All language subtitles for Gary Moore 59

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian Download
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,599 --> 00:00:02,080 this video is brought to you with the 2 00:00:02,080 --> 00:00:04,720 support of artist Works learn from 3 00:00:04,720 --> 00:00:06,260 masters with artist 6 00:00:19,800 --> 00:00:22,240 Works hi this is Keith Williams welcome 7 00:00:22,240 --> 00:00:23,800 to five W world where we're interested 8 00:00:23,800 --> 00:00:25,680 in help you get the most music from the 9 00:00:25,680 --> 00:00:28,960 least gear what are the most famous L 10 00:00:28,960 --> 00:00:31,439 Pauls of all time Clapton's missing bino 11 00:00:31,439 --> 00:00:34,559 burst Jimmy P's fabled number one Billy 12 00:00:34,559 --> 00:00:36,840 Gibbons Pearly Gates there aren't many 13 00:00:36,840 --> 00:00:38,879 Les Pauls that we recognize my name but 14 00:00:38,879 --> 00:00:41,280 Peter Green's greeny is certainly one of 15 00:00:41,280 --> 00:00:43,480 them even younger players might know 16 00:00:43,480 --> 00:00:45,600 this guitar now due to recent Fanfare 17 00:00:45,600 --> 00:00:47,239 over at Gibson over the 18 00:00:47,239 --> 00:00:49,719 reissues I am endlessly interested in 19 00:00:49,719 --> 00:00:51,480 our fascination with the guitars that 20 00:00:51,480 --> 00:00:54,039 were used by famous players why do we 21 00:00:54,039 --> 00:00:55,520 ascribe so much meaning to the 22 00:00:55,520 --> 00:00:57,760 instruments when deep down we know it's 23 00:00:57,760 --> 00:01:00,280 the wisdom of the players that we seek 24 00:01:00,280 --> 00:01:02,440 if those people didn't play them they 25 00:01:02,440 --> 00:01:04,119 wouldn't be worth more than any other 26 00:01:04,119 --> 00:01:07,240 old guitar we know that there really 27 00:01:07,240 --> 00:01:09,159 isn't Magic in that slab of wood and 28 00:01:09,159 --> 00:01:12,720 steal strings or do we so if you want to 29 00:01:12,720 --> 00:01:14,159 know the story behind this particular 30 00:01:14,159 --> 00:01:16,439 bit of mystical history stay tune 31 00:01:16,439 --> 00:01:17,759 because this is the five wart World 32 00:01:17,759 --> 00:01:20,799 Short history of Peter Green's greeny 59 33 00:01:20,799 --> 00:01:23,560 Les Paul if you enjoy our videos make 34 00:01:23,560 --> 00:01:25,400 sure to subscribe or grab a t-shirt 35 00:01:25,400 --> 00:01:27,280 hoodie or stomp preset pack to support 36 00:01:27,280 --> 00:01:29,560 what we do and to become a bigger part 37 00:01:29,560 --> 00:01:31,720 of five World sign up for the friends of 38 00:01:31,720 --> 00:01:34,479 5watt on patreon the links are in the 39 00:01:34,479 --> 00:01:36,799 description Peter Allen Green bomb who 40 00:01:36,799 --> 00:01:38,399 would later become known professionally 41 00:01:38,399 --> 00:01:41,240 as Peter Green was born on October 29th 42 00:01:41,240 --> 00:01:44,640 1946 in Bethel green London green would 43 00:01:44,640 --> 00:01:46,680 become a central figure in the Second 44 00:01:46,680 --> 00:01:48,560 Great era of the British Blues movement 45 00:01:48,560 --> 00:01:52,159 of the 60s 1965 found green playing in 46 00:01:52,159 --> 00:01:54,360 John Ma's Blues breaker but when Clapton 47 00:01:54,360 --> 00:01:56,000 returned from his draunt through Greece 48 00:01:56,000 --> 00:01:58,280 he was let go to make room for Clapton's 49 00:01:58,280 --> 00:02:00,920 return using a Harmony meteor green then 50 00:02:00,920 --> 00:02:02,880 began playing lead guitar in Peter Bon's 51 00:02:02,880 --> 00:02:05,479 band Peter B's luners where he met 52 00:02:05,479 --> 00:02:07,719 drummer mck Fleetwood was during this 53 00:02:07,719 --> 00:02:10,560 time in 65 that green found his 59 Les 54 00:02:10,560 --> 00:02:13,200 Paul serial number 55 00:02:13,200 --> 00:02:16,120 92208 at sour music in London and he 56 00:02:16,120 --> 00:02:18,200 purchased it for 57 00:02:18,200 --> 00:02:20,400 114b it was very much like the guitar 58 00:02:20,400 --> 00:02:21,800 that Clapton was then playing with the 59 00:02:21,800 --> 00:02:23,480 Blues Breakers where Clapton would put 60 00:02:23,480 --> 00:02:25,000 the world on its ear with the tone he 61 00:02:25,000 --> 00:02:27,800 used on the beino record and green was 62 00:02:27,800 --> 00:02:30,440 right there to drink it in as my friend 63 00:02:30,440 --> 00:02:32,239 Jeff mcklin likes to quote not all 64 00:02:32,239 --> 00:02:33,720 vintage guitars are great but the 65 00:02:33,720 --> 00:02:35,440 greatest guitars I've ever played were 66 00:02:35,440 --> 00:02:38,319 vintage guitars greenie's tone has often 67 00:02:38,319 --> 00:02:41,480 been described as magical as a 59 it had 68 00:02:41,480 --> 00:02:43,360 a set of the original patent applied for 69 00:02:43,360 --> 00:02:45,519 pickups as the pickups were wound on a 70 00:02:45,519 --> 00:02:47,080 machine without a counter to count the 71 00:02:47,080 --> 00:02:50,920 windings each set each pickup is unique 72 00:02:50,920 --> 00:02:52,519 early in his career in an attempt to 73 00:02:52,519 --> 00:02:54,480 emulate Clapton's stinging tone green 74 00:02:54,480 --> 00:02:56,640 removed the neck pickup later replacing 75 00:02:56,640 --> 00:02:58,920 it backwards on mistake this pickup 76 00:02:58,920 --> 00:03:00,920 isn't just placed so the pole pieces are 77 00:03:00,920 --> 00:03:02,519 in the opposite position of the typical 78 00:03:02,519 --> 00:03:04,560 Les Paul but it was also wound in 79 00:03:04,560 --> 00:03:06,799 reverse polarity either at the factory 80 00:03:06,799 --> 00:03:09,159 or by a repairman perhaps one of the 81 00:03:09,159 --> 00:03:11,159 best examples of a mistake growing into 82 00:03:11,159 --> 00:03:12,640 a feature in the history of electric 83 00:03:12,640 --> 00:03:14,920 guitar the reverse pickup gives Greenie 84 00:03:14,920 --> 00:03:16,640 a distinctive out of phase tone when 85 00:03:16,640 --> 00:03:19,080 both pickups are on this tone has been 86 00:03:19,080 --> 00:03:20,920 copied by many others since but it was 87 00:03:20,920 --> 00:03:23,120 not the first example of this in history 88 00:03:23,120 --> 00:03:25,000 a number of other players had guitars 89 00:03:25,000 --> 00:03:26,560 that came with reverse polarity pickup 90 00:03:26,560 --> 00:03:29,239 sets from the factory such was what 91 00:03:29,239 --> 00:03:31,159 passed for quality control in the days 92 00:03:31,159 --> 00:03:33,000 of guitars still being handbuilt by a 93 00:03:33,000 --> 00:03:34,840 group of crashman in the factory in 94 00:03:34,840 --> 00:03:37,080 kalamazo Michigan some well-known 95 00:03:37,080 --> 00:03:38,640 players without out oface tones were 96 00:03:38,640 --> 00:03:41,159 T-Bone Walker with his es5 Hubert 97 00:03:41,159 --> 00:03:43,840 sumblin with his P90 gold top and Freddy 98 00:03:43,840 --> 00:03:47,480 King's P90 Les ball on Hideway dance 99 00:03:47,480 --> 00:03:50,280 away of course many companies offer pif 100 00:03:50,280 --> 00:03:52,480 style hcky pickups sets modeled after 101 00:03:52,480 --> 00:03:54,680 the tones of Peter Green now right down 102 00:03:54,680 --> 00:03:56,920 to the reverse polarity Jeff maeran has 103 00:03:56,920 --> 00:03:59,959 a set of throwback SLE 101 with the 104 00:03:59,959 --> 00:04:02,040 reverse magnet in his historic Makeover 105 00:04:02,040 --> 00:04:04,640 at Gibson Les Paul and along with Jeff's 106 00:04:04,640 --> 00:04:06,720 hands can do a very convincing version 107 00:04:06,720 --> 00:04:10,280 of Green's tone 110 00:04:55,759 --> 00:04:57,479 while green owned the guitar it still 111 00:04:57,479 --> 00:04:59,360 retained much of its original Sunburst 112 00:04:59,360 --> 00:05:00,360 finish 113 00:05:00,360 --> 00:05:01,919 after all the guitar was only between 8 114 00:05:01,919 --> 00:05:04,320 and 11 years old at the time but it has 115 00:05:04,320 --> 00:05:06,400 famously faded now to an overall honey 116 00:05:06,400 --> 00:05:08,360 color that shows the type flame of the 117 00:05:08,360 --> 00:05:10,639 top those that live in the rarified ER 118 00:05:10,639 --> 00:05:12,680 of collecting burst L PS will tell you 119 00:05:12,680 --> 00:05:14,280 that there are two things that influence 120 00:05:14,280 --> 00:05:17,080 a burst value the most who owned it and 121 00:05:17,080 --> 00:05:19,520 the top I've read others who put it more 122 00:05:19,520 --> 00:05:21,880 succinctly barring a famous owner there 123 00:05:21,880 --> 00:05:23,720 are three things that influence a burst 124 00:05:23,720 --> 00:05:28,240 value the top the top and the top the 125 00:05:28,240 --> 00:05:30,840 guitar is reported to weigh 8 lb and 15 126 00:05:30,840 --> 00:05:32,960 o right around the typical less Paul 127 00:05:32,960 --> 00:05:35,360 weight Green's First recording with the 128 00:05:35,360 --> 00:05:37,880 Blues Breakers was on a hard Road in ' 129 00:05:37,880 --> 00:05:39,840 67 and it featured two of his 130 00:05:39,840 --> 00:05:42,560 compositions the same way and the 131 00:05:42,560 --> 00:05:44,800 supernatural the latter Latin tinged 132 00:05:44,800 --> 00:05:46,400 instrumental established green as a 133 00:05:46,400 --> 00:05:49,039 player and became his trademark in an 134 00:05:49,039 --> 00:05:50,639 odd to his ability on the instrument his 135 00:05:50,639 --> 00:05:52,479 friends at the time began calling him 136 00:05:52,479 --> 00:05:54,639 the green God a subtle reference to the 137 00:05:54,639 --> 00:05:56,680 Clapton his God graffiti that had sprung 138 00:05:56,680 --> 00:05:58,880 up around London though green was 139 00:05:58,880 --> 00:06:00,800 inspired by and followed Clapton and 140 00:06:00,800 --> 00:06:02,919 John Ma's Blu breakers on guitar after 141 00:06:02,919 --> 00:06:05,759 Clapton left in ' 66 Clapton often 142 00:06:05,759 --> 00:06:08,240 praised Green's playing and BB King said 143 00:06:08,240 --> 00:06:10,680 he has the sweetest tone I've ever heard 144 00:06:10,680 --> 00:06:12,280 he was the only one that gave me the 145 00:06:12,280 --> 00:06:13,080 cold 146 00:06:13,080 --> 00:06:15,680 sweats he had an economy of style that 147 00:06:15,680 --> 00:06:18,199 included his trademark vibr bending and 148 00:06:18,199 --> 00:06:20,960 ability to say a lot with very few 149 00:06:20,960 --> 00:06:23,240 notes after leaving the Blues Breakers 150 00:06:23,240 --> 00:06:26,000 in 67 he founded Fleetwood Mac as a more 151 00:06:26,000 --> 00:06:28,360 pure blues band the band included 152 00:06:28,360 --> 00:06:30,080 drummer Mick Fleetwood from the Blues 153 00:06:30,080 --> 00:06:32,440 Breakers Jeremy Spencer on guitar and 154 00:06:32,440 --> 00:06:34,479 Bob Bruning on bass who would later be 155 00:06:34,479 --> 00:06:36,479 replaced by another Blues breaker Alum 156 00:06:36,479 --> 00:06:39,240 John McVey greeny was Peter's main 157 00:06:39,240 --> 00:06:40,800 instrument during the earliest days of 158 00:06:40,800 --> 00:06:43,560 Fleetwood Mac Fleetwood Mac's debut 159 00:06:43,560 --> 00:06:45,360 album made a significant impression 160 00:06:45,360 --> 00:06:47,720 remaining in the British charts for 37 161 00:06:47,720 --> 00:06:50,199 weeks although classic Blues covers and 162 00:06:50,199 --> 00:06:51,840 blues styled Originals remained 163 00:06:51,840 --> 00:06:53,160 prominent in the band's repertoire 164 00:06:53,160 --> 00:06:55,400 throughout this period green rapidly 165 00:06:55,400 --> 00:06:56,759 blossomed as a songwriter and 166 00:06:56,759 --> 00:06:58,520 contributed many successful original 167 00:06:58,520 --> 00:07:01,280 compositions from 68 onward the songs 168 00:07:01,280 --> 00:07:03,240 chosen for single release showed green 169 00:07:03,240 --> 00:07:04,919 style gradually moving away from the 170 00:07:04,919 --> 00:07:07,360 group's Blues Roots into new musical 171 00:07:07,360 --> 00:07:09,960 territory their second studio album Mr 172 00:07:09,960 --> 00:07:11,879 Wonderful was released in ' 68 and 173 00:07:11,879 --> 00:07:14,280 continued the formula of the first album 174 00:07:14,280 --> 00:07:15,919 in the same year they scored a hit with 175 00:07:15,919 --> 00:07:18,479 Green's Black Magic Woman green later 176 00:07:18,479 --> 00:07:19,919 said that the tune was influenced by 177 00:07:19,919 --> 00:07:22,400 Otis Rush's all your love that may Hall 178 00:07:22,400 --> 00:07:24,400 had recorded with Clapton on the guitar 179 00:07:24,400 --> 00:07:26,160 and green later played live with the 180 00:07:26,160 --> 00:07:28,960 band in Peter Green the biography green 181 00:07:28,960 --> 00:07:30,919 is quoted saying one of the things that 182 00:07:30,919 --> 00:07:32,800 may said was that if you really like 183 00:07:32,800 --> 00:07:33,960 something you should take the first 184 00:07:33,960 --> 00:07:36,360 lines and make up another song for them 185 00:07:36,360 --> 00:07:38,160 so that's what I did with Black Magic 186 00:07:38,160 --> 00:07:40,840 Woman a minor blues with a Latin feel 187 00:07:40,840 --> 00:07:43,280 that was embraced and expanded on in 188 00:07:43,280 --> 00:07:45,800 Santana's version this was followed by 189 00:07:45,800 --> 00:07:47,680 the guitar instrumental albatross in 190 00:07:47,680 --> 00:07:50,440 1969 which featured a third guitar an 191 00:07:50,440 --> 00:07:52,759 18-year-old Danny Kerwin and reached 192 00:07:52,759 --> 00:07:55,039 number one in the British singles charts 193 00:07:55,039 --> 00:07:56,840 more hits written by Green followed 194 00:07:56,840 --> 00:07:59,039 including o well man of the world and 195 00:07:59,039 --> 00:08:00,159 the 196 00:08:00,159 --> 00:08:02,720 the green manalishi by the beginning of 197 00:08:02,720 --> 00:08:05,440 1970 his fellow bandmates began to worry 198 00:08:05,440 --> 00:08:07,759 about Green's state of mind he began 199 00:08:07,759 --> 00:08:10,280 taking large and frequent doses of LSD 200 00:08:10,280 --> 00:08:12,479 grew a beard and began to wear robes 201 00:08:12,479 --> 00:08:14,360 green continued to further become arange 202 00:08:14,360 --> 00:08:15,919 from his bandmates and played his last 203 00:08:15,919 --> 00:08:18,919 show with Fleetwood Mack on May 20th 204 00:08:18,919 --> 00:08:21,479 1970 after which he slid under the radar 205 00:08:21,479 --> 00:08:23,039 for many years eventually being 206 00:08:23,039 --> 00:08:25,199 diagnosed with schizophrenia that led to 207 00:08:25,199 --> 00:08:28,520 being institutionalized many times along 208 00:08:28,520 --> 00:08:30,280 with the other members of with Mac green 209 00:08:30,280 --> 00:08:31,919 was inducted into the Rock and Roll Hall 210 00:08:31,919 --> 00:08:34,200 of Fame in 211 00:08:34,200 --> 00:08:36,880 1998 about 10 years ago I discovered 212 00:08:36,880 --> 00:08:38,360 artist works and signed up for the 213 00:08:38,360 --> 00:08:40,000 electric country guitar with Guthrie 214 00:08:40,000 --> 00:08:42,519 trap it completely changed the way I 215 00:08:42,519 --> 00:08:45,000 approach the guitar artist works as 216 00:08:45,000 --> 00:08:46,920 affordable courses and a wide variety of 217 00:08:46,920 --> 00:08:48,920 instruments and styles all with Master 218 00:08:48,920 --> 00:08:50,839 musicians ready to work with you using 219 00:08:50,839 --> 00:08:53,760 their Innovative Video Exchange program 220 00:08:53,760 --> 00:08:55,800 get 40% off any artist Works course 221 00:08:55,800 --> 00:08:57,640 using the link in the description along 222 00:08:57,640 --> 00:09:01,360 with the code fww W 40 learned from 223 00:09:01,360 --> 00:09:03,279 masters with artist 224 00:09:03,279 --> 00:09:05,720 Works I'd like to thank artist works for 225 00:09:05,720 --> 00:09:08,279 their support in making this video it is 226 00:09:08,279 --> 00:09:10,079 at this point in our story of greeny 227 00:09:10,079 --> 00:09:12,640 that Gary Moore enters the picture 228 00:09:12,640 --> 00:09:14,760 Northern Irish musician Robert William 229 00:09:14,760 --> 00:09:17,480 Gary Moore was born on April 4th 230 00:09:17,480 --> 00:09:20,040 1952 heavily influenced by Peter Green 231 00:09:20,040 --> 00:09:21,920 and Eric Clapton Moore was a logical 232 00:09:21,920 --> 00:09:24,640 home for greeny to land Moore began his 233 00:09:24,640 --> 00:09:26,360 playing career joining Skid Row in the 234 00:09:26,360 --> 00:09:29,000 late 60s after two albums Moore left 235 00:09:29,000 --> 00:09:31,880 skid with bandmate Phil Lynett he'd play 236 00:09:31,880 --> 00:09:33,760 with Lynett and Thin Lizzy on and off 237 00:09:33,760 --> 00:09:36,600 until July of 79 after leaving Thin 238 00:09:36,600 --> 00:09:38,800 Lizzy the final time Moore embarked on a 239 00:09:38,800 --> 00:09:41,480 relatively successful solo career in the 240 00:09:41,480 --> 00:09:43,720 mid 70s Peter Green asked his friend 241 00:09:43,720 --> 00:09:45,800 Gary Moore to borrow greeny and hold on 242 00:09:45,800 --> 00:09:48,399 to it for him green had met Mo in the 243 00:09:48,399 --> 00:09:50,079 70s when skidrow was opening for 244 00:09:50,079 --> 00:09:53,360 Fleetwood Mac he later decided to sell 245 00:09:53,360 --> 00:09:55,040 his famous lust Paul to his friend and 246 00:09:55,040 --> 00:09:57,600 blues rocker Gary Moore I've read this 247 00:09:57,600 --> 00:09:59,040 recounted in various ways but the 248 00:09:59,040 --> 00:10:01,000 version more told to guitarist magazine 249 00:10:01,000 --> 00:10:04,079 in 1995 goes like this after borrowing 250 00:10:04,079 --> 00:10:05,959 the guitar for a Time green offered to 251 00:10:05,959 --> 00:10:07,760 sell more the guitar and when Moore 252 00:10:07,760 --> 00:10:09,680 asked the price green told him to sell 253 00:10:09,680 --> 00:10:12,120 his main guitar and SG at the time and 254 00:10:12,120 --> 00:10:14,440 give him whatever he got for it Moore 255 00:10:14,440 --> 00:10:16,800 sold the SG for 160 lbs but when he 256 00:10:16,800 --> 00:10:18,560 tried to give him the money green said 257 00:10:18,560 --> 00:10:20,079 he'd only take what he'd paid for it 258 00:10:20,079 --> 00:10:24,680 originally in 1965 114 pounds even in 259 00:10:24,680 --> 00:10:26,600 the mid 70s it was a tiny amount of 260 00:10:26,600 --> 00:10:29,640 money to pay for a vintage less Paul 261 00:10:29,640 --> 00:10:31,519 more used the guitar on Parisian 262 00:10:31,519 --> 00:10:33,760 walkways which was his signature tune 263 00:10:33,760 --> 00:10:37,890 from his 78 album back on the streets 264 00:10:37,890 --> 00:10:39,680 [Music] 265 00:10:39,680 --> 00:10:42,900 [Applause] 266 00:10:45,330 --> 00:10:50,780 [Music] 267 00:10:50,780 --> 00:10:51,070 [Applause] 268 00:10:51,070 --> 00:11:09,720 [Music] 269 00:11:09,720 --> 00:11:11,560 in the 80s Moore played more hard rock 270 00:11:11,560 --> 00:11:14,040 and heavy metal but by 1990 he returned 271 00:11:14,040 --> 00:11:15,959 to his blues rock roots with Still Got 272 00:11:15,959 --> 00:11:17,680 The Blues which would be the most 273 00:11:17,680 --> 00:11:20,639 successful album of his career in 1995 274 00:11:20,639 --> 00:11:22,920 more put out blues for greeny an 11 275 00:11:22,920 --> 00:11:24,800 Track studio record of covers of Peter 276 00:11:24,800 --> 00:11:26,760 Green's greatest hits including if you 277 00:11:26,760 --> 00:11:29,920 be my baby and the supernatural 278 00:11:29,920 --> 00:11:31,880 the 8 minute long version of Need Your 279 00:11:31,880 --> 00:11:34,440 Love So Bad includes a 4minute outro 280 00:11:34,440 --> 00:11:36,480 solo which shows what both Moore and 281 00:11:36,480 --> 00:11:39,959 greeny were capable of Moore put a 282 00:11:39,959 --> 00:11:41,560 substantial amount of the playing wear 283 00:11:41,560 --> 00:11:44,360 we see on the guitar today it was also 284 00:11:44,360 --> 00:11:46,480 Moore who changed the bridg volume and 285 00:11:46,480 --> 00:11:48,600 tone knobs to reflector tops leaving the 286 00:11:48,600 --> 00:11:50,639 regular Amber knobs for the neck 287 00:11:50,639 --> 00:11:53,279 controls more sold greeny for financial 288 00:11:53,279 --> 00:11:55,600 reasons in 2006 and the guitar floated 289 00:11:55,600 --> 00:11:58,160 between collectors for the next 8 years 290 00:11:58,160 --> 00:11:59,720 in those intervening years there were 291 00:11:59,720 --> 00:12:01,440 occasional sightings of Greenie most 292 00:12:01,440 --> 00:12:03,200 notably perhaps in the hands of burst 293 00:12:03,200 --> 00:12:05,240 lover and collector Joe bonam Masa who 294 00:12:05,240 --> 00:12:07,320 played greeney at his Royal Albert Hall 295 00:12:07,320 --> 00:12:11,160 Show in 2013 on the tune midnight Blues 296 00:12:11,160 --> 00:12:13,320 bonam masa's higher gain style during a 297 00:12:13,320 --> 00:12:15,240 solo being very different from the one 298 00:12:15,240 --> 00:12:17,680 used by Peter Green back in the 60s 299 00:12:17,680 --> 00:12:19,720 shows again what the versatility of a 300 00:12:19,720 --> 00:12:21,399 vintage less Paul can 301 00:12:21,399 --> 00:12:24,399 be in 2014 greeny was purchased by 302 00:12:24,399 --> 00:12:26,920 Metallica's Kirk Hammet Hammet has been 303 00:12:26,920 --> 00:12:29,240 quoted as saying he paid quote much less 304 00:12:29,240 --> 00:12:30,920 less end quote than a million dollars 305 00:12:30,920 --> 00:12:32,800 for the guitar having bought it when the 306 00:12:32,800 --> 00:12:34,880 previous owner wanted the cash but 307 00:12:34,880 --> 00:12:36,360 there's also been rumors that the price 308 00:12:36,360 --> 00:12:38,800 paid was closer to 2 million as a 309 00:12:38,800 --> 00:12:40,360 private sale the exact number will 310 00:12:40,360 --> 00:12:43,480 likely never be known Gibson has done a 311 00:12:43,480 --> 00:12:45,199 number of reproduction runs with various 312 00:12:45,199 --> 00:12:48,480 levels of greeny specs in 2013 Gibson 313 00:12:48,480 --> 00:12:50,360 released a Gary Moore Les Paul Standard 314 00:12:50,360 --> 00:12:51,800 that had many features modeled after 315 00:12:51,800 --> 00:12:54,800 greeny including a 50 speec neck profile 316 00:12:54,800 --> 00:12:57,480 mismatched volume and tone knobs and a 317 00:12:57,480 --> 00:13:00,320 doublea grade figured maple 318 00:13:00,320 --> 00:13:02,480 after Gibson built Hammet a duplicate of 319 00:13:02,480 --> 00:13:05,399 greeny in 2020 they announced a brand 320 00:13:05,399 --> 00:13:06,800 partnership with hamt saying that a 321 00:13:06,800 --> 00:13:08,240 number of replica guitars would be 322 00:13:08,240 --> 00:13:11,639 forthcoming from both Gibson and epone 323 00:13:11,639 --> 00:13:13,880 in 2022 Gibson released with much 324 00:13:13,880 --> 00:13:16,639 fanfare the collector's edition Kirk ham 325 00:13:16,639 --> 00:13:20,079 at greeny 1959 Les Paul Standard limited 326 00:13:20,079 --> 00:13:22,160 to just 50 units and only available 327 00:13:22,160 --> 00:13:23,639 directly through Gibson they were said 328 00:13:23,639 --> 00:13:25,639 to be exact replicas of Greenie 329 00:13:25,639 --> 00:13:27,600 handcrafted in the Gibson custom shop 330 00:13:27,600 --> 00:13:29,760 and aged in the Murphy lab 331 00:13:29,760 --> 00:13:32,639 they were sold for $50,000 each and sold 332 00:13:32,639 --> 00:13:35,160 out quickly I found one of these for 333 00:13:35,160 --> 00:13:37,279 sale at Wildwood tars in Colorado and 334 00:13:37,279 --> 00:13:39,519 used it for the thumbnail it's on sale 335 00:13:39,519 --> 00:13:42,639 there currently for a cool 336 00:13:42,639 --> 00:13:44,639 $75,000 there were next launched a 337 00:13:44,639 --> 00:13:46,720 custom shop Kurt hammock greeny 338 00:13:46,720 --> 00:13:48,440 advertised with a lightweight mahogany 339 00:13:48,440 --> 00:13:50,680 body with a figured top a custom greeny 340 00:13:50,680 --> 00:13:53,000 neck profile custom greeny pickups with 341 00:13:53,000 --> 00:13:55,440 the appropriately flipped Alo 2 magnet 342 00:13:55,440 --> 00:13:57,440 all wrapped in a brown pink lifton 343 00:13:57,440 --> 00:14:01,040 reissue case for just 344 00:14:02,240 --> 00:14:05,160 $199,999 and recently in 2023 a 345 00:14:05,160 --> 00:14:06,800 production greeny Les Paul Standard has 346 00:14:06,800 --> 00:14:08,839 been released built in the main Factory 347 00:14:08,839 --> 00:14:10,160 on the line with the other Les ball 348 00:14:10,160 --> 00:14:12,079 standards they have a unique finish that 349 00:14:12,079 --> 00:14:14,360 simulates an aged burst and a unique set 350 00:14:14,360 --> 00:14:16,120 of pickups with the reverse polarity 351 00:14:16,120 --> 00:14:17,720 needed to achieve those middle position 352 00:14:17,720 --> 00:14:20,160 greeny tones my friend John Cy was 353 00:14:20,160 --> 00:14:21,800 curious enough to buy one and used it to 354 00:14:21,800 --> 00:14:23,440 play on the intro and outro for this 355 00:14:23,440 --> 00:14:25,480 video overall John was not that 356 00:14:25,480 --> 00:14:27,040 impressed with the guitar capturing his 357 00:14:27,040 --> 00:14:28,600 impressions in two videos that I'll link 358 00:14:28,600 --> 00:14:31,360 in the descript destion at over 10 lb it 359 00:14:31,360 --> 00:14:33,480 might be more reminiscent of a 70s than 360 00:14:33,480 --> 00:14:35,880 a 50s less Paul but John had to admit 361 00:14:35,880 --> 00:14:37,519 that the overall pickups and the guitar 362 00:14:37,519 --> 00:14:40,440 tone did impress at 363 00:14:40,440 --> 00:14:43,120 $3,199 about a grand more than a stock L 364 00:14:43,120 --> 00:14:45,160 Paul Standard you have to ask yourself 365 00:14:45,160 --> 00:14:47,120 how deep Your Love of Peter Green Gary 366 00:14:47,120 --> 00:14:49,360 Moore or even Kirk Hammet might need to 367 00:14:49,360 --> 00:14:51,959 go to Shell out that extra cash if 368 00:14:51,959 --> 00:14:53,279 you've been following the channel for a 369 00:14:53,279 --> 00:14:54,720 while you'll no doubt remember my 370 00:14:54,720 --> 00:14:58,040 flirting with a 2020 Gibson R9 L Paul it 371 00:14:58,040 --> 00:14:59,920 was very light for modern Les Paul and 372 00:14:59,920 --> 00:15:01,440 though I didn't love the color the burst 373 00:15:01,440 --> 00:15:04,240 top I did love the way it sounded but 374 00:15:04,240 --> 00:15:06,160 I'm not doing Standing Rock gigs never 375 00:15:06,160 --> 00:15:07,839 have really and I think that's how the 376 00:15:07,839 --> 00:15:10,600 ergonomics of a Les Paul work best so I 377 00:15:10,600 --> 00:15:13,240 let it go and you know what I'm still 378 00:15:13,240 --> 00:15:15,079 searching for something to replace that 379 00:15:15,079 --> 00:15:17,720 guitar's tones with better ergonomics 380 00:15:17,720 --> 00:15:19,560 lots of other guitars can get close but 381 00:15:19,560 --> 00:15:22,399 so far nothing else has taken me all the 382 00:15:22,399 --> 00:15:24,839 way there if you like this video you'll 383 00:15:24,839 --> 00:15:26,360 probably enjoy my short history of the 384 00:15:26,360 --> 00:15:29,199 burst L Pauls as well if I missed your 385 00:15:29,199 --> 00:15:30,680 part of the greeny story please put it 386 00:15:30,680 --> 00:15:32,880 in the comments for everyone to enjoy I 387 00:15:32,880 --> 00:15:34,440 know from experience that I can count on 388 00:15:34,440 --> 00:15:37,560 you my DTS to John Cy just keep piling 389 00:15:37,560 --> 00:15:40,160 up he's becoming a master of the almost 390 00:15:40,160 --> 00:15:42,560 recognizable tune the clip he sent me 391 00:15:42,560 --> 00:15:45,279 this time was labeled not good Magic 392 00:15:45,279 --> 00:15:49,279 Woman perfect 393 00:15:53,000 --> 00:15:56,600 [Music] 394 00:15:56,600 --> 00:15:57,020 [Applause] 395 00:15:57,020 --> 00:15:59,079 [Music] 396 00:15:59,079 --> 00:16:00,680 of course I need to thank my longtime 397 00:16:00,680 --> 00:16:02,880 friend and collaborator Jeff maeran when 398 00:16:02,880 --> 00:16:04,839 I ask about Clapton Jeff almost always 399 00:16:04,839 --> 00:16:06,560 reminds me to go listen to Peter Green 400 00:16:06,560 --> 00:16:09,079 as well his own playing style owing much 401 00:16:09,079 --> 00:16:11,199 to both I'm still trying to get a little 402 00:16:11,199 --> 00:16:13,040 of either into my Blues playing and Jeff 403 00:16:13,040 --> 00:16:15,959 continues to school us all to that end I 404 00:16:15,959 --> 00:16:18,000 need to thank Tony bacon for his books 405 00:16:18,000 --> 00:16:20,759 Sunburst and the Les Paul guitar book 406 00:16:20,759 --> 00:16:22,040 and whenever I'm writing about Les 407 00:16:22,040 --> 00:16:23,560 Paul's my copy of Dave Hunter's 408 00:16:23,560 --> 00:16:25,440 excellent the Gibson L Paul The 409 00:16:25,440 --> 00:16:26,920 Illustrated history of the guitar that 410 00:16:26,920 --> 00:16:29,639 changed rock is a near at hand 411 00:16:29,639 --> 00:16:31,040 I want to thank everyone that stopped by 412 00:16:31,040 --> 00:16:32,639 the store and picked up a t-shirt hoodie 413 00:16:32,639 --> 00:16:35,240 mug or a stomp preset pack and in 414 00:16:35,240 --> 00:16:36,680 particular I need to thank the friends 415 00:16:36,680 --> 00:16:38,920 of five watt on patreon it's the guitar 416 00:16:38,920 --> 00:16:40,839 Community I've always wanted you're all 417 00:16:40,839 --> 00:16:44,000 5watt world I just make the videos If 418 00:16:44,000 --> 00:16:45,240 you enjoyed this short history of 419 00:16:45,240 --> 00:16:47,720 players that made Greenie famous hit the 420 00:16:47,720 --> 00:16:48,920 like button and if you haven't 421 00:16:48,920 --> 00:16:50,880 subscribed yet go ahead and hit that too 422 00:16:50,880 --> 00:16:52,720 YouTube tells me that 60% of the folks 423 00:16:52,720 --> 00:16:54,880 that watch the videos aren't subscribed 424 00:16:54,880 --> 00:16:56,680 so hit the Subscribe button now so you 425 00:16:56,680 --> 00:16:59,079 don't miss an episode thanks for hanging 426 00:16:59,079 --> 00:17:01,399 with me till the end until next time 427 00:17:01,399 --> 00:17:03,160 this is Keith Williams thanks for being 428 00:17:03,160 --> 00:17:07,760 a part of the five wi world 429 00:17:11,920 --> 00:17:22,04930405

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.