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1
00:00:05,600 --> 00:00:07,130
PREVIOUSLY ON
2
00:00:07,133 --> 00:00:09,973
IT'S NOT OVER"...
3
00:00:10,008 --> 00:00:13,097
HE IS A NIGHTMARE COME TO LIFE,
4
00:00:13,100 --> 00:00:16,365
A MONSTER HIDING
BEHIND A SKI MASK.
5
00:00:16,400 --> 00:00:18,430
I CHALLENGE ANYBODY
TO FIND A CASE
6
00:00:18,433 --> 00:00:20,032
WHERE YOU'VE GOT
UPWARDS OF 50 RAPES
7
00:00:20,067 --> 00:00:22,767
AND 12 MURDERS SPANNING
THIS AMOUNT OF TIME
8
00:00:22,802 --> 00:00:25,132
THAT HAS NOT BEEN SOLVED.
9
00:00:25,167 --> 00:00:28,297
HE IS A DIABOLICAL PREDATOR,
10
00:00:28,300 --> 00:00:30,765
AND FOR THE MOST PART,
HE REMAINS UNKNOWN.
11
00:00:30,800 --> 00:00:35,030
WE WANT EVERYONE
TO KNOW JUST AS MUCH
12
00:00:35,033 --> 00:00:38,566
ABOUT THE EAST AREA
RAPIST/GOLDEN STATE KILLER.
13
00:00:38,601 --> 00:00:42,100
JUST LIKE PEOPLE ARE AWARE
OF THE ZODIAC KILLER
14
00:00:42,135 --> 00:00:45,830
OR TED BUNDY OR BTK.
15
00:00:45,833 --> 00:00:48,598
FROM 1976 TO 1986,
16
00:00:48,633 --> 00:00:52,203
HE TERRORIZED
SUBURBAN CALIFORNIA
17
00:00:52,238 --> 00:00:54,965
AND THEN DISAPPEARED.
18
00:00:55,000 --> 00:00:58,030
HE BLENDED IN SO WELL
THAT HE COULDN'T BE TRACKED.
19
00:00:58,033 --> 00:01:00,932
HE COULDN'T BE FOUND.
20
00:01:00,967 --> 00:01:04,927
BUT THE ONE THING HE FAILED
TO DO, AND HE DIDN'T KNOW ABOUT,
21
00:01:04,933 --> 00:01:10,433
WAS HE DID NOT ACCOUNT
FOR DNA TECHNOLOGY.
22
00:01:10,468 --> 00:01:12,232
TO HUNT HIM DOWN,
23
00:01:12,267 --> 00:01:16,167
INVESTIGATORS MUST LEARN
EVERYTHING POSSIBLE ABOUT HIM.
24
00:01:16,202 --> 00:01:17,767
NOW,
WHY WAS A HELICOPTER
25
00:01:17,802 --> 00:01:18,932
FOCUSING IN ON THAT HOUSE?
26
00:01:18,967 --> 00:01:23,232
ALLEGEDLY, THEY HAD
THE INDIVIDUAL CORNERED.
27
00:01:23,267 --> 00:01:27,967
IT'S A RACE AGAINST TIME TO
CATCH A DEADLY SERIAL PREDATOR.
28
00:02:19,767 --> 00:02:22,197
I DISTINCTLY
REMEMBER READING
29
00:02:22,200 --> 00:02:24,130
ABOUT THE CASES AND THE ATTACKS.
30
00:02:27,267 --> 00:02:31,067
I WAS READING EVERY SINGLE
ARTICLE THAT CAME OUT
31
00:02:31,102 --> 00:02:33,632
IN "THE SACRAMENTO BEE."
32
00:02:33,667 --> 00:02:36,732
I WAS FASCINATED WITH THE CASES
33
00:02:36,767 --> 00:02:39,527
AND THE PROFILERS THAT WERE
TRYING TO GET A GRIP
34
00:02:39,533 --> 00:02:43,032
ON WHAT THIS GUY WAS ABOUT.
35
00:02:43,067 --> 00:02:45,667
I'M SURE MY MOM AND I
PROBABLY DISCUSSED THE ATTACKS,
36
00:02:45,702 --> 00:02:47,927
BUT HER TAKE ON IT
WAS THAT SHE WAS TOO OLD,
37
00:02:47,933 --> 00:02:51,673
AND I WAS TOO YOUNG
TO BE POSSIBLE VICTIMS
38
00:02:51,708 --> 00:02:54,067
OF THIS SERIAL RAPIST.
39
00:03:00,933 --> 00:03:03,233
THE MORNING
OF NOVEMBER 11th,
40
00:03:03,268 --> 00:03:06,365
AT 2:30 A.M.,
41
00:03:06,400 --> 00:03:09,730
MARGARET AND HER MOTHER
ARE TRAGICALLY PROVEN WRONG.
42
00:03:12,867 --> 00:03:16,227
MARGARET IS JUST 2 WEEKS
SHY OF HER 13th BIRTHDAY.
43
00:03:24,367 --> 00:03:26,727
I'M AWOKEN FROM A DEEP SLEEP,
44
00:03:26,733 --> 00:03:29,950
AND THERE'S A FLASHLIGHT
IN MY FACE,
45
00:03:29,985 --> 00:03:33,076
AND A MAN WITH GLOVES
TELLING ME,
46
00:03:33,111 --> 00:03:36,167
"PUT YOUR HANDS
BEHIND YOUR BACK."
47
00:03:36,202 --> 00:03:37,497
INITIALLY, I REFUSED.
48
00:03:37,500 --> 00:03:40,370
MULTIPLE TIMES, I SAY,
"QUIT JOKING AROUND."
49
00:03:40,405 --> 00:03:42,827
AND HE JUST SAYS,
"THIS IS NOT A JOKE."
50
00:03:42,833 --> 00:03:44,798
PUT MY HANDS BEHIND MY BACK.
51
00:03:44,833 --> 00:03:48,100
AND HE TIES MY HANDS UP,
AND I'M ON MY STOMACH,
52
00:03:48,135 --> 00:03:51,367
AND I REALIZE AT THAT POINT,
IT IS NOT A JOKE.
53
00:03:51,402 --> 00:03:52,797
IT DIDN'T TAKE ME
LONG TO FIGURE OUT
54
00:03:52,800 --> 00:03:56,830
THAT THIS WAS MOST LIKELY
THE SERIAL RAPIST.
55
00:03:56,833 --> 00:03:59,353
BECAUSE MARGARET HAS
READ SO MUCH
56
00:03:59,388 --> 00:04:01,873
ABOUT THIS PREDATOR,
SHE KNOWS WHAT TO EXPECT.
57
00:04:04,400 --> 00:04:08,930
WHEN HE TIES HER UP,
SHE DOESN'T PANIC.
58
00:04:08,933 --> 00:04:12,433
I WAS VERY MUCH AWARE
OF WHAT HIS M.O. WAS.
59
00:04:12,468 --> 00:04:15,598
HE HAD A VERY DISTINCTIVE M.O.
60
00:04:15,633 --> 00:04:18,381
HE USED TO USE PLATES
AS A WARNING SIGNAL,
61
00:04:18,416 --> 00:04:21,130
SO THE PERSON THAT WAS
NOT BEING ATTACKED
62
00:04:21,133 --> 00:04:23,532
WOULD END UP WITH
PLATES ON HIS BACK.
63
00:04:23,567 --> 00:04:26,897
AND HE WOULD TELL THEM,
"IF I HEAR THESE PLATES RATTLE,
64
00:04:26,900 --> 00:04:28,230
I WILL KILL YOUR WIFE,
65
00:04:28,233 --> 00:04:30,532
AND I WILL COME BACK
HERE AND KILL YOU."
66
00:04:30,567 --> 00:04:37,567
AND SO, HE USED THOSE PLATES
AS A WARNING SYSTEM.
67
00:04:37,602 --> 00:04:38,832
I COULD HEAR HIM UPSTAIRS.
68
00:04:38,867 --> 00:04:41,127
HE'S UPSTAIRS GETTING
SOME PLATES TOGETHER,
69
00:04:41,133 --> 00:04:44,133
AND HE STARTS COMING DOWN
THOSE STAIRS WITH THOSE PLATES.
70
00:04:44,168 --> 00:04:46,532
AND I HEAR HIM COMING,
AND I THINK TO MYSELF,
71
00:04:46,567 --> 00:04:49,867
"WELL, YOU KNOW, IF HE COMES
INTO MY ROOM WITH THOSE PLATES,
72
00:04:49,902 --> 00:04:52,032
HE'S GONNA RAPE MY MOM.
73
00:04:52,067 --> 00:04:54,697
AND IF HE GOES INTO MY MOM'S
ROOM WITH THOSE PLATES,
74
00:04:54,700 --> 00:04:58,230
HE'S GONNA RAPE ME."
75
00:04:58,233 --> 00:05:00,665
I HEAR HIM GO INTO MY MOM'S ROOM
WITH THOSE PLATES,
76
00:05:00,700 --> 00:05:04,830
AND I KNOW HE'S GONNA BE COMING
INTO MY ROOM SHORTLY TO RAPE ME.
77
00:05:04,833 --> 00:05:07,432
I KNEW WHAT HE WANTED.
78
00:05:07,467 --> 00:05:11,327
WHERE HE GOT HIS SATISFACTION
WAS FEAR, SCARING PEOPLE,
79
00:05:11,333 --> 00:05:15,133
AND MAKING THEM GO ALONG
WITH WHAT HE WANTED THEM TO DO.
80
00:05:15,168 --> 00:05:19,633
AND SO I REMEMBERED
MAYBE BEING MORE INDIGNANT.
81
00:05:19,668 --> 00:05:21,798
BUT I WAS 12 YEARS OLD,
82
00:05:21,833 --> 00:05:23,898
AND YOU'RE KIND OF
IMMORTAL AT THAT POINT.
83
00:05:23,933 --> 00:05:27,273
YOU KNOW, YOU DON'T THINK
SOMETHING BAD'S GONNA HAPPEN.
84
00:05:27,308 --> 00:05:30,597
I DEFINITELY TRIED TO REMEMBER
OR TAKE NOTE
85
00:05:30,600 --> 00:05:32,165
OF EVERYTHING I COULD.
86
00:05:32,200 --> 00:05:36,630
HE HAD ON A PLAID SHIRT,
LIKE A PENDLETON SHIRT,
87
00:05:36,633 --> 00:05:39,273
AND I BELIEVE MAYBE BLUE JEANS.
88
00:05:39,308 --> 00:05:41,597
HE WAS SLENDER.
89
00:05:41,600 --> 00:05:43,665
AND THEN WITH HIM
DISGUISING HIS VOICE,
90
00:05:43,700 --> 00:05:46,900
HE WAS ALWAYS ASKING, LIKE,
"DO YOU WANT ME TO KILL YOU?
91
00:05:46,935 --> 00:05:50,830
DO YOU WANT ME TO KILL YOU?
DO YOU WANT TO DIE?"
92
00:05:50,833 --> 00:05:54,303
HE WAS VERY, VERY, VERY ANGRY.
93
00:06:00,233 --> 00:06:02,673
MARGARET IS SEXUALLY ASSAULTED.
94
00:06:02,708 --> 00:06:04,467
HER MOTHER IS NOT.
95
00:06:06,433 --> 00:06:10,073
THE RAPIST STAYS IN THE HOUSE
FOR ABOUT AN HOUR AND A HALF...
96
00:06:12,133 --> 00:06:15,180
...TERRORIZING MARGARET
AND TRAUMATIZING HER MOTHER,
97
00:06:15,215 --> 00:06:18,227
WHO HAD BEEN RENDERED HELPLESS
TO SAVE HER DAUGHTER.
98
00:06:21,433 --> 00:06:23,750
AND MOM HAD A VERY
DIFFICULT TIME.
99
00:06:23,785 --> 00:06:26,032
OF COURSE, YOU WANT
TO PROTECT YOUR CHILD,
100
00:06:26,067 --> 00:06:31,067
AND SHE HAD A VERY,
VERY HARD TIME WITH THE ATTACK.
101
00:06:31,102 --> 00:06:33,084
SOME PEOPLE SPECULATE HE'S DEAD.
102
00:06:33,119 --> 00:06:35,032
I REALLY --
I THINK HE'S OUT THERE.
103
00:06:35,067 --> 00:06:38,497
I THINK HE COULD BE OUT THERE.
I REALLY DO.
104
00:06:40,467 --> 00:06:43,467
AND I HOPE THAT
ALL THIS PUBLICITY
105
00:06:43,502 --> 00:06:45,727
CAN BRING THIS PERSON IN.
106
00:06:45,733 --> 00:06:47,698
SOMEBODY KNOWS SOMETHING.
107
00:06:47,733 --> 00:06:50,603
THERE IS A GIRLFRIEND OF HIS
OUT THERE THAT KNOWS
108
00:06:50,638 --> 00:06:53,032
THE WAY HE'S ACTED AROUND HER.
109
00:06:53,067 --> 00:06:55,432
HE'S MISTREATED PEOPLE
IN HIS LIFE.
110
00:06:55,467 --> 00:06:59,297
THERE ARE PEOPLE THAT KNOW
HIS BEHAVIORS, I'M SURE.
111
00:06:59,300 --> 00:07:01,730
PEOPLE HE'S HAD
RELATIONSHIPS WITH.
112
00:07:01,733 --> 00:07:05,133
MAYBE FAMILY MEMBERS THAT KNOW
ABOUT WHAT HE'S DONE.
113
00:07:09,267 --> 00:07:12,327
SOMEONE KNOWS SOMETHING.
114
00:07:12,333 --> 00:07:14,901
IT'S A BELIEF THAT RESONATES
FROM THOSE
115
00:07:14,936 --> 00:07:17,751
WHO CAME FACE-TO-FACE
WITH THIS MONSTER
116
00:07:17,786 --> 00:07:20,532
TO THOSE WHO ARE
HUNTING HIM TODAY.
117
00:07:20,567 --> 00:07:22,727
I DON'T KNOW IF
THE GUY'S ALIVE OR DEAD,
118
00:07:22,733 --> 00:07:24,532
BUT LET'S SAY HE HAD JOURNALS,
119
00:07:24,567 --> 00:07:26,497
AND SOMEBODY'S
CLEARING OUT AN ATTIC.
120
00:07:28,733 --> 00:07:30,065
MAYBE THERE'S SKI MASKS.
121
00:07:30,100 --> 00:07:32,230
MAYBE THERE'S TRICKS
OF HIS TRADE.
122
00:07:32,233 --> 00:07:34,833
MAYBE THERE'S NEWSPAPER ARTICLES
FROM BACK IN THE DAY.
123
00:07:34,868 --> 00:07:37,285
SOMEBODY KEPT TROPHIES,
WHATEVER IT IS.
124
00:07:37,320 --> 00:07:39,665
IF YOU CAN GET
THE INFORMATION OUT THERE,
125
00:07:39,700 --> 00:07:43,870
THEN THAT PROVIDES THE PUBLIC
WITH THE POTENTIAL ABILITY
126
00:07:43,905 --> 00:07:46,032
TO HELP US WITH THAT.
127
00:07:46,067 --> 00:07:48,897
ONE PIECE OF EVIDENCE,
WHICH IS THE NAME.
128
00:07:57,433 --> 00:08:01,373
FOR DISTRICT ATTORNEY
ANNE MARIE SCHUBERT,
129
00:08:01,408 --> 00:08:03,097
THIS CASE IS PERSONAL.
130
00:08:03,100 --> 00:08:05,832
IN 1976,
WHEN THE EAST AREA RAPIST
131
00:08:05,867 --> 00:08:08,297
WAS JUST BEGINNING
HIS REIGN OF TERROR,
132
00:08:08,300 --> 00:08:11,770
SHE WAS A 12-YEAR-OLD GIRL
GROWING UP IN SACRAMENTO.
133
00:08:14,933 --> 00:08:16,831
IT REALLY DID CHANGE SACRAMENTO.
134
00:08:16,866 --> 00:08:18,730
IT WASN'T ONE RAPE.
IT WASN'T TWO RAPES.
135
00:08:18,733 --> 00:08:21,732
IT WAS UPWARDS OF 35 RAPES
136
00:08:21,767 --> 00:08:24,927
IN A PERIOD OF 21/2
TO 3 YEARS JUST IN THIS AREA.
137
00:08:24,933 --> 00:08:29,073
AND SO EVERYBODY
WALKED ON EGGSHELLS.
138
00:08:29,108 --> 00:08:30,332
EVERYBODY WAS FEARFUL.
139
00:08:30,367 --> 00:08:31,627
YOU KNOW, WHEN IS --
IT'S NOT A MATTER OF
140
00:08:31,633 --> 00:08:33,765
IF HE'S COMING AGAIN,
IT WAS WHEN.
141
00:08:33,800 --> 00:08:37,930
AND YOU ANTICIPATED THAT
IT WAS COMING VERY, VERY SOON
142
00:08:37,933 --> 00:08:41,832
BECAUSE IT WAS ON
THE NEWS EVERY DAY.
143
00:08:41,867 --> 00:08:44,627
THE EAST AREA RAPIST
WAS OFTEN ATTACKING
144
00:08:44,633 --> 00:08:46,732
AT A RATE OF TWICE
OR MORE A MONTH,
145
00:08:46,767 --> 00:08:51,132
ALWAYS IN SACRAMENTO,
ALWAYS IN CLUSTERS.
146
00:08:51,167 --> 00:08:53,367
HE SEEMS TOO FAMILIAR WITH
THESE NEIGHBORHOODS
147
00:08:53,402 --> 00:08:55,327
FOR THERE NOT TO BE
A CONNECTION.
148
00:09:00,100 --> 00:09:02,385
THIS IS CALLED
FAIR OAKS BOULEVARD.
149
00:09:02,420 --> 00:09:04,670
THIS IS A VERY, VERY BIG
STREET IN SACRAMENTO.
150
00:09:04,705 --> 00:09:06,627
IT'S A THOROUGHFARE.
151
00:09:06,633 --> 00:09:09,703
IT'S ONE OF THE MAIN ARTERIES
THAT LEAD TO SOME OF THE AREAS
152
00:09:09,738 --> 00:09:13,132
WHERE SOME OF THESE
ASSAULTS OCCURRED.
153
00:09:13,167 --> 00:09:16,427
IF YOU LOOK AT THE PATTERN
OF THE ASSAULTS,
154
00:09:16,433 --> 00:09:17,598
THIS PARTICULAR AREA
155
00:09:17,633 --> 00:09:20,833
THAT WE'RE TALKING ABOUT
RIGHT NOW WITHIN --
156
00:09:20,868 --> 00:09:22,333
I WOULD SAY THEY'RE
WITHIN TWO BLOCKS,
157
00:09:22,368 --> 00:09:23,917
TWO TO THREE BLOCKS
OF EACH OTHER
158
00:09:23,952 --> 00:09:25,432
THAT THESE ASSAULTS
ARE OCCURRING.
159
00:09:25,467 --> 00:09:29,632
AND THAT TELLS YOU HOW CLOSE
IN PROXIMITY THINGS WERE.
160
00:09:29,667 --> 00:09:32,667
AND THE SIMILAR STORY WOULD BE
IF YOU WENT OUT TO THE ASSAULTS
161
00:09:32,702 --> 00:09:34,332
IN RANCHO CORDOVA,
162
00:09:34,367 --> 00:09:35,597
I MEAN, THEY ARE LITERALLY --
163
00:09:35,600 --> 00:09:38,070
SOME OF THEM ALMOST KITTY-CORNER
FROM EACH OTHER.
164
00:09:38,105 --> 00:09:40,086
SO, YOU START TO ASK YOURSELF,
165
00:09:40,121 --> 00:09:42,067
"DID HE LIVE IN THAT
NEIGHBORHOOD
166
00:09:42,102 --> 00:09:44,067
AT THAT PERIOD OF TIME?"
167
00:09:50,767 --> 00:09:53,597
USING ATTACK PATTERNS
TO HONE IN
168
00:09:53,632 --> 00:09:56,427
ON WHERE AN OFFENDER
MOST LIKELY RESIDES
169
00:09:56,433 --> 00:10:00,753
IS AN INVESTIGATIVE TECHNIQUE
CALLED GEOGRAPHIC PROFILING.
170
00:10:00,788 --> 00:10:05,073
AND THESE PATTERNS SEEM
TO ALL POINT IN ONE DIRECTION.
171
00:10:05,108 --> 00:10:07,567
I MAY BE COMPLETELY 100%
OFF THE MARK ON THIS,
172
00:10:07,602 --> 00:10:08,827
BUT I ABSOLUTELY BELIEVE
173
00:10:08,833 --> 00:10:11,733
THAT THE ANSWER TO THIS CASE
LIES IN SACRAMENTO.
174
00:10:21,833 --> 00:10:24,065
IN THE LATE 1970s,
175
00:10:24,100 --> 00:10:27,970
THE PREDATOR KNOWN THEN
AS THE EAST AREA RAPIST
176
00:10:28,005 --> 00:10:31,127
EXHIBITED A CLEAR
PATTERN OF ATTACKS.
177
00:10:31,133 --> 00:10:34,573
AFTER TODAY'S INVESTIGATORS
ANALYZE THOSE PATTERNS,
178
00:10:34,608 --> 00:10:37,932
A CHILLING POSSIBILITY EMERGES.
179
00:10:37,967 --> 00:10:41,667
THE MONSTER WHO TERRORIZED
SACRAMENTO 40 YEARS AGO
180
00:10:41,702 --> 00:10:44,297
COULD ALSO HAVE LIVED THERE.
181
00:10:44,300 --> 00:10:46,230
ON THE MONITOR
ON THE LEFT-HAND SIDE,
182
00:10:46,233 --> 00:10:48,633
WHAT WE ARE SEEING
IS LITERALLY AN OVERVIEW
183
00:10:48,668 --> 00:10:50,098
IN GOOGLE EARTH
184
00:10:50,133 --> 00:10:53,266
OF THE ENTIRE STATE
OF CALIFORNIA.
185
00:10:53,301 --> 00:10:56,400
AND THE YELLOW PUSH PINS
ARE DEMARKING
186
00:10:56,435 --> 00:10:58,230
EVERY SINGLE ATTACK LOCATION
187
00:10:58,233 --> 00:11:01,873
THAT WE KNOW THE GOLDEN
STATE KILLER COMMITTED.
188
00:11:04,833 --> 00:11:10,703
AND AS I ZOOM IN, I AM NOW
LOOKING AT THE ENTIRE SCOPE
189
00:11:10,738 --> 00:11:11,930
OF THE ATTACKS
190
00:11:11,933 --> 00:11:14,973
THAT THE EAST AREA RAPIST
COMMITTED IN SACRAMENTO.
191
00:11:15,008 --> 00:11:19,437
FROM JUNE OF '76 UP
UNTIL SEPTEMBER OF '77,
192
00:11:19,472 --> 00:11:22,884
HE HAD COMMITTED
22 ATTACKS IN SACRAMENTO.
193
00:11:22,919 --> 00:11:26,297
WHEN YOU LOOK AT THAT
GEOGRAPHIC DISTRIBUTION,
194
00:11:26,300 --> 00:11:29,600
HE'S CRISSCROSSING
ALL OVER SACRAMENTO,
195
00:11:29,635 --> 00:11:33,432
SHOWING THE BROAD FAMILIARITY.
196
00:11:33,467 --> 00:11:36,032
BUT ON SEPTEMBER 6, 1977,
197
00:11:36,067 --> 00:11:38,597
THERE'S AN ANOMALY
IN THE PATTERN.
198
00:11:38,600 --> 00:11:41,800
HE ATTACKS 50 MILES
SOUTH OF SACRAMENTO,
199
00:11:41,835 --> 00:11:44,270
FAR AWAY FROM HIS COMFORT ZONE.
200
00:11:53,633 --> 00:11:54,898
IT'S JUST BEFORE MIDNIGHT,
201
00:11:54,933 --> 00:11:58,098
AND A COUPLE ARE FAST ASLEEP
IN THEIR OWN HOME
202
00:11:58,133 --> 00:12:02,503
WHEN A MASKED MAN QUIETLY ENTERS
THROUGH A SLIDING-GLASS DOOR.
203
00:12:17,100 --> 00:12:21,463
HE WAKES THEM UP,
BLINDS THEM WITH A FLASHLIGHT,
204
00:12:21,498 --> 00:12:25,827
AND DEMANDS MONEY AND FOOD
BEFORE TYING THEM BOTH UP
205
00:12:25,833 --> 00:12:27,765
AND RAPING THE WOMAN.
206
00:12:27,800 --> 00:12:30,670
IT'S A CLASSIC EAST AREA
RAPIST ATTACK.
207
00:12:33,533 --> 00:12:35,103
AND IT HAS COLD-CASE
INVESTIGATOR
208
00:12:35,138 --> 00:12:37,265
PAUL HOLES INTRIGUED.
209
00:12:37,300 --> 00:12:40,885
WHY WOULD A MAN WHO HAD STALKED
SACRAMENTO FOR SO LONG
210
00:12:40,920 --> 00:12:44,470
SUDDENLY STRIKE FAR OUTSIDE
THE CITY HE KNOWS SO WELL?
211
00:12:47,900 --> 00:12:49,915
I HAD NEVER BEEN TO STOCKTON
212
00:12:49,950 --> 00:12:51,930
BEFORE I STARTED
WORKING THIS CASE
213
00:12:51,933 --> 00:12:54,333
AND REALLY LOOKING INTO
THE STOCKTON ATTACKS
214
00:12:54,368 --> 00:12:56,365
ASSOCIATED WITH THE SERIES.
215
00:12:56,400 --> 00:13:00,930
AND I WAS SHOCKED WHEN I STARTED
DRIVING AROUND
216
00:13:00,933 --> 00:13:02,265
SOME OF THESE LOCATIONS.
217
00:13:02,300 --> 00:13:05,600
IN TERMS OF HOW NICE SOME OF
THE DEVELOPMENTS ARE,
218
00:13:05,635 --> 00:13:07,732
PARTICULARLY THIS DEVELOPMENT
THAT WE'RE IN
219
00:13:07,767 --> 00:13:09,830
WHERE THE FIRST
STOCKTON ATTACK OCCURRED.
220
00:13:12,167 --> 00:13:13,332
IT'S A MASTER PLAN COMMUNITY
221
00:13:13,367 --> 00:13:14,897
THAT WAS STARTED
IN THE LATE '60s
222
00:13:14,900 --> 00:13:17,785
AND WAS STILL ACTIVELY
UNDER CONSTRUCTION
223
00:13:17,820 --> 00:13:20,293
AT THE TIME OF THAT FIRST
STOCKTON ATTACK.
224
00:13:20,328 --> 00:13:22,767
AT THE TIME THAT THIS ATTACK
OCCURRED,
225
00:13:22,802 --> 00:13:24,627
HIGHWAY 5 WAS NOT OPEN.
226
00:13:24,633 --> 00:13:27,698
WE KNOW OUR OFFENDER
IS COMING OUT OF SACRAMENTO.
227
00:13:27,733 --> 00:13:32,400
HE HAD TO COME DOWN HIGHWAY 99,
WHICH IS A GOOD 6 MILES AWAY.
228
00:13:32,435 --> 00:13:37,067
SO OUR OFFENDER HAS PULLED OUT
TO THIS WESTERN PART OF STOCKTON
229
00:13:37,102 --> 00:13:40,597
TO COMMIT THIS ATTACK.
230
00:13:40,600 --> 00:13:43,870
THE QUESTION IS, WELL,
WHAT WOULD PULL HIM OUT HERE?
231
00:13:47,900 --> 00:13:49,532
IT'S A QUESTION
232
00:13:49,567 --> 00:13:52,827
PAUL HAS SPENT CONSIDERABLE TIME
TRYING TO ANSWER.
233
00:13:54,100 --> 00:13:55,800
HI, PAUL.
NICE TO SEE YOU AGAIN.
234
00:13:55,835 --> 00:13:57,070
ALL RIGHT.
HOW'S IT BEEN GOING?
235
00:13:57,105 --> 00:13:58,797
- IT'S BEEN GOOD.
- YEAH?
236
00:13:58,800 --> 00:14:02,083
TODAY, PAUL PAYS A VISIT
TO A RESIDENT WHO LIVES
237
00:14:02,118 --> 00:14:05,367
NEXT TO THE SCENE
OF THAT FIRST STOCKTON ATTACK,
238
00:14:05,402 --> 00:14:08,167
HOPING TO SEE IF ANYTHING
NEW STANDS OUT.
239
00:14:10,367 --> 00:14:12,982
THE RESIDENT HAS ASKED
TO REMAIN ANONYMOUS
240
00:14:13,017 --> 00:14:15,597
AND PREFERS TO KEEP
HIS FACE OBSCURED.
241
00:14:17,933 --> 00:14:20,603
SO, YOU'VE BEEN RESIDING AT THIS
LOCATION FOR HOW LONG NOW?
242
00:14:20,638 --> 00:14:23,630
BEEN OVER 40 YEARS,
PAUL.
243
00:14:23,633 --> 00:14:25,633
WE GOT OUR GEESE
THAT WE FEED EVERY MORNING.
244
00:14:25,668 --> 00:14:27,573
PART OF YOUR
REHAB THERE, HUH?
245
00:14:27,608 --> 00:14:29,097
YEAH.
246
00:14:29,100 --> 00:14:31,132
YEAH,
IT IS KIND OF THERAPY.
247
00:14:31,167 --> 00:14:32,397
AND THE THINGS HAVE
REALLY DEVELOPED.
248
00:14:32,400 --> 00:14:34,830
THERE USED TO BE A HOUSE
THAT WAS IN CONSTRUCTION
249
00:14:34,833 --> 00:14:36,518
OVER HERE TO OUR LEFT.
250
00:14:36,553 --> 00:14:38,426
THIS WAS OPEN, ALSO.
251
00:14:38,461 --> 00:14:40,265
THERE WASN'T A FENCE,
252
00:14:40,300 --> 00:14:42,970
SO YOU CAN TRAVERSE
FROM PENINSULA COURT
253
00:14:43,005 --> 00:14:44,927
INTO THE PARK
QUITE EASILY.
254
00:14:44,933 --> 00:14:47,073
40 YEARS AGO, WE HAD
AN ATTACK THAT OCCURRED
255
00:14:47,108 --> 00:14:49,427
ON THE EAST SIDE
OF THIS LAKE.
256
00:14:49,433 --> 00:14:50,973
YOU WERE HERE
AT THAT TIME, RIGHT?
257
00:14:51,008 --> 00:14:52,127
WE LIVED HERE, YEAH.
258
00:14:52,133 --> 00:14:54,203
AT THAT PARTICULAR TIME,
WE WERE AT A FUNDRAISER.
259
00:14:54,238 --> 00:14:55,830
OUR KIDS WERE HERE
WITH A BABYSITTER.
260
00:14:55,833 --> 00:14:58,065
- OKAY.
- WHEN THE ATTACK OCCURRED.
261
00:14:58,100 --> 00:15:02,130
WE WERE CONTACTED TO COME HOME
IMMEDIATELY, WHICH WE DID,
262
00:15:02,133 --> 00:15:04,333
AND THE POLICE WERE CIRCLING
THE HOUSE
263
00:15:04,368 --> 00:15:05,632
THAT WAS IN DEVELOPMENT.
264
00:15:05,667 --> 00:15:07,327
WHICH IS RIGHT HERE,
RIGHT NEXT DOOR?
265
00:15:07,333 --> 00:15:09,703
- RIGHT THERE, YEAH, YEAH.
- SO YOU HAVE PATROL CARS HERE.
266
00:15:09,738 --> 00:15:10,932
THE LIGHTS ARE GOING.
- YEAH.
267
00:15:10,967 --> 00:15:12,527
SPOTLIGHTS FROM
THE HELICOPTERS GOING.
268
00:15:12,533 --> 00:15:13,873
HELICOPTER KEPT MOVING
AROUND THE AREA,
269
00:15:13,908 --> 00:15:15,927
JUST MOVING AROUND,
MOVING AROUND.
270
00:15:15,933 --> 00:15:18,773
NOW, WHY WAS THE HELICOPTER
FOCUSING IN ON THAT HOUSE?
271
00:15:18,808 --> 00:15:20,127
ALLEGEDLY, THEY HAD
272
00:15:20,133 --> 00:15:22,533
THE INDIVIDUAL CORNERED
WITHIN THE HOUSE.
273
00:15:22,568 --> 00:15:24,633
BUT IT WAS --
IT WAS ALL FRAMED OUT.
274
00:15:24,668 --> 00:15:27,103
IT WAS BASICALLY OPEN.
275
00:15:27,138 --> 00:15:28,232
ALL RIGHT.
276
00:15:28,267 --> 00:15:29,227
AND -- AND THEY'RE THINKING
277
00:15:29,233 --> 00:15:30,232
THAT THIS WAS
THE EAST AREA RAPIST
278
00:15:30,267 --> 00:15:31,497
THAT THEY HAD
CORNERED INSIDE THIS HOUSE.
279
00:15:31,500 --> 00:15:33,200
YES, YEAH, YEAH.
280
00:15:35,933 --> 00:15:39,703
ONCE AGAIN, THE EAST
AREA RAPIST IS ABLE TO ESCAPE
281
00:15:39,738 --> 00:15:44,432
FROM WHAT SEEMS LIKE
AN IMPOSSIBLE SITUATION.
282
00:15:44,467 --> 00:15:48,497
DID YOU HEAR ANY THOUGHTS
ON HOW HE ACTUALLY GOT AWAY?
283
00:15:48,500 --> 00:15:50,070
SEEMED LIKE THEY WOULD
BE ABLE TO GET HIM
284
00:15:50,105 --> 00:15:51,397
IF HE'S
INSIDE THIS HOUSE.
285
00:15:51,400 --> 00:15:53,630
AGAIN, ALLEGEDLY,
OR THE RUMOR
286
00:15:53,633 --> 00:15:56,233
WAS HE TRAVERSED
ACROSS THE PARK,
287
00:15:56,268 --> 00:15:58,934
OVER A FENCE OR A GATE.
288
00:15:58,969 --> 00:16:01,565
THERE WAS NOTHING THERE.
289
00:16:01,600 --> 00:16:04,070
THERE WERE
JUST VACANT LOTS.
290
00:16:11,233 --> 00:16:12,898
IS THE EAST AREA RAPIST
291
00:16:12,933 --> 00:16:14,833
SHOWING THE SAME KNOWLEDGE
OF STOCKTON
292
00:16:14,868 --> 00:16:18,098
AS HE HAS OF SACRAMENTO?
293
00:16:18,133 --> 00:16:21,673
HE'S ATTACKING HERE
WELL OFF THE FREEWAY.
294
00:16:21,708 --> 00:16:25,727
HE'S TARGETING
THE SAME DEMOGRAPHIC.
295
00:16:25,733 --> 00:16:27,573
HE'S PATIENTLY STALKING.
296
00:16:29,667 --> 00:16:32,197
HE'S BLENDING IN.
297
00:16:36,133 --> 00:16:38,803
THIS WAS THE NICE AREA
IN STOCKTON TO LIVE AT THE TIME.
298
00:16:38,838 --> 00:16:40,630
AND WHEN YOU THINK
ABOUT OUR OFFENDER,
299
00:16:40,633 --> 00:16:44,603
WELL, HE'S BEING
PULLED OUT TO THIS AREA
300
00:16:44,638 --> 00:16:46,232
TO COMMIT HIS FIRST ATTACK.
301
00:16:46,267 --> 00:16:48,697
THE MILLION-DOLLAR
QUESTION IS WHY?
302
00:16:56,600 --> 00:16:58,032
THREE WEEKS LATER,
303
00:16:58,067 --> 00:17:01,232
THE EAST AREA RAPIST
IS BACK ON FAMILIAR TURF,
304
00:17:01,267 --> 00:17:04,397
COMMITTING A STRING
OF ATTACKS IN SACRAMENTO.
305
00:17:07,233 --> 00:17:09,073
ONE THING I WANT
TO EMPHASIZE, LADIES,
306
00:17:09,108 --> 00:17:11,397
IS FOR YOU NOT TO BE POLITE.
307
00:17:11,400 --> 00:17:14,930
WE'VE ALL BEEN RAISED TO NOT
HURT ANYBODY, TO BE POLITE.
308
00:17:14,933 --> 00:17:17,503
YOU INJURE HIM ENOUGH
TO INCAPACITATE HIM
309
00:17:17,538 --> 00:17:19,630
IN ANY WAY THAT YOU CAN.
310
00:17:19,633 --> 00:17:24,066
FORMER SACRAMENTO
SHERIFF'S DETECTIVE CAROL DALY
311
00:17:24,101 --> 00:17:28,500
REMEMBERS LAW ENFORCEMENT'S
FRUSTRATIONS AND LIMITATIONS.
312
00:17:28,535 --> 00:17:30,830
AT THE TIME OF
THE EAST AREA RAPIST,
313
00:17:30,833 --> 00:17:32,165
WE DIDN'T HAVE CELLPHONES.
314
00:17:32,200 --> 00:17:34,870
SO IF WE GOT A CALL,
WE HAD TO GO TO A GAS STATION,
315
00:17:34,905 --> 00:17:36,627
A RESTAURANT, OR A PAY PHONE,
316
00:17:36,633 --> 00:17:38,598
YOU KNOW, TO CALL
INTO THE OFFICE.
317
00:17:38,633 --> 00:17:41,165
REPORTS WERE DONE
ON MANUAL TYPEWRITERS.
318
00:17:41,200 --> 00:17:43,330
YOU KNOW, WE DIDN'T EVEN
HAVE DICTATION SYSTEMS.
319
00:17:43,333 --> 00:17:45,898
WE DIDN'T HAVE
A 911 SYSTEM SET UP.
320
00:17:45,933 --> 00:17:49,303
WE WERE RECEIVING INFORMATION
ON CASES THROUGH TELETYPE
321
00:17:49,338 --> 00:17:51,332
INSTEAD OF COMPUTERS
AT THE TIME.
322
00:17:51,367 --> 00:17:53,497
YOU KNOW, YOU DIDN'T
HAVE STREET LIGHTS.
323
00:17:53,500 --> 00:17:57,432
YOU DIDN'T HAVE HOUSE ALARMS.
324
00:17:57,467 --> 00:18:00,767
THINGS WERE SO DIFFERENT
AT THE TIME.
325
00:18:12,300 --> 00:18:16,098
OVER THE YEARS,
TECHNOLOGY HAS EVOLVED.
326
00:18:16,133 --> 00:18:19,897
BUT FOR CAROL, MANY THINGS
REMAIN THE SAME --
327
00:18:19,900 --> 00:18:22,630
HER PASSION FOR SEEING
THIS CASE SOLVED
328
00:18:22,633 --> 00:18:25,250
AND HER CONNECTION
WITH THE VICTIMS.
329
00:18:25,285 --> 00:18:28,176
TODAY, SHE MEETS
MARGARET WARDLOW,
330
00:18:28,211 --> 00:18:31,069
THE EAST AREA RAPIST'S
27th VICTIM
331
00:18:31,104 --> 00:18:33,927
AT THE SCENE
OF MARGARET'S ATTACK.
332
00:18:33,933 --> 00:18:37,133
IT'S BEEN YEARS SINCE
I'VE BEEN HERE ALONG THE LEVEE,
333
00:18:37,168 --> 00:18:38,832
AND AS I'M WALKING ALONG,
334
00:18:38,867 --> 00:18:42,867
AND I'M LOOKING
IN THE BACKYARDS,
335
00:18:42,902 --> 00:18:44,397
IT'S SO CLOSE
336
00:18:44,400 --> 00:18:48,430
THAT ALL THE RAPIST HAD
TO DO WAS WALK ALONG,
337
00:18:48,433 --> 00:18:50,598
LOOK INSIDE WINDOWS
AND DOORS
338
00:18:50,633 --> 00:18:55,398
OR HAVE SAT AND WATCHED
WHO LIVED WHERE.
339
00:18:55,433 --> 00:18:58,333
YEAH, I HAVE NO DOUBT
THAT HE WAS WATCHING ME
340
00:18:58,368 --> 00:19:00,582
PROBABLY FOR WEEKS
FROM THIS LEVEE,
341
00:19:00,617 --> 00:19:02,797
LOOKING DIRECTLY
INTO MY BEDROOM.
342
00:19:02,800 --> 00:19:05,632
- YES.
- I'M CERTAIN OF IT.
343
00:19:05,667 --> 00:19:07,567
HE KNEW THAT IT WAS
JUST YOU AND YOUR MOTHER.
344
00:19:07,602 --> 00:19:09,132
HE KNEW EXACTLY
WHO LIVED THERE
345
00:19:09,167 --> 00:19:11,797
BECAUSE HE DIDN'T WANT
ANY SURPRISES IN THE HOUSE.
346
00:19:11,800 --> 00:19:14,730
HE DIDN'T WANT A THIRD
PERSON BEING THERE
347
00:19:14,733 --> 00:19:20,233
OR ANY OTHER PEOPLE THAT
HE MIGHT HAVE TO CONTEND WITH.
348
00:19:27,300 --> 00:19:30,130
THE EAST AREA RAPIST'S
ABILITY TO REMAIN INVISIBLE
349
00:19:30,133 --> 00:19:33,533
WHILE STALKING HIS VICTIMS
IS A HAUNTING REMINDER
350
00:19:33,568 --> 00:19:36,865
OF HOW CALCULATING HE IS.
351
00:19:36,900 --> 00:19:39,570
AND HE'S ABOUT TO ADD
YET ANOTHER LAYER
352
00:19:39,605 --> 00:19:40,897
TO HIS PSYCHOLOGICAL TORMENT.
353
00:19:42,733 --> 00:19:44,497
Hello?
Hello?
354
00:20:01,933 --> 00:20:05,498
THE NIGHT OF JANUARY 2, 1978,
355
00:20:05,533 --> 00:20:09,465
SIX WEEKS AFTER THE ATTACK
ON MARGARET WARDLOW,
356
00:20:09,500 --> 00:20:13,200
THE PHONE RINGS AT THE HOME
OF THE EAST AREA RAPIST'S
357
00:20:13,235 --> 00:20:15,251
FIRST-KNOWN VICTIM.
358
00:20:21,767 --> 00:20:23,497
Hello?
359
00:20:28,267 --> 00:20:30,727
THE PHONE HAS
A RECORDING DEVICE ON IT,
360
00:20:30,733 --> 00:20:32,973
PLACED THERE BY POLICE
AFTER THE VICTIM
361
00:20:33,008 --> 00:20:35,187
BEGAN RECEIVING MULTIPLE CALLS
362
00:20:35,222 --> 00:20:37,332
FROM AN UNIDENTIFIED PERSON.
363
00:20:37,367 --> 00:20:40,367
SHE MANAGES TO CAPTURE
THIS ONE ON TAPE.
364
00:20:44,267 --> 00:20:45,727
I DON'T CARE WHO YOU ARE.
365
00:20:45,733 --> 00:20:47,803
THIS PHONE CALL IS ONE
OF THE SCARIEST THINGS
366
00:20:47,838 --> 00:20:49,500
YOU'LL EVER HEAR IN YOUR LIFE.
367
00:20:49,535 --> 00:20:52,330
Going to kill you.
368
00:20:52,333 --> 00:20:58,473
AND AS FAR AS WE KNOW,
THIS IS THE ONLY VERIFIED VOICE
369
00:20:58,508 --> 00:21:02,227
OF THE EAST AREA RAPIST
THAT WE CAN LISTEN TO.
370
00:21:02,233 --> 00:21:04,373
WHILE THE CALL HAS
BEEN EXTENSIVELY ANALYZED
371
00:21:04,408 --> 00:21:05,932
BY LAW ENFORCEMENT,
372
00:21:05,967 --> 00:21:08,132
IT HAS ALSO CAPTURED
THE ATTENTION
373
00:21:08,167 --> 00:21:10,297
OF THE CIVILIAN
SLEUTH COMMUNITY.
374
00:21:10,300 --> 00:21:12,730
AND ONE THING HAS BECOME CLEAR.
375
00:21:12,733 --> 00:21:16,403
THE CALLER'S VOICE ISN'T
THE ONLY ONE ON THE TAPE.
376
00:21:24,067 --> 00:21:25,332
SO THE BACKGROUND NOISE.
377
00:21:25,367 --> 00:21:29,267
YOU HEAR, LIKE --
IT SOUNDS LIKE PEOPLE TALKING.
378
00:21:29,302 --> 00:21:31,067
I MEAN, IT SOUNDS
LIKE A FEMALE VOICE
379
00:21:31,102 --> 00:21:32,032
IN THE BACKGROUND.
380
00:21:36,767 --> 00:21:39,097
IT SOUNDS LIKE
MAYBE CHILDREN.
381
00:21:39,100 --> 00:21:41,130
YOU KNOW, IF WE'RE ABLE
TO MAKE OUT SOME WORDS,
382
00:21:41,133 --> 00:21:43,573
MAYBE EVEN A NAME,
IT COULD BE ONE OF THE THINGS
383
00:21:43,608 --> 00:21:45,397
THAT REALLY COULD
BREAK THIS CASE OPEN.
384
00:21:45,400 --> 00:21:48,070
YEAH. IT MIGHT TELL US
IF HE HAS A WIFE AND KIDS
385
00:21:48,105 --> 00:21:49,497
THAT ARE IN THE
BACKGROUND TALKING,
386
00:21:49,500 --> 00:21:52,070
AND HE'S TRYING
TO SNEAK IN A CALL.
387
00:21:52,105 --> 00:21:53,932
RIGHT.
388
00:21:53,967 --> 00:21:56,897
...kill you.
389
00:21:59,633 --> 00:22:01,498
COULD THIS PREDATOR
390
00:22:01,533 --> 00:22:06,016
HAVE BEEN LEADING A TYPICAL LIFE
SOMEWHERE IN SACRAMENTO?
391
00:22:06,051 --> 00:22:10,500
PERHAPS WITH A FAMILY WHO KNEW
NOTHING OF HIS EVIL DEEDS?
392
00:22:10,535 --> 00:22:12,032
MIKE MORFORD AND KEITH KOMOS
393
00:22:12,067 --> 00:22:16,327
DECIDE TO SEND THE AUDIO FILE
OFF TO A SPECIALIST.
394
00:22:16,333 --> 00:22:21,298
IT WILL TAKE SEVERAL DAYS
TO GET THE ENHANCED AUDIO BACK.
395
00:22:21,333 --> 00:22:25,203
I JUST WANT TO GET A CLEAR SENSE
OF WHAT'S ACTUALLY BEING SAID,
396
00:22:25,238 --> 00:22:27,070
WHO'S IN THE BACKGROUND.
397
00:22:38,267 --> 00:22:40,467
WITH ONLY A HANDFUL OF CLUES
398
00:22:40,502 --> 00:22:41,932
IN SUCH A MASSIVE CASE,
399
00:22:41,967 --> 00:22:45,667
THE ONLINE COMMUNITY HAS BECOME
A KEY PART OF THE INVESTIGATION,
400
00:22:45,702 --> 00:22:48,497
PARSING DATA,
USING CROWDSOURCING,
401
00:22:48,500 --> 00:22:50,700
AND DIGGING DEEP
FOR INFORMATION.
402
00:22:53,067 --> 00:22:55,067
WE'RE SITTING HERE
AT 9:00 AT NIGHT
403
00:22:55,102 --> 00:22:56,132
WHILE THE REST OF THE WORLD
404
00:22:56,167 --> 00:22:58,597
IS DOING SOMETHING ELSE,
GOING THROUGH THIS
405
00:22:58,600 --> 00:23:00,713
AND REALLY MAKING HEADWAY.
406
00:23:00,748 --> 00:23:02,827
IT BECOMES MORE THAN A HOBBY.
407
00:23:02,833 --> 00:23:06,433
IT STARTS TO BECOME A COMMUNITY.
408
00:23:06,468 --> 00:23:09,032
THIS CASE IS SO DIFFICULT,
409
00:23:09,067 --> 00:23:10,832
AND THERE ARE SO MANY
DIFFERENT FACETS TO IT,
410
00:23:10,867 --> 00:23:14,227
AND THERE ARE SO MANY DIFFERENT
APPROACHES THAT CAN BE MADE.
411
00:23:14,233 --> 00:23:16,301
AND THERE'S SO MUCH TO KNOW
ABOUT THE KILLER.
412
00:23:16,336 --> 00:23:18,370
THERE'S NO WAY THAT ONE
PERSON CAN KNOW IT ALL.
413
00:23:23,367 --> 00:23:26,327
SINCE SO LITTLE IS
KNOWN ABOUT THIS OFFENDER,
414
00:23:26,333 --> 00:23:30,133
ANY CLUE COULD HAVE POTENTIAL
TO SHED LIGHT ON WHO HE IS.
415
00:23:34,100 --> 00:23:36,498
FOR COLD-CASE
INVESTIGATOR PAUL HOLES,
416
00:23:36,533 --> 00:23:38,897
ONE PIECE OF EVIDENCE
IS AMONG THE MOST
417
00:23:38,900 --> 00:23:41,070
COMPELLING AND INFORMATIVE.
418
00:23:44,800 --> 00:23:48,230
IT WAS FOUND IN 1978
DURING A POLICE SWEEP
419
00:23:48,233 --> 00:23:50,633
IMMEDIATELY FOLLOWING
ONE OF THE LATER ATTACKS
420
00:23:50,668 --> 00:23:53,798
IN CONTRA COSTA COUNTY.
421
00:23:53,833 --> 00:23:57,100
IT CONSISTS OF THREE PIECES
OF NOTEBOOK PAPER,
422
00:23:57,135 --> 00:24:00,367
MOST LIKELY DROPPED
ACCIDENTALLY BY THE OFFENDER.
423
00:24:03,900 --> 00:24:06,813
YOU IMAGINE I'VE GOT --
I'VE GOT AN OFFENDER
424
00:24:06,848 --> 00:24:09,727
WHO'S LEAVING A LOCATION,
APPROACHING HIS VEHICLE.
425
00:24:09,733 --> 00:24:11,233
HE'S GOT A SKI MASK.
426
00:24:11,268 --> 00:24:12,698
HE'S GOT GLOVES ON.
427
00:24:12,733 --> 00:24:14,298
AND NOW HE'S TAKING
HIS GLOVES OFF,
428
00:24:14,333 --> 00:24:16,673
HIS MASK OFF AS HE'S
APPROACHING HIS VEHICLE
429
00:24:16,708 --> 00:24:18,097
AND PUTTING THEM INTO HIS BAG.
430
00:24:18,100 --> 00:24:22,070
I BELIEVE AT THAT POINT,
THESE PIECES OF PAPER FALL OUT.
431
00:24:25,333 --> 00:24:28,073
AT THE TIME,
THEY WERE BAGGED, TAGGED,
432
00:24:28,108 --> 00:24:30,727
AND PUT IN
AN EVIDENCE BOX WHERE,
433
00:24:30,733 --> 00:24:33,973
IN 2009, PAUL UNEARTHED THEM.
434
00:24:36,200 --> 00:24:38,432
I OPENED UP THOSE
THREE PIECES OF PAPER.
435
00:24:38,467 --> 00:24:44,067
TWO WERE RUDIMENTARY ESSAYS, AND
ONE WAS A HAND-DRAWN DIAGRAM.
436
00:24:44,102 --> 00:24:47,327
AND I THOUGHT THE DIAGRAM
WAS UNUSUAL LOOKING,
437
00:24:47,333 --> 00:24:49,673
AND I THOUGHT,
"I NEED TO TAKE THESE BACK
438
00:24:49,708 --> 00:24:53,427
AND LOOK AT THESE
MORE CAREFULLY."
439
00:24:53,433 --> 00:24:55,803
COULD THESE
BE THE WRITINGS
440
00:24:55,838 --> 00:24:58,002
OF THE EAST AREA RAPIST?
441
00:24:58,037 --> 00:24:59,767
PERHAPS AS A YOUNG STUDENT?
442
00:24:59,802 --> 00:25:01,497
IN THIS PHOTOCOPY HERE,
443
00:25:01,500 --> 00:25:04,365
YOU'VE GOT THE TORN EDGE
OUT OF THE SPIRAL.
444
00:25:04,400 --> 00:25:07,130
THIS FIRST ESSAY IS
PROBABLY THE MOST INNOCUOUS.
445
00:25:07,133 --> 00:25:09,733
IT APPEARS TO BE A U.S.
HISTORY ASSIGNMENT
446
00:25:09,768 --> 00:25:11,032
ABOUT GENERAL CUSTER.
447
00:25:11,067 --> 00:25:12,597
UNFORTUNATELY,
IT WAS AN ASSIGNMENT
448
00:25:12,600 --> 00:25:15,632
HE DIDN'T TURN IN,
OR HE DIDN'T SIGN HIS NAME TO.
449
00:25:15,667 --> 00:25:21,697
THE ESSAY ITSELF HAS GRAMMATICAL
ERRORS, HAS SPELLING ERRORS,
450
00:25:21,700 --> 00:25:25,870
BUT GENERALLY FOLLOWS
A LOGICAL DEVELOPMENT
451
00:25:25,905 --> 00:25:27,427
ABOUT GENERAL CUSTER
452
00:25:27,433 --> 00:25:31,353
AND WHAT HAPPENED TO HIM
AT THE END OF HIS CAREER.
453
00:25:31,388 --> 00:25:35,273
THE SECOND ESSAY THAT WAS FOUND
ON THAT ESCAPE ROUTE
454
00:25:35,308 --> 00:25:37,327
IS WHAT I CALL
THE "MAD IS THE WORD" ESSAY.
455
00:25:37,333 --> 00:25:40,873
AND I THOUGHT THIS WAS
PROBABLY AN ASSIGNMENT
456
00:25:40,908 --> 00:25:42,897
WHERE THE TEACHER
TOLD THE STUDENTS,
457
00:25:42,900 --> 00:25:44,983
"PICK A WORD
AND WRITE ABOUT IT."
458
00:25:45,018 --> 00:25:47,032
AND THE STUDENT
CHOSE THE WORD "MAD."
459
00:25:47,067 --> 00:25:49,797
THE AUTHOR WRITES
ABOUT FEELINGS OF EXTREME ANGER
460
00:25:49,800 --> 00:25:51,885
DURING THE SIXTH GRADE.
461
00:25:51,920 --> 00:25:53,932
"I HATED THAT YEAR.
462
00:25:53,967 --> 00:25:56,667
WHAT REALLY BUGGED ME WAS
WRITING THOSE AWFUL SENTENCES
463
00:25:56,702 --> 00:25:58,527
THAT MY TEACHER MADE ME WRITE.
464
00:25:58,533 --> 00:26:02,465
50-100-150
SENTENCES DAY AND NIGHT.
465
00:26:02,500 --> 00:26:05,830
WASN'T FAIR TO MAKE ME SIT
AND WRITE UNTIL MY BONES ACHED,
466
00:26:05,833 --> 00:26:09,750
UNTIL MY HAND FELT
EVERY HORRID PAIN IT EVER HAD."
467
00:26:09,785 --> 00:26:13,376
THE "MAD IS THE WORD" ESSAY
IS SHOWING SOMEBODY
468
00:26:13,411 --> 00:26:16,967
THAT HAS SOME SERIOUS
PSYCHOLOGICAL ISSUES.
469
00:26:17,002 --> 00:26:19,227
JUST ALMOST SPIRAL OUT
OF CONTROL
470
00:26:19,233 --> 00:26:21,332
EMOTIONALLY AS THEY'RE WRITING.
471
00:26:21,367 --> 00:26:24,367
IN TERMS OF HOW HE'S GONNA
BE SCARRED FOR LIFE
472
00:26:24,402 --> 00:26:26,797
FOR HAVING TO WRITE SENTENCES.
473
00:26:26,800 --> 00:26:29,800
BUT IF THESE ESSAYS
WERE WRITTEN BY THE PERPETRATOR,
474
00:26:29,835 --> 00:26:33,530
THIS THIRD PIECE OF THE PUZZLE
DOESN'T SEEM TO FIT.
475
00:26:33,533 --> 00:26:37,803
IT'S A HAND-DRAWN DIAGRAM THAT,
AT FIRST GLANCE,
476
00:26:37,838 --> 00:26:39,765
LOOKS LIKE A MAP.
477
00:26:39,800 --> 00:26:41,298
WHEN I INITIALLY LOOKED AT IT,
478
00:26:41,333 --> 00:26:42,797
I DIDN'T KNOW WHAT
I WAS LOOKING AT.
479
00:26:42,800 --> 00:26:44,365
THE INITIAL THOUGHT IS,
480
00:26:44,400 --> 00:26:46,532
IF THIS IS RELATED TO
THE EAST AREA RAPIST,
481
00:26:46,567 --> 00:26:51,227
THIS POTENTIALLY IS MY OFFENDER
DRAWING OUT A NEIGHBORHOOD,
482
00:26:51,233 --> 00:26:52,898
AND HE'S PLANNING
HIS NEXT ATTACK.
483
00:26:52,933 --> 00:26:55,832
HE'S POSSIBLY TARGETED THAT
HOUSE THAT'S DARKENED,
484
00:26:55,867 --> 00:26:59,197
AND HE'S POSSIBLY LOOKING
AT INGRESS AND EGRESS ROUTES.
485
00:26:59,200 --> 00:27:00,730
HOW HE'S GOING TO
APPROACH THE HOUSE.
486
00:27:00,733 --> 00:27:02,198
HOW HE'S GOING TO ESCAPE.
487
00:27:02,233 --> 00:27:05,073
WHERE LAW ENFORCEMENT'S GOING TO
BE RESPONDING FROM, ET CETERA.
488
00:27:05,108 --> 00:27:08,327
AND THEN THE BACK SIDE
OF THIS DIAGRAM.
489
00:27:08,333 --> 00:27:12,303
YOU FLIP IT OVER, AND THE WORD
"PUNISHMENT" IS SCRAWLED ON IT,
490
00:27:12,338 --> 00:27:15,282
AND YOU'VE GOT THE NAME
"MELANIE" WRITTEN ON THERE.
491
00:27:15,317 --> 00:27:18,227
YOU'VE GOT THE NAME "JEN"
OR "JERRY" WRITTEN ON THERE.
492
00:27:18,233 --> 00:27:19,565
"COME FROM."
493
00:27:19,600 --> 00:27:22,630
"SNELLING" OR "SMELLONY,"
SOMETHING LIKE THAT.
494
00:27:22,633 --> 00:27:24,803
THIS LOOKS LIKE SOMEBODY
IS SITTING THERE
495
00:27:24,838 --> 00:27:26,817
AND THINKING ABOUT
A FUTURE VICTIM.
496
00:27:26,852 --> 00:27:28,797
BUT HE'S GETTING MADDER
AND MADDER,
497
00:27:28,800 --> 00:27:30,300
AND PRETTY SOON IT'S PUNISHMENT.
498
00:27:33,567 --> 00:27:35,927
BUT THEN YOU START TO REALLY
LOOK AT THIS DIAGRAM,
499
00:27:35,933 --> 00:27:38,818
AND YOU REALIZE, THERE'S
AN AWFUL LOT OF DETAIL IN HERE
500
00:27:38,853 --> 00:27:41,703
THAT IS COMPLETELY UNNECESSARY
FOR THAT TYPE OF A DRAWING.
501
00:27:41,738 --> 00:27:44,252
IT DOESN'T SERVE THAT PURPOSE.
502
00:27:44,287 --> 00:27:46,732
THERE WAS MORE TO THIS DIAGRAM.
503
00:27:46,767 --> 00:27:48,767
I DIDN'T KNOW WHAT MORE,
BUT I KNEW THAT
504
00:27:48,802 --> 00:27:50,432
IT WAS MORE SOPHISTICATED
505
00:27:50,467 --> 00:27:52,797
THAN WHAT I INITIALLY THOUGHT.
506
00:28:05,500 --> 00:28:07,765
INVESTIGATOR PAUL HOLES
507
00:28:07,800 --> 00:28:10,685
IS INTRIGUED BY A UNIQUE,
HAND-DRAWN DIAGRAM
508
00:28:10,720 --> 00:28:13,570
THAT MAY BE KEY
TO UNMASKING THE MYSTERIOUS
509
00:28:13,605 --> 00:28:16,097
EAST AREA RAPIST.
510
00:28:18,333 --> 00:28:22,833
AT FIRST, THE DIAGRAM
PERPLEXES PAUL.
511
00:28:22,868 --> 00:28:24,198
I WAS GOING,
512
00:28:24,233 --> 00:28:26,073
"I HAVE NEVER DRAWN
ANYTHING LIKE THAT IN MY LIFE."
513
00:28:26,108 --> 00:28:29,067
I DON'T KNOW WHY THIS
WOULD HAVE BEEN DRAWN.
514
00:28:29,102 --> 00:28:31,299
IT SEEMS TOO DETAILED
515
00:28:31,334 --> 00:28:33,497
TO BE A MAP
OF A POTENTIAL ATTACK.
516
00:28:33,500 --> 00:28:36,530
IT INCLUDES WHAT LOOKS
LIKE A LAKE
517
00:28:36,533 --> 00:28:39,073
AND SYMBOLS
THAT COULD BE HOUSES.
518
00:28:41,367 --> 00:28:45,427
AND THAT'S WHEN I DECIDED, THIS
DIAGRAM LOOKS LIKE SOMETHING
519
00:28:45,433 --> 00:28:49,833
THAT SOMEBODY INVOLVED IN
CONSTRUCTION WOULD BE DOING.
520
00:28:49,868 --> 00:28:51,265
TRYING TO UNDERSTAND
521
00:28:51,300 --> 00:28:52,930
WHO WOULD DRAW
SOMETHING LIKE THIS,
522
00:28:52,933 --> 00:28:54,932
PAUL BEGINS CONSULTING EXPERTS
523
00:28:54,967 --> 00:28:58,967
SKILLED IN VARIOUS FACETS
OF THE CONSTRUCTION INDUSTRY.
524
00:29:00,800 --> 00:29:04,900
ONE OF THOSE EXPERTS AGREES
TO APPEAR ON CAMERA.
525
00:29:04,935 --> 00:29:06,232
LIKE I SAID...
526
00:29:06,267 --> 00:29:08,827
BUT ASKS TO KEEP HIS NAME
AND PLACE OF BUSINESS ANONYMOUS.
527
00:29:08,833 --> 00:29:11,032
A DIAGRAM.
528
00:29:11,067 --> 00:29:14,697
NOW, WHEN I STARTED
DIVING IN, YOU KNOW,
529
00:29:14,700 --> 00:29:16,130
THERE'S A LOT
OF WEIRD STUFF
530
00:29:16,133 --> 00:29:18,232
GOING ON
INSIDE THE DIAGRAM.
531
00:29:18,267 --> 00:29:21,067
THE FIRST THING THAT
I WANTED TO TALK ABOUT
532
00:29:21,102 --> 00:29:22,234
WERE THOSE SYMBOLS.
533
00:29:22,269 --> 00:29:23,332
INITIALLY, I THOUGHT
534
00:29:23,367 --> 00:29:24,927
THEY WERE VERY
JUVENILISTIC ATTEMPTS
535
00:29:24,933 --> 00:29:26,798
TO DRAW STICK HOUSES.
536
00:29:26,833 --> 00:29:32,032
THIS IS A VERY
CRUDELY DRAWN RIGHT
537
00:29:32,067 --> 00:29:35,597
AND LEFT ELEVATION
OF A TWO-STORY HOUSE.
538
00:29:35,600 --> 00:29:38,730
THE DRAWING ON THE LEFT
IS THE SIDE OF THE HOUSE
539
00:29:38,733 --> 00:29:39,832
WITH THE GARAGE.
540
00:29:39,867 --> 00:29:42,067
THIS IS THE ROOF
OF THE GARAGE.
541
00:29:42,102 --> 00:29:43,532
THIS IS
THE GARAGE ITSELF.
542
00:29:43,567 --> 00:29:48,267
AND THEN HERE WE HAVE
TWO STORIES BEHIND THAT.
543
00:29:48,302 --> 00:29:50,297
RIGHT HERE
ON THE DIAGRAM...
544
00:29:50,300 --> 00:29:53,330
I WAS NOTICING THAT THE PERSON
HAD ALSO DRAWN
545
00:29:53,333 --> 00:29:56,132
IN SHADING
BEHIND THESE HOUSES
546
00:29:56,167 --> 00:29:58,627
AND HAD SHORTENED THE FOOTPRINT
OF THE HOUSE
547
00:29:58,633 --> 00:29:59,732
FROM FRONT TO BACK.
548
00:29:59,767 --> 00:30:01,627
ALMOST LIKE THERE'S A SLOPE
IN THE BACKYARD
549
00:30:01,633 --> 00:30:02,565
IN THAT LOCATION.
550
00:30:02,600 --> 00:30:04,100
DOES THAT SEEM TO MAKE
SENSE TO YOU?
551
00:30:04,135 --> 00:30:05,232
YEAH, YEAH.
552
00:30:05,267 --> 00:30:07,632
THOSE ARE WHAT WE CALL
CONTOUR LINES.
553
00:30:07,667 --> 00:30:12,597
AND THAT KIND OF TIES IN,
ALSO, ACROSS THE STREET.
554
00:30:12,632 --> 00:30:17,527
MOVE TO THE RIGHT WHERE
WE GET DOWN TO THE LAKE.
555
00:30:17,533 --> 00:30:20,665
THERE ARE SOME WALKWAYS
AND THAT THAT ARE DRAWN,
556
00:30:20,700 --> 00:30:23,733
BUT ALSO SOME OF THE LINES
APPEAR TO BE CONTOUR LINES
557
00:30:23,768 --> 00:30:26,767
SAYING THAT THAT'S SLOPING
DOWN AND INTO THE LAKE.
558
00:30:30,233 --> 00:30:33,918
CONTOUR LINES,
ELEVATION CHANGES.
559
00:30:33,953 --> 00:30:37,565
IT APPEARS THAT WHOEVER
DREW THIS DIAGRAM
560
00:30:37,600 --> 00:30:40,200
HAS MORE THAN JUST A PASSING
KNOWLEDGE OF CONSTRUCTION
561
00:30:40,235 --> 00:30:42,530
OR DEVELOPMENT OR BOTH.
562
00:30:44,800 --> 00:30:46,632
AND THERE'S MORE.
563
00:30:46,667 --> 00:30:50,727
THE DIAGRAM APPEARS TO HAVE TWO
DIFFERENT SETS OF HANDWRITING.
564
00:30:53,600 --> 00:30:55,430
WE ALSO HAVE TWO
DIFFERENT CONCEPTS
565
00:30:55,433 --> 00:30:57,203
GOING ON
ON AT THE SAME TIME
566
00:30:57,238 --> 00:30:58,465
ON THIS MAP
567
00:30:58,500 --> 00:31:01,630
THAT KIND OF TIES IN
WITH YOUR TWO-PERSON THEORY
568
00:31:01,633 --> 00:31:06,503
IN THAT EVERYTHING THAT'S AT
THE BOTTOM DOWN HERE
569
00:31:06,538 --> 00:31:10,300
IS DONE, WE'LL SAY,
AS A MINIMALIST.
570
00:31:10,335 --> 00:31:11,530
IT'S MUCH CRUDER.
571
00:31:11,533 --> 00:31:13,732
THE LINES AREN'T AS STRAIGHT
AND EVERYTHING.
572
00:31:13,767 --> 00:31:17,867
IT ALMOST APPEARS THAT
ONE PERSON DREW THIS IN HERE
573
00:31:17,902 --> 00:31:19,597
WHO WAS A LAYMAN,
574
00:31:19,600 --> 00:31:24,070
WHEREAS SOMEONE
WITH MUCH GREATER SKILLS
575
00:31:24,105 --> 00:31:26,127
UP IN THE OTHER
COMMERCIAL AREA
576
00:31:26,133 --> 00:31:28,633
AND THE FIRST PHASES
OF HOUSING
577
00:31:28,668 --> 00:31:30,198
ACTUALLY DREW SYMBOLS
578
00:31:30,233 --> 00:31:31,633
AND A NUMBER OF
DIFFERENT SYMBOLS.
579
00:31:31,668 --> 00:31:33,032
YEAH.
580
00:31:33,067 --> 00:31:35,867
THAT GIVES IT A CERTAIN
ARCHITECTURALLY PLEASING LOOK.
581
00:31:35,902 --> 00:31:37,897
IT'S STILL
A PRETTY CRUDE MAP,
582
00:31:37,900 --> 00:31:39,765
BUT IT'S AS THOUGH
THEY WERE
583
00:31:39,800 --> 00:31:41,165
JUST TRYING TO DO
THE BEST THEY COULD
584
00:31:41,200 --> 00:31:44,670
OR TRYING TO SHOW SOME
PRIDE OF WORKMANSHIP
585
00:31:44,705 --> 00:31:47,697
FOR LACK OF
A BETTER DESCRIPTION.
586
00:31:47,700 --> 00:31:51,900
BUT THIS IS SO RADICALLY
DIFFERENT THAN UP HERE.
587
00:31:51,935 --> 00:31:53,830
AND THAT'S AN INTERESTING
OBSERVATION.
588
00:31:53,833 --> 00:31:55,803
POTENTIALLY, I COULD HAVE
TWO INDIVIDUALS
589
00:31:55,838 --> 00:31:56,930
THAT MAY HAVE CONTRIBUTED
590
00:31:56,933 --> 00:31:59,133
TO ACTUALLY DRAWING
FEATURES ON THIS DIAGRAM
591
00:31:59,168 --> 00:32:01,765
IS WHAT YOU THINK.
- RIGHT.
592
00:32:01,800 --> 00:32:04,270
OR YOU HAD ONE PERSON WHO,
AT TWO DIFFERENT TIMES,
593
00:32:04,305 --> 00:32:06,797
HAD RADICALLY
DIFFERENT MIND-SETS.
594
00:32:06,800 --> 00:32:09,265
SURE.
595
00:32:09,300 --> 00:32:10,930
COULD THIS BE THE RESULT
596
00:32:10,933 --> 00:32:12,703
OF A TEACHER-STUDENT
COLLABORATION...
597
00:32:14,767 --> 00:32:18,227
...OR A BRAINSTORMING SESSION
BETWEEN COLLEAGUES?
598
00:32:18,233 --> 00:32:22,773
PAUL SEES AN OPPORTUNITY
TO SHAKE LOOSE SOME LEADS.
599
00:32:22,808 --> 00:32:24,332
I RELEASE THIS TO THE PUBLIC,
600
00:32:24,367 --> 00:32:27,567
AND IT VERY MUCH WAS IN
THE SPIRIT OF THE RELEASE
601
00:32:27,602 --> 00:32:30,097
THAT WE SAW WITH
THE UNABOMBER'S MANIFESTO
602
00:32:30,100 --> 00:32:32,232
WHERE THE FBI RELEASED THAT,
603
00:32:32,267 --> 00:32:36,197
AND THE BROTHER OF THE UNABOMBER
RECOGNIZED THE WRITING.
604
00:32:36,200 --> 00:32:39,130
MY HOPE WAS WAS THAT SOMEBODY
WOULD RECOGNIZE THE WRITING
605
00:32:39,133 --> 00:32:41,465
AS WELL AS THIS
PARTICULAR DIAGRAM.
606
00:32:41,500 --> 00:32:44,400
OR AT LEAST RECOGNIZE
THE STYLISTIC ASPECTS
607
00:32:44,435 --> 00:32:46,032
OF THIS DIAGRAM
608
00:32:46,067 --> 00:32:50,267
AND GIVE ME
AN INVESTIGATIVE LEAD.
609
00:32:50,302 --> 00:32:53,127
SO FAR, NO LUCK.
610
00:32:53,133 --> 00:32:56,432
BUT THANKS TO THE DIAGRAM,
611
00:32:56,467 --> 00:32:59,067
PAUL HAS BEEN ABLE TO HONE
HIS INVESTIGATION,
612
00:32:59,102 --> 00:33:00,727
CERTAIN THE PERSON HE'S HUNTING
613
00:33:00,733 --> 00:33:04,603
IS SOMEONE WHO HAS EXPERIENCE
IN CONSTRUCTION OR DEVELOPMENT.
614
00:33:09,667 --> 00:33:11,397
AS FOR WHY IT WAS
DROPPED ALONGSIDE
615
00:33:11,400 --> 00:33:13,583
FAR-LESS-SOPHISTICATED
SCHOOLBOY ESSAYS,
616
00:33:13,618 --> 00:33:15,732
THERE MAY BE A VERY
SIMPLE EXPLANATION.
617
00:33:15,767 --> 00:33:19,432
IT COULD BE BECAUSE
YOU HAVE AN INDIVIDUAL
618
00:33:19,467 --> 00:33:23,897
THAT MAYBE IS CHALLENGED
BY SOMETHING THROUGH DYSLEXIA.
619
00:33:23,900 --> 00:33:26,298
OR ONE THEORY I HAVE
IS YOU HAVE AN INDIVIDUAL
620
00:33:26,333 --> 00:33:28,697
THAT HAD AN OLD SCHOOL
SPIRAL UP ON A SHELF.
621
00:33:28,700 --> 00:33:30,930
AND HE HAD A BRAINSTORM
SESSION AS AN ADULT
622
00:33:30,933 --> 00:33:33,565
AND PULLED THAT SPIRAL
FROM 10 YEARS AGO,
623
00:33:33,600 --> 00:33:36,630
20 YEARS AGO, OPENED IT UP
TO THE NEXT PIECE OF PAPER,
624
00:33:36,633 --> 00:33:39,533
AND STARTED DOING HIS
BRAINSTORMING FOR HIS OCCUPATION
625
00:33:39,568 --> 00:33:43,465
AS AN ADULT.
626
00:33:43,500 --> 00:33:45,065
FOR INVESTIGATORS,
627
00:33:45,100 --> 00:33:47,232
THIS INFORMATION
MARKS A NEW PHASE
628
00:33:47,267 --> 00:33:49,197
IN THE SEARCH FOR
THE GOLDEN STATE KILLER.
629
00:33:49,200 --> 00:33:51,365
HEY.
HOW ARE YOU?
630
00:33:51,400 --> 00:33:54,432
AND AS THEY CONTINUE
TO COMB THROUGH LEADS,
631
00:33:54,467 --> 00:33:58,282
THE UNOFFICIAL INVESTIGATION
ALSO PICKS UP STEAM.
632
00:33:58,317 --> 00:34:02,097
WHEN WE CAN FIND ONE THEORY
AND ONE PIECE OF EVIDENCE
633
00:34:02,100 --> 00:34:04,132
THAT STARTS TO SUPPORT
ANOTHER ONE,
634
00:34:04,167 --> 00:34:06,567
THINGS START TO REALLY POP
AND GET EXCITING.
635
00:34:09,767 --> 00:34:10,797
IN THAT,
I'M HEARING HER SAY, LIKE,
636
00:34:10,800 --> 00:34:12,432
"A PAIN IN MY OWN BACK,"
637
00:34:12,467 --> 00:34:17,067
OR YOU KNOW, SOMETHING
ALONG THOSE LINES THERE.
638
00:34:17,102 --> 00:34:19,327
WOW.
THAT'S A BIG BREAKTHROUGH.
639
00:34:31,167 --> 00:34:34,297
CIVILIAN SLEUTHS
MIKE MORFORD AND KEITH KOMOS
640
00:34:34,300 --> 00:34:37,248
HAVE BEEN WAITING
FOR AN AUDIO ANALYSIS
641
00:34:37,283 --> 00:34:40,197
OF THE INFAMOUS
"KILL YOU" RECORDING.
642
00:34:40,200 --> 00:34:44,230
IT'S A CALL THE EAST AREA RAPIST
MADE TO HIS FIRST-KNOWN VICTIM
643
00:34:44,233 --> 00:34:47,903
BEFORE HE BECAME
THE GOLDEN STATE KILLER.
644
00:34:50,133 --> 00:34:51,773
IN THE BACKGROUND OF THIS CALL,
645
00:34:51,808 --> 00:34:52,827
THERE'S SOME NOISE.
646
00:34:52,833 --> 00:34:55,401
YOU CAN HEAR WHAT
SOUNDS LIKE WOMEN
647
00:34:55,436 --> 00:34:57,970
TALKING OR CHILDREN
OR SOMETHING.
648
00:35:00,267 --> 00:35:02,927
WE ALWAYS THINK OF
THE OFFENDER AS A LONER,
649
00:35:02,933 --> 00:35:06,073
AN ANTISOCIAL PERSON
WHO'S BY HIMSELF,
650
00:35:06,108 --> 00:35:07,532
PLANNING AND PLOTTING.
651
00:35:07,567 --> 00:35:10,627
BUT IF WE HAVE HIM
TALKING TO SOMEBODY...
652
00:35:12,300 --> 00:35:14,670
...SO MANY DIFFERENT
NEW POSSIBILITIES OPEN UP.
653
00:35:21,767 --> 00:35:24,797
TODAY, MIKE
AND KEITH CALL AUDIO TECHNICIAN
654
00:35:24,800 --> 00:35:26,830
BEN SEWARD FOR THE RESULTS.
655
00:35:29,133 --> 00:35:30,603
HEY, THIS IS KEITH.
I'M HERE WITH MIKE.
656
00:35:30,638 --> 00:35:32,530
HEY!
657
00:35:32,533 --> 00:35:34,668
SO YOU CLEANED UP
THE AUDIO FILE
658
00:35:34,703 --> 00:35:36,951
OF THE GOLDEN STATE
KILLER FOR US
659
00:35:36,986 --> 00:35:39,200
AND DID SOME STUFF
ON THE BACKGROUND.
660
00:35:39,235 --> 00:35:40,430
WE'RE EAGER TO HEAR IT.
661
00:35:40,433 --> 00:35:42,473
GREAT.
WELL, I'LL PLAY IT FOR YOU.
662
00:35:47,233 --> 00:35:49,933
THE EXACT WORDS ARE
STILL TOUGH TO MAKE OUT,
663
00:35:49,968 --> 00:35:52,803
BUT THE VOICE IS CLEARLY
THAT OF A WOMAN.
664
00:35:56,367 --> 00:35:58,067
IN THAT,
I'M HEARING HER SAYING, LIKE,
665
00:35:58,102 --> 00:35:59,797
"A PAIN IN MY OWN NECK,"
666
00:35:59,800 --> 00:36:05,470
OR YOU KNOW, SOMETHING
ALONG THOSE LINES THERE.
667
00:36:05,505 --> 00:36:06,736
COULD YOU HEAR THAT OKAY?
668
00:36:06,771 --> 00:36:07,967
YEAH,
WE COULD HEAR IT GOOD.
669
00:36:08,002 --> 00:36:09,032
OKAY.
670
00:36:09,067 --> 00:36:11,127
THERE WAS DEFINITELY
A BIG SECTION
671
00:36:11,133 --> 00:36:12,933
WHERE WE HAD A LOT OF AUDIO.
672
00:36:22,900 --> 00:36:24,130
AND THERE'S, LIKE,
LITTLE SECTIONS IN THAT
673
00:36:24,133 --> 00:36:26,115
WHERE YOU'RE KIND OF PICKING UP,
674
00:36:26,150 --> 00:36:28,097
LIKE, "CALL A DOCTOR FIRST,"
AND --
675
00:36:28,100 --> 00:36:31,170
THE PHRASES DON'T SEEM
TO MAKE MUCH SENSE,
676
00:36:31,205 --> 00:36:32,927
BUT OVER THE PAST FEW YEARS,
677
00:36:32,933 --> 00:36:36,073
AS THE ORIGINAL RECORDING MADE
THE ROUNDS ON THE INTERNET,
678
00:36:36,108 --> 00:36:38,097
THE ONLINE SLEUTH COMMUNITY
679
00:36:38,100 --> 00:36:41,330
DEVELOPED AN INTERESTING THEORY.
680
00:36:41,333 --> 00:36:43,898
ON PAGE A7 OF THE
"SACRAMENTO UNION,"
681
00:36:43,933 --> 00:36:47,418
JANUARY 2, 1978, WE HAVE
A LISTING OF TV MOVIES.
682
00:36:47,453 --> 00:36:50,903
SOME PEOPLE ONLINE NOTICED
THAT THE DIALOGUE
683
00:36:50,938 --> 00:36:52,230
FROM ONE OF THESE MOVIES
684
00:36:52,233 --> 00:36:55,016
SEEMS TO MATCH THE
BACKGROUND OF THIS CALL.
685
00:36:55,051 --> 00:36:58,590
AND, INDEED, THAT SEEMS TO BE
686
00:36:58,625 --> 00:37:02,130
EXACTLY WHAT THE CLEAR
AUDIO CONFIRMS.
687
00:37:02,133 --> 00:37:07,303
I WAS ACTUALLY ABLE TO
TAKE A SECTION OF THE MOVIE
688
00:37:07,338 --> 00:37:08,732
AND SYNC IT UP,
689
00:37:08,767 --> 00:37:13,167
AND IT CAME RIGHT IN LINE
WITH THESE BACKGROUND VOICES.
690
00:37:13,202 --> 00:37:14,797
WOW.
691
00:37:14,800 --> 00:37:16,200
THAT'S -- THAT'S BIG BECAUSE
THAT'S BEEN A BIG QUESTION
692
00:37:16,235 --> 00:37:18,032
FOR A LONG TIME NOW.
693
00:37:18,067 --> 00:37:19,897
SO THAT IS A --
THAT'S A BIG BREAKTHROUGH
694
00:37:19,900 --> 00:37:21,830
AS FAR AS GETTING
THIS PHONE CALL,
695
00:37:21,833 --> 00:37:24,103
THE BACKGROUND
RESOLUTION TO IT.
696
00:37:24,138 --> 00:37:25,632
RIGHT.
697
00:37:25,667 --> 00:37:28,497
SO IT'S DEFINITELY THE MOVIE
THAT'S -- THAT'S PLAYING?
698
00:37:28,500 --> 00:37:29,732
YEAH.
699
00:37:29,767 --> 00:37:32,667
I FEEL PRETTY CONFIDENT
OF THAT.
700
00:37:34,233 --> 00:37:35,733
DISCOVERING THAT THE VOICES
701
00:37:35,768 --> 00:37:36,765
DON'T BELONG TO A RELATIVE
702
00:37:36,800 --> 00:37:38,970
OR FRIEND OF
THE GOLDEN STATE KILLER
703
00:37:39,005 --> 00:37:41,732
IS A LITTLE DISAPPOINTING.
704
00:37:41,767 --> 00:37:43,032
YOU KNOW, IT'S FUNNY,
IF I HAD TO GUESS --
705
00:37:43,067 --> 00:37:46,097
STILL, SOLVING THAT
PIECE OF THE PUZZLE
706
00:37:46,100 --> 00:37:48,070
SHOWS THE LENGTHS
CIVILIAN SLEUTHS
707
00:37:48,105 --> 00:37:50,527
WILL GO TO FOR ANSWERS.
708
00:37:50,533 --> 00:37:51,800
AWESOME WORK.
THANKS, BEN.
709
00:37:51,835 --> 00:37:53,067
YEAH.
THANK YOU VERY MUCH.
710
00:37:53,102 --> 00:37:54,597
THANKS.
- BYE.
711
00:38:09,267 --> 00:38:12,032
IT'S JUST AFTER 9:00 P.M.,
712
00:38:12,067 --> 00:38:14,197
AND BRIAN MAGGIORE,
A MILITARY POLICE OFFICER,
713
00:38:14,200 --> 00:38:17,100
AND HIS WIFE, KATIE,
ARE OUT WALKING THEIR DOG.
714
00:38:21,933 --> 00:38:25,398
WHAT HAPPENS NEXT
ISN'T ENTIRELY CLEAR,
715
00:38:25,433 --> 00:38:27,633
BUT NEIGHBORHOOD RESIDENTS
LATER TELL POLICE
716
00:38:27,668 --> 00:38:30,582
THEY HEARD MULTIPLE
GUNSHOTS, SCREAMS,
717
00:38:30,617 --> 00:38:33,497
AND THE UNMISTAKABLE
SOUNDS OF A CHASE.
718
00:38:35,967 --> 00:38:40,927
WHEN THE DUST SETTLES,
BRIAN AND KATIE ARE FOUND DEAD.
719
00:38:42,333 --> 00:38:45,773
IT APPEARS THE MOST
LIKELY SCENARIO
720
00:38:45,808 --> 00:38:47,097
IS THEY WERE OUT WALKING,
721
00:38:47,100 --> 00:38:51,500
AND THEY RUN ACROSS A MASKED
MAN WHO'S OUT PROWLING.
722
00:38:54,167 --> 00:38:56,697
BRIAN MAGGIORE WAS
A MILITARY POLICE OFFICER
723
00:38:56,700 --> 00:38:58,165
WITH AN AGGRESSIVE PERSONALITY.
724
00:38:58,200 --> 00:39:02,930
SO THE THOUGHT IS, IS THAT
HE GOES INTO COP MODE
725
00:39:02,933 --> 00:39:05,298
AND CHASES AFTER THIS PROWLER
726
00:39:05,333 --> 00:39:08,832
THROUGH THE BACKYARD
OF ONE HOUSE.
727
00:39:08,867 --> 00:39:11,627
AND AT THIS POINT, IT APPEARS
THAT THE OFFENDER TURNS AROUND,
728
00:39:11,633 --> 00:39:13,633
PULLS A GUN,
AND SHOOTS BRIAN.
729
00:39:16,267 --> 00:39:19,897
THE PROWLER CHASES
DOWN KATIE AND MURDERS HER, TOO.
730
00:39:23,467 --> 00:39:25,797
WITNESSES DESCRIBE
THE SHOOTER AS A WHITE MALE,
731
00:39:25,800 --> 00:39:31,830
POSSIBLY IN HIS 20s, SLENDER,
WITH SANDY BLONDE HAIR.
732
00:39:31,833 --> 00:39:36,173
I THINK THIS IS LIKELY
AN EAST AREA RAPIST HOMICIDE.
733
00:39:39,967 --> 00:39:44,232
THE LOCATION WHERE THIS OCCURS
IS JUST A COUPLE BLOCKS
734
00:39:44,267 --> 00:39:48,497
WEST OF WHERE 5 OF THE FIRST
15 EAST AREA RAPIST ATTACKS
735
00:39:48,500 --> 00:39:50,330
OCCURRED IN CORDOVA
MEADOWS NEIGHBORHOOD.
736
00:39:50,333 --> 00:39:52,265
SO, IT'S IN AN AREA
THAT WE KNOW THAT
737
00:39:52,300 --> 00:39:55,470
THE EAST AREA RAPIST
WAS VERY FAMILIAR WITH.
738
00:39:58,067 --> 00:40:01,927
THE CRIME SCENE PROCESSING,
NEXT TO BRIAN MAGGIORE'S BODY,
739
00:40:01,933 --> 00:40:06,603
THERE WAS PRE-TIED SHOELACES
THAT WERE FOUND ON THE GROUND.
740
00:40:06,638 --> 00:40:08,330
SO, THE THOUGHT IS
THAT THE OFFENDER,
741
00:40:08,333 --> 00:40:12,933
IN PULLING THE GUN OUT OR THE
COMMOTION OF DEALING WITH BRIAN,
742
00:40:12,968 --> 00:40:14,847
DROPPED THESE SHOELACES.
743
00:40:14,882 --> 00:40:16,727
WE KNOW THAT OUR OFFENDER,
744
00:40:16,733 --> 00:40:18,432
THE EAST AREA RAPIST,
GOLDEN STATE KILLER,
745
00:40:18,467 --> 00:40:22,427
WOULD BRING SHOELACES
AND USE THOSE AS BINDINGS.
746
00:40:24,933 --> 00:40:27,165
THE KILLER WENT
TO SIGNIFICANT LENGTHS
747
00:40:27,200 --> 00:40:29,397
TO MAKE SURE THE MAGGIORES
WOULDN'T LIVE TO TELL.
748
00:40:31,967 --> 00:40:33,327
IT WAS DELIBERATE.
749
00:40:33,333 --> 00:40:34,998
IT WAS COLD-BLOODED.
750
00:40:35,033 --> 00:40:37,303
AND IT SHOWED HOW FAR
THE OFFENDER WOULD GO
751
00:40:37,338 --> 00:40:41,330
TO AVOID GETTING CAUGHT.
752
00:40:41,333 --> 00:40:44,073
I DO THINK THAT
HE'S LEAVING THAT SCENE
753
00:40:44,108 --> 00:40:46,897
AND IS THINKING ABOUT
WHAT TRANSPIRED.
754
00:40:46,900 --> 00:40:51,970
AND THERE IS GOING TO PROBABLY
BE FEAR AS TO WHAT HAPPENED.
755
00:40:52,005 --> 00:40:56,432
BUT HE MET THAT CHALLENGE.
756
00:40:56,467 --> 00:41:00,867
AND SO I THINK THERE'S ALSO
GOING TO BE A CERTAIN AMOUNT
757
00:41:00,902 --> 00:41:05,267
OF ALMOST PRIDE THAT HE WAS
ABLE TO OVERCOME THAT CHALLENGE.
758
00:41:08,400 --> 00:41:10,732
IT'S BEEN 40 YEARS
SINCE THE MAGGIORES
759
00:41:10,767 --> 00:41:15,627
BECAME THE FIRST LIKELY VICTIMS
OF A BUDDING SERIAL KILLER.
760
00:41:15,633 --> 00:41:17,833
40 YEARS DURING WHICH
THE GOLDEN STATE KILLER
761
00:41:17,868 --> 00:41:21,498
HAS MANAGED TO REMAIN HIDDEN.
762
00:41:21,533 --> 00:41:24,903
BUT INVESTIGATORS ARE MORE
DETERMINED THAN EVER TO FIND HIM
763
00:41:24,938 --> 00:41:28,200
AND FINALLY BRING AN END
TO HIS REIGN OF TERROR.
764
00:41:33,067 --> 00:41:35,097
THERE IS A LOT OF OPTIMISM
765
00:41:35,132 --> 00:41:37,127
IN LAW-ENFORCEMENT CIRCLES
RIGHT NOW
766
00:41:37,133 --> 00:41:39,633
THAT THIS MAY BE THE YEAR
THAT WE'RE GOING TO GET
767
00:41:39,668 --> 00:41:41,750
THE GOLDEN STATE
KILLER IDENTIFIED.
768
00:41:41,785 --> 00:41:43,429
THIS IS A SOLVABLE CASE.
769
00:41:43,464 --> 00:41:45,032
THERE'S NO QUESTION ABOUT IT.
770
00:41:45,067 --> 00:41:48,327
WE HAVE THE GOLDEN
STATE KILLER'S DNA.
771
00:41:48,333 --> 00:41:52,173
WE JUST HAVE TO FIND
THE RIGHT GUY.
772
00:41:52,208 --> 00:41:53,332
NEXT TIME
773
00:41:53,367 --> 00:41:55,567
IT'S NOT OVER"...
774
00:41:58,767 --> 00:42:01,417
WHEN WE START
LOOKING AT THIS DIAGRAM,
775
00:42:01,452 --> 00:42:04,032
THE RESIDENTIAL AREAS
SURROUND A LAKE.
776
00:42:04,067 --> 00:42:06,067
EVER SINCE YOU'VE
SHOWN ME THIS MAP,
777
00:42:06,102 --> 00:42:07,327
I'VE BEEN
BASICALLY CONVINCED
778
00:42:07,333 --> 00:42:09,733
THAT THIS WAS THE
SUBDIVISION WHERE I LIVE.
779
00:42:12,333 --> 00:42:14,032
WE'VE GOT THE FIRST MURDER,
780
00:42:14,067 --> 00:42:16,397
AND WE'VE GOT
THE ATTEMPTED MURDER.
781
00:42:16,400 --> 00:42:19,070
WHAT WE DID FIND INSIDE
THAT VACANT APARTMENT
782
00:42:19,105 --> 00:42:21,732
WAS ROPE BINDINGS.
783
00:42:21,767 --> 00:42:22,927
SOMEBODY OUT THERE KNOWS.
784
00:42:22,933 --> 00:42:24,898
THEY MAY JUST NOT KNOW
THAT THEY KNOW YET.
785
00:42:24,933 --> 00:42:28,103
THIS PARTICULAR THING THAT THEY
FOUND IN THE BOTTOM OF A BOX
786
00:42:28,138 --> 00:42:30,070
IS THE KEY TO SOLVING
THE WHOLE CASE.
61090
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