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THE IMAGE
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Adapted from the novel
Jean de Berg (Catherine Robbe-Grillet)
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I. An Evening at the X...'s
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When I saw Claire again for the first time next summer...
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it was at a party given by, oh let's say, the X's near the Place de la Concorde.
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The entire summer had been lovely, but that evening was particularly beautiful.
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I was late as usual.
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Normally, I detest
Literary Cocktail parties...
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- Jean - Hello!
- As anyone who attends them regularly should.
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If he has any self-respect at all.
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I had just come out of a long siege with a short story.
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A short story that in enormous resistance to be completed.
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And I will be totally honest ....
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I would confess that I was genuinely pleased to be once more among the living.
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- How are you? - And you?
- Fine. Good.
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Excuse me.
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What strucked me most about seeing Claire again was that she hadn't changed at all.
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I felt as if I had just left her the night before.
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Although in reality I hadn't seen her for at least two or three years.
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Maybe more.
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- Are you alone?
- Could be
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I said hello to other people but I meticulously avoided getting involved...
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in the peculiar kind of pointless argument which is so typical at that kind of party.
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I remembered that I noticed something then in which I wouldn't have mind of getting involved...
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and it was dressed all in white.
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As I think back, she had made more of an impression on me than...
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the usual pretty girl one sees at parties.
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The young girl in the white dress and Claire were friends obviously.
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But beyond that, I sense the strange link between them.
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A kind of electricity. Although I had never heard it said that Claire was particularly interested in girls.
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Still, there was a conspiracy between them that one could feel quite clearly.
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Hi!
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What are you doing hiding out there?
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Oh thinking of clever things to say to your delightful guests.
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That shouldn't be too difficult for you.
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- What about the young girl in the white dress?
- I know nothing about it.
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She came with Claire. I suppose she's a friend of hers.
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Funny thing is I haven't been able to get two words out of her all night.
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I remembered clearly the look Claire had given her.
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It was the look of one viewing of rerun of a successful film one had directed oneself...
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whose plot couldn't possibly have any surprises.
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- Lovely to have had you.
- Later as I was getting ready to leave ...
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- All right. I might call you later...
- Jean ...
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- Yes
- If you like perhaps ...
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we can have a drink somewhere and forget about this dreadful party.
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- Nice
- You can get to know Anne.
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- Anne?
- Anne! You'll see.
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She's very nice.
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- Who is she anyway?
- Oh, just a young model!
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- And?
- Well, she belongs to me.
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Three menus, please.
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She's pretty, isn't she?
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- Yes, very
- She is very pretty.
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You can touch her if you like.
And she has a beautiful mouth.
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Lovely soft lips.
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Lovely soft lips.
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And very deep.
Let's have a look at them.
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Stay like that! Someday I'll show you some photographs I took her.
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II. The Roses in the Bagatelle Gardens
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Claire had arranged to meet me the following day.
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I know enough by now not to ask whether we'll be alone...
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or with her young friend.
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We were supposed to spend the afternoon together in the Bagatelle Gardens.
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The most beautiful rose garden in the world.
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She had insisted that she wanted to show it to me herself.
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Claire was an stunning woman and probably even more interesting than her friend.
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But unlike her friend, she had never aroused me at all.
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At first this had bothered me,
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but then I told myself that it was her impeccable manners...
70
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and the precise way in which she did everything that made it...
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impossible to think about her as a potential conquest.
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I probably needed to feel that at least some little thing was vulnerable...
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in order to arouse a desire in me to win her.
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Claire was waiting for us in the car.
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Anne's manners reminded me of a well-behaved young school girl.
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I had time to ask the girl several casual questions.
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but all I could get out of her was "Yes, sir" "No, sir" ...
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... or "I don't know, sir," as though she were a child.
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RESERVED PARKING FOR
BAGATELLE PARK VISITORS
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Instead of letting us wander from flower to flower...
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Claire made us look at the varieties that she admired most.
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Knowing exactly where each one was.
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After the grand tour we wandered off to a more deserted part of the garden.
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Keep off the grass
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Go over to it!
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Go on, hurry up!
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Now, go ahead.
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Watch this.
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She has pretty hands.
- Yes
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She likes doing that, you know?
It's excited.
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I can prove it to you if you like.
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At the slightest provocation she gets all wet. Isn't that right, little one?
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All right. That's enough!
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Pick the flower and bring it over here!
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Well, what are you waiting for?
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- It's not allowed.
- Nothing that I like is allowed, Anne.
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- You know that.
- There are too many thorns.
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You simply have to get scratched.
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Very good. And it wasn't too difficult, was it?
100
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Of course you will be punished for having hesitated just a second too long.
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- What are you planning to do?
- I don't know, but she'll be punished in front of you.
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- Somebody's coming!
- All right. Bring the flower.
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- Excuse me, what time is it, please?
- 10:30.
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We continued our walk.
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Anne, in the middle, held the rose against her breast.
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So no one will detect her crime.
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We soon came to a sort of growth or thicket more or less...
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closed off from the rest of the gardens and completely deserted.
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Since there weren't any flowers, we reasoned that here we could find some privacy.
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This will be all right.
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No, you'll have to stand.
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She has to think about where to hide what she'd stolen. The rose must be hidden.
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- All she has to do is throw it over there.
- But it would be a shame to lose such a beautiful flower.
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Yes .. No. .. I don't know.
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It's very simple, you'll have to hide it somewhere on your person.
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Come over here!
Lift your skirt!
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Lift your skirt!
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You'll have to lift it higher than that. Hurry up!
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Higher. Higher.
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Well, what do you think of it?
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The design of the top of the stocking is...
particularly charming touch.
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What we will do is slip the stem up between the garter belt...
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and the skin about there close to the crotch.
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The thorn should be strong enough to hold the flower in place.
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Only when she's standing still.
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See how nice I am.
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I'm taking off all the little thorns...
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so as not to hurt you.
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Oh, but I forgot she's supposed to be punished, isn't she?
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Spread your legs apart and then don't move. I'm going to hurt you.
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Come close to me.
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Please. Please don't. I beg you.
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Please! No!
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Now hold still.
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No, please!
136
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Please, no, no!
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There. That's pretty, isn't it?
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A great success.
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Oh perhaps rather overburdened with symbols in...
I would say the Surrealist tradition.
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You may lower your dress.
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III. Too Much Water and Its Consequences
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Can you still feel the petals between your thighs?
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Does it feel nice?
Oh can't you answer?
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Yes, it feels nice. I have...
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- I need to stop a minute.
- No, you can't go now.
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You didn't have to drink so much water in the first place.
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I didn't know yet what Claire was leading us up to.
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At last we came to an area that seemed more wild and natural...
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where very large trees had blanketed the sparse unkempt grass with fallen leaves.
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- This is the perfect place, don't you think so?
- Depends on what you want to use it for.
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For the girl, of course.
She was looking for a bathroom.
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No, I don't need to go.
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Why? Did you lie to us? I thought you were going to give us a little moment...
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No, I was mistaken.
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Don't try to fool with us. You know it won't get you anywhere, Anne.
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Anne!
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You'll do it now!
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Bend down lower!
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Now then, is our little girl going to do peepee?
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Be sure your legs are spread far enough apart.
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That's fine.
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Now lean forward a little.
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You are very nice like that, you know?
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Well, are you going to piss or not, you little bitch?
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IV. False Starts
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More than a week went by without my seeing Claire or Anne again.
167
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On the eighth day, quite by chance, I was driving on the Quai Malaquai,
168
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and I ran into little Anne at the bookstalls.
169
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She was alone and that pleased me.
170
00:19:11,000 --> 00:19:15,890
She pretended not to recognize me, which hardly suprised me I must say.
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I thought of that last image I had of our afternoon in the Bagatelle Gardens.
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The girl was now speaking to the salesman.
173
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No, we haven't got anymore.
174
00:19:30,500 --> 00:19:34,000
Look, I know you have what I want and I'm going to stand here until I get it.
175
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- I don't have that type of book.
- All right, then...
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I was struck by the positive tone she used in dealing with the bookseller.
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She wanted a rare book sold only under the counter...
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which she asked for with confidence.
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Obviously sure that this was the place to find it.
180
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- How much?
- 100 (Francs)
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Thank you.
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- Hi, remember Me?
- Yes, I remember you.
183
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Hey, wait a minute.
184
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Look. No offense. Actually I didn't mean anything in particular.
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- What do you want?
- Nothing.
186
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Just to talk to you a little.
187
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I don't feel like talking. I have to bring this back right away.
188
00:20:15,000 --> 00:20:17,790
- Claire?
- I bring things back to whomever I please.
189
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- It's none of your business.
- But I have...
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Have a nice day!
191
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This encounter left me highly dissatisfied.
192
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I spent the following days unproductively.
193
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The weather was good and I spent most of my time trying to focus my attention on an article...
194
00:21:10,000 --> 00:21:12,000
which will be due the following month.
195
00:21:12,000 --> 00:21:16,670
But my thoughts always returned to Claire ... eh ... and Anne.
196
00:21:17,000 --> 00:21:22,000
I hadn't imagined that I personally would have any power over this girl.
197
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But it had seemed only natural that I should enjoy certain privileges...
198
00:21:26,000 --> 00:21:31,000
outside of Claire's presence since they had already been granted to me so liberally.
199
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And without my even having asked for anything.
200
00:21:34,500 --> 00:21:37,000
Then, upon further reflection,
201
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I began to wonder if I've been granted so much after all the other day.
202
00:21:41,000 --> 00:21:44,500
I was obliged to come to a negative conclusion.
203
00:21:45,000 --> 00:21:48,000
Then I could see how wrong I have been.
204
00:21:48,000 --> 00:21:50,500
I could even make fun of my own stupidity.
205
00:21:50,500 --> 00:21:55,000
For the recent conduct of little Anne suddenly appeared quite normal and obvious...
206
00:21:55,000 --> 00:22:00,000
to the extent that for her to have behaved any differently now seemed impossible.
207
00:22:01,000 --> 00:22:04,000
The situation, in short, had not been what I thought it was.
208
00:22:05,000 --> 00:22:08,000
I felt annoyed and deceived.
209
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I decided not to think about those two girls anymore.
210
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Or about the whole absurd story.
211
00:22:40,000 --> 00:22:44,220
I waited for three more days, but on the fourth...
212
00:22:54,500 --> 00:22:58,000
- Hello - Hello
- How've you been feeling since the last time?
213
00:22:58,000 --> 00:22:59,500
- Fine. And you?
- Fine.
214
00:22:59,500 --> 00:23:02,500
- And how is the health of your friend?
- And which friend are you talking about?
215
00:23:02,500 --> 00:23:04,500
Anne! Who do you think I meant?
216
00:23:04,500 --> 00:23:07,000
Anne! Of course I had completely forgotten.
217
00:23:07,000 --> 00:23:10,500
If it's Anne you want to see you should have said so right away.
218
00:23:10,500 --> 00:23:15,500
I can lend her to you my dear with no trouble at all. You can make love to her if you are in that mood.
219
00:23:15,500 --> 00:23:17,500
What day would you like me to send her over?
220
00:23:17,500 --> 00:23:21,000
- You're joking.
- I never joked about my friends.
221
00:23:22,000 --> 00:23:24,000
Thanks, but I wouldn't know how to reciprocate.
222
00:24:44,500 --> 00:24:47,000
You mentioned you have some photographs to show me.
223
00:24:47,000 --> 00:24:50,500
That's true. You can come by tomorrow around five.
224
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- Come, Princess!
- All right!
225
00:25:09,500 --> 00:25:12,000
V. The Photographs
226
00:26:08,000 --> 00:26:10,000
- How nice of you to come.
- Thank you.
227
00:26:10,500 --> 00:26:14,000
- I have a gift for you.
- Thanks. Drink?
228
00:26:14,000 --> 00:26:16,000
Brandy, please.
229
00:26:29,000 --> 00:26:32,270
Isn't this what you came to see?
230
00:26:34,500 --> 00:26:40,000
In the first photo, Anne is wearing a short black slip with nothing underneath but her stockings.
231
00:26:40,000 --> 00:26:44,580
And the simple garter belt like the one I already admired in the Bagatelle Gardens.
232
00:26:49,500 --> 00:26:53,680
The second photo was a delicious detail of the first.
233
00:26:56,500 --> 00:27:00,340
In the next photo, the girl is in the same costume but lying down...
234
00:27:00,840 --> 00:27:03,000
with her shapely rear exposed.
235
00:27:09,000 --> 00:27:15,000
In the next one the girl is profile, entirely naked, with her hands chained behind her back...
236
00:27:15,000 --> 00:27:18,000
kneeling on a black and white checkerboard floor.
237
00:27:21,500 --> 00:27:27,000
The next was a close-up, showing the scale with which Anne was placed in bondage.
238
00:27:27,500 --> 00:27:30,500
In the next photo, Anne is handcuffed in such a way...
239
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as to keep her arms suspended over her head.
240
00:27:34,000 --> 00:27:36,000
Her ankles were chained tightly...
241
00:27:36,000 --> 00:27:38,000
giving an excellent view of her rear.
242
00:27:39,000 --> 00:27:43,670
The position must have been extremely uncomfortable, even for a short period of time.
243
00:27:45,500 --> 00:27:52,000
The next picture, extremely fascinating in its horror, despite the somewhat romantic exaggeration...
244
00:27:52,000 --> 00:27:54,470
could only be the result of a trick.
245
00:27:54,500 --> 00:27:58,500
But it was done so well that one could easily be fooled...
246
00:27:58,500 --> 00:28:02,430
especially since the contortions of the victim was so convincing.
247
00:28:03,000 --> 00:28:07,000
The stomach is marked in every direction by deep lines...
248
00:28:07,000 --> 00:28:09,000
very clear and distinct...
249
00:28:09,000 --> 00:28:12,940
more or less accented according to how hard the whip fell.
250
00:28:14,500 --> 00:28:19,000
In the next one, Anne's face is even more contorted in agony...
251
00:28:19,000 --> 00:28:22,000
presumably from the pain being inflicted upon her.
252
00:28:23,000 --> 00:28:26,000
The next photograph was a logical conclusion:
253
00:28:26,500 --> 00:28:30,000
the tortured body of the girl apparently lifeless...
254
00:28:30,000 --> 00:28:33,000
is stretched out on a black and white checkerboard floor.
255
00:28:33,500 --> 00:28:37,000
She is wearing nothing but a black band across her eyes.
256
00:28:38,000 --> 00:28:43,000
Claire's skill as a photographer is apparent in her loving attention to detail.
257
00:28:44,000 --> 00:28:46,710
The last photo was very different from the others.
258
00:28:47,000 --> 00:28:50,500
For one thing, the body was completely cut off by the camera.
259
00:28:51,000 --> 00:28:54,000
For another, the pubic hair seemed darker.
260
00:28:54,500 --> 00:28:59,000
It was obvious to me that the model was no longer Anne, but someone else.
261
00:28:59,000 --> 00:29:04,000
What gave me the final proof were the dark polished finger nails of those two hands.
262
00:29:04,500 --> 00:29:07,500
I remembered that Anne left her finger nails natural.
263
00:29:07,500 --> 00:29:10,500
And this last photograph here, is this still Anne?
264
00:29:11,000 --> 00:29:13,500
Claire became nervous, which was unlike her.
265
00:29:14,500 --> 00:29:16,500
She got hold of herself immediately.
266
00:29:21,000 --> 00:29:22,000
Who else could it be?
267
00:29:22,000 --> 00:29:25,000
VI. An Expiatory Sacrifice
268
00:29:25,000 --> 00:29:28,000
Oh! By the way you ran into Anne the other day, didn't you?
269
00:29:28,000 --> 00:29:31,500
- At the bookstalls.
- She didn't show any lack of respect, did she?
270
00:29:31,500 --> 00:29:34,000
I didn't know she owe me any respect.
271
00:29:34,000 --> 00:29:37,190
She does it by so desire.
272
00:29:38,000 --> 00:29:41,500
I understand that you were rude the other day at the bookstalls.
273
00:29:42,000 --> 00:29:43,000
Get undressed.
274
00:29:45,000 --> 00:29:47,000
You're going to be whipped.
275
00:30:42,500 --> 00:30:45,500
Get up, you little whore! Go and get me the whip.
276
00:32:17,000 --> 00:32:21,500
She loves it when we put her on her knees so we can whip her, doesn't she?
277
00:32:22,160 --> 00:32:25,660
It gets her all excited. She's wet already, isn't she?
278
00:32:38,470 --> 00:32:42,070
You see how well she's been broken in? It's a question of training.
279
00:32:43,070 --> 00:32:44,070
Just like with a dog.
280
00:32:45,420 --> 00:32:48,000
I only have to fondle her off enough in this position...
281
00:32:48,730 --> 00:32:52,000
and now she can no longer keep herself from wanting to be satisfied.
282
00:32:52,000 --> 00:32:53,500
Isn't that so, you little whore?
283
00:32:54,000 --> 00:32:58,000
When was it about to be her? She gets all set for her orgasm.
284
00:32:58,830 --> 00:33:00,630
You're going to a moist paradise.
285
00:33:02,280 --> 00:33:03,500
Kiss!
286
00:33:12,390 --> 00:33:15,390
Look at ya! It's here you request to being punished.
287
00:33:52,400 --> 00:33:54,600
Very quietly, the girl began to cry.
288
00:33:55,610 --> 00:33:59,710
The tears formed in the corners of her eyes and rolled down her flesh cheeks.
289
00:34:00,710 --> 00:34:03,010
From time to time, a shudder ran through her body.
290
00:34:04,710 --> 00:34:10,500
Kneeling on the wool rug, perfectly straight, thighs well apart, hands held in the air...
291
00:34:10,870 --> 00:34:15,270
she didn't even dare wipe away the tears which ran slowly down her face.
292
00:34:16,270 --> 00:34:19,170
We sat there for a long time, looking at her.
293
00:34:19,970 --> 00:34:22,500
- It might be better to tie her up.
- Yes, if you like.
294
00:34:23,480 --> 00:34:25,380
Go and get the chains!
295
00:35:29,700 --> 00:35:31,700
Forgive me!
296
00:35:32,300 --> 00:35:34,200
For I know what I do.
297
00:36:21,420 --> 00:36:23,320
Go to Jean!
298
00:36:33,830 --> 00:36:34,830
Go on!
299
00:37:15,850 --> 00:37:17,750
Are you enjoying?
300
00:37:18,350 --> 00:37:21,550
You know what happens to little girls who don't do exactly as are told.
301
00:38:06,070 --> 00:38:08,270
Go on with the punishment!
302
00:38:52,890 --> 00:38:55,290
You better behave better than that.
303
00:39:55,500 --> 00:39:57,000
She's soaking wet, the little darling.
304
00:40:02,620 --> 00:40:03,620
It's a real lake.
305
00:42:44,580 --> 00:42:47,180
You're about to rip the fruits of your labor.
306
00:43:04,500 --> 00:43:07,500
That's it! That's it! Now!
307
00:43:08,140 --> 00:43:10,240
Whip her! Whip...whip her!
308
00:43:11,950 --> 00:43:14,150
Whip her!
309
00:44:19,770 --> 00:44:24,000
I was informed that in the future I could have Anne whenever I wanted her...
310
00:44:24,000 --> 00:44:27,580
and could have amused myself with her however I pleased.
311
00:46:19,620 --> 00:46:21,520
May I take your order?
312
00:46:25,000 --> 00:46:26,000
I'm full!
313
00:47:20,500 --> 00:47:22,000
Keep going!
314
00:48:20,500 --> 00:48:22,000
Get him off!
315
00:49:03,000 --> 00:49:05,000
Someone's coming. Don't stop!
316
00:50:23,500 --> 00:50:26,000
VII. The Fitting Room
317
00:50:26,000 --> 00:50:30,000
One afternoon that week her mistress even let me have her all to myself.
318
00:50:30,000 --> 00:50:33,680
I was to take her shopping for various items of lingerie.
319
00:50:34,380 --> 00:50:38,080
- May I help you, sir?
- Yes, we're interested in some lingerie.
320
00:50:38,880 --> 00:50:40,780
Fine. Come this way please.
321
00:50:50,790 --> 00:50:54,790
This is in a sense the most amusing but it's down a little too far.
322
00:50:55,290 --> 00:50:59,290
I'm afraid it won't completely show the triangle.
323
00:51:00,000 --> 00:51:02,690
It might interfere with the view...
324
00:51:03,690 --> 00:51:07,200
...and with the hands as well.
I think you better try it on.
325
00:51:08,500 --> 00:51:11,400
- If you like ...
- Very well, sir.
326
00:51:12,750 --> 00:51:14,000
Come!
327
00:51:14,500 --> 00:51:16,000
Get up.
328
00:51:18,550 --> 00:51:20,450
This is what I had in mind.
329
00:51:35,710 --> 00:51:38,610
Do you think it's going to rain ... like in the movies.
330
00:51:40,260 --> 00:51:42,160
It's very possible.
331
00:51:43,370 --> 00:51:45,870
Well, everything is possible.
332
00:51:48,570 --> 00:51:50,770
Are you ready yet?
333
00:52:12,080 --> 00:52:15,080
Miss! Would you mind coming here for a moment, please.
334
00:52:30,090 --> 00:52:32,000
That'll do, but ...
335
00:52:32,000 --> 00:52:34,490
I think you should take in the belt ... just a little.
336
00:52:44,800 --> 00:52:46,900
Anne, turn around.
337
00:52:48,450 --> 00:52:49,450
Anne ...!
338
00:52:56,500 --> 00:52:58,000
It's nothing.
339
00:52:58,500 --> 00:53:03,410
She was whipped over there, because she wasn't a good girl. That's all.
340
00:53:05,000 --> 00:53:07,810
Anne? Say thank you.
341
00:56:53,400 --> 00:56:55,000
You look fine.
342
00:57:27,000 --> 00:57:31,000
We joined our friend again at five o'clock in a rather dignified tea room...
343
00:57:31,000 --> 00:57:33,610
where people talked in hushed voices.
344
00:57:34,320 --> 00:57:36,000
Claire was waiting for us.
345
00:57:36,000 --> 00:57:40,120
She had chosen a table in the most propitious corner of the room.
346
00:57:41,570 --> 00:57:45,170
Claire expected a full report of our afternoon's activities.
347
00:57:45,500 --> 00:57:47,870
and what did we do today?
348
00:57:48,000 --> 00:57:50,180
Complete with all the delicate details...
349
00:57:51,000 --> 00:57:54,780
Anne listened with delight as I recounted the episode with the salesgirl.
350
00:57:55,000 --> 00:57:59,780
She seemed happy that her complete obedience gave such pleasure to her mistress.
351
00:58:03,000 --> 00:58:07,790
Claire had as much satisfaction in hearing the story as if she had been there herself.
352
00:58:08,000 --> 00:58:09,000
You don't say!
353
00:58:10,500 --> 00:58:12,790
Presently, Claire's mood changed.
354
00:58:13,000 --> 00:58:15,490
You must have been very happy, weren't you?
355
00:58:16,000 --> 00:58:18,390
To have everyone know what a little whore you are.
356
00:58:20,500 --> 00:58:22,000
Answer me.
357
00:58:23,000 --> 00:58:25,000
Yes, I was happy.
358
00:58:26,000 --> 00:58:28,000
Happy about what?
359
00:58:30,000 --> 00:58:32,400
I was happy ...
360
00:58:33,000 --> 00:58:36,610
... to show how I had been whipped.
- You like being whipped?
361
00:58:39,000 --> 00:58:41,060
- Yes!
- Stand up!
362
00:58:46,510 --> 00:58:49,810
Lean forward. Put your hands on the table.
363
00:58:50,500 --> 00:58:52,000
Spread your legs.
364
00:58:54,000 --> 00:58:55,000
Bend your knees.
365
00:59:14,500 --> 00:59:17,000
She's wet already the little bitch.
366
00:59:17,000 --> 00:59:19,680
You only have to promise to whip her.
367
00:59:20,000 --> 00:59:22,000
Would you like to see for yourself?
368
00:59:55,500 --> 00:59:56,850
We're ready to order now.
369
00:59:57,000 --> 01:00:01,000
There are so many delectable things to choose from. Would you like a salad, Claire?
370
01:00:01,000 --> 01:00:04,550
- I love salad.
- Yes, I thought you'd agreed with me.
371
01:00:05,000 --> 01:00:11,000
Can we have a mixed green salad please with endive, watercress and tomato.
372
01:00:11,000 --> 01:00:15,500
Err.. however I don't want the tomato sliced. The tomato must be wedged.
373
01:00:15,500 --> 01:00:18,810
Not sliced. And I like garlic dressing ...
374
01:00:19,000 --> 01:00:24,000
The dressing of oil and vinegar with just a kiss of garlic.
375
01:00:24,000 --> 01:00:29,500
- That sounds delectable.
- Dry mustard and a pinch of oregano at the very last moment.
376
01:00:30,000 --> 01:00:31,000
Very delicate.
377
01:00:32,000 --> 01:00:34,000
- That'll be all for the moment.
- Thank you.
378
01:00:37,500 --> 01:00:40,020
- Does it feel nice?
- Let me go.
379
01:00:40,820 --> 01:00:43,220
Please! Please!
380
01:00:43,500 --> 01:00:46,530
What do you like better: when I embarass you ...
381
01:00:47,500 --> 01:00:49,000
... or when I hurt you?
382
01:00:50,000 --> 01:00:53,000
Let's see Jean, didn't you say she wasn't good this afternoon?
383
01:00:53,000 --> 01:00:56,330
Well, the salesgirl didn't complain.
384
01:00:57,000 --> 01:01:00,940
- Faster
- Then we'll have to make her cry.
385
01:01:15,000 --> 01:01:17,700
Don't think I'm going to let you off so easily.
386
01:01:20,000 --> 01:01:22,250
When would you like to come over to my place?
387
01:01:22,500 --> 01:01:27,450
- Tomorrow evening, after dinner.
- Tomorrow evening, after dinner!
388
01:01:28,000 --> 01:01:30,000
You can sit down!
389
01:01:35,000 --> 01:01:39,460
Smell!
See how good you smell?
390
01:01:41,000 --> 01:01:42,000
Kiss it!
391
01:02:01,500 --> 01:02:05,820
VIII. In The Bathroom
392
01:02:07,000 --> 01:02:10,820
It's getting hotter and hotter outside. You might think it was the middle of August.
393
01:02:11,000 --> 01:02:14,000
I regret my idea that we're obliged to keep our clothes on...
394
01:02:14,000 --> 01:02:17,000
but in our roads, you understand, it's indispensable.
395
01:02:17,000 --> 01:02:19,000
- To you especially?
- Yes!
396
01:02:19,000 --> 01:02:23,180
- Don't you ever get too hot?
- No, never.
397
01:02:24,000 --> 01:02:26,000
The little girl must be ready. Follow me!
398
01:02:52,000 --> 01:02:55,300
The entire body was gone over meticulously.
399
01:03:31,500 --> 01:03:33,710
You're very attractive honestly!
400
01:03:54,000 --> 01:03:56,500
Would you like me to turn the little fountain on?
401
01:03:56,500 --> 01:03:57,500
Why not?
402
01:03:57,500 --> 01:03:59,000
All right. Watch.
403
01:04:02,000 --> 01:04:04,930
Show the gentleman the pretty fountain.
404
01:04:48,000 --> 01:04:51,150
IX. The Gothic Chamber
405
01:05:37,500 --> 01:05:40,000
I felt at home in the Gothic chamber...
406
01:05:40,000 --> 01:05:43,000
because it was exactly as I had remembered it in the photos.
407
01:07:07,500 --> 01:07:10,000
Supposing we made her play with herself.
408
01:07:11,500 --> 01:07:14,000
First, get the whip and the blindfold.
409
01:07:22,000 --> 01:07:28,000
- That whip isn't the same one we used the other day.
- It's a new one. She went and bought it herself this morning.
410
01:07:35,000 --> 01:07:38,000
All right. Show us what you can do.
411
01:09:19,500 --> 01:09:20,500
Play with yourself.
412
01:09:21,500 --> 01:09:22,500
Better than that.
413
01:09:27,000 --> 01:09:28,000
You need some help.
414
01:09:50,000 --> 01:09:52,000
See how beautiful she is when she's coming.
415
01:09:53,000 --> 01:09:54,000
You little cunt.
416
01:10:02,000 --> 01:10:03,000
Go ahead!
417
01:10:19,500 --> 01:10:22,500
Play with your little asshole ... at the same time.
418
01:11:16,000 --> 01:11:19,000
No, I want to see her eyes.
419
01:17:14,500 --> 01:17:15,500
I'm tired.
420
01:20:29,000 --> 01:20:32,500
Damn you! Damn you! Damn you! Damn you!
421
01:20:32,500 --> 01:20:35,290
What are you doing? Stop it!
422
01:20:37,000 --> 01:20:38,000
Stop it!
423
01:20:40,500 --> 01:20:41,500
Are you crazy?
424
01:20:42,000 --> 01:20:48,000
Cut it out! Quit! Quit! Stop it! Stop it!
425
01:20:52,000 --> 01:20:53,000
Stop it!
426
01:20:53,500 --> 01:20:55,000
Control yourself Claire!
427
01:20:58,000 --> 01:20:59,000
Put it down!
428
01:21:00,000 --> 01:21:01,000
Claire!
429
01:23:31,000 --> 01:23:32,000
I'm leaving.
430
01:23:34,000 --> 01:23:35,000
What will I do?
431
01:24:02,500 --> 01:24:05,500
X. Everything Resolves Itself
432
01:25:39,000 --> 01:25:40,000
Good morning.
433
01:25:44,000 --> 01:25:45,000
Good morning.
434
01:25:46,500 --> 01:25:50,000
- How was your friend feeling?
- Anne's fine.
435
01:25:51,500 --> 01:25:53,500
You didn't ask me this time which friend I meant.
436
01:25:54,000 --> 01:25:58,000
- She's still sleeping. She'll be fine.
- No marks?
437
01:25:58,500 --> 01:26:03,500
No, except perhaps one on the breast where it went very deep.
438
01:26:04,000 --> 01:26:07,640
- That would be a shame
- Oh no. It will be very pretty.
439
01:26:10,500 --> 01:26:14,500
- Yesterday's?
- I didn't have a chance to make a fresh part. I was up all night.
440
01:26:15,000 --> 01:26:16,000
And you?
441
01:26:20,740 --> 01:26:22,840
Get undressed.
442
01:27:34,000 --> 01:27:37,000
Look at me! You like being on your knees?
443
01:27:37,000 --> 01:27:40,000
I'm yours. You can do whatever you want with me.
444
01:27:43,500 --> 01:27:46,500
Good! Come here!
445
01:27:59,000 --> 01:28:01,000
Have you ever been beaten, huh?
446
01:28:05,500 --> 01:28:06,500
Open your mouth!
447
01:28:16,500 --> 01:28:18,500
Do whatever you want with me!
448
01:28:49,000 --> 01:28:51,000
Lick it! Lick it!
449
01:29:33,500 --> 01:29:36,000
- Jean!
- I love you.
450
01:29:36,000 --> 01:29:39,000
I love you! I love you!
451
01:29:46,000 --> 01:29:49,000
- What's my name?
- Jean...Jean.
452
01:29:49,000 --> 01:29:53,000
- What's my name?
- Jean!
453
01:30:00,000 --> 01:30:09,000
I love you!
37866
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