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These are the user uploaded subtitles that are being translated: 1 00:00:05,600 --> 00:00:07,130 PREVIOUSLY ON 2 00:00:07,133 --> 00:00:09,973 IT'S NOT OVER"... 3 00:00:10,008 --> 00:00:13,097 HE IS A NIGHTMARE COME TO LIFE, 4 00:00:13,100 --> 00:00:16,365 A MONSTER HIDING BEHIND A SKI MASK. 5 00:00:16,400 --> 00:00:18,430 I CHALLENGE ANYBODY TO FIND A CASE 6 00:00:18,433 --> 00:00:20,032 WHERE YOU'VE GOT UPWARDS OF 50 RAPES 7 00:00:20,067 --> 00:00:22,767 AND 12 MURDERS SPANNING THIS AMOUNT OF TIME 8 00:00:22,802 --> 00:00:25,132 THAT HAS NOT BEEN SOLVED. 9 00:00:25,167 --> 00:00:28,297 HE IS A DIABOLICAL PREDATOR, 10 00:00:28,300 --> 00:00:30,765 AND FOR THE MOST PART, HE REMAINS UNKNOWN. 11 00:00:30,800 --> 00:00:35,030 WE WANT EVERYONE TO KNOW JUST AS MUCH 12 00:00:35,033 --> 00:00:38,566 ABOUT THE EAST AREA RAPIST/GOLDEN STATE KILLER. 13 00:00:38,601 --> 00:00:42,100 JUST LIKE PEOPLE ARE AWARE OF THE ZODIAC KILLER 14 00:00:42,135 --> 00:00:45,830 OR TED BUNDY OR BTK. 15 00:00:45,833 --> 00:00:48,598 FROM 1976 TO 1986, 16 00:00:48,633 --> 00:00:52,203 HE TERRORIZED SUBURBAN CALIFORNIA 17 00:00:52,238 --> 00:00:54,965 AND THEN DISAPPEARED. 18 00:00:55,000 --> 00:00:58,030 HE BLENDED IN SO WELL THAT HE COULDN'T BE TRACKED. 19 00:00:58,033 --> 00:01:00,932 HE COULDN'T BE FOUND. 20 00:01:00,967 --> 00:01:04,927 BUT THE ONE THING HE FAILED TO DO, AND HE DIDN'T KNOW ABOUT, 21 00:01:04,933 --> 00:01:10,433 WAS HE DID NOT ACCOUNT FOR DNA TECHNOLOGY. 22 00:01:10,468 --> 00:01:12,232 TO HUNT HIM DOWN, 23 00:01:12,267 --> 00:01:16,167 INVESTIGATORS MUST LEARN EVERYTHING POSSIBLE ABOUT HIM. 24 00:01:16,202 --> 00:01:17,767 NOW, WHY WAS A HELICOPTER 25 00:01:17,802 --> 00:01:18,932 FOCUSING IN ON THAT HOUSE? 26 00:01:18,967 --> 00:01:23,232 ALLEGEDLY, THEY HAD THE INDIVIDUAL CORNERED. 27 00:01:23,267 --> 00:01:27,967 IT'S A RACE AGAINST TIME TO CATCH A DEADLY SERIAL PREDATOR. 28 00:02:19,767 --> 00:02:22,197 I DISTINCTLY REMEMBER READING 29 00:02:22,200 --> 00:02:24,130 ABOUT THE CASES AND THE ATTACKS. 30 00:02:27,267 --> 00:02:31,067 I WAS READING EVERY SINGLE ARTICLE THAT CAME OUT 31 00:02:31,102 --> 00:02:33,632 IN "THE SACRAMENTO BEE." 32 00:02:33,667 --> 00:02:36,732 I WAS FASCINATED WITH THE CASES 33 00:02:36,767 --> 00:02:39,527 AND THE PROFILERS THAT WERE TRYING TO GET A GRIP 34 00:02:39,533 --> 00:02:43,032 ON WHAT THIS GUY WAS ABOUT. 35 00:02:43,067 --> 00:02:45,667 I'M SURE MY MOM AND I PROBABLY DISCUSSED THE ATTACKS, 36 00:02:45,702 --> 00:02:47,927 BUT HER TAKE ON IT WAS THAT SHE WAS TOO OLD, 37 00:02:47,933 --> 00:02:51,673 AND I WAS TOO YOUNG TO BE POSSIBLE VICTIMS 38 00:02:51,708 --> 00:02:54,067 OF THIS SERIAL RAPIST. 39 00:03:00,933 --> 00:03:03,233 THE MORNING OF NOVEMBER 11th, 40 00:03:03,268 --> 00:03:06,365 AT 2:30 A.M., 41 00:03:06,400 --> 00:03:09,730 MARGARET AND HER MOTHER ARE TRAGICALLY PROVEN WRONG. 42 00:03:12,867 --> 00:03:16,227 MARGARET IS JUST 2 WEEKS SHY OF HER 13th BIRTHDAY. 43 00:03:24,367 --> 00:03:26,727 I'M AWOKEN FROM A DEEP SLEEP, 44 00:03:26,733 --> 00:03:29,950 AND THERE'S A FLASHLIGHT IN MY FACE, 45 00:03:29,985 --> 00:03:33,076 AND A MAN WITH GLOVES TELLING ME, 46 00:03:33,111 --> 00:03:36,167 "PUT YOUR HANDS BEHIND YOUR BACK." 47 00:03:36,202 --> 00:03:37,497 INITIALLY, I REFUSED. 48 00:03:37,500 --> 00:03:40,370 MULTIPLE TIMES, I SAY, "QUIT JOKING AROUND." 49 00:03:40,405 --> 00:03:42,827 AND HE JUST SAYS, "THIS IS NOT A JOKE." 50 00:03:42,833 --> 00:03:44,798 PUT MY HANDS BEHIND MY BACK. 51 00:03:44,833 --> 00:03:48,100 AND HE TIES MY HANDS UP, AND I'M ON MY STOMACH, 52 00:03:48,135 --> 00:03:51,367 AND I REALIZE AT THAT POINT, IT IS NOT A JOKE. 53 00:03:51,402 --> 00:03:52,797 IT DIDN'T TAKE ME LONG TO FIGURE OUT 54 00:03:52,800 --> 00:03:56,830 THAT THIS WAS MOST LIKELY THE SERIAL RAPIST. 55 00:03:56,833 --> 00:03:59,353 BECAUSE MARGARET HAS READ SO MUCH 56 00:03:59,388 --> 00:04:01,873 ABOUT THIS PREDATOR, SHE KNOWS WHAT TO EXPECT. 57 00:04:04,400 --> 00:04:08,930 WHEN HE TIES HER UP, SHE DOESN'T PANIC. 58 00:04:08,933 --> 00:04:12,433 I WAS VERY MUCH AWARE OF WHAT HIS M.O. WAS. 59 00:04:12,468 --> 00:04:15,598 HE HAD A VERY DISTINCTIVE M.O. 60 00:04:15,633 --> 00:04:18,381 HE USED TO USE PLATES AS A WARNING SIGNAL, 61 00:04:18,416 --> 00:04:21,130 SO THE PERSON THAT WAS NOT BEING ATTACKED 62 00:04:21,133 --> 00:04:23,532 WOULD END UP WITH PLATES ON HIS BACK. 63 00:04:23,567 --> 00:04:26,897 AND HE WOULD TELL THEM, "IF I HEAR THESE PLATES RATTLE, 64 00:04:26,900 --> 00:04:28,230 I WILL KILL YOUR WIFE, 65 00:04:28,233 --> 00:04:30,532 AND I WILL COME BACK HERE AND KILL YOU." 66 00:04:30,567 --> 00:04:37,567 AND SO, HE USED THOSE PLATES AS A WARNING SYSTEM. 67 00:04:37,602 --> 00:04:38,832 I COULD HEAR HIM UPSTAIRS. 68 00:04:38,867 --> 00:04:41,127 HE'S UPSTAIRS GETTING SOME PLATES TOGETHER, 69 00:04:41,133 --> 00:04:44,133 AND HE STARTS COMING DOWN THOSE STAIRS WITH THOSE PLATES. 70 00:04:44,168 --> 00:04:46,532 AND I HEAR HIM COMING, AND I THINK TO MYSELF, 71 00:04:46,567 --> 00:04:49,867 "WELL, YOU KNOW, IF HE COMES INTO MY ROOM WITH THOSE PLATES, 72 00:04:49,902 --> 00:04:52,032 HE'S GONNA RAPE MY MOM. 73 00:04:52,067 --> 00:04:54,697 AND IF HE GOES INTO MY MOM'S ROOM WITH THOSE PLATES, 74 00:04:54,700 --> 00:04:58,230 HE'S GONNA RAPE ME." 75 00:04:58,233 --> 00:05:00,665 I HEAR HIM GO INTO MY MOM'S ROOM WITH THOSE PLATES, 76 00:05:00,700 --> 00:05:04,830 AND I KNOW HE'S GONNA BE COMING INTO MY ROOM SHORTLY TO RAPE ME. 77 00:05:04,833 --> 00:05:07,432 I KNEW WHAT HE WANTED. 78 00:05:07,467 --> 00:05:11,327 WHERE HE GOT HIS SATISFACTION WAS FEAR, SCARING PEOPLE, 79 00:05:11,333 --> 00:05:15,133 AND MAKING THEM GO ALONG WITH WHAT HE WANTED THEM TO DO. 80 00:05:15,168 --> 00:05:19,633 AND SO I REMEMBERED MAYBE BEING MORE INDIGNANT. 81 00:05:19,668 --> 00:05:21,798 BUT I WAS 12 YEARS OLD, 82 00:05:21,833 --> 00:05:23,898 AND YOU'RE KIND OF IMMORTAL AT THAT POINT. 83 00:05:23,933 --> 00:05:27,273 YOU KNOW, YOU DON'T THINK SOMETHING BAD'S GONNA HAPPEN. 84 00:05:27,308 --> 00:05:30,597 I DEFINITELY TRIED TO REMEMBER OR TAKE NOTE 85 00:05:30,600 --> 00:05:32,165 OF EVERYTHING I COULD. 86 00:05:32,200 --> 00:05:36,630 HE HAD ON A PLAID SHIRT, LIKE A PENDLETON SHIRT, 87 00:05:36,633 --> 00:05:39,273 AND I BELIEVE MAYBE BLUE JEANS. 88 00:05:39,308 --> 00:05:41,597 HE WAS SLENDER. 89 00:05:41,600 --> 00:05:43,665 AND THEN WITH HIM DISGUISING HIS VOICE, 90 00:05:43,700 --> 00:05:46,900 HE WAS ALWAYS ASKING, LIKE, "DO YOU WANT ME TO KILL YOU? 91 00:05:46,935 --> 00:05:50,830 DO YOU WANT ME TO KILL YOU? DO YOU WANT TO DIE?" 92 00:05:50,833 --> 00:05:54,303 HE WAS VERY, VERY, VERY ANGRY. 93 00:06:00,233 --> 00:06:02,673 MARGARET IS SEXUALLY ASSAULTED. 94 00:06:02,708 --> 00:06:04,467 HER MOTHER IS NOT. 95 00:06:06,433 --> 00:06:10,073 THE RAPIST STAYS IN THE HOUSE FOR ABOUT AN HOUR AND A HALF... 96 00:06:12,133 --> 00:06:15,180 ...TERRORIZING MARGARET AND TRAUMATIZING HER MOTHER, 97 00:06:15,215 --> 00:06:18,227 WHO HAD BEEN RENDERED HELPLESS TO SAVE HER DAUGHTER. 98 00:06:21,433 --> 00:06:23,750 AND MOM HAD A VERY DIFFICULT TIME. 99 00:06:23,785 --> 00:06:26,032 OF COURSE, YOU WANT TO PROTECT YOUR CHILD, 100 00:06:26,067 --> 00:06:31,067 AND SHE HAD A VERY, VERY HARD TIME WITH THE ATTACK. 101 00:06:31,102 --> 00:06:33,084 SOME PEOPLE SPECULATE HE'S DEAD. 102 00:06:33,119 --> 00:06:35,032 I REALLY -- I THINK HE'S OUT THERE. 103 00:06:35,067 --> 00:06:38,497 I THINK HE COULD BE OUT THERE. I REALLY DO. 104 00:06:40,467 --> 00:06:43,467 AND I HOPE THAT ALL THIS PUBLICITY 105 00:06:43,502 --> 00:06:45,727 CAN BRING THIS PERSON IN. 106 00:06:45,733 --> 00:06:47,698 SOMEBODY KNOWS SOMETHING. 107 00:06:47,733 --> 00:06:50,603 THERE IS A GIRLFRIEND OF HIS OUT THERE THAT KNOWS 108 00:06:50,638 --> 00:06:53,032 THE WAY HE'S ACTED AROUND HER. 109 00:06:53,067 --> 00:06:55,432 HE'S MISTREATED PEOPLE IN HIS LIFE. 110 00:06:55,467 --> 00:06:59,297 THERE ARE PEOPLE THAT KNOW HIS BEHAVIORS, I'M SURE. 111 00:06:59,300 --> 00:07:01,730 PEOPLE HE'S HAD RELATIONSHIPS WITH. 112 00:07:01,733 --> 00:07:05,133 MAYBE FAMILY MEMBERS THAT KNOW ABOUT WHAT HE'S DONE. 113 00:07:09,267 --> 00:07:12,327 SOMEONE KNOWS SOMETHING. 114 00:07:12,333 --> 00:07:14,901 IT'S A BELIEF THAT RESONATES FROM THOSE 115 00:07:14,936 --> 00:07:17,751 WHO CAME FACE-TO-FACE WITH THIS MONSTER 116 00:07:17,786 --> 00:07:20,532 TO THOSE WHO ARE HUNTING HIM TODAY. 117 00:07:20,567 --> 00:07:22,727 I DON'T KNOW IF THE GUY'S ALIVE OR DEAD, 118 00:07:22,733 --> 00:07:24,532 BUT LET'S SAY HE HAD JOURNALS, 119 00:07:24,567 --> 00:07:26,497 AND SOMEBODY'S CLEARING OUT AN ATTIC. 120 00:07:28,733 --> 00:07:30,065 MAYBE THERE'S SKI MASKS. 121 00:07:30,100 --> 00:07:32,230 MAYBE THERE'S TRICKS OF HIS TRADE. 122 00:07:32,233 --> 00:07:34,833 MAYBE THERE'S NEWSPAPER ARTICLES FROM BACK IN THE DAY. 123 00:07:34,868 --> 00:07:37,285 SOMEBODY KEPT TROPHIES, WHATEVER IT IS. 124 00:07:37,320 --> 00:07:39,665 IF YOU CAN GET THE INFORMATION OUT THERE, 125 00:07:39,700 --> 00:07:43,870 THEN THAT PROVIDES THE PUBLIC WITH THE POTENTIAL ABILITY 126 00:07:43,905 --> 00:07:46,032 TO HELP US WITH THAT. 127 00:07:46,067 --> 00:07:48,897 ONE PIECE OF EVIDENCE, WHICH IS THE NAME. 128 00:07:57,433 --> 00:08:01,373 FOR DISTRICT ATTORNEY ANNE MARIE SCHUBERT, 129 00:08:01,408 --> 00:08:03,097 THIS CASE IS PERSONAL. 130 00:08:03,100 --> 00:08:05,832 IN 1976, WHEN THE EAST AREA RAPIST 131 00:08:05,867 --> 00:08:08,297 WAS JUST BEGINNING HIS REIGN OF TERROR, 132 00:08:08,300 --> 00:08:11,770 SHE WAS A 12-YEAR-OLD GIRL GROWING UP IN SACRAMENTO. 133 00:08:14,933 --> 00:08:16,831 IT REALLY DID CHANGE SACRAMENTO. 134 00:08:16,866 --> 00:08:18,730 IT WASN'T ONE RAPE. IT WASN'T TWO RAPES. 135 00:08:18,733 --> 00:08:21,732 IT WAS UPWARDS OF 35 RAPES 136 00:08:21,767 --> 00:08:24,927 IN A PERIOD OF 21/2 TO 3 YEARS JUST IN THIS AREA. 137 00:08:24,933 --> 00:08:29,073 AND SO EVERYBODY WALKED ON EGGSHELLS. 138 00:08:29,108 --> 00:08:30,332 EVERYBODY WAS FEARFUL. 139 00:08:30,367 --> 00:08:31,627 YOU KNOW, WHEN IS -- IT'S NOT A MATTER OF 140 00:08:31,633 --> 00:08:33,765 IF HE'S COMING AGAIN, IT WAS WHEN. 141 00:08:33,800 --> 00:08:37,930 AND YOU ANTICIPATED THAT IT WAS COMING VERY, VERY SOON 142 00:08:37,933 --> 00:08:41,832 BECAUSE IT WAS ON THE NEWS EVERY DAY. 143 00:08:41,867 --> 00:08:44,627 THE EAST AREA RAPIST WAS OFTEN ATTACKING 144 00:08:44,633 --> 00:08:46,732 AT A RATE OF TWICE OR MORE A MONTH, 145 00:08:46,767 --> 00:08:51,132 ALWAYS IN SACRAMENTO, ALWAYS IN CLUSTERS. 146 00:08:51,167 --> 00:08:53,367 HE SEEMS TOO FAMILIAR WITH THESE NEIGHBORHOODS 147 00:08:53,402 --> 00:08:55,327 FOR THERE NOT TO BE A CONNECTION. 148 00:09:00,100 --> 00:09:02,385 THIS IS CALLED FAIR OAKS BOULEVARD. 149 00:09:02,420 --> 00:09:04,670 THIS IS A VERY, VERY BIG STREET IN SACRAMENTO. 150 00:09:04,705 --> 00:09:06,627 IT'S A THOROUGHFARE. 151 00:09:06,633 --> 00:09:09,703 IT'S ONE OF THE MAIN ARTERIES THAT LEAD TO SOME OF THE AREAS 152 00:09:09,738 --> 00:09:13,132 WHERE SOME OF THESE ASSAULTS OCCURRED. 153 00:09:13,167 --> 00:09:16,427 IF YOU LOOK AT THE PATTERN OF THE ASSAULTS, 154 00:09:16,433 --> 00:09:17,598 THIS PARTICULAR AREA 155 00:09:17,633 --> 00:09:20,833 THAT WE'RE TALKING ABOUT RIGHT NOW WITHIN -- 156 00:09:20,868 --> 00:09:22,333 I WOULD SAY THEY'RE WITHIN TWO BLOCKS, 157 00:09:22,368 --> 00:09:23,917 TWO TO THREE BLOCKS OF EACH OTHER 158 00:09:23,952 --> 00:09:25,432 THAT THESE ASSAULTS ARE OCCURRING. 159 00:09:25,467 --> 00:09:29,632 AND THAT TELLS YOU HOW CLOSE IN PROXIMITY THINGS WERE. 160 00:09:29,667 --> 00:09:32,667 AND THE SIMILAR STORY WOULD BE IF YOU WENT OUT TO THE ASSAULTS 161 00:09:32,702 --> 00:09:34,332 IN RANCHO CORDOVA, 162 00:09:34,367 --> 00:09:35,597 I MEAN, THEY ARE LITERALLY -- 163 00:09:35,600 --> 00:09:38,070 SOME OF THEM ALMOST KITTY-CORNER FROM EACH OTHER. 164 00:09:38,105 --> 00:09:40,086 SO, YOU START TO ASK YOURSELF, 165 00:09:40,121 --> 00:09:42,067 "DID HE LIVE IN THAT NEIGHBORHOOD 166 00:09:42,102 --> 00:09:44,067 AT THAT PERIOD OF TIME?" 167 00:09:50,767 --> 00:09:53,597 USING ATTACK PATTERNS TO HONE IN 168 00:09:53,632 --> 00:09:56,427 ON WHERE AN OFFENDER MOST LIKELY RESIDES 169 00:09:56,433 --> 00:10:00,753 IS AN INVESTIGATIVE TECHNIQUE CALLED GEOGRAPHIC PROFILING. 170 00:10:00,788 --> 00:10:05,073 AND THESE PATTERNS SEEM TO ALL POINT IN ONE DIRECTION. 171 00:10:05,108 --> 00:10:07,567 I MAY BE COMPLETELY 100% OFF THE MARK ON THIS, 172 00:10:07,602 --> 00:10:08,827 BUT I ABSOLUTELY BELIEVE 173 00:10:08,833 --> 00:10:11,733 THAT THE ANSWER TO THIS CASE LIES IN SACRAMENTO. 174 00:10:21,833 --> 00:10:24,065 IN THE LATE 1970s, 175 00:10:24,100 --> 00:10:27,970 THE PREDATOR KNOWN THEN AS THE EAST AREA RAPIST 176 00:10:28,005 --> 00:10:31,127 EXHIBITED A CLEAR PATTERN OF ATTACKS. 177 00:10:31,133 --> 00:10:34,573 AFTER TODAY'S INVESTIGATORS ANALYZE THOSE PATTERNS, 178 00:10:34,608 --> 00:10:37,932 A CHILLING POSSIBILITY EMERGES. 179 00:10:37,967 --> 00:10:41,667 THE MONSTER WHO TERRORIZED SACRAMENTO 40 YEARS AGO 180 00:10:41,702 --> 00:10:44,297 COULD ALSO HAVE LIVED THERE. 181 00:10:44,300 --> 00:10:46,230 ON THE MONITOR ON THE LEFT-HAND SIDE, 182 00:10:46,233 --> 00:10:48,633 WHAT WE ARE SEEING IS LITERALLY AN OVERVIEW 183 00:10:48,668 --> 00:10:50,098 IN GOOGLE EARTH 184 00:10:50,133 --> 00:10:53,266 OF THE ENTIRE STATE OF CALIFORNIA. 185 00:10:53,301 --> 00:10:56,400 AND THE YELLOW PUSH PINS ARE DEMARKING 186 00:10:56,435 --> 00:10:58,230 EVERY SINGLE ATTACK LOCATION 187 00:10:58,233 --> 00:11:01,873 THAT WE KNOW THE GOLDEN STATE KILLER COMMITTED. 188 00:11:04,833 --> 00:11:10,703 AND AS I ZOOM IN, I AM NOW LOOKING AT THE ENTIRE SCOPE 189 00:11:10,738 --> 00:11:11,930 OF THE ATTACKS 190 00:11:11,933 --> 00:11:14,973 THAT THE EAST AREA RAPIST COMMITTED IN SACRAMENTO. 191 00:11:15,008 --> 00:11:19,437 FROM JUNE OF '76 UP UNTIL SEPTEMBER OF '77, 192 00:11:19,472 --> 00:11:22,884 HE HAD COMMITTED 22 ATTACKS IN SACRAMENTO. 193 00:11:22,919 --> 00:11:26,297 WHEN YOU LOOK AT THAT GEOGRAPHIC DISTRIBUTION, 194 00:11:26,300 --> 00:11:29,600 HE'S CRISSCROSSING ALL OVER SACRAMENTO, 195 00:11:29,635 --> 00:11:33,432 SHOWING THE BROAD FAMILIARITY. 196 00:11:33,467 --> 00:11:36,032 BUT ON SEPTEMBER 6, 1977, 197 00:11:36,067 --> 00:11:38,597 THERE'S AN ANOMALY IN THE PATTERN. 198 00:11:38,600 --> 00:11:41,800 HE ATTACKS 50 MILES SOUTH OF SACRAMENTO, 199 00:11:41,835 --> 00:11:44,270 FAR AWAY FROM HIS COMFORT ZONE. 200 00:11:53,633 --> 00:11:54,898 IT'S JUST BEFORE MIDNIGHT, 201 00:11:54,933 --> 00:11:58,098 AND A COUPLE ARE FAST ASLEEP IN THEIR OWN HOME 202 00:11:58,133 --> 00:12:02,503 WHEN A MASKED MAN QUIETLY ENTERS THROUGH A SLIDING-GLASS DOOR. 203 00:12:17,100 --> 00:12:21,463 HE WAKES THEM UP, BLINDS THEM WITH A FLASHLIGHT, 204 00:12:21,498 --> 00:12:25,827 AND DEMANDS MONEY AND FOOD BEFORE TYING THEM BOTH UP 205 00:12:25,833 --> 00:12:27,765 AND RAPING THE WOMAN. 206 00:12:27,800 --> 00:12:30,670 IT'S A CLASSIC EAST AREA RAPIST ATTACK. 207 00:12:33,533 --> 00:12:35,103 AND IT HAS COLD-CASE INVESTIGATOR 208 00:12:35,138 --> 00:12:37,265 PAUL HOLES INTRIGUED. 209 00:12:37,300 --> 00:12:40,885 WHY WOULD A MAN WHO HAD STALKED SACRAMENTO FOR SO LONG 210 00:12:40,920 --> 00:12:44,470 SUDDENLY STRIKE FAR OUTSIDE THE CITY HE KNOWS SO WELL? 211 00:12:47,900 --> 00:12:49,915 I HAD NEVER BEEN TO STOCKTON 212 00:12:49,950 --> 00:12:51,930 BEFORE I STARTED WORKING THIS CASE 213 00:12:51,933 --> 00:12:54,333 AND REALLY LOOKING INTO THE STOCKTON ATTACKS 214 00:12:54,368 --> 00:12:56,365 ASSOCIATED WITH THE SERIES. 215 00:12:56,400 --> 00:13:00,930 AND I WAS SHOCKED WHEN I STARTED DRIVING AROUND 216 00:13:00,933 --> 00:13:02,265 SOME OF THESE LOCATIONS. 217 00:13:02,300 --> 00:13:05,600 IN TERMS OF HOW NICE SOME OF THE DEVELOPMENTS ARE, 218 00:13:05,635 --> 00:13:07,732 PARTICULARLY THIS DEVELOPMENT THAT WE'RE IN 219 00:13:07,767 --> 00:13:09,830 WHERE THE FIRST STOCKTON ATTACK OCCURRED. 220 00:13:12,167 --> 00:13:13,332 IT'S A MASTER PLAN COMMUNITY 221 00:13:13,367 --> 00:13:14,897 THAT WAS STARTED IN THE LATE '60s 222 00:13:14,900 --> 00:13:17,785 AND WAS STILL ACTIVELY UNDER CONSTRUCTION 223 00:13:17,820 --> 00:13:20,293 AT THE TIME OF THAT FIRST STOCKTON ATTACK. 224 00:13:20,328 --> 00:13:22,767 AT THE TIME THAT THIS ATTACK OCCURRED, 225 00:13:22,802 --> 00:13:24,627 HIGHWAY 5 WAS NOT OPEN. 226 00:13:24,633 --> 00:13:27,698 WE KNOW OUR OFFENDER IS COMING OUT OF SACRAMENTO. 227 00:13:27,733 --> 00:13:32,400 HE HAD TO COME DOWN HIGHWAY 99, WHICH IS A GOOD 6 MILES AWAY. 228 00:13:32,435 --> 00:13:37,067 SO OUR OFFENDER HAS PULLED OUT TO THIS WESTERN PART OF STOCKTON 229 00:13:37,102 --> 00:13:40,597 TO COMMIT THIS ATTACK. 230 00:13:40,600 --> 00:13:43,870 THE QUESTION IS, WELL, WHAT WOULD PULL HIM OUT HERE? 231 00:13:47,900 --> 00:13:49,532 IT'S A QUESTION 232 00:13:49,567 --> 00:13:52,827 PAUL HAS SPENT CONSIDERABLE TIME TRYING TO ANSWER. 233 00:13:54,100 --> 00:13:55,800 HI, PAUL. NICE TO SEE YOU AGAIN. 234 00:13:55,835 --> 00:13:57,070 ALL RIGHT. HOW'S IT BEEN GOING? 235 00:13:57,105 --> 00:13:58,797 - IT'S BEEN GOOD. - YEAH? 236 00:13:58,800 --> 00:14:02,083 TODAY, PAUL PAYS A VISIT TO A RESIDENT WHO LIVES 237 00:14:02,118 --> 00:14:05,367 NEXT TO THE SCENE OF THAT FIRST STOCKTON ATTACK, 238 00:14:05,402 --> 00:14:08,167 HOPING TO SEE IF ANYTHING NEW STANDS OUT. 239 00:14:10,367 --> 00:14:12,982 THE RESIDENT HAS ASKED TO REMAIN ANONYMOUS 240 00:14:13,017 --> 00:14:15,597 AND PREFERS TO KEEP HIS FACE OBSCURED. 241 00:14:17,933 --> 00:14:20,603 SO, YOU'VE BEEN RESIDING AT THIS LOCATION FOR HOW LONG NOW? 242 00:14:20,638 --> 00:14:23,630 BEEN OVER 40 YEARS, PAUL. 243 00:14:23,633 --> 00:14:25,633 WE GOT OUR GEESE THAT WE FEED EVERY MORNING. 244 00:14:25,668 --> 00:14:27,573 PART OF YOUR REHAB THERE, HUH? 245 00:14:27,608 --> 00:14:29,097 YEAH. 246 00:14:29,100 --> 00:14:31,132 YEAH, IT IS KIND OF THERAPY. 247 00:14:31,167 --> 00:14:32,397 AND THE THINGS HAVE REALLY DEVELOPED. 248 00:14:32,400 --> 00:14:34,830 THERE USED TO BE A HOUSE THAT WAS IN CONSTRUCTION 249 00:14:34,833 --> 00:14:36,518 OVER HERE TO OUR LEFT. 250 00:14:36,553 --> 00:14:38,426 THIS WAS OPEN, ALSO. 251 00:14:38,461 --> 00:14:40,265 THERE WASN'T A FENCE, 252 00:14:40,300 --> 00:14:42,970 SO YOU CAN TRAVERSE FROM PENINSULA COURT 253 00:14:43,005 --> 00:14:44,927 INTO THE PARK QUITE EASILY. 254 00:14:44,933 --> 00:14:47,073 40 YEARS AGO, WE HAD AN ATTACK THAT OCCURRED 255 00:14:47,108 --> 00:14:49,427 ON THE EAST SIDE OF THIS LAKE. 256 00:14:49,433 --> 00:14:50,973 YOU WERE HERE AT THAT TIME, RIGHT? 257 00:14:51,008 --> 00:14:52,127 WE LIVED HERE, YEAH. 258 00:14:52,133 --> 00:14:54,203 AT THAT PARTICULAR TIME, WE WERE AT A FUNDRAISER. 259 00:14:54,238 --> 00:14:55,830 OUR KIDS WERE HERE WITH A BABYSITTER. 260 00:14:55,833 --> 00:14:58,065 - OKAY. - WHEN THE ATTACK OCCURRED. 261 00:14:58,100 --> 00:15:02,130 WE WERE CONTACTED TO COME HOME IMMEDIATELY, WHICH WE DID, 262 00:15:02,133 --> 00:15:04,333 AND THE POLICE WERE CIRCLING THE HOUSE 263 00:15:04,368 --> 00:15:05,632 THAT WAS IN DEVELOPMENT. 264 00:15:05,667 --> 00:15:07,327 WHICH IS RIGHT HERE, RIGHT NEXT DOOR? 265 00:15:07,333 --> 00:15:09,703 - RIGHT THERE, YEAH, YEAH. - SO YOU HAVE PATROL CARS HERE. 266 00:15:09,738 --> 00:15:10,932 THE LIGHTS ARE GOING. - YEAH. 267 00:15:10,967 --> 00:15:12,527 SPOTLIGHTS FROM THE HELICOPTERS GOING. 268 00:15:12,533 --> 00:15:13,873 HELICOPTER KEPT MOVING AROUND THE AREA, 269 00:15:13,908 --> 00:15:15,927 JUST MOVING AROUND, MOVING AROUND. 270 00:15:15,933 --> 00:15:18,773 NOW, WHY WAS THE HELICOPTER FOCUSING IN ON THAT HOUSE? 271 00:15:18,808 --> 00:15:20,127 ALLEGEDLY, THEY HAD 272 00:15:20,133 --> 00:15:22,533 THE INDIVIDUAL CORNERED WITHIN THE HOUSE. 273 00:15:22,568 --> 00:15:24,633 BUT IT WAS -- IT WAS ALL FRAMED OUT. 274 00:15:24,668 --> 00:15:27,103 IT WAS BASICALLY OPEN. 275 00:15:27,138 --> 00:15:28,232 ALL RIGHT. 276 00:15:28,267 --> 00:15:29,227 AND -- AND THEY'RE THINKING 277 00:15:29,233 --> 00:15:30,232 THAT THIS WAS THE EAST AREA RAPIST 278 00:15:30,267 --> 00:15:31,497 THAT THEY HAD CORNERED INSIDE THIS HOUSE. 279 00:15:31,500 --> 00:15:33,200 YES, YEAH, YEAH. 280 00:15:35,933 --> 00:15:39,703 ONCE AGAIN, THE EAST AREA RAPIST IS ABLE TO ESCAPE 281 00:15:39,738 --> 00:15:44,432 FROM WHAT SEEMS LIKE AN IMPOSSIBLE SITUATION. 282 00:15:44,467 --> 00:15:48,497 DID YOU HEAR ANY THOUGHTS ON HOW HE ACTUALLY GOT AWAY? 283 00:15:48,500 --> 00:15:50,070 SEEMED LIKE THEY WOULD BE ABLE TO GET HIM 284 00:15:50,105 --> 00:15:51,397 IF HE'S INSIDE THIS HOUSE. 285 00:15:51,400 --> 00:15:53,630 AGAIN, ALLEGEDLY, OR THE RUMOR 286 00:15:53,633 --> 00:15:56,233 WAS HE TRAVERSED ACROSS THE PARK, 287 00:15:56,268 --> 00:15:58,934 OVER A FENCE OR A GATE. 288 00:15:58,969 --> 00:16:01,565 THERE WAS NOTHING THERE. 289 00:16:01,600 --> 00:16:04,070 THERE WERE JUST VACANT LOTS. 290 00:16:11,233 --> 00:16:12,898 IS THE EAST AREA RAPIST 291 00:16:12,933 --> 00:16:14,833 SHOWING THE SAME KNOWLEDGE OF STOCKTON 292 00:16:14,868 --> 00:16:18,098 AS HE HAS OF SACRAMENTO? 293 00:16:18,133 --> 00:16:21,673 HE'S ATTACKING HERE WELL OFF THE FREEWAY. 294 00:16:21,708 --> 00:16:25,727 HE'S TARGETING THE SAME DEMOGRAPHIC. 295 00:16:25,733 --> 00:16:27,573 HE'S PATIENTLY STALKING. 296 00:16:29,667 --> 00:16:32,197 HE'S BLENDING IN. 297 00:16:36,133 --> 00:16:38,803 THIS WAS THE NICE AREA IN STOCKTON TO LIVE AT THE TIME. 298 00:16:38,838 --> 00:16:40,630 AND WHEN YOU THINK ABOUT OUR OFFENDER, 299 00:16:40,633 --> 00:16:44,603 WELL, HE'S BEING PULLED OUT TO THIS AREA 300 00:16:44,638 --> 00:16:46,232 TO COMMIT HIS FIRST ATTACK. 301 00:16:46,267 --> 00:16:48,697 THE MILLION-DOLLAR QUESTION IS WHY? 302 00:16:56,600 --> 00:16:58,032 THREE WEEKS LATER, 303 00:16:58,067 --> 00:17:01,232 THE EAST AREA RAPIST IS BACK ON FAMILIAR TURF, 304 00:17:01,267 --> 00:17:04,397 COMMITTING A STRING OF ATTACKS IN SACRAMENTO. 305 00:17:07,233 --> 00:17:09,073 ONE THING I WANT TO EMPHASIZE, LADIES, 306 00:17:09,108 --> 00:17:11,397 IS FOR YOU NOT TO BE POLITE. 307 00:17:11,400 --> 00:17:14,930 WE'VE ALL BEEN RAISED TO NOT HURT ANYBODY, TO BE POLITE. 308 00:17:14,933 --> 00:17:17,503 YOU INJURE HIM ENOUGH TO INCAPACITATE HIM 309 00:17:17,538 --> 00:17:19,630 IN ANY WAY THAT YOU CAN. 310 00:17:19,633 --> 00:17:24,066 FORMER SACRAMENTO SHERIFF'S DETECTIVE CAROL DALY 311 00:17:24,101 --> 00:17:28,500 REMEMBERS LAW ENFORCEMENT'S FRUSTRATIONS AND LIMITATIONS. 312 00:17:28,535 --> 00:17:30,830 AT THE TIME OF THE EAST AREA RAPIST, 313 00:17:30,833 --> 00:17:32,165 WE DIDN'T HAVE CELLPHONES. 314 00:17:32,200 --> 00:17:34,870 SO IF WE GOT A CALL, WE HAD TO GO TO A GAS STATION, 315 00:17:34,905 --> 00:17:36,627 A RESTAURANT, OR A PAY PHONE, 316 00:17:36,633 --> 00:17:38,598 YOU KNOW, TO CALL INTO THE OFFICE. 317 00:17:38,633 --> 00:17:41,165 REPORTS WERE DONE ON MANUAL TYPEWRITERS. 318 00:17:41,200 --> 00:17:43,330 YOU KNOW, WE DIDN'T EVEN HAVE DICTATION SYSTEMS. 319 00:17:43,333 --> 00:17:45,898 WE DIDN'T HAVE A 911 SYSTEM SET UP. 320 00:17:45,933 --> 00:17:49,303 WE WERE RECEIVING INFORMATION ON CASES THROUGH TELETYPE 321 00:17:49,338 --> 00:17:51,332 INSTEAD OF COMPUTERS AT THE TIME. 322 00:17:51,367 --> 00:17:53,497 YOU KNOW, YOU DIDN'T HAVE STREET LIGHTS. 323 00:17:53,500 --> 00:17:57,432 YOU DIDN'T HAVE HOUSE ALARMS. 324 00:17:57,467 --> 00:18:00,767 THINGS WERE SO DIFFERENT AT THE TIME. 325 00:18:12,300 --> 00:18:16,098 OVER THE YEARS, TECHNOLOGY HAS EVOLVED. 326 00:18:16,133 --> 00:18:19,897 BUT FOR CAROL, MANY THINGS REMAIN THE SAME -- 327 00:18:19,900 --> 00:18:22,630 HER PASSION FOR SEEING THIS CASE SOLVED 328 00:18:22,633 --> 00:18:25,250 AND HER CONNECTION WITH THE VICTIMS. 329 00:18:25,285 --> 00:18:28,176 TODAY, SHE MEETS MARGARET WARDLOW, 330 00:18:28,211 --> 00:18:31,069 THE EAST AREA RAPIST'S 27th VICTIM 331 00:18:31,104 --> 00:18:33,927 AT THE SCENE OF MARGARET'S ATTACK. 332 00:18:33,933 --> 00:18:37,133 IT'S BEEN YEARS SINCE I'VE BEEN HERE ALONG THE LEVEE, 333 00:18:37,168 --> 00:18:38,832 AND AS I'M WALKING ALONG, 334 00:18:38,867 --> 00:18:42,867 AND I'M LOOKING IN THE BACKYARDS, 335 00:18:42,902 --> 00:18:44,397 IT'S SO CLOSE 336 00:18:44,400 --> 00:18:48,430 THAT ALL THE RAPIST HAD TO DO WAS WALK ALONG, 337 00:18:48,433 --> 00:18:50,598 LOOK INSIDE WINDOWS AND DOORS 338 00:18:50,633 --> 00:18:55,398 OR HAVE SAT AND WATCHED WHO LIVED WHERE. 339 00:18:55,433 --> 00:18:58,333 YEAH, I HAVE NO DOUBT THAT HE WAS WATCHING ME 340 00:18:58,368 --> 00:19:00,582 PROBABLY FOR WEEKS FROM THIS LEVEE, 341 00:19:00,617 --> 00:19:02,797 LOOKING DIRECTLY INTO MY BEDROOM. 342 00:19:02,800 --> 00:19:05,632 - YES. - I'M CERTAIN OF IT. 343 00:19:05,667 --> 00:19:07,567 HE KNEW THAT IT WAS JUST YOU AND YOUR MOTHER. 344 00:19:07,602 --> 00:19:09,132 HE KNEW EXACTLY WHO LIVED THERE 345 00:19:09,167 --> 00:19:11,797 BECAUSE HE DIDN'T WANT ANY SURPRISES IN THE HOUSE. 346 00:19:11,800 --> 00:19:14,730 HE DIDN'T WANT A THIRD PERSON BEING THERE 347 00:19:14,733 --> 00:19:20,233 OR ANY OTHER PEOPLE THAT HE MIGHT HAVE TO CONTEND WITH. 348 00:19:27,300 --> 00:19:30,130 THE EAST AREA RAPIST'S ABILITY TO REMAIN INVISIBLE 349 00:19:30,133 --> 00:19:33,533 WHILE STALKING HIS VICTIMS IS A HAUNTING REMINDER 350 00:19:33,568 --> 00:19:36,865 OF HOW CALCULATING HE IS. 351 00:19:36,900 --> 00:19:39,570 AND HE'S ABOUT TO ADD YET ANOTHER LAYER 352 00:19:39,605 --> 00:19:40,897 TO HIS PSYCHOLOGICAL TORMENT. 353 00:19:42,733 --> 00:19:44,497 Hello? Hello? 354 00:20:01,933 --> 00:20:05,498 THE NIGHT OF JANUARY 2, 1978, 355 00:20:05,533 --> 00:20:09,465 SIX WEEKS AFTER THE ATTACK ON MARGARET WARDLOW, 356 00:20:09,500 --> 00:20:13,200 THE PHONE RINGS AT THE HOME OF THE EAST AREA RAPIST'S 357 00:20:13,235 --> 00:20:15,251 FIRST-KNOWN VICTIM. 358 00:20:21,767 --> 00:20:23,497 Hello? 359 00:20:28,267 --> 00:20:30,727 THE PHONE HAS A RECORDING DEVICE ON IT, 360 00:20:30,733 --> 00:20:32,973 PLACED THERE BY POLICE AFTER THE VICTIM 361 00:20:33,008 --> 00:20:35,187 BEGAN RECEIVING MULTIPLE CALLS 362 00:20:35,222 --> 00:20:37,332 FROM AN UNIDENTIFIED PERSON. 363 00:20:37,367 --> 00:20:40,367 SHE MANAGES TO CAPTURE THIS ONE ON TAPE. 364 00:20:44,267 --> 00:20:45,727 I DON'T CARE WHO YOU ARE. 365 00:20:45,733 --> 00:20:47,803 THIS PHONE CALL IS ONE OF THE SCARIEST THINGS 366 00:20:47,838 --> 00:20:49,500 YOU'LL EVER HEAR IN YOUR LIFE. 367 00:20:49,535 --> 00:20:52,330 Going to kill you. 368 00:20:52,333 --> 00:20:58,473 AND AS FAR AS WE KNOW, THIS IS THE ONLY VERIFIED VOICE 369 00:20:58,508 --> 00:21:02,227 OF THE EAST AREA RAPIST THAT WE CAN LISTEN TO. 370 00:21:02,233 --> 00:21:04,373 WHILE THE CALL HAS BEEN EXTENSIVELY ANALYZED 371 00:21:04,408 --> 00:21:05,932 BY LAW ENFORCEMENT, 372 00:21:05,967 --> 00:21:08,132 IT HAS ALSO CAPTURED THE ATTENTION 373 00:21:08,167 --> 00:21:10,297 OF THE CIVILIAN SLEUTH COMMUNITY. 374 00:21:10,300 --> 00:21:12,730 AND ONE THING HAS BECOME CLEAR. 375 00:21:12,733 --> 00:21:16,403 THE CALLER'S VOICE ISN'T THE ONLY ONE ON THE TAPE. 376 00:21:24,067 --> 00:21:25,332 SO THE BACKGROUND NOISE. 377 00:21:25,367 --> 00:21:29,267 YOU HEAR, LIKE -- IT SOUNDS LIKE PEOPLE TALKING. 378 00:21:29,302 --> 00:21:31,067 I MEAN, IT SOUNDS LIKE A FEMALE VOICE 379 00:21:31,102 --> 00:21:32,032 IN THE BACKGROUND. 380 00:21:36,767 --> 00:21:39,097 IT SOUNDS LIKE MAYBE CHILDREN. 381 00:21:39,100 --> 00:21:41,130 YOU KNOW, IF WE'RE ABLE TO MAKE OUT SOME WORDS, 382 00:21:41,133 --> 00:21:43,573 MAYBE EVEN A NAME, IT COULD BE ONE OF THE THINGS 383 00:21:43,608 --> 00:21:45,397 THAT REALLY COULD BREAK THIS CASE OPEN. 384 00:21:45,400 --> 00:21:48,070 YEAH. IT MIGHT TELL US IF HE HAS A WIFE AND KIDS 385 00:21:48,105 --> 00:21:49,497 THAT ARE IN THE BACKGROUND TALKING, 386 00:21:49,500 --> 00:21:52,070 AND HE'S TRYING TO SNEAK IN A CALL. 387 00:21:52,105 --> 00:21:53,932 RIGHT. 388 00:21:53,967 --> 00:21:56,897 ...kill you. 389 00:21:59,633 --> 00:22:01,498 COULD THIS PREDATOR 390 00:22:01,533 --> 00:22:06,016 HAVE BEEN LEADING A TYPICAL LIFE SOMEWHERE IN SACRAMENTO? 391 00:22:06,051 --> 00:22:10,500 PERHAPS WITH A FAMILY WHO KNEW NOTHING OF HIS EVIL DEEDS? 392 00:22:10,535 --> 00:22:12,032 MIKE MORFORD AND KEITH KOMOS 393 00:22:12,067 --> 00:22:16,327 DECIDE TO SEND THE AUDIO FILE OFF TO A SPECIALIST. 394 00:22:16,333 --> 00:22:21,298 IT WILL TAKE SEVERAL DAYS TO GET THE ENHANCED AUDIO BACK. 395 00:22:21,333 --> 00:22:25,203 I JUST WANT TO GET A CLEAR SENSE OF WHAT'S ACTUALLY BEING SAID, 396 00:22:25,238 --> 00:22:27,070 WHO'S IN THE BACKGROUND. 397 00:22:38,267 --> 00:22:40,467 WITH ONLY A HANDFUL OF CLUES 398 00:22:40,502 --> 00:22:41,932 IN SUCH A MASSIVE CASE, 399 00:22:41,967 --> 00:22:45,667 THE ONLINE COMMUNITY HAS BECOME A KEY PART OF THE INVESTIGATION, 400 00:22:45,702 --> 00:22:48,497 PARSING DATA, USING CROWDSOURCING, 401 00:22:48,500 --> 00:22:50,700 AND DIGGING DEEP FOR INFORMATION. 402 00:22:53,067 --> 00:22:55,067 WE'RE SITTING HERE AT 9:00 AT NIGHT 403 00:22:55,102 --> 00:22:56,132 WHILE THE REST OF THE WORLD 404 00:22:56,167 --> 00:22:58,597 IS DOING SOMETHING ELSE, GOING THROUGH THIS 405 00:22:58,600 --> 00:23:00,713 AND REALLY MAKING HEADWAY. 406 00:23:00,748 --> 00:23:02,827 IT BECOMES MORE THAN A HOBBY. 407 00:23:02,833 --> 00:23:06,433 IT STARTS TO BECOME A COMMUNITY. 408 00:23:06,468 --> 00:23:09,032 THIS CASE IS SO DIFFICULT, 409 00:23:09,067 --> 00:23:10,832 AND THERE ARE SO MANY DIFFERENT FACETS TO IT, 410 00:23:10,867 --> 00:23:14,227 AND THERE ARE SO MANY DIFFERENT APPROACHES THAT CAN BE MADE. 411 00:23:14,233 --> 00:23:16,301 AND THERE'S SO MUCH TO KNOW ABOUT THE KILLER. 412 00:23:16,336 --> 00:23:18,370 THERE'S NO WAY THAT ONE PERSON CAN KNOW IT ALL. 413 00:23:23,367 --> 00:23:26,327 SINCE SO LITTLE IS KNOWN ABOUT THIS OFFENDER, 414 00:23:26,333 --> 00:23:30,133 ANY CLUE COULD HAVE POTENTIAL TO SHED LIGHT ON WHO HE IS. 415 00:23:34,100 --> 00:23:36,498 FOR COLD-CASE INVESTIGATOR PAUL HOLES, 416 00:23:36,533 --> 00:23:38,897 ONE PIECE OF EVIDENCE IS AMONG THE MOST 417 00:23:38,900 --> 00:23:41,070 COMPELLING AND INFORMATIVE. 418 00:23:44,800 --> 00:23:48,230 IT WAS FOUND IN 1978 DURING A POLICE SWEEP 419 00:23:48,233 --> 00:23:50,633 IMMEDIATELY FOLLOWING ONE OF THE LATER ATTACKS 420 00:23:50,668 --> 00:23:53,798 IN CONTRA COSTA COUNTY. 421 00:23:53,833 --> 00:23:57,100 IT CONSISTS OF THREE PIECES OF NOTEBOOK PAPER, 422 00:23:57,135 --> 00:24:00,367 MOST LIKELY DROPPED ACCIDENTALLY BY THE OFFENDER. 423 00:24:03,900 --> 00:24:06,813 YOU IMAGINE I'VE GOT -- I'VE GOT AN OFFENDER 424 00:24:06,848 --> 00:24:09,727 WHO'S LEAVING A LOCATION, APPROACHING HIS VEHICLE. 425 00:24:09,733 --> 00:24:11,233 HE'S GOT A SKI MASK. 426 00:24:11,268 --> 00:24:12,698 HE'S GOT GLOVES ON. 427 00:24:12,733 --> 00:24:14,298 AND NOW HE'S TAKING HIS GLOVES OFF, 428 00:24:14,333 --> 00:24:16,673 HIS MASK OFF AS HE'S APPROACHING HIS VEHICLE 429 00:24:16,708 --> 00:24:18,097 AND PUTTING THEM INTO HIS BAG. 430 00:24:18,100 --> 00:24:22,070 I BELIEVE AT THAT POINT, THESE PIECES OF PAPER FALL OUT. 431 00:24:25,333 --> 00:24:28,073 AT THE TIME, THEY WERE BAGGED, TAGGED, 432 00:24:28,108 --> 00:24:30,727 AND PUT IN AN EVIDENCE BOX WHERE, 433 00:24:30,733 --> 00:24:33,973 IN 2009, PAUL UNEARTHED THEM. 434 00:24:36,200 --> 00:24:38,432 I OPENED UP THOSE THREE PIECES OF PAPER. 435 00:24:38,467 --> 00:24:44,067 TWO WERE RUDIMENTARY ESSAYS, AND ONE WAS A HAND-DRAWN DIAGRAM. 436 00:24:44,102 --> 00:24:47,327 AND I THOUGHT THE DIAGRAM WAS UNUSUAL LOOKING, 437 00:24:47,333 --> 00:24:49,673 AND I THOUGHT, "I NEED TO TAKE THESE BACK 438 00:24:49,708 --> 00:24:53,427 AND LOOK AT THESE MORE CAREFULLY." 439 00:24:53,433 --> 00:24:55,803 COULD THESE BE THE WRITINGS 440 00:24:55,838 --> 00:24:58,002 OF THE EAST AREA RAPIST? 441 00:24:58,037 --> 00:24:59,767 PERHAPS AS A YOUNG STUDENT? 442 00:24:59,802 --> 00:25:01,497 IN THIS PHOTOCOPY HERE, 443 00:25:01,500 --> 00:25:04,365 YOU'VE GOT THE TORN EDGE OUT OF THE SPIRAL. 444 00:25:04,400 --> 00:25:07,130 THIS FIRST ESSAY IS PROBABLY THE MOST INNOCUOUS. 445 00:25:07,133 --> 00:25:09,733 IT APPEARS TO BE A U.S. HISTORY ASSIGNMENT 446 00:25:09,768 --> 00:25:11,032 ABOUT GENERAL CUSTER. 447 00:25:11,067 --> 00:25:12,597 UNFORTUNATELY, IT WAS AN ASSIGNMENT 448 00:25:12,600 --> 00:25:15,632 HE DIDN'T TURN IN, OR HE DIDN'T SIGN HIS NAME TO. 449 00:25:15,667 --> 00:25:21,697 THE ESSAY ITSELF HAS GRAMMATICAL ERRORS, HAS SPELLING ERRORS, 450 00:25:21,700 --> 00:25:25,870 BUT GENERALLY FOLLOWS A LOGICAL DEVELOPMENT 451 00:25:25,905 --> 00:25:27,427 ABOUT GENERAL CUSTER 452 00:25:27,433 --> 00:25:31,353 AND WHAT HAPPENED TO HIM AT THE END OF HIS CAREER. 453 00:25:31,388 --> 00:25:35,273 THE SECOND ESSAY THAT WAS FOUND ON THAT ESCAPE ROUTE 454 00:25:35,308 --> 00:25:37,327 IS WHAT I CALL THE "MAD IS THE WORD" ESSAY. 455 00:25:37,333 --> 00:25:40,873 AND I THOUGHT THIS WAS PROBABLY AN ASSIGNMENT 456 00:25:40,908 --> 00:25:42,897 WHERE THE TEACHER TOLD THE STUDENTS, 457 00:25:42,900 --> 00:25:44,983 "PICK A WORD AND WRITE ABOUT IT." 458 00:25:45,018 --> 00:25:47,032 AND THE STUDENT CHOSE THE WORD "MAD." 459 00:25:47,067 --> 00:25:49,797 THE AUTHOR WRITES ABOUT FEELINGS OF EXTREME ANGER 460 00:25:49,800 --> 00:25:51,885 DURING THE SIXTH GRADE. 461 00:25:51,920 --> 00:25:53,932 "I HATED THAT YEAR. 462 00:25:53,967 --> 00:25:56,667 WHAT REALLY BUGGED ME WAS WRITING THOSE AWFUL SENTENCES 463 00:25:56,702 --> 00:25:58,527 THAT MY TEACHER MADE ME WRITE. 464 00:25:58,533 --> 00:26:02,465 50-100-150 SENTENCES DAY AND NIGHT. 465 00:26:02,500 --> 00:26:05,830 WASN'T FAIR TO MAKE ME SIT AND WRITE UNTIL MY BONES ACHED, 466 00:26:05,833 --> 00:26:09,750 UNTIL MY HAND FELT EVERY HORRID PAIN IT EVER HAD." 467 00:26:09,785 --> 00:26:13,376 THE "MAD IS THE WORD" ESSAY IS SHOWING SOMEBODY 468 00:26:13,411 --> 00:26:16,967 THAT HAS SOME SERIOUS PSYCHOLOGICAL ISSUES. 469 00:26:17,002 --> 00:26:19,227 JUST ALMOST SPIRAL OUT OF CONTROL 470 00:26:19,233 --> 00:26:21,332 EMOTIONALLY AS THEY'RE WRITING. 471 00:26:21,367 --> 00:26:24,367 IN TERMS OF HOW HE'S GONNA BE SCARRED FOR LIFE 472 00:26:24,402 --> 00:26:26,797 FOR HAVING TO WRITE SENTENCES. 473 00:26:26,800 --> 00:26:29,800 BUT IF THESE ESSAYS WERE WRITTEN BY THE PERPETRATOR, 474 00:26:29,835 --> 00:26:33,530 THIS THIRD PIECE OF THE PUZZLE DOESN'T SEEM TO FIT. 475 00:26:33,533 --> 00:26:37,803 IT'S A HAND-DRAWN DIAGRAM THAT, AT FIRST GLANCE, 476 00:26:37,838 --> 00:26:39,765 LOOKS LIKE A MAP. 477 00:26:39,800 --> 00:26:41,298 WHEN I INITIALLY LOOKED AT IT, 478 00:26:41,333 --> 00:26:42,797 I DIDN'T KNOW WHAT I WAS LOOKING AT. 479 00:26:42,800 --> 00:26:44,365 THE INITIAL THOUGHT IS, 480 00:26:44,400 --> 00:26:46,532 IF THIS IS RELATED TO THE EAST AREA RAPIST, 481 00:26:46,567 --> 00:26:51,227 THIS POTENTIALLY IS MY OFFENDER DRAWING OUT A NEIGHBORHOOD, 482 00:26:51,233 --> 00:26:52,898 AND HE'S PLANNING HIS NEXT ATTACK. 483 00:26:52,933 --> 00:26:55,832 HE'S POSSIBLY TARGETED THAT HOUSE THAT'S DARKENED, 484 00:26:55,867 --> 00:26:59,197 AND HE'S POSSIBLY LOOKING AT INGRESS AND EGRESS ROUTES. 485 00:26:59,200 --> 00:27:00,730 HOW HE'S GOING TO APPROACH THE HOUSE. 486 00:27:00,733 --> 00:27:02,198 HOW HE'S GOING TO ESCAPE. 487 00:27:02,233 --> 00:27:05,073 WHERE LAW ENFORCEMENT'S GOING TO BE RESPONDING FROM, ET CETERA. 488 00:27:05,108 --> 00:27:08,327 AND THEN THE BACK SIDE OF THIS DIAGRAM. 489 00:27:08,333 --> 00:27:12,303 YOU FLIP IT OVER, AND THE WORD "PUNISHMENT" IS SCRAWLED ON IT, 490 00:27:12,338 --> 00:27:15,282 AND YOU'VE GOT THE NAME "MELANIE" WRITTEN ON THERE. 491 00:27:15,317 --> 00:27:18,227 YOU'VE GOT THE NAME "JEN" OR "JERRY" WRITTEN ON THERE. 492 00:27:18,233 --> 00:27:19,565 "COME FROM." 493 00:27:19,600 --> 00:27:22,630 "SNELLING" OR "SMELLONY," SOMETHING LIKE THAT. 494 00:27:22,633 --> 00:27:24,803 THIS LOOKS LIKE SOMEBODY IS SITTING THERE 495 00:27:24,838 --> 00:27:26,817 AND THINKING ABOUT A FUTURE VICTIM. 496 00:27:26,852 --> 00:27:28,797 BUT HE'S GETTING MADDER AND MADDER, 497 00:27:28,800 --> 00:27:30,300 AND PRETTY SOON IT'S PUNISHMENT. 498 00:27:33,567 --> 00:27:35,927 BUT THEN YOU START TO REALLY LOOK AT THIS DIAGRAM, 499 00:27:35,933 --> 00:27:38,818 AND YOU REALIZE, THERE'S AN AWFUL LOT OF DETAIL IN HERE 500 00:27:38,853 --> 00:27:41,703 THAT IS COMPLETELY UNNECESSARY FOR THAT TYPE OF A DRAWING. 501 00:27:41,738 --> 00:27:44,252 IT DOESN'T SERVE THAT PURPOSE. 502 00:27:44,287 --> 00:27:46,732 THERE WAS MORE TO THIS DIAGRAM. 503 00:27:46,767 --> 00:27:48,767 I DIDN'T KNOW WHAT MORE, BUT I KNEW THAT 504 00:27:48,802 --> 00:27:50,432 IT WAS MORE SOPHISTICATED 505 00:27:50,467 --> 00:27:52,797 THAN WHAT I INITIALLY THOUGHT. 506 00:28:05,500 --> 00:28:07,765 INVESTIGATOR PAUL HOLES 507 00:28:07,800 --> 00:28:10,685 IS INTRIGUED BY A UNIQUE, HAND-DRAWN DIAGRAM 508 00:28:10,720 --> 00:28:13,570 THAT MAY BE KEY TO UNMASKING THE MYSTERIOUS 509 00:28:13,605 --> 00:28:16,097 EAST AREA RAPIST. 510 00:28:18,333 --> 00:28:22,833 AT FIRST, THE DIAGRAM PERPLEXES PAUL. 511 00:28:22,868 --> 00:28:24,198 I WAS GOING, 512 00:28:24,233 --> 00:28:26,073 "I HAVE NEVER DRAWN ANYTHING LIKE THAT IN MY LIFE." 513 00:28:26,108 --> 00:28:29,067 I DON'T KNOW WHY THIS WOULD HAVE BEEN DRAWN. 514 00:28:29,102 --> 00:28:31,299 IT SEEMS TOO DETAILED 515 00:28:31,334 --> 00:28:33,497 TO BE A MAP OF A POTENTIAL ATTACK. 516 00:28:33,500 --> 00:28:36,530 IT INCLUDES WHAT LOOKS LIKE A LAKE 517 00:28:36,533 --> 00:28:39,073 AND SYMBOLS THAT COULD BE HOUSES. 518 00:28:41,367 --> 00:28:45,427 AND THAT'S WHEN I DECIDED, THIS DIAGRAM LOOKS LIKE SOMETHING 519 00:28:45,433 --> 00:28:49,833 THAT SOMEBODY INVOLVED IN CONSTRUCTION WOULD BE DOING. 520 00:28:49,868 --> 00:28:51,265 TRYING TO UNDERSTAND 521 00:28:51,300 --> 00:28:52,930 WHO WOULD DRAW SOMETHING LIKE THIS, 522 00:28:52,933 --> 00:28:54,932 PAUL BEGINS CONSULTING EXPERTS 523 00:28:54,967 --> 00:28:58,967 SKILLED IN VARIOUS FACETS OF THE CONSTRUCTION INDUSTRY. 524 00:29:00,800 --> 00:29:04,900 ONE OF THOSE EXPERTS AGREES TO APPEAR ON CAMERA. 525 00:29:04,935 --> 00:29:06,232 LIKE I SAID... 526 00:29:06,267 --> 00:29:08,827 BUT ASKS TO KEEP HIS NAME AND PLACE OF BUSINESS ANONYMOUS. 527 00:29:08,833 --> 00:29:11,032 A DIAGRAM. 528 00:29:11,067 --> 00:29:14,697 NOW, WHEN I STARTED DIVING IN, YOU KNOW, 529 00:29:14,700 --> 00:29:16,130 THERE'S A LOT OF WEIRD STUFF 530 00:29:16,133 --> 00:29:18,232 GOING ON INSIDE THE DIAGRAM. 531 00:29:18,267 --> 00:29:21,067 THE FIRST THING THAT I WANTED TO TALK ABOUT 532 00:29:21,102 --> 00:29:22,234 WERE THOSE SYMBOLS. 533 00:29:22,269 --> 00:29:23,332 INITIALLY, I THOUGHT 534 00:29:23,367 --> 00:29:24,927 THEY WERE VERY JUVENILISTIC ATTEMPTS 535 00:29:24,933 --> 00:29:26,798 TO DRAW STICK HOUSES. 536 00:29:26,833 --> 00:29:32,032 THIS IS A VERY CRUDELY DRAWN RIGHT 537 00:29:32,067 --> 00:29:35,597 AND LEFT ELEVATION OF A TWO-STORY HOUSE. 538 00:29:35,600 --> 00:29:38,730 THE DRAWING ON THE LEFT IS THE SIDE OF THE HOUSE 539 00:29:38,733 --> 00:29:39,832 WITH THE GARAGE. 540 00:29:39,867 --> 00:29:42,067 THIS IS THE ROOF OF THE GARAGE. 541 00:29:42,102 --> 00:29:43,532 THIS IS THE GARAGE ITSELF. 542 00:29:43,567 --> 00:29:48,267 AND THEN HERE WE HAVE TWO STORIES BEHIND THAT. 543 00:29:48,302 --> 00:29:50,297 RIGHT HERE ON THE DIAGRAM... 544 00:29:50,300 --> 00:29:53,330 I WAS NOTICING THAT THE PERSON HAD ALSO DRAWN 545 00:29:53,333 --> 00:29:56,132 IN SHADING BEHIND THESE HOUSES 546 00:29:56,167 --> 00:29:58,627 AND HAD SHORTENED THE FOOTPRINT OF THE HOUSE 547 00:29:58,633 --> 00:29:59,732 FROM FRONT TO BACK. 548 00:29:59,767 --> 00:30:01,627 ALMOST LIKE THERE'S A SLOPE IN THE BACKYARD 549 00:30:01,633 --> 00:30:02,565 IN THAT LOCATION. 550 00:30:02,600 --> 00:30:04,100 DOES THAT SEEM TO MAKE SENSE TO YOU? 551 00:30:04,135 --> 00:30:05,232 YEAH, YEAH. 552 00:30:05,267 --> 00:30:07,632 THOSE ARE WHAT WE CALL CONTOUR LINES. 553 00:30:07,667 --> 00:30:12,597 AND THAT KIND OF TIES IN, ALSO, ACROSS THE STREET. 554 00:30:12,632 --> 00:30:17,527 MOVE TO THE RIGHT WHERE WE GET DOWN TO THE LAKE. 555 00:30:17,533 --> 00:30:20,665 THERE ARE SOME WALKWAYS AND THAT THAT ARE DRAWN, 556 00:30:20,700 --> 00:30:23,733 BUT ALSO SOME OF THE LINES APPEAR TO BE CONTOUR LINES 557 00:30:23,768 --> 00:30:26,767 SAYING THAT THAT'S SLOPING DOWN AND INTO THE LAKE. 558 00:30:30,233 --> 00:30:33,918 CONTOUR LINES, ELEVATION CHANGES. 559 00:30:33,953 --> 00:30:37,565 IT APPEARS THAT WHOEVER DREW THIS DIAGRAM 560 00:30:37,600 --> 00:30:40,200 HAS MORE THAN JUST A PASSING KNOWLEDGE OF CONSTRUCTION 561 00:30:40,235 --> 00:30:42,530 OR DEVELOPMENT OR BOTH. 562 00:30:44,800 --> 00:30:46,632 AND THERE'S MORE. 563 00:30:46,667 --> 00:30:50,727 THE DIAGRAM APPEARS TO HAVE TWO DIFFERENT SETS OF HANDWRITING. 564 00:30:53,600 --> 00:30:55,430 WE ALSO HAVE TWO DIFFERENT CONCEPTS 565 00:30:55,433 --> 00:30:57,203 GOING ON ON AT THE SAME TIME 566 00:30:57,238 --> 00:30:58,465 ON THIS MAP 567 00:30:58,500 --> 00:31:01,630 THAT KIND OF TIES IN WITH YOUR TWO-PERSON THEORY 568 00:31:01,633 --> 00:31:06,503 IN THAT EVERYTHING THAT'S AT THE BOTTOM DOWN HERE 569 00:31:06,538 --> 00:31:10,300 IS DONE, WE'LL SAY, AS A MINIMALIST. 570 00:31:10,335 --> 00:31:11,530 IT'S MUCH CRUDER. 571 00:31:11,533 --> 00:31:13,732 THE LINES AREN'T AS STRAIGHT AND EVERYTHING. 572 00:31:13,767 --> 00:31:17,867 IT ALMOST APPEARS THAT ONE PERSON DREW THIS IN HERE 573 00:31:17,902 --> 00:31:19,597 WHO WAS A LAYMAN, 574 00:31:19,600 --> 00:31:24,070 WHEREAS SOMEONE WITH MUCH GREATER SKILLS 575 00:31:24,105 --> 00:31:26,127 UP IN THE OTHER COMMERCIAL AREA 576 00:31:26,133 --> 00:31:28,633 AND THE FIRST PHASES OF HOUSING 577 00:31:28,668 --> 00:31:30,198 ACTUALLY DREW SYMBOLS 578 00:31:30,233 --> 00:31:31,633 AND A NUMBER OF DIFFERENT SYMBOLS. 579 00:31:31,668 --> 00:31:33,032 YEAH. 580 00:31:33,067 --> 00:31:35,867 THAT GIVES IT A CERTAIN ARCHITECTURALLY PLEASING LOOK. 581 00:31:35,902 --> 00:31:37,897 IT'S STILL A PRETTY CRUDE MAP, 582 00:31:37,900 --> 00:31:39,765 BUT IT'S AS THOUGH THEY WERE 583 00:31:39,800 --> 00:31:41,165 JUST TRYING TO DO THE BEST THEY COULD 584 00:31:41,200 --> 00:31:44,670 OR TRYING TO SHOW SOME PRIDE OF WORKMANSHIP 585 00:31:44,705 --> 00:31:47,697 FOR LACK OF A BETTER DESCRIPTION. 586 00:31:47,700 --> 00:31:51,900 BUT THIS IS SO RADICALLY DIFFERENT THAN UP HERE. 587 00:31:51,935 --> 00:31:53,830 AND THAT'S AN INTERESTING OBSERVATION. 588 00:31:53,833 --> 00:31:55,803 POTENTIALLY, I COULD HAVE TWO INDIVIDUALS 589 00:31:55,838 --> 00:31:56,930 THAT MAY HAVE CONTRIBUTED 590 00:31:56,933 --> 00:31:59,133 TO ACTUALLY DRAWING FEATURES ON THIS DIAGRAM 591 00:31:59,168 --> 00:32:01,765 IS WHAT YOU THINK. - RIGHT. 592 00:32:01,800 --> 00:32:04,270 OR YOU HAD ONE PERSON WHO, AT TWO DIFFERENT TIMES, 593 00:32:04,305 --> 00:32:06,797 HAD RADICALLY DIFFERENT MIND-SETS. 594 00:32:06,800 --> 00:32:09,265 SURE. 595 00:32:09,300 --> 00:32:10,930 COULD THIS BE THE RESULT 596 00:32:10,933 --> 00:32:12,703 OF A TEACHER-STUDENT COLLABORATION... 597 00:32:14,767 --> 00:32:18,227 ...OR A BRAINSTORMING SESSION BETWEEN COLLEAGUES? 598 00:32:18,233 --> 00:32:22,773 PAUL SEES AN OPPORTUNITY TO SHAKE LOOSE SOME LEADS. 599 00:32:22,808 --> 00:32:24,332 I RELEASE THIS TO THE PUBLIC, 600 00:32:24,367 --> 00:32:27,567 AND IT VERY MUCH WAS IN THE SPIRIT OF THE RELEASE 601 00:32:27,602 --> 00:32:30,097 THAT WE SAW WITH THE UNABOMBER'S MANIFESTO 602 00:32:30,100 --> 00:32:32,232 WHERE THE FBI RELEASED THAT, 603 00:32:32,267 --> 00:32:36,197 AND THE BROTHER OF THE UNABOMBER RECOGNIZED THE WRITING. 604 00:32:36,200 --> 00:32:39,130 MY HOPE WAS WAS THAT SOMEBODY WOULD RECOGNIZE THE WRITING 605 00:32:39,133 --> 00:32:41,465 AS WELL AS THIS PARTICULAR DIAGRAM. 606 00:32:41,500 --> 00:32:44,400 OR AT LEAST RECOGNIZE THE STYLISTIC ASPECTS 607 00:32:44,435 --> 00:32:46,032 OF THIS DIAGRAM 608 00:32:46,067 --> 00:32:50,267 AND GIVE ME AN INVESTIGATIVE LEAD. 609 00:32:50,302 --> 00:32:53,127 SO FAR, NO LUCK. 610 00:32:53,133 --> 00:32:56,432 BUT THANKS TO THE DIAGRAM, 611 00:32:56,467 --> 00:32:59,067 PAUL HAS BEEN ABLE TO HONE HIS INVESTIGATION, 612 00:32:59,102 --> 00:33:00,727 CERTAIN THE PERSON HE'S HUNTING 613 00:33:00,733 --> 00:33:04,603 IS SOMEONE WHO HAS EXPERIENCE IN CONSTRUCTION OR DEVELOPMENT. 614 00:33:09,667 --> 00:33:11,397 AS FOR WHY IT WAS DROPPED ALONGSIDE 615 00:33:11,400 --> 00:33:13,583 FAR-LESS-SOPHISTICATED SCHOOLBOY ESSAYS, 616 00:33:13,618 --> 00:33:15,732 THERE MAY BE A VERY SIMPLE EXPLANATION. 617 00:33:15,767 --> 00:33:19,432 IT COULD BE BECAUSE YOU HAVE AN INDIVIDUAL 618 00:33:19,467 --> 00:33:23,897 THAT MAYBE IS CHALLENGED BY SOMETHING THROUGH DYSLEXIA. 619 00:33:23,900 --> 00:33:26,298 OR ONE THEORY I HAVE IS YOU HAVE AN INDIVIDUAL 620 00:33:26,333 --> 00:33:28,697 THAT HAD AN OLD SCHOOL SPIRAL UP ON A SHELF. 621 00:33:28,700 --> 00:33:30,930 AND HE HAD A BRAINSTORM SESSION AS AN ADULT 622 00:33:30,933 --> 00:33:33,565 AND PULLED THAT SPIRAL FROM 10 YEARS AGO, 623 00:33:33,600 --> 00:33:36,630 20 YEARS AGO, OPENED IT UP TO THE NEXT PIECE OF PAPER, 624 00:33:36,633 --> 00:33:39,533 AND STARTED DOING HIS BRAINSTORMING FOR HIS OCCUPATION 625 00:33:39,568 --> 00:33:43,465 AS AN ADULT. 626 00:33:43,500 --> 00:33:45,065 FOR INVESTIGATORS, 627 00:33:45,100 --> 00:33:47,232 THIS INFORMATION MARKS A NEW PHASE 628 00:33:47,267 --> 00:33:49,197 IN THE SEARCH FOR THE GOLDEN STATE KILLER. 629 00:33:49,200 --> 00:33:51,365 HEY. HOW ARE YOU? 630 00:33:51,400 --> 00:33:54,432 AND AS THEY CONTINUE TO COMB THROUGH LEADS, 631 00:33:54,467 --> 00:33:58,282 THE UNOFFICIAL INVESTIGATION ALSO PICKS UP STEAM. 632 00:33:58,317 --> 00:34:02,097 WHEN WE CAN FIND ONE THEORY AND ONE PIECE OF EVIDENCE 633 00:34:02,100 --> 00:34:04,132 THAT STARTS TO SUPPORT ANOTHER ONE, 634 00:34:04,167 --> 00:34:06,567 THINGS START TO REALLY POP AND GET EXCITING. 635 00:34:09,767 --> 00:34:10,797 IN THAT, I'M HEARING HER SAY, LIKE, 636 00:34:10,800 --> 00:34:12,432 "A PAIN IN MY OWN BACK," 637 00:34:12,467 --> 00:34:17,067 OR YOU KNOW, SOMETHING ALONG THOSE LINES THERE. 638 00:34:17,102 --> 00:34:19,327 WOW. THAT'S A BIG BREAKTHROUGH. 639 00:34:31,167 --> 00:34:34,297 CIVILIAN SLEUTHS MIKE MORFORD AND KEITH KOMOS 640 00:34:34,300 --> 00:34:37,248 HAVE BEEN WAITING FOR AN AUDIO ANALYSIS 641 00:34:37,283 --> 00:34:40,197 OF THE INFAMOUS "KILL YOU" RECORDING. 642 00:34:40,200 --> 00:34:44,230 IT'S A CALL THE EAST AREA RAPIST MADE TO HIS FIRST-KNOWN VICTIM 643 00:34:44,233 --> 00:34:47,903 BEFORE HE BECAME THE GOLDEN STATE KILLER. 644 00:34:50,133 --> 00:34:51,773 IN THE BACKGROUND OF THIS CALL, 645 00:34:51,808 --> 00:34:52,827 THERE'S SOME NOISE. 646 00:34:52,833 --> 00:34:55,401 YOU CAN HEAR WHAT SOUNDS LIKE WOMEN 647 00:34:55,436 --> 00:34:57,970 TALKING OR CHILDREN OR SOMETHING. 648 00:35:00,267 --> 00:35:02,927 WE ALWAYS THINK OF THE OFFENDER AS A LONER, 649 00:35:02,933 --> 00:35:06,073 AN ANTISOCIAL PERSON WHO'S BY HIMSELF, 650 00:35:06,108 --> 00:35:07,532 PLANNING AND PLOTTING. 651 00:35:07,567 --> 00:35:10,627 BUT IF WE HAVE HIM TALKING TO SOMEBODY... 652 00:35:12,300 --> 00:35:14,670 ...SO MANY DIFFERENT NEW POSSIBILITIES OPEN UP. 653 00:35:21,767 --> 00:35:24,797 TODAY, MIKE AND KEITH CALL AUDIO TECHNICIAN 654 00:35:24,800 --> 00:35:26,830 BEN SEWARD FOR THE RESULTS. 655 00:35:29,133 --> 00:35:30,603 HEY, THIS IS KEITH. I'M HERE WITH MIKE. 656 00:35:30,638 --> 00:35:32,530 HEY! 657 00:35:32,533 --> 00:35:34,668 SO YOU CLEANED UP THE AUDIO FILE 658 00:35:34,703 --> 00:35:36,951 OF THE GOLDEN STATE KILLER FOR US 659 00:35:36,986 --> 00:35:39,200 AND DID SOME STUFF ON THE BACKGROUND. 660 00:35:39,235 --> 00:35:40,430 WE'RE EAGER TO HEAR IT. 661 00:35:40,433 --> 00:35:42,473 GREAT. WELL, I'LL PLAY IT FOR YOU. 662 00:35:47,233 --> 00:35:49,933 THE EXACT WORDS ARE STILL TOUGH TO MAKE OUT, 663 00:35:49,968 --> 00:35:52,803 BUT THE VOICE IS CLEARLY THAT OF A WOMAN. 664 00:35:56,367 --> 00:35:58,067 IN THAT, I'M HEARING HER SAYING, LIKE, 665 00:35:58,102 --> 00:35:59,797 "A PAIN IN MY OWN NECK," 666 00:35:59,800 --> 00:36:05,470 OR YOU KNOW, SOMETHING ALONG THOSE LINES THERE. 667 00:36:05,505 --> 00:36:06,736 COULD YOU HEAR THAT OKAY? 668 00:36:06,771 --> 00:36:07,967 YEAH, WE COULD HEAR IT GOOD. 669 00:36:08,002 --> 00:36:09,032 OKAY. 670 00:36:09,067 --> 00:36:11,127 THERE WAS DEFINITELY A BIG SECTION 671 00:36:11,133 --> 00:36:12,933 WHERE WE HAD A LOT OF AUDIO. 672 00:36:22,900 --> 00:36:24,130 AND THERE'S, LIKE, LITTLE SECTIONS IN THAT 673 00:36:24,133 --> 00:36:26,115 WHERE YOU'RE KIND OF PICKING UP, 674 00:36:26,150 --> 00:36:28,097 LIKE, "CALL A DOCTOR FIRST," AND -- 675 00:36:28,100 --> 00:36:31,170 THE PHRASES DON'T SEEM TO MAKE MUCH SENSE, 676 00:36:31,205 --> 00:36:32,927 BUT OVER THE PAST FEW YEARS, 677 00:36:32,933 --> 00:36:36,073 AS THE ORIGINAL RECORDING MADE THE ROUNDS ON THE INTERNET, 678 00:36:36,108 --> 00:36:38,097 THE ONLINE SLEUTH COMMUNITY 679 00:36:38,100 --> 00:36:41,330 DEVELOPED AN INTERESTING THEORY. 680 00:36:41,333 --> 00:36:43,898 ON PAGE A7 OF THE "SACRAMENTO UNION," 681 00:36:43,933 --> 00:36:47,418 JANUARY 2, 1978, WE HAVE A LISTING OF TV MOVIES. 682 00:36:47,453 --> 00:36:50,903 SOME PEOPLE ONLINE NOTICED THAT THE DIALOGUE 683 00:36:50,938 --> 00:36:52,230 FROM ONE OF THESE MOVIES 684 00:36:52,233 --> 00:36:55,016 SEEMS TO MATCH THE BACKGROUND OF THIS CALL. 685 00:36:55,051 --> 00:36:58,590 AND, INDEED, THAT SEEMS TO BE 686 00:36:58,625 --> 00:37:02,130 EXACTLY WHAT THE CLEAR AUDIO CONFIRMS. 687 00:37:02,133 --> 00:37:07,303 I WAS ACTUALLY ABLE TO TAKE A SECTION OF THE MOVIE 688 00:37:07,338 --> 00:37:08,732 AND SYNC IT UP, 689 00:37:08,767 --> 00:37:13,167 AND IT CAME RIGHT IN LINE WITH THESE BACKGROUND VOICES. 690 00:37:13,202 --> 00:37:14,797 WOW. 691 00:37:14,800 --> 00:37:16,200 THAT'S -- THAT'S BIG BECAUSE THAT'S BEEN A BIG QUESTION 692 00:37:16,235 --> 00:37:18,032 FOR A LONG TIME NOW. 693 00:37:18,067 --> 00:37:19,897 SO THAT IS A -- THAT'S A BIG BREAKTHROUGH 694 00:37:19,900 --> 00:37:21,830 AS FAR AS GETTING THIS PHONE CALL, 695 00:37:21,833 --> 00:37:24,103 THE BACKGROUND RESOLUTION TO IT. 696 00:37:24,138 --> 00:37:25,632 RIGHT. 697 00:37:25,667 --> 00:37:28,497 SO IT'S DEFINITELY THE MOVIE THAT'S -- THAT'S PLAYING? 698 00:37:28,500 --> 00:37:29,732 YEAH. 699 00:37:29,767 --> 00:37:32,667 I FEEL PRETTY CONFIDENT OF THAT. 700 00:37:34,233 --> 00:37:35,733 DISCOVERING THAT THE VOICES 701 00:37:35,768 --> 00:37:36,765 DON'T BELONG TO A RELATIVE 702 00:37:36,800 --> 00:37:38,970 OR FRIEND OF THE GOLDEN STATE KILLER 703 00:37:39,005 --> 00:37:41,732 IS A LITTLE DISAPPOINTING. 704 00:37:41,767 --> 00:37:43,032 YOU KNOW, IT'S FUNNY, IF I HAD TO GUESS -- 705 00:37:43,067 --> 00:37:46,097 STILL, SOLVING THAT PIECE OF THE PUZZLE 706 00:37:46,100 --> 00:37:48,070 SHOWS THE LENGTHS CIVILIAN SLEUTHS 707 00:37:48,105 --> 00:37:50,527 WILL GO TO FOR ANSWERS. 708 00:37:50,533 --> 00:37:51,800 AWESOME WORK. THANKS, BEN. 709 00:37:51,835 --> 00:37:53,067 YEAH. THANK YOU VERY MUCH. 710 00:37:53,102 --> 00:37:54,597 THANKS. - BYE. 711 00:38:09,267 --> 00:38:12,032 IT'S JUST AFTER 9:00 P.M., 712 00:38:12,067 --> 00:38:14,197 AND BRIAN MAGGIORE, A MILITARY POLICE OFFICER, 713 00:38:14,200 --> 00:38:17,100 AND HIS WIFE, KATIE, ARE OUT WALKING THEIR DOG. 714 00:38:21,933 --> 00:38:25,398 WHAT HAPPENS NEXT ISN'T ENTIRELY CLEAR, 715 00:38:25,433 --> 00:38:27,633 BUT NEIGHBORHOOD RESIDENTS LATER TELL POLICE 716 00:38:27,668 --> 00:38:30,582 THEY HEARD MULTIPLE GUNSHOTS, SCREAMS, 717 00:38:30,617 --> 00:38:33,497 AND THE UNMISTAKABLE SOUNDS OF A CHASE. 718 00:38:35,967 --> 00:38:40,927 WHEN THE DUST SETTLES, BRIAN AND KATIE ARE FOUND DEAD. 719 00:38:42,333 --> 00:38:45,773 IT APPEARS THE MOST LIKELY SCENARIO 720 00:38:45,808 --> 00:38:47,097 IS THEY WERE OUT WALKING, 721 00:38:47,100 --> 00:38:51,500 AND THEY RUN ACROSS A MASKED MAN WHO'S OUT PROWLING. 722 00:38:54,167 --> 00:38:56,697 BRIAN MAGGIORE WAS A MILITARY POLICE OFFICER 723 00:38:56,700 --> 00:38:58,165 WITH AN AGGRESSIVE PERSONALITY. 724 00:38:58,200 --> 00:39:02,930 SO THE THOUGHT IS, IS THAT HE GOES INTO COP MODE 725 00:39:02,933 --> 00:39:05,298 AND CHASES AFTER THIS PROWLER 726 00:39:05,333 --> 00:39:08,832 THROUGH THE BACKYARD OF ONE HOUSE. 727 00:39:08,867 --> 00:39:11,627 AND AT THIS POINT, IT APPEARS THAT THE OFFENDER TURNS AROUND, 728 00:39:11,633 --> 00:39:13,633 PULLS A GUN, AND SHOOTS BRIAN. 729 00:39:16,267 --> 00:39:19,897 THE PROWLER CHASES DOWN KATIE AND MURDERS HER, TOO. 730 00:39:23,467 --> 00:39:25,797 WITNESSES DESCRIBE THE SHOOTER AS A WHITE MALE, 731 00:39:25,800 --> 00:39:31,830 POSSIBLY IN HIS 20s, SLENDER, WITH SANDY BLONDE HAIR. 732 00:39:31,833 --> 00:39:36,173 I THINK THIS IS LIKELY AN EAST AREA RAPIST HOMICIDE. 733 00:39:39,967 --> 00:39:44,232 THE LOCATION WHERE THIS OCCURS IS JUST A COUPLE BLOCKS 734 00:39:44,267 --> 00:39:48,497 WEST OF WHERE 5 OF THE FIRST 15 EAST AREA RAPIST ATTACKS 735 00:39:48,500 --> 00:39:50,330 OCCURRED IN CORDOVA MEADOWS NEIGHBORHOOD. 736 00:39:50,333 --> 00:39:52,265 SO, IT'S IN AN AREA THAT WE KNOW THAT 737 00:39:52,300 --> 00:39:55,470 THE EAST AREA RAPIST WAS VERY FAMILIAR WITH. 738 00:39:58,067 --> 00:40:01,927 THE CRIME SCENE PROCESSING, NEXT TO BRIAN MAGGIORE'S BODY, 739 00:40:01,933 --> 00:40:06,603 THERE WAS PRE-TIED SHOELACES THAT WERE FOUND ON THE GROUND. 740 00:40:06,638 --> 00:40:08,330 SO, THE THOUGHT IS THAT THE OFFENDER, 741 00:40:08,333 --> 00:40:12,933 IN PULLING THE GUN OUT OR THE COMMOTION OF DEALING WITH BRIAN, 742 00:40:12,968 --> 00:40:14,847 DROPPED THESE SHOELACES. 743 00:40:14,882 --> 00:40:16,727 WE KNOW THAT OUR OFFENDER, 744 00:40:16,733 --> 00:40:18,432 THE EAST AREA RAPIST, GOLDEN STATE KILLER, 745 00:40:18,467 --> 00:40:22,427 WOULD BRING SHOELACES AND USE THOSE AS BINDINGS. 746 00:40:24,933 --> 00:40:27,165 THE KILLER WENT TO SIGNIFICANT LENGTHS 747 00:40:27,200 --> 00:40:29,397 TO MAKE SURE THE MAGGIORES WOULDN'T LIVE TO TELL. 748 00:40:31,967 --> 00:40:33,327 IT WAS DELIBERATE. 749 00:40:33,333 --> 00:40:34,998 IT WAS COLD-BLOODED. 750 00:40:35,033 --> 00:40:37,303 AND IT SHOWED HOW FAR THE OFFENDER WOULD GO 751 00:40:37,338 --> 00:40:41,330 TO AVOID GETTING CAUGHT. 752 00:40:41,333 --> 00:40:44,073 I DO THINK THAT HE'S LEAVING THAT SCENE 753 00:40:44,108 --> 00:40:46,897 AND IS THINKING ABOUT WHAT TRANSPIRED. 754 00:40:46,900 --> 00:40:51,970 AND THERE IS GOING TO PROBABLY BE FEAR AS TO WHAT HAPPENED. 755 00:40:52,005 --> 00:40:56,432 BUT HE MET THAT CHALLENGE. 756 00:40:56,467 --> 00:41:00,867 AND SO I THINK THERE'S ALSO GOING TO BE A CERTAIN AMOUNT 757 00:41:00,902 --> 00:41:05,267 OF ALMOST PRIDE THAT HE WAS ABLE TO OVERCOME THAT CHALLENGE. 758 00:41:08,400 --> 00:41:10,732 IT'S BEEN 40 YEARS SINCE THE MAGGIORES 759 00:41:10,767 --> 00:41:15,627 BECAME THE FIRST LIKELY VICTIMS OF A BUDDING SERIAL KILLER. 760 00:41:15,633 --> 00:41:17,833 40 YEARS DURING WHICH THE GOLDEN STATE KILLER 761 00:41:17,868 --> 00:41:21,498 HAS MANAGED TO REMAIN HIDDEN. 762 00:41:21,533 --> 00:41:24,903 BUT INVESTIGATORS ARE MORE DETERMINED THAN EVER TO FIND HIM 763 00:41:24,938 --> 00:41:28,200 AND FINALLY BRING AN END TO HIS REIGN OF TERROR. 764 00:41:33,067 --> 00:41:35,097 THERE IS A LOT OF OPTIMISM 765 00:41:35,132 --> 00:41:37,127 IN LAW-ENFORCEMENT CIRCLES RIGHT NOW 766 00:41:37,133 --> 00:41:39,633 THAT THIS MAY BE THE YEAR THAT WE'RE GOING TO GET 767 00:41:39,668 --> 00:41:41,750 THE GOLDEN STATE KILLER IDENTIFIED. 768 00:41:41,785 --> 00:41:43,429 THIS IS A SOLVABLE CASE. 769 00:41:43,464 --> 00:41:45,032 THERE'S NO QUESTION ABOUT IT. 770 00:41:45,067 --> 00:41:48,327 WE HAVE THE GOLDEN STATE KILLER'S DNA. 771 00:41:48,333 --> 00:41:52,173 WE JUST HAVE TO FIND THE RIGHT GUY. 772 00:41:52,208 --> 00:41:53,332 NEXT TIME 773 00:41:53,367 --> 00:41:55,567 IT'S NOT OVER"... 774 00:41:58,767 --> 00:42:01,417 WHEN WE START LOOKING AT THIS DIAGRAM, 775 00:42:01,452 --> 00:42:04,032 THE RESIDENTIAL AREAS SURROUND A LAKE. 776 00:42:04,067 --> 00:42:06,067 EVER SINCE YOU'VE SHOWN ME THIS MAP, 777 00:42:06,102 --> 00:42:07,327 I'VE BEEN BASICALLY CONVINCED 778 00:42:07,333 --> 00:42:09,733 THAT THIS WAS THE SUBDIVISION WHERE I LIVE. 779 00:42:12,333 --> 00:42:14,032 WE'VE GOT THE FIRST MURDER, 780 00:42:14,067 --> 00:42:16,397 AND WE'VE GOT THE ATTEMPTED MURDER. 781 00:42:16,400 --> 00:42:19,070 WHAT WE DID FIND INSIDE THAT VACANT APARTMENT 782 00:42:19,105 --> 00:42:21,732 WAS ROPE BINDINGS. 783 00:42:21,767 --> 00:42:22,927 SOMEBODY OUT THERE KNOWS. 784 00:42:22,933 --> 00:42:24,898 THEY MAY JUST NOT KNOW THAT THEY KNOW YET. 785 00:42:24,933 --> 00:42:28,103 THIS PARTICULAR THING THAT THEY FOUND IN THE BOTTOM OF A BOX 786 00:42:28,138 --> 00:42:30,070 IS THE KEY TO SOLVING THE WHOLE CASE. 61090

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