All language subtitles for IDM_202_en

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French Download
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:03,360 PHONE RINGS 2 00:00:03,360 --> 00:00:06,200 Interior Design Masters Headquarters, Alan speaking. 3 00:00:06,200 --> 00:00:07,480 It's offices this week. 4 00:00:07,480 --> 00:00:11,920 Ten aspiring designers are putting their lives on hold 5 00:00:11,920 --> 00:00:13,800 in search of a dream... 6 00:00:13,800 --> 00:00:16,600 Yes, I am talented and it's a great opportunity for me 7 00:00:16,600 --> 00:00:17,880 to showcase my talent. 8 00:00:17,880 --> 00:00:20,200 ..to break into the competitive world 9 00:00:20,200 --> 00:00:22,320 of professional interior design. 10 00:00:22,320 --> 00:00:26,760 You only live once and what I absolutely love is being creative. 11 00:00:26,760 --> 00:00:30,360 With interiors guru Michelle Ogundehin at the helm... 12 00:00:30,360 --> 00:00:32,120 Everyone with a passion for design 13 00:00:32,120 --> 00:00:34,200 thinks they can be an interior designer, 14 00:00:34,200 --> 00:00:37,000 but I'm looking for someone who has authentic talent 15 00:00:37,000 --> 00:00:40,480 and sees this as a real opportunity to learn. 16 00:00:40,480 --> 00:00:44,240 ..they'll need to impress some of the biggest names in the industry. 17 00:00:44,240 --> 00:00:48,000 Hello, '80s. I've missed you! 18 00:00:48,000 --> 00:00:51,760 This feels like an idea that should have been instantly put aside. 19 00:00:51,760 --> 00:00:54,040 I am scraping the barrel for criticism 20 00:00:54,040 --> 00:00:56,320 because I do love this room. 21 00:00:56,320 --> 00:00:59,720 This is what we're looking for - fearless decorating. 22 00:00:59,720 --> 00:01:02,560 Each week, the designers will be challenged to transform 23 00:01:02,560 --> 00:01:03,880 a commercial space... 24 00:01:03,880 --> 00:01:06,000 Open the door, I'm coming in. RINGS BELL 25 00:01:06,000 --> 00:01:08,080 I thought you were going to squidge my head then. 26 00:01:08,080 --> 00:01:11,000 ..to test their creative flair... 27 00:01:11,000 --> 00:01:12,640 That looks gorgeous now. 28 00:01:12,640 --> 00:01:15,160 ..and state-of-the-art design skills. 29 00:01:15,160 --> 00:01:18,080 Oh, sorry, sorry, sorry. Whoa! CLATTERING 30 00:01:18,080 --> 00:01:21,600 Sometimes when you're trying to do too much at once, accidents happen. 31 00:01:21,600 --> 00:01:24,800 I think you've sabotaged me! You've ruined that beautiful carpet. 32 00:01:24,800 --> 00:01:27,360 It's harder than it looks! 33 00:01:27,360 --> 00:01:29,680 They'll be pushed to their limits... 34 00:01:29,680 --> 00:01:33,360 I think the only thing holding me back is probably myself. 35 00:01:33,360 --> 00:01:37,400 ..as they compete to win a major career-defining contract 36 00:01:37,400 --> 00:01:40,520 with a luxury hotel in the Lakes. 37 00:01:40,520 --> 00:01:43,040 That would definitely be my absolute dream. 38 00:01:45,240 --> 00:01:47,840 Welcome to Interior Design Masters. 39 00:01:58,880 --> 00:02:01,080 It's week two. 40 00:02:01,080 --> 00:02:04,920 The designers are starting to arrive at Michelle's studio. 41 00:02:04,920 --> 00:02:07,440 I'm really excited. I just want to get going. 42 00:02:09,400 --> 00:02:12,720 Because I was in the bottom two teams last week, 43 00:02:12,720 --> 00:02:14,240 I don't want to be there again. 44 00:02:14,240 --> 00:02:17,560 Cannot be on that couch again. I just can't do it. 45 00:02:17,560 --> 00:02:20,800 After a challenging start transforming show homes, 46 00:02:20,800 --> 00:02:23,320 the nine remaining designers have another chance 47 00:02:23,320 --> 00:02:24,960 to show what they're made of. 48 00:02:24,960 --> 00:02:27,600 Hello, everyone. Hello! Hi! 49 00:02:27,600 --> 00:02:30,600 Oh, and the relief! 50 00:02:27,600 --> 00:02:30,600 LAUGHTER 51 00:02:30,600 --> 00:02:32,840 How you all feeling? Good. 52 00:02:32,840 --> 00:02:35,720 Did you think it was going to be this intense? No. Not at all. No. 53 00:02:35,720 --> 00:02:38,560 Cos the standard was really high. Did you agree? 54 00:02:38,560 --> 00:02:39,920 Yeah. Intimidatingly so. 55 00:02:39,920 --> 00:02:42,080 Hello, Michelle. Hello, everyone. 56 00:02:42,080 --> 00:02:44,720 Onwards and upwards then. Challenge two - 57 00:02:44,720 --> 00:02:47,520 you're going to be designing offices, but this time, 58 00:02:47,520 --> 00:02:51,160 you're going to be working in teams of three 59 00:02:51,160 --> 00:02:55,000 and each space must have three clear zones. 60 00:02:55,000 --> 00:02:59,040 There's a meeting zone, a work space and a more relaxed area. 61 00:02:59,040 --> 00:03:01,600 You'll have one zone each and be judged 62 00:03:01,600 --> 00:03:03,640 on your individual designs. 63 00:03:03,640 --> 00:03:07,400 But as always, I'll be looking at how you work as a team. 64 00:03:07,400 --> 00:03:10,840 The strongest team will be safe, 65 00:03:10,840 --> 00:03:14,400 but the rest of you will have Michelle to answer to 66 00:03:14,400 --> 00:03:17,680 and one of you will be going home. 67 00:03:19,160 --> 00:03:22,000 Go for it, then. I cannot wait to see what you do. 68 00:03:22,000 --> 00:03:23,080 Good luck. 69 00:03:23,080 --> 00:03:24,720 ALL: Thank you. 70 00:03:24,720 --> 00:03:25,840 Bye-bye. 71 00:03:28,880 --> 00:03:32,800 Situated in west London, the open-plan, mid-century offices 72 00:03:32,800 --> 00:03:35,720 are a blank canvas. The designers will need to come up 73 00:03:35,720 --> 00:03:40,040 with innovative ways to divide the space into three zones. 74 00:03:40,040 --> 00:03:45,160 So, Michelle, not one room, not two rooms, three rooms in an office. 75 00:03:45,160 --> 00:03:46,600 How difficult is that? 76 00:03:46,600 --> 00:03:49,600 Super difficult, because we're asking three people to kind 77 00:03:49,600 --> 00:03:51,720 of show us what they can do individually. 78 00:03:51,720 --> 00:03:54,120 But actually, you've got to make it look like one office. 79 00:03:54,120 --> 00:03:56,880 How will they divide up one big, open-plan space? 80 00:03:56,880 --> 00:03:59,240 I mean, there's so many different ways you could approach it. 81 00:03:59,240 --> 00:04:01,480 Do you make it, literally, a wall? 82 00:04:01,480 --> 00:04:03,320 Yeah. Do you make it book shelves? 83 00:04:03,320 --> 00:04:05,120 Do you make it something you interact with? 84 00:04:05,120 --> 00:04:08,040 It's all going to be about how they divide up that space. 85 00:04:08,040 --> 00:04:10,600 And to add to all that, these offices are going to be used 86 00:04:10,600 --> 00:04:12,360 by three different companies. 87 00:04:12,360 --> 00:04:15,320 Exactly. One team is designing for a beauty brand, 88 00:04:15,320 --> 00:04:17,880 one for a tech company, one for a media company, 89 00:04:17,880 --> 00:04:21,320 so the office itself and its contemporary nature will dictate 90 00:04:21,320 --> 00:04:22,960 a certain amount of the design, 91 00:04:22,960 --> 00:04:26,320 but the rest of it is about building a brand around the company 92 00:04:26,320 --> 00:04:28,720 that they're supposed to be designing for. 93 00:04:28,720 --> 00:04:32,960 Show me that you really thought about, how do I make a contemporary 94 00:04:32,960 --> 00:04:35,680 office space for the 21st century? 95 00:04:35,680 --> 00:04:38,320 Ooh, God, the pressure's on, isn't it? 96 00:04:38,320 --> 00:04:42,520 With each designer having had access to the brief in advance, 97 00:04:42,520 --> 00:04:45,400 first to share their ideas, Team Media. 98 00:04:45,400 --> 00:04:46,680 So that's the floor plan. 99 00:04:46,680 --> 00:04:50,560 Yeah. I want to split the space by creating a white curtain 100 00:04:50,560 --> 00:04:52,360 right the way across here. 101 00:04:52,360 --> 00:04:54,320 So the idea was to separate it 102 00:04:54,320 --> 00:04:57,400 because that's such a big space. If you just put one table in it, 103 00:04:57,400 --> 00:04:58,960 you can only have one meeting. OK. 104 00:04:58,960 --> 00:05:00,640 If we were to separate it, 105 00:05:00,640 --> 00:05:02,520 you've got a multifunctional space. 106 00:05:02,520 --> 00:05:04,760 The danger is it's not a huge office, 107 00:05:04,760 --> 00:05:07,920 and if we introduce too many partitions, it might end up feeling 108 00:05:07,920 --> 00:05:10,160 a little bit... Broke up. ..rabbit warren-y. Yeah. 109 00:05:10,160 --> 00:05:13,120 OK. Do you want something completely different? Absolutely. 110 00:05:13,120 --> 00:05:14,400 Absolutely. Eek! 111 00:05:14,400 --> 00:05:17,000 So I want it to be playful and I wanted 112 00:05:17,000 --> 00:05:20,920 to do something that elevated the space. 113 00:05:20,920 --> 00:05:24,080 So I'm really excited about the idea of doing some tiered seating. 114 00:05:26,480 --> 00:05:29,400 I think my style is bold, it's playful, 115 00:05:29,400 --> 00:05:32,720 I like there to be an element of fun in every room that I create. 116 00:05:35,680 --> 00:05:40,680 My main motivation for taking part in this process was my children. 117 00:05:40,680 --> 00:05:43,760 I felt it was really important to do something to make them proud 118 00:05:43,760 --> 00:05:47,520 and to inspire them to push themselves 119 00:05:47,520 --> 00:05:49,600 out of their comfort zone. 120 00:05:49,600 --> 00:05:53,000 For me, it's really important not to follow trends. 121 00:05:53,000 --> 00:05:55,760 I will always make my decisions based on my heart. 122 00:05:56,720 --> 00:05:59,560 And I'd really like a couple of swings either side 123 00:05:59,560 --> 00:06:01,800 of the sofa seating area. Yeah. 124 00:06:01,800 --> 00:06:05,640 I work in an office, so I know what an office needs. 125 00:06:05,640 --> 00:06:07,600 Sometimes people put in fun things to do, 126 00:06:07,600 --> 00:06:11,280 and whilst it's nice on paper, it doesn't necessarily work. 127 00:06:11,280 --> 00:06:13,240 I was going quite industrial. 128 00:06:13,240 --> 00:06:16,360 I do like the idea of using wood and natural materials. 129 00:06:16,360 --> 00:06:19,840 If your tiered sitting was in a plywood, you know, materials can 130 00:06:19,840 --> 00:06:22,480 tie things together really well. Absolutely. 131 00:06:22,480 --> 00:06:25,840 If you have the bright yellow, it's a media PR company 132 00:06:25,840 --> 00:06:29,040 and it's bringing energy to the work space. Yeah. 133 00:06:29,040 --> 00:06:31,840 Next door, transforming the tech office, 134 00:06:31,840 --> 00:06:35,000 Barbara, Paul and Siobhan. 135 00:06:35,000 --> 00:06:37,040 What I've done is I've mocked up 136 00:06:37,040 --> 00:06:39,080 our office space in a 3D model, 137 00:06:39,080 --> 00:06:42,360 so it might be a bit helpful for us to just look at the space together 138 00:06:42,360 --> 00:06:45,200 and then get a better idea of how it could be mapped out. 139 00:06:46,400 --> 00:06:50,280 I got a degree in architecture and I think the thing that needs 140 00:06:50,280 --> 00:06:52,600 to work in a room is the layout. 141 00:06:54,680 --> 00:06:57,280 Any time that I'm working on a project, I'll always just use 142 00:06:57,280 --> 00:07:00,440 one of my 3D modelling computer programmes so that you can get 143 00:07:00,440 --> 00:07:02,760 a really good idea of the space and be able to see 144 00:07:02,760 --> 00:07:06,040 what it's like to move around a room. 145 00:07:06,040 --> 00:07:10,720 I love to hear other people's ideas, but if I have an idea that I think 146 00:07:10,720 --> 00:07:13,120 is right, I would definitely fight my corner for it. 147 00:07:14,640 --> 00:07:17,480 I think one thing we need to establish is how would 148 00:07:17,480 --> 00:07:18,800 a tech company function? 149 00:07:18,800 --> 00:07:22,120 I don't think we should do anything too soft or subtle here. 150 00:07:22,120 --> 00:07:24,640 What I didn't want is basically just a load of desks. 151 00:07:24,640 --> 00:07:26,200 I wanted these pods. 152 00:07:26,200 --> 00:07:29,280 So if you wanted to take a call privately, you could do that. 153 00:07:29,280 --> 00:07:33,160 If you're a client, you're entering directly into a work space. 154 00:07:33,160 --> 00:07:35,240 I think there could be an opportunity to create 155 00:07:35,240 --> 00:07:37,000 some sort of mini reception area. 156 00:07:37,000 --> 00:07:39,440 We've got to think about the partitions. I 100% agree that 157 00:07:39,440 --> 00:07:40,680 there's no walls there, 158 00:07:40,680 --> 00:07:41,920 so it's up to us to decide. 159 00:07:41,920 --> 00:07:43,680 Yeah. And in the meeting space, 160 00:07:43,680 --> 00:07:45,720 I really like when you walk into the room, 161 00:07:45,720 --> 00:07:47,080 you spot the wallpaper. 162 00:07:47,080 --> 00:07:49,160 I want it to fit in with the mid-century vibe. 163 00:07:49,160 --> 00:07:52,080 It's in a mid-century building, so maybe bringing the mid-century in 164 00:07:52,080 --> 00:07:54,640 with the colour palette. Pops of colour. Yeah. 165 00:07:54,640 --> 00:07:56,800 To be honest, I think this is going to be a challenge. 166 00:07:56,800 --> 00:07:59,080 I've never personally worked with anyone before, 167 00:07:59,080 --> 00:08:01,000 like, I've always just worked by myself. 168 00:08:01,000 --> 00:08:04,760 Our designs are kind of working together, but there is literally 169 00:08:04,760 --> 00:08:07,480 so much to think about with this scheme. 170 00:08:07,480 --> 00:08:10,960 The final team's office will be for a sustainable beauty brand. 171 00:08:10,960 --> 00:08:12,440 So mine is taking 172 00:08:12,440 --> 00:08:16,040 more of a gender neutral approach to beauty 173 00:08:16,040 --> 00:08:17,960 and drawing more on the sustainable elements, 174 00:08:17,960 --> 00:08:22,040 so using a lot of natural features of wood, quite soft materials. 175 00:08:22,040 --> 00:08:24,480 Obviously, we thought that beauty needed to be softer, 176 00:08:24,480 --> 00:08:26,240 with kind of an alpine spa kind of feel. 177 00:08:26,240 --> 00:08:28,680 The main feature is going to be the desks 178 00:08:28,680 --> 00:08:30,040 and the configuration. 179 00:08:30,040 --> 00:08:33,600 Because of sustainability, I want to use some of those materials, 180 00:08:33,600 --> 00:08:38,400 something like reclaimed boards and make them into a big, long table. 181 00:08:38,400 --> 00:08:39,520 A bit like this, 182 00:08:39,520 --> 00:08:42,800 but then I wanted to paint some sort of like botanical mural. 183 00:08:42,800 --> 00:08:44,040 Cool. 184 00:08:44,040 --> 00:08:46,960 So I kind of wanted to use paint effects on the wall, create 185 00:08:46,960 --> 00:08:49,160 like a little pod for more intimate, simple meetings. 186 00:08:49,160 --> 00:08:51,600 Then I also wanted to use open shelving as partitions 187 00:08:51,600 --> 00:08:53,960 between the spaces, so you can kind of see through them, 188 00:08:53,960 --> 00:08:57,240 but... Between our spaces? ..between all the spaces, 189 00:08:57,240 --> 00:08:59,760 yeah. Right, OK. And also, the co-working table, 190 00:08:59,760 --> 00:09:01,880 I was thinking you could also use it as a ping-pong table, 191 00:09:01,880 --> 00:09:03,520 so if you really want to have fun. 192 00:09:03,520 --> 00:09:06,560 The only thing that I'm a little bit worried about is noise. 193 00:09:06,560 --> 00:09:09,600 We can't have noise coming through if they're playing table tennis. 194 00:09:09,600 --> 00:09:10,640 Yes. Yeah, yeah. 195 00:09:10,640 --> 00:09:13,040 Sound can travel quite quickly in offices 196 00:09:13,040 --> 00:09:16,120 and when you're playing ping pong in the breakout area, 197 00:09:16,120 --> 00:09:18,440 and you're having a meeting with an external client, 198 00:09:18,440 --> 00:09:20,560 you don't really want to be able to hear that. 199 00:09:20,560 --> 00:09:23,360 It's really exciting to do an office, but it's a little bit 200 00:09:23,360 --> 00:09:26,160 of a challenge because I've never, I've never even worked 201 00:09:26,160 --> 00:09:28,320 in an office before. When you work for the NHS, 202 00:09:28,320 --> 00:09:30,480 you don't actually get a dedicated working space, 203 00:09:30,480 --> 00:09:32,720 so this is going to be an interesting challenge. 204 00:09:37,960 --> 00:09:40,280 Oh, it looks amazing! It looks so nice. 205 00:09:40,280 --> 00:09:42,200 West London. 206 00:09:43,600 --> 00:09:47,080 Awaiting the teams inside a 13-storey office block... 207 00:09:47,080 --> 00:09:49,880 Huge! Is this us here, yeah? Yeah! 208 00:09:49,880 --> 00:09:52,120 ..three open-plan offices. 209 00:09:52,120 --> 00:09:53,960 Ooh! 210 00:09:53,960 --> 00:09:55,480 Nice. 211 00:09:55,480 --> 00:09:57,920 It does feel smaller, doesn't it? It does. 212 00:09:57,920 --> 00:09:59,280 It's just narrow that way. 213 00:09:59,280 --> 00:10:02,560 In just two days and with a budget of £1,500 each... 214 00:10:02,560 --> 00:10:04,760 GIGGLING 215 00:10:02,560 --> 00:10:04,760 Girls, hurry up. 216 00:10:04,760 --> 00:10:08,200 ..the teams must turn these conventional offices 217 00:10:08,200 --> 00:10:13,360 into three individual yet cohesive work spaces. 218 00:10:13,360 --> 00:10:15,640 Hi. We've got company. Hiya. 219 00:10:15,640 --> 00:10:18,840 And to help turn their concepts into reality, 220 00:10:18,840 --> 00:10:21,720 the designers have been given two decorators 221 00:10:21,720 --> 00:10:23,520 and two builders per team. 222 00:10:24,920 --> 00:10:27,040 Look at that for a tool kit. Wow. 223 00:10:27,040 --> 00:10:30,600 So we've got a really quite ambitious scheme. 224 00:10:30,600 --> 00:10:33,200 Kicking things off for Team Media, Amy. 225 00:10:33,200 --> 00:10:35,720 We're building Wembley Stadium about here. 226 00:10:37,600 --> 00:10:42,080 OK. My intention is to build a small stadium in this space. 227 00:10:42,080 --> 00:10:45,760 Having seen it on paper and thought I knew exactly what it looked like, 228 00:10:45,760 --> 00:10:47,840 turns out I wasn't that right after all. 229 00:10:47,840 --> 00:10:50,160 Everything just seems bigger or smaller or higher 230 00:10:50,160 --> 00:10:52,120 or shorter than I thought it was. 231 00:10:52,120 --> 00:10:55,240 So, I mean, that aside, it's great. I can't wait. 232 00:10:55,240 --> 00:10:56,680 So we do have some plans. 233 00:10:56,680 --> 00:11:00,040 Barbara's going to have a chat with you guys in a bit of detail 234 00:11:00,040 --> 00:11:01,880 about the 3D model. 235 00:11:01,880 --> 00:11:06,400 Over in Team Tech, time to explain their complex vision. 236 00:11:06,400 --> 00:11:08,480 There's basically five partitions 237 00:11:08,480 --> 00:11:10,600 that we're going to be having built. 238 00:11:10,600 --> 00:11:14,360 We've got one, two and then the third divider's a diagonal divider, 239 00:11:14,360 --> 00:11:16,560 which is going to cut from the edge of this window here 240 00:11:16,560 --> 00:11:17,840 to this column. 241 00:11:19,840 --> 00:11:23,280 Team Tech's ambitious wooden dividers will be multi-functional 242 00:11:23,280 --> 00:11:24,760 and distinguish each area. 243 00:11:26,280 --> 00:11:30,280 Paul's meeting zone will incorporate whiteboard partitions. 244 00:11:30,280 --> 00:11:35,440 Siobhan's work zone will be split in two by diagonal, open shelving. 245 00:11:35,440 --> 00:11:39,280 And Barbara's single divider in her breakout zone will provide seating. 246 00:11:39,280 --> 00:11:42,280 And we're building the two whiteboard dividers on top 247 00:11:42,280 --> 00:11:45,320 of these units over here and here. 248 00:11:45,320 --> 00:11:47,880 But no standing about today, right? LAUGHTER 249 00:11:47,880 --> 00:11:49,000 Crack that whip. 250 00:11:49,000 --> 00:11:54,280 Last week, I got criticised for being ambitious and putting a lot 251 00:11:54,280 --> 00:11:57,680 into the design, but I definitely like pushing myself. 252 00:11:57,680 --> 00:12:01,240 If you ask my husband, he would say that I am a control freak. 253 00:12:01,240 --> 00:12:03,360 It's not the light one. It's the mid one. 254 00:12:03,360 --> 00:12:05,560 But I like to keep things as controlled as possible. 255 00:12:05,560 --> 00:12:07,560 I think that's the only way that you can make 256 00:12:07,560 --> 00:12:09,360 a big project like this work. 257 00:12:09,360 --> 00:12:13,080 I'm basically taking responsibility for all the dividers 258 00:12:13,080 --> 00:12:16,720 in the space and all the paintwork is in the right spots as well. 259 00:12:19,240 --> 00:12:22,320 Team Tech's colour palette and artistic shapes are centred 260 00:12:22,320 --> 00:12:25,560 around Paul's bold choice of geometric wallpaper. 261 00:12:26,520 --> 00:12:29,400 Obviously, it's a brave choice to have such a bold pattern 262 00:12:29,400 --> 00:12:31,320 with so many shades going through it, 263 00:12:31,320 --> 00:12:34,560 but I think because we have so many blocks of plain colours, 264 00:12:34,560 --> 00:12:36,120 it needs a bit of depth 265 00:12:36,120 --> 00:12:38,520 and I think that's what that wall's going to do. 266 00:12:38,520 --> 00:12:40,880 For the paper, when you see just a sample... Yeah. 267 00:12:40,880 --> 00:12:42,320 ..you can't tell, can you? 268 00:12:42,320 --> 00:12:45,120 Until it's really like, kind of, up on the wall. 269 00:12:45,120 --> 00:12:47,240 Unless you're a wallpaper king like me. 270 00:12:47,240 --> 00:12:49,920 Yeah, unless you're a wallpaper king, yeah. 271 00:12:49,920 --> 00:12:52,040 For cohesion, Barbara and Siobhan 272 00:12:52,040 --> 00:12:55,480 paint their dividers in keeping with Paul's wallpaper scheme. 273 00:12:55,480 --> 00:12:58,360 My choice of paper has influenced the rest of the room. 274 00:12:58,360 --> 00:13:02,080 There's a lot of risk on me because if Michelle doesn't like this, 275 00:13:02,080 --> 00:13:04,600 it could be all down to me. 276 00:13:04,600 --> 00:13:08,720 Each of Team Tech's partitions need to be built from scratch. 277 00:13:08,720 --> 00:13:11,040 How are you feeling about it so far? 278 00:13:11,040 --> 00:13:13,040 It's starting to take a bit of shape. 279 00:13:13,040 --> 00:13:14,680 I am worried about the workload. 280 00:13:14,680 --> 00:13:17,040 Yes. Yeah, I am. There's an awful lot of carpentry to do, 281 00:13:17,040 --> 00:13:20,000 which has then got to be painted and that's the problem. 282 00:13:20,000 --> 00:13:22,480 And this stuff is horrible to paint. 283 00:13:22,480 --> 00:13:25,680 You know, at the end of the day, it might be worth a chat 284 00:13:25,680 --> 00:13:29,960 about prioritising things. Yeah, yeah, yeah. OK. 285 00:13:31,320 --> 00:13:32,720 I knew there was a lot to be done. 286 00:13:32,720 --> 00:13:35,200 He's not sure whether we'll be able to get all of these dividers built, 287 00:13:35,200 --> 00:13:37,120 that's the main worry at the moment 288 00:13:37,120 --> 00:13:40,680 and these, each of the individual dividers are really important 289 00:13:40,680 --> 00:13:44,520 because they create specific spaces that function in different ways. 290 00:13:44,520 --> 00:13:47,880 So I'm trying to plan what we could lose. 291 00:13:47,880 --> 00:13:50,880 I don't actually know what the answer is yet. 292 00:13:50,880 --> 00:13:53,880 It goes from the floor all the way up to the ceiling and around. 293 00:13:53,880 --> 00:13:55,360 Over in Team Beauty, 294 00:13:55,360 --> 00:13:58,480 in her meeting room, surface pattern designer Charlotte 295 00:13:58,480 --> 00:14:02,560 is painting her statement piece, a bespoke mural. 296 00:14:02,560 --> 00:14:08,040 We had a sustainable beauty brand, so I looked at images of botanicals 297 00:14:08,040 --> 00:14:11,400 that are used in skin care and beauty, and I've kind of used 298 00:14:11,400 --> 00:14:15,840 some of those shapes to make an abstract design whilst mixing it 299 00:14:15,840 --> 00:14:18,800 with my own design style as well. 300 00:14:18,800 --> 00:14:22,520 My feedback from Michelle was to think more 3D than 2D, 301 00:14:22,520 --> 00:14:25,520 so I've tried to do that by zoning the space 302 00:14:25,520 --> 00:14:27,240 and going up onto the ceiling. 303 00:14:29,840 --> 00:14:32,880 Charlotte's skin tone colour palette will be reflected throughout 304 00:14:32,880 --> 00:14:34,480 the entire office. 305 00:14:34,480 --> 00:14:37,360 Team Beauty will divide their three working zones 306 00:14:37,360 --> 00:14:41,000 using curtain partitions and fabric screens to create a soft 307 00:14:41,000 --> 00:14:42,280 and relaxed feel. 308 00:14:47,120 --> 00:14:49,040 Over in the breakout zone, 309 00:14:49,040 --> 00:14:52,440 Peter is mindful of their target audience. 310 00:14:52,440 --> 00:14:56,720 We wanted it to have this very soft but very gender-fluid 311 00:14:56,720 --> 00:15:00,160 and very gender-neutral space, so it doesn't alienate anyone. 312 00:15:00,160 --> 00:15:02,800 And that's why we've gone for lots of skin tone colours, 313 00:15:02,800 --> 00:15:05,760 because that's kind of the diversity element that we wanted to bring 314 00:15:05,760 --> 00:15:07,400 into our beauty brand. 315 00:15:09,480 --> 00:15:10,880 I was born in Malta. 316 00:15:10,880 --> 00:15:13,120 I'd been working as a doctor in the UK, but I gave that up 317 00:15:13,120 --> 00:15:15,840 a year ago because I really wanted to follow my passion, 318 00:15:15,840 --> 00:15:17,200 which is interior design. 319 00:15:18,920 --> 00:15:20,840 I can deal with pressure quite well, 320 00:15:20,840 --> 00:15:23,600 because I used to deal with life and death on a daily basis. 321 00:15:23,600 --> 00:15:26,520 Failure is a really big thing. 322 00:15:26,520 --> 00:15:29,600 I've never failed an exam, so having a scheme 323 00:15:29,600 --> 00:15:32,320 which is unsuccessful, it does scare me because it's not something 324 00:15:32,320 --> 00:15:34,680 that I know how to deal with very well. 325 00:15:38,120 --> 00:15:40,400 So, could you attach these to the wall? 326 00:15:40,400 --> 00:15:41,760 Down in her work zone, 327 00:15:41,760 --> 00:15:45,400 Micaela's vision to include soft textures is under way. 328 00:15:45,400 --> 00:15:49,200 Some of the other guys have a lot more experience in interior design 329 00:15:49,200 --> 00:15:51,000 than I do, so... 330 00:15:51,000 --> 00:15:52,960 Last week was the first room I've ever done 331 00:15:52,960 --> 00:15:54,680 that wasn't in my own house. 332 00:15:54,680 --> 00:15:57,680 Michelle told me to think about the bigger picture, 333 00:15:57,680 --> 00:16:02,040 so I really want to make sure that she knows I've thought more, 334 00:16:02,040 --> 00:16:04,560 away from the upholstery and about the walls 335 00:16:04,560 --> 00:16:07,240 and all of the different things that are going on, 336 00:16:07,240 --> 00:16:09,320 so I've got something to prove this week. 337 00:16:10,640 --> 00:16:13,800 Before I started my upholstery business, I actually used to work 338 00:16:13,800 --> 00:16:17,720 in travel. I travelled around Europe, looking at boutique hotels. 339 00:16:17,720 --> 00:16:21,920 That really got me into the world of interiors and design. 340 00:16:21,920 --> 00:16:25,200 Normally, I focus just on a few pieces in the room - 341 00:16:25,200 --> 00:16:26,640 the chairs, the headboards - 342 00:16:26,640 --> 00:16:29,960 so I'm really excited to put my stamp on the whole room. 343 00:16:32,040 --> 00:16:35,280 Ample seating is required for the work zone, so Micaela 344 00:16:35,280 --> 00:16:37,680 is incorporating a window bench. 345 00:16:37,680 --> 00:16:40,160 I think the biggest risk I've taken in the work space 346 00:16:40,160 --> 00:16:42,320 is actually getting rid of a lot of the desks, 347 00:16:42,320 --> 00:16:45,400 so I needed to add back in usable seating 348 00:16:45,400 --> 00:16:50,320 and I think the window bench is a much more team-friendly environment. 349 00:16:54,760 --> 00:16:59,480 It's mid-morning on day one, and in Amy, Jon and Lynsey's Media Office, 350 00:16:59,480 --> 00:17:02,080 they're going big and bold. 351 00:17:02,080 --> 00:17:05,880 I really wanted to go as high as the ceiling height would allow 352 00:17:05,880 --> 00:17:09,720 and the idea is just to create a bit of elevated drama, I guess, 353 00:17:09,720 --> 00:17:11,120 and really break up the space. 354 00:17:11,120 --> 00:17:15,200 But also, it has the added advantage of giving Jon's meeting room 355 00:17:15,200 --> 00:17:18,840 a really good, private partition wall. 356 00:17:19,920 --> 00:17:22,440 I've never done this before, which is part of the reason 357 00:17:22,440 --> 00:17:24,760 for doing it, because I wanted to push myself. 358 00:17:26,720 --> 00:17:30,760 Amy's tiered seating installation and Lynsey's dual-purpose shelving 359 00:17:30,760 --> 00:17:34,760 will act as the dividers between all their spaces. 360 00:17:34,760 --> 00:17:38,040 For cohesion, plywood will be used to make furniture as well 361 00:17:38,040 --> 00:17:41,640 as wall art and coloured shapes will appear from the break out 362 00:17:41,640 --> 00:17:43,240 into the meeting area. 363 00:17:44,440 --> 00:17:45,720 I'm just nervous. 364 00:17:47,080 --> 00:17:49,520 It's embarrassing if I get it really, really wrong. 365 00:17:49,520 --> 00:17:51,760 The pressure is on. 366 00:17:51,760 --> 00:17:53,280 There's a lot to do. 367 00:17:53,280 --> 00:17:55,960 If I pull it off, it's going to look insane. 368 00:17:55,960 --> 00:17:58,560 If I don't, I don't and I'll be going home. 369 00:17:58,560 --> 00:18:01,200 # I'm making a stadium. # 370 00:18:01,200 --> 00:18:03,720 What are we doing on top of it again? I forgot. 371 00:18:03,720 --> 00:18:06,640 Dancing? Dancing. 372 00:18:03,720 --> 00:18:06,640 LAUGHTER 373 00:18:06,640 --> 00:18:08,080 In the meeting zone, 374 00:18:08,080 --> 00:18:10,280 Jon's statement colour is up. 375 00:18:10,280 --> 00:18:11,360 This colour is bold 376 00:18:11,360 --> 00:18:14,720 and the good thing is that the brief asked for bold and sophisticated. 377 00:18:14,720 --> 00:18:17,520 So, yeah, bold and sophisticated is the way. 378 00:18:18,960 --> 00:18:22,680 Jon's use of colour will be reflected throughout his furniture. 379 00:18:22,680 --> 00:18:27,640 This is my ceiling panel that goes above my conference table. 380 00:18:27,640 --> 00:18:30,680 I wanted to try and bring some colour into the concrete. 381 00:18:30,680 --> 00:18:33,600 The four in the middle are yellow, and then the rest of it is black. 382 00:18:33,600 --> 00:18:35,800 This is a bumblebee I'm painting here, ain't it? 383 00:18:35,800 --> 00:18:38,840 A sophisticated bumblebee. No! 384 00:18:38,840 --> 00:18:41,040 HE LAUGHS 385 00:18:41,040 --> 00:18:44,440 In the last challenge, I was really inspired by how much people 386 00:18:44,440 --> 00:18:46,880 were making and thought, "Right, I'm going to challenge myself." 387 00:18:46,880 --> 00:18:50,360 I've never made any item of furniture before in my life. 388 00:18:50,360 --> 00:18:52,720 So I'm making the conference table from scratch, 389 00:18:52,720 --> 00:18:54,480 making the ceiling panel from scratch, 390 00:18:54,480 --> 00:18:57,040 I'm making some cube seating from scratch, 391 00:18:57,040 --> 00:18:59,720 I'm upholstering chairs, which I've never done before, 392 00:18:59,720 --> 00:19:01,600 and I'm upholstering the cubes that I'm making. 393 00:19:03,400 --> 00:19:07,120 Across in the work zone, architect Lynsey is measuring and cutting 394 00:19:07,120 --> 00:19:11,440 individual pieces of plywood to form her 3D feature wall. 395 00:19:11,440 --> 00:19:14,520 It's a functional space, so you can't throw fabrics in there, 396 00:19:14,520 --> 00:19:16,520 you can't have cushions all over the place. 397 00:19:16,520 --> 00:19:18,800 I didn't want to just paint a wall blank, 398 00:19:18,800 --> 00:19:21,360 so I'm using angular shapes that Amy's going to pick up 399 00:19:21,360 --> 00:19:24,120 in her painting on the wall and Jon's picked up in some 400 00:19:24,120 --> 00:19:26,000 of the fabrics he's using. 401 00:19:29,320 --> 00:19:31,480 Basically, we've got the four boards in here 402 00:19:31,480 --> 00:19:33,040 that are the green and the pink, 403 00:19:33,040 --> 00:19:35,960 and what we need is two more boards over in this direction 404 00:19:35,960 --> 00:19:39,400 that are just pink. This other one's also going to be pink and green. 405 00:19:39,400 --> 00:19:40,720 Over in Team Tech, 406 00:19:40,720 --> 00:19:42,320 Barbara's in control. 407 00:19:42,320 --> 00:19:44,600 Siobhan. They all need to be flipped. 408 00:19:44,600 --> 00:19:46,920 Sage on the other side, yep. Exactly. I can do that. 409 00:19:46,920 --> 00:19:48,760 Barbara is on it. 410 00:19:48,760 --> 00:19:51,360 Right, this is just fully pink. Get pink on that, yeah, yeah, yeah. 411 00:19:51,360 --> 00:19:55,080 She has kind of like given herself that leadership role, which I'm fine 412 00:19:55,080 --> 00:19:58,200 about, you know, because I'm just like, we need to just, you know, 413 00:19:58,200 --> 00:20:00,960 do what we need to do. I'm happy painting all day 414 00:20:00,960 --> 00:20:02,680 if that's, you know, if that's what it takes. 415 00:20:02,680 --> 00:20:05,400 We've been really ambitious. There's five or six dividers in the room 416 00:20:05,400 --> 00:20:08,480 in total. We don't want to not have one, so I think it's important that 417 00:20:08,480 --> 00:20:11,160 we get as much prep work as we can. 418 00:20:11,160 --> 00:20:13,440 Oh, my God, I could watch you doing that all day, 419 00:20:13,440 --> 00:20:16,800 but I won't, I'll crack on with what I'm doing. Please don't. Carry on. 420 00:20:16,800 --> 00:20:19,200 Why don't I just hold it and you can do the loop? 421 00:20:19,200 --> 00:20:22,320 But Barbara also needs to focus on her own space. 422 00:20:22,320 --> 00:20:25,200 She's mirroring shapes from Paul's wallpaper. 423 00:20:25,200 --> 00:20:26,800 To get the arches drawn, 424 00:20:26,800 --> 00:20:29,360 we're using a technique of string, pencil. 425 00:20:29,360 --> 00:20:30,600 Perfect. Just stop. 426 00:20:30,600 --> 00:20:34,680 We tie the centre spot and then hold that in place 427 00:20:34,680 --> 00:20:36,960 and we basically can draw the arch, 428 00:20:36,960 --> 00:20:40,840 like this. It's quite a kind of simple, easy way of doing it. 429 00:20:40,840 --> 00:20:42,240 Yeah. 430 00:20:42,240 --> 00:20:45,080 The thing about this design is I know all the measurements 431 00:20:45,080 --> 00:20:47,520 inside out and that is why I've taken on this sort 432 00:20:47,520 --> 00:20:49,280 of overarching role today. 433 00:20:49,280 --> 00:20:51,800 It's nerve-racking, but it's just rewarding. 434 00:20:51,800 --> 00:20:55,040 I've never done anything like this before, so I just wanted 435 00:20:55,040 --> 00:20:59,280 to try and throw as much at it as possible. 436 00:21:03,640 --> 00:21:04,960 Where the hell am I? 437 00:21:04,960 --> 00:21:06,320 Where did she say? 438 00:21:07,360 --> 00:21:09,200 It's halfway through the first day. 439 00:21:09,200 --> 00:21:11,080 Open the door, I'm coming in. 440 00:21:16,320 --> 00:21:19,640 Time to see how the designers are getting on. 441 00:21:19,640 --> 00:21:21,720 You OK? 442 00:21:21,720 --> 00:21:23,640 All done. Phew! 443 00:21:25,280 --> 00:21:26,720 Well done, mate. 444 00:21:26,720 --> 00:21:29,240 So good. Woohoo! 445 00:21:29,240 --> 00:21:33,040 First up, Team Media and Jon's meeting room. 446 00:21:33,040 --> 00:21:35,440 Hello, Jon. Hello, you. 447 00:21:35,440 --> 00:21:38,680 Another day, another pair of skimpy shorts, I see. 448 00:21:38,680 --> 00:21:41,400 Lovely! Get a bit of ventilation up there. That's the one. 449 00:21:41,400 --> 00:21:44,720 So tell us about the colour, because it's very satsuma-y 450 00:21:44,720 --> 00:21:46,160 for a meeting room. 451 00:21:46,160 --> 00:21:49,160 HE GASPS 452 00:21:46,160 --> 00:21:49,160 Have I said something wrong? 453 00:21:49,160 --> 00:21:50,920 I feel offended. 454 00:21:50,920 --> 00:21:52,600 I like satsumas. 455 00:21:52,600 --> 00:21:55,480 Yes, satsumas are good for you. If you're in a meeting for two, three 456 00:21:55,480 --> 00:21:57,520 hours, there's nothing worse than looking at a plain, 457 00:21:57,520 --> 00:21:59,040 blank, boring wall. 458 00:21:59,040 --> 00:22:01,480 But I'm really pleased that we've actually gone with that colour. 459 00:22:01,480 --> 00:22:03,880 Kind of the same colour as my Post-it notes bizarrely. 460 00:22:03,880 --> 00:22:06,760 And also Paul. Yes. Yes, absolutely. 461 00:22:06,760 --> 00:22:08,680 He's actually in the room. You just can't see him. 462 00:22:08,680 --> 00:22:10,640 He's... He's in the corner. 463 00:22:10,640 --> 00:22:12,280 ALAN GIGGLES 464 00:22:14,920 --> 00:22:18,040 You can come out now, Paul. I'm... I'm joking. 465 00:22:18,040 --> 00:22:20,960 We can all have a laugh in the workplace. 466 00:22:20,960 --> 00:22:23,880 No, I get it. It's bright, it's good... I like it. 467 00:22:23,880 --> 00:22:26,360 Yeah. OK, I'll leave you to it, Jon. Thank you. Thank you. 468 00:22:26,360 --> 00:22:29,120 The trouble with the colour orange, it's very divisive. 469 00:22:29,120 --> 00:22:32,600 When some people think of orange, they think zesty and fresh. 470 00:22:32,600 --> 00:22:35,920 But to other people, they think budget airlines and fake tan. 471 00:22:40,480 --> 00:22:44,760 Team Beauty, aspiring to create a tranquil space, remain an oasis 472 00:22:44,760 --> 00:22:46,920 of calm in the process. 473 00:22:46,920 --> 00:22:49,880 Micaela! Hello. How are you? Good. How you doing? 474 00:22:49,880 --> 00:22:52,680 What the hell is going on? It's like living in a skip. 475 00:22:52,680 --> 00:22:55,360 We've got so much furniture, there's just stuff everywhere. 476 00:22:55,360 --> 00:22:58,040 So, what's this then? It doesn't look very office. 477 00:22:58,040 --> 00:23:00,240 It looks like the kind of thing my nan has in her house. 478 00:23:00,240 --> 00:23:01,400 Well, it is from a charity shop, 479 00:23:01,400 --> 00:23:03,440 so it could have could have been from your nan's house. 480 00:23:03,440 --> 00:23:05,800 Could be my nan's. She's had a clear out. 481 00:23:05,800 --> 00:23:08,040 I thought it was nice to have something a bit softer, 482 00:23:08,040 --> 00:23:10,960 a bit mid-century. Bit homelier as well. Yeah. 483 00:23:10,960 --> 00:23:13,520 What colours are you going to have? Cos you've got lots of chairs. 484 00:23:13,520 --> 00:23:16,080 I've got to have lots of chairs as an upholsterer. But you don't want 485 00:23:16,080 --> 00:23:17,760 it to look like an old people's home, do you? 486 00:23:17,760 --> 00:23:20,040 We're going for skin tone. So it is a lot of brown, actually. 487 00:23:20,040 --> 00:23:22,120 Oh, OK. Well, don't have little bowls 488 00:23:22,120 --> 00:23:24,200 of Werther's Originals everywhere. 489 00:23:24,200 --> 00:23:28,080 I hope no-one walks in there and thinks it's an old people's home, 490 00:23:28,080 --> 00:23:30,800 but it does make you think about things and think, oh, God. 491 00:23:30,800 --> 00:23:33,760 Michelle's going to come in and you know, what's she's going to say? 492 00:23:33,760 --> 00:23:35,680 What's she going to think of this? 493 00:23:39,240 --> 00:23:42,560 Over on Team Tech, Siobhan's upcycling cable bobbins 494 00:23:42,560 --> 00:23:44,040 to turn into stools. 495 00:23:44,040 --> 00:23:47,520 It's all a bit chaotic up there, so I've come to a nice 496 00:23:47,520 --> 00:23:50,640 little spot so that I can get everything sprayed - my letters 497 00:23:50,640 --> 00:23:52,920 and some cable bobbins. 498 00:23:52,920 --> 00:23:56,600 I've listened to Michelle and I'm not trying to, basically, you know, 499 00:23:56,600 --> 00:23:58,720 just bring a load of pink and fluffiness in, 500 00:23:58,720 --> 00:24:01,440 but, actually, it really goes with that whole, like, mid-century 501 00:24:01,440 --> 00:24:02,720 colours and everything. 502 00:24:02,720 --> 00:24:06,880 There you go. Go on. Yeah, that's fine. That's fine. 503 00:24:06,880 --> 00:24:08,840 This way. My side? Your side, yeah. 504 00:24:08,840 --> 00:24:10,920 With an hour to go on day one, 505 00:24:10,920 --> 00:24:13,840 Barbara and Paul are constructing the whiteboard divider 506 00:24:13,840 --> 00:24:16,440 that will sit between the work and meeting zone. 507 00:24:16,440 --> 00:24:19,440 Paul? Yeah. Can we just have a quick chat about this? 508 00:24:19,440 --> 00:24:21,280 Put it on here. 509 00:24:21,280 --> 00:24:23,160 We know we're really pushed for time. Yeah. 510 00:24:23,160 --> 00:24:24,560 In terms of what needs to be done 511 00:24:24,560 --> 00:24:27,920 and I know we had these two extra panels running down here. 512 00:24:27,920 --> 00:24:29,280 Do you think we still need them? 513 00:24:29,280 --> 00:24:31,200 I'm thinking in the interest of time. 514 00:24:31,200 --> 00:24:33,200 No. I think what we do is just eliminate them 515 00:24:33,200 --> 00:24:35,360 and get on with what we really need to get done. 516 00:24:35,360 --> 00:24:37,560 We are going to lose these two panelled sections. 517 00:24:37,560 --> 00:24:39,480 We're going to just get the whiteboard in place 518 00:24:39,480 --> 00:24:41,920 and then that section is complete. 519 00:24:43,280 --> 00:24:46,040 Phew! How are you coping? 520 00:24:46,040 --> 00:24:48,600 It's not easy, but I think we're getting there. Who's coming up 521 00:24:48,600 --> 00:24:49,920 with most of the ideas? 522 00:24:49,920 --> 00:24:52,760 I probably put forward most of the ideas. 523 00:24:52,760 --> 00:24:55,920 The good thing is, is I've got this, like, 3D model that everyone 524 00:24:55,920 --> 00:24:59,560 can look at so that they can sort of make changes in front of them. 525 00:24:59,560 --> 00:25:01,920 But, you know, you do need to concentrate on yourself. 526 00:25:01,920 --> 00:25:03,840 You ended up on the sofa last week. 527 00:25:03,840 --> 00:25:05,680 You don't want to be there for a second week. 528 00:25:05,680 --> 00:25:06,920 There is a bit of a risk there. 529 00:25:06,920 --> 00:25:10,040 I mean, it could go either way. If Michelle thinks we've fulfilled 530 00:25:10,040 --> 00:25:12,840 the brief, then it's great because I've been such an integral 531 00:25:12,840 --> 00:25:14,200 part of all the decisions. 532 00:25:14,200 --> 00:25:17,000 But if she doesn't think that we've fulfilled the brief and we do 533 00:25:17,000 --> 00:25:20,000 end up on the couch, then loads of responsibility's on my shoulders. 534 00:25:20,000 --> 00:25:21,560 Good luck, Barbara. Bye! 535 00:25:21,560 --> 00:25:24,040 You can't fault Barbara's ambition. 536 00:25:24,040 --> 00:25:27,560 She just wants to be over everything but there is this risk 537 00:25:27,560 --> 00:25:29,280 that you could overstretch yourself. 538 00:25:29,280 --> 00:25:31,600 I just hope she can pull it off. 539 00:25:35,000 --> 00:25:36,800 Over on Team Media... 540 00:25:36,800 --> 00:25:38,320 I finished it! Finally. 541 00:25:38,320 --> 00:25:41,680 ..Lynsey's 3D wall art is ready to be installed. 542 00:25:41,680 --> 00:25:43,920 This is one of three that are going on that wall. 543 00:25:43,920 --> 00:25:45,560 I can't wait to get them up there, 544 00:25:45,560 --> 00:25:47,320 I think it'll be really high-impact. 545 00:25:47,320 --> 00:25:48,680 We've cut all your timbers. 546 00:25:48,680 --> 00:25:51,560 That looks amazing. That's how I imagined it. 547 00:25:52,640 --> 00:25:56,720 And Amy's turned her attention to a smaller form of seating. 548 00:25:56,720 --> 00:25:58,160 So I bought some cheap chairs, 549 00:25:58,160 --> 00:25:59,680 but they're not in the best condition, 550 00:25:59,680 --> 00:26:03,120 so I'm going to do a combination of some painting of the fabric 551 00:26:03,120 --> 00:26:06,640 and some re-upholstery of just the seat cushion. 552 00:26:06,640 --> 00:26:11,120 This is the first time I have done this and basically I'm just using 553 00:26:11,120 --> 00:26:14,160 the emulsion that we're putting on the walls 554 00:26:14,160 --> 00:26:16,520 and I've mixed it 50/50 with water, 555 00:26:16,520 --> 00:26:20,080 dampened the surface and then slap it on. 556 00:26:20,080 --> 00:26:22,560 Yeah, it looks good. Thanks. Glad you approve. 557 00:26:22,560 --> 00:26:27,160 With day one drawing to a close, team-mate Jon has had a hiccup. 558 00:26:27,160 --> 00:26:30,160 I've cut the fabric too short. 559 00:26:30,160 --> 00:26:35,000 And it doesn't matter where I move it to, it doesn't fit. 560 00:26:35,000 --> 00:26:37,640 And I measured it. That just won't work. 561 00:26:37,640 --> 00:26:40,920 No. Just redo it. It's another knock in the time 562 00:26:40,920 --> 00:26:44,120 that I've got left, cos I now need to recut this and make sure it fits. 563 00:26:49,440 --> 00:26:52,080 I'm hoping Michelle likes it and she can see that I am looking 564 00:26:52,080 --> 00:26:54,600 at the bigger picture, but the closer we get to the end, 565 00:26:54,600 --> 00:26:57,400 the more my confidence starts to wane. 566 00:26:57,400 --> 00:26:58,680 It's not quite there yet. 567 00:27:03,320 --> 00:27:05,720 It's the end of the day and I'm not where I needed to be. 568 00:27:05,720 --> 00:27:09,040 So tomorrow morning, I need to rethink what I'm going to do 569 00:27:09,040 --> 00:27:10,640 to bring myself back on track. 570 00:27:10,640 --> 00:27:14,720 There's a little bit of sick rising just about here. 571 00:27:14,720 --> 00:27:18,920 Oh! I just feel, like, relief seeing that now. 572 00:27:18,920 --> 00:27:22,800 This just means so much to me because I'm doing this for myself. 573 00:27:22,800 --> 00:27:25,200 I'm learning so much and I love it, but I'm trying to do it 574 00:27:25,200 --> 00:27:28,360 for my family, my boys, my husband, 575 00:27:28,360 --> 00:27:31,360 so that we can all have a better life. 576 00:27:32,720 --> 00:27:34,640 So, it's important to me. 577 00:27:58,760 --> 00:28:01,080 It's the second and final day. 578 00:28:02,640 --> 00:28:06,240 I think what we need to do is just get paint on this fast. Yeah. 579 00:28:06,240 --> 00:28:08,720 It's brushes at the ready for Team Tech. 580 00:28:08,720 --> 00:28:10,440 We've just got so much to do. 581 00:28:10,440 --> 00:28:13,040 We just need to kind of get as much paint on, especially this, 582 00:28:13,040 --> 00:28:14,120 cos it's a bit tricky. 583 00:28:14,120 --> 00:28:17,800 This acts as a divider... And Barbara's divider 584 00:28:17,800 --> 00:28:20,760 for her breakout space still needs to be built. 585 00:28:20,760 --> 00:28:23,160 I've got a row of lights going across here. Yep. 586 00:28:23,160 --> 00:28:26,040 Sooner we can get on with this one, that's priority. 587 00:28:29,200 --> 00:28:33,560 In Team Media, Jon is starting where he left off - 588 00:28:33,560 --> 00:28:35,960 upholstering furniture, 589 00:28:35,960 --> 00:28:38,360 but this time he has a plan. 590 00:28:38,360 --> 00:28:40,520 I need to remember which is the front of the chair 591 00:28:40,520 --> 00:28:41,560 and which is the back, 592 00:28:41,560 --> 00:28:43,920 so I've just put an arrow on the table and a T 593 00:28:43,920 --> 00:28:46,280 so I remember that's the top because, you know, I have a problem 594 00:28:46,280 --> 00:28:49,000 with cutting the wrong size of fabric. 595 00:28:51,400 --> 00:28:54,480 Meanwhile, team-mate Lynsey is taking on another wooden 596 00:28:54,480 --> 00:28:57,480 installation for her work zone. 597 00:28:57,480 --> 00:29:01,400 I haven't done this technique before, so I'm kind of winging it. 598 00:29:03,280 --> 00:29:06,160 I want to show all the layers of the plywood and just create a bit 599 00:29:06,160 --> 00:29:07,680 of a sculptural piece. 600 00:29:07,680 --> 00:29:09,760 And I've cut out a hole in it, which is going 601 00:29:09,760 --> 00:29:10,960 to have the company logo. 602 00:29:10,960 --> 00:29:13,280 So when the visitors come to the company, 603 00:29:13,280 --> 00:29:15,840 it'll be really prominent in the window. 604 00:29:15,840 --> 00:29:19,000 And Amy's tiered seating is now constructed. 605 00:29:19,000 --> 00:29:21,520 Welcome to the stadium. 606 00:29:19,000 --> 00:29:21,520 ALAN LAUGHS 607 00:29:21,520 --> 00:29:23,840 Give me an A! Give me a M! Give me a Y! 608 00:29:23,840 --> 00:29:27,680 So, talk me through it, because it looks quite big. 609 00:29:27,680 --> 00:29:28,960 It is quite big, yeah. 610 00:29:28,960 --> 00:29:31,520 I wanted to make a statement, wanted a bit of drama in here. 611 00:29:31,520 --> 00:29:35,440 Figured it's a media PR company, so I figured that the kind of people 612 00:29:35,440 --> 00:29:38,840 that might come in here might be being trendy, sitting, hanging out, 613 00:29:38,840 --> 00:29:41,680 looking cool, but also for product launches 614 00:29:41,680 --> 00:29:42,880 and team meetings, 615 00:29:42,880 --> 00:29:46,880 this could be a spill out from the meeting area next-door. 616 00:29:46,880 --> 00:29:49,800 Also, I wanted to create a nice partition wall for Jon. 617 00:29:49,800 --> 00:29:54,360 Amy's stadium seating is a bit too big for my liking. 618 00:29:54,360 --> 00:29:57,400 When you want to sit down, you want to just relax 619 00:29:57,400 --> 00:29:59,000 and flop yourself down. 620 00:29:59,000 --> 00:30:01,200 You'd need a fireman's lift to get on those seats, 621 00:30:01,200 --> 00:30:02,960 they're so high up. 622 00:30:02,960 --> 00:30:07,040 I understand you get kind of a bit obsessed with your own design, 623 00:30:07,040 --> 00:30:11,680 but I really do think that the tiered seating stadium area 624 00:30:11,680 --> 00:30:13,600 is clever, is multifunctional. 625 00:30:13,600 --> 00:30:15,760 It could be used for a variety of reasons. 626 00:30:19,640 --> 00:30:23,680 So, mural update is that I'm nearly there. 627 00:30:23,680 --> 00:30:26,400 I've done it a bit quicker than I anticipated, 628 00:30:26,400 --> 00:30:28,400 but which is always a good thing, I think. 629 00:30:28,400 --> 00:30:30,160 Down in Charlotte's meeting zone, 630 00:30:30,160 --> 00:30:34,120 her vision to create a more 3D room is taking shape. 631 00:30:35,480 --> 00:30:38,360 Just to create a bit of texture on the wall, other than just putting 632 00:30:38,360 --> 00:30:40,920 some wallpaper there, so the shapes that have been cut out 633 00:30:40,920 --> 00:30:43,400 kind of mimic what's going on with the mural, 634 00:30:43,400 --> 00:30:45,640 and then they're going to be painted in the same colour. 635 00:30:45,640 --> 00:30:47,080 And it'll be quite cool. 636 00:30:47,080 --> 00:30:49,160 Today's the crucial day to bring it all together, 637 00:30:49,160 --> 00:30:51,080 but so far, no dramas. 638 00:30:51,080 --> 00:30:54,200 But, when everything's done and everyone pulls it together, 639 00:30:54,200 --> 00:30:55,760 with their amazing styling, 640 00:30:55,760 --> 00:30:58,000 it does normally send me into a bit of a spin 641 00:30:58,000 --> 00:31:00,040 and I start doubting myself, 642 00:31:00,040 --> 00:31:01,800 but I'm just doing my best. 643 00:31:03,200 --> 00:31:05,200 Ah, Peter. Yeah. Oh, God. 644 00:31:05,200 --> 00:31:07,880 There you go. Looks great. Awesome. 645 00:31:07,880 --> 00:31:10,160 So, that's ready to be painted now, isn't it? Yes. 646 00:31:10,160 --> 00:31:12,760 Team-mate Peter is aiming to inject some fun 647 00:31:12,760 --> 00:31:14,560 into his breakout space. 648 00:31:14,560 --> 00:31:16,040 I'm creating a really relaxed space 649 00:31:16,040 --> 00:31:18,360 where people are going to have informal meetings. 650 00:31:18,360 --> 00:31:20,840 Here there's going to be a ping pong table 651 00:31:20,840 --> 00:31:25,120 that can also come up and be a coworking standing desk. 652 00:31:25,120 --> 00:31:27,760 I want the judges to feel like this is the dream office 653 00:31:27,760 --> 00:31:30,400 that they would always want to be in, so, yeah... 654 00:31:30,400 --> 00:31:34,000 I do so want to win this, because it would be a great opportunity 655 00:31:34,000 --> 00:31:35,920 to do a great commercial project. 656 00:31:38,120 --> 00:31:41,160 OK, can you get in there? Why don't you hold the cable? 657 00:31:41,160 --> 00:31:42,840 In the tech space, 658 00:31:42,840 --> 00:31:45,840 Paul's making foliage a feature in his meeting room. 659 00:31:45,840 --> 00:31:50,440 I think, Babs, I need to leave one grid space in between. 660 00:31:50,440 --> 00:31:53,520 You just show me where you're happy with it and I'll get it up. 661 00:31:53,520 --> 00:31:55,480 So much going on, isn't there? OK, that's it. 662 00:31:55,480 --> 00:31:58,160 What do you think about your light? I love that. 663 00:31:58,160 --> 00:31:59,560 Hello! 664 00:31:59,560 --> 00:32:02,320 Hello, Alan. It's me. Hiya. 665 00:32:02,320 --> 00:32:03,680 Paul. Alan. 666 00:32:03,680 --> 00:32:05,960 And Barbara in the back. Hello, love. 667 00:32:05,960 --> 00:32:08,120 You all right? Great. 668 00:32:08,120 --> 00:32:10,440 Now, tell me about this. What does this mean? 669 00:32:10,440 --> 00:32:13,560 I mean, listen, I've woken up under a bush after a night out 670 00:32:13,560 --> 00:32:15,120 but I've never had a meeting under one. 671 00:32:15,120 --> 00:32:16,560 LAUGHTER 672 00:32:16,560 --> 00:32:20,240 Everything, from my view is quite concrete, very hard. Yeah. 673 00:32:20,240 --> 00:32:22,640 It was just to kind of give a bit of the outdoors in. 674 00:32:22,640 --> 00:32:25,800 Does it scream "tech" to you, though? I think it does. 675 00:32:25,800 --> 00:32:28,640 You know, tech can be so many different things, but, yeah, 676 00:32:28,640 --> 00:32:30,480 I can see this working. I like it. 677 00:32:33,200 --> 00:32:35,320 It's halfway through the second day. 678 00:32:35,320 --> 00:32:38,080 This has to be the most boring thing I've ever done. 679 00:32:38,080 --> 00:32:40,520 Babs, I think you're going to have to come over and show us 680 00:32:40,520 --> 00:32:41,920 your 3D model again. 681 00:32:43,560 --> 00:32:46,360 All of the offices are radically transforming... 682 00:32:46,360 --> 00:32:47,720 Yeah, that looks great. 683 00:32:47,720 --> 00:32:50,240 ..into work spaces for the 21st century. 684 00:32:50,240 --> 00:32:53,200 This piece of muslin, so you can see through it, 685 00:32:53,200 --> 00:32:55,560 and it also prevents anyone who's sat down on the ping pong table 686 00:32:55,560 --> 00:32:57,520 being hit in the head by a ping pong! 687 00:32:58,560 --> 00:33:00,960 Peter, love. Hi, how are you? 688 00:33:00,960 --> 00:33:03,040 Hello. How are you? I'm good, thanks. 689 00:33:03,040 --> 00:33:05,480 Now, what's this? Is this one of the partitions? 690 00:33:05,480 --> 00:33:07,400 Yes, so we wanted something quite soft, 691 00:33:07,400 --> 00:33:10,160 so that's why we went for something with texture and textiles. 692 00:33:10,160 --> 00:33:12,480 Because I didn't know if you were using this as an homage 693 00:33:12,480 --> 00:33:14,880 because you're a doctor and I go behind it and... 694 00:33:14,880 --> 00:33:18,560 Oh! ..maybe I take my trousers off and pop them over. 695 00:33:18,560 --> 00:33:20,920 I'm ready to see you now! 696 00:33:20,920 --> 00:33:23,720 No, you say that, don't you? It's not that kind of office. 697 00:33:23,720 --> 00:33:25,080 Oh. 698 00:33:25,080 --> 00:33:28,200 But is this partition going to be big enough, though? 699 00:33:28,200 --> 00:33:29,480 That's all I'm saying. 700 00:33:29,480 --> 00:33:30,960 I mean, it's an open-plan office, 701 00:33:30,960 --> 00:33:33,080 so unless you're doing something super structural 702 00:33:33,080 --> 00:33:34,440 that is more permanent. 703 00:33:34,440 --> 00:33:37,560 We specifically wanted it to be flexible. Yeah, yeah. 704 00:33:39,880 --> 00:33:43,680 The clock is ticking and, for Jon, the pressure is mounting. 705 00:33:43,680 --> 00:33:45,400 I'm really concerned about my room. 706 00:33:45,400 --> 00:33:48,680 My room looks no different from how we started this morning, 707 00:33:48,680 --> 00:33:51,560 so I'm desperate to get the curtains up so that you can see 708 00:33:51,560 --> 00:33:54,000 that I've actually done something in the room. 709 00:33:54,000 --> 00:33:56,840 Jon's chosen drapes to help zone his space. 710 00:33:56,840 --> 00:33:59,720 It just gives an option to have a multi-meeting space 711 00:33:59,720 --> 00:34:02,640 because of how generous the proportions of the room are. 712 00:34:02,640 --> 00:34:04,120 Two nines are 18, aren't they? 713 00:34:04,120 --> 00:34:06,160 Two, four, six, eight, nine. 714 00:34:07,240 --> 00:34:08,640 I have lost a hook. 715 00:34:10,360 --> 00:34:12,800 For me, it just felt like a bit of a waste if I was just going 716 00:34:12,800 --> 00:34:14,680 to put one large room. 717 00:34:14,680 --> 00:34:16,560 I hope Michelle will appreciate that 718 00:34:16,560 --> 00:34:18,560 I've thought about the use of the space, 719 00:34:18,560 --> 00:34:20,560 the actual functionality of the room. 720 00:34:20,560 --> 00:34:24,680 We have curtains, ladies! Perfection. 721 00:34:26,920 --> 00:34:31,360 Over in Team Beauty, Charlotte is almost finished... 722 00:34:32,400 --> 00:34:34,160 Spin it around! 723 00:34:34,160 --> 00:34:36,920 ..and Peter's breakout space is also on track. 724 00:34:37,920 --> 00:34:40,600 So this is my collaborative work pod. The curtains create a bit 725 00:34:40,600 --> 00:34:42,640 of privacy so you can have a phone call in here. 726 00:34:42,640 --> 00:34:45,200 Obviously not super private, but it's private enough. 727 00:34:48,280 --> 00:34:50,040 Bit higher than that, if you don't mind. 728 00:34:50,040 --> 00:34:53,040 With Barbara's breakout divider constructed, 729 00:34:53,040 --> 00:34:55,120 she's beginning to see the light. 730 00:34:55,120 --> 00:34:56,880 Get that at that height, is that OK? 731 00:34:56,880 --> 00:34:58,880 Finally getting some lights in place. 732 00:34:58,880 --> 00:35:01,120 I don't think we go any lower, that's probably fine. 733 00:35:01,120 --> 00:35:02,520 Progress is being made. 734 00:35:02,520 --> 00:35:04,880 I think it just literally goes there. 735 00:35:04,880 --> 00:35:07,120 Across the office in the work zone, 736 00:35:07,120 --> 00:35:09,760 Siobhan's fixing tech words to her walls 737 00:35:09,760 --> 00:35:12,400 using cables and oversized lettering. 738 00:35:12,400 --> 00:35:14,000 Love it! Yes. 739 00:35:15,480 --> 00:35:18,040 OK, I think higher. 740 00:35:18,040 --> 00:35:20,720 Yeah, it's definitely just come together, 741 00:35:20,720 --> 00:35:24,880 just as we imagined on Barbara's 3D model. 742 00:35:26,560 --> 00:35:29,000 She can hear me in background! 743 00:35:29,000 --> 00:35:30,880 Sorry, pal. Get it in, babe, get it in. 744 00:35:30,880 --> 00:35:33,040 I'm not really taking the mickey, honest! 745 00:35:34,120 --> 00:35:37,600 Oh, my God, it's just such a roller-coaster of emotions. 746 00:35:37,600 --> 00:35:41,520 I mean, I cannot tell you, but I feel a little bit more confident 747 00:35:41,520 --> 00:35:45,160 now that we will get there, that we will reach the finish line. 748 00:35:47,320 --> 00:35:48,600 I'm swinging! 749 00:35:48,600 --> 00:35:52,280 With less than an hour to go, it's a race to the finish. 750 00:35:52,280 --> 00:35:53,320 Whee! 751 00:35:56,400 --> 00:35:57,760 It's quite good, isn't it? 752 00:36:03,040 --> 00:36:06,000 That's going to be slightly in and to the back, 753 00:36:06,000 --> 00:36:09,160 so one there, one on the other side like that. 754 00:36:09,160 --> 00:36:13,840 On Team Beauty, Micaela's left an important job until last. 755 00:36:13,840 --> 00:36:17,320 I am a bit worried about how I'm going to configure them. 756 00:36:17,320 --> 00:36:20,920 Just need to check I've got enough space around each desk. 757 00:36:22,360 --> 00:36:24,320 Guys, 20 minutes. 758 00:36:28,720 --> 00:36:30,840 Joining Michelle to judge this week, 759 00:36:30,840 --> 00:36:34,360 award-winning interior designer and former design director 760 00:36:34,360 --> 00:36:37,080 of Soho House, Linda Boronkay. 761 00:36:37,080 --> 00:36:40,560 I think this is such a brilliant challenge because the whole world 762 00:36:40,560 --> 00:36:43,720 of work has completely changed in the last year or so. 763 00:36:43,720 --> 00:36:45,920 I mean, this is now about kind of seduction. 764 00:36:45,920 --> 00:36:48,200 What is a designer going to offer 765 00:36:48,200 --> 00:36:51,480 to seduce me out of my home and back into an office? 766 00:36:51,480 --> 00:36:55,800 Yes, I 100% agree. Office design doesn't have to be boring. 767 00:36:55,800 --> 00:36:59,120 I'm also looking for something that is unique and maybe something 768 00:36:59,120 --> 00:37:00,800 is very inspiring for us as well. 769 00:37:00,800 --> 00:37:04,080 These spaces will have to represent the brand, 770 00:37:04,080 --> 00:37:05,400 the brand values. 771 00:37:05,400 --> 00:37:08,400 And if I can see his or her stamp throughout the space, 772 00:37:08,400 --> 00:37:10,680 that is quite interesting as well. 773 00:37:13,320 --> 00:37:16,320 First office space to be judged, Team Beauty. 774 00:37:16,320 --> 00:37:17,480 Yeah, thank you. 775 00:37:19,920 --> 00:37:22,040 I'm going to run out of time. 776 00:37:23,320 --> 00:37:26,240 Oh, my God, that was a mad rush. 777 00:37:26,240 --> 00:37:28,120 My God, I need to go to sleep. 778 00:37:32,240 --> 00:37:35,480 I didn't manage to get my desks and chairs into the space quick enough 779 00:37:35,480 --> 00:37:37,240 to play around with the layout, 780 00:37:37,240 --> 00:37:41,000 so I have a little niggle in the back of my mind that my desks 781 00:37:41,000 --> 00:37:44,400 are blocking the entrance to the rest of the office. 782 00:37:44,400 --> 00:37:47,480 I hope I've done enough, but I ran out of time. 783 00:37:47,480 --> 00:37:50,840 So this is our sustainable beauty brand. 784 00:37:50,840 --> 00:37:55,440 Micaela's forte is upholstery, detail, colours, textures, 785 00:37:55,440 --> 00:37:57,200 which I can definitely see, 786 00:37:57,200 --> 00:38:00,680 but the last challenge I felt she needed to get a sense of the room 787 00:38:00,680 --> 00:38:05,160 as a whole. I really don't like all the desks stacked up like this. 788 00:38:05,160 --> 00:38:07,560 I mean, I feel like I'm about to take an exam. 789 00:38:07,560 --> 00:38:08,800 It feels very rigid. 790 00:38:08,800 --> 00:38:12,200 And also these spaces should encourage collaborative working. 791 00:38:12,200 --> 00:38:14,760 And I wouldn't feel comfortable sitting at a desk like this. 792 00:38:14,760 --> 00:38:18,680 I would always feel like somebody's watching over my shoulder. Yeah. 793 00:38:18,680 --> 00:38:22,360 Maybe that's the area where you try the products of the beauty brand. 794 00:38:22,360 --> 00:38:25,640 Yes, probably with the... Make-up mirror. ..ring flash and everything. 795 00:38:25,640 --> 00:38:28,480 So that's good, that's really diving into the detail of beauty. 796 00:38:28,480 --> 00:38:30,680 And nice that they haven't fallen into that 797 00:38:30,680 --> 00:38:32,240 "let's make it all pink and feminine, 798 00:38:32,240 --> 00:38:33,760 "because that's beauty, isn't it?" 799 00:38:33,760 --> 00:38:36,000 It is just missing kind of reception. 800 00:38:36,000 --> 00:38:37,400 Things are facing the wrong way. 801 00:38:37,400 --> 00:38:39,600 Exactly, you don't have a sense of arrival. 802 00:38:44,680 --> 00:38:49,120 I think my breakout space looks exactly how I imagined it. 803 00:38:49,120 --> 00:38:52,360 For me to go home now, I feel it would be a bit premature. 804 00:38:52,360 --> 00:38:56,160 I love the fact that they used the round shape for the curtains. 805 00:38:56,160 --> 00:38:58,360 Just feels a lot more organic. Yeah. 806 00:38:58,360 --> 00:39:00,560 And it breaks up the rigidity of the layout. 807 00:39:00,560 --> 00:39:02,560 How do you feel about a ping pong table? 808 00:39:02,560 --> 00:39:06,520 I'm feeling this is almost veering us into cliche territory, isn't it? 809 00:39:06,520 --> 00:39:09,680 It's one too many ideas in a small space. 810 00:39:09,680 --> 00:39:12,960 Adding the benches, I want to just read it as a desk. 811 00:39:12,960 --> 00:39:14,840 Yeah. And think, oh, how clever, 812 00:39:14,840 --> 00:39:18,120 but the way he's set it up with the bats and the ball, 813 00:39:18,120 --> 00:39:20,560 I'm just thinking it's going to be so annoying for the person 814 00:39:20,560 --> 00:39:22,760 trying to read their book and have a bit of quiet time 815 00:39:22,760 --> 00:39:25,640 here with ping pong, ping pong! "Oh, can you get my ball, please?" 816 00:39:25,640 --> 00:39:29,160 But I love this screen adding another layer of texture and colour. 817 00:39:29,160 --> 00:39:32,240 You see, I just thought that was to stop you getting hit 818 00:39:32,240 --> 00:39:33,400 by a ping pong ball. 819 00:39:33,400 --> 00:39:35,840 Well, it's double function, I guess. 820 00:39:41,800 --> 00:39:43,480 I'm really happy with my space. 821 00:39:43,480 --> 00:39:46,560 I'd like them to notice my attention to detail and the ways 822 00:39:46,560 --> 00:39:49,080 I've used my background in surface pattern 823 00:39:49,080 --> 00:39:51,840 to make interesting 3D elements on the wall. 824 00:39:51,840 --> 00:39:54,720 And hopefully they're things they haven't seen before as well. 825 00:39:54,720 --> 00:39:56,040 That would be really nice. 826 00:39:56,040 --> 00:40:00,760 Charlotte's speciality is textile design, and last challenge 827 00:40:00,760 --> 00:40:04,440 I felt she was a bit lazy, so I definitely get the sense 828 00:40:04,440 --> 00:40:07,000 that that message got heard. Definitely. 829 00:40:07,000 --> 00:40:08,640 I love a feature wall. 830 00:40:08,640 --> 00:40:12,080 A feature ceiling as well, though! A feature ceiling, beautiful. 831 00:40:12,080 --> 00:40:15,680 And you can really feel the handmade nature of it, the brush strokes. 832 00:40:15,680 --> 00:40:18,240 I love this textured wall as well. 833 00:40:18,240 --> 00:40:22,920 Again, using the same patterns, but in a 3D way. 834 00:40:22,920 --> 00:40:26,240 This is an office for one brand, 835 00:40:26,240 --> 00:40:30,440 but there's little things that kind of grate with me, 836 00:40:30,440 --> 00:40:33,320 so I'm taking an exam over here. 837 00:40:33,320 --> 00:40:35,520 You have a ping pong table that doesn't quite fit. 838 00:40:35,520 --> 00:40:38,880 I think Charlotte's area feels very successful, though. 839 00:40:42,560 --> 00:40:45,200 Next to face the judges, Team Media. 840 00:40:51,200 --> 00:40:54,080 Elbow bump. It's like the Power Rangers. 841 00:41:01,600 --> 00:41:04,200 I'm really pleased with the wall art and the woodwork, 842 00:41:04,200 --> 00:41:06,920 I think they both came out as I wanted them to. 843 00:41:06,920 --> 00:41:10,640 I was really pleased with the overall aesthetic. 844 00:41:10,640 --> 00:41:12,320 Wow. 845 00:41:12,320 --> 00:41:15,600 You can immediately see a very clever use of materials. 846 00:41:16,640 --> 00:41:20,520 I love the ply on the walls, on the desks. 847 00:41:20,520 --> 00:41:23,640 One thing about hot desking is I think it denies people 848 00:41:23,640 --> 00:41:25,880 the ability to personalise their space. 849 00:41:25,880 --> 00:41:27,880 Just by putting this little triangle, 850 00:41:27,880 --> 00:41:29,920 I've got somewhere to put my Post-its. 851 00:41:29,920 --> 00:41:31,040 Yeah, no, absolutely. 852 00:41:31,040 --> 00:41:32,640 And I do love a good Post-it. 853 00:41:32,640 --> 00:41:35,040 And they have storage for each desk, 854 00:41:35,040 --> 00:41:36,600 which is very practical. 855 00:41:36,600 --> 00:41:38,680 The only thing I'm a little worried about 856 00:41:38,680 --> 00:41:40,760 is that this is completely unfinished. 857 00:41:40,760 --> 00:41:42,720 That's going to kind of mark. 858 00:41:42,720 --> 00:41:45,240 I agree, another coat of lacquer or something on it. 859 00:41:45,240 --> 00:41:47,280 Just to make it a bit more durable. Yeah. 860 00:41:53,680 --> 00:41:56,560 Obviously, I really want Michelle to love the space, 861 00:41:56,560 --> 00:41:59,920 and I don't want to be having to answer to her if she doesn't. 862 00:41:59,920 --> 00:42:02,760 However, I am so proud of what I've achieved 863 00:42:02,760 --> 00:42:04,960 that I feel like I've won anyway. 864 00:42:04,960 --> 00:42:08,160 I'm trying to envisage how people would use this space. 865 00:42:08,160 --> 00:42:11,600 This is clearly her big statement. Yeah, the big moment. 866 00:42:11,600 --> 00:42:15,600 But I just wonder about the comfort of sitting up there. 867 00:42:15,600 --> 00:42:19,000 Am I really going to clamber up there and brainstorm away? 868 00:42:19,000 --> 00:42:21,480 Because I think I'd be pretty uncomfortable 869 00:42:21,480 --> 00:42:23,680 within about five seconds. Do you want to try? 870 00:42:23,680 --> 00:42:25,840 No, I don't! 871 00:42:25,840 --> 00:42:28,280 It's an awful lot of space that it takes up as well 872 00:42:28,280 --> 00:42:30,120 when you see the depth of it. 873 00:42:30,120 --> 00:42:33,160 All of that space back there is not going to get sat on, is it? 874 00:42:33,160 --> 00:42:36,640 Yes, but I like the fact that it's also a division 875 00:42:36,640 --> 00:42:41,360 from the meeting spaces. The big idea was kind of there, 876 00:42:41,360 --> 00:42:43,600 but not thought through in the detail of 877 00:42:43,600 --> 00:42:45,480 how am I actually going to use this? 878 00:42:52,960 --> 00:42:56,240 I don't think there's anything in my space that doesn't meet the brief, 879 00:42:56,240 --> 00:42:59,280 and if I'm being supercritical on myself, the things that I wished 880 00:42:59,280 --> 00:43:02,360 had gone better are the volume of curtains that I've got 881 00:43:02,360 --> 00:43:05,320 because it doesn't have the impact of what I was hoping. 882 00:43:05,320 --> 00:43:08,520 So this is the other side of the amphitheatre. 883 00:43:09,760 --> 00:43:12,880 Immediately a bit of a lost opportunity to make 884 00:43:12,880 --> 00:43:14,360 all that access for storage here. 885 00:43:14,360 --> 00:43:17,680 Exactly, if you had doors here, you would have ample storage. 886 00:43:17,680 --> 00:43:21,120 And then we've got hard meeting, soft meeting kind of areas. 887 00:43:21,120 --> 00:43:24,200 I think it's quite nice using the fabrics to separate them 888 00:43:24,200 --> 00:43:26,240 because it just makes it a bit softer. 889 00:43:26,240 --> 00:43:29,040 Yeah. I guess it also means you could pull that all back 890 00:43:29,040 --> 00:43:32,840 and really have a big meeting here if you needed to. 891 00:43:32,840 --> 00:43:36,440 I'm not sure the sheers do enough for a meeting room. 892 00:43:36,440 --> 00:43:39,760 They won't create enough privacy, I don't think. 893 00:43:39,760 --> 00:43:43,600 There's just not enough acoustic separation between the rooms. 894 00:43:43,600 --> 00:43:46,320 If they'd been maybe thicker, less translucent. 895 00:43:46,320 --> 00:43:49,640 Overall, I feel like they've done a really, really good job. 896 00:43:49,640 --> 00:43:52,080 I mean, you can really see the communication 897 00:43:52,080 --> 00:43:54,120 from one end of the room to the other. 898 00:43:54,120 --> 00:43:55,720 And, look, they have the same fabric. 899 00:43:55,720 --> 00:43:59,280 Oh, that's nice, so actually Jon has pushed himself a little 900 00:43:59,280 --> 00:44:02,200 and done some upholstery, which is always nice to see. 901 00:44:02,200 --> 00:44:04,480 You want to see these designers learning something 902 00:44:04,480 --> 00:44:07,240 and growing every single challenge. Absolutely. 903 00:44:12,040 --> 00:44:13,320 Guys, we're done. 904 00:44:13,320 --> 00:44:15,280 Oh! We smashed it. 905 00:44:18,960 --> 00:44:22,080 I just want to go and have a glass of wine. 906 00:44:22,080 --> 00:44:25,520 Just relieved, so relieved that we managed to complete it. 907 00:44:25,520 --> 00:44:29,880 Oh, my God, this feels so different. 908 00:44:29,880 --> 00:44:33,800 Finally, the judges inspect the tech office. 909 00:44:33,800 --> 00:44:36,040 same brief, same budget, 910 00:44:36,040 --> 00:44:40,080 same time and same trade - different result. 911 00:44:47,160 --> 00:44:51,000 I didn't expect it to all come together just as well as it did, 912 00:44:51,000 --> 00:44:54,000 and it was very ambitious of us, but I think we nailed it. 913 00:44:54,000 --> 00:44:58,280 Paul loves wallpapers, but here at least he's contained it to one wall 914 00:44:58,280 --> 00:45:01,760 and just using it in a way that is really expressive and fun. 915 00:45:01,760 --> 00:45:05,000 That wallpaper must have been the starting point of their scheme. 916 00:45:05,000 --> 00:45:07,600 All the colours come back in other spaces 917 00:45:07,600 --> 00:45:09,800 and they recreated the same pattern. 918 00:45:09,800 --> 00:45:11,880 But it doesn't feel too laboured, does it? 919 00:45:11,880 --> 00:45:15,040 It feels actually just quite organic that it sort of happened 920 00:45:15,040 --> 00:45:17,280 quite naturally. It's not tried too hard. 921 00:45:17,280 --> 00:45:19,160 They have built dividers 922 00:45:19,160 --> 00:45:22,880 and yet it doesn't feel that I've blocked off huge bits of the office 923 00:45:22,880 --> 00:45:26,040 and you still get the sense that we're all one team. 924 00:45:26,040 --> 00:45:28,640 This does feel kind of like the future of office. 925 00:45:28,640 --> 00:45:31,240 Yeah, and it doesn't fall into cliches. No. At all. 926 00:45:37,440 --> 00:45:39,640 There's lots of things that I've learned this week. 927 00:45:39,640 --> 00:45:42,280 There's loads more that I need to learn, 928 00:45:42,280 --> 00:45:44,400 but I think it has given me a little bit of confidence 929 00:45:44,400 --> 00:45:48,200 just looking around the room thinking, wow, I did that. 930 00:45:50,680 --> 00:45:52,440 So this is their work space. 931 00:45:52,440 --> 00:45:54,120 Yes. It works. 932 00:45:54,120 --> 00:45:56,400 The layout is fundamentally right. 933 00:45:56,400 --> 00:45:59,080 You've got your team desking here and then you've got the option 934 00:45:59,080 --> 00:46:01,000 of solo desking as well. 935 00:46:01,000 --> 00:46:03,600 But with enough space around both of them. 936 00:46:03,600 --> 00:46:05,800 I rather love the wall art. 937 00:46:05,800 --> 00:46:09,360 The colours are tying in, there is an extraordinary attention 938 00:46:09,360 --> 00:46:11,400 to small details. Yeah. 939 00:46:16,880 --> 00:46:20,600 So Barbara has a more architectural way of thinking. 940 00:46:20,600 --> 00:46:24,480 But the last challenge, she just went a bit Bauhaus style mad, 941 00:46:24,480 --> 00:46:26,520 but you can tell her influence. 942 00:46:26,520 --> 00:46:29,600 I think she really drove the kind of partitioning details. 943 00:46:29,600 --> 00:46:32,880 I can just imagine people working there, doing their smaller tasks 944 00:46:32,880 --> 00:46:34,800 and having an impromptu meeting here 945 00:46:34,800 --> 00:46:37,240 or a more organised one there with the whiteboard. 946 00:46:37,240 --> 00:46:40,320 It's really clever to have incorporated the whiteboards, 947 00:46:40,320 --> 00:46:43,280 isn't it? Both sides. Because you need space like that in an office. 948 00:46:43,280 --> 00:46:46,440 This is a whole... It looks like if it was fitted out professionally. 949 00:46:46,440 --> 00:46:49,160 Completely. And they all used their own strengths 950 00:46:49,160 --> 00:46:51,120 to make this space so successful. 951 00:46:51,120 --> 00:46:53,080 The essence of teamwork, no less. 952 00:46:53,080 --> 00:46:54,120 Oh, yeah. 953 00:46:55,880 --> 00:46:58,680 Before the teams return to the design studio, 954 00:46:58,680 --> 00:47:00,920 a moment to eye up their competition. 955 00:47:02,080 --> 00:47:03,960 Is it safe? I hope so. 956 00:47:03,960 --> 00:47:06,560 I mean, imagine if it fell out with my big bum. 957 00:47:06,560 --> 00:47:09,440 It feels still quite spacious in here considering she's built this, 958 00:47:09,440 --> 00:47:10,840 which is huge. Yes. 959 00:47:10,840 --> 00:47:13,520 Massive, yeah. So these are curtains, so obviously you can 960 00:47:13,520 --> 00:47:15,400 move them and open and close the space. 961 00:47:15,400 --> 00:47:19,000 I prefer the way we've thought about how people would use our space. 962 00:47:19,000 --> 00:47:21,320 I've just never seen anything like this before. 963 00:47:21,320 --> 00:47:24,320 Not in an office. Would you actually go in there and close the curtains? 964 00:47:24,320 --> 00:47:26,480 I guess it depends what you were doing in there. 965 00:47:26,480 --> 00:47:28,160 THEY LAUGH 966 00:47:31,280 --> 00:47:32,600 Is this necessary? 967 00:47:32,600 --> 00:47:33,960 Would anyone actually use this? 968 00:47:33,960 --> 00:47:36,200 I don't think they would. Oh, wow. 969 00:47:36,200 --> 00:47:37,800 Look at the mural. It goes right up. 970 00:47:37,800 --> 00:47:39,960 Look at the skill involved in that, though. 971 00:47:39,960 --> 00:47:42,080 What are we thinking then, are we worried? 972 00:47:42,080 --> 00:47:45,520 Or are we still thinking that we're... Team win. 973 00:47:45,520 --> 00:47:48,160 Oh... They're lovely partitions. 974 00:47:48,160 --> 00:47:49,320 I thought we'd made a lot... 975 00:47:49,320 --> 00:47:52,160 I mean, we have still made a lot of wood, but they created 976 00:47:52,160 --> 00:47:54,080 cubbyholes and areas. 977 00:47:54,080 --> 00:47:57,040 I really, really like how they separated all the spaces. 978 00:47:57,040 --> 00:47:59,600 So we're not scared, but we're suitably impressed, 979 00:47:59,600 --> 00:48:00,840 I think it's fair to say. 980 00:48:00,840 --> 00:48:02,360 I think we've both hit the brief. 981 00:48:02,360 --> 00:48:05,560 Yeah. Yeah. There's nothing else we can do. Let's go. 982 00:48:15,600 --> 00:48:20,440 It's results day and the designers are back at Michelle's studio. 983 00:48:20,440 --> 00:48:23,160 This morning, feeling a little bit anxious, 984 00:48:23,160 --> 00:48:24,480 a little bit nervous, 985 00:48:24,480 --> 00:48:27,320 because any one of us could be on the sofa today, 986 00:48:27,320 --> 00:48:29,080 so I'm just keeping my fingers crossed. 987 00:48:29,080 --> 00:48:31,880 Hi! They're back! 988 00:48:31,880 --> 00:48:36,520 I'm quietly confident today that I will stand by my design 989 00:48:36,520 --> 00:48:38,360 and I'm happy with what I've achieved. 990 00:48:38,360 --> 00:48:40,000 Hi! Hello! Hi, guys! 991 00:48:42,160 --> 00:48:44,880 I'm just really nervous about the level of competition, 992 00:48:44,880 --> 00:48:49,760 but inside in that studio, I will be feeling quite queasy. 993 00:48:49,760 --> 00:48:52,560 Uh-oh. Hello! Hiya! 994 00:48:52,560 --> 00:48:55,080 I can smell fear! 995 00:48:55,080 --> 00:48:56,320 Yeah! 996 00:48:56,320 --> 00:49:00,320 Don't you all look nice in your glad rags? Get you! 997 00:49:00,320 --> 00:49:04,840 Well, I can tell you, Michelle and Linda were absolutely wowed 998 00:49:04,840 --> 00:49:07,400 by the level of design they saw. 999 00:49:08,520 --> 00:49:10,680 So let's hear their verdict. 1000 00:49:12,160 --> 00:49:15,640 There was one team they felt went above and beyond 1001 00:49:15,640 --> 00:49:18,080 what they expected to see. 1002 00:49:19,800 --> 00:49:23,360 They both said it looked like it had been designed by professionals 1003 00:49:23,360 --> 00:49:25,640 and they would be happy to work there. 1004 00:49:30,040 --> 00:49:33,840 Paul, Siobhan, Barbara, you're through to next week, well done. 1005 00:49:33,840 --> 00:49:35,280 Well done! 1006 00:49:35,280 --> 00:49:36,840 Oh, that's really good. 1007 00:49:36,840 --> 00:49:38,560 Off you go. Well done. 1008 00:49:38,560 --> 00:49:41,680 Relax. Well deserved, guys. 1009 00:49:41,680 --> 00:49:44,680 I know how it felt last week. It was horrible being on the sofa, 1010 00:49:44,680 --> 00:49:47,280 so this just feels like all the hard work has paid off. 1011 00:49:47,280 --> 00:49:50,800 So for the remaining teams, Beauty and Media PR, 1012 00:49:50,800 --> 00:49:54,680 the judges thought two designers also did enough 1013 00:49:54,680 --> 00:49:56,520 to avoid elimination. 1014 00:49:56,520 --> 00:49:59,360 And those two are... 1015 00:50:00,720 --> 00:50:02,560 ..Lynsey 1016 00:50:02,560 --> 00:50:04,160 and Charlotte. 1017 00:50:05,640 --> 00:50:07,080 You can go. 1018 00:50:07,080 --> 00:50:08,640 Thank you. 1019 00:50:08,640 --> 00:50:09,800 Well done. 1020 00:50:09,800 --> 00:50:11,320 Bye, guys. Good luck. 1021 00:50:11,320 --> 00:50:14,200 And for the rest of you, the judges would like to talk to you 1022 00:50:14,200 --> 00:50:17,520 to find out which one of you will be going home. 1023 00:50:17,520 --> 00:50:18,920 Good luck. 1024 00:50:18,920 --> 00:50:20,120 Thank you. 1025 00:50:23,400 --> 00:50:24,640 Well... 1026 00:50:26,040 --> 00:50:27,560 ..here we are. Here we are. 1027 00:50:27,560 --> 00:50:30,280 Feeling really mixed emotions right now. 1028 00:50:30,280 --> 00:50:32,920 I feel really happy that I'm through, 1029 00:50:32,920 --> 00:50:34,960 but really gutted for Amy and Jon 1030 00:50:34,960 --> 00:50:38,160 because we were a team, and it kind of brings it home, 1031 00:50:38,160 --> 00:50:39,920 it's an individual competition. 1032 00:50:39,920 --> 00:50:43,040 Now, the office spaces were so impressive. 1033 00:50:43,040 --> 00:50:45,240 How did you whittle it down to these four? 1034 00:50:45,240 --> 00:50:47,000 It was really, really hard. 1035 00:50:47,000 --> 00:50:49,000 We had to judge them individually, 1036 00:50:49,000 --> 00:50:52,440 and yet we saw three really coherent office schemes. 1037 00:50:52,440 --> 00:50:54,200 So who should we start with? 1038 00:50:54,200 --> 00:50:55,800 Let's talk about Amy first. 1039 00:50:55,800 --> 00:50:57,480 That was a bold move. 1040 00:50:57,480 --> 00:51:00,040 It was like a plywood Stonehenge. 1041 00:51:00,040 --> 00:51:03,400 I felt like you should pray to it or sacrifice someone on it. 1042 00:51:03,400 --> 00:51:05,000 It was so huge. 1043 00:51:05,000 --> 00:51:08,240 There's a fine line, really, isn't there, between having a big idea... 1044 00:51:08,240 --> 00:51:10,680 Yeah. It worked really well to zone the space, 1045 00:51:10,680 --> 00:51:13,400 but I think there's always a point where you get into that space 1046 00:51:13,400 --> 00:51:15,520 and you have to be able to go, 1047 00:51:15,520 --> 00:51:18,360 "I think I need to change it a bit because it's just too much." Yes. 1048 00:51:18,360 --> 00:51:21,920 And I just worry with her that she doesn't do that. 1049 00:51:21,920 --> 00:51:25,280 Can we talk about Jon's meeting room? Functionality wise, 1050 00:51:25,280 --> 00:51:26,800 it wasn't very successful. No. 1051 00:51:26,800 --> 00:51:29,680 Even though the idea of curtains was really lovely, 1052 00:51:29,680 --> 00:51:32,400 the execution and the fact that they were sheers, 1053 00:51:32,400 --> 00:51:35,800 that just didn't quite make it for a successful meeting room. 1054 00:51:35,800 --> 00:51:39,680 Now, where do you both stand on Peter's ping pong table? 1055 00:51:39,680 --> 00:51:41,360 I'm not a fan of ping pong, 1056 00:51:41,360 --> 00:51:44,000 especially not in a small office like that 1057 00:51:44,000 --> 00:51:46,640 where it can be so loud and so distracting. 1058 00:51:46,640 --> 00:51:48,080 He could have been cleverer. 1059 00:51:48,080 --> 00:51:50,960 We could have had the language of ping pong without it literally 1060 00:51:50,960 --> 00:51:54,080 being a ping pong table, which is fun for five minutes 1061 00:51:54,080 --> 00:51:55,400 and then intensely annoying. 1062 00:51:55,400 --> 00:51:57,680 Let's talk about Micaela's space. 1063 00:51:57,680 --> 00:52:00,360 That room really wasn't working, layout wise. 1064 00:52:00,360 --> 00:52:03,760 Because I was thinking, "Oh, God, I've got to take an exam!" 1065 00:52:03,760 --> 00:52:06,640 Oh, yes! Because all the desks were lined up like that, 1066 00:52:06,640 --> 00:52:09,680 but also the whole lot facing away from the door. 1067 00:52:09,680 --> 00:52:12,440 Just visualise the customer journey because you are going to enter 1068 00:52:12,440 --> 00:52:14,640 into this space and who is going to greet you? 1069 00:52:14,640 --> 00:52:18,440 It's just this ability to stand back and read the whole space 1070 00:52:18,440 --> 00:52:19,840 that I think she just missed. 1071 00:52:19,840 --> 00:52:23,160 But we have actually got so many questions we want to ask them. 1072 00:52:23,160 --> 00:52:26,120 I don't envy you, it's going to be so tough, isn't it? 1073 00:52:26,120 --> 00:52:27,160 Yes. 1074 00:52:34,000 --> 00:52:35,720 Hi. Hi there. 1075 00:52:35,720 --> 00:52:41,280 I have to tell you, you are already making this incredibly hard for me 1076 00:52:41,280 --> 00:52:43,240 to call it between any of you. 1077 00:52:43,240 --> 00:52:45,680 You have to know that the standard 1078 00:52:45,680 --> 00:52:48,920 that you are hitting is just extraordinary. 1079 00:52:48,920 --> 00:52:52,360 Nevertheless, one person will go home today, 1080 00:52:52,360 --> 00:52:55,800 so this chat is about me really understanding 1081 00:52:55,800 --> 00:52:57,760 your individual designs. 1082 00:52:57,760 --> 00:52:58,800 Jon. Yes. 1083 00:52:58,800 --> 00:53:00,800 I'm going to start with you. OK. 1084 00:53:00,800 --> 00:53:04,400 This was a chance to reinvent the office for the 21st century. 1085 00:53:04,400 --> 00:53:06,240 Do you think you did that? 1086 00:53:06,240 --> 00:53:09,120 Erm, in terms of a reinvention, probably not. 1087 00:53:09,120 --> 00:53:12,680 And certainly when we were given the brief to start with, 1088 00:53:12,680 --> 00:53:17,160 I did go into office mode of this is what should be in these places. 1089 00:53:17,160 --> 00:53:20,880 On the flip side of it, my other big idea was to show how much 1090 00:53:20,880 --> 00:53:22,920 I've grown from the last challenge 1091 00:53:22,920 --> 00:53:25,960 and try and be forward thinking in terms of the brief. 1092 00:53:25,960 --> 00:53:28,320 So I don't work in an office that has curtains 1093 00:53:28,320 --> 00:53:31,280 and I thought actually to soften that area, being able to shift 1094 00:53:31,280 --> 00:53:34,760 that away so you could use the space in four ways. 1095 00:53:34,760 --> 00:53:37,400 The one thing I thought - if the curtains 1096 00:53:37,400 --> 00:53:39,360 would have been a little bit thicker, 1097 00:53:39,360 --> 00:53:41,200 a little bit more soundproofing. 1098 00:53:41,200 --> 00:53:43,480 Yeah, if I'm fortunate enough to carry on, 1099 00:53:43,480 --> 00:53:45,240 that's a great thing to take away. 1100 00:53:46,560 --> 00:53:51,440 Amy, you put a very big idea into your space. 1101 00:53:51,440 --> 00:53:54,600 When it was built, was it how you imagined? 1102 00:53:54,600 --> 00:53:56,920 I probably should admit at this stage, 1103 00:53:56,920 --> 00:53:59,160 it was originally going to be twice that size! 1104 00:53:59,160 --> 00:54:01,640 So I'm very glad that I took it down. 1105 00:54:01,640 --> 00:54:04,040 How could that have been twice as big? 1106 00:54:04,040 --> 00:54:05,400 Where would it all have gone? 1107 00:54:05,400 --> 00:54:08,200 It was originally going to come a little bit further towards 1108 00:54:08,200 --> 00:54:10,760 Lynsey's area, so it was just a sort of longer L-shape. 1109 00:54:10,760 --> 00:54:12,600 The point of it was to create drama. 1110 00:54:12,600 --> 00:54:15,320 I wanted to kind of create a space that felt fun, 1111 00:54:15,320 --> 00:54:17,560 but still had that sort of sophistication. 1112 00:54:17,560 --> 00:54:20,320 Do you think people would really use it, though? 1113 00:54:20,320 --> 00:54:22,480 It obviously is a grown-up space. 1114 00:54:22,480 --> 00:54:23,880 It's not a playground. 1115 00:54:23,880 --> 00:54:25,840 No, it was about trying to be bold, I guess, 1116 00:54:25,840 --> 00:54:28,080 answering that part of the brief. 1117 00:54:28,080 --> 00:54:30,360 It seemed like you've seen this picture somewhere 1118 00:54:30,360 --> 00:54:33,440 and you really liked the idea, but you perhaps didn't consider 1119 00:54:33,440 --> 00:54:36,320 the constraints of the space with the ceiling height 1120 00:54:36,320 --> 00:54:39,800 and the fact that you have a fairly small space to fill. OK. 1121 00:54:39,800 --> 00:54:42,200 I was just wondering if you guys have ever discussed 1122 00:54:42,200 --> 00:54:45,120 how it could be utilised further, perhaps for storage space? 1123 00:54:45,120 --> 00:54:48,280 Yeah, that's something that I need to consider for next time. 1124 00:54:48,280 --> 00:54:52,640 I feel it could have worked a lot harder and it was way too big. OK. 1125 00:54:54,600 --> 00:54:59,800 Micaela, you have got to stand back and look at your room as a whole, 1126 00:54:59,800 --> 00:55:02,200 because I felt I was on detention. 1127 00:55:02,200 --> 00:55:05,080 Oh! Because I'm sitting there, I've got someone behind me, 1128 00:55:05,080 --> 00:55:07,640 I've got someone in front of me, I'm not facing the door. 1129 00:55:07,640 --> 00:55:10,760 I thought, it's nicer to be looking towards the window than 1130 00:55:10,760 --> 00:55:13,400 staring immediately at a colleague all the time. 1131 00:55:13,400 --> 00:55:14,920 That was my preference. 1132 00:55:14,920 --> 00:55:17,360 That doesn't encourage collaborative working. 1133 00:55:17,360 --> 00:55:19,960 Also, if anyone ever visits this office, 1134 00:55:19,960 --> 00:55:22,920 how would they feel about entering the space? 1135 00:55:22,920 --> 00:55:25,960 Who would greet them or what would their journey look like? 1136 00:55:25,960 --> 00:55:29,120 I hoped that when you entered, you wouldn't feel like, 1137 00:55:29,120 --> 00:55:31,520 you know, I don't know, you felt awkward. 1138 00:55:31,520 --> 00:55:34,400 But in an ideal world, I don't think I would have put 1139 00:55:34,400 --> 00:55:35,960 any of the desks back in. 1140 00:55:35,960 --> 00:55:38,280 I would have had something more fluid and curved. 1141 00:55:38,280 --> 00:55:40,680 What do you mean by in an ideal world? This was your brief. 1142 00:55:40,680 --> 00:55:43,600 That's one of the biggest learning curves, I think, of being a designer 1143 00:55:43,600 --> 00:55:45,920 that you get in there and it's the ability to go, 1144 00:55:45,920 --> 00:55:48,000 "I've made a mistake. I need to change this." 1145 00:55:48,000 --> 00:55:50,680 Sometimes it's about the thing you take off. 1146 00:55:53,000 --> 00:55:54,920 Ready? Sure, why not? 1147 00:55:54,920 --> 00:55:57,720 The ping pong table. OK. 1148 00:55:57,720 --> 00:56:01,880 Why? It's a clip-on, so it can come down really quickly. 1149 00:56:01,880 --> 00:56:03,120 I upholstered the benches. 1150 00:56:03,120 --> 00:56:05,720 You could fit six people working collaboratively 1151 00:56:05,720 --> 00:56:08,160 and also it's on trestle legs that can come up so you can work 1152 00:56:08,160 --> 00:56:09,440 standing around it as well. 1153 00:56:09,440 --> 00:56:12,080 The ping pong side was just because the brief did mention 1154 00:56:12,080 --> 00:56:13,400 having fun in the space. 1155 00:56:13,400 --> 00:56:15,560 When you start to think about, oh, actually someone 1156 00:56:15,560 --> 00:56:18,120 is going to have a ping pong match here, how am I going to be able 1157 00:56:18,120 --> 00:56:20,400 to work next door or have a meeting in the other room? 1158 00:56:20,400 --> 00:56:21,640 Yeah, of course. Yeah. 1159 00:56:21,640 --> 00:56:24,920 I think maybe there could have been a cleverer way to do it, then. 1160 00:56:24,920 --> 00:56:28,480 If you really were taking the concept of the fun idea 1161 00:56:28,480 --> 00:56:32,440 but actually its primary function was to be a standing desk 1162 00:56:32,440 --> 00:56:33,800 or a work table. Yeah. 1163 00:56:33,800 --> 00:56:36,480 I just didn't read that. 1164 00:56:36,480 --> 00:56:40,400 It's been a really tough decision this week. 1165 00:56:40,400 --> 00:56:43,480 In the end, in design, I think it comes down to this balance 1166 00:56:43,480 --> 00:56:47,680 between originality, ambition and also execution. 1167 00:56:48,880 --> 00:56:51,720 Does it all work at the end of the day? 1168 00:56:53,400 --> 00:56:55,280 So this week... 1169 00:56:57,480 --> 00:56:59,480 ..the person that's going to go home... 1170 00:57:05,080 --> 00:57:06,720 ..I'm sorry, Amy, it's you. 1171 00:57:12,840 --> 00:57:15,320 Amy, it's only the beginning, love. 1172 00:57:15,320 --> 00:57:17,440 I'm really sorry, Amy. I am, 1173 00:57:17,440 --> 00:57:21,400 because you showed me ambition, you showed me a big idea. 1174 00:57:21,400 --> 00:57:25,960 Just on the balance of things, it needed more adaptation. 1175 00:57:25,960 --> 00:57:27,240 Well done, guys. 1176 00:57:32,080 --> 00:57:35,600 For someone of her skill to go in week two, 1177 00:57:35,600 --> 00:57:38,200 but she'll have an amazing career. 1178 00:57:38,200 --> 00:57:40,680 I'm feeling ridiculously emotional, 1179 00:57:40,680 --> 00:57:42,640 but, yeah, just gutted. 1180 00:57:42,640 --> 00:57:45,920 I had lots more tricks up my sleeve and stuff I wanted to showcase, 1181 00:57:45,920 --> 00:57:49,320 but I'll do that, just somewhere else. 1182 00:57:49,320 --> 00:57:53,960 Amy gave me the big idea that I was asking for, 1183 00:57:53,960 --> 00:57:58,400 but you have to be able to take your concept and adapt it 1184 00:57:58,400 --> 00:58:00,520 and flex it to the space that you're given 1185 00:58:00,520 --> 00:58:03,480 and I just didn't feel that she did that. 1186 00:58:05,040 --> 00:58:06,600 It's like Beauty and the Beast. 1187 00:58:06,600 --> 00:58:09,080 The designers take on hotel bedrooms... 1188 00:58:09,080 --> 00:58:11,560 My room is going to be a slap in the face. 1189 00:58:11,560 --> 00:58:14,280 ..in an historic Sussex wedding venue. 1190 00:58:14,280 --> 00:58:15,920 Very Romeo and Juliet. 1191 00:58:15,920 --> 00:58:17,920 This is game on for me now. 1192 00:58:17,920 --> 00:58:20,320 There's an awful, awful lot to do. 1193 00:58:20,320 --> 00:58:22,800 This is a bridal suite, you're doing a Punch and Judy show? 1194 00:58:22,800 --> 00:58:23,880 Yes, I'm going to try. 1195 00:58:23,880 --> 00:58:26,240 I definitely need to be done by the end of the day. 1196 00:58:26,240 --> 00:58:28,680 This is going to go down to the wire. 101050

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.