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Their songs were iconic. Do you remember
them?
>> [music]
>> More than 70 million records were sold,
topping the charts in over 20 countries.
The Enigma project [music] brought the
new age genre back to life, combining
Gregorian chants with electronic [music]
beats and sultry whispers. But despite
creating a global phenomenon, the mind
behind Enigma made a radical decision to
completely reject celebrity status. This
is Michael Cretu, a reclusive,
incredibly shy perfectionist who built
an empire in the shadows. In this video,
you will find out how the search for the
perfect sound ended up [music] in court.
Can you believe Michael faced major
lawsuits for using the voices of a
renowned German choir and an indigenous
couple without permission in his most
successful songs? We'll also dive into
his life beyond the studio, his marriage
to the German Madonna. Yes, I am talking
about Sandra, the singer behind the
[music] hit I'll Never Be Maria
Magdalena, the building of his family
with twin sons, and the discreet reasons
that [music] led to a divorce that ended
a historic partnership. I'm going to
walk you through [music] everything in
detail. So, turn up the volume. Today,
we're going to decipher Enigma.
>> [music]
>> Michael Cretu is Romanian and was born
in Bucharest in 1957. Since he was a
child, he already showed signs of being
a musical prodigy. He was drawn to
stories of medieval knights and
fascinated by outer space. As he sat at
the piano, he imagined the keys were
controls of a spaceship. His [music]
talent was so evident that teachers
predicted he would become a great
concert pianist. [music] In the early
1970s, Michael moved to Germany, where
he became a citizen and graduated
[music] from the University of Frankfurt
in composition and conducting. What
seemed like the beginning of a classical
career changed radically [music] when he
discovered electronic music. Fascinated
by synthesizers, he traded orchestral
scores for studio work and became
[music] obsessed with creating new
sounds. His talent caught the attention
of major names such [music] as Frank
Farian, who hired him as a studio
keyboardist for the pop phenomenon Boney
M. But Michael did not stay behind the
scenes. He released albums as a solo
artist and saw his hit Samurai climb to
the top of the charts across Europe.
>> [music]
>> But the big leap in his career happened
in 1982 when he met singer Sandra Lauer,
one of the standout beauties of the
group [music] Arabesque.
It is [music] worth mentioning that
there's already a video about Sandra's
story here on the channel, so check it
out later. Completely in love and
convinced of her talent despite some
early setbacks, Michael took control of
her career. He produced Maria Magdalena,
took the song to number one [music] in
21 countries, and married her in 1988.
In the studio, they were [music] an
unbeatable duo. But Michael's brilliance
was not limited to his work with his
wife. During the 1980s, his reputation
as a studio wizard grew [music] to the
point that he was sought after by some
of the biggest names in music. However,
by the end of the 1980s, success had
taken its [music] toll and Michael felt
exhausted. He was tired of the
commercial and predictable formula of
pop [music] music. He needed a new
challenge. In 1988, the couple moved to
Ibiza, Spain. [music] In the island's
peaceful atmosphere, far from the
pressure of the music industry, he found
[music] the mental space to reconnect
with two great passions from his
childhood, the Middle Ages [music] and
outer space. Michael decided to blend
ancient Gregorian chants [music] with
hypnotic electronic beats, adding a
mysterious female voice. The idea was
not to promote the image of [music] an
artist, but rather to launch a faceless
musical project focused purely on its
sonic atmosphere. In a 2016 interview
with Schalissimo magazine, Michael said,
"At first, I wanted to find out whether
music could succeed on its own without
people knowing who created it, and it
worked. My focus was not on the visuals.
I always said that I am not important.
Only the work should be in the
spotlight. I don't like the cult of
personality. That kind of thing just
doesn't come naturally to me."
Michael's project hit the stores in 1990
with an enigmatic [music] title MCMXC
AD, which in Roman numerals simply means
its [music] year of release. The album
booklet featured no photos. Sandra, the
project's [music] female voice, was not
even credited, and Michael used the
pseudonym Curly MC. What seemed like a
risky combination, Gregorian chants, pop
beats, and sultry whispers, became a
worldwide sensation. [music]
>> [music]
>> Driven by explosive success of the song
Sadness Part 1, the album sold more than
14 million copies and reached number one
[music] in 24 countries. The enigmatic
project further popularized the new age
genre in the mainstream, but the mystery
surrounding who was behind the project
did not last long. The end of the
anonymity came through the courts.
Michael [music] made a classic mistake.
He assumed that the centuries-old sheet
music meant that the audio recordings
[music] were free to use. Without
permission, he sampled 1976 recordings
by [music] the prestigious German choir
Capella Antiqua München. The lawsuit was
not just about [music] money, but also
about the moral offense it caused. The
religious group was outraged to hear
their sacred [music] voices mixed with
club beats and sultry whispers in
Sadness and Mea Culpa. The choir won,
received financial compensation, [music]
and demanded a formal written apology.
But even the scandal did not stop its
success. Then came the second album in
1993, [music] The Cross of Changes.
Michael expanded his horizons and
replaced [music] the monks with chants
from an indigenous group in Taiwan. The
result was another global mega-hit, the
unforgettable and nostalgic Return to
Innocence.
>> [music]
[music]
>> The music video for that song, famous
for showing a man's life in reverse,
helped make the song iconic. But because
of it, another lawsuit came knocking.
The lead vocals in the song belonged to
Difang and Igay, a couple of singers
from Taiwan's indigenous Amis community.
In the 1970s, they had recorded the
traditional jubilant drinking song for a
cultural archive.
Michael took that recording from a
French CD and used it in the song
without the couple's permission or
knowledge. Difang and Igay only
discovered that their voices were a
global success years later when Return
to Innocence played in the campaigns for
the 1996
Atlanta Olympics. They sued the producer
and the record label for copyright
infringement. The case was settled in
1999. The couple secured official
credit, received the royalties they were
owed, and were given [music] platinum
records.
The third chapter in Enigma's journey
came in 1996 with Le Roi Est Mort, Vive
Le Roi. On this record, Michael sought
to balance the elements of the first two
albums, bringing back Gregorian and
ethnic chants while giving the project a
distinct identity.
>> [music]
[music]
>> Speaking about his almost magical
creative process at the time, Michael
said, "Making Enigma records is like
practicing alchemy only in musical
terms. The listeners do not rack their
brain thinking [music] how, what, or
where does it come from? If they simply
say, 'What a beautiful song,' then my
work was done well." [music] From the
2000s onward, Enigma's sound began to
change. On the 2000 album
>> [music]
>> The Screen Behind the Mirror, Michael
used grand samples from composer Carl
Orff, best known for Carmina Burana.
>> [music]
[music]
>> On 2003's Voyageur and 2006's A
Posteriori, [music]
he almost completely abandoned ethnic
influences, delivering albums much more
focused on pure electronic and ambient
music.
>> [music]
[music]
>> Even with a more modern sound, Enigma
remained relevant. The seventh studio
album, Seven [music] Lives Many Faces
from 2008, even reached the top of the
new age charts [music] in the United
States.
>> [music]
>> After a long eight-year hiatus, during
which many fans thought the project had
come to an end, Michael returned in 2016
with The Fall of a Rebel Angel. On this
album, nostalgia hit hard. Michael
brought back the mystical atmosphere and
released Sadness Part 2, coming full
circle more [music] than 25 years after
the hit that changed electronic music
history.
>> [music]
>> But how does someone come full circle
after so much success and still remain
unknown to the general public? To
understand the man who sold 70 million
records while fleeing fame, we need to
go back to his roots once again.
>> [music]
>> The truth is that Michael Cretu never
wanted to be a celebrity. He was not
born with a silver spoon in his mouth.
He came from a communist country [music]
and had to leave his homeland to pursue
his dream. He describes his background
with humility. I am a stateless
immigrant who arrived in Germany with
only one suitcase [music] half filled
with sheet music. I feel like a deeply
southern European at heart, but with a
Prussian discipline. That Prussian
discipline [music]
translated into an almost unhealthy
level of perfectionism in the studio.
Michael would take on as many as seven
different roles in the [music] making of
an Enigma album. Producer, arranger,
sound engineer, singer, [music]
composer, lyricist, and keyboardist. He
preferred isolation to ensure that his
vision would not be diluted. But not
everyone was happy with his success.
[music] When Enigma broke through by
mixing Gregorian chants with provocative
beats, the Catholic Church in Germany
protested fiercely. [music] Michael, on
the other hand, never took that
criticism well and expressed his
frustration with both the institution
and the German mentality of the time in
a 2001 interview with Der Spiegel. I did
the church a great [music] favor. In the
United States, priests thanked me for
tripling the number of young people
[music] attending. But I cannot expect
that kind of open-mindedness from
calcified 85-year-olds. A friend [music]
says that the Catholic Church is the
oldest company in the world and he is
not wrong. He felt that in Germany,
success was often resented. [music]
Tired of what he called a culture of
envy, Michael decided that he would
[music] not raise his children in that
environment. That is why he retreated to
his mansion [music] studio in Ibiza.
Michael and Sandra built not only a
remarkable run of hits, but also a
family. They had twin sons together.
However, the couple who dominated
European pop for decades officially
divorced in 2008. Unlike many traumatic
divorces in the music world, the end of
their relationship was mature and
discreet. [music] They continued living
on the same island sake of their
children. When asked what his
relationship with his ex-wife is like
today, he was direct. We get along well.
We speak on the phone from time to time
and talk about the children. We have a
good relationship and there's no [music]
hostility between us. Today, Michael
lives a reclusive life. He rejects
[music] the label of stardom, avoids
unnecessary luxuries, and hates
ostentation. For him, money was only a
tool to buy a peaceful life. In the eyes
of the public, he may be a great
mystery, but for him,
>> [music]
>> the mission was always very clear. As he
put it perfectly in 2007 for the
newspaper Süddeutsche Zeitung, "I could
have stopped working [music] at 28. Why
didn't I? Because I love music, not
money. Music is my religion." And the
impact of Michael's religion taught the
industry how to create a new formula for
success. Mixing the mysticism of the
past with the [music] beats of the
future made room for other producers to
create their own mysteries in the 1990s.
[music]
And the biggest of those projects
replaced Gregorian monks with an epic
[music] medieval atmosphere, heavy rock
guitars, and a choir singing in an
imaginary language, taking over the
world with the unforgettable hit [music]
Amen. Yes, I am talking about the
project Era. There's already a full
[music] video about it here on the
channel and I'll leave the link in the
pinned comment. Now tell me, did you
already know the story behind [music]
the Enigma project? Let me know in the
comments and don't forget to like,
subscribe, and stick around because I'll
be back very soon with another great
story from the world of music.
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