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this video is brought to you with the
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support of trufire's sister company
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artist works learn from masters with
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artist works
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[Music]
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[Applause]
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[Music]
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hi this is Keith Williams welcome to
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five watt world where we're interested
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in helping you get the most music from
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the least gear which guitarists that use
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the Les Paul had the biggest impact on
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the music world and by extension on our
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world as musicians
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there are guitarists and guitars that
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left the world a different place that
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changed what we thought music could do
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or how it could sound or how it could
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make us feel
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I've always been interested in the
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history of these iconic players and
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instruments because of the impact that
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they've had
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I'm always trying to find the before and
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after moments the moments after which
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the music and the culture were never
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quite the same again
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without knowing it I've been flirting
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with this list of who I think the most
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important players and instruments are in
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each category when I thought about
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making one of these videos it was clear
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to me that I needed to start with the
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Gibson Les Paul Standard and Customs it
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would be easy to do a top 20 or maybe
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even a top 50 list of important Les Paul
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players but I wanted to wrestle with who
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I think are the most important the ones
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that change the world so I set a limit
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of 10 bust assonable mentions remember
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that these aren't necessarily my
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favorite players though my favorites are
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in here but are the ones that I think
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had the biggest impact playing a Les
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Paul
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you may well disagree I wouldn't be
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surprised in the least and I'm sort of
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counting on it but let's start this
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conversation so I'll go first
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enjoy our videos make sure to subscribe
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grab a t-shirt hoodie or a stomp preset
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pack to support what we do and it become
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a bigger part of 5 watt World sign up
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for the friends of five watt on patreon
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the links are in the description
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these really could be in any order but
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let's count them down to keep track of
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where we are number 10. clearly this
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list has to start with Les Paul himself
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there is much debate about whether less
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cooked up the guitar design or whether
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he lurked with directly with Gibson to
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finish the design that would carry his
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name to this day Lester William paulfes
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who would later take the stage name Les
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Paul was a massive star in the late 40s
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and 50s he had numerous hit records and
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even had a popular television program
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broadcast from his home with his wife
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Mary Ford from 52-54 perfect timing for
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the promotion of the guitar that wore
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his name that was released in 1952. by
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the time their marriage ended at the end
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of the decade rock and roll had eclipsed
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their popular
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harmonized guitars and vocals their Fame
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lasted throughout the first decade of
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the Les Paul Standard and custom and it
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put the new guitar design in front of
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thousands of professionals and wannabe
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guitarists alike
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number nine many of the later Heroes on
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this list were heavily influenced by
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Freddie King's 1961 instrumental album
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let's hide away and dance away
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King was pictured on the album holding a
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1954 gold top but it can be seen more
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clearly on the cover of Freddie King
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Blues Guitar Hero
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Eric Clapton said he went looking to buy
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his Les Paul because of King's stinging
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tone clear and articulate with plenty of
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bite
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whether you know it or not much of the
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Blues vocabulary we play today can be
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traced back to Freddy King
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[Music]
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number eight this one's a bit of a cheat
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but in the best possible spirit I have
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to list the Irish Hard Rock Band Thin
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Lizzy like the Allman Brothers they set
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the bar for harmony guitar parts for all
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that came after sneaking them in here
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also lets me mention four Les Paul
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players of note that were in the band at
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one point or another
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John Sykes
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Gary Moore
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Scott Gorham and Brian Robertson
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the Incarnation with Robertson and
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Gorham released five Studio albums and
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one live album All of which reached the
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top 10 UK charts before Robertson left
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and more rejoined the band
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then Lizzie was a big part of my musical
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teen years 1976's release jailbreak
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being the soundtrack for me driving beat
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up cars too fast through the small town
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where I grew up the boys are back in
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town playing on repeat
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I understand from colleagues in the UK
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that thin Lizzy's influence there may
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have been even greater during their
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pivotal 1970s when hard rock ruled An
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Almighty Les Paul's walk to the Earth
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unchallenged number seven
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Journey's Neil Schoen was a devout user
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of Les Paul's in the main years of that
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worldwide hit-making machine
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as such he likely put the sound of a Les
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Paul on more radios than perhaps any
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other player of the guitar
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it is a gross understatement to say that
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Shone used many different Les Paul's in
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July of 2021 Heritage auctions sold 112
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of his more than 800 instrument
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collection because his fifteen thousand
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square foot storage facility was out of
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room
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included in that sale were a number of
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late 50s Les Paul's along with guitars
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he'd used on the road
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one of the guitars sold then was a black
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77 Les Paul Pro that enjoyed many
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different pickup combinations over the
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years with a variety of tremolo Bridges
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and can be seen in clips of the live
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show in 81 with a P90 in the neck
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shone's highly melodic and singable
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soloing style along with his more
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complex Harmony in his songwriting
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helped Propel the band to the Top of the
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Rock charts
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[Music]
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[Applause]
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[Music]
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[Music]
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number six slash
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picture this it's 1987 and Gibson is by
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most any opinion on the ropes unable to
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come along with the super Stratton hair
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metal days of the mid 80s the company
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was looking back to their days of the
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glory in the 50s and not yet doing it
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very well
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Along Comes a curly headed top hat
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wearing nose ring sporting rocker
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succinctly named slash Guns and Roses
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injected a harder Edge into the music
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and there was Slash has Les Paul slung
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low like the stage Warriors from decades
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before wielding the original weapon of
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choice the Les Paul
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many have argued including me that his
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use of Les Paul quite literally saved
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the company
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the irony is that the guitar he used to
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record the majority of Appetite for
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Destruction was actually a copy of the
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59 Les Paul that had been built by West
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Coast luthier Chris derrig
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and while we're at it Nashville's
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session guitarist Justin Ostrander
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reminded me that if you close your eyes
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and take away all the glitz of the show
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you'll remember that slash is a very
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talented soloist with a wonderful sense
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of Melody he certainly sent an entire
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generation reaching for Les Paul's my
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buddy David Barber of Barber Electronics
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said he remembers watching guitar stores
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loaded with super strats slowly giving
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up more and more floor space to Les
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Paul's in the wake of gnr's success
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I discovered artists Works about 10
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years ago taking Guthrie traps electric
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country guitar course it completely
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changed the way I approach the guitar in
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every genre artist Works has affordable
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courses in a wide variety of instruments
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and styles all taught by Master
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musicians ready to work with you using
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their Innovative Video Exchange program
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get 40 off any artist work school using
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the link in the description along with
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the code fww 40.
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taking courses with artist Works opened
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up the way I play and I can do the same
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for you I'd like to thank artist works
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for their support in making this video
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number five Randy Rhodes
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Randy Rhodes's 1974 white Les Paul
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Custom was bought for him by his
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bandmates when he was in the band Quiet
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Riot as a Norland era Les Paul Custom
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from the early 70s it had the mahogany
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and maple sandwich body of the time and
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a carved Maple top
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white when Knew by the time Randy was
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playing the guitar the Finish had
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yellowed to the color of Irish butter
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Randy made a few small cosmetic changes
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to the guitar substituting shalers for
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the Grover tuners and swapping out the
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toggle switch plate finally he had his
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name engraved on the pickguard the
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pickups at the time would have been the
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custom t-buckers so named for the
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t-shaped tool markers made in the
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forward bobbin
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The Story Goes that when he auditioned
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for Ozzy Osbourne Ozzy gave him the gig
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without hearing a single note as he
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watched Randy pull the white custom out
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of its case
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Rhodes brought a level of guitar
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knowledge to the Hard Rock world that
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was rarely there before he famously took
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a guitar lesson with local teachers in
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each City the band visited on tour his
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background playing classical guitar can
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be seen in his thumb behind the neck
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left-hand position
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interestingly on the intro for diary for
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a Madman Rhodes plays the chords used in
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classical guitar composer Leo browers
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Etude number six I learned the piece in
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college and it played bits of it in
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videos after which I'm generally accused
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of copying it from roads but Rhodes had
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capped the changes from Brower great
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stuff from a hard rock legend
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number four Dwayne Allman
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I've lost track of the number of players
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that cite the Allman Brothers album live
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at the Fillmore East as a primary
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influence known for playing Les Paul's
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Duane actually used three different
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guitars throughout his career he bought
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his first a 57 gold Top early in 1969
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and it was the guitar on which he
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learned and honed his slide style he
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played the 57 on the first two Allman
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Brothers records and it's the one used
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on Eric Clapton's Derek and the Dominos
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Layla and other love song sessions
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in September of 1970 Dwayne traded the
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gold top for a 59 Cherry burst after
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first swapping out the pickups between
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the two guitars
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it is that guitar that is heard on live
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at the Fillmore East but in June of 71
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Guitar Dealer Kurt linhoff sold Dwayne a
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59 with a much darker burst top that
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would be Dwayne's primary instrument
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until his death in October of 71. the
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guitars were brought together for the
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final run of the Allman Brothers Band in
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2014 and both Derek Trucks and Warren
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Haynes commented on how distinctive the
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tones were
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Haynes said of the Cherry burst 59 you
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plug it in and the sound of Dwayne is
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unmistakable number three
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Billy Gibbons
286
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Billy Gibbons Pearly Gates was acquired
287
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in 1968 just as easy top was getting
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started as such the guitar was the sound
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of the band from their ZZ Top's first
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album to the present day
291
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like so many others Billy was launched
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on his search for humbucking pickup Les
293
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Paul by the sounds he'd heard on the
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July 11 1965 release of John Mayall and
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the Blues Breakers featuring Eric
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Clapton affectionately known among fans
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as the bino album
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[Music]
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foreign
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[Music]
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[Music]
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[Music]
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[Applause]
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[Music]
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[Music]
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thank you
307
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foreign
308
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[Music]
309
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is well known an aspiring actress in
310
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front of the band needed to go to Los
311
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Angeles to audition for a part they
312
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loaned her a 1939 Packard so she could
313
00:11:51,180 --> 00:11:52,440
get there
314
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the car was on its last legs but it got
315
00:11:54,779 --> 00:11:56,459
her to Hollywood and she got the part
316
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given the age of the car and the girl
317
00:11:58,500 --> 00:12:00,060
getting the part they figured there must
318
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have been divine intervention so they
319
00:12:01,800 --> 00:12:04,260
named the car Pearly Gates
320
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when she asked if she should send back
321
00:12:05,820 --> 00:12:07,380
the car or sell it and send the money
322
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the guys resoundingly said sell it Billy
323
00:12:10,620 --> 00:12:11,940
had heard through a friend that an old
324
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Rancher that lived outside of Houston
325
00:12:13,380 --> 00:12:16,079
had an old guitar under his bed
326
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Gibbons took the 250 he just received
327
00:12:18,540 --> 00:12:20,040
from the actress and drove out to the
328
00:12:20,040 --> 00:12:22,500
ranch and in Billy's words the deal went
329
00:12:22,500 --> 00:12:24,779
down and the name of the car was then
330
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transferred to the guitar
331
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the tone of Pearly Gates is so etched
332
00:12:28,800 --> 00:12:30,779
into Gibbon's musical Consciousness that
333
00:12:30,779 --> 00:12:32,940
all other guitars he uses on stage are
334
00:12:32,940 --> 00:12:36,000
eq'd to match the EQ curve of an open G
335
00:12:36,000 --> 00:12:38,399
chord played on pearly the secret to the
336
00:12:38,399 --> 00:12:42,320
rag is every gets car tar has
337
00:12:42,320 --> 00:12:44,940
a tone it's supposed to reach because
338
00:12:44,940 --> 00:12:46,680
when we change guitars they have to be
339
00:12:46,680 --> 00:12:48,000
homogeneous
340
00:12:48,000 --> 00:12:51,660
so if we go to a Telecaster to a Les
341
00:12:51,660 --> 00:12:52,639
Paul
342
00:12:52,639 --> 00:12:56,459
the the gain all has to be the same we
343
00:12:56,459 --> 00:12:59,040
want we don't want you to tell that he's
344
00:12:59,040 --> 00:13:01,500
ever played a Telecaster we took a
345
00:13:01,500 --> 00:13:03,899
picture played a G chord with pearly we
346
00:13:03,899 --> 00:13:05,700
bring still bring pearly out all the
347
00:13:05,700 --> 00:13:08,220
rehearsals we take a G chord through
348
00:13:08,220 --> 00:13:10,079
this setting
349
00:13:10,079 --> 00:13:12,779
gives us this curve
350
00:13:12,779 --> 00:13:15,240
so that's what pearly is so that's
351
00:13:15,240 --> 00:13:17,399
that's the benchmark
352
00:13:17,399 --> 00:13:20,279
so all we do every time I get a new
353
00:13:20,279 --> 00:13:24,180
guitar I play through this setting a G
354
00:13:24,180 --> 00:13:25,980
chord
355
00:13:25,980 --> 00:13:28,200
and see how off it is because it always
356
00:13:28,200 --> 00:13:29,339
is
357
00:13:29,339 --> 00:13:32,399
and we correct it with this
358
00:13:32,399 --> 00:13:34,320
and get it as you know it's not perfect
359
00:13:34,320 --> 00:13:36,180
science but it's guitar player science
360
00:13:36,180 --> 00:13:38,579
so it sort of works essentially they
361
00:13:38,579 --> 00:13:40,200
make any guitar he's playing sound as
362
00:13:40,200 --> 00:13:42,360
much like pearly as is technologically
363
00:13:42,360 --> 00:13:45,000
possible today the first three ZZ Top
364
00:13:45,000 --> 00:13:47,160
records are a catalog of classic Blues
365
00:13:47,160 --> 00:13:49,079
Licks filtered through a thick Texas
366
00:13:49,079 --> 00:13:51,360
dust storm and have influenced all Les
367
00:13:51,360 --> 00:13:53,579
Paul players that have come after
368
00:13:53,579 --> 00:13:54,959
number two
369
00:13:54,959 --> 00:13:56,820
some might argue that Eric Clapton
370
00:13:56,820 --> 00:13:58,860
belongs at the top of this list but I'll
371
00:13:58,860 --> 00:14:00,540
justify his placement here based on the
372
00:14:00,540 --> 00:14:03,300
relatively short time he used a Les Paul
373
00:14:03,300 --> 00:14:05,220
regardless of that reasoning Clapton's
374
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use of a 1960 burst into a martial combo
375
00:14:07,560 --> 00:14:09,480
on The Beano album was the sort of
376
00:14:09,480 --> 00:14:11,040
before and after moment that make up
377
00:14:11,040 --> 00:14:12,120
this history
378
00:14:12,120 --> 00:14:13,800
after the release of that record the
379
00:14:13,800 --> 00:14:15,839
blues r b and rock world would never be
380
00:14:15,839 --> 00:14:17,820
the same it introduced the interaction
381
00:14:17,820 --> 00:14:19,740
of a Les Paul with an overdriven
382
00:14:19,740 --> 00:14:23,320
Marshall cranked up and breathing fire
383
00:14:23,320 --> 00:14:24,839
[Music]
384
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um
385
00:14:40,640 --> 00:14:41,760
[Applause]
386
00:14:41,760 --> 00:14:52,299
[Music]
387
00:14:53,300 --> 00:14:55,320
though there are different versions of
388
00:14:55,320 --> 00:14:57,180
the story most agree that Clapton bought
389
00:14:57,180 --> 00:14:59,100
the guitar at Lou Davis's guitar shop in
390
00:14:59,100 --> 00:15:01,500
Cherry Crossroad the debate on whether
391
00:15:01,500 --> 00:15:04,260
the car was a 59 or a 60 leans towards
392
00:15:04,260 --> 00:15:06,420
60 based on Clapton's claim that it had
393
00:15:06,420 --> 00:15:08,100
a very slim neck which would not have
394
00:15:08,100 --> 00:15:10,620
been typical on a 59 burst
395
00:15:10,620 --> 00:15:12,240
and one of the biggest mysteries of
396
00:15:12,240 --> 00:15:14,100
guitar history after Clapton left the
397
00:15:14,100 --> 00:15:15,839
Blues Breakers and started rehearsing
398
00:15:15,839 --> 00:15:17,820
with cream the guitar was stolen from
399
00:15:17,820 --> 00:15:19,260
the rehearsal space
400
00:15:19,260 --> 00:15:21,480
the guitar has never surfaced again but
401
00:15:21,480 --> 00:15:23,279
in an interview in guitarist magazine in
402
00:15:23,279 --> 00:15:25,740
2016 Joe Bonamassa said that he knows
403
00:15:25,740 --> 00:15:28,139
where the bino guitar is residing in a
404
00:15:28,139 --> 00:15:29,579
collection on the east coast of the U.S
405
00:15:29,579 --> 00:15:32,160
he hasn't seen the guitar himself but he
406
00:15:32,160 --> 00:15:33,899
knows people that have that identified
407
00:15:33,899 --> 00:15:36,180
it by the unique fingerprint shape Mark
408
00:15:36,180 --> 00:15:37,980
in the Finish By the volume and tone
409
00:15:37,980 --> 00:15:40,380
pots okay now for some honorable
410
00:15:40,380 --> 00:15:41,399
mentions
411
00:15:41,399 --> 00:15:43,199
Peter Frampton's three pickup custom
412
00:15:43,199 --> 00:15:45,180
will no doubt have its own video in the
413
00:15:45,180 --> 00:15:47,699
future but sadly Frampton's more
414
00:15:47,699 --> 00:15:49,860
sophisticated harmonies using Sixth and
415
00:15:49,860 --> 00:15:51,480
knights didn't make its way into the
416
00:15:51,480 --> 00:15:53,160
mainstream influences that the others
417
00:15:53,160 --> 00:15:55,620
did here I'm sure some will disagree in
418
00:15:55,620 --> 00:15:56,880
the comments
419
00:15:56,880 --> 00:15:58,740
Ace really from Kiss of course was a big
420
00:15:58,740 --> 00:16:00,779
part of my early Rock memory and he
421
00:16:00,779 --> 00:16:02,339
brought great Blues riffs to the stage
422
00:16:02,339 --> 00:16:05,220
with first modified Les Paul deluxes and
423
00:16:05,220 --> 00:16:07,620
later his Les Paul customs in the studio
424
00:16:07,620 --> 00:16:09,600
he was an early advocate of vintage Les
425
00:16:09,600 --> 00:16:12,420
Paul's using a 59 burst
426
00:16:12,420 --> 00:16:14,699
Adam Jones down tuned and Les Paul
427
00:16:14,699 --> 00:16:16,740
driven guitar work with tool in the 90s
428
00:16:16,740 --> 00:16:18,360
made it clear that Les Paul's weren't
429
00:16:18,360 --> 00:16:19,800
just Blues machines
430
00:16:19,800 --> 00:16:21,720
his recent run of custom shop signature
431
00:16:21,720 --> 00:16:23,399
guitars with Gibson sold out in record
432
00:16:23,399 --> 00:16:25,320
time and went on to become a production
433
00:16:25,320 --> 00:16:26,160
model
434
00:16:26,160 --> 00:16:27,600
who'd have thought we'd see the custom
435
00:16:27,600 --> 00:16:29,699
shop making copies of a Les Paul from
436
00:16:29,699 --> 00:16:30,959
the late 70s
437
00:16:30,959 --> 00:16:32,519
Peter Green was likely as the
438
00:16:32,519 --> 00:16:34,440
influential a wielder of a burst Les
439
00:16:34,440 --> 00:16:37,380
Paul in the UK as Clapton was many many
440
00:16:37,380 --> 00:16:39,959
players in the U.S as well list him as a
441
00:16:39,959 --> 00:16:41,579
primary influence including Billy
442
00:16:41,579 --> 00:16:44,160
Gibbons and BB King said that green was
443
00:16:44,160 --> 00:16:46,199
the only player that gave him quote the
444
00:16:46,199 --> 00:16:48,779
cold sweats end quote and that's from a
445
00:16:48,779 --> 00:16:50,160
master indeed
446
00:16:50,160 --> 00:16:51,779
and finally there's no question that Joe
447
00:16:51,779 --> 00:16:53,759
Bonamassa switched from a strat to a Les
448
00:16:53,759 --> 00:16:55,800
Paul earned his career as his primary
449
00:16:55,800 --> 00:16:57,540
instrument has rekindled both my
450
00:16:57,540 --> 00:16:58,920
generation and younger players
451
00:16:58,920 --> 00:17:01,079
interested in blues and blues rock on a
452
00:17:01,079 --> 00:17:01,980
Les Paul
453
00:17:01,980 --> 00:17:03,959
playing vintage bursts on stage he
454
00:17:03,959 --> 00:17:05,880
shines a light on both the classic gear
455
00:17:05,880 --> 00:17:08,220
and the styles of classic players of Les
456
00:17:08,220 --> 00:17:10,380
Paul's in every show and then in every
457
00:17:10,380 --> 00:17:12,000
interview he's always talking about the
458
00:17:12,000 --> 00:17:13,500
history of the players that came before
459
00:17:13,500 --> 00:17:15,600
him
460
00:17:15,600 --> 00:17:16,919
number one
461
00:17:16,919 --> 00:17:18,959
James Patrick page
462
00:17:18,959 --> 00:17:21,540
acquired his famous number one 59 Les
463
00:17:21,540 --> 00:17:24,900
Paul in 1969. Joe Walsh was in the UK
464
00:17:24,900 --> 00:17:27,120
touring with the James gang and offered
465
00:17:27,120 --> 00:17:29,700
the guitar to Paige at first page said
466
00:17:29,700 --> 00:17:31,740
that he already had a Les Paul as he
467
00:17:31,740 --> 00:17:34,620
owned a 1963 pickup Les Paul Custom a
468
00:17:34,620 --> 00:17:36,539
guitar he'd used in his Studio work for
469
00:17:36,539 --> 00:17:38,880
many years but after he played the burst
470
00:17:38,880 --> 00:17:40,440
he relented and bought the guitar that
471
00:17:40,440 --> 00:17:42,299
would become his number one
472
00:17:42,299 --> 00:17:43,679
it's important to remember that this
473
00:17:43,679 --> 00:17:45,240
took place between the recording of Led
474
00:17:45,240 --> 00:17:47,460
Zeppelin's first and second albums the
475
00:17:47,460 --> 00:17:49,200
vast majority of the Led Zeppelin 1 was
476
00:17:49,200 --> 00:17:51,120
recorded with a Telecaster that Paige
477
00:17:51,120 --> 00:17:52,620
had gotten from Jeff Beck when they were
478
00:17:52,620 --> 00:17:55,020
both still in The Yardbirds but Paige
479
00:17:55,020 --> 00:17:56,460
would go on to use the burst to perform
480
00:17:56,460 --> 00:17:58,679
that music on tour and for many many
481
00:17:58,679 --> 00:18:00,419
years after
482
00:18:00,419 --> 00:18:02,640
the guitar slung low he taught the world
483
00:18:02,640 --> 00:18:04,679
what a rock guitar player should look
484
00:18:04,679 --> 00:18:06,179
and sound like
485
00:18:06,179 --> 00:18:08,039
to call is playing loose or is tuning
486
00:18:08,039 --> 00:18:09,900
rough misses the whole point of his
487
00:18:09,900 --> 00:18:11,880
incredible timing and interplay with the
488
00:18:11,880 --> 00:18:13,980
rest of the band that made all his work
489
00:18:13,980 --> 00:18:15,480
so amazing
490
00:18:15,480 --> 00:18:16,980
the tunes he wrote with Led Zeppelin
491
00:18:16,980 --> 00:18:18,480
will always be a part of any guitarist
492
00:18:18,480 --> 00:18:21,419
must learn list classic tunes that have
493
00:18:21,419 --> 00:18:23,280
and will continue to stand the test of
494
00:18:23,280 --> 00:18:28,820
time Paige is the iconic Les Paul player
495
00:18:28,890 --> 00:18:43,080
[Music]
496
00:18:43,080 --> 00:18:45,740
thank you
497
00:18:45,900 --> 00:18:48,360
that's my list I encourage you to share
498
00:18:48,360 --> 00:18:50,220
your own top 10 Les Paul players in the
499
00:18:50,220 --> 00:18:52,320
comments section remember my criteria
500
00:18:52,320 --> 00:18:53,880
which was that players in the
501
00:18:53,880 --> 00:18:54,960
instruments had to have the greatest
502
00:18:54,960 --> 00:18:57,600
impact on the music but again share your
503
00:18:57,600 --> 00:18:59,580
own approach and your list I know from
504
00:18:59,580 --> 00:19:01,740
experience that I can count on you if
505
00:19:01,740 --> 00:19:03,179
you like this video you probably enjoy
506
00:19:03,179 --> 00:19:05,460
my short history of the burst Les Paul's
507
00:19:05,460 --> 00:19:07,140
as well
508
00:19:07,140 --> 00:19:09,120
first I need to thank Jeff mcelane and
509
00:19:09,120 --> 00:19:10,740
John Cordy for letting me borrow playing
510
00:19:10,740 --> 00:19:12,299
examples from their excellent videos
511
00:19:12,299 --> 00:19:14,640
Jeff's love of classic lust ball players
512
00:19:14,640 --> 00:19:16,620
like Eric Clapton and Jimmy Page is well
513
00:19:16,620 --> 00:19:18,780
known John cordy's relationship with Les
514
00:19:18,780 --> 00:19:21,240
Paul's is how should I say more
515
00:19:21,240 --> 00:19:22,380
complicated
516
00:19:22,380 --> 00:19:24,840
I need to thank Rick biato fluff Justin
517
00:19:24,840 --> 00:19:26,700
Ostrander and Jeff mcelane for their
518
00:19:26,700 --> 00:19:28,440
input and who they felt should be a part
519
00:19:28,440 --> 00:19:30,240
of the shortlist of the most influential
520
00:19:30,240 --> 00:19:32,580
Les Paul players part of the fun of me
521
00:19:32,580 --> 00:19:34,260
making this video was going back and
522
00:19:34,260 --> 00:19:36,539
watching their videos on Les Paul's and
523
00:19:36,539 --> 00:19:38,760
you should do that too whenever I'm
524
00:19:38,760 --> 00:19:40,440
writing about Les Paul's my copy of Dave
525
00:19:40,440 --> 00:19:42,120
Hunter's excellent the Gibson Les Paul
526
00:19:42,120 --> 00:19:43,559
The Illustrated history of the guitar
527
00:19:43,559 --> 00:19:45,840
that changed rock is always close at
528
00:19:45,840 --> 00:19:46,740
hand
529
00:19:46,740 --> 00:19:48,299
I want to thank everyone that stopped by
530
00:19:48,299 --> 00:19:50,640
the store and picked up a t-shirt hoodie
531
00:19:50,640 --> 00:19:53,820
mug hat or the snot precept pack and in
532
00:19:53,820 --> 00:19:55,080
particular I need to thank the friends
533
00:19:55,080 --> 00:19:56,940
of five watt on patreon it's the guitar
534
00:19:56,940 --> 00:19:59,039
Community I've always wanted you're all
535
00:19:59,039 --> 00:20:01,980
five watt world I just make the videos
536
00:20:01,980 --> 00:20:03,299
if you enjoyed this video hit the like
537
00:20:03,299 --> 00:20:04,559
button and if you haven't subscribed yet
538
00:20:04,559 --> 00:20:06,299
go ahead and hit that too YouTube tells
539
00:20:06,299 --> 00:20:08,280
me that 65 of the folks that are
540
00:20:08,280 --> 00:20:09,840
watching my videos aren't subscribed it
541
00:20:09,840 --> 00:20:10,980
would really mean a lot to me if you
542
00:20:10,980 --> 00:20:12,660
took a minute to subscribe so hit that
543
00:20:12,660 --> 00:20:14,280
subscribe button so you don't miss an
544
00:20:14,280 --> 00:20:16,080
episode thanks for hanging out with me
545
00:20:16,080 --> 00:20:18,120
till the end until next time I'm Keith
546
00:20:18,120 --> 00:20:20,520
Williams thanks for being a part of the
547
00:20:20,520 --> 00:20:23,140
five levels
548
00:20:23,140 --> 00:20:25,200
[Music]
549
00:20:25,200 --> 00:20:28,200
foreign
550
00:20:32,930 --> 00:20:36,299
[Music]
551
00:20:36,299 --> 00:20:39,140
all right37835
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