All language subtitles for CLINT EASTWOOD - A Cinematic Legacy - Episode 9

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian Download
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,720 --> 00:00:07,840 it's always like that like what whenever I get to liken someone they atat around law I notice 2 00:00:07,840 --> 00:00:14,360 when you get to disliking someone they ain't wrong for law NE I'm fascinated by a lot of actors who 3 00:00:14,360 --> 00:00:20,000 have become directors Eastwood could do both I think all his years as an actor really helped 4 00:00:20,000 --> 00:00:24,000 create that confidence just cuz we're going on this killing that don't mean I'm going to go 5 00:00:24,000 --> 00:00:28,480 back to being the way I was I think actors make good directors I mean you know Robert 6 00:00:28,480 --> 00:00:33,560 Redford and cner did it too before I did I think it's a natural progression what are you going to 7 00:00:33,560 --> 00:00:40,400 do Walt I'll think of something whatever it is they won't have a chance I don't think there's 8 00:00:40,400 --> 00:00:46,080 any directors now that have directed that many movies and certainly not that they've been in 9 00:00:46,080 --> 00:00:51,280 you don't learn nothing from having that kind of a body of work I made a lot of mistakes in 10 00:00:51,280 --> 00:00:56,520 my life I'm just trying to keep you from doing the same I know boss it's amazing that he's there you 11 00:00:56,520 --> 00:01:02,440 know 12 hours a day on camera if if he's not on camera he's Direct Ing and he doesn't miss a beat 12 00:01:02,440 --> 00:01:06,960 I thought it was more important to be somebody out there than the damn failure I was here at 13 00:01:06,960 --> 00:01:12,840 my own home I'm sorry for everything I really don't understand how people direct and act at 14 00:01:12,840 --> 00:01:30,920 the same time and then to produce direct and act is a pretty daunting task [Music] 15 00:01:34,120 --> 00:01:41,760 ever notice how you come across somebody once in a while and you shouldn't have with that's 16 00:01:41,760 --> 00:01:49,200 me in his 50 years as a filmmaker Clint Eastwood has truly become Cinema's Triple Threat having 17 00:01:49,200 --> 00:01:55,680 served as producer director and actor in more films than anyone in recent Cinema history doing 18 00:01:55,680 --> 00:02:00,920 both jobs is not a thing I recommend anybody doing with me I did it as necessity because 19 00:02:00,920 --> 00:02:08,760 when Play Misty For Me if I was in it I could get the film made but um I always swore I'd after a 20 00:02:08,760 --> 00:02:17,800 couple years I'd uh gravitate out of acting and here I am still doing it as a derel actually 21 00:02:17,800 --> 00:02:23,240 starring in the film that you're directing has a lot of challenges and I was in my 30s when I 22 00:02:23,240 --> 00:02:30,920 did it after I did Braveheart for example I never did it again so for him to do that when he's not 23 00:02:30,920 --> 00:02:36,400 a kid anymore it's it's pretty amazing you know there's not a lot of guys like clinty SP around 24 00:02:36,400 --> 00:02:41,840 he's quite seamless in terms of moving back and forth between decisions that he has to make as 25 00:02:41,840 --> 00:02:49,920 a director and decisions that he has to make as an actor the danger of an actor directing 26 00:02:49,920 --> 00:02:57,200 is that they can't be objective about themselves maybe but we didn't have that I'm not out of date 27 00:02:57,200 --> 00:03:02,600 am I I'm picking flowers for a woman just sign of appreciation no not at all except those are 28 00:03:02,600 --> 00:03:10,560 poisonous the problem of objectivity was a challenge Eastwood was warned about early 29 00:03:10,560 --> 00:03:18,920 on by his mentor Don seagull his advice was don't short yourself the trouble with being 30 00:03:18,920 --> 00:03:24,480 an actor and a director in a picture is that sometimes you feel complexed about 31 00:03:24,480 --> 00:03:29,960 uh doing too much coverage on yourself and so you're busy working with the other actors take 32 00:03:29,960 --> 00:03:38,560 time with it and do it correctly working the bag boss not your boss that bag's working you 33 00:03:38,560 --> 00:03:47,720 his ability to see and watch while he's acting with me is nothing short of astonishing I told 34 00:03:47,720 --> 00:03:51,840 you I don't train girls thought you might change your mind there's dozens of trainers who train 35 00:03:51,840 --> 00:03:58,240 girls you won't have any trouble finding one don't hardly need a dozen boss you'll do fine 36 00:03:58,240 --> 00:04:05,640 as an actor eastwoods understated style free of theatricality has brought depth and power to a 37 00:04:05,640 --> 00:04:13,040 wide range of performances Clint can show this emotion underneath without uttering a word he 38 00:04:13,040 --> 00:04:19,280 is a great quiet actor that's what a truly man can do there are very few of them the hardest 39 00:04:19,280 --> 00:04:24,480 thing to do as an actress to stay still he knows he doesn't have to move too much he's got it in 40 00:04:24,480 --> 00:04:29,400 there he's got it in his face and in his eyes Eastwood's talent for expressing emotion with 41 00:04:29,400 --> 00:04:35,560 few words was movingly Illustrated in his role as boxing trainer Frankie Dunn somebody tell 42 00:04:35,560 --> 00:04:40,400 me what's going on look I was late s was just subbing for me you're telling me this is your 43 00:04:40,400 --> 00:04:53,240 fighter yeah this is my fighter it came right after Den Mystic River and uh I was just about 44 00:04:53,240 --> 00:04:57,880 in that time in life where I was saying you know I think I'll just stay behind the camera 45 00:04:57,880 --> 00:05:02,960 this acting thing you know at some point you're going to have to look in the mirror and say that's 46 00:05:02,960 --> 00:05:09,880 enough of that but the character seemed like I was pretty much the right casting for it what 47 00:05:09,880 --> 00:05:15,760 Clint can bring that no one else can is the Frankie D character he's a hardened insulated 48 00:05:15,760 --> 00:05:24,080 human being and what happens she breaks through his armor she cracks him wide open okay if I'm 49 00:05:24,080 --> 00:05:30,040 going to take you on you won't never regret it look just listen to me if I take you on 50 00:05:30,040 --> 00:05:39,360 I promise I'll work so hard God this is a mistake already mm- I'm listening boss it was interesting 51 00:05:39,360 --> 00:05:44,600 having your co-star also be your director it's nerve-wracking just because he's Clint he's an 52 00:05:44,600 --> 00:05:51,880 anomaly he's a legend and then you just get into your groove and I started seeing him as 53 00:05:51,880 --> 00:05:59,400 his character and yet then he was also directing me and you don't even know you're being directed 54 00:05:59,400 --> 00:06:10,120 got to any family boss well I've got a daughter Katie that's family we're not exactly close it 55 00:06:10,120 --> 00:06:16,840 was just one of Clint's best works both as a filmmaker and as an actor I would have given 56 00:06:16,840 --> 00:06:23,720 up my oscar I swear to God for him to get the Oscar for best performance of the Year 57 00:06:23,720 --> 00:06:29,560 makush means my darling my 58 00:06:33,440 --> 00:06:39,320 Eastwood's stature as a performer gives him a credibility with his actors that few other 59 00:06:39,320 --> 00:06:46,840 directors enjoy I don't usually trust directors I usually hold them outside the magic circle but he 60 00:06:46,840 --> 00:06:53,640 was already in it because he was the other actor so as a director I think I was much more open to 61 00:06:53,640 --> 00:06:59,720 whatever he suggested with a filmography heavy on Western's police dramas and more 62 00:06:59,720 --> 00:07:06,320 films Eastwood surprised many by producing directing and starring in the romantic drama The 63 00:07:06,320 --> 00:07:12,480 Bridges of Madison County I guess it's something that he wanted to do at this point in his life 64 00:07:12,480 --> 00:07:19,640 he was involved in a love story at the time and got married right afterwards maybe this was his 65 00:07:19,640 --> 00:07:29,320 romantic uh period or something what's wrong it look stunning if you don't mind me saying 66 00:07:29,320 --> 00:07:37,320 so so make him run around the block howling in agony studing I think he's amazing in Bridges of 67 00:07:37,320 --> 00:07:42,560 Madison County It's A Beautiful film just the exchanges between the two of them between him 68 00:07:42,560 --> 00:07:46,560 and Mer Street watching the real romance Blossom and watching two people really get to know each 69 00:07:46,560 --> 00:07:51,080 other and then starting to love these two people ourselves and then hoping for them that they'll 70 00:07:51,080 --> 00:07:55,560 stay together I'm not going to apologize for who I am nobody's asking and I'm not going to 71 00:07:55,560 --> 00:07:59,560 be made to feel like I've done something WR you're not going to be made to feel anything 72 00:07:59,560 --> 00:08:09,000 per the fight scene in the kitchen was um the moment where the limitations of this dream present 73 00:08:09,000 --> 00:08:13,760 themselves it's the morning after it's when you realize it's over and the rest of us are supposed 74 00:08:13,760 --> 00:08:19,960 to feel incredibly grateful for this brief moment that you touched her go to hell it's a great scene 75 00:08:19,960 --> 00:08:29,440 and it's the one where as an actor Clint wasn't afraid to go all the way I only say this once I 76 00:08:31,720 --> 00:08:37,560 I've never said it before but this kind of certainty comes but just once in the Life 77 00:08:37,560 --> 00:08:48,240 Time and then I was so amazed because after I saw the film cut together he took out sort of the more 78 00:08:48,240 --> 00:08:59,960 shaken parts of his performance which you know and the envelope pleased it's like he would have every 79 00:08:59,960 --> 00:09:10,000 actor kills for this scene and he kind of pulled back on it but I think he has a real real good 80 00:09:10,000 --> 00:09:18,240 idea of how much is needed to tell the story even while giving an emotional performance Eastwood 81 00:09:18,240 --> 00:09:26,200 proved yet again his ability to operate as both star and director with a parent ease he was able 82 00:09:26,200 --> 00:09:33,960 to be in the scene and commit to the scene as an actor and then somehow at the end of the scene 83 00:09:33,960 --> 00:09:40,040 sit back and decide whether that was enough or not I don't know how you do that I could never never 84 00:09:40,040 --> 00:09:48,280 never do that whether playing a LEL photographer a grizzled boxing trainer or a washed up gunfighter 85 00:09:48,280 --> 00:09:53,960 Clint Eastwood has subverted expectations throughout his career never more so than in his 86 00:09:53,960 --> 00:10:01,120 performance as Earl Stone a 90-year-old drug mule for the caloa cartel it's been cool to see Clint 87 00:10:01,120 --> 00:10:07,080 transform into Earl just because it's it's not a dirty hairy like character it's this you know cute 88 00:10:07,080 --> 00:10:13,960 little older gentleman with his day lies and his little bow ties and his hats and this charming guy 89 00:10:13,960 --> 00:10:17,600 he's a little different between the men and the women so if the women are in the room he's thre 90 00:10:17,600 --> 00:10:24,520 to stare oh ladies you're on the wrong floor third floor is the beauty Fant when the guys are in the 91 00:10:24,520 --> 00:10:29,480 room he's kind of a little more Gruff which I think is really real I thought you were dead 92 00:10:29,480 --> 00:10:34,840 no sense like I guess what mov me about this script was envisioning Clint playing that role and 93 00:10:34,840 --> 00:10:39,680 how to me it just seems like the perfect role for the perfect actor at this time of his life I think 94 00:10:39,680 --> 00:10:46,160 it's really great that he's playing a role that's very age appropriate I thought that would be fun 95 00:10:46,160 --> 00:10:52,280 I'm going to play my age say I went to a charity and I got this caramelized corn and it was really 96 00:10:52,280 --> 00:10:56,200 terrific stuff guys can't accept this kind of stuff oh you'll be doing me a great favor if you 97 00:10:56,200 --> 00:11:02,600 would I've got diabetes I can't have it love it down at the station and the gals upstairs they'll 98 00:11:02,600 --> 00:11:09,800 love it too the mule also reunited Eastwood with one of his favorite collaborators Bradley Cooper 99 00:11:09,800 --> 00:11:16,040 because of American Sniper and their Bromance it's fun to see the chemistry that they have and 100 00:11:16,040 --> 00:11:20,760 they have so much respect for each other they can Bounce Around ideas and it feels natural because 101 00:11:20,760 --> 00:11:25,360 they are friends and one of the best scenes in the movie is in the Waffle House when they both have 102 00:11:25,360 --> 00:11:35,920 to reveal how they screwed up Jesus I'm an idiot a Miss birthday anniversary and the most important 103 00:11:35,920 --> 00:11:41,560 thing I learned that the hard way my daughter won't even speak to me haven't talked to him 104 00:11:41,560 --> 00:11:47,920 in 12 and A2 years like they were never there or something thank you for the advice it's good to 105 00:11:47,920 --> 00:11:54,880 talk to one of you guys once in a while you guys there were two times on the set where um I just 106 00:11:54,880 --> 00:11:58,760 couldn't stop crying watching him work even when I was in the scene with him where my character 107 00:11:58,760 --> 00:12:05,040 is certainly should not be crying so I had to like walk away just watching him entrenched in 108 00:12:05,040 --> 00:12:11,920 his role and bringing all of his life experience to the character of Earl it's pretty moving you 109 00:12:11,920 --> 00:12:18,000 know as you become sort of a senior person in the acting profession you get to a certain stage and 110 00:12:18,000 --> 00:12:26,200 then you have to look for material that taxes you a little bit and um this one did for me as did uh 111 00:12:26,200 --> 00:12:34,480 Gran Torino which was interesting because it was also a guy who was older but he was much more of a 112 00:12:34,480 --> 00:12:39,480 a bigot he was a bigot against his own family wish I could help Dad I'll call you in a few and see 113 00:12:39,480 --> 00:12:47,480 how you're [Music] doing killed you to by American well it's very tough to have is your dad you know 114 00:12:47,480 --> 00:12:52,920 when you want to get tender and close to him he's kind of tough and stoic and doesn't open up much 115 00:12:52,920 --> 00:12:57,120 I knew a lot of vets it seemed a lot of those guys would come back pissed off and kind of mad at the 116 00:12:57,120 --> 00:13:03,200 world look at the way the old man glared Ashley she can't even tone it down for mom's funeral 117 00:13:03,200 --> 00:13:09,480 he was on the outs with all of his relatives and he hated his neighbors and he hated any 118 00:13:09,480 --> 00:13:27,480 minorities get up get off my lawn did you hear me I said get off my lawn now Mar these gang members 119 00:13:27,480 --> 00:13:33,320 you know try to recruit him in the game so what do I have to do his initiation was to steal Walt 120 00:13:33,320 --> 00:13:39,000 his neighbor's grino at the beginning of the movie Walt is not like us at all he's like why are you 121 00:13:39,000 --> 00:13:43,240 here why are you in my neighborhood you know you need to get out but we try to become friends with 122 00:13:43,240 --> 00:13:50,480 him and eventually we build a connection thanks for the ride you know something kid you're all 123 00:13:50,480 --> 00:13:58,120 right but what about that dimwood brother of yours he a little slow or something and the drama begins 124 00:13:58,120 --> 00:14:04,800 when w he gets submerged in the problems of these other people he gets very attached to 125 00:14:04,800 --> 00:14:10,640 the people he disliked at the beginning so he gave the character a lot of places to go Walt 126 00:14:10,640 --> 00:14:16,440 begins to work with ta and mans him up and teaches him how to live properly and that's when you know 127 00:14:16,440 --> 00:14:22,080 they start building their relationship grabbed me a couple days ago right after I got off work 128 00:14:22,080 --> 00:14:29,040 cowards where's your cousin live 129 00:14:30,120 --> 00:14:38,520 no wal I I'll be okay I don't want you to do anything all right with Clint there's 130 00:14:38,520 --> 00:14:43,000 so few takes that you don't really have the time to sit there and go was that good was 131 00:14:43,000 --> 00:14:47,440 that right in the moment you just have to kind of trust that well since this man has 132 00:14:47,440 --> 00:14:53,120 been doing this for longer than I've been alive if he thinks it's good then I have to 133 00:14:53,120 --> 00:15:01,360 think it's good are you going to retaliate for what happened go in peace oh I am at 134 00:15:01,360 --> 00:15:09,720 peace as a producer director and actor Clint Eastwood has made a habit of 135 00:15:09,720 --> 00:15:15,040 surprising audiences both with his choice of subject matter and the variety of his 136 00:15:15,040 --> 00:15:19,240 performances yeah he's got to do something for a living these days Dian ain't much of 137 00:15:19,240 --> 00:15:22,720 a living boy when people think of him they think of you know the guy that's 138 00:15:22,720 --> 00:15:28,960 like go ahead make my day yet Clint has one of the biggest hearts of anyone I know 139 00:15:30,280 --> 00:15:38,080 you going to leave me again never I think he has very highly evolved both sides of his 140 00:15:38,080 --> 00:15:46,800 character he has a female sensibility in many ways a compassionate sensibility Compassionate 141 00:15:46,800 --> 00:15:56,600 Heart it's a hell of a thing killing a man well 142 00:15:56,600 --> 00:16:28,920 I guess they had it coming we all have it down my good 143 00:16:28,920 --> 00:16:29,438 [Music]18034

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.