mick plans for 905 00:37:04,640 --> 00:37:06,160 the album to be released for his 906 00:37:06,160 --> 00:37:10,400 birthday the 26th of July in early July 907 00:37:10,400 --> 00:37:12,359 Mick was figuring out how to tackle his 908 00:37:12,359 --> 00:37:14,960 film role in performance he'll be 909 00:37:14,960 --> 00:37:17,960 starring alongside Anita spoke to 910 00:37:17,960 --> 00:37:20,839 Maryann an experienced actress herself 911 00:37:20,839 --> 00:37:23,680 as he had no idea how to approach it 912 00:37:23,680 --> 00:37:25,240 both decided that the character he 913 00:37:25,240 --> 00:37:27,760 should play would be Brian a magic 914 00:37:27,760 --> 00:37:30,800 figure paranoid and tormented MC grew's 915 00:37:30,800 --> 00:37:32,760 hair longer but he didn't D it blonde 916 00:37:32,760 --> 00:37:35,160 that would have been too much instead he 917 00:37:35,160 --> 00:37:38,440 dyed it jet black costumes he chose gave 918 00:37:38,440 --> 00:37:42,119 him a menacing look like Richard III his 919 00:37:42,119 --> 00:37:44,160 rehearsals commenced he was clear just 920 00:37:44,160 --> 00:37:47,319 playing Brian was too simplistic Maran 921 00:37:47,319 --> 00:37:49,720 suggesting adding something else so 922 00:37:49,720 --> 00:37:52,359 Keith was thrown in now there was a 923 00:37:52,359 --> 00:37:54,760 combination of fragile and tragic cool 924 00:37:54,760 --> 00:37:58,560 and strong the result was turned 925 00:37:58,560 --> 00:38:01,119 side note in truth Mick never quite 926 00:38:01,119 --> 00:38:03,640 tapped into Brian's tragedy there was 927 00:38:03,640 --> 00:38:05,839 and is nothing tragic about Mick Jagger 928 00:38:05,839 --> 00:38:08,319 no fatal flaw maybe that's what truly 929 00:38:08,319 --> 00:38:10,480 separated him musically from John Lennon 930 00:38:10,480 --> 00:38:12,960 Jim Morrison and Brian 931 00:38:12,960 --> 00:38:15,599 Wilson the character set what Maran 932 00:38:15,599 --> 00:38:17,680 didn't consider is with Mick tapping 933 00:38:17,680 --> 00:38:19,560 into both Brian and Keith he would 934 00:38:19,560 --> 00:38:22,960 become appealing to Ana after all Nita 935 00:38:22,960 --> 00:38:24,760 had loved them 936 00:38:24,760 --> 00:38:26,960 both other than helping Mick with his 937 00:38:26,960 --> 00:38:29,240 character maryan wanted to be as far 938 00:38:29,240 --> 00:38:31,599 away from the project as possible she 939 00:38:31,599 --> 00:38:34,040 was expecting mix baby and travel to 940 00:38:34,040 --> 00:38:36,680 Ireland with Nicholas under her mother 941 00:38:36,680 --> 00:38:39,000 the child MC and maram both expected to 942 00:38:39,000 --> 00:38:42,880 be a girl they F of the name Karina in 943 00:38:42,880 --> 00:38:44,880 anticipation Mick was also asked to 944 00:38:44,880 --> 00:38:46,720 contribute a song for the soundtrack of 945 00:38:46,720 --> 00:38:48,680 performance he was sent a moo 946 00:38:48,680 --> 00:38:51,079 sympathizer by the manufacturers to Aid 947 00:38:51,079 --> 00:38:53,920 him it ended up to be little help he 948 00:38:53,920 --> 00:38:57,760 never mastered the instrument 949 00:38:59,560 --> 00:39:01,359 the end of the month Brian again headed 950 00:39:01,359 --> 00:39:03,400 to Morocco this time to record the 951 00:39:03,400 --> 00:39:06,560 master musicians of Juka he stayed at 952 00:39:06,560 --> 00:39:10,200 Elman naaza Tangier Hotel ran phoned 953 00:39:10,200 --> 00:39:12,640 Olympic Studios just one day before he 954 00:39:12,640 --> 00:39:15,160 left and requested a sound engineer go 955 00:39:15,160 --> 00:39:18,160 with him staff at Olympic sorted that 956 00:39:18,160 --> 00:39:21,599 out straight away at the cost of 10000 a 957 00:39:21,599 --> 00:39:24,160 day the engineer collected Brian's two 958 00:39:24,160 --> 00:39:26,560 Ur tape recorders and boarded a flight 959 00:39:26,560 --> 00:39:28,400 to Morocco 960 00:39:28,400 --> 00:39:30,160 when there he and Brian traveled into 961 00:39:30,160 --> 00:39:31,480 the mountains where there was no 962 00:39:31,480 --> 00:39:33,680 electricity and listened to the master 963 00:39:33,680 --> 00:39:36,400 musicians of Juka performing a music 964 00:39:36,400 --> 00:39:38,560 ritual to the goat God 965 00:39:38,560 --> 00:39:41,240 pan as the engineer began recording them 966 00:39:41,240 --> 00:39:42,920 he was careful not to overload the 967 00:39:42,920 --> 00:39:45,440 signal and cause Distortion in other 968 00:39:45,440 --> 00:39:47,960 words he was doing the exact opposite of 969 00:39:47,960 --> 00:39:50,119 what Keith had done on their next 970 00:39:50,119 --> 00:39:53,160 single after trying several methods he 971 00:39:53,160 --> 00:39:55,040 ended up pointing the microphones of 972 00:39:55,040 --> 00:39:57,720 each player at the ground it was the 973 00:39:57,720 --> 00:40:00,400 Sonic vibrations bouncing from the earth 974 00:40:00,400 --> 00:40:02,400 that were captured on 975 00:40:02,400 --> 00:40:05,000 tape white goat was then presented to 976 00:40:05,000 --> 00:40:07,520 them taken away slaughtered and they 977 00:40:07,520 --> 00:40:11,000 later ate him for dinner fortunately 978 00:40:11,000 --> 00:40:12,480 Brian would not live long enough to see 979 00:40:12,480 --> 00:40:14,520 the fruits of his labor the tapes were 980 00:40:14,520 --> 00:40:16,520 held in Alan Klein's possession for some 981 00:40:16,520 --> 00:40:19,040 time but he was completely disinterested 982 00:40:19,040 --> 00:40:21,240 in the project he had the tapes shipped 983 00:40:21,240 --> 00:40:23,040 to the stones offices in 984 00:40:23,040 --> 00:40:27,319 1969 and in 1971 as a tribute to Brian 985 00:40:27,319 --> 00:40:30,200 the album Brian Jones presents the pipes 986 00:40:30,200 --> 00:40:33,640 of Panet Juka was released back in 987 00:40:33,640 --> 00:40:36,160 Morocco in 1968 not long after the 988 00:40:36,160 --> 00:40:38,280 recording had been completed Brian 989 00:40:38,280 --> 00:40:39,440 passed out 990 00:40:39,440 --> 00:40:41,680 unexpectedly he was even on the balcony 991 00:40:41,680 --> 00:40:44,880 of his hotel suite of all places was 992 00:40:44,880 --> 00:40:46,440 frightening the engineer found out from 993 00:40:46,440 --> 00:40:48,359 Brian's girlfriend it happened all the 994 00:40:48,359 --> 00:40:50,720 time the engineer carried Brian's 995 00:40:50,720 --> 00:40:52,640 motionless body to the bed where he 996 00:40:52,640 --> 00:40:55,440 slept and ler awoke with no recollection 997 00:40:55,440 --> 00:40:58,440 of the event was a dangerous situation 998 00:40:58,440 --> 00:41:00,040 Brian passing out on a balcony the 999 00:41:00,040 --> 00:41:02,680 engineer remembered next day they went 1000 00:41:02,680 --> 00:41:04,079 to the beach and Brian warned the 1001 00:41:04,079 --> 00:41:06,040 engineer about the dangers of swimming 1002 00:41:06,040 --> 00:41:09,440 in the sea insisted the man not go any 1003 00:41:09,440 --> 00:41:10,960 deeper than his 1004 00:41:10,960 --> 00:41:13,280 ankles after that though he put the 1005 00:41:13,280 --> 00:41:16,119 engineer off completely he decided 1006 00:41:16,119 --> 00:41:18,880 instead to have a nap on the beach when 1007 00:41:18,880 --> 00:41:21,680 he awoke sometime later Brian was gone 1008 00:41:21,680 --> 00:41:23,640 he looked into the water and Brian had 1009 00:41:23,640 --> 00:41:26,880 swam out a good distance Brian waved to 1010 00:41:26,880 --> 00:41:28,880 him and against the strong currents 1011 00:41:28,880 --> 00:41:32,000 Brian swam straight back to the beach it 1012 00:41:32,000 --> 00:41:34,000 was an example of what an excellent 1013 00:41:34,000 --> 00:41:36,800 swimmer Brian was the engineer left not 1014 00:41:36,800 --> 00:41:38,760 long after partly because he had no of a 1015 00:41:38,760 --> 00:41:40,640 work to do and partly because he felt 1016 00:41:40,640 --> 00:41:42,119 guilty about the money Olympic were 1017 00:41:42,119 --> 00:41:44,160 billing Brian on a daily 1018 00:41:44,160 --> 00:41:46,880 basis as he traveled back the engineer 1019 00:41:46,880 --> 00:41:49,359 had learned two new facts about Brian 1020 00:41:49,359 --> 00:41:51,880 one he was totally at home in the water 1021 00:41:51,880 --> 00:41:55,000 and two he often passed out 1022 00:41:55,000 --> 00:41:57,280 unexpectedly meanwhile the filming of 1023 00:41:57,280 --> 00:42:00,400 performance had begun on July 29th it 1024 00:42:00,400 --> 00:42:03,280 would only be 8 weeks of shooting it'd 1025 00:42:03,280 --> 00:42:05,599 be filming in Lord Square basically what 1026 00:42:05,599 --> 00:42:07,920 was them rundown tow houses and flats in 1027 00:42:07,920 --> 00:42:10,560 Notting Hill London it was there the 1028 00:42:10,560 --> 00:42:12,880 character Turner lived you can see by 1029 00:42:12,880 --> 00:42:15,440 the footage the dingy streets of 1968 1030 00:42:15,440 --> 00:42:17,680 Notting Hill were far cow from what they 1031 00:42:17,680 --> 00:42:18,440 are 1032 00:42:18,440 --> 00:42:21,160 today filming would begin a feud between 1033 00:42:21,160 --> 00:42:23,240 Mick and Keith but then maybe the feud 1034 00:42:23,240 --> 00:42:25,599 would have happened anyway Brian now 1035 00:42:25,599 --> 00:42:27,440 effectively gone they only had each 1036 00:42:27,440 --> 00:42:30,240 other to pick out performance was 1037 00:42:30,240 --> 00:42:32,280 basically a portrait of how the public 1038 00:42:32,280 --> 00:42:34,839 imagined rock stars lived the characters 1039 00:42:34,839 --> 00:42:36,960 in the film weren't exactly acting 1040 00:42:36,960 --> 00:42:40,280 though they were rock stars drug addicts 1041 00:42:40,280 --> 00:42:42,599 as for the drugs God only knows what was 1042 00:42:42,599 --> 00:42:45,880 taken on set during the filming Mick 1043 00:42:45,880 --> 00:42:47,880 began a fling with kei's girlfriend 1044 00:42:47,880 --> 00:42:50,599 Anita he feared he would lose Anita to 1045 00:42:50,599 --> 00:42:53,880 Mick like Brian had lost her to him he 1046 00:42:53,880 --> 00:42:55,760 never took an interest in the film he 1047 00:42:55,760 --> 00:42:57,640 never went to the set 1048 00:42:57,640 --> 00:42:59,800 and the reason was simple he didn't like 1049 00:42:59,800 --> 00:43:02,720 the director camel he've later said of 1050 00:43:02,720 --> 00:43:05,200 camel his only real love in life was 1051 00:43:05,200 --> 00:43:07,640 [ __ ] other people over he had a 1052 00:43:07,640 --> 00:43:10,119 secret hatred for clever and talented 1053 00:43:10,119 --> 00:43:12,839 people thus he made it his mission to 1054 00:43:12,839 --> 00:43:16,240 sabotage them when Keith was around him 1055 00:43:16,240 --> 00:43:18,200 he made fun of mix accent then he made 1056 00:43:18,200 --> 00:43:21,160 fun of Keith's Kei did his best to put a 1057 00:43:21,160 --> 00:43:23,800 Neer off even starring in the film he 1058 00:43:23,800 --> 00:43:25,200 offered to pay her the same amount of 1059 00:43:25,200 --> 00:43:27,920 money not to do the film problem was 1060 00:43:27,920 --> 00:43:29,680 Keith didn't understand it was something 1061 00:43:29,680 --> 00:43:32,559 Anita wanted to do in fact this is 1062 00:43:32,559 --> 00:43:35,720 understating how devoted Anita was the 1063 00:43:35,720 --> 00:43:39,160 project she later admitted in a 2003 1064 00:43:39,160 --> 00:43:41,400 interview at this time she was pregnant 1065 00:43:41,400 --> 00:43:44,000 with Keith's child and had an abortion 1066 00:43:44,000 --> 00:43:46,880 so she could give all her Focus to the 1067 00:43:46,880 --> 00:43:49,280 film he believed the affair between Mick 1068 00:43:49,280 --> 00:43:51,800 and Anita was heavily encouraged by 1069 00:43:51,800 --> 00:43:54,400 camel camel took Delight in the idea he 1070 00:43:54,400 --> 00:43:56,520 ruined their relationship even the fact 1071 00:43:56,520 --> 00:43:58,760 mck and were together in the film was a 1072 00:43:58,760 --> 00:44:00,559 setup carefully 1073 00:44:00,559 --> 00:44:03,440 orchestrated he later argued camel only 1074 00:44:03,440 --> 00:44:05,599 ever had one good movie that was 1075 00:44:05,599 --> 00:44:07,640 performance and the only reason it was 1076 00:44:07,640 --> 00:44:09,880 successful was because of the big names 1077 00:44:09,880 --> 00:44:12,800 attached to it ham actually made four 1078 00:44:12,800 --> 00:44:15,559 films each one had a similar ending with 1079 00:44:15,559 --> 00:44:17,480 the lead character either shot or 1080 00:44:17,480 --> 00:44:20,880 shooting somebody else camel's life like 1081 00:44:20,880 --> 00:44:23,520 his films also ended with a shooting he 1082 00:44:23,520 --> 00:44:25,760 committed suicide by self-inflicted 1083 00:44:25,760 --> 00:44:28,040 gunshot wound 1084 00:44:28,040 --> 00:44:29,800 on the set of performance he shot the 1085 00:44:29,800 --> 00:44:32,040 film amongst a Vortex of 1086 00:44:32,040 --> 00:44:34,720 debauchery according to Maran faithful M 1087 00:44:34,720 --> 00:44:36,880 was lost in his character and he began 1088 00:44:36,880 --> 00:44:39,920 living his character there on after e 1089 00:44:39,920 --> 00:44:42,520 penberg who'd been fascinated by the ult 1090 00:44:42,520 --> 00:44:45,920 since 67 could barely see reality from 1091 00:44:45,920 --> 00:44:48,760 fantasy is also worth mentioning Camel 1092 00:44:48,760 --> 00:44:50,960 had a fiery temper and could go off like 1093 00:44:50,960 --> 00:44:53,800 a firecracker unleashing craze 1094 00:44:53,800 --> 00:44:55,920 tirades but a lot of the time he was 1095 00:44:55,920 --> 00:44:58,440 calm he was in his his element Mick and 1096 00:44:58,440 --> 00:45:00,079 Anita were 1097 00:45:00,079 --> 00:45:02,559 not despite camel having access to 1098 00:45:02,559 --> 00:45:04,680 Studio space through Warner Brothers he 1099 00:45:04,680 --> 00:45:07,400 decided to shoot on location some 1100 00:45:07,400 --> 00:45:09,319 believe it was to capture the authentic 1101 00:45:09,319 --> 00:45:11,400 atmosphere of London and bring a rawness 1102 00:45:11,400 --> 00:45:13,599 to the film others because a 1103 00:45:13,599 --> 00:45:15,599 conventional Studio would not ensure 1104 00:45:15,599 --> 00:45:17,800 privacy and it would be far more tricky 1105 00:45:17,800 --> 00:45:19,720 to wrest or control from 1106 00:45:19,720 --> 00:45:22,440 camel obviously Warner wanted the film 1107 00:45:22,440 --> 00:45:25,160 shot in a studio the costs and Logistics 1108 00:45:25,160 --> 00:45:27,599 of shooting on location to mention the 1109 00:45:27,599 --> 00:45:30,800 possibility of delays were unwanted 1110 00:45:30,800 --> 00:45:32,960 complications HL had originally planned 1111 00:45:32,960 --> 00:45:34,280 for the cast to move into the 1112 00:45:34,280 --> 00:45:37,400 dilapidated townhouse that never came to 1113 00:45:37,400 --> 00:45:40,119 pass mixed decorator Christopher Gibbs 1114 00:45:40,119 --> 00:45:43,040 was brought in to design the interior to 1115 00:45:43,040 --> 00:45:45,800 create the look of Turner's house there 1116 00:45:45,800 --> 00:45:47,800 was a reason for this Gibbs had designed 1117 00:45:47,800 --> 00:45:50,480 the look of Anita and Brian's house mck 1118 00:45:50,480 --> 00:45:52,640 was playing Brian it was a logical 1119 00:45:52,640 --> 00:45:55,319 decision over his distressed Bohemian 1120 00:45:55,319 --> 00:45:57,400 style Gibbs furnished the house with 1121 00:45:57,400 --> 00:46:00,119 Persian rugs exotic tapestries Middle 1122 00:46:00,119 --> 00:46:03,280 Eastern silks and various artifacts gave 1123 00:46:03,280 --> 00:46:05,640 the flat a warm Moroccan feel start 1124 00:46:05,640 --> 00:46:08,960 contrast to the cold London streets or 1125 00:46:08,960 --> 00:46:11,240 post a bed with Afghan quilts and pelts 1126 00:46:11,240 --> 00:46:12,559 was made for the 1127 00:46:12,559 --> 00:46:14,800 centerpiece Camel had decided the film 1128 00:46:14,800 --> 00:46:17,119 would be shot chronologically as Mick 1129 00:46:17,119 --> 00:46:19,040 and an don't appear until 40 minutes 1130 00:46:19,040 --> 00:46:21,119 into the film they won't start shooting 1131 00:46:21,119 --> 00:46:22,839 until late 1132 00:46:22,839 --> 00:46:25,000 September while Keith and Mick focused 1133 00:46:25,000 --> 00:46:27,200 on their own issues bill wman was 1134 00:46:27,200 --> 00:46:29,160 looking for a more private and peaceful 1135 00:46:29,160 --> 00:46:32,000 home I guess a new start with a new 1136 00:46:32,000 --> 00:46:35,839 girlfriend actress astred lundstrom so 1137 00:46:35,839 --> 00:46:37,359 he began house 1138 00:46:37,359 --> 00:46:39,839 hunting after viewing a few properties 1139 00:46:39,839 --> 00:46:42,400 the two came across getting Hall built 1140 00:46:42,400 --> 00:46:45,880 in 1480 it features a moat a gate house 1141 00:46:45,880 --> 00:46:48,720 and several buildings on a 100 acres of 1142 00:46:48,720 --> 00:46:51,640 land house even featured large doors 1143 00:46:51,640 --> 00:46:54,920 that made easy access to the moat couple 1144 00:46:54,920 --> 00:46:57,160 were blown away on arrival in in fact 1145 00:46:57,160 --> 00:46:59,040 they thought they had the wrong house 1146 00:46:59,040 --> 00:47:01,160 the grounds were Immaculate black swans 1147 00:47:01,160 --> 00:47:03,960 and Ducks swam across the moat two 1148 00:47:03,960 --> 00:47:06,079 decided unless the place was literally 1149 00:47:06,079 --> 00:47:08,400 falling apart they would buy it the 1150 00:47:08,400 --> 00:47:10,400 owner wasn't there that day they came 1151 00:47:10,400 --> 00:47:13,160 back and he showed them round bill was 1152 00:47:13,160 --> 00:47:15,440 taken back when by the TV stood a 1153 00:47:15,440 --> 00:47:17,880 full-sized photo of the notorious 1154 00:47:17,880 --> 00:47:20,960 gangsters the cray Brothers the owner 1155 00:47:20,960 --> 00:47:23,319 informed bill they were close friends 1156 00:47:23,319 --> 00:47:26,480 and the gangsters visited getting often 1157 00:47:26,480 --> 00:47:28,960 Bill put an offer of 41,000 in and it 1158 00:47:28,960 --> 00:47:32,240 was accepted the owner did say he'd been 1159 00:47:32,240 --> 00:47:34,280 offered more by a member of the Queen's 1160 00:47:34,280 --> 00:47:36,319 family but he preferred to sell it to 1161 00:47:36,319 --> 00:47:38,599 Bill somebody who wasn't born into 1162 00:47:38,599 --> 00:47:42,000 wealth a self-made man like 1163 00:47:42,000 --> 00:47:44,359 himself fortunately at this time the 1164 00:47:44,359 --> 00:47:46,920 group began receiving their tax bills 1165 00:47:46,920 --> 00:47:49,040 but not just that the record company 1166 00:47:49,040 --> 00:47:51,559 Deca had refused the album cover of a 1167 00:47:51,559 --> 00:47:54,359 graffiti covered toilet 1168 00:47:54,359 --> 00:47:56,640 cubicle ENC counted suggesting they 1169 00:47:56,640 --> 00:47:58,480 relas release it in a brown paper bag 1170 00:47:58,480 --> 00:48:02,119 with the message unfit for children deer 1171 00:48:02,119 --> 00:48:04,800 again refused they insisted the cover 1172 00:48:04,800 --> 00:48:06,400 had to have the Rolling Stones name 1173 00:48:06,400 --> 00:48:09,119 clearly written to encourage maximum 1174 00:48:09,119 --> 00:48:11,800 sales they suggested a plain white cover 1175 00:48:11,800 --> 00:48:14,400 with artsy text Mick and Keef didn't 1176 00:48:14,400 --> 00:48:16,640 like the idea but they also wanted the 1177 00:48:16,640 --> 00:48:19,400 album out for Christmas so they gave in 1178 00:48:19,400 --> 00:48:21,920 fortunately the cover bore a striking 1179 00:48:21,920 --> 00:48:24,640 resemblance to The Beatles White Album 1180 00:48:24,640 --> 00:48:26,359 which would be released just a month 1181 00:48:26,359 --> 00:48:28,319 before 1182 00:48:28,319 --> 00:48:30,599 satanic Majesty is similar to Peppa that 1183 00:48:30,599 --> 00:48:32,200 was now two albums back to back the 1184 00:48:32,200 --> 00:48:34,040 stones would release appearing to be a 1185 00:48:34,040 --> 00:48:36,160 complete copy of The Beatles but this 1186 00:48:36,160 --> 00:48:37,960 time it wasn't their 1187 00:48:37,960 --> 00:48:40,200 fault this time there was a dip in 1188 00:48:40,200 --> 00:48:42,599 single sales and it was making Deca very 1189 00:48:42,599 --> 00:48:45,280 hesitant about each move Street Fighting 1190 00:48:45,280 --> 00:48:47,400 Man was released as their next single 1191 00:48:47,400 --> 00:48:50,280 with no expectations being the bside 1192 00:48:50,280 --> 00:48:52,680 single caused controversy and was banned 1193 00:48:52,680 --> 00:48:55,119 from some radio stations in 1194 00:48:55,119 --> 00:48:57,640 America meanwhile Brian on returning 1195 00:48:57,640 --> 00:48:59,680 from Morocco hadn't quite sorted out his 1196 00:48:59,680 --> 00:49:02,760 housing issues but not for long like 1197 00:49:02,760 --> 00:49:05,240 Bill he visited a stunning farm house in 1198 00:49:05,240 --> 00:49:08,640 East Sussex kford Farm once owned by AA 1199 00:49:08,640 --> 00:49:11,520 mil who wrote Winnie the Pooh some of 1200 00:49:11,520 --> 00:49:13,079 the land was even recorded in the 1201 00:49:13,079 --> 00:49:15,160 Doomsday Book back in 1202 00:49:15,160 --> 00:49:18,160 1086 he had an offer accepted for just 1203 00:49:18,160 --> 00:49:19,760 under 1204 00:49:19,760 --> 00:49:22,920 29,000 on the 26th of September Brian 1205 00:49:22,920 --> 00:49:25,480 returned to court for his drug trial he 1206 00:49:25,480 --> 00:49:27,319 took the stand looking frag agile and 1207 00:49:27,319 --> 00:49:30,319 weak 50 teenagers stood in the gallery 1208 00:49:30,319 --> 00:49:32,280 but were told if they made any noise 1209 00:49:32,280 --> 00:49:35,040 they would be ejected from the court 1210 00:49:35,040 --> 00:49:37,240 Brian pleaded not guilty the words were 1211 00:49:37,240 --> 00:49:39,720 barely audible some of the girls were 1212 00:49:39,720 --> 00:49:42,359 already sobbing Brian insisted the ball 1213 00:49:42,359 --> 00:49:44,319 of w which contained the marijuana 1214 00:49:44,319 --> 00:49:47,359 wasn't his he protested I haven't owned 1215 00:49:47,359 --> 00:49:49,839 a ball of wool in my life I don't Dar 1216 00:49:49,839 --> 00:49:52,400 socks my girlfriend doesn't Dan 1217 00:49:52,400 --> 00:49:54,920 sucks the jury were deliberating Mick 1218 00:49:54,920 --> 00:49:57,599 and Keef arrived in court jury found 1219 00:49:57,599 --> 00:50:00,319 Brian guilty they read out the verdict 1220 00:50:00,319 --> 00:50:02,040 he put his head in his hands and rocked 1221 00:50:02,040 --> 00:50:04,880 back and forth he was then asked to Stam 1222 00:50:04,880 --> 00:50:05,599 for 1223 00:50:05,599 --> 00:50:08,599 sentencing judge finded him 50 and 1224 00:50:08,599 --> 00:50:10,680 stated he would receive the same 1225 00:50:10,680 --> 00:50:13,079 sentence as any young man found guilty 1226 00:50:13,079 --> 00:50:16,520 of this crime he then added for goodness 1227 00:50:16,520 --> 00:50:18,640 sake don't get in trouble 1228 00:50:18,640 --> 00:50:21,200 again outside the court Mick told 1229 00:50:21,200 --> 00:50:23,000 reporters they were very happy Brian 1230 00:50:23,000 --> 00:50:24,960 didn't have to go to jail and money 1231 00:50:24,960 --> 00:50:27,880 doesn't mean anything 1232 00:50:27,880 --> 00:50:29,480 this point it was time for Mick to start 1233 00:50:29,480 --> 00:50:32,359 shooting performance he and were 1234 00:50:32,359 --> 00:50:35,599 expected onset at 8:00 a.m. each day 1235 00:50:35,599 --> 00:50:37,240 need to smoke marijuana while waiting 1236 00:50:37,240 --> 00:50:39,720 for her scenes to begin with her co-star 1237 00:50:39,720 --> 00:50:42,760 James Fox refusing to use any drugs on 1238 00:50:42,760 --> 00:50:45,920 set amongst a cloud of marijuana smoke 1239 00:50:45,920 --> 00:50:49,359 fox sat studying his script an was 1240 00:50:49,359 --> 00:50:52,319 staying in a nearby flat paid by Warner 1241 00:50:52,319 --> 00:50:54,880 ke had also moved in each night after 1242 00:50:54,880 --> 00:50:57,960 filming Anita would be quizz on the days 1243 00:50:57,960 --> 00:51:00,799 events Kei according to Anita slagged 1244 00:51:00,799 --> 00:51:04,400 off the movie every day Mick maybe 1245 00:51:04,400 --> 00:51:06,280 through guilty conscience frequently 1246 00:51:06,280 --> 00:51:09,200 sent bouquet of flowers to Island for 1247 00:51:09,200 --> 00:51:12,040 Maryanne Warner Brothers out of respect 1248 00:51:12,040 --> 00:51:14,520 had kept a distance from set they were 1249 00:51:14,520 --> 00:51:16,359 also pleasantly surprised to see the 1250 00:51:16,359 --> 00:51:18,359 high quality of cinematography in the 1251 00:51:18,359 --> 00:51:19,680 unedited 1252 00:51:19,680 --> 00:51:21,720 footage as the film progressed to the 1253 00:51:21,720 --> 00:51:24,720 late stages it was inevitable a rep from 1254 00:51:24,720 --> 00:51:27,400 Warner would have to make an appearance 1255 00:51:27,400 --> 00:51:29,599 by this point they' shed out over a 1256 00:51:29,599 --> 00:51:32,040 million for the production the man who 1257 00:51:32,040 --> 00:51:33,799 would appear on set was head of 1258 00:51:33,799 --> 00:51:36,880 production for Warner Brothers UK when 1259 00:51:36,880 --> 00:51:39,200 he arrived he was so shocked by what he 1260 00:51:39,200 --> 00:51:41,720 saw on set he wanted to Hal shooting 1261 00:51:41,720 --> 00:51:44,280 there and then it actually did stop for 1262 00:51:44,280 --> 00:51:46,960 a week with assurances that everything 1263 00:51:46,960 --> 00:51:49,119 was under control and the reality that 1264 00:51:49,119 --> 00:51:51,359 most of the budget had been spent 1265 00:51:51,359 --> 00:51:52,480 filming 1266 00:51:52,480 --> 00:51:55,400 continued filming came to an end Anita 1267 00:51:55,400 --> 00:51:57,720 requested and was given the four post of 1268 00:51:57,720 --> 00:51:59,040 bed as a 1269 00:51:59,040 --> 00:52:01,680 souvenir ke never knew directly about an 1270 00:52:01,680 --> 00:52:03,880 and Mick but he sensed it he always 1271 00:52:03,880 --> 00:52:06,160 maintained he wasn't a jealous guy or at 1272 00:52:06,160 --> 00:52:07,960 least he didn't want anyone to think he 1273 00:52:07,960 --> 00:52:11,200 was a jealous guy after all he did write 1274 00:52:11,200 --> 00:52:13,760 the lyrics a storm is threatening my 1275 00:52:13,760 --> 00:52:17,319 very life today about the situation ke 1276 00:52:17,319 --> 00:52:19,200 never did give any reaction to Mick but 1277 00:52:19,200 --> 00:52:21,200 he decided to watch closely and see how 1278 00:52:21,200 --> 00:52:23,839 things played out after all if he were 1279 00:52:23,839 --> 00:52:25,920 to go down and confront Mick it will 1280 00:52:25,920 --> 00:52:28,400 probably mean the end of The Rolling 1281 00:52:28,400 --> 00:52:31,480 Stones to add another issue Keith had 1282 00:52:31,480 --> 00:52:33,400 previously agreed to help Mick with his 1283 00:52:33,400 --> 00:52:36,319 song for the film soundtrack needless to 1284 00:52:36,319 --> 00:52:39,720 say ke had lost all interest by now 1285 00:52:39,720 --> 00:52:42,200 camel would ask Mick constantly what's 1286 00:52:42,200 --> 00:52:44,160 happening with the song and Mick would 1287 00:52:44,160 --> 00:52:45,359 stall 1288 00:52:45,359 --> 00:52:48,000 him the footage of performance was sent 1289 00:52:48,000 --> 00:52:50,400 to be processed the lab boss found some 1290 00:52:50,400 --> 00:52:53,000 of the scenes in breach of indecency 1291 00:52:53,000 --> 00:52:56,040 laws to avoid prosecution he took some 1292 00:52:56,040 --> 00:52:58,040 of the processed footage to the parking 1293 00:52:58,040 --> 00:53:00,079 lot where he destroyed it with a hammer 1294 00:53:00,079 --> 00:53:02,760 and chisel when the final product was 1295 00:53:02,760 --> 00:53:05,079 put together Warner Executives and their 1296 00:53:05,079 --> 00:53:08,000 wives had a late night screening some of 1297 00:53:08,000 --> 00:53:10,240 the attendees walked out and the film 1298 00:53:10,240 --> 00:53:12,000 was brought to a halt when an 1299 00:53:12,000 --> 00:53:14,920 executive's wife threw up before the 1300 00:53:14,920 --> 00:53:17,079 film could even be given a release date 1301 00:53:17,079 --> 00:53:19,680 Warner Brothers demanded 1302 00:53:19,680 --> 00:53:22,640 edits took two years to negotiate a cut 1303 00:53:22,640 --> 00:53:25,440 that was acceptable to both camel and 1304 00:53:25,440 --> 00:53:27,359 Warners following the filming of 1305 00:53:27,359 --> 00:53:29,960 performance Anita would fall into an 1306 00:53:29,960 --> 00:53:33,240 abyss Jin Kei began using heroin they 1307 00:53:33,240 --> 00:53:35,160 were just snorting it at this points 1308 00:53:35,160 --> 00:53:38,200 they were also snorting cocaine a speed 1309 00:53:38,200 --> 00:53:40,960 ball as it's commonly known a strange 1310 00:53:40,960 --> 00:53:43,000 lore at the time meant if you registered 1311 00:53:43,000 --> 00:53:44,880 as a heroin addict you could be 1312 00:53:44,880 --> 00:53:47,319 prescribed heroin and cocaine in pill 1313 00:53:47,319 --> 00:53:50,119 form those addicted to the former made 1314 00:53:50,119 --> 00:53:52,079 good use by selling their supply of 1315 00:53:52,079 --> 00:53:54,839 cocaine needless to say Keith bought 1316 00:53:54,839 --> 00:53:56,960 them regularly 1317 00:53:56,960 --> 00:53:59,160 in the same time Keith was lost in drug 1318 00:53:59,160 --> 00:54:03,440 abuse Maryanne lost Mick's 1319 00:54:05,400 --> 00:54:08,200 baby bega's banquet was a return to the 1320 00:54:08,200 --> 00:54:11,040 band's Blues roots and ironically the 1321 00:54:11,040 --> 00:54:13,280 album that Brian had been least involved 1322 00:54:13,280 --> 00:54:16,400 in he had in fact taught Keith the blues 1323 00:54:16,400 --> 00:54:18,520 tunings when he created the sound for 1324 00:54:18,520 --> 00:54:21,720 the stone second wave the album was a 1325 00:54:21,720 --> 00:54:24,480 180 turn and it was needed they' lost 1326 00:54:24,480 --> 00:54:27,000 credibility with satanic majesties in 1327 00:54:27,000 --> 00:54:29,520 such a competitive genre of psychedelic 1328 00:54:29,520 --> 00:54:30,680 Rock in 1329 00:54:30,680 --> 00:54:32,880 1967 they were 1330 00:54:32,880 --> 00:54:35,319 Irrelevant in the album Mick wrote about 1331 00:54:35,319 --> 00:54:38,160 the working class of England tribute 1332 00:54:38,160 --> 00:54:40,240 insult of the earth more dismissive in 1333 00:54:40,240 --> 00:54:42,599 Factory girl there were already rumors 1334 00:54:42,599 --> 00:54:44,799 the band had an interest in Satanism 1335 00:54:44,799 --> 00:54:46,599 Sympathy for the Devil had religious 1336 00:54:46,599 --> 00:54:48,559 groups believing the stones were devil 1337 00:54:48,559 --> 00:54:50,960 worshippers corrupting the 1338 00:54:50,960 --> 00:54:53,160 youth other than the controversy it 1339 00:54:53,160 --> 00:54:55,200 brought Beggar's Banquet returned them 1340 00:54:55,200 --> 00:54:58,079 to form was seen as mature intelligent 1341 00:54:58,079 --> 00:55:00,680 work the second wave had gone they were 1342 00:55:00,680 --> 00:55:03,240 entering a new phase and for Brian his 1343 00:55:03,240 --> 00:55:05,520 time not just as a rolling stone but in 1344 00:55:05,520 --> 00:55:09,799 life was coming to an end96492

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