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a little more of Keith on the cans he
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says Kei I thought having the solo on
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the third on the fourth onead of the
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that's the way it's the way it sort of
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is you
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know by 1968 the stones fresh from a
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lengthy Battle of the judicial system
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now completely embodied an
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anti-establishment image the Jou time
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had been dropped and they hadn't been
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silenced in other words they'd won the
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battle Against The Establishment and now
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embraced the Diabolical side of swinging
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London and set out to ca out and out
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Mayhem stones have been pulled into a
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fight and suffered the first blow and
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now came out all guns blazing they Ed
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the word satanic in their album title
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they sang lyrics such as the time is
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right for fighting in the street they
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opened their next album Beggar's Banquet
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with a track titled Sympathy for the
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Devil they agreed to be filmed during
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sessions to appear in a movie pushing
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Revolution and Marxist ideologies MC
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Jagger had begun reading into Satanism
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he would take an acting role in the film
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performance of which the director had
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connections to the occultist aliser
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Crowley devil was frequently mentioned
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in Keith Richard's Idol Robert Johnson's
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compositions and his girlfriend Anita
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penberg obsessively studied the occult
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But ultimately they used satanic imagery
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to rebel against the
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establishment the poor reception they
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received from satanic majesties the
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stones abandoned their psychedelic image
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Keith especially hated the album he
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called it a load of [ __ ] he felt the
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self- production and the chaotic
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recording process didn't serve the band
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well he now began studying the blues
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again it was Now Keith would ReDiscover
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open tunings he later stated it
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transformed my life of course he wasn't
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totally new to open tunings Brian had
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used these in the early days the big
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difference was Keith now began playing
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them without the use of a slide was
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revolutionary for him he now felt it
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could translate over so many of the
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sounds he had in his head his
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experimentation many believe was a
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result of Andrew alam's departure in
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other words he was free from the Phil
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Spectre esque influence it would be a
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strange year for Keith musically he'd
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ReDiscover his love for the guitar and
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hit a creative Peak personally he'll be
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racked with jealousy and fear his
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girlfriend andita palberg would leave
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him he feed she was having an affair
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with Marlon Brando he feared she was
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having an affair with mck Jagger one of
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these fears would come true the album
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would contain a mix of standard open D
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and open E compositions sensing the M
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was near for Brian at least as a member
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of The Rolling Stones Keith also began
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learning slide guitar he figured he'd
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need to fill in for Brian's Parts he
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would always used Philip's tape
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recorders as a tool to store any guitar
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riffs but for the first time it would be
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used as a recording technique in the
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studio he and Mick would drive the band
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through the recording of Beggar's
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Banquet
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R by this point to personify the drugged
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out Rockstar his involvement in the
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album was minimal Keith had taken his
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girlfriend Anita palberg from him and in
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doing so left his own girlfriend Linda
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Keith the two both in a sad state had
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begun a relationship with each other
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Linda moved into Brian's Second Story
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flatten Chelsea which had been renting
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since
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1965 by the end of the year Brian would
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purchase a 16th century farmhouse in the
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countryside became a refuge a place to
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escape the pressures of the band
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ironically it was the same place that
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would see his demise this is the story
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of The Rolling Stones Beggars
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Banquet should start off very cool
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should be very
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[Music]
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cool the chaotic year of 1967 over with
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as 1968 begins things were looking up
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year began with University professors in
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California deciding the stones have such
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an important contribution it's essential
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for music students to study them
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meanwhile Mick Keefe and Brian are all
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out of the country Bill wman isn't in
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the mood for traveling as he's going
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through divorce proceedings and lost
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custody of his son Charlie Watts the
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most stable of the group is sat at home
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with his Jazz collection an American
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Civil War memorabilia in fact Charlie
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Watts never cared for fame it was the
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lifestyle that afforded him that was in
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his eyes a fair trade all opposite to ke
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and Mick he preferred to stay away from
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drugs and politics he lived in a 16th
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century Cottage in East
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Sussex rooms were filled with Antiques
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and books Charlie sold the house the
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estate agents commented it had been well
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looked
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after Bill Wyman was not so content the
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impending divorce and losing custody of
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his son was all too much he suffered a
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panic attack in his home in early
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February when he contacted a doctor he
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was prescribed sleeping pills after he
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took one he freaked out even more he
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paced the rooms of his Mansion before
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the effects wore off he would never take
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another sleeping pill again after that
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some weeks later he had a medical
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checkup but everything was fine on they
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return to England Mick and Brian
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appeared now heavily bearded Heath left
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Paranoid by the police has a 6ft wall
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built around Redlands to provide
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security and privacy he also has the
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moat extended so it goes entirely around
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the
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house his girlfriend Anita penberg now
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began to attend recording sessions and
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state her opinions on the stone songs
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she became something of a Yoko owner
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character in the stones world she later
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stated I feel as though I'm rather like
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the sixth Rolling Stone Mick Keith and
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Brian need me to guide them critique
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them and to give them ideas maram
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faithful Mick's girlfriend at the time
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recall being so impressed Mick had come
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out of prison unfazed and unshaken she
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was at this point still technically
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married to her ex-husband John dumbar
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not only that the two had a child
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together by this point they'd long been
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separated dumbar though was still
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holding on to hope he and Maryam would
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reconcile this time Mick Maran and her
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child Nicholas were living in a
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townhouse in Chester Square London one
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day the year previous dumbar had showed
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up to the house had a blazing rout with
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Mick and called him a cheap version of a
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beetle Mick was surprised and speechless
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the anger had stemmed from the fact that
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Mick in his eyes had taken his wife and
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son indeed Mick was very fond of
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Nicholas and in turn Nicholas loved him
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two problems the Rolling Stones were now
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facing was first their money situation
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didn't it easy that their manager Alan
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Klein had deposited their 1.2 million
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advance from Deca into his bank account
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that was in 1965 and he was still
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handing them out money as and when
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second problem was their reputation in
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the ever evolving musical climate going
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forward the group knew they had to
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recapture the interests of their fans
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without much deliberation they dropped
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the psychedelia Kei return to his Blues
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Roots Mick stopped the flower power
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Persona their next album they knew they
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would need a more disciplined approach
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Andrew alam's departure Mick now brings
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in Jimmy Miller as their new
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producer Miller had previously worked
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with groups Steve Winwood was part of
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Mick contacted him in early 68 as he
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liked the work he' done with traffic
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Mick told Miller that he'd produced
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satanic majesties but he had no
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intention of being on both sides of the
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control room window again Miller would
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produce the Stone's next four albums his
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first change as a producer was to demote
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Glen Johns and bring in his own Studio
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engineer next single Jumping Jack Flash
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encapsulated all the emotions from
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1967 mink described it as going through
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a difficult time and emerging stronger
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on the other side it also showcased the
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return to their Blues Roots Ryan who is
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now lost in drug use had no interest in
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the Revival of the group New Direction
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they were going in he'd lost any
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interest in rock and roll at all in
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truth he was now rarely sober in January
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he' visited Jimmy Hendrick who was
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recording All Along the Watchtower in
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Olympic Studios he played piano for the
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track but passed out halfway through he
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was at this point part of the stones
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only by name new producer Jimmy Miller
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had been recruited without even
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Consulting Brian still a meeting with
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him and Brian was scheduled at said
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meeting Miller reassured Brian there was
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no pressure and he could contribute when
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he felt felt like it side note before I
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begin talking about the sessions I must
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point out it's unclear to exactly when
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the sessions took place with different
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books giving different accounts I've
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assembled what I think is the most
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likely chronology of the recordings
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sessions begin on March 1st with the
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recording of Jumping Jack Flash the song
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had actually been written by Bill Wyman
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along with Charlie and Brian during a
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jam session in February mck and Keef as
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usual showed up late but immediately saw
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big potential in the sound mix stated
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keep playing that and don't forget it it
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sounds great it often happened that bill
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Charlie and BR contributed crucial Parts
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one time after finishing a song Bill had
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turned around and said to Mick that part
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I did in the middle worked great to
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which Mick replied that was my idea Bill
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had often tried to argue rotis should be
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doed out equally depending on who
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contributed most to the song but he
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never got the support from Brian and
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Charlie that was needed so he would
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often be battling Mick Keith and Andrew
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Alam over the years he simply gave up
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the other free Stones never did get the
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songw writing credits they were
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due the song Mick had some partially
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written lyrics they were inspired by
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Keith's Garder Jack Dyer M and Keith had
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been up all night at Redlands M dozed
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off and was awoken by the heavy Stomps
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of Keith's Gardener walking around in
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his rubber boots startled Mick asked
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what's that he replied that's jumping
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jack then started working on the lines
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jumping jack strumming his acoustic
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guitar he repeated jumping jack then
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Mick added the line Flash and that was
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that in ' 66 Keith had bought the latest
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Phillips cassette recorder with the
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intention of laying down
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demos found when he overloaded the type
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it sounded like an electric guitar he
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recorded the Riff in open D and brought
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his work to the studio rest of the band
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thought he was mad but they indulged him
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anyway this new sound gave birth to the
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Stones rock tone Mick and Keef had been
275
00:11:05,959 --> 00:11:08,399
searching for put them back at the top
276
00:11:08,399 --> 00:11:10,279
of the charts brought them back from the
277
00:11:10,279 --> 00:11:13,079
dead and began the third phase of their
278
00:11:13,079 --> 00:11:15,399
career the opening of the song You Hear
279
00:11:15,399 --> 00:11:18,320
Keef's overloaded Gibson Hummingbird to
280
00:11:18,320 --> 00:11:19,760
anyone who doesn't understand the
281
00:11:19,760 --> 00:11:22,200
concept this basically means Keith
282
00:11:22,200 --> 00:11:24,240
recorded the acoustic guitar part at
283
00:11:24,240 --> 00:11:26,639
home with his Gibson Hummingbird on his
284
00:11:26,639 --> 00:11:29,360
Phillips cassette recorder hummingbird
285
00:11:29,360 --> 00:11:31,600
was in open duning with a cappo on the
286
00:11:31,600 --> 00:11:33,959
second fret he turned the gain levels up
287
00:11:33,959 --> 00:11:36,480
on the cassette recorder very high as to
288
00:11:36,480 --> 00:11:38,600
overload the signal and when he played
289
00:11:38,600 --> 00:11:41,600
it back it had acted both as a pickup
290
00:11:41,600 --> 00:11:44,880
and an amp he brought the recorded Parts
291
00:11:44,880 --> 00:11:47,160
into the studio the band tried to
292
00:11:47,160 --> 00:11:49,000
replicate the sound but eventually they
293
00:11:49,000 --> 00:11:50,920
gave up and Jimmy Miller placed a
294
00:11:50,920 --> 00:11:52,600
microphone near the cassette and
295
00:11:52,600 --> 00:11:55,519
recorded strip from that turned the
296
00:11:55,519 --> 00:11:57,279
volume up to Max on the cassette player
297
00:11:57,279 --> 00:12:00,639
played it back and recorded what he had
298
00:12:00,639 --> 00:12:02,560
the track played Keith added some bass
299
00:12:02,560 --> 00:12:04,959
on his Fender precision and Brian added
300
00:12:04,959 --> 00:12:08,399
some guitar using kei's Gibson
301
00:12:08,399 --> 00:12:11,079
ES330 to give context to how new
302
00:12:11,079 --> 00:12:13,320
cassette tape recording was at this time
303
00:12:13,320 --> 00:12:14,680
the Phillips
304
00:12:14,680 --> 00:12:17,519
e33 was the first cassette player ever
305
00:12:17,519 --> 00:12:20,079
made meet the easiest to operate tap
306
00:12:20,079 --> 00:12:22,720
recorder in the world Philips cassette
307
00:12:22,720 --> 00:12:24,880
loading battery recorder it's easy
308
00:12:24,880 --> 00:12:26,839
because tape comes in compact cassettes
309
00:12:26,839 --> 00:12:29,199
that you clip in for instant use he
310
00:12:29,199 --> 00:12:31,399
looks back on the track to this day as
311
00:12:31,399 --> 00:12:33,920
in his words the best thing we ever did
312
00:12:33,920 --> 00:12:37,360
with Jimmy Miller he also stated if he
313
00:12:37,360 --> 00:12:39,519
could only ever play one stone song for
314
00:12:39,519 --> 00:12:41,680
the rest of his life it would be Jumping
315
00:12:41,680 --> 00:12:44,360
Jack Flash Mick remembered it
316
00:12:44,360 --> 00:12:46,760
differently he later stated he didn't
317
00:12:46,760 --> 00:12:48,720
like the recording session he felt it
318
00:12:48,720 --> 00:12:51,120
was a bit haphazard and went on to say
319
00:12:51,120 --> 00:12:53,680
the song wasn't quite what he
320
00:12:53,680 --> 00:12:55,959
wanted session continued with jumping
321
00:12:55,959 --> 00:12:59,360
[ __ ] flash on the 16th of March Brian
322
00:12:59,360 --> 00:13:01,120
returned home to his flat he found the
323
00:13:01,120 --> 00:13:03,480
door had been kicked in and Linda had
324
00:13:03,480 --> 00:13:06,320
overdosed the police had been tipped off
325
00:13:06,320 --> 00:13:09,000
kicked in the door and rushed her to
326
00:13:09,000 --> 00:13:11,880
hospital following this Brian who had
327
00:13:11,880 --> 00:13:13,600
never lost his interest in weird and
328
00:13:13,600 --> 00:13:15,880
wonderful music and had been Delvin into
329
00:13:15,880 --> 00:13:18,680
the African roots of Music decided to
330
00:13:18,680 --> 00:13:21,399
travel to Morocco to record the tribal
331
00:13:21,399 --> 00:13:24,279
drum musicians he had a plan to record
332
00:13:24,279 --> 00:13:26,920
them and overdub R&B
333
00:13:26,920 --> 00:13:29,600
music he and Glen Johns flew over over
334
00:13:29,600 --> 00:13:31,600
where they stayed in great luxury at
335
00:13:31,600 --> 00:13:35,480
paor gy Jr's Palace G's father was an
336
00:13:35,480 --> 00:13:38,639
oil tycoon and thus incredibly wealthy
337
00:13:38,639 --> 00:13:41,000
the palace was tiled throughout and lit
338
00:13:41,000 --> 00:13:43,880
by candle light at night was the first
339
00:13:43,880 --> 00:13:45,959
time Glen Johns had been out of Europe
340
00:13:45,959 --> 00:13:47,880
the first time he'd ever tasted fresh
341
00:13:47,880 --> 00:13:51,440
orange juice he loved the experience
342
00:13:51,440 --> 00:13:53,920
from the arrival though Brian was stoned
343
00:13:53,920 --> 00:13:55,360
and remained that way throughout the
344
00:13:55,360 --> 00:13:59,360
entire trip soon Paul GTI Jr felt was
345
00:13:59,360 --> 00:14:01,639
over staying his welcome when the
346
00:14:01,639 --> 00:14:03,759
musicians were recorded and Glen Johns
347
00:14:03,759 --> 00:14:06,399
was packing up and ready to go gy told
348
00:14:06,399 --> 00:14:09,079
JNS in no uncertain terms if he was
349
00:14:09,079 --> 00:14:12,160
leaving he had to take Brian with him
350
00:14:12,160 --> 00:14:14,880
Lind later stated I felt sorry for Brian
351
00:14:14,880 --> 00:14:16,959
at the end he didn't have any real
352
00:14:16,959 --> 00:14:18,040
friends
353
00:14:18,040 --> 00:14:21,040
left side note porti jun's wife would
354
00:14:21,040 --> 00:14:23,360
die of a heroin overdose not long after
355
00:14:23,360 --> 00:14:25,680
and he would thereon become a
356
00:14:25,680 --> 00:14:28,120
recluse the tapes that were recorded
357
00:14:28,120 --> 00:14:30,440
nothing ever came of of them rumors
358
00:14:30,440 --> 00:14:31,959
circulated they weren't recorded
359
00:14:31,959 --> 00:14:34,480
properly but to this day Glen John's
360
00:14:34,480 --> 00:14:37,560
insists they were fine mck meanwhile was
361
00:14:37,560 --> 00:14:39,519
rarely home when not recording there
362
00:14:39,519 --> 00:14:41,560
were always people around him people
363
00:14:41,560 --> 00:14:43,519
just wanted to be around him all the
364
00:14:43,519 --> 00:14:45,720
time the trial of quit from the year
365
00:14:45,720 --> 00:14:48,320
previous had bonded him and Keith but it
366
00:14:48,320 --> 00:14:50,240
would prove to be
367
00:14:50,240 --> 00:14:52,399
shortlived next song they began with on
368
00:14:52,399 --> 00:14:54,680
March 13th was no
369
00:14:54,680 --> 00:14:56,959
expectations it was in complete contrast
370
00:14:56,959 --> 00:14:59,800
to Jumping [ __ ] Flash slow acoustic
371
00:14:59,800 --> 00:15:02,240
ballad that lyrically borrows heavy from
372
00:15:02,240 --> 00:15:05,120
Robert Johnson's love in vain it's a
373
00:15:05,120 --> 00:15:07,959
song about the acceptance of a shattered
374
00:15:07,959 --> 00:15:09,959
relationship it's fitting that Brian
375
00:15:09,959 --> 00:15:12,480
Jones made his last real contribution to
376
00:15:12,480 --> 00:15:16,440
this song adding a haunting slide guitar
377
00:15:16,440 --> 00:15:18,759
indeed the song Story Echoes Brian's
378
00:15:18,759 --> 00:15:21,480
feelings of the group narrator
379
00:15:21,480 --> 00:15:23,600
affectionately remembers the past with
380
00:15:23,600 --> 00:15:26,600
no Illusions it will return though maybe
381
00:15:26,600 --> 00:15:28,480
that's a romantic view and the story
382
00:15:28,480 --> 00:15:31,319
Jones never considered most likely he
383
00:15:31,319 --> 00:15:32,880
was just enthusiastic they were
384
00:15:32,880 --> 00:15:35,040
basically rehashing a Robert Johnson
385
00:15:35,040 --> 00:15:37,880
song either way the track was a perfect
386
00:15:37,880 --> 00:15:39,759
example of the stones returning to their
387
00:15:39,759 --> 00:15:42,800
Blues Roots during the session keath had
388
00:15:42,800 --> 00:15:44,600
played it in standard tuning on his
389
00:15:44,600 --> 00:15:47,319
acoustic Gibson Hummingbird Brian played
390
00:15:47,319 --> 00:15:49,600
slly guitar on his electric Fender
391
00:15:49,600 --> 00:15:51,759
Telecaster fitting perfectly with
392
00:15:51,759 --> 00:15:55,240
Jagger's lyrics our love like our music
393
00:15:55,240 --> 00:15:56,959
is here and then it's
394
00:15:56,959 --> 00:15:59,839
gone R would have no real involvement
395
00:15:59,839 --> 00:16:01,839
again with the Rolling Stones he would
396
00:16:01,839 --> 00:16:03,839
turn up to sessions but he'd play what
397
00:16:03,839 --> 00:16:05,759
they told him to he wasn't really
398
00:16:05,759 --> 00:16:07,399
involved he was just going for the
399
00:16:07,399 --> 00:16:09,680
Motions in truth the others didn't
400
00:16:09,680 --> 00:16:13,040
really want him there the same time a
401
00:16:13,040 --> 00:16:15,519
single was released Bill had produced
402
00:16:15,519 --> 00:16:18,000
the Psychedelic Rock track titled shades
403
00:16:18,000 --> 00:16:21,680
of orange by the end he was easily lost
404
00:16:21,680 --> 00:16:24,839
in the competitive market of 1968
405
00:16:24,839 --> 00:16:27,319
psychedelic Rock the next song they
406
00:16:27,319 --> 00:16:29,440
began was stray capat Blues
407
00:16:29,440 --> 00:16:31,160
the song was heavily inspired by The
408
00:16:31,160 --> 00:16:34,279
Velvet underground's heroin M later
409
00:16:34,279 --> 00:16:36,680
admitted it was basically an imitation
410
00:16:36,680 --> 00:16:40,480
of the band story a pretty controversial
411
00:16:40,480 --> 00:16:43,040
subject with a narrator lusting after a
412
00:16:43,040 --> 00:16:46,199
15-year-old groupy the narrator a
413
00:16:46,199 --> 00:16:48,639
renowned figure is no fool but at the
414
00:16:48,639 --> 00:16:51,120
same time the young girl is hardly naive
415
00:16:51,120 --> 00:16:53,480
either G of the days Chuck Berry sang
416
00:16:53,480 --> 00:16:57,519
Sweet Little 16 or Sam Cook only 16 his
417
00:16:57,519 --> 00:17:00,160
stone song brings an air of decadence to
418
00:17:00,160 --> 00:17:03,120
the subject mck reasons in the song it's
419
00:17:03,120 --> 00:17:06,559
no hanging matter or Capital crime the
420
00:17:06,559 --> 00:17:10,199
age of consent in 1968 being 16 though
421
00:17:10,199 --> 00:17:12,520
the subject of the narrator's desire a
422
00:17:12,520 --> 00:17:16,439
year younger during the 1970s get your y
423
00:17:16,439 --> 00:17:19,319
out concert M change the lyrics from I
424
00:17:19,319 --> 00:17:22,480
can see that you're 15 years old to I
425
00:17:22,480 --> 00:17:25,839
can see that you're 13 years old M
426
00:17:25,839 --> 00:17:28,120
stated it was a deliberate attempt to
427
00:17:28,120 --> 00:17:30,240
stir up
428
00:17:30,240 --> 00:17:32,640
controversy during the sessions Keith
429
00:17:32,640 --> 00:17:36,080
plays his Les pool in open D Brian Jones
430
00:17:36,080 --> 00:17:38,360
doesn't accompany him on guitar Keith
431
00:17:38,360 --> 00:17:41,240
plays both parts he add a second league
432
00:17:41,240 --> 00:17:43,039
guitar for the chorus which will stay
433
00:17:43,039 --> 00:17:45,640
for the remainder of the song Ryan
434
00:17:45,640 --> 00:17:48,200
enters at 248 on the melron but there's
435
00:17:48,200 --> 00:17:51,120
not much added by him later when the
436
00:17:51,120 --> 00:17:53,320
song had been completed and mixed Mick
437
00:17:53,320 --> 00:17:55,559
played it back for Anita penberg and
438
00:17:55,559 --> 00:17:59,679
asked what she thought she stated crap
439
00:17:59,679 --> 00:18:01,840
the vocals are mixed too high the bass
440
00:18:01,840 --> 00:18:04,480
isn't loud enough on the 23rd of March
441
00:18:04,480 --> 00:18:06,120
recording began for their next song
442
00:18:06,120 --> 00:18:09,280
jigsaw puzzle first song with a clear
443
00:18:09,280 --> 00:18:11,919
Bob Dylan influence with the ambiguous
444
00:18:11,919 --> 00:18:14,039
lyrics and chaotic
445
00:18:14,039 --> 00:18:16,159
instrumentation story follows the
446
00:18:16,159 --> 00:18:18,480
narrator assembling a jigsaw puzzle
447
00:18:18,480 --> 00:18:20,960
amongst chaotic characters disturbing
448
00:18:20,960 --> 00:18:23,480
him it's a metaphor for somebody
449
00:18:23,480 --> 00:18:26,360
attempting to create order in a world of
450
00:18:26,360 --> 00:18:29,120
disorder in the song the narrator talks
451
00:18:29,120 --> 00:18:31,960
about a band possibly his own he
452
00:18:31,960 --> 00:18:34,480
describes the guitarists as emotionally
453
00:18:34,480 --> 00:18:37,360
shattered the basist having relationship
454
00:18:37,360 --> 00:18:39,720
troubles the drummer struggling to fit
455
00:18:39,720 --> 00:18:42,039
in with the group and the singer thrown
456
00:18:42,039 --> 00:18:44,799
into an impossible situation without
457
00:18:44,799 --> 00:18:47,559
help these early recordings can be found
458
00:18:47,559 --> 00:18:49,600
on the Rolling Stones Beggars Banquet
459
00:18:49,600 --> 00:18:52,280
sessions released in
460
00:18:52,280 --> 00:18:55,720
2014 ke later stated the song went on a
461
00:18:55,720 --> 00:18:58,480
bit too long ke takes three guitar parts
462
00:18:58,480 --> 00:19:00,520
in this song struming his acoustic
463
00:19:00,520 --> 00:19:02,880
Gibson in standard while he accompanies
464
00:19:02,880 --> 00:19:05,440
himself on electric slide guitar with
465
00:19:05,440 --> 00:19:08,000
another lead guitar added both
466
00:19:08,000 --> 00:19:10,000
accompanying electric parts were done
467
00:19:10,000 --> 00:19:13,120
using his Les pole the electric slide
468
00:19:13,120 --> 00:19:16,320
guitar part was tuned to open E Kei was
469
00:19:16,320 --> 00:19:18,360
still working out slide and you can
470
00:19:18,360 --> 00:19:21,039
clearly hear that during the record
471
00:19:21,039 --> 00:19:23,280
Ronan can be heard playing melron though
472
00:19:23,280 --> 00:19:25,679
ke later stated who were just giving him
473
00:19:25,679 --> 00:19:28,400
something to do at the time next they
474
00:19:28,400 --> 00:19:31,400
begin on parachute woman the story is
475
00:19:31,400 --> 00:19:34,679
just one sexual innuendo no deep meaning
476
00:19:34,679 --> 00:19:37,280
behind it it was another one Kei laid
477
00:19:37,280 --> 00:19:39,320
down his hummingbird then played it back
478
00:19:39,320 --> 00:19:42,080
on an overloaded cassette tape he
479
00:19:42,080 --> 00:19:44,240
accompanied himself on his Les pole in
480
00:19:44,240 --> 00:19:47,240
standard tuning for the lead the guitar
481
00:19:47,240 --> 00:19:49,280
sound of parachute woman ke had
482
00:19:49,280 --> 00:19:52,240
envisioned in his head he was surprised
483
00:19:52,240 --> 00:19:55,120
how easily it translated to the record
484
00:19:55,120 --> 00:19:57,480
for the song bra contributed on acoustic
485
00:19:57,480 --> 00:20:00,320
guitar m provided lead vocals and played
486
00:20:00,320 --> 00:20:03,200
harmonica at the end of the song song
487
00:20:03,200 --> 00:20:04,919
was a testament to both the group
488
00:20:04,919 --> 00:20:07,159
returning to their bluesy roots and
489
00:20:07,159 --> 00:20:09,000
their willingness to push boundaries
490
00:20:09,000 --> 00:20:12,320
with provocative lyrics musically and
491
00:20:12,320 --> 00:20:15,240
lyrically it embodied their rebellious
492
00:20:15,240 --> 00:20:17,799
attitude next they began recording what
493
00:20:17,799 --> 00:20:19,919
would be the closing track of the album
494
00:20:19,919 --> 00:20:22,080
Keith Richard's composition salt of the
495
00:20:22,080 --> 00:20:24,600
earth the lyrics were taken when he once
496
00:20:24,600 --> 00:20:27,039
declared let's drink to the hardworking
497
00:20:27,039 --> 00:20:29,280
people let's drink to the the salt of
498
00:20:29,280 --> 00:20:33,080
the earth he admitted in his book life
499
00:20:33,080 --> 00:20:35,360
he only wrote the chorus mck penned all
500
00:20:35,360 --> 00:20:38,760
the verses the words are also a Biblical
501
00:20:38,760 --> 00:20:41,240
phrase you are the salt of the earth
502
00:20:41,240 --> 00:20:43,960
meaning someone is invaluable and
503
00:20:43,960 --> 00:20:47,159
essential story was a simple tribute to
504
00:20:47,159 --> 00:20:50,480
Everyday people who kept Society Running
505
00:20:50,480 --> 00:20:52,480
celebration of everyday
506
00:20:52,480 --> 00:20:55,080
heroes in the song two things happened
507
00:20:55,080 --> 00:20:57,559
for the first time in Stone's history
508
00:20:57,559 --> 00:21:00,039
Keith was recorded singing solo and a
509
00:21:00,039 --> 00:21:03,679
female choir was on a Stones record sng
510
00:21:03,679 --> 00:21:06,080
closed Beggar's Banquet with a gospell
511
00:21:06,080 --> 00:21:06,880
like
512
00:21:06,880 --> 00:21:09,720
singalong it was at this time Kei came
513
00:21:09,720 --> 00:21:12,320
up with the title Beggar's Banquet it
514
00:21:12,320 --> 00:21:14,200
was taken from his Gardener who would
515
00:21:14,200 --> 00:21:17,159
often State Beggars can't be
516
00:21:17,159 --> 00:21:20,279
choosers so focused on his sound Kei now
517
00:21:20,279 --> 00:21:22,200
personified the fluke player sitting in
518
00:21:22,200 --> 00:21:24,640
the window he carried a guitar with him
519
00:21:24,640 --> 00:21:28,039
everywhere he went maram faithful stated
520
00:21:28,039 --> 00:21:29,679
he was always always working on
521
00:21:29,679 --> 00:21:32,600
something this time Mick begins thinking
522
00:21:32,600 --> 00:21:35,279
seriously about acting though he wasn't
523
00:21:35,279 --> 00:21:37,440
their manager anymore Andrew Oldham was
524
00:21:37,440 --> 00:21:40,000
still a potential business partner he at
525
00:21:40,000 --> 00:21:42,480
this time was stating he would soon own
526
00:21:42,480 --> 00:21:44,320
the rights to Stanley cubrick of
527
00:21:44,320 --> 00:21:46,880
clarkwork orange Mick would be his
528
00:21:46,880 --> 00:21:49,559
choice to play Alex nothing came of it
529
00:21:49,559 --> 00:21:52,520
but nonetheless Mick began taking acting
530
00:21:52,520 --> 00:21:55,039
lessons as April Begins the group take a
531
00:21:55,039 --> 00:21:57,720
break from recording and go on holiday
532
00:21:57,720 --> 00:22:00,080
we can Mary and travel to Dublin where
533
00:22:00,080 --> 00:22:02,679
maryan becomes pregnant Keith and Anita
534
00:22:02,679 --> 00:22:04,799
fly to Rome where Anita is shooting for
535
00:22:04,799 --> 00:22:07,520
the film candy Brian Linda fly to Spain
536
00:22:07,520 --> 00:22:10,159
for 4 days and Bill visits the West
537
00:22:10,159 --> 00:22:13,679
country for three days this time Donald
538
00:22:13,679 --> 00:22:15,840
camel a friend of mix began talking to
539
00:22:15,840 --> 00:22:18,440
him about a film idea he had it is to
540
00:22:18,440 --> 00:22:20,799
revolve around a reclusive rock star and
541
00:22:20,799 --> 00:22:22,320
a gangster on the
542
00:22:22,320 --> 00:22:25,039
Lamb on their return Mick decides the
543
00:22:25,039 --> 00:22:27,000
group should open their own rehearsal
544
00:22:27,000 --> 00:22:29,320
Studio they could practice there and
545
00:22:29,320 --> 00:22:32,360
also let other artists use it thinking
546
00:22:32,360 --> 00:22:34,559
about the money costs Bill Wyman
547
00:22:34,559 --> 00:22:37,679
vehemently opposes the idea but it's no
548
00:22:37,679 --> 00:22:41,400
use he's outvoted by the other members
549
00:22:41,400 --> 00:22:44,000
on April 28th music videos are taped for
550
00:22:44,000 --> 00:22:46,320
their new single Jumping Jack Flash and
551
00:22:46,320 --> 00:22:49,240
it's bside child of the Moon Uncle
552
00:22:49,240 --> 00:22:51,480
Lindsey hog the producer of Ready Steady
553
00:22:51,480 --> 00:22:54,400
go directs the videos he was also a
554
00:22:54,400 --> 00:22:56,880
close friend of mix the first video to
555
00:22:56,880 --> 00:22:58,919
be shot child of the Moon which will be
556
00:22:58,919 --> 00:23:01,320
the bide to their next single was shot
557
00:23:01,320 --> 00:23:04,400
on the 150 acre grounds of swars Le's
558
00:23:04,400 --> 00:23:05,640
estate in
559
00:23:05,640 --> 00:23:08,000
Oxbridge he's chosen for both the
560
00:23:08,000 --> 00:23:10,679
picturesque and Eerie atmosphere
561
00:23:10,679 --> 00:23:12,400
afterwards they return to Olympic
562
00:23:12,400 --> 00:23:15,960
Studios to shoot Jumping Jack Flash four
563
00:23:15,960 --> 00:23:18,080
camera Crews were used and Michael
564
00:23:18,080 --> 00:23:19,600
charges
565
00:23:19,600 --> 00:23:21,520
£675 for his
566
00:23:21,520 --> 00:23:26,200
Services shooting costs come to
567
00:23:26,360 --> 00:23:29,039
2,453 needless to say when their bill
568
00:23:29,039 --> 00:23:31,039
came through Bill Wyman almost had a
569
00:23:31,039 --> 00:23:33,480
heart attack made the rest of the group
570
00:23:33,480 --> 00:23:35,960
finally take action with their finances
571
00:23:35,960 --> 00:23:38,520
he had gone on long enough with Klein
572
00:23:38,520 --> 00:23:40,240
Mick had been looking closely into the
573
00:23:40,240 --> 00:23:42,840
stones financial affairs he had a
574
00:23:42,840 --> 00:23:44,559
fundamental understanding of Finance
575
00:23:44,559 --> 00:23:46,600
from his days at the London School of
576
00:23:46,600 --> 00:23:49,159
Economics but managing the intricate
577
00:23:49,159 --> 00:23:51,679
financial affairs of a hugely successful
578
00:23:51,679 --> 00:23:54,120
rock band was an entirely different ball
579
00:23:54,120 --> 00:23:56,480
game the complexities involved in
580
00:23:56,480 --> 00:23:59,679
royalties taxes and business deals
581
00:23:59,679 --> 00:24:03,320
required specialized knowledge group now
582
00:24:03,320 --> 00:24:05,320
had no other option but to hire
583
00:24:05,320 --> 00:24:08,039
solicitors to look into the matter
584
00:24:08,039 --> 00:24:10,679
immediately the solicitors wrote to Alan
585
00:24:10,679 --> 00:24:13,840
Klein requesting payment information
586
00:24:13,840 --> 00:24:18,120
from the Stone's 1966 World Tour 1967
587
00:24:18,120 --> 00:24:20,960
European tour and royalties paid to Mick
588
00:24:20,960 --> 00:24:21,760
and
589
00:24:21,760 --> 00:24:24,400
Keith May Begins the money situation for
590
00:24:24,400 --> 00:24:27,840
some Stones becomes desperate Bill Wyman
591
00:24:27,840 --> 00:24:31,000
is down to £50 in his bank account he
592
00:24:31,000 --> 00:24:33,279
has a telegram sent to Klein stating
593
00:24:33,279 --> 00:24:36,760
he's penniless and needs £5,000 put into
594
00:24:36,760 --> 00:24:38,279
his bank account
595
00:24:38,279 --> 00:24:41,799
immediately amazingly 4 days later he
596
00:24:41,799 --> 00:24:44,000
receives the money then another two
597
00:24:44,000 --> 00:24:47,279
weeks later he receives £2,000 in unpaid
598
00:24:47,279 --> 00:24:50,480
expenses from the previous years Ryan
599
00:24:50,480 --> 00:24:53,200
receives the same then more checks of
600
00:24:53,200 --> 00:24:56,559
5,000 from kle at the same time Mick and
601
00:24:56,559 --> 00:24:59,039
Keef received 21,000
602
00:24:59,039 --> 00:25:01,840
each it seems solicitors looking into
603
00:25:01,840 --> 00:25:03,919
the Affairs of shake and
604
00:25:03,919 --> 00:25:06,760
Klein on May 12th the stones play the
605
00:25:06,760 --> 00:25:09,120
enemy pole winners concert in
606
00:25:09,120 --> 00:25:11,640
Wembley this performance Jumping Jack
607
00:25:11,640 --> 00:25:14,760
Flash is played for the very first time
608
00:25:14,760 --> 00:25:17,320
reaction is outstanding the group are
609
00:25:17,320 --> 00:25:19,120
very pleased and it renews their
610
00:25:19,120 --> 00:25:21,360
enthusiasm for live
611
00:25:21,360 --> 00:25:24,240
performance he playes Les PA and Brian
612
00:25:24,240 --> 00:25:26,760
accompanies him on his Gibson
613
00:25:26,760 --> 00:25:28,880
ES330 other than the Rock and Roll
614
00:25:28,880 --> 00:25:31,360
Circus this will be the last time Brian
615
00:25:31,360 --> 00:25:35,039
performs live with the Band 3 Days Later
616
00:25:35,039 --> 00:25:38,679
Brian is interviewed for BBC Radio and
617
00:25:38,679 --> 00:25:40,760
Keith asked Brian whether it was a very
618
00:25:40,760 --> 00:25:43,600
important record for the Rolling Stones
619
00:25:43,600 --> 00:25:45,679
I think it is because of the timing I'm
620
00:25:45,679 --> 00:25:48,720
hoping you know in my heart of heart
621
00:25:48,720 --> 00:25:50,320
it's going to be a very big
622
00:25:50,320 --> 00:25:53,440
record I think it's a great record and I
623
00:25:53,440 --> 00:25:56,720
love it I love the other side too and uh
624
00:25:56,720 --> 00:25:58,760
I really hope to makes it the first set
625
00:25:58,760 --> 00:26:01,159
of sessions complete the band celebrate
626
00:26:01,159 --> 00:26:04,200
by watching Stanley Kubrick's 2001 A
627
00:26:04,200 --> 00:26:05,480
Space
628
00:26:05,480 --> 00:26:08,440
Odyssey next day Brian is busted again
629
00:26:08,440 --> 00:26:11,760
for drug possession at 7:00 a.m. police
630
00:26:11,760 --> 00:26:14,240
banged on Brian's door but he refused to
631
00:26:14,240 --> 00:26:16,840
answer after a long wait one of the
632
00:26:16,840 --> 00:26:18,960
policemen climbs in through the window
633
00:26:18,960 --> 00:26:21,039
to find Brian on the phone trying to
634
00:26:21,039 --> 00:26:23,799
contact his solicitor when they search
635
00:26:23,799 --> 00:26:26,440
the property they find some hash in a
636
00:26:26,440 --> 00:26:28,760
drawer as they show it to Bri
637
00:26:28,760 --> 00:26:31,640
he shouts out in despair oh no this
638
00:26:31,640 --> 00:26:33,080
can't happen again just when we're
639
00:26:33,080 --> 00:26:35,480
getting our feet why do you have to pick
640
00:26:35,480 --> 00:26:38,120
on me he was
641
00:26:38,120 --> 00:26:40,559
inconsolable on hearing the news the
642
00:26:40,559 --> 00:26:43,360
Stone's heart sank the timing couldn't
643
00:26:43,360 --> 00:26:45,440
have been worse they were just about to
644
00:26:45,440 --> 00:26:47,279
release their new single Jumping Jack
645
00:26:47,279 --> 00:26:50,240
Flash a day later they worried this
646
00:26:50,240 --> 00:26:52,480
would totally overshadow the
647
00:26:52,480 --> 00:26:55,399
song Ryan was arrested and taken to
648
00:26:55,399 --> 00:26:58,279
Chelsea station there he was charged
649
00:26:58,279 --> 00:27:00,120
while the Press were in attendance and
650
00:27:00,120 --> 00:27:03,200
later released on 1,000 bio he would
651
00:27:03,200 --> 00:27:05,159
afterwards leave his flat grab his
652
00:27:05,159 --> 00:27:07,120
possessions and guitars and head to
653
00:27:07,120 --> 00:27:08,960
kei's Country Mansion
654
00:27:08,960 --> 00:27:11,720
Redlands for a brief period Brian would
655
00:27:11,720 --> 00:27:14,399
be living with Kei when the single was
656
00:27:14,399 --> 00:27:17,960
released it exploded in 3 days it sold
657
00:27:17,960 --> 00:27:18,840
over
658
00:27:18,840 --> 00:27:22,640
93,000 copies one critic stated it was
659
00:27:22,640 --> 00:27:25,120
as perfect as any rock and roll record
660
00:27:25,120 --> 00:27:27,640
could be when the Press asked Mick about
661
00:27:27,640 --> 00:27:30,000
the single he played with them stating
662
00:27:30,000 --> 00:27:31,760
the whole thing had been recorded on
663
00:27:31,760 --> 00:27:34,760
cassette at his home he also stated
664
00:27:34,760 --> 00:27:36,480
Charlie Watts was the leader of the
665
00:27:36,480 --> 00:27:39,720
group and whatever he says goes around
666
00:27:39,720 --> 00:27:41,600
the same time the Press announced Mick
667
00:27:41,600 --> 00:27:43,880
will star alongside James Fox in the
668
00:27:43,880 --> 00:27:45,919
upcoming film
669
00:27:45,919 --> 00:27:48,320
performance back in the recording studio
670
00:27:48,320 --> 00:27:50,279
they begin on their next song Street
671
00:27:50,279 --> 00:27:53,000
Fighting Man make this time took an
672
00:27:53,000 --> 00:27:54,760
interest in America's involvement in the
673
00:27:54,760 --> 00:27:57,840
Vietnam War back on the 17th of March
674
00:27:57,840 --> 00:28:00,760
some 50,000 of which included far-left
675
00:28:00,760 --> 00:28:03,640
extremists and stoned out hippies began
676
00:28:03,640 --> 00:28:05,000
a March in
677
00:28:05,000 --> 00:28:07,559
London intention was to put pressure on
678
00:28:07,559 --> 00:28:09,279
the British government to publicly
679
00:28:09,279 --> 00:28:11,080
oppose America's involvement in the
680
00:28:11,080 --> 00:28:14,519
Vietnam War March started in traga
681
00:28:14,519 --> 00:28:16,760
square before progressing to Mayfair
682
00:28:16,760 --> 00:28:18,440
until they reach their destination of
683
00:28:18,440 --> 00:28:21,480
the US Embassy building those who don't
684
00:28:21,480 --> 00:28:23,159
know this is a place in which American
685
00:28:23,159 --> 00:28:25,480
visas have processed traveling citizens
686
00:28:25,480 --> 00:28:27,240
from the US go to when they lose their
687
00:28:27,240 --> 00:28:29,320
passport an event a hold to provide
688
00:28:29,320 --> 00:28:32,000
information about the us when the crowd
689
00:28:32,000 --> 00:28:34,399
reached the embassy all hell broke loose
690
00:28:34,399 --> 00:28:36,000
the police began to attack the crowd
691
00:28:36,000 --> 00:28:37,960
with brutal force when they attempted to
692
00:28:37,960 --> 00:28:40,440
break through the barrier protesters
693
00:28:40,440 --> 00:28:42,519
began fighting back throwing
694
00:28:42,519 --> 00:28:45,159
stones this was mix inspiration for the
695
00:28:45,159 --> 00:28:47,559
lyrics to Street Fighting Man Jagger's
696
00:28:47,559 --> 00:28:49,480
lyrics propelled an anti-authority
697
00:28:49,480 --> 00:28:51,399
message while expressing no desire to
698
00:28:51,399 --> 00:28:53,399
lead the Rebellion other than the
699
00:28:53,399 --> 00:28:55,200
recording sessions Keith would spend the
700
00:28:55,200 --> 00:28:59,120
rest of 1968 isolated away at Redland
701
00:28:59,120 --> 00:29:00,480
began the process of building a
702
00:29:00,480 --> 00:29:02,480
recording studio but at this point all
703
00:29:02,480 --> 00:29:04,120
it consisted of was his Phillips
704
00:29:04,120 --> 00:29:06,799
cassette recorder was on the cassette he
705
00:29:06,799 --> 00:29:08,480
recorded himself strumming the now
706
00:29:08,480 --> 00:29:11,279
iconic Riff on his gibs and hummingbird
707
00:29:11,279 --> 00:29:13,080
it actually bought the hummingbird in
708
00:29:13,080 --> 00:29:16,519
1965 the year it came out next they
709
00:29:16,519 --> 00:29:19,360
begin recording Mix song Dear doctor
710
00:29:19,360 --> 00:29:21,360
comical tune the song is performed in a
711
00:29:21,360 --> 00:29:23,360
party like atmosphere with mixed singing
712
00:29:23,360 --> 00:29:25,960
in a deliberately silly Southern draw
713
00:29:25,960 --> 00:29:27,559
the story follows a man having second
714
00:29:27,559 --> 00:29:29,799
thoughts about his upcoming wedding he
715
00:29:29,799 --> 00:29:31,480
complains to his doctor the stress is
716
00:29:31,480 --> 00:29:34,320
causing health issues on the day he
717
00:29:34,320 --> 00:29:35,799
finds a note in his pocket from his
718
00:29:35,799 --> 00:29:38,120
fiance informing him she's now in a
719
00:29:38,120 --> 00:29:41,960
relationship with his cousin M said he
720
00:29:41,960 --> 00:29:44,320
sang and wrote it in a country style
721
00:29:44,320 --> 00:29:46,240
employing the tact of looking at life in
722
00:29:46,240 --> 00:29:49,159
a comical Way song ends with the man
723
00:29:49,159 --> 00:29:51,880
relieved reassuring the doctor he's now
724
00:29:51,880 --> 00:29:55,399
fine musically it's Pure Country Blues
725
00:29:55,399 --> 00:29:57,039
from Keith's hummingbird to mix
726
00:29:57,039 --> 00:30:00,320
harmonica Ron Jones had no participation
727
00:30:00,320 --> 00:30:02,960
in this recording to this day the song
728
00:30:02,960 --> 00:30:04,480
has never been performed live by the
729
00:30:04,480 --> 00:30:06,760
band and most likely never
730
00:30:06,760 --> 00:30:09,080
will next they begin on the Biblical
731
00:30:09,080 --> 00:30:11,600
Song and the only cover on the album
732
00:30:11,600 --> 00:30:13,600
prodical song was a parable told by
733
00:30:13,600 --> 00:30:16,120
Jesus the character in the story a young
734
00:30:16,120 --> 00:30:18,880
man asks his father for his inheritance
735
00:30:18,880 --> 00:30:21,720
leaves home and squanders it recklessly
736
00:30:21,720 --> 00:30:23,880
he finds himself in D Straits and
737
00:30:23,880 --> 00:30:26,600
returns home hoping for forgiveness he's
738
00:30:26,600 --> 00:30:29,559
after which welcom back with Open Arms
739
00:30:29,559 --> 00:30:31,600
message Jesus was telling in the story
740
00:30:31,600 --> 00:30:33,440
was that of forgiveness and that it is
741
00:30:33,440 --> 00:30:35,840
possible no matter how far one has
742
00:30:35,840 --> 00:30:38,039
strayed it was the first time a cover
743
00:30:38,039 --> 00:30:39,799
had been featured in a Stones album
744
00:30:39,799 --> 00:30:41,880
since out of our heads in
745
00:30:41,880 --> 00:30:44,320
1965 the country blues singer Robert
746
00:30:44,320 --> 00:30:47,120
Wilkins originally wrote prodigal son it
747
00:30:47,120 --> 00:30:49,000
started his life as a blues player with
748
00:30:49,000 --> 00:30:52,120
a few hits but converted to Christianity
749
00:30:52,120 --> 00:30:54,679
after which he became a minister 30
750
00:30:54,679 --> 00:30:57,399
years later in 1964 Reverend Wilkins
751
00:30:57,399 --> 00:30:59,880
recorded eight gospel numbers one of
752
00:30:59,880 --> 00:31:02,480
which was prodigal son Wilkins had
753
00:31:02,480 --> 00:31:04,840
played the song in open D same chords
754
00:31:04,840 --> 00:31:06,399
but he used to slide through the verses
755
00:31:06,399 --> 00:31:09,159
and pick the strings no doubt Keith came
756
00:31:09,159 --> 00:31:10,760
across the song with his new love of
757
00:31:10,760 --> 00:31:11,760
open
758
00:31:11,760 --> 00:31:13,960
tunings next they begin recording
759
00:31:13,960 --> 00:31:16,720
Factory girl the story is very simple a
760
00:31:16,720 --> 00:31:18,559
man waiting for his girlfriend who works
761
00:31:18,559 --> 00:31:21,279
in a factory to come home and meet him
762
00:31:21,279 --> 00:31:24,159
it's comical in Parts ke later stated he
763
00:31:24,159 --> 00:31:26,600
introduced it to Mick as he did in those
764
00:31:26,600 --> 00:31:29,000
days many times he'd begin playing
765
00:31:29,000 --> 00:31:31,039
something and if Mick was interested
766
00:31:31,039 --> 00:31:33,399
they'd work on it if not he'd go away
767
00:31:33,399 --> 00:31:36,120
and maybe introduce it another time
768
00:31:36,120 --> 00:31:38,399
musically there was a deliberate minimal
769
00:31:38,399 --> 00:31:41,159
Arrangement Charlie Watts played T drums
770
00:31:41,159 --> 00:31:44,600
using sticks instead of his hands it has
771
00:31:44,600 --> 00:31:46,960
a Celtic Zeppelin feeling Parts but the
772
00:31:46,960 --> 00:31:49,799
lyrics are pure country starts with
773
00:31:49,799 --> 00:31:51,760
Keith picking his hummingbird with a
774
00:31:51,760 --> 00:31:54,200
plectrum standard tuning Believe It or
775
00:31:54,200 --> 00:31:56,519
Not Charlie Tamer kicks in perform
776
00:31:56,519 --> 00:31:59,360
mandin features French style violin is
777
00:31:59,360 --> 00:32:01,159
then heard throughout the song and Kei
778
00:32:01,159 --> 00:32:03,480
hits the strings harder to end the
779
00:32:03,480 --> 00:32:06,600
phrase song ends quickly with just a 2
780
00:32:06,600 --> 00:32:08,799
minutes and 10 seconds running
781
00:32:08,799 --> 00:32:11,120
time at this point the matter of the
782
00:32:11,120 --> 00:32:13,880
album art needed to be addressed on June
783
00:32:13,880 --> 00:32:16,200
7th the stone shot the inside cover up
784
00:32:16,200 --> 00:32:18,000
for Beggar's Banquet inside a chuda
785
00:32:18,000 --> 00:32:19,240
mansion in
786
00:32:19,240 --> 00:32:21,600
Hamstead a picture dressed in medieval
787
00:32:21,600 --> 00:32:23,919
clothing engaging in a feast of a whole
788
00:32:23,919 --> 00:32:26,799
pig roast the idea was to portray
789
00:32:26,799 --> 00:32:28,960
themselves as Rebellion non-conformist
790
00:32:28,960 --> 00:32:30,159
medieval
791
00:32:30,159 --> 00:32:32,519
troubadors the end result is both
792
00:32:32,519 --> 00:32:35,159
eccentric and quintessentially English
793
00:32:35,159 --> 00:32:36,840
for the cover they were chauffeured in
794
00:32:36,840 --> 00:32:39,000
limos to swar Stone Pavilion where they
795
00:32:39,000 --> 00:32:41,039
were pictured in various positions again
796
00:32:41,039 --> 00:32:42,919
in medieval
797
00:32:42,919 --> 00:32:45,519
clothing at this time Brian appears in
798
00:32:45,519 --> 00:32:47,600
court for the hearing of his recent drug
799
00:32:47,600 --> 00:32:50,559
bust he decides to fight the charges
800
00:32:50,559 --> 00:32:52,880
stating the police planted the drugs in
801
00:32:52,880 --> 00:32:55,840
his flat a jury will decide in September
802
00:32:55,840 --> 00:32:58,399
whether he's guilty or innocent
803
00:32:58,399 --> 00:33:00,399
the end of June Pink Floyd performed the
804
00:33:00,399 --> 00:33:03,080
first ever free concert in London's Hy
805
00:33:03,080 --> 00:33:06,639
Park 15,000 people attend it was a
806
00:33:06,639 --> 00:33:08,600
significant moment one that would give
807
00:33:08,600 --> 00:33:10,600
the stones an idea to do something
808
00:33:10,600 --> 00:33:12,840
similar around the same time they begin
809
00:33:12,840 --> 00:33:14,760
recording their next track Sympathy for
810
00:33:14,760 --> 00:33:17,120
the Devil and in doing so a documented
811
00:33:17,120 --> 00:33:20,559
for AEM Motion Picture titled 1+ one
812
00:33:20,559 --> 00:33:22,519
judio one in which they filmed in fact
813
00:33:22,519 --> 00:33:25,720
used to be a cinema Jean Luke godard's
814
00:33:25,720 --> 00:33:28,000
film captured the evolution of the
815
00:33:28,000 --> 00:33:30,039
Sympathy for the Devil and also the
816
00:33:30,039 --> 00:33:32,840
Dynamics of the group I.E Mick and Keith
817
00:33:32,840 --> 00:33:35,159
driving a somewhat disinterested Charlie
818
00:33:35,159 --> 00:33:38,120
Watson Bill Wyman ke's legendary Gibson
819
00:33:38,120 --> 00:33:40,720
lespo he' painted in psychedelic colors
820
00:33:40,720 --> 00:33:43,080
during his brief flower power period can
821
00:33:43,080 --> 00:33:46,279
be seen in the film an intoxicated
822
00:33:46,279 --> 00:33:48,760
detached Brian Jones featured who at
823
00:33:48,760 --> 00:33:50,720
this point was somewhat homeless having
824
00:33:50,720 --> 00:33:52,960
been asked to leave his flat in
825
00:33:52,960 --> 00:33:55,279
London some nights he slept on the pile
826
00:33:55,279 --> 00:33:57,399
of cushions in a friend's office and ate
827
00:33:57,399 --> 00:34:00,679
a do of Port p with HP Source at one
828
00:34:00,679 --> 00:34:02,639
point during shooting Brian's filmed
829
00:34:02,639 --> 00:34:05,639
without his guitar connected to anything
830
00:34:05,639 --> 00:34:07,240
Mick at the beginning can be seen shown
831
00:34:07,240 --> 00:34:08,800
Brian the chords he's written for
832
00:34:08,800 --> 00:34:11,440
Sympathy for the Devil this time he
833
00:34:11,440 --> 00:34:14,159
decided to learn how to play guitar Eric
834
00:34:14,159 --> 00:34:16,760
Clapton in fact was teaching him
835
00:34:16,760 --> 00:34:19,240
according to maryan F for's ex-husband
836
00:34:19,240 --> 00:34:21,480
John dumbar whom she'd married for all
837
00:34:21,480 --> 00:34:24,040
of 12 months he'd walked into the house
838
00:34:24,040 --> 00:34:26,720
one day and caught Mick and Eric in bed
839
00:34:26,720 --> 00:34:29,359
together filming for one plus one
840
00:34:29,359 --> 00:34:31,919
concluded the same night godard's lights
841
00:34:31,919 --> 00:34:34,720
set fire to Olympic Studio
842
00:34:34,720 --> 00:34:37,879
ceiling ke later said the fire broke out
843
00:34:37,879 --> 00:34:40,320
so quickly and furiously it was like
844
00:34:40,320 --> 00:34:41,560
being in the
845
00:34:41,560 --> 00:34:43,720
Hindenburg quick Rush was made to gather
846
00:34:43,720 --> 00:34:46,639
the master tapes as the Flames roared
847
00:34:46,639 --> 00:34:48,679
Jimmy Miller and Bill Wyman ran to the
848
00:34:48,679 --> 00:34:50,839
vaults grabbed the tapes and ran to
849
00:34:50,839 --> 00:34:53,159
safety when the fire brigade arrived
850
00:34:53,159 --> 00:34:54,720
they soaked all the equipment and
851
00:34:54,720 --> 00:34:58,000
instruments watering down the ceiling
852
00:34:58,000 --> 00:35:00,119
the end result of the film was strange
853
00:35:00,119 --> 00:35:01,800
cut in between the stones recording
854
00:35:01,800 --> 00:35:03,640
scenes and the black power
855
00:35:03,640 --> 00:35:06,280
revolutionaries and young activists
856
00:35:06,280 --> 00:35:08,839
Keith later called it a total load of
857
00:35:08,839 --> 00:35:12,079
crap n of the stones party including the
858
00:35:12,079 --> 00:35:14,359
engineers at Olympic understood what
859
00:35:14,359 --> 00:35:17,160
Godard was attempting still the band
860
00:35:17,160 --> 00:35:19,800
were paid over £18,000 for the
861
00:35:19,800 --> 00:35:22,440
project song's Sympathy for the Devil
862
00:35:22,440 --> 00:35:25,480
was written by Mick the narrator is the
863
00:35:25,480 --> 00:35:28,000
Devil Himself he recounts various evil
864
00:35:28,000 --> 00:35:29,720
acts throughout history he was present
865
00:35:29,720 --> 00:35:32,560
for such as the death of Jesus World War
866
00:35:32,560 --> 00:35:34,800
II the assassination of Kennedy the
867
00:35:34,800 --> 00:35:37,800
Russian Revolution and the 100-year war
868
00:35:37,800 --> 00:35:39,440
in the chorus the narrator doesn't
869
00:35:39,440 --> 00:35:41,720
outright say who he is but he States
870
00:35:41,720 --> 00:35:44,920
hope you guess my name originally Mick
871
00:35:44,920 --> 00:35:48,160
toled the song The Devil Is My Name the
872
00:35:48,160 --> 00:35:49,800
idea had come to him when he was reading
873
00:35:49,800 --> 00:35:51,160
the master and the
874
00:35:51,160 --> 00:35:53,359
margarita it had been translated to
875
00:35:53,359 --> 00:35:56,359
English a year previously the book is
876
00:35:56,359 --> 00:35:58,599
regarded as one of russan R's greatest
877
00:35:58,599 --> 00:36:00,119
literature
878
00:36:00,119 --> 00:36:02,880
masterpieces it tells two stories one of
879
00:36:02,880 --> 00:36:04,240
the devil exposing the greed and
880
00:36:04,240 --> 00:36:06,160
corruption in Russia and the second
881
00:36:06,160 --> 00:36:08,119
retelling the trial of
882
00:36:08,119 --> 00:36:11,200
Jesus M stated he wrote in a Bob Dylan's
883
00:36:11,200 --> 00:36:13,720
style and indeed when watching 1+ one
884
00:36:13,720 --> 00:36:15,560
you can hear him singing a Bob Dylan
885
00:36:15,560 --> 00:36:16,560
esque
886
00:36:16,560 --> 00:36:19,520
voice in his early stages it does sound
887
00:36:19,520 --> 00:36:20,760
like something that could have been on
888
00:36:20,760 --> 00:36:23,760
bringing it all back home was Keef who
889
00:36:23,760 --> 00:36:26,520
decided the song needed some ump Tempo
890
00:36:26,520 --> 00:36:29,640
was sped up percussion was added Anita
891
00:36:29,640 --> 00:36:31,599
penberg sat in the recording booth with
892
00:36:31,599 --> 00:36:34,000
producer Jimmy Miller the whole time and
893
00:36:34,000 --> 00:36:37,160
at one point she heard Mick asking who
894
00:36:37,160 --> 00:36:39,680
who she quickly suggested they use that
895
00:36:39,680 --> 00:36:42,520
as a chance in the song the chant was
896
00:36:42,520 --> 00:36:44,760
recorded she can be seen joining in with
897
00:36:44,760 --> 00:36:46,040
the backing
898
00:36:46,040 --> 00:36:48,839
vocal recording complete everyone bar
899
00:36:48,839 --> 00:36:52,000
bran flew to LA to mix the album while
900
00:36:52,000 --> 00:36:54,520
in Lai inita discovered a graffiti
901
00:36:54,520 --> 00:36:56,960
covered toilet cubicle she convinced me
902
00:36:56,960 --> 00:36:58,720
and Keith it would be perfect for the
903
00:36:58,720 --> 00:37:01,760
Beggars Banquet album he then enlisted a
904
00:37:01,760 --> 00:37:04,640
photographer to shoot it Mick plans for
905
00:37:04,640 --> 00:37:06,160
the album to be released for his
906
00:37:06,160 --> 00:37:10,400
birthday the 26th of July in early July
907
00:37:10,400 --> 00:37:12,359
Mick was figuring out how to tackle his
908
00:37:12,359 --> 00:37:14,960
film role in performance he'll be
909
00:37:14,960 --> 00:37:17,960
starring alongside Anita spoke to
910
00:37:17,960 --> 00:37:20,839
Maryann an experienced actress herself
911
00:37:20,839 --> 00:37:23,680
as he had no idea how to approach it
912
00:37:23,680 --> 00:37:25,240
both decided that the character he
913
00:37:25,240 --> 00:37:27,760
should play would be Brian a magic
914
00:37:27,760 --> 00:37:30,800
figure paranoid and tormented MC grew's
915
00:37:30,800 --> 00:37:32,760
hair longer but he didn't D it blonde
916
00:37:32,760 --> 00:37:35,160
that would have been too much instead he
917
00:37:35,160 --> 00:37:38,440
dyed it jet black costumes he chose gave
918
00:37:38,440 --> 00:37:42,119
him a menacing look like Richard III his
919
00:37:42,119 --> 00:37:44,160
rehearsals commenced he was clear just
920
00:37:44,160 --> 00:37:47,319
playing Brian was too simplistic Maran
921
00:37:47,319 --> 00:37:49,720
suggesting adding something else so
922
00:37:49,720 --> 00:37:52,359
Keith was thrown in now there was a
923
00:37:52,359 --> 00:37:54,760
combination of fragile and tragic cool
924
00:37:54,760 --> 00:37:58,560
and strong the result was turned
925
00:37:58,560 --> 00:38:01,119
side note in truth Mick never quite
926
00:38:01,119 --> 00:38:03,640
tapped into Brian's tragedy there was
927
00:38:03,640 --> 00:38:05,839
and is nothing tragic about Mick Jagger
928
00:38:05,839 --> 00:38:08,319
no fatal flaw maybe that's what truly
929
00:38:08,319 --> 00:38:10,480
separated him musically from John Lennon
930
00:38:10,480 --> 00:38:12,960
Jim Morrison and Brian
931
00:38:12,960 --> 00:38:15,599
Wilson the character set what Maran
932
00:38:15,599 --> 00:38:17,680
didn't consider is with Mick tapping
933
00:38:17,680 --> 00:38:19,560
into both Brian and Keith he would
934
00:38:19,560 --> 00:38:22,960
become appealing to Ana after all Nita
935
00:38:22,960 --> 00:38:24,760
had loved them
936
00:38:24,760 --> 00:38:26,960
both other than helping Mick with his
937
00:38:26,960 --> 00:38:29,240
character maryan wanted to be as far
938
00:38:29,240 --> 00:38:31,599
away from the project as possible she
939
00:38:31,599 --> 00:38:34,040
was expecting mix baby and travel to
940
00:38:34,040 --> 00:38:36,680
Ireland with Nicholas under her mother
941
00:38:36,680 --> 00:38:39,000
the child MC and maram both expected to
942
00:38:39,000 --> 00:38:42,880
be a girl they F of the name Karina in
943
00:38:42,880 --> 00:38:44,880
anticipation Mick was also asked to
944
00:38:44,880 --> 00:38:46,720
contribute a song for the soundtrack of
945
00:38:46,720 --> 00:38:48,680
performance he was sent a moo
946
00:38:48,680 --> 00:38:51,079
sympathizer by the manufacturers to Aid
947
00:38:51,079 --> 00:38:53,920
him it ended up to be little help he
948
00:38:53,920 --> 00:38:57,760
never mastered the instrument
949
00:38:59,560 --> 00:39:01,359
the end of the month Brian again headed
950
00:39:01,359 --> 00:39:03,400
to Morocco this time to record the
951
00:39:03,400 --> 00:39:06,560
master musicians of Juka he stayed at
952
00:39:06,560 --> 00:39:10,200
Elman naaza Tangier Hotel ran phoned
953
00:39:10,200 --> 00:39:12,640
Olympic Studios just one day before he
954
00:39:12,640 --> 00:39:15,160
left and requested a sound engineer go
955
00:39:15,160 --> 00:39:18,160
with him staff at Olympic sorted that
956
00:39:18,160 --> 00:39:21,599
out straight away at the cost of 10000 a
957
00:39:21,599 --> 00:39:24,160
day the engineer collected Brian's two
958
00:39:24,160 --> 00:39:26,560
Ur tape recorders and boarded a flight
959
00:39:26,560 --> 00:39:28,400
to Morocco
960
00:39:28,400 --> 00:39:30,160
when there he and Brian traveled into
961
00:39:30,160 --> 00:39:31,480
the mountains where there was no
962
00:39:31,480 --> 00:39:33,680
electricity and listened to the master
963
00:39:33,680 --> 00:39:36,400
musicians of Juka performing a music
964
00:39:36,400 --> 00:39:38,560
ritual to the goat God
965
00:39:38,560 --> 00:39:41,240
pan as the engineer began recording them
966
00:39:41,240 --> 00:39:42,920
he was careful not to overload the
967
00:39:42,920 --> 00:39:45,440
signal and cause Distortion in other
968
00:39:45,440 --> 00:39:47,960
words he was doing the exact opposite of
969
00:39:47,960 --> 00:39:50,119
what Keith had done on their next
970
00:39:50,119 --> 00:39:53,160
single after trying several methods he
971
00:39:53,160 --> 00:39:55,040
ended up pointing the microphones of
972
00:39:55,040 --> 00:39:57,720
each player at the ground it was the
973
00:39:57,720 --> 00:40:00,400
Sonic vibrations bouncing from the earth
974
00:40:00,400 --> 00:40:02,400
that were captured on
975
00:40:02,400 --> 00:40:05,000
tape white goat was then presented to
976
00:40:05,000 --> 00:40:07,520
them taken away slaughtered and they
977
00:40:07,520 --> 00:40:11,000
later ate him for dinner fortunately
978
00:40:11,000 --> 00:40:12,480
Brian would not live long enough to see
979
00:40:12,480 --> 00:40:14,520
the fruits of his labor the tapes were
980
00:40:14,520 --> 00:40:16,520
held in Alan Klein's possession for some
981
00:40:16,520 --> 00:40:19,040
time but he was completely disinterested
982
00:40:19,040 --> 00:40:21,240
in the project he had the tapes shipped
983
00:40:21,240 --> 00:40:23,040
to the stones offices in
984
00:40:23,040 --> 00:40:27,319
1969 and in 1971 as a tribute to Brian
985
00:40:27,319 --> 00:40:30,200
the album Brian Jones presents the pipes
986
00:40:30,200 --> 00:40:33,640
of Panet Juka was released back in
987
00:40:33,640 --> 00:40:36,160
Morocco in 1968 not long after the
988
00:40:36,160 --> 00:40:38,280
recording had been completed Brian
989
00:40:38,280 --> 00:40:39,440
passed out
990
00:40:39,440 --> 00:40:41,680
unexpectedly he was even on the balcony
991
00:40:41,680 --> 00:40:44,880
of his hotel suite of all places was
992
00:40:44,880 --> 00:40:46,440
frightening the engineer found out from
993
00:40:46,440 --> 00:40:48,359
Brian's girlfriend it happened all the
994
00:40:48,359 --> 00:40:50,720
time the engineer carried Brian's
995
00:40:50,720 --> 00:40:52,640
motionless body to the bed where he
996
00:40:52,640 --> 00:40:55,440
slept and ler awoke with no recollection
997
00:40:55,440 --> 00:40:58,440
of the event was a dangerous situation
998
00:40:58,440 --> 00:41:00,040
Brian passing out on a balcony the
999
00:41:00,040 --> 00:41:02,680
engineer remembered next day they went
1000
00:41:02,680 --> 00:41:04,079
to the beach and Brian warned the
1001
00:41:04,079 --> 00:41:06,040
engineer about the dangers of swimming
1002
00:41:06,040 --> 00:41:09,440
in the sea insisted the man not go any
1003
00:41:09,440 --> 00:41:10,960
deeper than his
1004
00:41:10,960 --> 00:41:13,280
ankles after that though he put the
1005
00:41:13,280 --> 00:41:16,119
engineer off completely he decided
1006
00:41:16,119 --> 00:41:18,880
instead to have a nap on the beach when
1007
00:41:18,880 --> 00:41:21,680
he awoke sometime later Brian was gone
1008
00:41:21,680 --> 00:41:23,640
he looked into the water and Brian had
1009
00:41:23,640 --> 00:41:26,880
swam out a good distance Brian waved to
1010
00:41:26,880 --> 00:41:28,880
him and against the strong currents
1011
00:41:28,880 --> 00:41:32,000
Brian swam straight back to the beach it
1012
00:41:32,000 --> 00:41:34,000
was an example of what an excellent
1013
00:41:34,000 --> 00:41:36,800
swimmer Brian was the engineer left not
1014
00:41:36,800 --> 00:41:38,760
long after partly because he had no of a
1015
00:41:38,760 --> 00:41:40,640
work to do and partly because he felt
1016
00:41:40,640 --> 00:41:42,119
guilty about the money Olympic were
1017
00:41:42,119 --> 00:41:44,160
billing Brian on a daily
1018
00:41:44,160 --> 00:41:46,880
basis as he traveled back the engineer
1019
00:41:46,880 --> 00:41:49,359
had learned two new facts about Brian
1020
00:41:49,359 --> 00:41:51,880
one he was totally at home in the water
1021
00:41:51,880 --> 00:41:55,000
and two he often passed out
1022
00:41:55,000 --> 00:41:57,280
unexpectedly meanwhile the filming of
1023
00:41:57,280 --> 00:42:00,400
performance had begun on July 29th it
1024
00:42:00,400 --> 00:42:03,280
would only be 8 weeks of shooting it'd
1025
00:42:03,280 --> 00:42:05,599
be filming in Lord Square basically what
1026
00:42:05,599 --> 00:42:07,920
was them rundown tow houses and flats in
1027
00:42:07,920 --> 00:42:10,560
Notting Hill London it was there the
1028
00:42:10,560 --> 00:42:12,880
character Turner lived you can see by
1029
00:42:12,880 --> 00:42:15,440
the footage the dingy streets of 1968
1030
00:42:15,440 --> 00:42:17,680
Notting Hill were far cow from what they
1031
00:42:17,680 --> 00:42:18,440
are
1032
00:42:18,440 --> 00:42:21,160
today filming would begin a feud between
1033
00:42:21,160 --> 00:42:23,240
Mick and Keith but then maybe the feud
1034
00:42:23,240 --> 00:42:25,599
would have happened anyway Brian now
1035
00:42:25,599 --> 00:42:27,440
effectively gone they only had each
1036
00:42:27,440 --> 00:42:30,240
other to pick out performance was
1037
00:42:30,240 --> 00:42:32,280
basically a portrait of how the public
1038
00:42:32,280 --> 00:42:34,839
imagined rock stars lived the characters
1039
00:42:34,839 --> 00:42:36,960
in the film weren't exactly acting
1040
00:42:36,960 --> 00:42:40,280
though they were rock stars drug addicts
1041
00:42:40,280 --> 00:42:42,599
as for the drugs God only knows what was
1042
00:42:42,599 --> 00:42:45,880
taken on set during the filming Mick
1043
00:42:45,880 --> 00:42:47,880
began a fling with kei's girlfriend
1044
00:42:47,880 --> 00:42:50,599
Anita he feared he would lose Anita to
1045
00:42:50,599 --> 00:42:53,880
Mick like Brian had lost her to him he
1046
00:42:53,880 --> 00:42:55,760
never took an interest in the film he
1047
00:42:55,760 --> 00:42:57,640
never went to the set
1048
00:42:57,640 --> 00:42:59,800
and the reason was simple he didn't like
1049
00:42:59,800 --> 00:43:02,720
the director camel he've later said of
1050
00:43:02,720 --> 00:43:05,200
camel his only real love in life was
1051
00:43:05,200 --> 00:43:07,640
[ __ ] other people over he had a
1052
00:43:07,640 --> 00:43:10,119
secret hatred for clever and talented
1053
00:43:10,119 --> 00:43:12,839
people thus he made it his mission to
1054
00:43:12,839 --> 00:43:16,240
sabotage them when Keith was around him
1055
00:43:16,240 --> 00:43:18,200
he made fun of mix accent then he made
1056
00:43:18,200 --> 00:43:21,160
fun of Keith's Kei did his best to put a
1057
00:43:21,160 --> 00:43:23,800
Neer off even starring in the film he
1058
00:43:23,800 --> 00:43:25,200
offered to pay her the same amount of
1059
00:43:25,200 --> 00:43:27,920
money not to do the film problem was
1060
00:43:27,920 --> 00:43:29,680
Keith didn't understand it was something
1061
00:43:29,680 --> 00:43:32,559
Anita wanted to do in fact this is
1062
00:43:32,559 --> 00:43:35,720
understating how devoted Anita was the
1063
00:43:35,720 --> 00:43:39,160
project she later admitted in a 2003
1064
00:43:39,160 --> 00:43:41,400
interview at this time she was pregnant
1065
00:43:41,400 --> 00:43:44,000
with Keith's child and had an abortion
1066
00:43:44,000 --> 00:43:46,880
so she could give all her Focus to the
1067
00:43:46,880 --> 00:43:49,280
film he believed the affair between Mick
1068
00:43:49,280 --> 00:43:51,800
and Anita was heavily encouraged by
1069
00:43:51,800 --> 00:43:54,400
camel camel took Delight in the idea he
1070
00:43:54,400 --> 00:43:56,520
ruined their relationship even the fact
1071
00:43:56,520 --> 00:43:58,760
mck and were together in the film was a
1072
00:43:58,760 --> 00:44:00,559
setup carefully
1073
00:44:00,559 --> 00:44:03,440
orchestrated he later argued camel only
1074
00:44:03,440 --> 00:44:05,599
ever had one good movie that was
1075
00:44:05,599 --> 00:44:07,640
performance and the only reason it was
1076
00:44:07,640 --> 00:44:09,880
successful was because of the big names
1077
00:44:09,880 --> 00:44:12,800
attached to it ham actually made four
1078
00:44:12,800 --> 00:44:15,559
films each one had a similar ending with
1079
00:44:15,559 --> 00:44:17,480
the lead character either shot or
1080
00:44:17,480 --> 00:44:20,880
shooting somebody else camel's life like
1081
00:44:20,880 --> 00:44:23,520
his films also ended with a shooting he
1082
00:44:23,520 --> 00:44:25,760
committed suicide by self-inflicted
1083
00:44:25,760 --> 00:44:28,040
gunshot wound
1084
00:44:28,040 --> 00:44:29,800
on the set of performance he shot the
1085
00:44:29,800 --> 00:44:32,040
film amongst a Vortex of
1086
00:44:32,040 --> 00:44:34,720
debauchery according to Maran faithful M
1087
00:44:34,720 --> 00:44:36,880
was lost in his character and he began
1088
00:44:36,880 --> 00:44:39,920
living his character there on after e
1089
00:44:39,920 --> 00:44:42,520
penberg who'd been fascinated by the ult
1090
00:44:42,520 --> 00:44:45,920
since 67 could barely see reality from
1091
00:44:45,920 --> 00:44:48,760
fantasy is also worth mentioning Camel
1092
00:44:48,760 --> 00:44:50,960
had a fiery temper and could go off like
1093
00:44:50,960 --> 00:44:53,800
a firecracker unleashing craze
1094
00:44:53,800 --> 00:44:55,920
tirades but a lot of the time he was
1095
00:44:55,920 --> 00:44:58,440
calm he was in his his element Mick and
1096
00:44:58,440 --> 00:45:00,079
Anita were
1097
00:45:00,079 --> 00:45:02,559
not despite camel having access to
1098
00:45:02,559 --> 00:45:04,680
Studio space through Warner Brothers he
1099
00:45:04,680 --> 00:45:07,400
decided to shoot on location some
1100
00:45:07,400 --> 00:45:09,319
believe it was to capture the authentic
1101
00:45:09,319 --> 00:45:11,400
atmosphere of London and bring a rawness
1102
00:45:11,400 --> 00:45:13,599
to the film others because a
1103
00:45:13,599 --> 00:45:15,599
conventional Studio would not ensure
1104
00:45:15,599 --> 00:45:17,800
privacy and it would be far more tricky
1105
00:45:17,800 --> 00:45:19,720
to wrest or control from
1106
00:45:19,720 --> 00:45:22,440
camel obviously Warner wanted the film
1107
00:45:22,440 --> 00:45:25,160
shot in a studio the costs and Logistics
1108
00:45:25,160 --> 00:45:27,599
of shooting on location to mention the
1109
00:45:27,599 --> 00:45:30,800
possibility of delays were unwanted
1110
00:45:30,800 --> 00:45:32,960
complications HL had originally planned
1111
00:45:32,960 --> 00:45:34,280
for the cast to move into the
1112
00:45:34,280 --> 00:45:37,400
dilapidated townhouse that never came to
1113
00:45:37,400 --> 00:45:40,119
pass mixed decorator Christopher Gibbs
1114
00:45:40,119 --> 00:45:43,040
was brought in to design the interior to
1115
00:45:43,040 --> 00:45:45,800
create the look of Turner's house there
1116
00:45:45,800 --> 00:45:47,800
was a reason for this Gibbs had designed
1117
00:45:47,800 --> 00:45:50,480
the look of Anita and Brian's house mck
1118
00:45:50,480 --> 00:45:52,640
was playing Brian it was a logical
1119
00:45:52,640 --> 00:45:55,319
decision over his distressed Bohemian
1120
00:45:55,319 --> 00:45:57,400
style Gibbs furnished the house with
1121
00:45:57,400 --> 00:46:00,119
Persian rugs exotic tapestries Middle
1122
00:46:00,119 --> 00:46:03,280
Eastern silks and various artifacts gave
1123
00:46:03,280 --> 00:46:05,640
the flat a warm Moroccan feel start
1124
00:46:05,640 --> 00:46:08,960
contrast to the cold London streets or
1125
00:46:08,960 --> 00:46:11,240
post a bed with Afghan quilts and pelts
1126
00:46:11,240 --> 00:46:12,559
was made for the
1127
00:46:12,559 --> 00:46:14,800
centerpiece Camel had decided the film
1128
00:46:14,800 --> 00:46:17,119
would be shot chronologically as Mick
1129
00:46:17,119 --> 00:46:19,040
and an don't appear until 40 minutes
1130
00:46:19,040 --> 00:46:21,119
into the film they won't start shooting
1131
00:46:21,119 --> 00:46:22,839
until late
1132
00:46:22,839 --> 00:46:25,000
September while Keith and Mick focused
1133
00:46:25,000 --> 00:46:27,200
on their own issues bill wman was
1134
00:46:27,200 --> 00:46:29,160
looking for a more private and peaceful
1135
00:46:29,160 --> 00:46:32,000
home I guess a new start with a new
1136
00:46:32,000 --> 00:46:35,839
girlfriend actress astred lundstrom so
1137
00:46:35,839 --> 00:46:37,359
he began house
1138
00:46:37,359 --> 00:46:39,839
hunting after viewing a few properties
1139
00:46:39,839 --> 00:46:42,400
the two came across getting Hall built
1140
00:46:42,400 --> 00:46:45,880
in 1480 it features a moat a gate house
1141
00:46:45,880 --> 00:46:48,720
and several buildings on a 100 acres of
1142
00:46:48,720 --> 00:46:51,640
land house even featured large doors
1143
00:46:51,640 --> 00:46:54,920
that made easy access to the moat couple
1144
00:46:54,920 --> 00:46:57,160
were blown away on arrival in in fact
1145
00:46:57,160 --> 00:46:59,040
they thought they had the wrong house
1146
00:46:59,040 --> 00:47:01,160
the grounds were Immaculate black swans
1147
00:47:01,160 --> 00:47:03,960
and Ducks swam across the moat two
1148
00:47:03,960 --> 00:47:06,079
decided unless the place was literally
1149
00:47:06,079 --> 00:47:08,400
falling apart they would buy it the
1150
00:47:08,400 --> 00:47:10,400
owner wasn't there that day they came
1151
00:47:10,400 --> 00:47:13,160
back and he showed them round bill was
1152
00:47:13,160 --> 00:47:15,440
taken back when by the TV stood a
1153
00:47:15,440 --> 00:47:17,880
full-sized photo of the notorious
1154
00:47:17,880 --> 00:47:20,960
gangsters the cray Brothers the owner
1155
00:47:20,960 --> 00:47:23,319
informed bill they were close friends
1156
00:47:23,319 --> 00:47:26,480
and the gangsters visited getting often
1157
00:47:26,480 --> 00:47:28,960
Bill put an offer of 41,000 in and it
1158
00:47:28,960 --> 00:47:32,240
was accepted the owner did say he'd been
1159
00:47:32,240 --> 00:47:34,280
offered more by a member of the Queen's
1160
00:47:34,280 --> 00:47:36,319
family but he preferred to sell it to
1161
00:47:36,319 --> 00:47:38,599
Bill somebody who wasn't born into
1162
00:47:38,599 --> 00:47:42,000
wealth a self-made man like
1163
00:47:42,000 --> 00:47:44,359
himself fortunately at this time the
1164
00:47:44,359 --> 00:47:46,920
group began receiving their tax bills
1165
00:47:46,920 --> 00:47:49,040
but not just that the record company
1166
00:47:49,040 --> 00:47:51,559
Deca had refused the album cover of a
1167
00:47:51,559 --> 00:47:54,359
graffiti covered toilet
1168
00:47:54,359 --> 00:47:56,640
cubicle ENC counted suggesting they
1169
00:47:56,640 --> 00:47:58,480
relas release it in a brown paper bag
1170
00:47:58,480 --> 00:48:02,119
with the message unfit for children deer
1171
00:48:02,119 --> 00:48:04,800
again refused they insisted the cover
1172
00:48:04,800 --> 00:48:06,400
had to have the Rolling Stones name
1173
00:48:06,400 --> 00:48:09,119
clearly written to encourage maximum
1174
00:48:09,119 --> 00:48:11,800
sales they suggested a plain white cover
1175
00:48:11,800 --> 00:48:14,400
with artsy text Mick and Keef didn't
1176
00:48:14,400 --> 00:48:16,640
like the idea but they also wanted the
1177
00:48:16,640 --> 00:48:19,400
album out for Christmas so they gave in
1178
00:48:19,400 --> 00:48:21,920
fortunately the cover bore a striking
1179
00:48:21,920 --> 00:48:24,640
resemblance to The Beatles White Album
1180
00:48:24,640 --> 00:48:26,359
which would be released just a month
1181
00:48:26,359 --> 00:48:28,319
before
1182
00:48:28,319 --> 00:48:30,599
satanic Majesty is similar to Peppa that
1183
00:48:30,599 --> 00:48:32,200
was now two albums back to back the
1184
00:48:32,200 --> 00:48:34,040
stones would release appearing to be a
1185
00:48:34,040 --> 00:48:36,160
complete copy of The Beatles but this
1186
00:48:36,160 --> 00:48:37,960
time it wasn't their
1187
00:48:37,960 --> 00:48:40,200
fault this time there was a dip in
1188
00:48:40,200 --> 00:48:42,599
single sales and it was making Deca very
1189
00:48:42,599 --> 00:48:45,280
hesitant about each move Street Fighting
1190
00:48:45,280 --> 00:48:47,400
Man was released as their next single
1191
00:48:47,400 --> 00:48:50,280
with no expectations being the bside
1192
00:48:50,280 --> 00:48:52,680
single caused controversy and was banned
1193
00:48:52,680 --> 00:48:55,119
from some radio stations in
1194
00:48:55,119 --> 00:48:57,640
America meanwhile Brian on returning
1195
00:48:57,640 --> 00:48:59,680
from Morocco hadn't quite sorted out his
1196
00:48:59,680 --> 00:49:02,760
housing issues but not for long like
1197
00:49:02,760 --> 00:49:05,240
Bill he visited a stunning farm house in
1198
00:49:05,240 --> 00:49:08,640
East Sussex kford Farm once owned by AA
1199
00:49:08,640 --> 00:49:11,520
mil who wrote Winnie the Pooh some of
1200
00:49:11,520 --> 00:49:13,079
the land was even recorded in the
1201
00:49:13,079 --> 00:49:15,160
Doomsday Book back in
1202
00:49:15,160 --> 00:49:18,160
1086 he had an offer accepted for just
1203
00:49:18,160 --> 00:49:19,760
under
1204
00:49:19,760 --> 00:49:22,920
29,000 on the 26th of September Brian
1205
00:49:22,920 --> 00:49:25,480
returned to court for his drug trial he
1206
00:49:25,480 --> 00:49:27,319
took the stand looking frag agile and
1207
00:49:27,319 --> 00:49:30,319
weak 50 teenagers stood in the gallery
1208
00:49:30,319 --> 00:49:32,280
but were told if they made any noise
1209
00:49:32,280 --> 00:49:35,040
they would be ejected from the court
1210
00:49:35,040 --> 00:49:37,240
Brian pleaded not guilty the words were
1211
00:49:37,240 --> 00:49:39,720
barely audible some of the girls were
1212
00:49:39,720 --> 00:49:42,359
already sobbing Brian insisted the ball
1213
00:49:42,359 --> 00:49:44,319
of w which contained the marijuana
1214
00:49:44,319 --> 00:49:47,359
wasn't his he protested I haven't owned
1215
00:49:47,359 --> 00:49:49,839
a ball of wool in my life I don't Dar
1216
00:49:49,839 --> 00:49:52,400
socks my girlfriend doesn't Dan
1217
00:49:52,400 --> 00:49:54,920
sucks the jury were deliberating Mick
1218
00:49:54,920 --> 00:49:57,599
and Keef arrived in court jury found
1219
00:49:57,599 --> 00:50:00,319
Brian guilty they read out the verdict
1220
00:50:00,319 --> 00:50:02,040
he put his head in his hands and rocked
1221
00:50:02,040 --> 00:50:04,880
back and forth he was then asked to Stam
1222
00:50:04,880 --> 00:50:05,599
for
1223
00:50:05,599 --> 00:50:08,599
sentencing judge finded him 50 and
1224
00:50:08,599 --> 00:50:10,680
stated he would receive the same
1225
00:50:10,680 --> 00:50:13,079
sentence as any young man found guilty
1226
00:50:13,079 --> 00:50:16,520
of this crime he then added for goodness
1227
00:50:16,520 --> 00:50:18,640
sake don't get in trouble
1228
00:50:18,640 --> 00:50:21,200
again outside the court Mick told
1229
00:50:21,200 --> 00:50:23,000
reporters they were very happy Brian
1230
00:50:23,000 --> 00:50:24,960
didn't have to go to jail and money
1231
00:50:24,960 --> 00:50:27,880
doesn't mean anything
1232
00:50:27,880 --> 00:50:29,480
this point it was time for Mick to start
1233
00:50:29,480 --> 00:50:32,359
shooting performance he and were
1234
00:50:32,359 --> 00:50:35,599
expected onset at 8:00 a.m. each day
1235
00:50:35,599 --> 00:50:37,240
need to smoke marijuana while waiting
1236
00:50:37,240 --> 00:50:39,720
for her scenes to begin with her co-star
1237
00:50:39,720 --> 00:50:42,760
James Fox refusing to use any drugs on
1238
00:50:42,760 --> 00:50:45,920
set amongst a cloud of marijuana smoke
1239
00:50:45,920 --> 00:50:49,359
fox sat studying his script an was
1240
00:50:49,359 --> 00:50:52,319
staying in a nearby flat paid by Warner
1241
00:50:52,319 --> 00:50:54,880
ke had also moved in each night after
1242
00:50:54,880 --> 00:50:57,960
filming Anita would be quizz on the days
1243
00:50:57,960 --> 00:51:00,799
events Kei according to Anita slagged
1244
00:51:00,799 --> 00:51:04,400
off the movie every day Mick maybe
1245
00:51:04,400 --> 00:51:06,280
through guilty conscience frequently
1246
00:51:06,280 --> 00:51:09,200
sent bouquet of flowers to Island for
1247
00:51:09,200 --> 00:51:12,040
Maryanne Warner Brothers out of respect
1248
00:51:12,040 --> 00:51:14,520
had kept a distance from set they were
1249
00:51:14,520 --> 00:51:16,359
also pleasantly surprised to see the
1250
00:51:16,359 --> 00:51:18,359
high quality of cinematography in the
1251
00:51:18,359 --> 00:51:19,680
unedited
1252
00:51:19,680 --> 00:51:21,720
footage as the film progressed to the
1253
00:51:21,720 --> 00:51:24,720
late stages it was inevitable a rep from
1254
00:51:24,720 --> 00:51:27,400
Warner would have to make an appearance
1255
00:51:27,400 --> 00:51:29,599
by this point they' shed out over a
1256
00:51:29,599 --> 00:51:32,040
million for the production the man who
1257
00:51:32,040 --> 00:51:33,799
would appear on set was head of
1258
00:51:33,799 --> 00:51:36,880
production for Warner Brothers UK when
1259
00:51:36,880 --> 00:51:39,200
he arrived he was so shocked by what he
1260
00:51:39,200 --> 00:51:41,720
saw on set he wanted to Hal shooting
1261
00:51:41,720 --> 00:51:44,280
there and then it actually did stop for
1262
00:51:44,280 --> 00:51:46,960
a week with assurances that everything
1263
00:51:46,960 --> 00:51:49,119
was under control and the reality that
1264
00:51:49,119 --> 00:51:51,359
most of the budget had been spent
1265
00:51:51,359 --> 00:51:52,480
filming
1266
00:51:52,480 --> 00:51:55,400
continued filming came to an end Anita
1267
00:51:55,400 --> 00:51:57,720
requested and was given the four post of
1268
00:51:57,720 --> 00:51:59,040
bed as a
1269
00:51:59,040 --> 00:52:01,680
souvenir ke never knew directly about an
1270
00:52:01,680 --> 00:52:03,880
and Mick but he sensed it he always
1271
00:52:03,880 --> 00:52:06,160
maintained he wasn't a jealous guy or at
1272
00:52:06,160 --> 00:52:07,960
least he didn't want anyone to think he
1273
00:52:07,960 --> 00:52:11,200
was a jealous guy after all he did write
1274
00:52:11,200 --> 00:52:13,760
the lyrics a storm is threatening my
1275
00:52:13,760 --> 00:52:17,319
very life today about the situation ke
1276
00:52:17,319 --> 00:52:19,200
never did give any reaction to Mick but
1277
00:52:19,200 --> 00:52:21,200
he decided to watch closely and see how
1278
00:52:21,200 --> 00:52:23,839
things played out after all if he were
1279
00:52:23,839 --> 00:52:25,920
to go down and confront Mick it will
1280
00:52:25,920 --> 00:52:28,400
probably mean the end of The Rolling
1281
00:52:28,400 --> 00:52:31,480
Stones to add another issue Keith had
1282
00:52:31,480 --> 00:52:33,400
previously agreed to help Mick with his
1283
00:52:33,400 --> 00:52:36,319
song for the film soundtrack needless to
1284
00:52:36,319 --> 00:52:39,720
say ke had lost all interest by now
1285
00:52:39,720 --> 00:52:42,200
camel would ask Mick constantly what's
1286
00:52:42,200 --> 00:52:44,160
happening with the song and Mick would
1287
00:52:44,160 --> 00:52:45,359
stall
1288
00:52:45,359 --> 00:52:48,000
him the footage of performance was sent
1289
00:52:48,000 --> 00:52:50,400
to be processed the lab boss found some
1290
00:52:50,400 --> 00:52:53,000
of the scenes in breach of indecency
1291
00:52:53,000 --> 00:52:56,040
laws to avoid prosecution he took some
1292
00:52:56,040 --> 00:52:58,040
of the processed footage to the parking
1293
00:52:58,040 --> 00:53:00,079
lot where he destroyed it with a hammer
1294
00:53:00,079 --> 00:53:02,760
and chisel when the final product was
1295
00:53:02,760 --> 00:53:05,079
put together Warner Executives and their
1296
00:53:05,079 --> 00:53:08,000
wives had a late night screening some of
1297
00:53:08,000 --> 00:53:10,240
the attendees walked out and the film
1298
00:53:10,240 --> 00:53:12,000
was brought to a halt when an
1299
00:53:12,000 --> 00:53:14,920
executive's wife threw up before the
1300
00:53:14,920 --> 00:53:17,079
film could even be given a release date
1301
00:53:17,079 --> 00:53:19,680
Warner Brothers demanded
1302
00:53:19,680 --> 00:53:22,640
edits took two years to negotiate a cut
1303
00:53:22,640 --> 00:53:25,440
that was acceptable to both camel and
1304
00:53:25,440 --> 00:53:27,359
Warners following the filming of
1305
00:53:27,359 --> 00:53:29,960
performance Anita would fall into an
1306
00:53:29,960 --> 00:53:33,240
abyss Jin Kei began using heroin they
1307
00:53:33,240 --> 00:53:35,160
were just snorting it at this points
1308
00:53:35,160 --> 00:53:38,200
they were also snorting cocaine a speed
1309
00:53:38,200 --> 00:53:40,960
ball as it's commonly known a strange
1310
00:53:40,960 --> 00:53:43,000
lore at the time meant if you registered
1311
00:53:43,000 --> 00:53:44,880
as a heroin addict you could be
1312
00:53:44,880 --> 00:53:47,319
prescribed heroin and cocaine in pill
1313
00:53:47,319 --> 00:53:50,119
form those addicted to the former made
1314
00:53:50,119 --> 00:53:52,079
good use by selling their supply of
1315
00:53:52,079 --> 00:53:54,839
cocaine needless to say Keith bought
1316
00:53:54,839 --> 00:53:56,960
them regularly
1317
00:53:56,960 --> 00:53:59,160
in the same time Keith was lost in drug
1318
00:53:59,160 --> 00:54:03,440
abuse Maryanne lost Mick's
1319
00:54:05,400 --> 00:54:08,200
baby bega's banquet was a return to the
1320
00:54:08,200 --> 00:54:11,040
band's Blues roots and ironically the
1321
00:54:11,040 --> 00:54:13,280
album that Brian had been least involved
1322
00:54:13,280 --> 00:54:16,400
in he had in fact taught Keith the blues
1323
00:54:16,400 --> 00:54:18,520
tunings when he created the sound for
1324
00:54:18,520 --> 00:54:21,720
the stone second wave the album was a
1325
00:54:21,720 --> 00:54:24,480
180 turn and it was needed they' lost
1326
00:54:24,480 --> 00:54:27,000
credibility with satanic majesties in
1327
00:54:27,000 --> 00:54:29,520
such a competitive genre of psychedelic
1328
00:54:29,520 --> 00:54:30,680
Rock in
1329
00:54:30,680 --> 00:54:32,880
1967 they were
1330
00:54:32,880 --> 00:54:35,319
Irrelevant in the album Mick wrote about
1331
00:54:35,319 --> 00:54:38,160
the working class of England tribute
1332
00:54:38,160 --> 00:54:40,240
insult of the earth more dismissive in
1333
00:54:40,240 --> 00:54:42,599
Factory girl there were already rumors
1334
00:54:42,599 --> 00:54:44,799
the band had an interest in Satanism
1335
00:54:44,799 --> 00:54:46,599
Sympathy for the Devil had religious
1336
00:54:46,599 --> 00:54:48,559
groups believing the stones were devil
1337
00:54:48,559 --> 00:54:50,960
worshippers corrupting the
1338
00:54:50,960 --> 00:54:53,160
youth other than the controversy it
1339
00:54:53,160 --> 00:54:55,200
brought Beggar's Banquet returned them
1340
00:54:55,200 --> 00:54:58,079
to form was seen as mature intelligent
1341
00:54:58,079 --> 00:55:00,680
work the second wave had gone they were
1342
00:55:00,680 --> 00:55:03,240
entering a new phase and for Brian his
1343
00:55:03,240 --> 00:55:05,520
time not just as a rolling stone but in
1344
00:55:05,520 --> 00:55:09,799
life was coming to an end96492
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