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These are the user uploaded subtitles that are being translated: 1 00:03:11,690 --> 00:03:12,770 What shall I do 2 00:03:12,770 --> 00:03:39,210 Let's 3 00:03:39,210 --> 00:03:40,210 see I'm 41 4 00:03:40,750 --> 00:03:43,730 I wonder how Michelangelo was doing when he was 41. 5 00:03:45,090 --> 00:03:46,090 I wonder. 6 00:04:12,010 --> 00:04:14,270 I don't know about Michelangelo, but I'm doing fine. 7 00:04:15,070 --> 00:04:16,269 Can't turn him out fast enough. 8 00:04:18,130 --> 00:04:19,130 Successful. 9 00:04:19,910 --> 00:04:20,910 Famous. 10 00:04:22,110 --> 00:04:23,310 Totally at loose ends. 11 00:04:34,530 --> 00:04:35,770 My heart's not in it. 12 00:04:36,050 --> 00:04:37,050 I wonder why. 13 00:04:37,790 --> 00:04:39,350 It's my hands that shape the clay. 14 00:04:39,610 --> 00:04:41,530 But my heart's just not. 15 00:04:41,870 --> 00:04:42,870 in it. 16 00:06:04,110 --> 00:06:05,110 You okay? 17 00:06:05,530 --> 00:06:07,470 Well, I'm glad we talked it out. 18 00:06:08,270 --> 00:06:10,510 Yeah. It's a relief for you. 19 00:06:19,370 --> 00:06:20,370 Paul? 20 00:06:34,100 --> 00:06:35,100 I'll phone you. 21 00:06:37,820 --> 00:06:39,620 Well, do you want me to phone you? 22 00:06:40,100 --> 00:06:41,100 If you want. 23 00:06:41,220 --> 00:06:42,960 Anyway, I'll see you when I bring the statues. 24 00:06:43,740 --> 00:06:44,940 You're still my favorite partner. 25 00:06:45,280 --> 00:06:46,280 Yes, I know. 26 00:06:46,420 --> 00:06:47,500 Business before pleasure. 27 00:06:54,400 --> 00:06:55,400 Paul? 28 00:07:41,650 --> 00:07:44,370 Hey, Paul, look there. 29 00:09:33,260 --> 00:09:34,640 Hey, come on. Let's get something to drink. 30 00:11:26,760 --> 00:11:27,820 See those girls over there? 31 00:11:28,300 --> 00:11:29,300 They're in my dance school. 32 00:11:48,100 --> 00:11:49,980 You know something, Costa? 33 00:11:50,440 --> 00:11:52,000 I think I'll come and see you dance today. 34 00:12:01,270 --> 00:12:02,750 One, two, three, 35 00:12:05,690 --> 00:12:08,910 four. One, two, three, four. 36 00:12:09,230 --> 00:12:12,130 One, two, three, four. 37 00:12:15,310 --> 00:12:20,790 One, two, three, four. One, two, three, four. 38 00:12:30,510 --> 00:12:32,250 Two, three, four. 39 00:12:32,530 --> 00:12:35,210 One, two, three, four. 40 00:12:35,450 --> 00:12:37,350 One, two, three. 41 00:13:01,480 --> 00:13:04,500 3, 4, 5, 6, 7, 8. 42 00:13:04,920 --> 00:13:08,020 1, 2, 3, 4. The other side. 43 00:15:27,080 --> 00:15:28,080 Yeah. 44 00:16:02,270 --> 00:16:03,270 Hello. Paul. 45 00:16:03,990 --> 00:16:04,990 What? 46 00:16:06,370 --> 00:16:07,370 Sarah. 47 00:16:08,170 --> 00:16:10,430 That explains it. 48 00:16:12,670 --> 00:16:13,670 Explains what? 49 00:16:15,130 --> 00:16:16,230 Isn't she your daughter? 50 00:16:16,630 --> 00:16:20,090 Mm -hmm. She looks exactly like you when you were her age. 51 00:16:20,510 --> 00:16:24,850 Sarah, I don't believe this. I mean, for a minute, I felt like I was 20 years 52 00:16:24,850 --> 00:16:25,850 old again. 53 00:16:26,720 --> 00:16:28,640 Oh, you can't go back again, Paul Thomas. 54 00:16:29,620 --> 00:16:31,820 You only get one chance in a million. 55 00:16:34,020 --> 00:16:35,780 Anyhow, let me introduce you to my daughter. 56 00:16:36,180 --> 00:16:37,840 She's already heard a lot about you. 57 00:16:38,800 --> 00:16:41,840 Come on, Laura, I'd like you to meet Mr. Paul Weiler. 58 00:17:13,899 --> 00:17:19,720 I have a feeling I've come through. Deep inside me where I hide me there's a 59 00:17:19,720 --> 00:17:22,240 longing I can never let you know. 60 00:17:25,260 --> 00:17:28,840 I'm in love with you. Do you not know it at all? 61 00:17:32,940 --> 00:17:35,980 I'm in love with you, but you don't love me at all 62 00:17:35,980 --> 00:17:42,720 I'm in love with you, but you don't love me at 63 00:17:42,720 --> 00:17:49,500 all I'm in love with you, but you don't love 64 00:17:49,500 --> 00:17:50,500 me at all 65 00:18:22,370 --> 00:18:26,390 I'm in love with you, but you don't love me at all. 66 00:19:28,240 --> 00:19:31,240 I'm in love with you but you don't know it at all 67 00:19:59,150 --> 00:20:01,370 The little girl's becoming a very beautiful woman. 68 00:20:01,950 --> 00:20:03,830 Maybe, but will you still tuck me in? 69 00:20:04,770 --> 00:20:05,950 You are crazy. 70 00:20:06,730 --> 00:20:07,730 I know. 71 00:20:07,870 --> 00:20:09,350 Is it fun being a woman? 72 00:20:10,850 --> 00:20:11,850 Give me a kiss. 73 00:20:17,510 --> 00:20:18,770 Mother? Yeah? 74 00:20:20,270 --> 00:20:22,510 Oh, Laura, get me my drink. 75 00:20:25,570 --> 00:20:27,670 Did you have a nice time with Mr. Weiler? 76 00:20:28,160 --> 00:20:30,380 Oh, yeah. We talked and talked and talked. 77 00:20:31,180 --> 00:20:33,380 You know how it is when you haven't seen someone for years. 78 00:20:34,500 --> 00:20:35,520 What is he like? 79 00:20:37,000 --> 00:20:39,480 Always a nice man and a famous artist. 80 00:20:42,640 --> 00:20:44,100 Was he glad to see you? 81 00:20:44,800 --> 00:20:45,800 Oh, sure. 82 00:20:46,300 --> 00:20:47,800 After all, we're old friends. 83 00:20:50,460 --> 00:20:51,940 Mother? Yes? 84 00:20:52,620 --> 00:20:56,160 If I ask you a question, will you give me an honest answer? 85 00:20:57,580 --> 00:20:58,820 Oh, I don't know. That depends. 86 00:21:01,840 --> 00:21:02,840 I'm serious. 87 00:21:03,220 --> 00:21:04,580 Will you tell me the truth? 88 00:21:06,400 --> 00:21:07,400 What's on your mind? 89 00:21:09,380 --> 00:21:10,680 Was he ever your lover? 90 00:21:12,300 --> 00:21:13,300 Laura! 91 00:21:13,820 --> 00:21:15,080 I'm old enough to know. 92 00:21:16,500 --> 00:21:18,460 All right, Laura. It's time for bed. Come on. 93 00:21:20,400 --> 00:21:21,400 Oh, Laura. 94 00:21:22,320 --> 00:21:24,760 Paul asked to do a statue of you. Would you like that? 95 00:21:26,190 --> 00:21:27,190 A statue? 96 00:21:28,010 --> 00:21:29,010 Of me? 97 00:21:29,570 --> 00:21:33,810 Yes. And he needs photographs of you, and I told him, assuming you don't mind, 98 00:21:33,870 --> 00:21:34,870 that I would take them. 99 00:21:35,810 --> 00:21:39,010 Don't sculptors usually... Mother? 100 00:21:39,430 --> 00:21:44,530 Yeah. Mother, I wouldn't mind posing for him. Oh, well, Paul told me he prefers 101 00:21:44,530 --> 00:21:45,530 photos. 102 00:21:45,990 --> 00:21:47,750 It's more convenient for him. 103 00:21:50,590 --> 00:21:53,350 Mother, I love you. 104 00:21:55,440 --> 00:21:56,440 I love you too. 105 00:21:56,940 --> 00:21:57,940 Sleep tight. 106 00:21:58,420 --> 00:21:59,420 Good night. 107 00:22:03,980 --> 00:22:04,980 Laura? 108 00:22:06,100 --> 00:22:07,100 I'm ready. 109 00:24:16,840 --> 00:24:17,840 How was I? 110 00:24:18,720 --> 00:24:19,720 Wonderful. 111 00:24:20,140 --> 00:24:21,140 Beautiful. 112 00:24:22,720 --> 00:24:24,800 When she got into it, she really loved it. 113 00:24:26,760 --> 00:24:28,700 You were quite taken with her, aren't you? 114 00:24:29,420 --> 00:24:33,820 Well, it's only natural. I was quite taken with you when you were her age. 115 00:24:36,900 --> 00:24:37,900 And now? 116 00:24:38,760 --> 00:24:41,200 Love your photos, love your daughter. When do I see her? 117 00:24:42,160 --> 00:24:43,520 I've already answered that. 118 00:24:45,100 --> 00:24:46,100 Come with her. 119 00:24:47,020 --> 00:24:50,760 Oh, Paul, Laura's embarrassed us at this, but you have those photographs of 120 00:24:50,760 --> 00:24:53,340 You have no idea what a terrible time I had convincing her to do them. 121 00:24:53,600 --> 00:24:54,920 I thought you said she loved it. 122 00:24:55,320 --> 00:24:58,080 I said, why don't you get into the spirit of it? 123 00:24:58,600 --> 00:24:59,900 Here's enough weed, Jennifer, for a lifetime. 124 00:25:00,260 --> 00:25:01,260 Hello. 125 00:25:01,420 --> 00:25:02,420 Need a hand? 126 00:25:02,620 --> 00:25:03,620 No. 127 00:25:04,540 --> 00:25:05,540 I have to leave now. 128 00:25:06,580 --> 00:25:09,520 Wait a minute. Let me try and convince you. Stay for lunch. 129 00:25:10,220 --> 00:25:12,800 I'm sorry, but I... Sarah? 130 00:25:18,250 --> 00:25:19,250 I'll try. 131 00:25:22,650 --> 00:25:24,570 I wish I was years younger. 132 00:25:25,250 --> 00:25:26,410 What would you do then? 133 00:25:28,610 --> 00:25:29,610 I'm not sure. 134 00:25:34,730 --> 00:25:36,690 Cut. Leave those pictures alone. 135 00:25:42,050 --> 00:25:43,050 I'm sorry. 136 00:25:44,610 --> 00:25:45,610 When's she coming? 137 00:25:47,020 --> 00:25:48,020 She's not coming. 138 00:25:52,440 --> 00:25:53,520 How are you going to work, then? 139 00:26:34,560 --> 00:26:40,640 One, two, three, four. One, two, three, 140 00:26:40,760 --> 00:26:47,140 four. 141 00:26:47,980 --> 00:26:52,940 10, 12, 3, 4, 5, 6, 7, 8. Good. Now 10. The GTM group. 142 00:26:53,600 --> 00:26:55,040 10, 10, 10, 10. 143 00:26:56,000 --> 00:26:57,000 Hold it round. 144 00:26:58,200 --> 00:26:59,200 1, 145 00:27:00,220 --> 00:27:01,220 2, 146 00:27:01,720 --> 00:27:07,960 3, 4, 5, 6, 7, 8. 147 00:27:09,100 --> 00:27:15,380 1, 2, 3, 4, 5, 6, 7, 148 00:27:15,520 --> 00:27:16,520 8. 149 00:27:18,330 --> 00:27:24,950 Two, three, four, five, six, seven, eight, 150 00:27:25,150 --> 00:27:27,830 nine. Thank you for today. 151 00:27:35,070 --> 00:27:37,810 Come with me to my office. Come along. 152 00:27:58,600 --> 00:27:59,600 Who is he, Laura? 153 00:28:00,880 --> 00:28:01,960 What do you mean, ma 'am? 154 00:28:02,640 --> 00:28:04,120 The boy you're in love with. 155 00:28:05,140 --> 00:28:06,980 But he's not a boy at all, madame. 156 00:28:13,360 --> 00:28:14,360 Not a boy. 157 00:28:18,640 --> 00:28:20,280 Are you going to pose for him naked? 158 00:28:20,500 --> 00:28:22,000 Will your mother let you do it? 159 00:28:22,560 --> 00:28:23,560 Go on, Laura. 160 00:28:23,660 --> 00:28:24,660 Tell her. 161 00:28:24,760 --> 00:28:26,980 Mother gave him photos of me to work from. 162 00:28:27,710 --> 00:28:31,150 Photos? That's silly. Paul Thomas Waller always works with live models. It's 163 00:28:31,150 --> 00:28:32,150 just so in the book. 164 00:28:32,350 --> 00:28:33,289 Makes sense. 165 00:28:33,290 --> 00:28:35,550 A sculptor has to see to really see. 166 00:30:46,590 --> 00:30:48,950 All the statues are in the van. It's time to go. 167 00:30:50,530 --> 00:30:51,810 All right, I'll be right away. 168 00:30:58,210 --> 00:30:59,210 Hey, what's that? 169 00:31:00,070 --> 00:31:01,370 What? That. 170 00:31:01,650 --> 00:31:02,730 The weed killer. I'll take it out. 171 00:31:09,870 --> 00:31:10,870 You driving? 172 00:31:13,950 --> 00:31:14,970 No, go ahead. 173 00:31:20,810 --> 00:31:21,810 Easy does it. 174 00:31:26,210 --> 00:31:27,210 Let's put it over there. 175 00:31:29,290 --> 00:31:31,330 Yes, that's right. The opening's tomorrow at five. 176 00:31:31,630 --> 00:31:33,370 Come with me. I'm very glad you can come. Goodbye. 177 00:31:34,010 --> 00:31:35,510 How about this one? Hang it there. 178 00:31:36,190 --> 00:31:37,690 Give me a hand. Somebody. 179 00:31:38,750 --> 00:31:39,750 Hello, Paul. 180 00:31:39,790 --> 00:31:41,350 Hello. I was waiting for you yesterday. 181 00:31:42,770 --> 00:31:45,250 Yeah, well, I started on a new statue. I couldn't just leave it. 182 00:31:46,230 --> 00:31:47,230 Who is it? 183 00:31:47,790 --> 00:31:49,710 She's a fascinating filly, but she won't pose. 184 00:32:01,219 --> 00:32:02,360 Paul, stay tonight. 185 00:32:03,660 --> 00:32:05,420 No, no, no. I want to get back to work. 186 00:32:06,600 --> 00:32:07,800 All right. I understand. 187 00:32:08,660 --> 00:32:09,980 I'm glad you're working again. 188 00:32:12,440 --> 00:32:17,000 Oh, um... If you could, I'd like you to send another invitation. 189 00:32:19,210 --> 00:32:21,850 To Mr. and Mrs. Moore and Laura Moore. 190 00:32:22,910 --> 00:32:23,910 Okay. 191 00:32:25,930 --> 00:32:28,650 Mr. and Mrs. and Laura Moore. 192 00:35:10,440 --> 00:35:11,440 Please, Costa. 193 00:35:12,360 --> 00:35:14,000 Stay or go? Would you make up your mind? 194 00:35:14,540 --> 00:35:17,560 I thought you said you liked people around when you were. You don't even 195 00:35:17,560 --> 00:35:18,560 model. 196 00:35:19,300 --> 00:35:20,300 Listen, Costa. 197 00:35:20,680 --> 00:35:22,520 I think I won't be needing you anymore today. 198 00:35:22,880 --> 00:35:23,880 Go now. 199 00:35:24,060 --> 00:35:25,060 Why, sure. 200 00:35:25,600 --> 00:35:26,920 Well, I'll water the garden, then I'll go. 201 00:36:08,080 --> 00:36:08,999 I'll get it. 202 00:36:09,000 --> 00:36:10,000 What are you reading? 203 00:36:10,300 --> 00:36:11,300 Hello? 204 00:36:11,880 --> 00:36:12,880 Hello? 205 00:36:14,220 --> 00:36:15,220 Hello? 206 00:36:17,900 --> 00:36:19,380 Where did you get that book on Paul? 207 00:36:20,340 --> 00:36:21,420 I bought it in town. 208 00:36:22,300 --> 00:36:23,300 Hello? 209 00:36:25,360 --> 00:36:26,360 May I see it? 210 00:36:53,870 --> 00:36:55,090 Mother? Mm -hmm? 211 00:36:57,610 --> 00:37:01,810 You see, the girls are saying... What are they saying? 212 00:37:02,290 --> 00:37:05,090 They're saying that Paul only works with live models. 213 00:37:07,130 --> 00:37:09,130 And that's what it says in the book, too. 214 00:37:09,530 --> 00:37:11,590 It says... I don't care what the book says. 215 00:37:14,290 --> 00:37:15,290 Yes, Mother. 216 00:39:53,930 --> 00:40:00,270 Neither child nor woman, untouched, virginal. The excitement of capturing 217 00:40:00,270 --> 00:40:01,330 moment of innocent perfection. 218 00:40:03,630 --> 00:40:04,630 Oh, my Sarah. 219 00:40:05,530 --> 00:40:10,550 Of course I love you, but I can only be true to my work, not to any woman. 220 00:40:11,410 --> 00:40:14,850 I'm fervently, adamantly faithful to my vision of beauty. 221 00:40:16,210 --> 00:40:19,670 Yet every statue I'll ever make will have a touch of Sarah in it. 222 00:40:20,250 --> 00:40:22,770 You are the first, the original molding. 223 00:40:23,310 --> 00:40:25,050 You're my one in a million chance. 224 00:40:26,150 --> 00:40:27,610 Sarah? Sarah. 225 00:40:30,250 --> 00:40:31,250 Hello, dear. 226 00:40:33,130 --> 00:40:34,190 Everything all right? 227 00:40:34,450 --> 00:40:35,450 Of course. 228 00:40:35,510 --> 00:40:38,750 But what about you? Was your trip a success? Yes. And how's my little girl? 229 00:40:40,570 --> 00:40:41,570 Ask her. 230 00:40:44,070 --> 00:40:47,950 It feels like I've been gone for ages. You're never home. I won't be married 231 00:40:47,950 --> 00:40:51,590 anymore. I miss you a lot, you know. And Dora misses you, too. 232 00:40:56,520 --> 00:40:58,560 Just getting more beautiful every day. 233 00:40:58,940 --> 00:41:00,820 Why, even Paul Wiley noticed that. 234 00:41:01,360 --> 00:41:05,180 As a matter of fact, he wants to make a statue of her. He said she looks just 235 00:41:05,180 --> 00:41:06,180 like I did. 236 00:41:12,440 --> 00:41:14,060 Oh, Mother, don't. 237 00:41:16,280 --> 00:41:17,400 You've seen Paul again? 238 00:42:03,500 --> 00:42:05,660 Here we go again. Bow tie and all. 239 00:42:06,760 --> 00:42:09,420 Everybody who's anybody will be there, unfortunately. 240 00:42:11,340 --> 00:42:12,500 Laura will be there. 241 00:42:42,190 --> 00:42:43,190 Where are you going? 242 00:42:43,410 --> 00:42:46,370 Oh, first we're going to play a load of Pat and Jan Vincent, and then we're 243 00:42:46,370 --> 00:42:47,370 going to Paul's Bernadette. 244 00:42:51,450 --> 00:42:52,450 Oh. 245 00:42:53,790 --> 00:42:54,950 Did I forget to tell you? 246 00:42:57,230 --> 00:42:58,230 Goodbye, Laura. 247 00:42:58,570 --> 00:42:59,570 Goodbye. 248 00:43:25,450 --> 00:43:25,888 Has Mr. 249 00:43:25,890 --> 00:43:28,110 Wyler said anything to you about my statue? 250 00:43:28,590 --> 00:43:33,190 I'll ask you when I see him. I can't wait to see it. Neither can I. We have 251 00:43:33,190 --> 00:43:34,190 go now, dear. 252 00:43:34,530 --> 00:43:36,330 Will you say hello to him for me? 253 00:43:36,530 --> 00:43:37,530 Of course. 254 00:44:19,980 --> 00:44:22,000 Mother, you shouldn't have done that. 255 00:44:22,660 --> 00:44:24,520 Paul had invited me too. 256 00:44:25,260 --> 00:44:27,060 He wants to see me. 257 00:44:28,960 --> 00:44:30,200 There's nobody. 258 00:44:31,240 --> 00:44:32,900 Nobody to speak with. 259 00:44:33,480 --> 00:44:35,760 Nobody to listen to explain. 260 00:44:40,100 --> 00:44:43,140 Oh, Mother, don't you see? It's my turn now. 261 00:44:47,020 --> 00:44:50,160 The girls keep talking about love, but what do they know? 262 00:44:52,560 --> 00:44:54,460 Do they dream my dreams? 263 00:44:55,100 --> 00:44:56,460 Feel like I do? 264 00:45:32,940 --> 00:45:36,160 Paul, if only I could see you, be near you. 265 00:45:36,460 --> 00:45:38,800 I just know you'd understand it all. 266 00:45:39,140 --> 00:45:40,140 You'd know. 267 00:45:40,800 --> 00:45:43,880 Then you would smile and kiss me gently. 268 00:46:09,899 --> 00:46:12,700 Thank you. 269 00:46:39,810 --> 00:46:42,610 Thank you. 270 00:47:16,759 --> 00:47:17,759 Listen, Cole. 271 00:47:17,900 --> 00:47:20,100 I know it's about the right moment to talk about it. 272 00:47:21,060 --> 00:47:22,620 There's something I'd like to make clear. 273 00:47:27,740 --> 00:47:29,300 Super. Turn out, my darlings. 274 00:47:43,600 --> 00:47:44,600 Hello, Sarah. 275 00:47:45,160 --> 00:47:46,160 Hello, Paul. 276 00:47:46,320 --> 00:47:47,740 This is my husband, Richard. 277 00:47:48,400 --> 00:47:51,380 How do you do? I've heard so much about you. I'm very glad to meet you. 278 00:47:52,100 --> 00:47:53,100 Merci. 279 00:47:54,720 --> 00:47:59,360 I thought... Didn't Laura come with you? 280 00:48:01,400 --> 00:48:02,620 Strange, but she didn't want to. 281 00:48:02,880 --> 00:48:04,400 Oh, that's too bad. 282 00:48:13,390 --> 00:48:14,690 Very handsome tonight, Paul Thomas. 283 00:48:15,070 --> 00:48:16,210 What shall I do? 284 00:48:16,510 --> 00:48:20,990 Work with you now or wait till we get to the party, huh? Why not, Paul? 285 00:49:39,700 --> 00:49:41,560 What are you doing? 286 00:49:54,730 --> 00:49:59,250 i'm bringing the candles thanks a lot now get out of here i hope you have a 287 00:49:59,250 --> 00:50:00,250 lovely time 288 00:50:23,210 --> 00:50:24,410 Oh, it's all been my fault. 289 00:50:25,410 --> 00:50:26,410 Impossessive and jealous. 290 00:50:27,210 --> 00:50:28,970 I'm even jealous of your statues. 291 00:50:32,190 --> 00:50:33,190 I love you. 292 00:50:33,790 --> 00:50:35,110 I've decided to leave. 293 00:50:43,390 --> 00:50:44,510 I'll miss you, you know. 294 00:51:13,330 --> 00:51:15,990 Thank you. 295 00:52:48,710 --> 00:52:51,370 Sarah, don't touch that, please. You know how fast clay dries. 296 00:52:51,610 --> 00:52:52,610 I'm sorry, Paul. 297 00:52:53,250 --> 00:52:54,250 I keep forgetting. 298 00:52:58,390 --> 00:52:59,390 Is it beautiful? 299 00:53:00,710 --> 00:53:02,090 Well, it's not finished yet. 300 00:53:08,070 --> 00:53:12,710 Well... I'm going to talk to you. 301 00:53:14,350 --> 00:53:15,350 Sit down. 302 00:53:30,770 --> 00:53:35,330 Wow, yeah Do 303 00:53:35,330 --> 00:53:42,090 you like women or do you prefer your statue? 304 00:53:45,190 --> 00:53:46,830 Because if you want 305 00:54:01,710 --> 00:54:02,910 Sarah, Sarah. 306 00:54:03,610 --> 00:54:05,810 Remember me? It's me, Paul. 307 00:54:08,130 --> 00:54:09,150 You'll be all right. 308 00:54:19,630 --> 00:54:26,490 I still love you. I 309 00:54:26,490 --> 00:54:27,490 love you, too. 310 00:54:30,760 --> 00:54:32,600 Oh, you don't love me. You love my daughter. 311 00:54:35,080 --> 00:54:36,160 I do love you. 312 00:54:39,460 --> 00:54:42,960 Paul, please leave her alone. 313 00:55:23,340 --> 00:55:24,340 And the others? 314 00:55:27,460 --> 00:55:29,340 There will be other men, you know. 315 00:55:30,320 --> 00:55:31,400 Will you kill them all? 316 00:55:31,720 --> 00:55:32,720 Will you? 317 00:55:33,700 --> 00:55:35,300 Now, don't try to change the subject. 318 00:55:35,780 --> 00:55:38,440 We were talking about you. No, Richard. 319 00:55:39,840 --> 00:55:41,840 No, no, no. We were talking about Sarah. 320 00:55:42,240 --> 00:55:43,600 Your wife loves you. 321 00:55:45,980 --> 00:55:48,380 Are you totally blind? Don't you see what she needs? 322 00:55:51,760 --> 00:55:54,380 What she really wants from you is a bit of tenderness. 323 00:55:56,040 --> 00:55:57,560 Your presence. 324 00:56:01,580 --> 00:56:03,700 You're the one forcing her to look for love elsewhere. 325 00:56:04,320 --> 00:56:06,020 What's wrong? 326 00:56:10,700 --> 00:56:12,000 Richard, the statue! 327 00:56:12,620 --> 00:56:13,620 The statue! 328 00:57:03,530 --> 00:57:04,530 Ugh. 329 00:57:38,190 --> 00:57:43,890 Weed killer can cause unpredictably serious damage Well 330 00:57:43,890 --> 00:57:50,890 Well, it depends I'm afraid right now I must make a reserved prognosis 331 01:03:34,509 --> 01:03:35,509 Wait here. 332 01:03:35,630 --> 01:03:37,410 Come. Let's go on the tent. 333 01:03:46,900 --> 01:03:47,900 What's the matter? 334 01:03:48,220 --> 01:03:49,560 Come, sit down right here. 335 01:03:50,120 --> 01:03:53,500 What is it now? I... It's painful. 336 01:03:53,940 --> 01:03:55,140 There? It's killing me. 337 01:03:55,820 --> 01:03:56,820 It's terrible. 338 01:03:57,180 --> 01:03:58,320 Oh, well. 339 01:03:58,680 --> 01:03:59,680 It's really bad. 340 01:03:59,860 --> 01:04:01,040 Only one solution. 341 01:04:01,260 --> 01:04:02,920 See to it that you always keep your foot straight. 342 01:04:03,920 --> 01:04:07,660 Soak it half an hour in piping hot water, a big handful of Epsom salt. 343 01:04:08,140 --> 01:04:11,120 And you massage very gently, understand? 344 01:04:11,560 --> 01:04:12,560 Half an hour. 345 01:04:13,200 --> 01:04:14,980 Right. You'll come to your class tomorrow. 346 01:04:15,420 --> 01:04:16,420 Uh -huh. 347 01:04:16,620 --> 01:04:17,720 Goodbye. Goodbye. 348 01:05:58,410 --> 01:05:59,410 I'll be back. 349 01:06:23,430 --> 01:06:24,430 No, Pastor. 350 01:06:24,990 --> 01:06:27,050 Neither you nor anybody. I want to be alone. 351 01:06:27,520 --> 01:06:29,140 I need no help, and I want no pity. 352 01:06:30,420 --> 01:06:31,420 Just alone. 353 01:07:39,069 --> 01:07:40,710 Leave me now, and don't come back. 354 01:08:29,420 --> 01:08:30,420 Shall I do? 355 01:08:56,200 --> 01:08:57,200 He's gone home. 356 01:09:22,540 --> 01:09:26,399 Paul and Sarah are okay, but Paul and Laura, no. 357 01:09:28,080 --> 01:09:29,439 Boarding school's the best solution. 358 01:09:31,580 --> 01:09:35,420 When Laura's gone, what's going to happen to us? 359 01:09:35,939 --> 01:09:37,140 Nothing. We'll go on. 360 01:09:38,200 --> 01:09:40,180 Laura will make new friends at her boarding school. 361 01:09:41,120 --> 01:09:42,240 She won't be lonesome. 362 01:09:42,520 --> 01:09:43,520 And me? 363 01:09:49,500 --> 01:09:51,740 They can't send me away just like that. 364 01:09:52,029 --> 01:09:55,670 Get rid of me. I'm not a baby anymore. Even Mother said so. 365 01:09:56,410 --> 01:09:59,230 I love him. That almost makes me a woman. 366 01:09:59,490 --> 01:10:01,890 You can't send a woman off to boarding school. 367 01:10:26,740 --> 01:10:28,200 I must see him. 368 01:10:28,700 --> 01:10:31,140 Tell him that... Tell him everything. 369 01:10:44,340 --> 01:10:47,840 Mother, would you do my packing for me? 370 01:10:48,880 --> 01:10:49,880 Sure, but why? 371 01:10:51,740 --> 01:10:53,300 I want to go and say goodbye. 372 01:10:56,940 --> 01:10:57,940 To the dance teacher? 373 01:11:00,200 --> 01:11:01,760 Yes, the dance teacher. 374 01:11:07,540 --> 01:11:09,700 Say goodbye to your father first. He's leaving. 375 01:12:41,280 --> 01:12:42,640 Yes. You shouldn't have come. 376 01:12:49,840 --> 01:12:50,840 It's me. 377 01:12:52,020 --> 01:12:53,020 Not yet. 378 01:12:54,540 --> 01:12:55,540 It's really me. 379 01:12:57,100 --> 01:12:58,100 Not yet. 380 01:12:59,000 --> 01:13:01,040 Laura, you shouldn't have come. You should go now. 381 01:13:05,480 --> 01:13:06,860 I have to talk to you. 382 01:13:07,500 --> 01:13:08,580 Let's go for a walk. 383 01:13:21,260 --> 01:13:22,680 See, you can finish the statue. 384 01:13:24,080 --> 01:13:25,080 How? 385 01:13:27,380 --> 01:13:28,420 I'll show you. 386 01:18:42,250 --> 01:18:43,250 It's finished. 387 01:21:37,290 --> 01:21:38,290 Let's go home 24629