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These are the user uploaded subtitles that are being translated: 1 00:00:02,659 --> 00:00:04,860 this video is brought to you with the 2 00:00:04,860 --> 00:00:06,680 support of trufire's sister company 3 00:00:06,680 --> 00:00:10,620 artist works learn from masters with 4 00:00:10,620 --> 00:00:13,400 artist works 5 00:00:16,560 --> 00:00:17,810 [Music] 6 00:00:17,810 --> 00:00:19,250 [Applause] 7 00:00:19,250 --> 00:00:29,699 [Music] 8 00:00:30,140 --> 00:00:32,520 hi this is Keith Williams welcome to 9 00:00:32,520 --> 00:00:33,899 five watt world where we're interested 10 00:00:33,899 --> 00:00:35,820 in helping you get the most music from 11 00:00:35,820 --> 00:00:38,280 the least gear which guitarists that use 12 00:00:38,280 --> 00:00:40,200 the Les Paul had the biggest impact on 13 00:00:40,200 --> 00:00:42,719 the music world and by extension on our 14 00:00:42,719 --> 00:00:44,579 world as musicians 15 00:00:44,579 --> 00:00:46,440 there are guitarists and guitars that 16 00:00:46,440 --> 00:00:48,059 left the world a different place that 17 00:00:48,059 --> 00:00:50,039 changed what we thought music could do 18 00:00:50,039 --> 00:00:52,320 or how it could sound or how it could 19 00:00:52,320 --> 00:00:53,520 make us feel 20 00:00:53,520 --> 00:00:54,719 I've always been interested in the 21 00:00:54,719 --> 00:00:56,280 history of these iconic players and 22 00:00:56,280 --> 00:00:57,899 instruments because of the impact that 23 00:00:57,899 --> 00:00:58,920 they've had 24 00:00:58,920 --> 00:01:00,840 I'm always trying to find the before and 25 00:01:00,840 --> 00:01:02,820 after moments the moments after which 26 00:01:02,820 --> 00:01:04,379 the music and the culture were never 27 00:01:04,379 --> 00:01:06,540 quite the same again 28 00:01:06,540 --> 00:01:08,220 without knowing it I've been flirting 29 00:01:08,220 --> 00:01:10,080 with this list of who I think the most 30 00:01:10,080 --> 00:01:11,700 important players and instruments are in 31 00:01:11,700 --> 00:01:13,500 each category when I thought about 32 00:01:13,500 --> 00:01:15,180 making one of these videos it was clear 33 00:01:15,180 --> 00:01:16,680 to me that I needed to start with the 34 00:01:16,680 --> 00:01:19,500 Gibson Les Paul Standard and Customs it 35 00:01:19,500 --> 00:01:21,299 would be easy to do a top 20 or maybe 36 00:01:21,299 --> 00:01:23,700 even a top 50 list of important Les Paul 37 00:01:23,700 --> 00:01:25,860 players but I wanted to wrestle with who 38 00:01:25,860 --> 00:01:27,840 I think are the most important the ones 39 00:01:27,840 --> 00:01:29,939 that change the world so I set a limit 40 00:01:29,939 --> 00:01:32,640 of 10 bust assonable mentions remember 41 00:01:32,640 --> 00:01:34,080 that these aren't necessarily my 42 00:01:34,080 --> 00:01:35,820 favorite players though my favorites are 43 00:01:35,820 --> 00:01:37,680 in here but are the ones that I think 44 00:01:37,680 --> 00:01:39,720 had the biggest impact playing a Les 45 00:01:39,720 --> 00:01:40,619 Paul 46 00:01:40,619 --> 00:01:42,900 you may well disagree I wouldn't be 47 00:01:42,900 --> 00:01:44,460 surprised in the least and I'm sort of 48 00:01:44,460 --> 00:01:46,140 counting on it but let's start this 49 00:01:46,140 --> 00:01:48,600 conversation so I'll go first 50 00:01:48,600 --> 00:01:50,520 enjoy our videos make sure to subscribe 51 00:01:50,520 --> 00:01:52,619 grab a t-shirt hoodie or a stomp preset 52 00:01:52,619 --> 00:01:54,720 pack to support what we do and it become 53 00:01:54,720 --> 00:01:56,280 a bigger part of 5 watt World sign up 54 00:01:56,280 --> 00:01:57,960 for the friends of five watt on patreon 55 00:01:57,960 --> 00:02:01,380 the links are in the description 56 00:02:01,380 --> 00:02:03,119 these really could be in any order but 57 00:02:03,119 --> 00:02:04,740 let's count them down to keep track of 58 00:02:04,740 --> 00:02:07,320 where we are number 10. clearly this 59 00:02:07,320 --> 00:02:09,179 list has to start with Les Paul himself 60 00:02:09,179 --> 00:02:11,039 there is much debate about whether less 61 00:02:11,039 --> 00:02:12,840 cooked up the guitar design or whether 62 00:02:12,840 --> 00:02:14,640 he lurked with directly with Gibson to 63 00:02:14,640 --> 00:02:16,080 finish the design that would carry his 64 00:02:16,080 --> 00:02:18,900 name to this day Lester William paulfes 65 00:02:18,900 --> 00:02:20,580 who would later take the stage name Les 66 00:02:20,580 --> 00:02:22,920 Paul was a massive star in the late 40s 67 00:02:22,920 --> 00:02:25,260 and 50s he had numerous hit records and 68 00:02:25,260 --> 00:02:26,760 even had a popular television program 69 00:02:26,760 --> 00:02:28,319 broadcast from his home with his wife 70 00:02:28,319 --> 00:02:32,099 Mary Ford from 52-54 perfect timing for 71 00:02:32,099 --> 00:02:33,480 the promotion of the guitar that wore 72 00:02:33,480 --> 00:02:36,420 his name that was released in 1952. by 73 00:02:36,420 --> 00:02:37,800 the time their marriage ended at the end 74 00:02:37,800 --> 00:02:39,599 of the decade rock and roll had eclipsed 75 00:02:39,599 --> 00:02:40,580 their popular 76 00:02:40,580 --> 00:02:43,620 harmonized guitars and vocals their Fame 77 00:02:43,620 --> 00:02:45,060 lasted throughout the first decade of 78 00:02:45,060 --> 00:02:46,860 the Les Paul Standard and custom and it 79 00:02:46,860 --> 00:02:48,480 put the new guitar design in front of 80 00:02:48,480 --> 00:02:50,340 thousands of professionals and wannabe 81 00:02:50,340 --> 00:02:52,140 guitarists alike 82 00:02:52,140 --> 00:02:54,959 number nine many of the later Heroes on 83 00:02:54,959 --> 00:02:56,700 this list were heavily influenced by 84 00:02:56,700 --> 00:02:59,280 Freddie King's 1961 instrumental album 85 00:02:59,280 --> 00:03:01,680 let's hide away and dance away 86 00:03:01,680 --> 00:03:03,780 King was pictured on the album holding a 87 00:03:03,780 --> 00:03:06,000 1954 gold top but it can be seen more 88 00:03:06,000 --> 00:03:07,800 clearly on the cover of Freddie King 89 00:03:07,800 --> 00:03:10,019 Blues Guitar Hero 90 00:03:10,019 --> 00:03:11,819 Eric Clapton said he went looking to buy 91 00:03:11,819 --> 00:03:13,739 his Les Paul because of King's stinging 92 00:03:13,739 --> 00:03:16,200 tone clear and articulate with plenty of 93 00:03:16,200 --> 00:03:17,040 bite 94 00:03:17,040 --> 00:03:18,480 whether you know it or not much of the 95 00:03:18,480 --> 00:03:20,459 Blues vocabulary we play today can be 96 00:03:20,459 --> 00:03:23,780 traced back to Freddy King 97 00:03:25,320 --> 00:03:29,340 [Music] 98 00:03:32,360 --> 00:03:35,280 number eight this one's a bit of a cheat 99 00:03:35,280 --> 00:03:37,500 but in the best possible spirit I have 100 00:03:37,500 --> 00:03:39,300 to list the Irish Hard Rock Band Thin 101 00:03:39,300 --> 00:03:41,340 Lizzy like the Allman Brothers they set 102 00:03:41,340 --> 00:03:43,200 the bar for harmony guitar parts for all 103 00:03:43,200 --> 00:03:45,239 that came after sneaking them in here 104 00:03:45,239 --> 00:03:46,739 also lets me mention four Les Paul 105 00:03:46,739 --> 00:03:48,599 players of note that were in the band at 106 00:03:48,599 --> 00:03:50,099 one point or another 107 00:03:50,099 --> 00:03:51,840 John Sykes 108 00:03:51,840 --> 00:03:53,519 Gary Moore 109 00:03:53,519 --> 00:03:56,519 Scott Gorham and Brian Robertson 110 00:03:56,519 --> 00:03:58,620 the Incarnation with Robertson and 111 00:03:58,620 --> 00:04:00,659 Gorham released five Studio albums and 112 00:04:00,659 --> 00:04:02,640 one live album All of which reached the 113 00:04:02,640 --> 00:04:05,099 top 10 UK charts before Robertson left 114 00:04:05,099 --> 00:04:07,799 and more rejoined the band 115 00:04:07,799 --> 00:04:09,840 then Lizzie was a big part of my musical 116 00:04:09,840 --> 00:04:12,840 teen years 1976's release jailbreak 117 00:04:12,840 --> 00:04:14,819 being the soundtrack for me driving beat 118 00:04:14,819 --> 00:04:16,979 up cars too fast through the small town 119 00:04:16,979 --> 00:04:19,440 where I grew up the boys are back in 120 00:04:19,440 --> 00:04:21,419 town playing on repeat 121 00:04:21,419 --> 00:04:23,280 I understand from colleagues in the UK 122 00:04:23,280 --> 00:04:25,080 that thin Lizzy's influence there may 123 00:04:25,080 --> 00:04:26,460 have been even greater during their 124 00:04:26,460 --> 00:04:29,340 pivotal 1970s when hard rock ruled An 125 00:04:29,340 --> 00:04:31,280 Almighty Les Paul's walk to the Earth 126 00:04:31,280 --> 00:04:34,020 unchallenged number seven 127 00:04:34,020 --> 00:04:36,060 Journey's Neil Schoen was a devout user 128 00:04:36,060 --> 00:04:37,560 of Les Paul's in the main years of that 129 00:04:37,560 --> 00:04:39,660 worldwide hit-making machine 130 00:04:39,660 --> 00:04:41,759 as such he likely put the sound of a Les 131 00:04:41,759 --> 00:04:43,620 Paul on more radios than perhaps any 132 00:04:43,620 --> 00:04:45,540 other player of the guitar 133 00:04:45,540 --> 00:04:47,639 it is a gross understatement to say that 134 00:04:47,639 --> 00:04:50,160 Shone used many different Les Paul's in 135 00:04:50,160 --> 00:04:53,759 July of 2021 Heritage auctions sold 112 136 00:04:53,759 --> 00:04:55,860 of his more than 800 instrument 137 00:04:55,860 --> 00:04:58,620 collection because his fifteen thousand 138 00:04:58,620 --> 00:05:00,720 square foot storage facility was out of 139 00:05:00,720 --> 00:05:01,500 room 140 00:05:01,500 --> 00:05:03,419 included in that sale were a number of 141 00:05:03,419 --> 00:05:05,580 late 50s Les Paul's along with guitars 142 00:05:05,580 --> 00:05:07,020 he'd used on the road 143 00:05:07,020 --> 00:05:09,120 one of the guitars sold then was a black 144 00:05:09,120 --> 00:05:11,580 77 Les Paul Pro that enjoyed many 145 00:05:11,580 --> 00:05:13,080 different pickup combinations over the 146 00:05:13,080 --> 00:05:14,940 years with a variety of tremolo Bridges 147 00:05:14,940 --> 00:05:16,800 and can be seen in clips of the live 148 00:05:16,800 --> 00:05:20,040 show in 81 with a P90 in the neck 149 00:05:20,040 --> 00:05:21,900 shone's highly melodic and singable 150 00:05:21,900 --> 00:05:23,759 soloing style along with his more 151 00:05:23,759 --> 00:05:25,620 complex Harmony in his songwriting 152 00:05:25,620 --> 00:05:27,960 helped Propel the band to the Top of the 153 00:05:27,960 --> 00:05:30,400 Rock charts 154 00:05:30,400 --> 00:05:31,200 [Music] 155 00:05:31,200 --> 00:05:32,280 [Applause] 156 00:05:32,280 --> 00:05:35,710 [Music] 157 00:05:37,890 --> 00:05:40,699 [Music] 158 00:05:40,699 --> 00:05:44,039 number six slash 159 00:05:44,039 --> 00:05:47,400 picture this it's 1987 and Gibson is by 160 00:05:47,400 --> 00:05:49,860 most any opinion on the ropes unable to 161 00:05:49,860 --> 00:05:51,300 come along with the super Stratton hair 162 00:05:51,300 --> 00:05:53,220 metal days of the mid 80s the company 163 00:05:53,220 --> 00:05:54,780 was looking back to their days of the 164 00:05:54,780 --> 00:05:57,060 glory in the 50s and not yet doing it 165 00:05:57,060 --> 00:05:58,080 very well 166 00:05:58,080 --> 00:06:00,539 Along Comes a curly headed top hat 167 00:06:00,539 --> 00:06:02,520 wearing nose ring sporting rocker 168 00:06:02,520 --> 00:06:05,520 succinctly named slash Guns and Roses 169 00:06:05,520 --> 00:06:07,320 injected a harder Edge into the music 170 00:06:07,320 --> 00:06:09,720 and there was Slash has Les Paul slung 171 00:06:09,720 --> 00:06:11,940 low like the stage Warriors from decades 172 00:06:11,940 --> 00:06:13,979 before wielding the original weapon of 173 00:06:13,979 --> 00:06:16,080 choice the Les Paul 174 00:06:16,080 --> 00:06:18,539 many have argued including me that his 175 00:06:18,539 --> 00:06:21,120 use of Les Paul quite literally saved 176 00:06:21,120 --> 00:06:22,259 the company 177 00:06:22,259 --> 00:06:24,360 the irony is that the guitar he used to 178 00:06:24,360 --> 00:06:26,100 record the majority of Appetite for 179 00:06:26,100 --> 00:06:28,500 Destruction was actually a copy of the 180 00:06:28,500 --> 00:06:30,600 59 Les Paul that had been built by West 181 00:06:30,600 --> 00:06:33,240 Coast luthier Chris derrig 182 00:06:33,240 --> 00:06:34,919 and while we're at it Nashville's 183 00:06:34,919 --> 00:06:36,479 session guitarist Justin Ostrander 184 00:06:36,479 --> 00:06:37,979 reminded me that if you close your eyes 185 00:06:37,979 --> 00:06:39,660 and take away all the glitz of the show 186 00:06:39,660 --> 00:06:41,880 you'll remember that slash is a very 187 00:06:41,880 --> 00:06:43,740 talented soloist with a wonderful sense 188 00:06:43,740 --> 00:06:46,139 of Melody he certainly sent an entire 189 00:06:46,139 --> 00:06:48,840 generation reaching for Les Paul's my 190 00:06:48,840 --> 00:06:50,580 buddy David Barber of Barber Electronics 191 00:06:50,580 --> 00:06:52,139 said he remembers watching guitar stores 192 00:06:52,139 --> 00:06:54,360 loaded with super strats slowly giving 193 00:06:54,360 --> 00:06:56,220 up more and more floor space to Les 194 00:06:56,220 --> 00:06:59,699 Paul's in the wake of gnr's success 195 00:06:59,699 --> 00:07:01,380 I discovered artists Works about 10 196 00:07:01,380 --> 00:07:03,240 years ago taking Guthrie traps electric 197 00:07:03,240 --> 00:07:05,580 country guitar course it completely 198 00:07:05,580 --> 00:07:07,800 changed the way I approach the guitar in 199 00:07:07,800 --> 00:07:10,259 every genre artist Works has affordable 200 00:07:10,259 --> 00:07:12,060 courses in a wide variety of instruments 201 00:07:12,060 --> 00:07:13,740 and styles all taught by Master 202 00:07:13,740 --> 00:07:15,780 musicians ready to work with you using 203 00:07:15,780 --> 00:07:18,840 their Innovative Video Exchange program 204 00:07:18,840 --> 00:07:21,479 get 40 off any artist work school using 205 00:07:21,479 --> 00:07:22,979 the link in the description along with 206 00:07:22,979 --> 00:07:25,680 the code fww 40. 207 00:07:25,680 --> 00:07:27,720 taking courses with artist Works opened 208 00:07:27,720 --> 00:07:29,460 up the way I play and I can do the same 209 00:07:29,460 --> 00:07:31,860 for you I'd like to thank artist works 210 00:07:31,860 --> 00:07:34,440 for their support in making this video 211 00:07:34,440 --> 00:07:37,440 number five Randy Rhodes 212 00:07:37,440 --> 00:07:39,780 Randy Rhodes's 1974 white Les Paul 213 00:07:39,780 --> 00:07:41,340 Custom was bought for him by his 214 00:07:41,340 --> 00:07:43,020 bandmates when he was in the band Quiet 215 00:07:43,020 --> 00:07:45,720 Riot as a Norland era Les Paul Custom 216 00:07:45,720 --> 00:07:48,000 from the early 70s it had the mahogany 217 00:07:48,000 --> 00:07:50,099 and maple sandwich body of the time and 218 00:07:50,099 --> 00:07:51,780 a carved Maple top 219 00:07:51,780 --> 00:07:53,699 white when Knew by the time Randy was 220 00:07:53,699 --> 00:07:54,900 playing the guitar the Finish had 221 00:07:54,900 --> 00:07:57,720 yellowed to the color of Irish butter 222 00:07:57,720 --> 00:07:59,880 Randy made a few small cosmetic changes 223 00:07:59,880 --> 00:08:01,919 to the guitar substituting shalers for 224 00:08:01,919 --> 00:08:03,720 the Grover tuners and swapping out the 225 00:08:03,720 --> 00:08:06,360 toggle switch plate finally he had his 226 00:08:06,360 --> 00:08:08,520 name engraved on the pickguard the 227 00:08:08,520 --> 00:08:10,139 pickups at the time would have been the 228 00:08:10,139 --> 00:08:11,940 custom t-buckers so named for the 229 00:08:11,940 --> 00:08:13,740 t-shaped tool markers made in the 230 00:08:13,740 --> 00:08:15,000 forward bobbin 231 00:08:15,000 --> 00:08:16,560 The Story Goes that when he auditioned 232 00:08:16,560 --> 00:08:18,599 for Ozzy Osbourne Ozzy gave him the gig 233 00:08:18,599 --> 00:08:20,340 without hearing a single note as he 234 00:08:20,340 --> 00:08:22,319 watched Randy pull the white custom out 235 00:08:22,319 --> 00:08:23,639 of its case 236 00:08:23,639 --> 00:08:25,080 Rhodes brought a level of guitar 237 00:08:25,080 --> 00:08:26,699 knowledge to the Hard Rock world that 238 00:08:26,699 --> 00:08:29,280 was rarely there before he famously took 239 00:08:29,280 --> 00:08:30,960 a guitar lesson with local teachers in 240 00:08:30,960 --> 00:08:33,419 each City the band visited on tour his 241 00:08:33,419 --> 00:08:34,979 background playing classical guitar can 242 00:08:34,979 --> 00:08:36,419 be seen in his thumb behind the neck 243 00:08:36,419 --> 00:08:38,039 left-hand position 244 00:08:38,039 --> 00:08:40,380 interestingly on the intro for diary for 245 00:08:40,380 --> 00:08:42,899 a Madman Rhodes plays the chords used in 246 00:08:42,899 --> 00:08:45,779 classical guitar composer Leo browers 247 00:08:45,779 --> 00:08:48,060 Etude number six I learned the piece in 248 00:08:48,060 --> 00:08:49,560 college and it played bits of it in 249 00:08:49,560 --> 00:08:51,360 videos after which I'm generally accused 250 00:08:51,360 --> 00:08:53,339 of copying it from roads but Rhodes had 251 00:08:53,339 --> 00:08:55,260 capped the changes from Brower great 252 00:08:55,260 --> 00:08:58,080 stuff from a hard rock legend 253 00:08:58,080 --> 00:09:00,839 number four Dwayne Allman 254 00:09:00,839 --> 00:09:02,640 I've lost track of the number of players 255 00:09:02,640 --> 00:09:04,260 that cite the Allman Brothers album live 256 00:09:04,260 --> 00:09:06,000 at the Fillmore East as a primary 257 00:09:06,000 --> 00:09:08,399 influence known for playing Les Paul's 258 00:09:08,399 --> 00:09:09,540 Duane actually used three different 259 00:09:09,540 --> 00:09:11,700 guitars throughout his career he bought 260 00:09:11,700 --> 00:09:14,820 his first a 57 gold Top early in 1969 261 00:09:14,820 --> 00:09:16,140 and it was the guitar on which he 262 00:09:16,140 --> 00:09:18,959 learned and honed his slide style he 263 00:09:18,959 --> 00:09:20,760 played the 57 on the first two Allman 264 00:09:20,760 --> 00:09:22,740 Brothers records and it's the one used 265 00:09:22,740 --> 00:09:24,660 on Eric Clapton's Derek and the Dominos 266 00:09:24,660 --> 00:09:27,240 Layla and other love song sessions 267 00:09:27,240 --> 00:09:30,060 in September of 1970 Dwayne traded the 268 00:09:30,060 --> 00:09:32,399 gold top for a 59 Cherry burst after 269 00:09:32,399 --> 00:09:34,080 first swapping out the pickups between 270 00:09:34,080 --> 00:09:35,459 the two guitars 271 00:09:35,459 --> 00:09:37,500 it is that guitar that is heard on live 272 00:09:37,500 --> 00:09:40,080 at the Fillmore East but in June of 71 273 00:09:40,080 --> 00:09:43,380 Guitar Dealer Kurt linhoff sold Dwayne a 274 00:09:43,380 --> 00:09:46,019 59 with a much darker burst top that 275 00:09:46,019 --> 00:09:47,279 would be Dwayne's primary instrument 276 00:09:47,279 --> 00:09:50,760 until his death in October of 71. the 277 00:09:50,760 --> 00:09:52,380 guitars were brought together for the 278 00:09:52,380 --> 00:09:53,940 final run of the Allman Brothers Band in 279 00:09:53,940 --> 00:09:56,279 2014 and both Derek Trucks and Warren 280 00:09:56,279 --> 00:09:58,380 Haynes commented on how distinctive the 281 00:09:58,380 --> 00:09:59,519 tones were 282 00:09:59,519 --> 00:10:02,279 Haynes said of the Cherry burst 59 you 283 00:10:02,279 --> 00:10:04,380 plug it in and the sound of Dwayne is 284 00:10:04,380 --> 00:10:06,600 unmistakable number three 285 00:10:06,600 --> 00:10:08,220 Billy Gibbons 286 00:10:08,220 --> 00:10:10,320 Billy Gibbons Pearly Gates was acquired 287 00:10:10,320 --> 00:10:13,080 in 1968 just as easy top was getting 288 00:10:13,080 --> 00:10:15,480 started as such the guitar was the sound 289 00:10:15,480 --> 00:10:17,700 of the band from their ZZ Top's first 290 00:10:17,700 --> 00:10:19,680 album to the present day 291 00:10:19,680 --> 00:10:21,540 like so many others Billy was launched 292 00:10:21,540 --> 00:10:23,339 on his search for humbucking pickup Les 293 00:10:23,339 --> 00:10:25,680 Paul by the sounds he'd heard on the 294 00:10:25,680 --> 00:10:28,800 July 11 1965 release of John Mayall and 295 00:10:28,800 --> 00:10:30,480 the Blues Breakers featuring Eric 296 00:10:30,480 --> 00:10:32,519 Clapton affectionately known among fans 297 00:10:32,519 --> 00:10:34,220 as the bino album 298 00:10:34,220 --> 00:10:37,019 [Music] 299 00:10:37,019 --> 00:10:40,019 foreign 300 00:10:40,040 --> 00:10:44,900 [Music] 301 00:10:48,790 --> 00:10:51,870 [Music] 302 00:10:58,270 --> 00:11:04,299 [Music] 303 00:11:06,010 --> 00:11:06,160 [Applause] 304 00:11:06,160 --> 00:11:09,299 [Music] 305 00:11:12,160 --> 00:11:13,579 [Music] 306 00:11:13,579 --> 00:11:17,240 thank you 307 00:11:24,180 --> 00:11:27,180 foreign 308 00:11:29,650 --> 00:11:41,899 [Music] 309 00:11:42,200 --> 00:11:45,120 is well known an aspiring actress in 310 00:11:45,120 --> 00:11:46,680 front of the band needed to go to Los 311 00:11:46,680 --> 00:11:48,839 Angeles to audition for a part they 312 00:11:48,839 --> 00:11:51,180 loaned her a 1939 Packard so she could 313 00:11:51,180 --> 00:11:52,440 get there 314 00:11:52,440 --> 00:11:54,779 the car was on its last legs but it got 315 00:11:54,779 --> 00:11:56,459 her to Hollywood and she got the part 316 00:11:56,459 --> 00:11:58,500 given the age of the car and the girl 317 00:11:58,500 --> 00:12:00,060 getting the part they figured there must 318 00:12:00,060 --> 00:12:01,800 have been divine intervention so they 319 00:12:01,800 --> 00:12:04,260 named the car Pearly Gates 320 00:12:04,260 --> 00:12:05,820 when she asked if she should send back 321 00:12:05,820 --> 00:12:07,380 the car or sell it and send the money 322 00:12:07,380 --> 00:12:10,620 the guys resoundingly said sell it Billy 323 00:12:10,620 --> 00:12:11,940 had heard through a friend that an old 324 00:12:11,940 --> 00:12:13,380 Rancher that lived outside of Houston 325 00:12:13,380 --> 00:12:16,079 had an old guitar under his bed 326 00:12:16,079 --> 00:12:18,540 Gibbons took the 250 he just received 327 00:12:18,540 --> 00:12:20,040 from the actress and drove out to the 328 00:12:20,040 --> 00:12:22,500 ranch and in Billy's words the deal went 329 00:12:22,500 --> 00:12:24,779 down and the name of the car was then 330 00:12:24,779 --> 00:12:26,700 transferred to the guitar 331 00:12:26,700 --> 00:12:28,800 the tone of Pearly Gates is so etched 332 00:12:28,800 --> 00:12:30,779 into Gibbon's musical Consciousness that 333 00:12:30,779 --> 00:12:32,940 all other guitars he uses on stage are 334 00:12:32,940 --> 00:12:36,000 eq'd to match the EQ curve of an open G 335 00:12:36,000 --> 00:12:38,399 chord played on pearly the secret to the 336 00:12:38,399 --> 00:12:42,320 rag is every gets car tar has 337 00:12:42,320 --> 00:12:44,940 a tone it's supposed to reach because 338 00:12:44,940 --> 00:12:46,680 when we change guitars they have to be 339 00:12:46,680 --> 00:12:48,000 homogeneous 340 00:12:48,000 --> 00:12:51,660 so if we go to a Telecaster to a Les 341 00:12:51,660 --> 00:12:52,639 Paul 342 00:12:52,639 --> 00:12:56,459 the the gain all has to be the same we 343 00:12:56,459 --> 00:12:59,040 want we don't want you to tell that he's 344 00:12:59,040 --> 00:13:01,500 ever played a Telecaster we took a 345 00:13:01,500 --> 00:13:03,899 picture played a G chord with pearly we 346 00:13:03,899 --> 00:13:05,700 bring still bring pearly out all the 347 00:13:05,700 --> 00:13:08,220 rehearsals we take a G chord through 348 00:13:08,220 --> 00:13:10,079 this setting 349 00:13:10,079 --> 00:13:12,779 gives us this curve 350 00:13:12,779 --> 00:13:15,240 so that's what pearly is so that's 351 00:13:15,240 --> 00:13:17,399 that's the benchmark 352 00:13:17,399 --> 00:13:20,279 so all we do every time I get a new 353 00:13:20,279 --> 00:13:24,180 guitar I play through this setting a G 354 00:13:24,180 --> 00:13:25,980 chord 355 00:13:25,980 --> 00:13:28,200 and see how off it is because it always 356 00:13:28,200 --> 00:13:29,339 is 357 00:13:29,339 --> 00:13:32,399 and we correct it with this 358 00:13:32,399 --> 00:13:34,320 and get it as you know it's not perfect 359 00:13:34,320 --> 00:13:36,180 science but it's guitar player science 360 00:13:36,180 --> 00:13:38,579 so it sort of works essentially they 361 00:13:38,579 --> 00:13:40,200 make any guitar he's playing sound as 362 00:13:40,200 --> 00:13:42,360 much like pearly as is technologically 363 00:13:42,360 --> 00:13:45,000 possible today the first three ZZ Top 364 00:13:45,000 --> 00:13:47,160 records are a catalog of classic Blues 365 00:13:47,160 --> 00:13:49,079 Licks filtered through a thick Texas 366 00:13:49,079 --> 00:13:51,360 dust storm and have influenced all Les 367 00:13:51,360 --> 00:13:53,579 Paul players that have come after 368 00:13:53,579 --> 00:13:54,959 number two 369 00:13:54,959 --> 00:13:56,820 some might argue that Eric Clapton 370 00:13:56,820 --> 00:13:58,860 belongs at the top of this list but I'll 371 00:13:58,860 --> 00:14:00,540 justify his placement here based on the 372 00:14:00,540 --> 00:14:03,300 relatively short time he used a Les Paul 373 00:14:03,300 --> 00:14:05,220 regardless of that reasoning Clapton's 374 00:14:05,220 --> 00:14:07,560 use of a 1960 burst into a martial combo 375 00:14:07,560 --> 00:14:09,480 on The Beano album was the sort of 376 00:14:09,480 --> 00:14:11,040 before and after moment that make up 377 00:14:11,040 --> 00:14:12,120 this history 378 00:14:12,120 --> 00:14:13,800 after the release of that record the 379 00:14:13,800 --> 00:14:15,839 blues r b and rock world would never be 380 00:14:15,839 --> 00:14:17,820 the same it introduced the interaction 381 00:14:17,820 --> 00:14:19,740 of a Les Paul with an overdriven 382 00:14:19,740 --> 00:14:23,320 Marshall cranked up and breathing fire 383 00:14:23,320 --> 00:14:24,839 [Music] 384 00:14:24,839 --> 00:14:26,839 um 385 00:14:40,640 --> 00:14:41,760 [Applause] 386 00:14:41,760 --> 00:14:52,299 [Music] 387 00:14:53,300 --> 00:14:55,320 though there are different versions of 388 00:14:55,320 --> 00:14:57,180 the story most agree that Clapton bought 389 00:14:57,180 --> 00:14:59,100 the guitar at Lou Davis's guitar shop in 390 00:14:59,100 --> 00:15:01,500 Cherry Crossroad the debate on whether 391 00:15:01,500 --> 00:15:04,260 the car was a 59 or a 60 leans towards 392 00:15:04,260 --> 00:15:06,420 60 based on Clapton's claim that it had 393 00:15:06,420 --> 00:15:08,100 a very slim neck which would not have 394 00:15:08,100 --> 00:15:10,620 been typical on a 59 burst 395 00:15:10,620 --> 00:15:12,240 and one of the biggest mysteries of 396 00:15:12,240 --> 00:15:14,100 guitar history after Clapton left the 397 00:15:14,100 --> 00:15:15,839 Blues Breakers and started rehearsing 398 00:15:15,839 --> 00:15:17,820 with cream the guitar was stolen from 399 00:15:17,820 --> 00:15:19,260 the rehearsal space 400 00:15:19,260 --> 00:15:21,480 the guitar has never surfaced again but 401 00:15:21,480 --> 00:15:23,279 in an interview in guitarist magazine in 402 00:15:23,279 --> 00:15:25,740 2016 Joe Bonamassa said that he knows 403 00:15:25,740 --> 00:15:28,139 where the bino guitar is residing in a 404 00:15:28,139 --> 00:15:29,579 collection on the east coast of the U.S 405 00:15:29,579 --> 00:15:32,160 he hasn't seen the guitar himself but he 406 00:15:32,160 --> 00:15:33,899 knows people that have that identified 407 00:15:33,899 --> 00:15:36,180 it by the unique fingerprint shape Mark 408 00:15:36,180 --> 00:15:37,980 in the Finish By the volume and tone 409 00:15:37,980 --> 00:15:40,380 pots okay now for some honorable 410 00:15:40,380 --> 00:15:41,399 mentions 411 00:15:41,399 --> 00:15:43,199 Peter Frampton's three pickup custom 412 00:15:43,199 --> 00:15:45,180 will no doubt have its own video in the 413 00:15:45,180 --> 00:15:47,699 future but sadly Frampton's more 414 00:15:47,699 --> 00:15:49,860 sophisticated harmonies using Sixth and 415 00:15:49,860 --> 00:15:51,480 knights didn't make its way into the 416 00:15:51,480 --> 00:15:53,160 mainstream influences that the others 417 00:15:53,160 --> 00:15:55,620 did here I'm sure some will disagree in 418 00:15:55,620 --> 00:15:56,880 the comments 419 00:15:56,880 --> 00:15:58,740 Ace really from Kiss of course was a big 420 00:15:58,740 --> 00:16:00,779 part of my early Rock memory and he 421 00:16:00,779 --> 00:16:02,339 brought great Blues riffs to the stage 422 00:16:02,339 --> 00:16:05,220 with first modified Les Paul deluxes and 423 00:16:05,220 --> 00:16:07,620 later his Les Paul customs in the studio 424 00:16:07,620 --> 00:16:09,600 he was an early advocate of vintage Les 425 00:16:09,600 --> 00:16:12,420 Paul's using a 59 burst 426 00:16:12,420 --> 00:16:14,699 Adam Jones down tuned and Les Paul 427 00:16:14,699 --> 00:16:16,740 driven guitar work with tool in the 90s 428 00:16:16,740 --> 00:16:18,360 made it clear that Les Paul's weren't 429 00:16:18,360 --> 00:16:19,800 just Blues machines 430 00:16:19,800 --> 00:16:21,720 his recent run of custom shop signature 431 00:16:21,720 --> 00:16:23,399 guitars with Gibson sold out in record 432 00:16:23,399 --> 00:16:25,320 time and went on to become a production 433 00:16:25,320 --> 00:16:26,160 model 434 00:16:26,160 --> 00:16:27,600 who'd have thought we'd see the custom 435 00:16:27,600 --> 00:16:29,699 shop making copies of a Les Paul from 436 00:16:29,699 --> 00:16:30,959 the late 70s 437 00:16:30,959 --> 00:16:32,519 Peter Green was likely as the 438 00:16:32,519 --> 00:16:34,440 influential a wielder of a burst Les 439 00:16:34,440 --> 00:16:37,380 Paul in the UK as Clapton was many many 440 00:16:37,380 --> 00:16:39,959 players in the U.S as well list him as a 441 00:16:39,959 --> 00:16:41,579 primary influence including Billy 442 00:16:41,579 --> 00:16:44,160 Gibbons and BB King said that green was 443 00:16:44,160 --> 00:16:46,199 the only player that gave him quote the 444 00:16:46,199 --> 00:16:48,779 cold sweats end quote and that's from a 445 00:16:48,779 --> 00:16:50,160 master indeed 446 00:16:50,160 --> 00:16:51,779 and finally there's no question that Joe 447 00:16:51,779 --> 00:16:53,759 Bonamassa switched from a strat to a Les 448 00:16:53,759 --> 00:16:55,800 Paul earned his career as his primary 449 00:16:55,800 --> 00:16:57,540 instrument has rekindled both my 450 00:16:57,540 --> 00:16:58,920 generation and younger players 451 00:16:58,920 --> 00:17:01,079 interested in blues and blues rock on a 452 00:17:01,079 --> 00:17:01,980 Les Paul 453 00:17:01,980 --> 00:17:03,959 playing vintage bursts on stage he 454 00:17:03,959 --> 00:17:05,880 shines a light on both the classic gear 455 00:17:05,880 --> 00:17:08,220 and the styles of classic players of Les 456 00:17:08,220 --> 00:17:10,380 Paul's in every show and then in every 457 00:17:10,380 --> 00:17:12,000 interview he's always talking about the 458 00:17:12,000 --> 00:17:13,500 history of the players that came before 459 00:17:13,500 --> 00:17:15,600 him 460 00:17:15,600 --> 00:17:16,919 number one 461 00:17:16,919 --> 00:17:18,959 James Patrick page 462 00:17:18,959 --> 00:17:21,540 acquired his famous number one 59 Les 463 00:17:21,540 --> 00:17:24,900 Paul in 1969. Joe Walsh was in the UK 464 00:17:24,900 --> 00:17:27,120 touring with the James gang and offered 465 00:17:27,120 --> 00:17:29,700 the guitar to Paige at first page said 466 00:17:29,700 --> 00:17:31,740 that he already had a Les Paul as he 467 00:17:31,740 --> 00:17:34,620 owned a 1963 pickup Les Paul Custom a 468 00:17:34,620 --> 00:17:36,539 guitar he'd used in his Studio work for 469 00:17:36,539 --> 00:17:38,880 many years but after he played the burst 470 00:17:38,880 --> 00:17:40,440 he relented and bought the guitar that 471 00:17:40,440 --> 00:17:42,299 would become his number one 472 00:17:42,299 --> 00:17:43,679 it's important to remember that this 473 00:17:43,679 --> 00:17:45,240 took place between the recording of Led 474 00:17:45,240 --> 00:17:47,460 Zeppelin's first and second albums the 475 00:17:47,460 --> 00:17:49,200 vast majority of the Led Zeppelin 1 was 476 00:17:49,200 --> 00:17:51,120 recorded with a Telecaster that Paige 477 00:17:51,120 --> 00:17:52,620 had gotten from Jeff Beck when they were 478 00:17:52,620 --> 00:17:55,020 both still in The Yardbirds but Paige 479 00:17:55,020 --> 00:17:56,460 would go on to use the burst to perform 480 00:17:56,460 --> 00:17:58,679 that music on tour and for many many 481 00:17:58,679 --> 00:18:00,419 years after 482 00:18:00,419 --> 00:18:02,640 the guitar slung low he taught the world 483 00:18:02,640 --> 00:18:04,679 what a rock guitar player should look 484 00:18:04,679 --> 00:18:06,179 and sound like 485 00:18:06,179 --> 00:18:08,039 to call is playing loose or is tuning 486 00:18:08,039 --> 00:18:09,900 rough misses the whole point of his 487 00:18:09,900 --> 00:18:11,880 incredible timing and interplay with the 488 00:18:11,880 --> 00:18:13,980 rest of the band that made all his work 489 00:18:13,980 --> 00:18:15,480 so amazing 490 00:18:15,480 --> 00:18:16,980 the tunes he wrote with Led Zeppelin 491 00:18:16,980 --> 00:18:18,480 will always be a part of any guitarist 492 00:18:18,480 --> 00:18:21,419 must learn list classic tunes that have 493 00:18:21,419 --> 00:18:23,280 and will continue to stand the test of 494 00:18:23,280 --> 00:18:28,820 time Paige is the iconic Les Paul player 495 00:18:28,890 --> 00:18:43,080 [Music] 496 00:18:43,080 --> 00:18:45,740 thank you 497 00:18:45,900 --> 00:18:48,360 that's my list I encourage you to share 498 00:18:48,360 --> 00:18:50,220 your own top 10 Les Paul players in the 499 00:18:50,220 --> 00:18:52,320 comments section remember my criteria 500 00:18:52,320 --> 00:18:53,880 which was that players in the 501 00:18:53,880 --> 00:18:54,960 instruments had to have the greatest 502 00:18:54,960 --> 00:18:57,600 impact on the music but again share your 503 00:18:57,600 --> 00:18:59,580 own approach and your list I know from 504 00:18:59,580 --> 00:19:01,740 experience that I can count on you if 505 00:19:01,740 --> 00:19:03,179 you like this video you probably enjoy 506 00:19:03,179 --> 00:19:05,460 my short history of the burst Les Paul's 507 00:19:05,460 --> 00:19:07,140 as well 508 00:19:07,140 --> 00:19:09,120 first I need to thank Jeff mcelane and 509 00:19:09,120 --> 00:19:10,740 John Cordy for letting me borrow playing 510 00:19:10,740 --> 00:19:12,299 examples from their excellent videos 511 00:19:12,299 --> 00:19:14,640 Jeff's love of classic lust ball players 512 00:19:14,640 --> 00:19:16,620 like Eric Clapton and Jimmy Page is well 513 00:19:16,620 --> 00:19:18,780 known John cordy's relationship with Les 514 00:19:18,780 --> 00:19:21,240 Paul's is how should I say more 515 00:19:21,240 --> 00:19:22,380 complicated 516 00:19:22,380 --> 00:19:24,840 I need to thank Rick biato fluff Justin 517 00:19:24,840 --> 00:19:26,700 Ostrander and Jeff mcelane for their 518 00:19:26,700 --> 00:19:28,440 input and who they felt should be a part 519 00:19:28,440 --> 00:19:30,240 of the shortlist of the most influential 520 00:19:30,240 --> 00:19:32,580 Les Paul players part of the fun of me 521 00:19:32,580 --> 00:19:34,260 making this video was going back and 522 00:19:34,260 --> 00:19:36,539 watching their videos on Les Paul's and 523 00:19:36,539 --> 00:19:38,760 you should do that too whenever I'm 524 00:19:38,760 --> 00:19:40,440 writing about Les Paul's my copy of Dave 525 00:19:40,440 --> 00:19:42,120 Hunter's excellent the Gibson Les Paul 526 00:19:42,120 --> 00:19:43,559 The Illustrated history of the guitar 527 00:19:43,559 --> 00:19:45,840 that changed rock is always close at 528 00:19:45,840 --> 00:19:46,740 hand 529 00:19:46,740 --> 00:19:48,299 I want to thank everyone that stopped by 530 00:19:48,299 --> 00:19:50,640 the store and picked up a t-shirt hoodie 531 00:19:50,640 --> 00:19:53,820 mug hat or the snot precept pack and in 532 00:19:53,820 --> 00:19:55,080 particular I need to thank the friends 533 00:19:55,080 --> 00:19:56,940 of five watt on patreon it's the guitar 534 00:19:56,940 --> 00:19:59,039 Community I've always wanted you're all 535 00:19:59,039 --> 00:20:01,980 five watt world I just make the videos 536 00:20:01,980 --> 00:20:03,299 if you enjoyed this video hit the like 537 00:20:03,299 --> 00:20:04,559 button and if you haven't subscribed yet 538 00:20:04,559 --> 00:20:06,299 go ahead and hit that too YouTube tells 539 00:20:06,299 --> 00:20:08,280 me that 65 of the folks that are 540 00:20:08,280 --> 00:20:09,840 watching my videos aren't subscribed it 541 00:20:09,840 --> 00:20:10,980 would really mean a lot to me if you 542 00:20:10,980 --> 00:20:12,660 took a minute to subscribe so hit that 543 00:20:12,660 --> 00:20:14,280 subscribe button so you don't miss an 544 00:20:14,280 --> 00:20:16,080 episode thanks for hanging out with me 545 00:20:16,080 --> 00:20:18,120 till the end until next time I'm Keith 546 00:20:18,120 --> 00:20:20,520 Williams thanks for being a part of the 547 00:20:20,520 --> 00:20:23,140 five levels 548 00:20:23,140 --> 00:20:25,200 [Music] 549 00:20:25,200 --> 00:20:28,200 foreign 550 00:20:32,930 --> 00:20:36,299 [Music] 551 00:20:36,299 --> 00:20:39,140 all right37835

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