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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:04,480 I've been here weeks, I tell you, weeks, 2 00:00:04,480 --> 00:00:07,040 getting this place ready for a whole new batch 3 00:00:07,040 --> 00:00:09,360 of interior-design enthusiasts. 4 00:00:09,360 --> 00:00:11,920 The things I've had to do with a paint brush... 5 00:00:14,560 --> 00:00:18,160 Ten aspiring designers are putting their lives on hold 6 00:00:18,160 --> 00:00:19,840 in search of a dream... 7 00:00:19,840 --> 00:00:21,080 Yes, I am talented 8 00:00:21,080 --> 00:00:23,680 and it's a great opportunity for me to showcase my talent. 9 00:00:23,680 --> 00:00:26,280 ..to break into the competitive world 10 00:00:26,280 --> 00:00:28,640 of professional interior design. 11 00:00:28,640 --> 00:00:32,800 You only live once, and what I absolutely love is being creative. 12 00:00:32,800 --> 00:00:36,440 With interiors guru Michelle Ogundehin at the helm... 13 00:00:36,440 --> 00:00:38,880 Everyone with a passion for design thinks they can be 14 00:00:38,880 --> 00:00:40,240 an interior designer, 15 00:00:40,240 --> 00:00:43,600 but I'm looking for someone 00:01:02,440 because I do love this room. 22 00:01:02,440 --> 00:01:05,400 This is what we're looking for. Fearless decorating. 23 00:01:05,400 --> 00:01:08,680 Each week, the designers will be challenged to transform 24 00:01:08,680 --> 00:01:09,880 a commercial space... 25 00:01:09,880 --> 00:01:11,960 Open the door, I'm coming in! 26 00:01:11,960 --> 00:01:14,520 Ugh! Thought you were going to squish my head there! 27 00:01:14,520 --> 00:01:16,600 ..to test their creative flair... 28 00:01:16,600 --> 00:01:18,560 00:01:43,440 ..as they compete to win a major career-defining contract 39 00:01:43,440 --> 00:01:46,080 with a luxury hotel in the Lakes. 40 00:01:46,080 --> 00:01:48,920 That would definitely be my absolute dream. 41 00:01:51,360 --> 00:01:53,960 Welcome to Interior Design Masters. 42 00:01:56,240 --> 00:01:57,440 ALAN SIGHS 43 00:02:06,520 --> 00:02:09,200 The designers assembling at Michelle's studio 44 00:02:09,200 --> 00:02:10,640 come from all walks of life... 45 00:02:10,640 --> 00:02:14,480 00:02:32,160 I put so much of my personality and myself in my designs for me, 52 00:02:32,160 --> 00:02:34,360 so I guess that's going to be the biggest challenge, 53 00:02:34,360 --> 00:02:37,440 to actually create something for somebody else. 54 00:02:37,440 --> 00:02:38,680 00:02:50,840 You've got yellow nails. 61 00:02:50,840 --> 00:02:52,320 Watch out, the colour is coming. 62 00:02:52,320 --> 00:02:54,880 There is definitely something about having children 63 00:02:54,880 --> 00:02:57,000 and going on maternity leave that has pushed me 64 00:02:57,000 --> 00:02:58,600 00:03:13,560 Interior design makes me feel alive. 71 00:03:13,560 --> 00:03:14,920 My heart beats. 72 00:03:14,920 --> 00:03:18,480 You know when you're stuck in a lift and the whole thing drops? 73 00:03:18,480 --> 00:03:20,600 It's that feeling that I get inside. 74 00:03:23,520 --> 00:03:26,360 Surprise! 00:04:10,600 So, I want you to think "sophistication and aspirational". 93 00:04:11,960 --> 00:04:14,840 Based in Oxford, these high-end contemporary homes 94 00:04:14,840 --> 00:04:17,960 have the potential to sell for £1 million. 95 00:04:20,640 --> 00:04:24,000 Working in pairs, each designer will have either a living room 96 00:04:24,000 --> 00:04:27,400 or bedroom to transform into a beautiful space 97 00:04:27,400 --> 00:04:31,720 that will appeal to a wide range of potential purchasers. 98 00:04:31,720 --> 00:04:34,680 After you've done your designs, the two weakest teams 99 00:04:34,680 --> 00:04:36,560 will have a face-off with Michelle, 100 00:04:36,560 --> 00:04:41,160 and then it's not good news for one designer - you'll be going home. 101 00:04:41,160 --> 00:04:43,160 So, that's it, challenge number one. 102 00:04:43,160 --> 00:04:45,160 Good luck.Good luck. 103 00:04:46,760 --> 00:04:49,920 With their individual room schemes already prepared, 104 00:04:49,920 --> 00:04:53,440 the teams share their plans with their partners. 105 00:04:53,440 --> 00:04:55,600 I'm so excited to see your design. 106 00:04:55,600 --> 00:04:58,480 00:05:08,600 and the things that make me go, "Woooo!" 112 00:05:08,600 --> 00:05:10,760 cos I think that's part of the fun of design. 113 00:05:10,760 --> 00:05:13,160 So, go on, tell me what you're doing. OK. 114 00:05:13,160 --> 00:05:16,840 Mum-of-three Amy is working with upholsterer Micaela. 115 00:05:16,840 --> 00:05:20,600 00:05:34,480 I want to use a seagrass wallpaper. I love the paper. 121 00:05:34,480 --> 00:05:37,480 That's my background, so that's what I'M really into. Fantastic. 122 00:05:37,480 --> 00:05:40,400 Also paired up are former doctor Peter 123 00:05:40,400 --> 00:05:42,400 and retail manager Paul. 124 00:05:42,400 --> 00:05:43,880 00:05:59,440 of that luxurious, beautiful hotel that you go to, 131 00:05:59,440 --> 00:06:00,920 but then you want to kind of stay. 132 00:06:00,920 --> 00:06:04,640 I was a doctor for eight years and then last year I decided 133 00:06:04,640 --> 00:06:06,200 that I really wanted 00:06:24,360 Because, for me, buying a bag for life is aspirational. 141 00:06:24,360 --> 00:06:27,520 It's a tricky one, show homes, because someone buying these houses 142 00:06:27,520 --> 00:06:30,080 is going to make a decision in seconds.Yeah. 143 00:06:30,080 --> 00:06:34,040 And they've got to get that balance between stunning them, 144 00:06:34,040 --> 00:06:35,320 but not shocking. 145 00:06:35,320 --> 00:06:37,960 00:07:15,040 If I have the control, I'll make sure the design work 158 00:07:15,040 --> 00:07:17,400 is exactly how I want it to be. 159 00:07:17,400 --> 00:07:19,120 I think with it being a show home, 160 00:07:19,120 --> 00:07:22,120 I think they will expect curtains, 00:07:39,720 Are you quite good to separate your personality from your work? 167 00:07:39,720 --> 00:07:42,040 No, I've never done it before because I've always 168 00:07:42,040 --> 00:07:43,440 been decorating in my house, 169 00:07:43,440 --> 00:07:46,200 so you're decorating for me and I love pink and I love, 170 00:07:46,200 --> 00:07:48,240 00:08:04,600 The idea was to divide the space, but not block the view. 178 00:08:04,600 --> 00:08:08,280 Also teamed up are former visual merchandiser Barbara 179 00:08:08,280 --> 00:08:10,680 and textile designer Charlotte. 180 00:08:10,680 --> 00:08:13,800 I am making a coffee table and a desk as well. 181 00:08:13,800 --> 00:08:15,960 There's a lot! You've crammed a lot in! 182 00:08:15,960 --> 00:08:18,520 00:08:31,520 and show homes aren't necessarily the place 189 00:08:31,520 --> 00:08:35,520 to put every cool, creative lighting idea or whatever that you have. 190 00:08:35,520 --> 00:08:37,920 Looked like you've done it really, really well, 191 00:08:37,920 --> 00:08:40,400 but is that the right full package 00:08:58,360 On the outskirts of the historic city, 199 00:08:58,360 --> 00:09:00,680 five identical luxury homes... 200 00:09:02,080 --> 00:09:03,480 It's huge, isn't it? 201 00:09:03,480 --> 00:09:05,160 The windows are massive. 202 00:09:05,160 --> 00:09:07,320 Each a blank canvas, 203 00:09:07,320 --> 00:09:10,160 ready to be transformed. 204 00:09:10,160 --> 00:09:12,040 Oh, my God. How are we supposed to...? 205 00:09:12,040 --> 00:09:13,800 Taking on a room each, 206 00:09:13,800 --> 00:09:18,200 the designers can choose to use the existing furniture or go bespoke. 207 00:09:18,200 --> 00:09:20,200 00:09:43,720 What is there to lose? Yeah. 218 00:09:44,800 --> 00:09:49,120 That window is a good size cos you can never buy extra natural light. 219 00:09:49,120 --> 00:09:52,600 In the first house, Peter's in charge of the bedroom... 220 00:09:52,600 --> 00:09:54,760 00:10:11,200 fabrics, bamboo, all to give depth and give that luxe feel. 226 00:10:11,200 --> 00:10:14,120 ..while team-mate Paul tackles the lounge... 227 00:10:14,120 --> 00:10:16,920 Wow. My living room. The view is incredible. 228 00:10:16,920 --> 00:10:18,720 Yeah, it's better than I actually thought. 229 00:10:18,720 --> 00:10:21,800 These walls are just 00:10:37,200 And then 261 minus 75. 236 00:10:37,200 --> 00:10:41,480 Next door, Micaela is using her upholstery skills to make an impact 237 00:10:41,480 --> 00:10:43,520 in the living room. 238 00:10:43,520 --> 00:10:45,560 The key feature of this room is the window, 239 00:10:45,560 --> 00:10:50,520 so I really want my statement piece, the chaise longue, to bring that 240 00:10:50,520 --> 00:10:53,720 00:11:09,080 I wanted a little bit of me in it, 247 00:11:09,080 --> 00:11:11,400 otherwise, what's the point? 248 00:11:11,400 --> 00:11:13,560 Oh... 249 00:11:13,560 --> 00:11:15,680 It's big. Isn't it? 250 00:11:15,680 --> 00:11:16,800 At the end house, 251 00:11:16,800 --> 00:11:20,760 architect Lynsey is paired with retail executive Jon. 252 00:11:20,760 --> 00:11:24,160 The curtains come to here 00:11:38,440 the panelling starts to kind of create that feeling of luxury 259 00:11:38,440 --> 00:11:39,760 and really large windows. 260 00:11:39,760 --> 00:11:41,440 I hadn't realised there's panelling there. 261 00:11:41,440 --> 00:11:43,880 Yeah, just to frame the piece 00:11:58,160 with loads of different textures and deep colours. 267 00:11:58,160 --> 00:12:02,760 In the bedroom, Jon's briefing his decorator on his colour scheme. 268 00:12:02,760 --> 00:12:04,840 This wall here is pink 269 00:12:04,840 --> 00:12:07,920 with a green block that goes up that wall. 270 00:12:07,920 --> 00:12:11,200 00:12:25,960 276 00:12:27,360 --> 00:12:30,760 My style, I think, is probably quite theatrical, dramatic. 277 00:12:30,760 --> 00:12:32,400 It creates an opinion 278 00:12:32,400 --> 00:12:34,880 and I like that about interiors. 279 00:12:34,880 --> 00:12:38,680 The thing that influences me 00:12:53,920 I don't think it's too pink. 286 00:12:56,400 --> 00:12:58,200 Yeah, I don't think it's too pink. 287 00:12:58,200 --> 00:13:00,400 I'm owning the pink. 288 00:13:00,400 --> 00:13:03,480 I have got the room divider coming from this point. 289 00:13:03,480 --> 00:13:06,320 I might need to have a think about what happens here 290 00:13:06,320 --> 00:13:08,560 00:13:35,600 If I'm coming in the room, 299 00:13:35,600 --> 00:13:38,040 it blocks off me seeing the room. 300 00:13:38,040 --> 00:13:41,040 It's called a room divider, but it really doesn't block 301 00:13:41,040 --> 00:13:42,640 any of the view into the room 302 00:13:42,640 --> 00:13:45,000 cos it's literally just the frame. 303 00:13:45,000 --> 00:13:46,320 00:14:07,960 In Charlotte's bedroom, her piece de resistance 311 00:14:07,960 --> 00:14:11,040 will be a navy feature wall with a 3D art display 312 00:14:11,040 --> 00:14:13,920 made from individual tiles. 313 00:14:13,920 --> 00:14:15,480 If they're all skewwhiff... 314 00:14:15,480 --> 00:14:17,880 I did lay these out at home, as well, I promise, 315 00:14:17,880 --> 00:14:20,000 but now you're here... Pressure! 316 00:14:20,000 --> 00:14:22,120 00:14:39,120 "It's not for you all the time." 323 00:14:39,120 --> 00:14:40,600 That's the bottom, yeah? Yeah. 324 00:14:40,600 --> 00:14:42,960 Bottom middle. Hoo-hoo! Exciting. How fun! 325 00:14:45,160 --> 00:14:46,680 Next door... 326 00:14:46,680 --> 00:14:48,440 This is going to be perfect. 327 00:14:48,440 --> 00:14:50,280 ..are Mona and Siobhan. 328 00:14:50,280 --> 00:14:53,480 And what I'm thinking with this 00:15:32,680 Like that! 343 00:15:30,440 --> 00:15:32,680 SHE LAUGHS 344 00:15:32,680 --> 00:15:35,240 Looks like I have ordered the right size. 345 00:15:35,240 --> 00:15:39,520 In the bedroom, Mona's planning to panel the whole of the back wall. 346 00:15:39,520 --> 00:15:44,320 The wood is cut because I wanted to make your and my days easier. 347 00:15:44,320 --> 00:15:46,720 00:16:06,640 I'm very confident that it will work out very well. 355 00:16:07,960 --> 00:16:12,360 Mona works as a set designer for an Iranian TV company. 356 00:16:12,360 --> 00:16:14,520 My roots are very important to me. 357 00:16:14,520 --> 00:16:16,440 The history and the pattern, 358 00:16:16,440 --> 00:16:19,560 everything is an influence in my design. 359 00:16:19,560 --> 00:16:21,160 00:16:33,720 It's important... 00:16:56,240 Apparently, it will take longer. 371 00:16:56,240 --> 00:16:58,800 Yeah, let's hope at the end it's actually what I want. 372 00:16:58,800 --> 00:17:00,920 I really hope that the outcome is good. 373 00:17:06,720 --> 00:17:09,560 Right, keep your eye open for this estate. 374 00:17:09,560 --> 00:17:12,080 It doesn't really look like Oxford, does it? 375 00:17:12,080 --> 00:17:14,320 I mean, I thought Oxford was like Hogwarts. 376 00:17:14,320 --> 00:17:16,280 Where's the wizards? Where's the people flying? 377 00:17:16,280 --> 00:17:17,800 Where's the owls? 378 00:17:20,000 --> 00:17:22,840 Oh! I think this will be the show homes. 379 00:17:22,840 --> 00:17:25,040 Yes, Michelle mentioned a lake. 380 00:17:27,240 --> 00:17:29,840 Time to see how the designers are getting on. 381 00:17:31,880 --> 00:17:34,880 Oh, hello, Paul, love. 382 00:17:34,880 --> 00:17:38,200 Hello.You decided to do the whole of the room in the wallpaper. 383 00:17:38,200 --> 00:17:39,840 Why would you do that? 384 00:17:39,840 --> 00:17:42,640 I just think it's time to change from the feature wall 385 00:17:42,640 --> 00:17:45,120 00:18:02,480 Well, listen, I'll leave you to your hanging. 394 00:18:02,480 --> 00:18:03,840 I'm glad you like it.Yeah, well, 395 00:18:03,840 --> 00:18:06,280 I don't like the mirrors, but you can't like everything. 396 00:18:06,280 --> 00:18:07,680 I don't like that shirt, but... 397 00:18:07,680 --> 00:18:10,440 Could maybe make a cushion out of it.Don't fall off the stepladder! 398 00:18:10,440 --> 00:18:11,840 See you later, Alan!Ugh! 399 00:18:14,520 --> 00:18:16,160 It's the middle of day one... 400 00:18:16,160 --> 00:18:18,160 Oh, gosh, it's getting some air bubbles in. 401 00:18:20,040 --> 00:18:23,280 Paint and paper are going up everywhere. 402 00:18:23,280 --> 00:18:25,000 Oh, I REALLY like it. 403 00:18:25,000 --> 00:18:29,120 The way, around the edges, it feels like it's a framed piece of... Yeah. 404 00:18:30,560 --> 00:18:31,640 Oh! 405 00:18:31,640 --> 00:18:33,440 00:18:52,080 but I want to make sure that, you know, this is the show stopper. 413 00:18:55,480 --> 00:18:56,960 Next door... 414 00:18:56,960 --> 00:18:59,520 Now, you see, why's that happened? 415 00:18:59,520 --> 00:19:02,360 So, that's a bit pink. 416 00:19:02,360 --> 00:19:05,360 ..Amy has a problem with her custom-mixed paint. 417 00:19:05,360 --> 00:19:06,920 It's too pink. 418 00:19:06,920 --> 00:19:08,120 00:19:24,720 The danger is I don't like it, Michelle won't like it, 425 00:19:24,720 --> 00:19:27,640 and it won't be a winning room - that's the danger. 426 00:19:27,640 --> 00:19:29,560 I think we need to kill it by at least half. 427 00:19:29,560 --> 00:19:33,600 00:20:08,720 Mona? 440 00:20:08,720 --> 00:20:10,080 What's this? 441 00:20:10,080 --> 00:20:12,000 I am making some artwork. 442 00:20:12,000 --> 00:20:13,400 Is that Michelle? 443 00:20:13,400 --> 00:20:15,960 Oh, my God, you're the first to guess it right! 444 00:20:15,960 --> 00:20:18,560 I thought I recognised that smile, yes! 445 00:20:18,560 --> 00:20:22,280 And you know what, I'm going to draw you, live, now. 446 00:20:22,280 --> 00:20:25,520 Oh, please! Be my model. 447 00:20:25,520 --> 00:20:28,040 Oh, naked, naked? 00:21:09,880 But, I'm going to be right up until the last minute tomorrow, for sure. 463 00:21:09,880 --> 00:21:11,280 Oh, God. 464 00:21:11,280 --> 00:21:14,120 I'm worried that it won't come together how Barbara wants, 465 00:21:14,120 --> 00:21:17,560 because not too much has gone up yet, 466 00:21:17,560 --> 00:21:19,760 00:21:42,320 Yeah. Because we were always going to be in a team. 475 00:21:42,320 --> 00:21:45,520 Yeah. You shouldn't plan too much if there's not enough... 476 00:21:45,520 --> 00:21:47,160 Yeah, yeah. 477 00:21:48,200 --> 00:21:49,920 With Charlotte distracted, 478 00:21:49,920 --> 00:21:52,800 Jon's taking the opportunity for a sneaky peek 479 00:21:52,800 --> 00:21:54,600 at the competition. 480 00:21:54,600 --> 00:21:57,240 00:22:14,040 You walk into my room and, you know, it's...pink. 487 00:22:15,560 --> 00:22:18,480 I'm being true to myself, and I'm now just questioning 488 00:22:18,480 --> 00:22:20,280 that I haven't done enough arty stuff. 489 00:22:20,280 --> 00:22:22,360 If we were all the same, it wouldn't work, would it? 490 00:22:22,360 --> 00:22:24,600 00:22:39,600 For me, it isn't. It's an expression. 497 00:22:39,600 --> 00:22:42,480 It's just that thing in my head that keeps saying, 498 00:22:42,480 --> 00:22:44,720 "You didn't do enough," 499 00:22:44,720 --> 00:22:47,280 and, um, I need to get rid of it. 500 00:22:52,200 --> 00:22:54,120 As day one draws to a close, 501 00:22:54,120 --> 00:22:57,680 some teams are feeling happy with their progress... 502 00:22:57,680 --> 00:22:59,200 The finish is amazing. 503 00:22:59,200 --> 00:23:01,040 You've got to be pleased with that, right? 504 00:23:01,040 --> 00:23:03,680 Yeah, I really am. Absolutely beautiful. 505 00:23:03,680 --> 00:23:06,400 Oh... If only I didn't have so much left to do. 506 00:23:06,400 --> 00:23:08,320 Oh, my goodness! 507 00:23:08,320 --> 00:23:11,320 00:23:26,960 I am slightly concerned where we're at at the end of the day, 513 00:23:26,960 --> 00:23:28,400 with the amount of painting. 514 00:23:28,400 --> 00:23:30,800 ..while others are feeling less confident... 515 00:23:32,360 --> 00:23:34,240 I'm not going to swear, but a lot to do. 516 00:23:34,240 --> 00:23:37,760 It's the prep work that 00:24:01,440 I've got quite a lot of things, you know, that kind of need doing. 525 00:24:01,440 --> 00:24:04,360 I'm feeling really confident. As you can see, a few sheets left to do, 526 00:24:04,360 --> 00:24:06,160 and that will be the whole room complete. 527 00:24:07,600 --> 00:24:09,400 00:24:33,520 Is it like a huge sigh of relief? 536 00:24:33,520 --> 00:24:35,480 Yes. Look at it. 537 00:24:35,480 --> 00:24:38,520 I'm happy that it's actually finally up. 538 00:24:38,520 --> 00:24:40,880 However, we don't have much time left. 539 00:24:40,880 --> 00:24:42,760 00:25:02,440 Hi Siobhan. Hiya! 546 00:25:02,440 --> 00:25:05,000 It's a bit hot for yellow leggings. 547 00:25:05,000 --> 00:25:07,320 I just wanted to bring a bit of colour, 548 00:25:07,320 --> 00:25:09,320 and I've made an error, really, haven't I? 549 00:25:09,320 --> 00:25:11,640 So, what is this? This is a pelmet. 550 00:25:11,640 --> 00:25:15,240 OK. So, this is going to be going 00:25:29,120 The last thing you need is me mincing along, chatting to you. 556 00:25:29,120 --> 00:25:31,040 Shall I leave you to it? Yes, please. 557 00:25:31,040 --> 00:25:33,600 Good luck, Siobhan. Thanks, Alan. 558 00:25:33,600 --> 00:25:36,840 Next door, at Barbara and Charlotte's house, 559 00:25:36,840 --> 00:25:40,360 Barbara's still working on her custom-built wooden frame. 560 00:25:40,360 --> 00:25:44,200 The purpose of the divider is to define the seating area. 561 00:25:44,200 --> 00:25:47,560 00:26:05,120 you've got furniture being made this morning, right? 568 00:26:05,120 --> 00:26:07,800 Yep. When you're painting it, 569 00:26:07,800 --> 00:26:11,360 can I take him to finish off some of the jobs I've got to do? 570 00:26:11,360 --> 00:26:12,880 Absolutely. 571 00:26:12,880 --> 00:26:15,800 00:26:34,440 Does that mean she's got loads to do? Still got loads to do, 578 00:26:34,440 --> 00:26:37,440 cos I did all of yours first, and now I've got to finish on hers. 579 00:26:37,440 --> 00:26:39,840 00:26:54,960 when actually I should be doing the big build next door. 586 00:26:59,000 --> 00:27:01,720 So, I'm using this fabric here, but I'm also picking it up 587 00:27:01,720 --> 00:27:05,640 in the cushions as well, just 00:27:24,640 What I didn't want, 595 00:27:24,640 --> 00:27:27,040 when you came in this door, for it to block the view. 596 00:27:27,040 --> 00:27:28,600 Ooh! 597 00:27:28,600 --> 00:27:30,960 This is a bit different to how it was before. 598 00:27:32,320 --> 00:27:35,160 00:27:51,440 the cushions and the bedside table, 605 00:27:51,440 --> 00:27:54,080 so it feels like it's a canopy over that - so it kind of frames it. 606 00:27:54,080 --> 00:27:56,720 Cool. When I walked into the room, 00:28:02,680 I just want to make sure there's enough walkway to get through. 609 00:28:02,680 --> 00:28:05,120 What I might do is remove one of my bedside tables 610 00:28:05,120 --> 00:28:07,040 cos it might be a bit 00:28:20,480 Now it'll just be about feathering it off 617 00:28:20,480 --> 00:28:23,480 and making sure it seems more purposeful. 618 00:28:23,480 --> 00:28:27,400 At the boys' house, Peter's preparing some hand-painted curtains 619 00:28:27,400 --> 00:28:28,760 for his bedroom. 620 00:28:28,760 --> 00:28:30,880 Peter! 621 00:28:30,880 --> 00:28:33,520 Hi.Look at YOU in your dungarees! 622 00:28:33,520 --> 00:28:35,320 What's going on? What is this? 623 00:28:35,320 --> 00:28:36,920 These are Peter's curtains, 624 00:28:36,920 --> 00:28:40,480 so basically, I wanted to embellish them by putting a border on them. 625 00:28:40,480 --> 00:28:42,920 Normally, you would get another fabric and sew it on, 626 00:28:42,920 --> 00:28:44,680 but because of budget and time constraints, 627 00:28:44,680 --> 00:28:46,760 00:29:02,680 but, actually, he's started painting curtains. 634 00:29:02,680 --> 00:29:06,360 I've never seen the like. Why would you paint your curtains? 635 00:29:08,680 --> 00:29:10,680 We'll put this one up first. 636 00:29:10,680 --> 00:29:12,760 Next door, good news for Barbara. 637 00:29:12,760 --> 00:29:15,680 Her room divider is ready to install. 638 00:29:15,680 --> 00:29:17,360 Nice. Looks good. 639 00:29:17,360 --> 00:29:18,960 Then we'll just spike and pin them. 640 00:29:20,960 --> 00:29:24,520 I would hate to have got to this point and be finished, 641 00:29:24,520 --> 00:29:26,680 00:29:49,440 bringing them up the stairs. 649 00:29:49,440 --> 00:29:50,920 Then I think we're good. 650 00:29:53,280 --> 00:29:57,200 A bed is very, very important. It's the heart of the bedroom. 651 00:29:57,200 --> 00:29:59,600 The heart of the bedroom. 652 00:29:59,600 --> 00:30:01,680 With Mona's bed finally complete, 653 00:30:01,680 --> 00:30:04,920 she can now focus on the finishing touches. 654 00:30:04,920 --> 00:30:07,200 Mona, what are you doing? 655 00:30:07,200 --> 00:30:08,880 It's embarrassing! 656 00:30:08,880 --> 00:30:10,360 I'm sweating here. 657 00:30:10,360 --> 00:30:12,360 Your earring's stuck to your face. 658 00:30:12,360 --> 00:30:14,760 You have not seen another woman sweating like me? 659 00:30:14,760 --> 00:30:17,880 I've never seen a woman sweat, you're right. 660 00:30:17,880 --> 00:30:21,720 So, listen, have you had time to do my caricature? 661 00:30:21,720 --> 00:30:22,960 Let's see. 662 00:30:29,120 --> 00:30:31,560 Oh, look! I mean, it so looks like me, 663 00:30:31,560 --> 00:30:34,280 I might just use it as my passport photo. 664 00:30:34,280 --> 00:30:36,960 Probably you should. Put me next to Michelle's. 665 00:30:36,960 --> 00:30:38,640 That's lovely, that is. 666 00:30:38,640 --> 00:30:41,040 You don't like it? No, I do love it. 667 00:30:41,040 --> 00:30:42,360 It was just a shock. 668 00:30:42,360 --> 00:30:44,880 I mean, I know my teeth are bad, but they ain't that bad! 669 00:30:44,880 --> 00:30:46,320 THEY LAUGH 670 00:30:48,520 --> 00:30:50,080 It's coming to crunch time, 671 00:30:50,080 --> 00:30:53,320 so I'm just like, I'm all of a bit of a tither, really. 672 00:30:54,600 --> 00:30:56,280 One hour to go... 673 00:30:57,960 --> 00:30:59,360 I'm getting there. 674 00:30:59,360 --> 00:31:01,920 ..and it's a sprint to the finish line. 675 00:31:01,920 --> 00:31:04,880 Is that bob-on? That's bob-on, that's where I want it. 676 00:31:04,880 --> 00:31:06,760 Yeah, busy busy. 677 00:31:06,760 --> 00:31:08,280 I'm definitely feeling excited, 678 00:31:08,280 --> 00:31:11,160 because all the things I've been 00:31:19,320 CLATTER! 683 00:31:16,960 --> 00:31:19,320 Oh, my God! 684 00:31:19,320 --> 00:31:22,200 SHE WHISPERS: Oh! I just burnt a bit of plastic on it. 685 00:31:22,200 --> 00:31:23,760 What do I do? 686 00:31:23,760 --> 00:31:25,320 00:31:54,040 Helping Michelle this week is guest judge and interiors legend 698 00:31:54,040 --> 00:31:55,760 Laurence Llewelyn-Bowen. 699 00:31:57,360 --> 00:31:59,120 People might think that a show home, 700 00:31:59,120 --> 00:32:01,200 because it's all kind of a blank canvas, 701 00:32:01,200 --> 00:32:04,120 is maybe an easier challenge, but it's absolutely not, is it? 702 00:32:04,120 --> 00:32:05,840 00:32:16,880 in comparable spaces. 708 00:32:16,880 --> 00:32:19,200 Each of the spaces is the same size and shape, 709 00:32:19,200 --> 00:32:23,200 so I'm hoping that we're going to get a real feeling of surprise 710 00:32:23,200 --> 00:32:25,680 and transition and difference between each one. 711 00:32:27,880 --> 00:32:30,280 First house to be judged, Peter and Paul's. 712 00:32:32,320 --> 00:32:34,320 Do you think you'll be finished in time? Of course. 713 00:32:34,320 --> 00:32:37,040 I'm just fluffing cushions. We're going to be done. Woo! 714 00:32:37,040 --> 00:32:39,160 Yeah, I think overall that looks really, really nice. 715 00:32:39,160 --> 00:32:41,120 I'm going to concentrate now 00:33:02,520 in papering all the four walls. 722 00:33:04,880 --> 00:33:09,000 Well, this is a transformation from a white box, isn't it? 723 00:33:09,000 --> 00:33:11,080 I'm quite excited by this colour palette. 724 00:33:11,080 --> 00:33:13,760 It's warming. It's quite masculine, isn't it? 725 00:33:13,760 --> 00:33:15,520 00:33:30,320 but he's kind of mixed his metaphors a little. 732 00:33:30,320 --> 00:33:32,840 I don't like the wallpaper choice at all. 733 00:33:32,840 --> 00:33:36,000 I think that it is quite overpowering for the space. 734 00:33:36,000 --> 00:33:38,360 00:33:54,160 I think that would have just lightened it a bit. 740 00:33:54,160 --> 00:33:56,040 The winner, winner, chicken dinner 741 00:33:56,040 --> 00:33:57,760 in here has to be the photograph. 742 00:33:57,760 --> 00:33:59,240 Would you not do that? 743 00:33:59,240 --> 00:34:01,480 I mean, actually, 00:34:25,600 I'm very confident, therefore, if I did end up in the bottom two, 750 00:34:25,600 --> 00:34:28,120 I would have more questions for them than they would have for me, 751 00:34:28,120 --> 00:34:29,560 I think. 752 00:34:29,560 --> 00:34:33,040 One of my favourite things is 00:34:39,440 You start with the wall finishes, the texture, the layering. 755 00:34:40,480 --> 00:34:41,680 And I love that. 756 00:34:41,680 --> 00:34:43,480 I think there's too much design in here. 757 00:34:43,480 --> 00:34:46,360 00:34:56,280 cos I'm standing in front of it. 763 00:34:56,280 --> 00:34:59,880 We've got a whole corridor of smears going down there! 764 00:34:59,880 --> 00:35:02,680 The window treatment lets the room down. 765 00:35:02,680 --> 00:35:04,680 Nice idea with the curtains. 766 00:35:04,680 --> 00:35:07,120 There's no authority 00:35:24,000 So annoying. Need to find a way of getting rid of these wires. 773 00:35:24,000 --> 00:35:26,720 Next to face the judges, Micaela and Amy. 774 00:35:28,240 --> 00:35:30,000 I'm unbelievably nervous. 775 00:35:30,000 --> 00:35:32,800 It's tough to know whether you've done enough. 776 00:35:32,800 --> 00:35:36,160 00:35:57,480 so I'm really proud of what I've done, 783 00:35:57,480 --> 00:36:01,240 but it's difficult with a show home, you've pared back your design a bit. 784 00:36:01,240 --> 00:36:02,960 I don't think I've played it safe. 785 00:36:04,360 --> 00:36:06,360 I love the way that it's been decorated. 786 00:36:06,360 --> 00:36:10,600 00:36:20,800 What's let it down 791 00:36:20,800 --> 00:36:24,120 is her understanding of how you design a room. 792 00:36:24,120 --> 00:36:26,000 Not enough analysis 793 00:36:26,000 --> 00:36:29,320 of how an ordinary family would use this room. 794 00:36:29,320 --> 00:36:32,520 Fine, if actually all your family 00:36:49,160 the soft-scaping, can pull her through. 801 00:36:52,360 --> 00:36:56,160 So much of my heart and soul has gone into that room, 802 00:36:56,160 --> 00:37:00,840 and I totally understand that some people will just not like my scheme. 803 00:37:00,840 --> 00:37:03,680 I'm just hoping Michelle and 00:37:34,520 so, black light fitting, black table. 815 00:37:34,520 --> 00:37:37,000 This is good. 816 00:37:37,000 --> 00:37:38,840 Barbara! 817 00:37:38,840 --> 00:37:42,200 You're taking some pretty intense angles right now. 818 00:37:42,200 --> 00:37:45,960 For Charlotte and Barbara, it's a race against time. 819 00:37:45,960 --> 00:37:49,240 Barbara! Where's Wayne? 00:38:07,680 Absolutely exhausted. 826 00:38:07,680 --> 00:38:11,400 I mean, I cannot believe how much I managed to get done, 827 00:38:11,400 --> 00:38:14,200 but it makes me think if I do get through to the next stage, 828 00:38:14,200 --> 00:38:15,800 I'm going to have to rethink. 829 00:38:15,800 --> 00:38:17,880 I'm going to have to really learn 00:38:35,400 And it distracts away from the cleverness 837 00:38:35,400 --> 00:38:37,280 of the colour blocking. 838 00:38:37,280 --> 00:38:41,280 I mean, that is such an ingenious thing to do in the corner of a room 839 00:38:41,280 --> 00:38:44,720 because it feels as if your eye is going up into a stairwell. 840 00:38:44,720 --> 00:38:47,960 00:39:08,680 Mine's different to everyone else's 847 00:39:08,680 --> 00:39:10,360 because I deliberately wanted it 848 00:39:10,360 --> 00:39:13,920 to be a really calm and serene place that felt luxurious. 849 00:39:13,920 --> 00:39:16,360 I went for that more simplistic look. 850 00:39:18,280 --> 00:39:21,320 Oh... I've found one of the things 00:39:39,680 we have come from this explosion of design next door, 857 00:39:39,680 --> 00:39:42,800 and now we're in a space where it just feels very, very redacted, 858 00:39:42,800 --> 00:39:44,280 it feels very pulled back. 859 00:39:44,280 --> 00:39:50,000 And there is a tailored restraint and serenity to what she's done 860 00:39:50,000 --> 00:39:54,080 00:40:06,520 00:40:22,360 and the bed in front of it, brilliant. 870 00:40:22,360 --> 00:40:23,720 Love it. Absolutely genius. 871 00:40:23,720 --> 00:40:27,200 And the casting of the shadows... Unbelievable. Very Instagram. 872 00:40:27,200 --> 00:40:30,520 But she has just then forgotten, 00:40:46,760 Mona's made a last-minute decision - 880 00:40:46,760 --> 00:40:48,800 she's binning the curtains. 881 00:40:48,800 --> 00:40:52,160 It IS a risk because everybody is expecting curtains 882 00:40:52,160 --> 00:40:55,080 and it's not a risk because I am true to myself. 883 00:40:55,080 --> 00:40:57,640 I stay to my style, 00:41:10,080 This is how a creative brain works. 889 00:41:10,080 --> 00:41:12,160 OK, yeah, I make it work. 890 00:41:19,160 --> 00:41:21,640 I've never really been judged before because I've always just 891 00:41:21,640 --> 00:41:24,800 kind of done my own house, so I'm the judge of that. 892 00:41:24,800 --> 00:41:26,640 Yeah, I think I've nailed it, 00:41:46,120 really rather pleasant. 900 00:41:46,120 --> 00:41:49,800 I like that I've got this lovely grey mushroomy colour behind me. 901 00:41:49,800 --> 00:41:52,520 There's lots of elements of extra style, 902 00:41:52,520 --> 00:41:56,240 but it's when I actually then dive into that style, 903 00:41:56,240 --> 00:41:59,040 00:42:15,760 with what is an incredibly urban, 909 00:42:15,760 --> 00:42:18,600 very, very metropolitan way of decorating? 910 00:42:18,600 --> 00:42:20,960 Does it work as a room in a show home? 911 00:42:20,960 --> 00:42:22,480 Interesting point. 912 00:42:26,960 --> 00:42:29,280 I'm happy it's done - "good" done, 913 00:42:29,280 --> 00:42:32,120 00:42:51,280 Mona is the first person we've seen so far to completely change the bed, 920 00:42:51,280 --> 00:42:53,040 but I can't help wondering why? 921 00:42:53,040 --> 00:42:55,840 Like, if you're going to do this big chunky panelled wall, 922 00:42:55,840 --> 00:42:58,840 00:43:13,000 So I've just moved the bed a millimetre. 928 00:43:13,000 --> 00:43:14,600 HE CHUCKLES 929 00:43:14,600 --> 00:43:17,320 Last pair to be judged, 930 00:43:17,320 --> 00:43:18,600 Jon and Lynsey. 931 00:43:19,640 --> 00:43:21,320 I've just made that worse, haven't I? 932 00:43:21,320 --> 00:43:22,600 No. 933 00:43:22,600 --> 00:43:25,640 I think the past two days have felt 00:43:51,160 something that you can't do yourself. 941 00:43:53,720 --> 00:43:56,440 Gosh. Oh, my. There's an enormous amount 942 00:43:56,440 --> 00:43:58,600 of design bang for the buck in here, isn't there? 943 00:43:58,600 --> 00:44:02,640 00:44:14,400 successful, because it's focusing your attention, 948 00:44:14,400 --> 00:44:17,120 compelling you to look out at the view. 949 00:44:17,120 --> 00:44:20,080 A tight palette, a touch dark for me. 950 00:44:20,080 --> 00:44:24,000 00:44:37,080 and she's pulled it off well. 956 00:44:40,720 --> 00:44:43,360 JON: I'm really pleased with my room and what I've done. 957 00:44:43,360 --> 00:44:45,560 I've learned a lot about myself, I've learned a lot 958 00:44:45,560 --> 00:44:47,960 about what I'm capable of. 00:45:05,720 I think he's shown you what you can do 967 00:45:05,720 --> 00:45:08,040 with some very, very simple moves, 968 00:45:08,040 --> 00:45:10,640 because we've seen kind of really full-on treatments 969 00:45:10,640 --> 00:45:13,800 behind the bed and panelling and lighting, 970 00:45:13,800 --> 00:45:18,960 00:45:31,720 You know, you look at Jon, you would never know that 976 00:45:31,720 --> 00:45:35,080 underneath Jon beats this heart of Joan Collins. 977 00:45:35,080 --> 00:45:38,360 He's restrained himself with this albeit quite bonkers wallpaper, 978 00:45:38,360 --> 00:45:41,000 00:45:53,520 Before the teams return to the design studio, 983 00:45:53,520 --> 00:45:57,360 there's time for a snoop around each other's show homes. 984 00:45:57,360 --> 00:45:59,000 Oh, my God! 985 00:45:59,000 --> 00:46:00,800 I can see Siobhan in here. 986 00:46:00,800 --> 00:46:02,640 SHE GASPS 987 00:46:03,840 --> 00:46:05,480 Oh, wow. 988 00:46:05,480 --> 00:46:07,560 This is next level. 989 00:46:07,560 --> 00:46:09,160 Oh... Oh! 990 00:46:09,160 --> 00:46:10,800 This feels quite Moroccan to me. 991 00:46:10,800 --> 00:46:14,000 00:46:31,840 It has made me more nervous. 1001 00:46:31,840 --> 00:46:33,560 Oh, my God. 1002 00:46:33,560 --> 00:46:36,480 Oh, my goodness. This is absolutely... 1003 00:46:36,480 --> 00:46:38,760 Oh, my... 1004 00:46:36,480 --> 00:46:38,760 SHE GASPS 1005 00:46:38,760 --> 00:46:41,200 Wow! I think looking at this, 1006 00:46:41,200 --> 00:46:43,680 mine just seems quite plain. 1007 00:46:43,680 --> 00:46:47,040 00:47:00,880 It's like a show home. 1013 00:47:00,880 --> 00:47:02,200 It's... It's perfect. 1014 00:47:06,040 --> 00:47:10,000 With a life-changing contract at stake, the designers meet back 1015 00:47:10,000 --> 00:47:11,840 at Michelle's studio. 1016 00:47:12,840 --> 00:47:15,040 Time for Michelle to make her final decision 1017 00:47:15,040 --> 00:47:19,480 on which designer will stay, and who will be going home. 1018 00:47:19,480 --> 00:47:22,320 I'm feeling pretty nervous today, actually. 1019 00:47:22,320 --> 00:47:25,080 00:47:44,240 didn't want to push too far. 1027 00:47:44,240 --> 00:47:47,480 And that might be a little bit of a regret for me. 1028 00:47:48,880 --> 00:47:50,360 Hello, everyone! 1029 00:47:50,360 --> 00:47:52,560 Why are you looking so nervous? 1030 00:47:52,560 --> 00:47:54,000 DESIGNERS LAUGH 1031 00:47:54,000 --> 00:47:56,920 Just cut the atmosphere - duh-duh-duh-duh-duh! 1032 00:47:56,920 --> 00:47:59,840 Michelle and Laurence were really impressed 1033 00:47:59,840 --> 00:48:02,000 with some of the designs they saw. 1034 00:48:02,000 --> 00:48:05,800 They felt some rooms in particular really met the brief. 1035 00:48:05,800 --> 00:48:09,320 These rooms were sophisticated and they were really on point 1036 00:48:09,320 --> 00:48:11,600 with what the client wanted. 1037 00:48:11,600 --> 00:48:15,480 Now, Jon, Michelle loved your simple but super-effective 1038 00:48:15,480 --> 00:48:18,720 use of colour and pattern. So, well done, Jon. Thank you. 1039 00:48:19,880 --> 00:48:24,800 And Micaela, Michelle loved your mix of materials, but she felt sometimes 1040 00:48:24,800 --> 00:48:28,760 you've got to just stand back and look at the bigger picture. 00:49:28,160 I'm so sorry for you. This must be soul-destroying for you, 1054 00:49:28,160 --> 00:49:30,640 because I know how much effort you put into it. 1055 00:49:30,640 --> 00:49:33,400 Michelle's going to have a chat with you and talk about 1056 00:49:33,400 --> 00:49:35,240 why it went wrong. 1057 00:49:35,240 --> 00:49:38,600 And then, sadly, one of you will be going home. 1058 00:49:38,600 --> 00:49:40,480 Good luck. Thank you. 1059 00:49:43,960 --> 00:49:46,160 QUIETLY: Oh, God. 00:50:02,880 So all the people that sort of fitted in the middle, 1066 00:50:02,880 --> 00:50:05,680 they're through. The people on either end, it's like, 1067 00:50:05,680 --> 00:50:08,000 "You went too far. You didn't give me enough." 1068 00:50:08,000 --> 00:50:10,840 I'm very surprised that you two... 1069 00:50:10,840 --> 00:50:12,320 00:50:30,000 And did you like the partition? The partition was unnecessary. 1077 00:50:30,000 --> 00:50:32,760 I liked the partition! Cos then she created that little space. 1078 00:50:32,760 --> 00:50:34,400 She'd done that anyway with colour. 1079 00:50:34,400 --> 00:50:37,520 It was much, much cleverer than that kind of rather flimsy 1080 00:50:37,520 --> 00:50:40,480 00:50:51,040 Now, Charlotte's room, I'm not going to lie, 1085 00:50:51,040 --> 00:50:53,520 every time I walked along those row of houses, 1086 00:50:53,520 --> 00:50:55,600 she was sitting on the drive. 1087 00:50:55,600 --> 00:50:57,480 Well, I think that's really interesting 1088 00:50:57,480 --> 00:50:59,920 because we loved her artwork. Oh, yeah. 1089 00:50:59,920 --> 00:51:02,440 But I'd like to know what Charlotte was doing. 1090 00:51:02,440 --> 00:51:03,920 You all right? I'm OK. 1091 00:51:03,920 --> 00:51:06,480 The competition was just so tough, 00:51:14,920 And then you kind of question yourself 1095 00:51:14,920 --> 00:51:16,640 a little bit, don't you? So... 1096 00:51:16,640 --> 00:51:18,120 What about Siobhan? 1097 00:51:18,120 --> 00:51:20,600 00:51:37,920 Was it deliberate or did she forget, 1105 00:51:37,920 --> 00:51:40,280 or did she just not think it was important? 1106 00:51:47,320 --> 00:51:50,640 Now, I know this is probably not where you want to be, challenge one, 1107 00:51:50,640 --> 00:51:53,840 you're in here in my office, 00:52:13,000 Siobhan, I'd like to start with you. 1114 00:52:13,000 --> 00:52:15,960 You love Art Deco and the '20s. 1115 00:52:15,960 --> 00:52:20,000 How was that appropriate for a very contemporary show home? 1116 00:52:20,000 --> 00:52:23,440 I kind of went down the route of a bit, like, glamorous, 1117 00:52:23,440 --> 00:52:24,800 like, luxurious. 1118 00:52:24,800 --> 00:52:28,800 00:52:41,920 A room in a show home has to be a commercial experience. 1124 00:52:41,920 --> 00:52:43,920 You have to know when to stop. 1125 00:52:43,920 --> 00:52:48,480 It's about you having the confidence to step back sometimes 1126 00:52:48,480 --> 00:52:53,680 from your style, but just sneak it in in a much more stealthy way. 1127 00:52:55,560 --> 00:52:59,160 00:53:15,120 Not just anyone could do. Mm. But it's drama - 1133 00:53:15,120 --> 00:53:17,840 the right word. Was drama in the brief? 1134 00:53:17,840 --> 00:53:20,320 Drama wasn't. But, yeah, you're right. 1135 00:53:20,320 --> 00:53:26,200 00:53:40,360 I think, really, ultimately, I should have pulled back on some 1141 00:53:40,360 --> 00:53:43,040 elements, specifically for show homes. 1142 00:53:44,200 --> 00:53:47,720 Mona, you were the only person that was brave enough 1143 00:53:47,720 --> 00:53:50,040 00:54:07,520 My gut was like, "I just make it because it's expected." 1149 00:54:07,520 --> 00:54:09,720 You could have left the curtains open. 1150 00:54:09,720 --> 00:54:13,080 I mean, the key word to me there is the expectation for a show 1151 00:54:13,080 --> 00:54:14,480 home is that it has curtains. 1152 00:54:14,480 --> 00:54:17,560 00:54:32,120 Start on the patches, start on the patches. 1158 00:54:32,120 --> 00:54:35,440 One of the things that interior design has to prove 1159 00:54:35,440 --> 00:54:39,560 to itself is its practicality. Do you think you delivered that? 1160 00:54:39,560 --> 00:54:42,920 Normally when I do a design, which would be normally for 1161 00:54:42,920 --> 00:54:47,600 00:55:08,480 painted a wall, and then just stopped. 1167 00:55:08,480 --> 00:55:11,280 My room being a more simple, calm space 1168 00:55:11,280 --> 00:55:14,040 was a conscious, deliberate choice. 1169 00:55:14,040 --> 00:55:17,320 00:55:30,240 So when I walked straight into your room, I did not 1175 00:55:30,240 --> 00:55:32,840 see your spectacular feature wall. 1176 00:55:32,840 --> 00:55:37,040 I saw the side of a really boring chest of drawers. 1177 00:55:37,040 --> 00:55:38,800 Mm-hm. Was that deliberate? 1178 00:55:38,800 --> 00:55:40,960 00:55:54,760 But I think I was just hot and I just... That's not a reason. 1184 00:55:54,760 --> 00:55:56,200 Have you done show homes before? 1185 00:55:56,200 --> 00:55:58,360 No, I've never done a full room. 1186 00:55:58,360 --> 00:56:01,640 What? Well, I think that that is quite telling. 1187 00:56:01,640 --> 00:56:05,720 00:56:25,120 to do something magnificent. 1193 00:56:27,960 --> 00:56:30,320 So, Siobhan and Barbara, you can breathe easy. 1194 00:56:30,320 --> 00:56:31,480 You get to stay. 1195 00:56:33,560 --> 00:56:35,560 Charlotte and Mona... 1196 00:56:35,560 --> 00:56:38,120 Charlotte, you've given me a very 00:57:04,600 However, Charlotte, what you did do showed me great quality. 1202 00:57:06,360 --> 00:57:09,760 So you get to stay and, sadly, Mona, you're going to go home this week. 1203 00:57:09,760 --> 00:57:10,800 OK. 1204 00:57:12,920 --> 00:57:14,440 Mona, it's just the beginning. 1205 00:57:14,440 --> 00:57:17,560 You're brilliant, you've got so much energy. Bye, guys. 1206 00:57:20,720 --> 00:57:23,080 00:57:40,960 Losing against all these other nine designers is just an honour. 1213 00:57:40,960 --> 00:57:46,000 Like, at least I have lost against them because they're all so amazing. 1214 00:57:46,000 --> 00:57:49,600 I knew that I made a bold decision to not go with a curtain. 1215 00:57:49,600 --> 00:57:51,200 00:58:08,880 Oh, it looks amazing. It looks so nice! 1221 00:58:08,880 --> 00:58:11,160 ..it's back to work... Ooh! 1222 00:58:11,160 --> 00:58:14,200 ..to transform office space... 1223 00:58:14,200 --> 00:58:16,440 ..in the capital. 1224 00:58:16,440 --> 00:58:18,800 We're building Wembley Stadium about here. 1225 00:58:18,800 --> 00:58:20,120 No! 1226 00:58:20,120 --> 00:58:22,840 I'm ready to see you now!

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