Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:00,000 --> 00:00:03,239
[ROCK MUSIC]
2
00:00:03,240 --> 00:00:06,979
♪ ♪
3
00:00:06,980 --> 00:00:09,189
Wow, these tomatoes look plump.
4
00:00:09,190 --> 00:00:11,079
- Supple, even.
- Why, thank you.
5
00:00:11,080 --> 00:00:12,479
You off work?
6
00:00:12,480 --> 00:00:14,719
Yeah, I was hoping to go in with Kelsey.
7
00:00:14,720 --> 00:00:16,699
You know, help soften
the blow over demotion,
8
00:00:16,700 --> 00:00:18,939
but she hasn't replied
to my many, many texts.
9
00:00:18,940 --> 00:00:20,000
Give her time.
10
00:00:20,008 --> 00:00:22,260
Hey, you know, you should
stop by Josh's new space.
11
00:00:22,270 --> 00:00:23,659
It's in Midtown, right near your office.
12
00:00:23,660 --> 00:00:25,480
Yeah, I can't do that.
13
00:00:25,490 --> 00:00:27,444
I need to keep our
interactions to a minimum.
14
00:00:28,380 --> 00:00:30,160
I told Charles I wouldn't
see him anymore.
15
00:00:30,170 --> 00:00:32,339
Oh. Chaz gave you an ultimatum?
16
00:00:32,340 --> 00:00:34,739
- He's full of surprises.
- No, not exactly.
17
00:00:34,740 --> 00:00:35,869
It was my decision.
18
00:00:35,870 --> 00:00:37,380
That's rigid.
19
00:00:37,400 --> 00:00:39,580
I mean, I'm friends with all my exes.
20
00:00:39,581 --> 00:00:42,159
Well, except hangnail Helen
21
00:00:42,160 --> 00:00:45,087
and Libby, who had the
frog tank next to her bed.
22
00:00:45,088 --> 00:00:47,260
Josh is more than my ex.
23
00:00:47,270 --> 00:00:49,630
And as much as I've tried, we
are not really friends either.
24
00:00:50,220 --> 00:00:52,779
Every time I'm around
him, I get these feelings
25
00:00:52,780 --> 00:00:54,579
that I don't want to be feeling,
26
00:00:54,580 --> 00:00:56,469
and I don't trust myself.
27
00:00:56,470 --> 00:00:58,141
That's called undeniable chemistry.
28
00:00:59,000 --> 00:01:00,499
Something like that.
29
00:01:00,500 --> 00:01:02,639
Anyway, I've made my choice.
30
00:01:02,640 --> 00:01:04,479
And it's Charles.
31
00:01:04,480 --> 00:01:06,819
We're peers. He's age-appropriate.
32
00:01:06,820 --> 00:01:08,859
And it's... it feels right.
33
00:01:08,860 --> 00:01:10,862
You trying to convince
me or convince yourself?
34
00:01:10,863 --> 00:01:11,869
I am convinced!
35
00:01:11,870 --> 00:01:14,059
I want this relationship to work.
36
00:01:14,060 --> 00:01:16,109
So the best thing for me and for Josh
37
00:01:16,110 --> 00:01:18,327
is to just have a clean break.
38
00:01:18,328 --> 00:01:20,079
So Josh is your sucker.
39
00:01:20,080 --> 00:01:22,779
- Excuse me?
- Tomatoes have these sprouts.
40
00:01:22,780 --> 00:01:24,292
They're called suckers. See?
41
00:01:24,293 --> 00:01:25,668
They're cute, right?
42
00:01:25,669 --> 00:01:27,889
But they suck all the water
out of the main stem,
43
00:01:27,890 --> 00:01:30,173
and they distract the plant
from making healthy fruit.
44
00:01:30,174 --> 00:01:32,676
So, you just pinch 'em off.
45
00:01:33,700 --> 00:01:35,660
How're you gonna do that to Josh?
46
00:01:38,180 --> 00:01:40,719
I don't know.
47
00:01:40,720 --> 00:01:42,719
I just know I have to.
48
00:01:42,720 --> 00:01:44,579
[ELECTRONIC MUSIC]
49
00:01:44,580 --> 00:01:46,814
♪ Heart, eyes, overload ♪
50
00:01:46,815 --> 00:01:49,025
♪ It's irresistible ♪
51
00:01:49,026 --> 00:01:51,739
♪ I'm so stoked on you, okay ♪
52
00:01:51,740 --> 00:01:53,939
Oh, don't forget, your bridal
makeup rehearsal is tonight.
53
00:01:53,940 --> 00:01:55,619
Yes, I can read a calendar, Liza.
54
00:01:55,620 --> 00:01:56,759
Just can't sync it with my phone.
55
00:01:56,760 --> 00:01:58,469
Oh, and the caterer offered Friday night
56
00:01:58,470 --> 00:02:00,411
- for cake-tasting.
- Friday?
57
00:02:00,412 --> 00:02:01,900
I was leaving that open for...
58
00:02:03,860 --> 00:02:06,580
A night of merriment and libations.
59
00:02:08,780 --> 00:02:10,209
Ladies only.
60
00:02:10,210 --> 00:02:11,799
Oh, a bachelorette party?
61
00:02:11,800 --> 00:02:13,091
Oh, I didn't think you'd want one.
62
00:02:13,100 --> 00:02:15,959
Yes, that... that's why
you're my maid of honor.
63
00:02:15,960 --> 00:02:17,879
You get me. I was...
I was bringing it up
64
00:02:17,880 --> 00:02:19,430
'cause I don't want one.
65
00:02:19,431 --> 00:02:21,089
Has anyone heard from Kelsey?
66
00:02:21,090 --> 00:02:22,739
No. Uh, I prepared a press release
67
00:02:22,740 --> 00:02:24,819
for the musical chairs
that is our publisher.
68
00:02:24,820 --> 00:02:27,062
Oh, and we need to tell the staff first.
69
00:02:27,063 --> 00:02:29,779
I'd like to hear how Kelsey
would prefer to handle it.
70
00:02:29,780 --> 00:02:32,019
It's almost 10:00. I don't
think she's coming in.
71
00:02:32,020 --> 00:02:33,160
That's understandable.
72
00:02:33,170 --> 00:02:34,959
She's probably suffering from the bends.
73
00:02:34,960 --> 00:02:39,660
She rose too fast, and all
the pressure, it just...
74
00:02:41,260 --> 00:02:43,530
You can leave it in
this office right here.
75
00:02:43,538 --> 00:02:46,019
Are you... okay?
76
00:02:46,020 --> 00:02:47,083
Yes.
77
00:02:47,084 --> 00:02:49,719
It was my decision to accept
the Chicago investment
78
00:02:49,720 --> 00:02:51,002
on their terms, remember?
79
00:02:51,003 --> 00:02:53,419
Yes, but moving out of that
office isn't necessary.
80
00:02:53,420 --> 00:02:55,801
Wait until we've decided
how to notify the company.
81
00:02:55,802 --> 00:02:57,279
No one knows yet.
82
00:02:57,280 --> 00:02:58,969
Let's take care of that.
83
00:02:58,970 --> 00:03:00,471
Morning, all.
84
00:03:00,472 --> 00:03:01,807
[INDISTINCT CHATTER]
85
00:03:01,808 --> 00:03:02,939
Well, good news.
86
00:03:02,940 --> 00:03:05,349
We have found an angel investor
87
00:03:05,350 --> 00:03:06,439
to replace Quinn,
88
00:03:06,440 --> 00:03:08,145
so operations will resume.
89
00:03:08,146 --> 00:03:09,879
That includes the reinstatement
90
00:03:09,880 --> 00:03:11,219
of Charles Brooks as publisher,
91
00:03:11,220 --> 00:03:13,235
and I will be back editing with Liza.
92
00:03:13,236 --> 00:03:15,720
[APPLAUSE]
93
00:03:19,740 --> 00:03:21,399
Kept her head after all.
94
00:03:21,400 --> 00:03:22,703
Impressive.
95
00:03:26,580 --> 00:03:27,989
Are you okay?
96
00:03:27,990 --> 00:03:29,280
[SCOFFS] I'm fine.
97
00:03:29,320 --> 00:03:31,419
Really, I'm fine.
98
00:03:31,420 --> 00:03:33,840
This is his family's company.
This is his office.
99
00:03:33,850 --> 00:03:35,519
I was just...
100
00:03:35,520 --> 00:03:36,632
keeping the seat warm.
101
00:03:36,633 --> 00:03:37,899
You did much more than that.
102
00:03:37,900 --> 00:03:39,160
You made Millennial.
103
00:03:39,170 --> 00:03:41,722
The imprint you built
kept this company afloat.
104
00:03:41,723 --> 00:03:42,799
Brava, Kels.
105
00:03:42,800 --> 00:03:44,391
Exactly how I would've done it.
106
00:03:44,400 --> 00:03:47,739
And if it's any consolation,
107
00:03:47,740 --> 00:03:51,359
I thought your social media
faux pas was tasteful.
108
00:03:51,360 --> 00:03:53,979
You know, for you.
109
00:03:53,980 --> 00:03:55,740
- Or someone like you...
- We have a meeting.
110
00:03:56,360 --> 00:03:58,539
It's a manners guide for millennials.
111
00:03:58,540 --> 00:03:59,619
It's sort of an updated version
112
00:03:59,620 --> 00:04:01,157
of Emily Post's etiquette books.
113
00:04:01,158 --> 00:04:03,200
Does it include
needlepoint patterns too?
114
00:04:03,201 --> 00:04:05,453
Ooh, gosh, I hope so. You want to join?
115
00:04:05,454 --> 00:04:07,669
Oh, not to be impolite, but...
116
00:04:07,670 --> 00:04:09,270
I have a lot to do to finish up in here.
117
00:04:09,750 --> 00:04:11,080
Of course, of course.
118
00:04:11,090 --> 00:04:13,709
And we have tons of other
projects to consider.
119
00:04:13,710 --> 00:04:16,580
- Oodles.
- Stop suffocating her.
120
00:04:18,880 --> 00:04:20,339
I wrote "Uncommon Courtesy"
121
00:04:20,340 --> 00:04:23,262
to help my generation learn
acceptable social behavior,
122
00:04:23,263 --> 00:04:25,520
because right now, we're deplorable.
123
00:04:25,530 --> 00:04:27,349
I am not proud to be a millennial.
124
00:04:27,350 --> 00:04:28,359
Neither was I.
125
00:04:28,360 --> 00:04:30,569
Since we share so much of
our private lives online
126
00:04:30,570 --> 00:04:32,929
and see much more than we need,
127
00:04:32,930 --> 00:04:34,440
there are no boundaries.
128
00:04:34,441 --> 00:04:36,484
Yeah, one of our co-workers is
learning that the hard way.
129
00:04:36,485 --> 00:04:39,579
Yes, the blurred lines
between work and play.
130
00:04:39,580 --> 00:04:42,609
Do we need to see our
colleague partying in Ibiza?
131
00:04:42,610 --> 00:04:44,369
- We do not.
- Because it does make us look at them
132
00:04:44,370 --> 00:04:47,180
differently. And then
what's proper etiquette?
133
00:04:47,190 --> 00:04:50,244
"Like" their post? Comment
on their summer body?
134
00:04:50,245 --> 00:04:52,919
- God, no.
- Well, some affirmation is polite.
135
00:04:52,920 --> 00:04:54,878
Right? I mean, what's the
alternative? Stop following?
136
00:04:54,879 --> 00:04:56,520
Definitely an option.
137
00:04:56,530 --> 00:04:58,379
But couldn't that send another message,
138
00:04:58,380 --> 00:04:59,979
like you don't approve
of their lifestyle
139
00:04:59,980 --> 00:05:01,839
or you don't want to be friends
with them outside of work?
140
00:05:01,840 --> 00:05:03,119
It could.
141
00:05:03,120 --> 00:05:06,514
Everything is so fluid and
ambiguous with this generation.
142
00:05:06,515 --> 00:05:08,516
Which is why manners are imperative.
143
00:05:08,517 --> 00:05:11,049
Millennials are commitment-phobic.
144
00:05:11,050 --> 00:05:13,859
Not only when making plans,
RSVP'ing to weddings...
145
00:05:13,860 --> 00:05:16,240
- Ugh. Don't get me started.
- But when dating.
146
00:05:16,250 --> 00:05:19,100
We struggle to define our relationships.
147
00:05:19,110 --> 00:05:21,639
And when we no longer want
to engage with someone...
148
00:05:21,640 --> 00:05:24,533
a bad hook-up or an ex... we ghost them.
149
00:05:25,220 --> 00:05:27,139
Now, this behavior is not only impolite,
150
00:05:27,140 --> 00:05:28,579
it is damaging.
151
00:05:28,580 --> 00:05:30,788
My book aims to right these wrongs.
152
00:05:30,789 --> 00:05:34,869
So, how do you politely
disengage from an ex?
153
00:05:34,870 --> 00:05:36,280
Hypothetically speaking.
154
00:05:36,300 --> 00:05:39,789
Uh, with matters of the
heart, be clear and direct.
155
00:05:39,790 --> 00:05:41,674
Like writing them a "Dear John" letter.
156
00:05:41,675 --> 00:05:43,592
Isn't that a little old-fashioned?
157
00:05:43,593 --> 00:05:46,384
I mean, do millennials even
know how to hold pens?
158
00:05:46,385 --> 00:05:48,599
With careful words and quality paper,
159
00:05:48,600 --> 00:05:51,719
any message, however
important or painful,
160
00:05:51,720 --> 00:05:52,889
doesn't hurt as much.
161
00:05:52,890 --> 00:05:54,119
Hm.
162
00:05:54,120 --> 00:05:59,400
Alice, let's just circle back
to the wedding RSVPs, shall we?
163
00:05:59,401 --> 00:06:02,649
♪ It's gonna be a wild ride ♪
164
00:06:02,650 --> 00:06:04,479
♪ Such a free... ♪
165
00:06:04,480 --> 00:06:06,859
Hey. You okay?
166
00:06:06,860 --> 00:06:09,859
I've been getting asked
that question a lot today.
167
00:06:09,860 --> 00:06:11,460
Do I not look okay?
168
00:06:11,470 --> 00:06:13,081
Oh, come on. You know what I mean.
169
00:06:13,082 --> 00:06:14,620
We haven't talked since Chicago.
170
00:06:14,630 --> 00:06:17,189
- What's there to say?
- That I'm sorry.
171
00:06:17,190 --> 00:06:19,504
I feel partly responsible
for what happened.
172
00:06:19,505 --> 00:06:21,479
I posted the video.
173
00:06:21,480 --> 00:06:22,709
Not you.
174
00:06:22,710 --> 00:06:25,340
Yeah, but it was to me. Right?
175
00:06:25,350 --> 00:06:26,760
Obviously.
176
00:06:27,920 --> 00:06:31,199
Look, if I can't run a
social media account,
177
00:06:31,200 --> 00:06:32,919
maybe I shouldn't be running a company.
178
00:06:32,920 --> 00:06:35,879
Oh, come on. You're a great publisher.
179
00:06:35,880 --> 00:06:38,356
And one day when you really
do have your own company,
180
00:06:38,357 --> 00:06:41,180
I mean...
181
00:06:43,220 --> 00:06:44,730
What?
182
00:06:44,738 --> 00:06:47,448
I don't know how to do this with you.
183
00:06:47,449 --> 00:06:49,319
Whenever we try,
184
00:06:49,320 --> 00:06:51,980
one of us loses.
185
00:06:51,990 --> 00:06:54,119
It's like we're cursed.
186
00:06:54,120 --> 00:06:56,279
[ROCK MUSIC]
187
00:06:56,280 --> 00:07:01,580
♪ ♪
188
00:07:01,588 --> 00:07:03,964
How do you feel about me
being back as publisher?
189
00:07:03,965 --> 00:07:06,359
I just wish Kelsey hadn't
been unceremoniously
190
00:07:06,360 --> 00:07:08,189
stripped of the title.
191
00:07:08,190 --> 00:07:10,869
She seems to be handling it well.
192
00:07:10,870 --> 00:07:12,859
- She seems to be.
- How about you?
193
00:07:12,860 --> 00:07:16,079
Always thinking of others.
How do you feel?
194
00:07:16,080 --> 00:07:17,311
I'm not sure.
195
00:07:17,312 --> 00:07:19,279
There's been so many sea
changes around here,
196
00:07:19,280 --> 00:07:20,857
I'm still trying to find my footing.
197
00:07:20,858 --> 00:07:22,300
[CHUCKLES] Me too.
198
00:07:25,170 --> 00:07:26,299
Ah, Diana.
199
00:07:26,300 --> 00:07:28,279
Uh, flowers aren't necessary.
200
00:07:28,280 --> 00:07:29,919
They're not for you.
201
00:07:29,920 --> 00:07:31,573
They're from Alice Dwyer.
202
00:07:31,574 --> 00:07:32,699
Says on the envelope.
203
00:07:32,700 --> 00:07:34,829
We got "Uncommon Courtesy."
204
00:07:35,600 --> 00:07:38,199
"Dear Liza and Diana,
deepest appreciation
205
00:07:38,200 --> 00:07:39,200
"for meeting me today.
206
00:07:39,201 --> 00:07:41,251
I want you to know that
you're such wise women."
207
00:07:41,252 --> 00:07:43,699
Oh, my faith in this country's youth...
208
00:07:43,700 --> 00:07:45,923
actual youth, Liza... is restored.
209
00:07:45,924 --> 00:07:47,899
"However, I'm going
with another publisher
210
00:07:47,900 --> 00:07:49,840
and wanted to notify you
as soon as possible."
211
00:07:49,844 --> 00:07:51,629
[SCOFFS]
212
00:07:51,630 --> 00:07:53,239
Well, the flowers are a nice touch.
213
00:07:53,240 --> 00:07:55,309
Well, Alice is right.
214
00:07:55,310 --> 00:07:56,599
A "Dear John" letter is more polite
215
00:07:56,600 --> 00:07:57,960
than not hearing from her again.
216
00:07:58,400 --> 00:07:59,979
Good manners never get old.
217
00:07:59,980 --> 00:08:01,879
I'm taking these.
218
00:08:01,880 --> 00:08:04,775
[REFLECTIVE MUSIC]
219
00:08:04,776 --> 00:08:08,989
♪ ♪
220
00:08:15,760 --> 00:08:23,120
♪ ♪
221
00:08:24,838 --> 00:08:26,296
Dear Josh,
222
00:08:26,297 --> 00:08:27,849
I can't begin to thank you
223
00:08:27,850 --> 00:08:30,189
for how you've changed my life.
224
00:08:30,190 --> 00:08:33,260
And picturing you not
in it breaks my heart.
225
00:08:33,270 --> 00:08:39,060
♪ ♪
226
00:08:39,070 --> 00:08:41,104
But I need to let you go...
227
00:08:44,300 --> 00:08:47,479
[UPBEAT MUSIC]
228
00:08:47,480 --> 00:08:50,799
♪ ♪
229
00:08:50,800 --> 00:08:53,479
Okay, so the Publisher's
Roundtable don't want...
230
00:08:53,480 --> 00:08:55,139
sorry, need you,
231
00:08:55,140 --> 00:08:57,799
and neither do the Young
Presidents' Club in Phoenix.
232
00:08:57,800 --> 00:08:59,599
But on a more positive note...
233
00:08:59,600 --> 00:09:01,419
My schedule is wide open?
234
00:09:01,420 --> 00:09:03,279
Yes! Yes, exactly!
235
00:09:03,280 --> 00:09:05,239
And, uh, you have been asked
236
00:09:05,240 --> 00:09:07,199
to present to an all-female committee
237
00:09:07,200 --> 00:09:10,758
featuring the next generation's
greatest minds and influencers.
238
00:09:10,759 --> 00:09:13,093
Huh. Uh, what committee?
239
00:09:13,094 --> 00:09:15,759
The, uh... the Young Women's Charter...
240
00:09:15,760 --> 00:09:17,039
School.
241
00:09:17,040 --> 00:09:19,391
- School?
- High school, yeah.
242
00:09:19,392 --> 00:09:21,479
Okay, nice try.
243
00:09:21,480 --> 00:09:22,799
Why did they ask me?
244
00:09:22,800 --> 00:09:25,419
Because, dude, you are a digital SHero.
245
00:09:25,420 --> 00:09:26,899
That is hero with an S.
246
00:09:26,900 --> 00:09:29,539
Yeah, they want you to speak on
the dangers of social media.
247
00:09:29,540 --> 00:09:32,299
How you leaned in, right into the lens,
248
00:09:32,300 --> 00:09:34,529
and now you may suffer
permanent repercussions.
249
00:09:34,530 --> 00:09:35,999
I am not a victim.
250
00:09:36,000 --> 00:09:37,399
No, no, no.
251
00:09:37,400 --> 00:09:38,619
But you are an example
252
00:09:38,620 --> 00:09:40,160
of a woman who made a
very simple mistake,
253
00:09:40,170 --> 00:09:41,859
and the patriarchy's
seizing that opportunity
254
00:09:41,860 --> 00:09:43,459
to tear you down, okay?
255
00:09:43,460 --> 00:09:45,579
I don't understand how
you're totally okay
256
00:09:45,580 --> 00:09:46,709
with all the sexist crap.
257
00:09:46,710 --> 00:09:50,619
I don't want to be an
example or a SHero, okay?
258
00:09:50,620 --> 00:09:52,879
I want to distance myself
from the situation.
259
00:09:52,880 --> 00:09:54,090
Tell them no.
260
00:09:54,094 --> 00:09:55,549
[ROCK MUSIC]
261
00:09:55,550 --> 00:09:56,829
I'm not doing it.
262
00:09:56,830 --> 00:10:01,760
♪ ♪
263
00:10:02,480 --> 00:10:04,039
Bronwyn Madigan.
264
00:10:04,040 --> 00:10:05,539
Travis Jason.
265
00:10:05,540 --> 00:10:07,479
Gloria Rivera.
266
00:10:07,480 --> 00:10:10,049
A confident slate of established writers
267
00:10:10,050 --> 00:10:11,779
and bold new voices.
268
00:10:11,780 --> 00:10:15,948
Many of these are a credit to
Kelsey's impeccable instincts.
269
00:10:15,949 --> 00:10:18,089
- And Liza's.
- Not my moment.
270
00:10:18,090 --> 00:10:21,219
So thank you all for your
patience and your hard work
271
00:10:21,220 --> 00:10:23,409
during this, uh, sea change.
272
00:10:23,410 --> 00:10:26,779
Which brings us to this.
273
00:10:26,780 --> 00:10:30,079
Wha... I thought I passed
on the seafaring book.
274
00:10:30,080 --> 00:10:33,004
You did, but we think we
should, uh, turn the tide.
275
00:10:33,005 --> 00:10:34,926
[CHUCKLES] Good one, Charles.
276
00:10:34,927 --> 00:10:38,629
- We?
- [SCOFFS] Unbelievable.
277
00:10:38,630 --> 00:10:40,119
Is this how it's gonna be?
278
00:10:40,120 --> 00:10:43,058
Just watching all of my
decisions be reversed?
279
00:10:43,059 --> 00:10:45,561
Well, each publisher has
their own instincts.
280
00:10:45,562 --> 00:10:49,199
And apparently mine weren't
so impeccable after all.
281
00:10:49,200 --> 00:10:50,219
Got it.
282
00:10:50,220 --> 00:10:52,139
We have several other titles
283
00:10:52,140 --> 00:10:54,399
that fell through the
cracks of Kelsey's desk.
284
00:10:54,400 --> 00:10:55,779
Fell through the cracks?
285
00:10:55,780 --> 00:10:57,939
Didn't have time for.
286
00:10:57,940 --> 00:11:01,479
We have a satirical
reimagining of Apollo 11.
287
00:11:01,480 --> 00:11:03,453
An exposé on Deflategate.
288
00:11:03,454 --> 00:11:04,705
- Who cares?
- Kels.
289
00:11:04,706 --> 00:11:06,665
Charles does. And he's in charge.
290
00:11:06,666 --> 00:11:08,625
Charles in charge. [CHUCKLES]
291
00:11:08,626 --> 00:11:10,539
Oh, you're enjoying this, aren't you?
292
00:11:10,540 --> 00:11:12,212
I get knocked down a peg,
293
00:11:12,213 --> 00:11:13,739
and your list expands,
294
00:11:13,740 --> 00:11:15,966
all because I sent you
that stupid video.
295
00:11:15,967 --> 00:11:19,136
- You do blame me.
- Let's not discuss that here.
296
00:11:19,137 --> 00:11:20,469
Boundaries, Kelsey.
297
00:11:20,470 --> 00:11:22,629
I agree.
298
00:11:22,630 --> 00:11:23,892
Pay attention, Charles.
299
00:11:23,893 --> 00:11:25,460
And you too, Liza.
300
00:11:25,470 --> 00:11:26,599
- Me?
- Yeah!
301
00:11:26,600 --> 00:11:28,119
I didn't have any boundaries at work.
302
00:11:28,120 --> 00:11:29,260
And look what happened.
303
00:11:32,200 --> 00:11:34,219
♪ Guess who got the money ♪
304
00:11:34,220 --> 00:11:36,179
♪ Guess who got the money, honey ♪
305
00:11:36,180 --> 00:11:37,499
♪ Money, the money ♪
306
00:11:37,500 --> 00:11:38,679
♪ The money, money, money ♪
307
00:11:38,680 --> 00:11:40,159
♪ Mon-mon-mon-mon... ♪
308
00:11:40,160 --> 00:11:41,449
Did you make that?!
309
00:11:41,450 --> 00:11:43,060
♪ Money, guess who got the money ♪
310
00:11:43,070 --> 00:11:45,371
She got the money, honey, and
that is why you have a job!
311
00:11:45,372 --> 00:11:48,625
That is why we all have a job.
312
00:11:48,640 --> 00:11:50,668
She's a goddamn hero.
313
00:11:51,500 --> 00:11:53,879
Told you. SHero.
314
00:11:53,880 --> 00:11:55,259
[SIGHS] Fine.
315
00:11:55,260 --> 00:11:56,639
I will speak at the school.
316
00:11:56,640 --> 00:11:59,439
Good. They just have,
uh, two teensy requests:
317
00:11:59,440 --> 00:12:00,819
a picture of what you're gonna wear
318
00:12:00,820 --> 00:12:02,429
and what your pronouns are.
319
00:12:02,430 --> 00:12:03,909
[SIGHS]
320
00:12:03,910 --> 00:12:05,719
♪ Hey ♪
321
00:12:05,720 --> 00:12:08,109
♪ Hey, hey ♪
322
00:12:08,110 --> 00:12:09,720
♪ ♪
323
00:12:09,740 --> 00:12:12,919
My favorite artiste at work.
324
00:12:12,920 --> 00:12:15,060
Hey, uh, since you're here,
do you want to weigh in
325
00:12:15,070 --> 00:12:17,195
on some of these paint
options for this wall?
326
00:12:17,196 --> 00:12:19,579
Do I? Yes.
327
00:12:19,580 --> 00:12:21,279
Legally, I have to.
328
00:12:21,280 --> 00:12:23,369
I'm thinking here somewhere
here in this, like,
329
00:12:23,370 --> 00:12:25,118
midnight void.
330
00:12:25,119 --> 00:12:30,207
I think these, uh, they tie
perfectly with our fall line.
331
00:12:30,208 --> 00:12:31,609
It just... it's...
332
00:12:31,610 --> 00:12:33,377
it's not really Inkburg's aesthetic.
333
00:12:33,378 --> 00:12:36,019
And they're the three colors
that ad sales approved.
334
00:12:36,020 --> 00:12:38,179
- Copy.
- So pick one of these.
335
00:12:38,180 --> 00:12:39,339
Totally your choice.
336
00:12:39,340 --> 00:12:41,499
Citrus zest it is.
337
00:12:41,500 --> 00:12:44,539
Between you and me, I
don't like these colors,
338
00:12:44,540 --> 00:12:48,239
but I can't officially
dislike them, you know?
339
00:12:48,240 --> 00:12:51,269
If you ever want to unload
your corporate frustrations
340
00:12:51,270 --> 00:12:54,519
to a sympathetic ear...
because believe me, I get it...
341
00:12:54,520 --> 00:12:57,059
here's my personal number.
342
00:12:57,060 --> 00:12:59,760
Oh, handwritten and stamped. Classy.
343
00:12:59,770 --> 00:13:02,929
[LAUGHS] Where do you even
find a mailbox these days?
344
00:13:02,930 --> 00:13:04,908
- Beats me.
- Okay.
345
00:13:04,909 --> 00:13:06,279
I'm gonna let you get back to work,
346
00:13:06,280 --> 00:13:09,169
but seriously, Josh...
347
00:13:09,170 --> 00:13:10,489
unload on me.
348
00:13:10,490 --> 00:13:12,659
[SOFT DRAMATIC MUSIC]
349
00:13:12,660 --> 00:13:15,479
I'll leave you to it.
350
00:13:15,480 --> 00:13:18,172
♪ ♪
351
00:13:21,467 --> 00:13:23,879
"Dear Josh, I can't begin to thank you
352
00:13:23,880 --> 00:13:25,659
"for how you've changed my life.
353
00:13:25,660 --> 00:13:28,057
"And picturing you not
in it breaks my heart,
354
00:13:28,058 --> 00:13:30,579
but I need to let you go."
355
00:13:30,580 --> 00:13:33,269
Got you a cold brew.
356
00:13:33,270 --> 00:13:35,605
Josh, are you okay?
357
00:13:35,606 --> 00:13:38,879
I-I'm gonna take a break real quick.
358
00:13:38,880 --> 00:13:40,320
I'll be right back.
359
00:13:41,680 --> 00:13:42,738
Okay.
360
00:13:42,739 --> 00:13:45,719
[MELANCHOLY MUSIC]
361
00:13:45,720 --> 00:13:50,380
♪ ♪
362
00:13:52,440 --> 00:13:54,379
"From the first time we met,
363
00:13:54,380 --> 00:13:57,689
"you saw me in a way no
one had in a long time,
364
00:13:57,690 --> 00:13:58,920
"not even myself.
365
00:13:58,921 --> 00:14:00,889
♪ ♪
366
00:14:00,890 --> 00:14:03,979
"And since then, we've
made so many memories.
367
00:14:03,980 --> 00:14:05,659
Some that still make me laugh... "
368
00:14:05,660 --> 00:14:09,264
[LAUGHING]
369
00:14:09,265 --> 00:14:10,739
♪ ♪
370
00:14:10,740 --> 00:14:12,100
- [BED CRACKS]
- [SCREAMS]
371
00:14:12,101 --> 00:14:13,169
[LAUGHING]
372
00:14:13,170 --> 00:14:14,619
"Some I'll never forget...
373
00:14:14,620 --> 00:14:17,279
♪ ♪
374
00:14:17,280 --> 00:14:19,649
"And some I wish I could.
375
00:14:19,650 --> 00:14:21,719
♪ ♪
376
00:14:21,720 --> 00:14:23,819
"And now I've left my lie behind,
377
00:14:23,820 --> 00:14:25,439
"and you're a dad.
378
00:14:25,440 --> 00:14:28,119
"Look at us, all grown up.
379
00:14:28,120 --> 00:14:30,519
"The problem with memories is,
380
00:14:30,520 --> 00:14:32,599
"they lock us in the past,
381
00:14:32,600 --> 00:14:35,439
"and we both need to move forward.
382
00:14:35,440 --> 00:14:37,479
"As much as I want you in my life,
383
00:14:37,480 --> 00:14:39,009
"I can't right now.
384
00:14:39,010 --> 00:14:40,630
I hope you understand why."
385
00:14:44,480 --> 00:14:47,887
[FUNKY MUSIC]
386
00:14:48,620 --> 00:14:50,219
♪ Are you ready? ♪
387
00:14:50,220 --> 00:14:53,340
♪ Baby, don't you feel the love? ♪
388
00:14:53,350 --> 00:14:54,719
There's so many of them.
389
00:14:54,720 --> 00:14:57,145
Yeah, that's because this is an
issue that affects so many girls.
390
00:14:57,146 --> 00:14:59,029
I mean, imagine having rampant hormones
391
00:14:59,030 --> 00:15:00,879
and being on the verge of
womanhood in this era.
392
00:15:00,880 --> 00:15:02,879
There are no men in here for a reason...
393
00:15:02,880 --> 00:15:04,829
they would tear their
pussy-grabbing limbs off
394
00:15:04,830 --> 00:15:07,573
like a pride of lionesses.
395
00:15:08,510 --> 00:15:10,840
Terrifying pep talk. Thanks.
396
00:15:10,850 --> 00:15:13,120
You're welcome. Go get 'em, tiger.
397
00:15:14,910 --> 00:15:17,320
[APPLAUSE]
398
00:15:21,330 --> 00:15:23,739
[SIGHS NERVOUSLY]
399
00:15:23,740 --> 00:15:25,424
♪ Money, honey ♪
400
00:15:25,425 --> 00:15:28,959
- [LAUGHTER]
- ♪ Money, the money, honey ♪
401
00:15:28,960 --> 00:15:31,520
[DISTORTED] ♪ I got the money, honey ♪
402
00:15:32,500 --> 00:15:34,919
- It's a banger.
- [LAUGHTER]
403
00:15:34,920 --> 00:15:36,601
Right? I would dance to it.
404
00:15:36,602 --> 00:15:39,819
But I'm not okay with it.
405
00:15:39,820 --> 00:15:41,640
I'm angry.
406
00:15:41,650 --> 00:15:45,900
And today, I'm here to tell you
that it's okay to be angry.
407
00:15:47,650 --> 00:15:51,449
This is the story of a women
who rose to be publisher,
408
00:15:51,450 --> 00:15:56,359
made a tiny mistake on social media,
409
00:15:56,360 --> 00:15:57,989
and lost it all.
410
00:15:57,990 --> 00:16:00,539
♪ I was all caught up for a while ♪
411
00:16:00,540 --> 00:16:03,560
♪ ♪
412
00:16:03,570 --> 00:16:06,079
You guys, Kels was fierce today.
413
00:16:06,080 --> 00:16:07,409
Those girls were looking at her
414
00:16:07,410 --> 00:16:08,459
like they were in the presence
415
00:16:08,460 --> 00:16:10,859
of a modern-day Betty Friedan.
416
00:16:10,860 --> 00:16:14,289
Okay. Couldn't you have
picked a cuter feminist icon?
417
00:16:14,290 --> 00:16:16,266
We're all feminist icons.
418
00:16:16,267 --> 00:16:17,929
- Yes!
- Amen!
419
00:16:17,930 --> 00:16:18,939
Ooh, ooh, here she comes.
420
00:16:18,940 --> 00:16:21,680
- Put your hats on.
- Ah!
421
00:16:22,700 --> 00:16:24,899
I don't see your van, Enzo.
422
00:16:24,900 --> 00:16:26,940
Well, how could I not
know what it looks like?
423
00:16:26,950 --> 00:16:29,189
I know what your face
looks like, don't I?
424
00:16:29,190 --> 00:16:31,199
[TOGETHER] Surprise, bachelorette!
425
00:16:31,200 --> 00:16:32,740
Get in the hummer, bitch!
426
00:16:32,742 --> 00:16:34,749
- Ooh, hey, Lauren?
- Yeah, what?
427
00:16:34,750 --> 00:16:36,620
- Less.
- Oh, okay. Sorry.
428
00:16:36,640 --> 00:16:38,240
You did do something.
429
00:16:38,260 --> 00:16:39,957
I get you.
430
00:16:39,960 --> 00:16:42,959
[TECHNO MUSIC]
431
00:16:42,960 --> 00:16:45,838
♪ ♪
432
00:16:45,840 --> 00:16:47,999
[WOMEN CHEERING]
433
00:16:48,000 --> 00:16:53,300
♪ ♪
434
00:16:55,500 --> 00:16:57,829
Okay, so how does this work?
435
00:16:57,830 --> 00:17:00,228
Oh, really easy. You just pick up 20,
436
00:17:00,229 --> 00:17:03,064
and you go like this... bam.
437
00:17:03,080 --> 00:17:04,899
Oh, fascinating.
438
00:17:05,840 --> 00:17:08,299
- Um, yeah...
- Okay, so just hold up this...
439
00:17:08,300 --> 00:17:10,695
anyone?
440
00:17:10,696 --> 00:17:11,989
You're a lot. No thank you.
441
00:17:11,990 --> 00:17:13,574
Uh, hi, little one.
442
00:17:14,060 --> 00:17:15,819
Oh. He's athletic.
443
00:17:15,820 --> 00:17:17,640
Well, it's over with Zane.
444
00:17:17,650 --> 00:17:19,859
He didn't take a beat
before exploiting this
445
00:17:19,860 --> 00:17:20,949
to his advantage.
446
00:17:20,950 --> 00:17:22,779
Why do men always win?
447
00:17:22,780 --> 00:17:25,619
Hey, here's a fiver.
You should smile more.
448
00:17:25,620 --> 00:17:29,297
And now the balance of power
has shifted back to them.
449
00:17:29,298 --> 00:17:32,425
Can we stop making this
about men versus women?
450
00:17:32,426 --> 00:17:35,860
Oh, thanks. Uh, you
look good. We're good.
451
00:17:36,840 --> 00:17:40,140
- Are... are you defending them?
- No!
452
00:17:40,150 --> 00:17:42,979
Ladies, there are bulging
crotches in your faces.
453
00:17:42,980 --> 00:17:44,019
Can you focus?
454
00:17:44,020 --> 00:17:46,879
Yeah, I'm good. Okay. Let's go.
455
00:17:46,880 --> 00:17:50,318
Uh, why are you guys
not getting grinded?
456
00:17:50,319 --> 00:17:52,362
What is it, the lesbian
has to be the wing-woman?
457
00:17:52,363 --> 00:17:54,991
God, if only I could
unsend that stupid video.
458
00:17:54,992 --> 00:17:57,199
There's a letter I'm not
sure I should have sent.
459
00:17:57,200 --> 00:17:59,569
But you did, so move on.
460
00:17:59,570 --> 00:18:01,119
What letter?
461
00:18:01,120 --> 00:18:03,079
I wrote John a "Dear Josh" letter.
462
00:18:03,080 --> 00:18:06,189
No... other way around.
463
00:18:06,190 --> 00:18:07,502
A goodbye letter.
464
00:18:07,503 --> 00:18:09,084
What gave you that stupid idea?
465
00:18:09,085 --> 00:18:11,640
From the meeting you skipped.
The manners book.
466
00:18:11,650 --> 00:18:14,540
Oh, God, thinking about being
in that conference room
467
00:18:14,550 --> 00:18:15,619
bums me out.
468
00:18:15,620 --> 00:18:18,431
When am I ever gonna be
happy to be in there again?
469
00:18:18,432 --> 00:18:20,359
Like, what am I supposed to do?
470
00:18:20,360 --> 00:18:23,219
Climb all the way back up?
471
00:18:23,220 --> 00:18:25,280
- To where?
- I'm sorry, how did tonight
472
00:18:25,290 --> 00:18:26,896
become all about you?
473
00:18:26,897 --> 00:18:27,969
This is my night!
474
00:18:27,970 --> 00:18:30,442
It's not a coffee klatch in
the Millennial break room.
475
00:18:30,443 --> 00:18:34,539
I want the full bachelorette experience.
476
00:18:34,540 --> 00:18:37,139
I want to make mistakes I will
regret for the rest of my life.
477
00:18:37,140 --> 00:18:39,539
You want regrets, Diva Bride?
478
00:18:39,540 --> 00:18:41,099
I know just the place.
479
00:18:41,100 --> 00:18:42,269
- Okay.
- All right.
480
00:18:42,270 --> 00:18:44,820
[ALL CHEERING]
481
00:18:46,280 --> 00:18:49,919
Okay! Here we are!
482
00:18:49,920 --> 00:18:51,599
Whoo!
483
00:18:51,600 --> 00:18:54,519
[LAUGHTER]
484
00:18:54,520 --> 00:18:57,439
Get out of the hummer van! [GIGGLING]
485
00:18:57,440 --> 00:18:58,619
Okay, cheers, diva.
486
00:18:58,620 --> 00:18:59,999
Diva, come on.
487
00:19:00,000 --> 00:19:01,819
[LAUGHING]
488
00:19:01,820 --> 00:19:04,779
Oh, no. Oh, no-no-no. I...
489
00:19:04,780 --> 00:19:05,819
I can't see Josh.
490
00:19:05,820 --> 00:19:07,040
Did you know we were coming here?
491
00:19:07,050 --> 00:19:09,190
I forgot we were in a car.
492
00:19:12,810 --> 00:19:14,440
[MUTTERING]
493
00:19:14,460 --> 00:19:16,920
- Hello, sir.
- Hey.
494
00:19:16,940 --> 00:19:18,399
- Lauren texted me.
- I did.
495
00:19:18,400 --> 00:19:20,379
Y'all ladies called me
right before closing time.
496
00:19:20,380 --> 00:19:22,459
Listen, Diana wants a tattoo.
497
00:19:22,460 --> 00:19:25,349
John, just something small, tasteful...
498
00:19:25,350 --> 00:19:26,620
literary.
499
00:19:26,640 --> 00:19:29,019
Something only Enzo can see.
500
00:19:29,020 --> 00:19:30,719
Oh, I would love to, Diana,
501
00:19:30,720 --> 00:19:32,790
but you're just a little drunk.
502
00:19:32,797 --> 00:19:34,239
We're not drunk, they're drunk.
503
00:19:34,240 --> 00:19:35,840
Um, you're gonna bleed a lot, so...
504
00:19:35,841 --> 00:19:37,619
- Yeah, I don't want that.
- Yeah, okay.
505
00:19:37,620 --> 00:19:38,760
Okay, no-no-no, Diana.
506
00:19:38,770 --> 00:19:40,659
Let's go to... let's go to Metropolitan.
507
00:19:40,660 --> 00:19:42,319
Let's do karaoke at Metropolitan.
508
00:19:42,320 --> 00:19:44,039
- Yes!
- Thank you for nothing, Josh.
509
00:19:44,040 --> 00:19:45,439
[LAUGHING] Be careful.
510
00:19:45,440 --> 00:19:46,759
We'll be careful. I love you.
511
00:19:46,760 --> 00:19:48,019
- I love you too. Hi, honey.
- Hey, bae.
512
00:19:48,020 --> 00:19:50,659
Hi.
513
00:19:50,660 --> 00:19:51,857
Seriously?
514
00:19:53,380 --> 00:19:55,649
You're just gonna write me a letter?
515
00:19:55,650 --> 00:19:57,409
And then never talk to me again?
516
00:19:57,410 --> 00:19:58,489
That's the plan here?
517
00:19:58,500 --> 00:20:01,099
Yes.
518
00:20:01,100 --> 00:20:03,059
Because I care about you.
That's the problem.
519
00:20:03,060 --> 00:20:04,819
I'm calling bullshit.
520
00:20:04,820 --> 00:20:05,979
[SIGHS]
521
00:20:05,980 --> 00:20:08,079
You convinced me to sign this lease.
522
00:20:08,080 --> 00:20:11,840
You told me you'd always be here for me.
523
00:20:11,850 --> 00:20:15,419
That you were gonna be
Gemma's Aunt Liza, right?
524
00:20:15,420 --> 00:20:18,258
Now, what? Now you're
just abandoning me?
525
00:20:18,259 --> 00:20:21,199
I want to give things
with Charles a shot.
526
00:20:21,200 --> 00:20:23,699
I can't go around riding
on motorcycles with you
527
00:20:23,700 --> 00:20:25,014
and having late-night calls,
528
00:20:25,015 --> 00:20:26,839
and you know this is gonna hurt me too.
529
00:20:26,840 --> 00:20:28,760
It's gonna kill me not to see Gemma!
530
00:20:28,769 --> 00:20:30,599
Then why are you doing it?
531
00:20:30,600 --> 00:20:32,479
[SIGHS]
532
00:20:32,480 --> 00:20:35,776
Is Charles that much
more important to you?
533
00:20:37,800 --> 00:20:40,200
Are your feelings for him stronger
than your feelings for me?
534
00:20:41,090 --> 00:20:42,491
Yeah, look... I get it!
535
00:20:42,492 --> 00:20:46,160
Okay? I do. You're scared... of us.
536
00:20:46,180 --> 00:20:48,490
Scared of what we were.
537
00:20:48,497 --> 00:20:51,739
Of what we still are.
538
00:20:51,740 --> 00:20:53,169
So now you're making the safe choice.
539
00:20:53,170 --> 00:20:55,709
You know what, you don't
know anything about Charles!
540
00:20:55,710 --> 00:20:57,672
And don't you tell me what I feel!
541
00:20:57,673 --> 00:21:01,509
- Okay.
- I know that this is hard to accept, Josh.
542
00:21:01,510 --> 00:21:03,380
But we were a moment in time.
543
00:21:04,440 --> 00:21:09,359
It was amazing, and I will cherish it.
544
00:21:09,360 --> 00:21:11,561
But the time has passed.
545
00:21:11,562 --> 00:21:16,089
Then just say it. Just say it.
546
00:21:16,090 --> 00:21:17,983
Say you love him more than you love me.
547
00:21:17,984 --> 00:21:19,695
Is that what you need to hear?
548
00:21:19,696 --> 00:21:21,289
Yes.
549
00:21:21,290 --> 00:21:23,783
Then fine... I love him more.
550
00:21:30,100 --> 00:21:34,500
You know, you... you forget, Liza.
551
00:21:34,520 --> 00:21:36,669
I know you.
552
00:21:36,670 --> 00:21:39,100
I know when you're lying.
553
00:21:40,750 --> 00:21:42,239
Especially to yourself.
554
00:21:42,240 --> 00:21:45,149
[SOFT DRAMATIC MUSIC]
555
00:21:45,150 --> 00:21:46,399
♪ ♪
556
00:21:46,400 --> 00:21:48,098
You wrote a letter to the wrong guy.
557
00:21:48,099 --> 00:21:50,260
♪ ♪
558
00:21:50,270 --> 00:21:52,159
♪ Throw the past in the riverbed ♪
559
00:21:52,160 --> 00:21:53,859
♪ I'm gonna live again ♪
560
00:21:53,860 --> 00:21:55,060
♪ ♪
561
00:21:55,064 --> 00:21:57,699
♪ Throw the past in the riverbed ♪
562
00:21:57,700 --> 00:21:59,220
♪ I'm gonna live again ♪
563
00:22:00,220 --> 00:22:05,209
♪ I know the road ahead will burn ♪
564
00:22:05,210 --> 00:22:07,899
[CAVALE'S "1234"]
565
00:22:07,900 --> 00:22:15,220
♪ I know the road ahead will
turn and turn and turn ♪
566
00:22:15,260 --> 00:22:17,539
_
567
00:22:17,540 --> 00:22:22,519
♪ ♪
568
00:22:22,520 --> 00:22:26,390
♪ One, two, three, four ♪
569
00:22:26,420 --> 00:22:30,269
♪ One, two, three, four ♪
570
00:22:30,270 --> 00:22:32,759
_
571
00:22:32,760 --> 00:22:38,160
- _
- ♪ One, two, three, four ♪
572
00:22:38,190 --> 00:22:42,460
- ♪ One, two, three, four ♪
- Thank you for everything,
573
00:22:42,470 --> 00:22:45,729
but it's time for me to move on.
574
00:22:45,730 --> 00:22:49,929
♪ One, one, one, one ♪
575
00:22:49,930 --> 00:22:54,969
♪ One, the eye, the
contact we make, two... ♪
576
00:22:54,970 --> 00:22:59,970
- Synced & corrected by MementMori -
-- www.addic7ed.com --
41119
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
German
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Swahili
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese
