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Zulu
[singing]
[crying]
>> There was a man named Charlie Coward, an
ordinary soldier with an ordinary
background.
But sometimes there's a man who stands
out from the crowd.
He's more resourceful, more daring,
more determined than the others.
Sergeant Major Coward was one of these.
This is his story.
>> [music]
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[clears throat]
[music]
[music]
[music]
[music]
[clears throat]
>> Uh Carl.
Carl Joseph.
>> [snorts]
[snorts]
[music]
[music]
[music]
[music]
>> It just isn't safe.
WHO DID THIS? WHO ATE THE BACON?
IT'S THOSE BLEEDING MICE you've got
round here. You know, we nearly lost him
just now. You're in charge here?
Well, I WAS HERE. IT'S SABOTAGE. THIS IS
THE LAST TIME I TRAVEL BY THIS RAILWAY.
I'll tell you that FOR A START.
WELL, THAT'S NOT FIRST CLASS.
HEY, SARGE. That's an ammunition strike.
What shall I do?
I want to go
Oh, Mr. Porter,
WHAT SHALL I DO?
WELL,
THIS WAS HOME. HOME, SWEET HOME.
STILL, in comparison with those death
factories
or concentration camps, life here really
wasn't well, it wasn't too bad.
As a matter of fact, we even had our own
little palladium.
>> [cheering]
>> We were allowed letters from home,
sports, and above all, sometimes we got
parcels from the Red Cross. The food in
these packages often meant the
difference between getting by and going
hungry.
But, they also had another use.
The cigarettes, the chocolate, the soap,
and all that stuff
could all be used for bribing a goon.
Report to the recreation fields
immediately.
Report to THE RECREATION FIELDS
IMMEDIATELY.
I wonder what they're up to.
Good practice by the look of it.
YOU WILL LISTEN. YOU.
THE GERMAN GOVERNMENT HAS ALWAYS BEEN
MINDFUL OF THE DUTY OF THOSE AS
PRISONER.
BUT, THE GERMAN GOVERNMENT was shocked
to note that after the recent abortive
enemy raid on the seaboard of Dieppe,
many German soldiers were found
SHOT IN THE BACK, their hands having
been TIED BEHIND THEM.
THEREFORE,
THE GERMAN GOVERNMENT
has no alternative but to show its
horror
AT THIS BARBARIC TREATMENT OF ITS
SOLDIERS by making examples of THE
TERROR GANGSTERS
WHO PERPETRATE the uncivilized crimes.
God almighty.
They're going to shoot us.
In the future,
YOU WILL HAVE YOUR HANDS TIED
FROM 9:00 IN THE MORNING UNTIL 9:00 AT
NIGHT.
>> [laughter]
[cheering]
>> ALL RIGHT, YOU IN THIS DIGS.
TIE THEM UP AND SEE HOW FUNNY THEY FIND
IT.
You know, I think I know where to make
these blokes sorry they ever started
this.
It's good, eh?
Go to the latrines. Tell the others.
>> [applause]
>> Go to the latrines. Tell the others.
YEAH.
THANKS.
RIGHT. BACK THERE IN THE LINE. JOIN THE
QUEUE.
You built
What?
Do you see what I see?
Well, there must be 1,000 more to do.
Oh, 1,500 at least.
1,500, you think?
Yeah, easy. I suppose you're right.
We'll be here all night then, won't we?
Ouch.
This is my third time round.
I wonder how long before they start
remembering faces. They're looking at
our wrists AND OUR MUGS.
GOING TO GET DARK SOON.
YEAH, WE'LL HAVE TO BRING the candles
out.
I've got no candles. There are some back
there. No, you used them all up.
Everyone.
Heaven.
No, no, no. It's all right. It's all
right. You get on.
I go.
And so round and around we went. That's
one little game the Jerries didn't try
again.
>> [music]
[music]
[music]
[music]
>> JERRY'S MOVED UP.
IF THERE'S NO OTHER WAY HERE,
START A NEW TUNNEL.
Is there really any use IN TRYING AGAIN?
IT'S THEM BLASTED SUNKEN MICS that have
done us in.
The Jerries CAN PICK UP THE SOUND OF OUR
SHOVELS 15 EVEN 20 FT AWAY. BUT NOT 25.
THAT'S HOW deep we'll have TO MAKE IT.
THE TUNNEL WILL START IN HUT 110. THAT'S
A bloody long way from the outside.
280 ft to the trees BEYOND THE WIRE.
IT'LL TAKE 4 TO 500 MEN TO PULL IT OFF.
We'll need diggers, stooges, undercover
workers. How many will be in on the
escape? 100, MAYBE.
LOOK, YOU ALL KNOW WHAT THE KRAUTS SAID.
THEY'LL TAKE IT OUT ON ANY OF US LEFT IN
THE COMPOUND. SO 100 BLOKES, 100 BLOKES
GET THEIR BACKS UP. I DOUBT IT. AND THE
REST OF US TAKE THE RAP. YEAH.
YEAH, WITH OUR BLOODY HANDS TIED BEHIND
OUR BACKS FROM 9:00 TILL 9:00.
LOOK, have you gentlemen forgotten
YOU'RE SUPPOSED TO BE FIGHTING THIS WAR?
NOT SITTING ON YOUR BACKSIDES WAITING
FOR YOU TO FINISH? WELL, THERE'S NOT A
LOT OF FIGHTING YOU'LL BE DOING WITH A
BULLET IN YOUR BACK. AND THAT'S LIKELY
TO HAPPEN TO ANY BLOKE THAT GOES THROUGH
THAT TUNNEL. AH, they won't shoot you.
IT'S AGAINST THE RULES.
RULES, MY EYE. THAT WON'T WORRY JERRY
ANY. I'M STAYING.
JUST BECAUSE THERE'S NO TOP BRASS AROUND
HERE to give orders, IT DOESN'T CHANGE A
DAMN THING.
WE ARE SOLDIERS.
WE'VE GOT TO MAKE EVERY EFFORT WE CAN TO
ESCAPE. THAT'S OUR DUTY.
>> [applause]
>> HE'S LOOKING THIS WAY.
HOLD IT. HOLD IT. LISTEN. THIS TUNNEL'S
GOING TO GO THROUGH. IT'S GOING TO BE
DIFFICULT, DANGEROUS, AND DAMN HARD
WORK. YEAH, AND DAMN FOOLISH. NOW LOOK,
ALL RIGHT. Suppose we do get out. We get
caught anyway. Well, of course some of
us will get caught, BUT SOME OF US WILL
GET AWAY. AND WE'LL BE PULLING JERRIES
AWAY FROM THE FIGHTING TO LOOK FOR US.
HE'S HEADING THIS WAY. QUIET.
BUT IT'S WORTH THE RISK JUST TO GET OUT
OF THIS STINKING JOINT.
AS SOON AS HE'S GONE, WE'LL ASSIGN THE
JOBS.
Starting with the undercover workers.
COME ON, MATE. HURRY UP. HURRY UP.
>> [music]
>> A FACTORY OF UNDERCOVER WORKERS AND ALL
under an umbrella of lassitude.
A bored, frustrated, idle prisoners
miserably waiting for the war [music] to
end.
They converted old uniforms, blankets,
scrap material, anything they could lay
their hands on into civilian clothes.
The forgers laboriously copied
passports, travel papers, work permits.
They duplicated the cloth covers, even
the official seals.
Bits and pieces of information gleaned
from every possible source
were pooled in the making of maps.
Resourceful carpenters fashioned the
digging tools and pinched the wood to
shore up the tunnel.
But perhaps the most important of all
were the engineers.
The blokes who designed the tunnel
itself.
The workers were protected by an
interlocking system of stooges. All
materials could be concealed on a
moment's warning.
Dry runs got it down to a well, a
split-second basis.
25 ft below the surface
was a small room at the mouth of the
tunnel. Okay, Charlie.
Air for the diggers was supplied by a
very ingenious pump. The bellows were
made from kit bags ripped with wire.
The pipes which sent the air through the
tunnel were put together from tin cans
joined end to end.
Go and have a shower. I'll take over.
Up you go.
Mind how you go, boys. Carefully.
Right. Get moving.
Just empty that sack. Don't bring up any
more, boys. It's getting late. All
right. Quick, FRENCH. FRENCH.
GOOD.
BRING ME OUT OF HERE.
BRING ME OUT OF HERE. [screaming] BRING
ME OUT OF HERE. BRING ME OUT OF HERE.
INGOT, HOLD IT.
[ __ ] I CAN'T
I GOT TO GET OUT.
KEEP STILL.
>> [clears throat]
>> INGOT, KEEP STILL.
FOR GOD'S SAKE, STOP IT. YOU'LL BRING
THE WHOLE THING DOWN ON US. STOP IT.
>> I COULDN'T HELP IT.
I JUST STAY CALM AND I'LL GET YOU OUT.
Come on.
No, no. I wake up in a cold sweat.
THE SAME BLOODY DREAM OVER AND OVER.
TAKE IT EASY. I'M ALWAYS SITTING IN THAT
SPACE. CRAMPED. LIKE A BLOODY COFFIN.
ARE YOU ALL RIGHT? IT'S CAVING IN.
GET OUT.
IT'S CAVING.
THAT'S DIRT AND SAND POURING ON TOP OF
ME.
COME ON.
COME ON. COME ON.
I TOLD YOU.
DON'T COME DOWN. IT'S CAVING IN. PUT
YOUR BACK IN THERE NOW.
COME ON.
DON'T BE SCARED. GET OUT YOURSELF.
HOLD ON. NOW, PULL. CAN'T PULL.
NOW, GIVE ME YOUR ARM.
GIVE ME YOUR OTHER ARM.
GOT IT? YEP.
It's caving.
>> [clears throat]
>> Come on.
>> [laughter]
>> WHAT IN THE BLOODY HELL'S GOING ON? WHAT
HAPPENED DOWN THERE? COME ON. ANYBODY
OUT THERE? WHAT HAPPENED? IT WAS ALL MY
FAULT.
YOU'RE ALL RIGHT.
THE NOISE THAT WENT ON.
HE'S GOT CLAUSTROPHOBIA.
IT'S HIM WHO
got him to go down there than any OF US.
HOW THE HELL ARE WE GOING TO GET RID OF
ALL THIS STUFF? I DON'T KNOW. We must
flip and sand behind the walls, in the
eaves, under the buildings, spread it on
the field.
Some of you even shoved it down the
latrines.
In fact, there's only one place we ain't
stuffed it yet, and I might try that
next time I see old Schmidt.
Okay, Sid.
Over here WITH THE BALL.
LET'S GO.
JUST HAD A SIGNAL FROM HUT 112, A goon's
on the prowl. Heading this way?
>> Could be, not sure yet. Let's get
cracking. Hurry up, Peter. There's a
goon on the prowl.
It is a goon. And he is headed straight
for here. Get Coward. GOT THAT.
THE GOON'S COMING. QUICK.
HE'S NOT INSIDE, BUT WE CAN'T TAKE A
CHANCE. PUT THE stove back. Move it.
What about THE SAND?
>> PUT IT ALL BACK IN THE HOLE.
GO ON. HURRY UP.
WHAT ARE WE GOING TO DO NOW?
>> [music]
[music]
>> OH, CAPTAIN, I WAS HOPING I MIGHT SEE
YOU.
>> AH, YES, SERGEANT MAJOR. About your
request regarding more fuel for the
stoves.
>> Yo, it is pretty nippy in the huts in
the evenings now with all this snow and
everything. I thought the men might get
ill. I wanted to see for myself what
it's like in your hut.
>> Yeah. But it is war, and we give all
that is possible.
I'm afraid, Sergeant Major, your men
will have to run, jump, work, and keep
warm. So. Yeah.
SCHMIDT, HE'S GETTING CLOSER.
Frivolous claims we cannot make upon our
great people.
Please offer two for victory. Your RAF
is just little. Just nothing.
Compared with the destruction of Britain
with the Luftwaffe,
Lindsay, give me this very accurate.
>> Yeah. Accurate.
We would like to know. We will find out.
>> [music]
>> My orders are the RAF officers must be
questioned. They say new invention. No
nothing.
What is the matter of fact? As a matter
of fact,
there there is a new device, but oh,
well, 10 to 1 it's not the one you're
thinking of. So?
Well, when I was working at de
Havilland's just before the war, they
were experimenting then on a
uh on a secret bomb site. That is very
interesting.
Is it true, Sergeant Major?
>> Yes, yes, it's quite true. It's quite
true, but
>> [music]
[music]
>> What you have is very [music] secret.
Of course.
>> [music]
[music]
>> Morning, sir.
Morning, sir.
Morning, Captain.
You see it is cold in here, Sergeant
Major.
It is hot.
Too hot.
Look at the men. They're sweating.
All of them are sweating.
Sweating because of the heat.
More fuel.
No time FOR SUCH NONSENSE.
THAT'S A REAL BEAUTY.
I DON'T THINK EVEN OLD Himmler could
tell which is which.
If it had a photo. Yeah, if it had a
photo.
Ooh, ooh, look who's coming.
And he's in this direction, too.
He couldn't have seen the permit, not
from that distance. We'll soon find out.
Herr Oberleutnant wants to see you.
Come.
I don't like the sound of that. Neither
do I.
Look, if we can bribe a goon into giving
us a permit, why not a camera? Boys,
I've already pooled our cigarettes,
chocolate, soap. We've got a goon on the
hook, we just haven't got any bait. We
can't wait for Red Cross parcels.
We've got to bribe those goons with
something. Well, you wish me luck. I'm
on my way.
Well, Sergeant Major, this is Hauptmann
Nikki, who wishes to talk with you.
I should like a few words with you.
Herr Oberleutnant, I don't think we need
to detain you. Thank you.
Now, do sit down, Mr. Coward.
Thank you.
Tell me, are you fairly comfortable in
camp?
Well, it's
a bit lonely, you know.
I miss the pubs, but
otherwise, it's all right. Lamsdorf is a
far cry from London, I'm afraid.
Still,
we can be generous, Mr. Coward, as you
will find.
The more intelligent of us have great
respect for the British.
A lovely, comforting thought that is. I
taught in London for a couple of years.
Did you live there?
No.
No, not in London.
Just outside, near the the Havilland
works.
Not far away.
Can you forget for a moment that I am a
German?
Frankly, I'd find that a bit of a job.
I'll have a go.
Why?
You know, don't you?
What was your job in the factory?
Oh, I had all sorts of jobs.
Dummies, sometimes.
Prototypes.
Things like
the experimental bomb site?
No, not exactly.
You heard about it? Oh, yes.
I heard about it, all right. From whom?
Friends, like, you know.
Did they show you anything? Show me
anything?
This was top secret. Will you be
sensible and cooperate?
I'll try.
Cast your mind back and try to recall
the
anything at all about it that you can.
I'm not very good at um
I'm not very good at describing things.
But you could sketch the idea?
No, I can't draw a straight line. I can
just manage a noughts and crosses.
But you could try.
We can piece it together.
Let's start right away.
Look, this is a hell of a thing you're
asking me to do. You realize that, don't
you?
Now, what's in it for me?
What do you want?
First of all, [snorts] I want your
personal word that none of this reaches
the ears of the British government,
right?
And
and
double rations for all the men. Double
rations? All right, then. Cigarettes,
soap, chocolate. I'll settle for that.
This is to us a difficult request,
but perhaps it can be arranged.
That's all.
Milk chocolate.
Marvelous.
Do you want a little piece? Ah, don't be
so greedy. Have a little bit.
What is it, Swiss? Bavarian.
From the Bavarian Alps.
>> It is delicious. Still, there's nothing
like a good cigarette.
>> [sighs]
>> Hey. Unless it's freshly brewed coffee.
Hey.
>> [laughter]
>> Look here.
Yeah.
Best of luck. Pay attention. All this
can be yours. A lot.
But the camera.
No. No, no, no. We
>> [laughter]
>> don't want just a camera.
I want film, developer, printing paper.
No, no, NO, IT'S IT'S TOO DANGEROUS. You
mean it's more dangerous than you
lending me your work permit?
Oh, but this is different. IF THEY
SEARCH ME, I'm supposed to have a work
permit. Oh, yes, I know you are. You're
supposed to.
You're not going to give it back?
Well, I don't know.
That will rather depend, doesn't it?
But the camera. [laughter]
No, I CAN'T DO IT. YOU'RE ASKING too
much. All right, well, I'm afraid we
shall have to go to the camp commandant.
It's a pity. Yes.
You've been trading with prisoners. And
we've got three witnesses, haven't we?
Now,
one of you
You'll be sent to the guardhouse. You'll
be sent to the Russian front.
>> Unless he's very unlucky and gets sent
to a firing squad instead.
>> Yeah. Would they do that to him? Of
course. Of course they would.
All right. All right.
I see what I can do.
Oh, but
I I permit all charges. Permit charges?
Yes. Yes.
On delivery. On delivery. Yeah. Anyway,
take these two on account, see? Pop them
in your pocket. Take them over to
Brunel. That's off you go. There's a
good boy.
What time is it? Hey? What time is it?
Uh
20 past. Well, I've got a very important
meeting with some gentlemen from the
Luftwaffe.
In a few moments, as a matter of fact.
You don't mean you're going to show them
that lunatic plan of yours? It's not a
lunatic plan.
Jerry Walsh could give me a hand,
wouldn't he? He actually worked on the
bomb site?
Oh, no. He he
didn't work on it, but
Well, he's an engineer, you know.
He can make it look a bit more
plausible. Now, look here, Charlie. It's
one thing fooling Schmidt and Necker. I
mean
Well, they don't get the brainy boys to
run a POW camp. Besides, they're not
technicians. But the Luftwaffe
>> Oh, no. I know. But it's just a matter
of Well, spinning this thing out as long
as we can. Well, it might spin you right
into a bloody concentration camp. Yeah.
Yeah, I had thought of that nice
possibility.
A bit late, isn't it?
Anyway, can you two blokes think of any
better way of getting the loot to bribe
the goons with?
No.
So, this has got to do the job for us.
Now, like every uh every brilliant
invention, this is really very simple.
Uh a vent a vent leads from the nose of
the aircraft back this down to this kind
of a vein. And then the air comes in
down here and turns it round like so.
>> Mhm. Well, at the start of every bombing
sortie
this master pointer here is set to any
of the targets you see on this dial,
like Essen, Dortmund, Frankfurt, you
know. Yeah. Yeah. Well, then
This VEIN THEN TURNS
REPORT TO THE RECREATION FIELD
IMMEDIATELY.
Report to the recreation field
immediately.
Well, now what's happened? They've
discovered the tunnel. Oh, The old one.
Not ours.
THIS WILL NOT DO.
YOU ARE CHILDREN TO IMAGINE YOU CAN
outwit the forces OF THE GERMAN ARMY.
EVEN IF YOU DO MANAGE TO CRAWL THROUGH
YOUR RIDICULOUS TUNNELS
you cannot possibly get back to Britain.
IT IS TOO FAR.
BUT WE'VE ALREADY TAKEN THE BOARDS FROM
YOUR TUNNEL.
AND TRUCKS. HEAVY TRUCKS
WILL RUN BACKWARDS AND FORWARDS OVER THE
TOP UNTIL IT IS ALL
CAVED IN. [screaming]
>> [laughter]
[music]
>> I WELL, I WAS GOING TO ASK YOU.
NOW, WHAT'S UP?
NOW, what are they up to? The big brass
has been here before, but nothing like
this.
Attention, please.
Attention, please.
Sergeant Major Howard.
Sergeant Major Howard.
You are wanted by the commandant.
Perhaps they want you to have tea with
Hitler.
And if they do, I'll get you an
invitation, too.
Tell him I only take three lumps of
sugar, though.
All right.
What do you want?
Holland and Rhine.
SERGEANT MAJOR, HERE, PLEASE.
HOWARD, WE ARE NOT entirely satisfied
with your story.
I'm very sorry.
I don't understand that, I'm sure.
Sergeant
I suggest that this this contraption of
yours is complete fabrication from THE
BEGINNING TO END. WELL, I KNOW what you
mean, SIR. DO YOU TAKE US FOR IDIOTS,
SERGEANT MAJOR? NO, OF COURSE NOT, SIR.
NO, NO. Don't deny it. These gentlemen
here left important work merely to find
that your so-called bomb site is
absolute nonsense.
Are you calling me a liar? Don't use
>> no, no. Listen to me. If you're calling
me a liar
first of all, you force a YOU FORCE A
PRISONER OF WAR TO COMMIT AN ACT OF
TREASON. A FORCE.
>> YES. FORCE.
>> [snorts]
>> OH.
ACCORDING TO THE TERMS OF THE GENEVA
CONVENTION SHUT UP.
>> [screaming]
>> SHUT UP.
QUIET.
A TOAST
TO THE SERGEANT MAJOR'S RETURN TO OUR
FOLD.
THEY GIVE HIM 90 DAYS, HE'S OUT IN 10.
>> [laughter]
>> THAT'S HOW JOLLY.
THE COMMANDANT AND I THE COMMANDANT AND
I are like that AT THE MOMENT.
WE WE MADE A LITTLE DEAL TOGETHER. DEAL?
What kind of a deal?
Oh, well, I
I agreed to head a work detail.
At a ruddy lumber mill, no less.
That's why you were let out of solitary.
Yeah. It wasn't for his health.
And they made it too easy for him. Them
Jerries are up to something, if you ask
me.
>> [laughter]
>> Yeah. Where Where are they sending you?
Poland.
Where in Poland?
>> I don't know. Breslau, I think.
I think.
Oh, well, I'm going with him. You what?
>> I volunteered. Well, somebody's got to
keep an EYE ON HIM.
TO BILLY POPE AND THE SERGEANT MAJOR.
>> [music]
[music]
[music]
[cheering]
[music]
>> SOUNDS LIKE YOU'RE WALKING INTO
SOMETHING, CHARLIE. HOW WOULD YOU SAY
THAT? It's a bit late now. I hope I'm
wrong. I hope you're wrong, too.
If I am
there might be a way you can turn all
this into an advantage.
>> Yeah, well, I thought of that myself.
You see, we need more things for the
escape. More [music] detailed maps,
latest timetables. Yeah, well, I've got
a list of all those things. You see, I
worked it out that a prisoner of war
would be a bit more free in a prison
camp like that rather than this sort of
a place.
Considerably more.
Under some conditions, they'll allow a
POW into town. With a guard. Yeah.
Even without one.
Really?
You see, um
we have a possible contact in Breslau.
With the Polish underground.
In Breslau? Mhm.
Blimey, that's a coincidence.
That could mean something. It could mean
a bullet in the head for you. And you
get this straight.
When you're fooling with the
underground, you're no longer considered
a POW but a spy.
Yeah.
>> [music]
>> Do you uh
Do you know who the contact is? Well,
the person's connected in some way with
um optometry. With what? Uh
Well, you know, glasses.
>> Oh, yeah. Yeah, I know. I know.
>> [music]
>> And the password is cleaning cloths.
Mhm? Cleaning cloths? That's all we
know.
>> [music]
>> Not much to go on, is it? Dangerously
little.
It could be a trap.
>> [music]
>> Anything.
>> [music]
[music]
[music]
[singing]
>> Not locked.
This way is easier.
Well, well, Sergeant Major.
Let me welcome you to the camp. Come.
We will try to make your stay agreeable.
What's all the red carpet and all?
>> If you will cooperate with us, Mr.
Colliert, we will cooperate with you.
Yeah, eh?
Now, perhaps
Um, where are the men?
Yeah, I'd like to meet them and get them
bedded down. Of course, Mr. Colliert.
Come, please.
After you, Mr. Colliert.
The Sergeant Major last one was very
good man. He get men work very hard. I
like.
I make Sergeant Major nice spirit.
We friends, too, eh?
Well, that depends. Yeah, Sergeant
Major.
How do you like?
You mean you're going to give me a room
to myself? YEAH, YEAH. AND SPECIAL
RATIONS. You eat with us. Yeah, yeah.
Yeah, yeah. But where do the men sleep?
They sleep over there. They are lazy.
They need good Sergeant Major work them.
>> [music]
>> All right.
I understand you've got a spare bunk
here.
Uh, I like this one.
>> [music]
>> I like this if you don't mind.
And look, mate, if it's all right Okay.
WHAT ARE YOU DOING?
ALL RIGHT, CHAPS.
>> [music]
>> THIS IS A FUNNY KIND OF A WELCOME.
WELL, THEY all doing all right, are
they?
Bloody Hitler.
What's it all about?
I'm Sergeant Major Colliert. Would you
mind explaining what the trouble is?
LOOK, FOR THE LAST TIME, WHAT'S THE
TROUBLE?
ALL RIGHT.
I'LL TAKE YOU ALL ON.
One at a time.
And that goes for you, too, JACKER. DROP
THAT.
>> [screaming]
[music]
[music]
>> WE KNOW WHY YOU'RE HERE.
PLAN TO WORK THE FREEMEN AND GET YOUR
CUT OUT OF US. LIVE LIKE A LORD
YOURSELF.
Get everything you want FROM THAT FAT
SLAG of an under officer.
Break a head of you tried it.
This slag of his kisser LIKE GROUND
MEAT.
AND WHO'S NEXT?
THE JERRY'S TOLD US ALL about you. How
you got their blasted interests at
heart. And that you're worse than the
other bloke would have thought of then.
You see, I told you they was up to
something. They made it too easy. Yeah,
they want one of these blokes to do me
in and save them the bother. And you
know why? Because he's been giving them
too much trouble. Yeah, I'm going on
giving them too much trouble, too, and
you're going to help me. A great new
chapter starts from tomorrow.
My first problem was to get to town
without a guard.
Without a guard.
Without
a guard.
Gradually, an idea began forming in my
mind.
I noticed that with Germanic precision,
the under officer in charge of the
lumber camp lit his pipe every day at
the same time
and at the same place.
It's funny how many fights there were
amongst the POWs.
Blokes made it look pretty real, too.
And they did divert attention.
Soon we'd got more petrol stashed away
than a whole refinery.
There was petrol in the fire buckets,
in the extinguishers,
even in the emergency water tank, and
all for a purpose.
We waited for the first hot day.
Everything was rigged.
Waiting for a match.
A match carelessly tossed.
What are you doing? WE'RE TRYING TO
CHOKE THE FIRE.
USE THAT, NOT THE WOOD.
GET BARRELS.
LOOK, BLANKETS.
WATER.
WATER.
LET'S GO.
LET'S GO.
SORRY, CAPTAIN.
CAPTAIN, I CAN'T DRIVE A TRACTOR.
>> GET UP.
NOT MUCH LONGER.
>> [music]
>> EXCUSE ME, SIR. CAN I HAVE A WORD with
you?
>> [snorts]
>> Well, I just um
I just hope you don't think that we had
anything to do with this very nasty
business here behind us.
I mean, everybody saw you start that
match in the wood pile, you know. It was
accidental. Spontaneous wood sort
combustion.
>> Now, look, you know very well it wasn't
an accident, and you know it wasn't
combustion, now don't you?
Well, then.
But we think you're a very nice old
bloke, and I'm going to have a talk to
the men and see if they'll Well, keep
quiet about it.
Yeah, yeah. Yeah, but I want a favor
from you in return.
Oh.
What?
Well, I'm not getting enough freedom at
the moment, if you know what I mean, and
I would like to go into town without a
guard. No escapes. No what? No, no, no,
no, no escapes, no escapes.
I'll give you my word of honor on that.
And a British officer never, never,
never changes his word of honor. As an
officer of the glorious Third Reich, I
accept the solemn word of honor of a
British soldier. Well, it's very nice of
you. Thank you.
But you don't try to escape. No, no, I
won't escape.
Rest assured, I won't escape.
Hey, Charlie. Yeah. What happened? You
get it? Yeah.
All without a guard?
>> Well, you know, he's in a spot. I said
I'd speak to the blokes and ask them to
keep quiet about it. But you don't trust
him, do you?
>> Well, of course. What else could he do?
He could have you shot in the back.
>> talk like that. You get caught in town
without a guard, he'll get you for
trying to escape.
He will, and no messing.
Straight up.
Yeah, straight up. You bloody will now.
>> [music]
>> Ja, [music] bitte.
Um
uh glasses.
Kommen Sie mit.
Nehmen Sie Platz, bitte.
Versuchen Sie bitte die Buchstaben zu
lesen.
Uh O W P T L Z B D G H R O C S E
F E P A K.
Noch einmal.
Hm?
Noch einmal, bitte.
O W P T L Z B D G H R O C S E E P F A K.
There's nothing wrong with your
eyesight, Major. They're perfect.
>> [music]
>> It's your memory that's bad.
Well, I don't really understand that.
You'd forgotten on the first run-through
it was not the F and P that caused you
difficulty, but the E and F.
There's not much wrong with your memory,
is there? Or your English. Why did you
come here?
Um
Would you like a cigarette?
Yes, please.
Uh what what's your name?
Irena will do.
Mine's uh Coward, Charlie Coward.
Something wrong?
No, no.
I was just surprised to see a woman
optician, that's all.
And why not?
No reason.
How very fortunate for you, Mr. Coward,
that they should allow a prisoner of war
to town without a guard.
Well, you know about the honor system,
don't you?
For special prisoners, of course.
Of course.
Very special.
Oh, I know what it is. You think I'm one
of those Jerry stooges, don't you? From
up at the lumber mill.
>> [bell]
>> It's none of my concern, Mr. Coward.
Please excuse me.
Auf Wiedersehen.
Ihre Kleider. Danke schön. Einen Moment.
Danke.
Auf Wiedersehen. Vielen Dank.
Well, Mr. Coward. I wanted to know if
you could help me to get some materials.
Materials?
Cleaning cloths.
That's a very strange request.
Could you help?
Such luxuries are hard to come by.
I'm afraid there's nothing I can do for
you. Well, there's just one other thing,
then. Good day, Mr. Coward. Do you know
if there's another optician in the town?
Yes. There is one other.
But if you don't wear glasses, why do
you want cleaning cloths? Would you mind
giving me the address, please?
I'll do better than that. I'll take you
there.
>> not necessary, really. It's very kind of
you, but it's not not a bit necessary.
But it might be difficult for you to
find it by yourself.
Where'd you learn your English?
I'm sorry, I forgot something.
I'll be right back.
>> [music]
>> I promised to phone a customer.
Oh.
What about your English? I've been for
about 1 year in London. Oh, what were
you doing? Refraction work at a clinic.
Oh, where?
You're very inquisitive, Mr. Coward.
Well, you don't mind telling me, surely.
Well, um at an eye hospital. Oh, which
one? The one in Kensington?
That's right. Oh, I know.
It's in Marlo's Road, isn't it? Yes.
You know, I don't know whether to chance
it and make a run for it and get a
bullet in my back, or tag along with you
to the Gestapo. I'm a Gestapo agent?
>> Yeah, and a very stupid one. You've
fallen for a very old trick.
I described to you perfectly the
location of a hospital, St. Mary's
Hospital. How interesting. And the eye
hospital is in Soho, not in Kensington.
Not the one I referred to, Mr. Coward. I
referred to Moorfields Eye Hospital,
that's on City Road. And for your
information, Sergeant Major, you
described the location of St. Mary
Abbot's Hospital.
However, a
an understandable confusion. St. Mary's
is in Paddington, opposite the station.
Yeah, well.
Maybe you're right.
It's in Praed Street. Shall I describe
the building? No, no, thank you. No, I
know it very well, thanks.
As you said, Mr. Coward, it's a very old
trick. But it works two ways.
>> Well, it's like a broken coin, isn't it?
I mean, the two pieces fit together.
Not entirely.
The shop is over there, and again, Mr.
Coward,
a good day.
Incidentally, you'll find that
optometrist a loyal Nazi.
Oh, Irena.
Irena.
All right.
I haven't got very much time to play
around any longer.
Are you with the underground?
May I offer you some advice, Sergeant
Major?
It's so dangerous for a prisoner of war
to linger in town for too long. You
should know better than your privileges.
I've been overdoing them already.
Every visit to town counts.
Exactly. What do you need, Mr. Coward?
Look,
everything that's on that list, maps,
timetables.
Verdammt noch mal.
Das ist doch viel schlimmer als wir
dachten.
Hau und lauf jetzt hier.
He looks a bit angry, didn't he? Wie
werden Sie das alles erklären? Es war
die Hitze. Es explodierte von sich
selbst. Die Hitze explodierte von sich
selbst? Sie werden eine Erklärung
abgeben, hier auf der Stelle.
Oder ich werde Sie erschießen wie einen
Hund.
>> [whistles]
[whistles]
>> Komm her.
This man is a prisoner of war.
How dare he go to town without a guard?
How dare he come here sauntering like it
was his own private club?
What is the meaning of this?
>> I just had some personal business to do
in town.
So, how have I not officially
accommodated you?
Don't be too hard on him. He's only
trying to be a good scout. Good scout?
HE'S PERFECTLY ALL RIGHT.
He had my word. I gave him my word of
honor.
You thought dumb dang lender.
Now, just what about this fire? Things
always happen when you are around. What
do you know about it? How did it start?
It was the heat combustion. I'm asking
you again, Mr. Conrad. What happened? I
saw it start. A pile of logs, they
just went poof. Exactly. What happened?
It burned down.
Our next assignment was in the railroad
repair yards.
The buildings were of brick and steel
and completely fireproof.
However, to show their good intentions,
the POWs went about their work with a
soul-stirring display of willingness and
boundless energy.
The Jerries were delighted.
Of course, there were one or two things
they didn't know about.
A carload of green paint consigned to a
concentration camp would suddenly be
shunted to the Russian front.
While the carload of canned meat
intended for the front
would go to the concentration camp.
Propellers for a submarine base
would head for the farmlands.
And plows
to the submarine base.
Watch it.
Okay.
I'm counting the bolts on the the guard,
THE ARM GUARD.
GOOD.
For this sabotage, you will be shot.
All of you. Several times.
The visor was made of cardboard polished
with boot black. Insignia carved from
wood and covered with tin foil. The coat
was cut from a blanket with the fuzz
shaved off and blackberry jam from the
Red Cross parcels boiled down and the
strainings used as dye. The boots cost a
tin of cigarettes and two uh cakes of
soap.
All carefully hidden
between the walls
until
until the first delivery of our repaired
cars.
Yeah, what's the jam for over there?
That do Reuben.
Hi Hitler. Hi Hitler.
He may have suspected something. I'm not
sure.
>> I know. And the German uniform, where
did you get it?
>> at the camp made it for me. It doesn't
fit anywhere, but it just had to do. Did
you have to take such a terrible risk?
>> me, it was the only way to get here. I
get the papers.
You didn't give us much time.
We're being moved out. What happened?
It's too involved to tell you.
But if I'm right,
we'll be shipped back to Lamsdorf
tomorrow.
We did the best we could.
>> That's marvelous. There's maps and
timetables.
Everything we need. Thank you.
Did you set the date? I mean, for the
escape?
>> We're aiming for the 26th. That's the
night with no full moon. How do you get
to the border? By the dawn train from
Lamsdorf the next morning.
But if you don't speak German, you don't
have any chance.
>> I'm sure.
>> [music]
[music]
[music]
[music]
[music]
[music]
>> How far do you think you're going?
>> The part of me knows.
All right.
Show us your papers. Yeah.
WHAT ABOUT US?
>> [screaming]
>> HEY.
HI HITLER.
HI
>> [applause]
>> WHERE HAVE YOU BEEN?
WHERE do you think I've been?
Come on, get cracking. Get weaving. Now.
Ah, good. GOOD. SOUNDS GOOD.
WHY DO I DO ALL THE WORK AROUND HERE?
You're blimey, you're fit. Maybe you've
GOT A SPLINTER.
COLE.
HERE COLE.
DO YOU KNOW WHAT I JUST heard in there?
They were saying who do you think you're
talking to. Don't you have to get out of
your pocket. Do your collar up.
What do you think you are on your
father's yacht? What do you want? I was
just going to tell you about the news,
that's all. What news?
Charlie Coward's on his way back.
Charlie Coward's on his way back? Yeah.
Where'd you get this? I was just
sweeping up in the office there. It came
over the telephone.
That's a turn up for the book, isn't it?
It's uh
I wonder if he got the maps and
timetables. Now, even if he did, how's
he going to get the past inspection?
Charlie.
We're nearly there. Yes, I know we are.
Come on, I'll think of something. I
always get my best ideas just before the
dawn. Yeah, well, don't look now, mate,
but it's daylight. I said I'd think of
something.
Hey,
where are they?
What? The papers, where are they?
They're with me, Kit. In your kit? Me
kit is me clothes, what's the
difference? They'll search everything.
Kit, clothes, down to the skin, for
they're finished.
You know what's wrong with you?
You're still worried about that girl,
aren't you?
Of course I am.
I left her in a terrible hole.
I shouldn't have done it.
From the look of things, it might bloody
well all be for nothing, too. you tell
me, for God's sake. Well, I'm lucky.
>> [snorts]
>> I'll tell you what we'll do.
We'll pull the old switcheroo, Guy.
We don't You mean I've got to find
another bloody fit? fit. You'll have a
fit. You drank Marvel's. Yeah, I know.
All right, if they found these papers on
me, they'll know they came from the
underground. Where else could I have
gotten them from?
But they still have to trace them back
to her.
I shouldn't have done it to her.
I really shouldn't. In a bit.
No, it's all right. I shouldn't have
done it.
COME.
HALT HERE!
DOWN ON THE GROUND!
REMEMBER TO KEEP AHEAD.
DOWN! STAND STILL! DOWN!
DON'T STAND!
DOWN! DOWN!
DOWN! STAND!
STICK YOUR HANDS UP!
OPEN YOUR KIT BAGS!
>> [laughter]
>> He's having a fit. THIS IS COME ON, GET
HIM OFF THE FLOOR. QUICK.
HE'S ONLY DOING THIS,
IT'S THE FOOD.
You're all right.
All right.
>> [applause]
>> Come on.
You've got his kit.
Oh, have I?
Name is Adams, sir.
I'm sorry, sir.
I fainted.
I'll be all right now.
GO TO THE NEXT ROOM
AND STRIP!
HALT!
TAKE YOUR CLOTHES OFF!
HALT!
STRIP!
WHAT NOW?
YOU DO WHATEVER I DO.
HURRY UP!
START SCRATCHING. SCRATCHING?
>> IT.
It's you again!
First of all, you tried to make idiots
of us with your ridiculous
What's the matter with you? Hey?
Lice.
And I warn you, if you think you can go
on
Lice?
Oh, terrible.
I've got it.
But it's Andrew's mower.
Look, once
There it is.
Don't move.
Missed. GET OUT [screaming] OF HERE!
BOTH OF YOU! OH, TIGHT.
>> [music]
>> ON THE 22ND,
THE ESCAPE COMMITTEE SWUNG INTO ACTION.
A strange, electrifying tension crept
through the compound.
It was nearing that crucial day,
the day set for the tunnel break.
November 26th. Well, we're stopped.
Shillings walking east between 118 and
119, heading for the generator house. By
the 23rd, the stooges had been
quadrupled, and a vast system installed
for checking the movements of the goons.
The undercover factory was put on an
all-out basis.
Work permits, travel papers, everything
had to be stamped the 26th. Okay.
Just help me with this.
>> Yeah, stick it on the chair. All right.
So, what? Don't just stand there. Grab a
pen. We haven't got much time left. On
the 24th,
a group leader was assigned to every 12
men.
I was one of them.
Anybody else here who only speaks
English? Yes, sir.
Let me bring the whip to you. And it
goes, "Stand to attention! STAND UP WHEN
YOU'RE talking to me!"
Well, you go up with Robinson, then
he'll do the talking for both of you.
Now, you'll need maps, timetables,
money, travel permits. They'll all be
fixed and arranged. You know, we'll work
out the details later. Sounds good. Yes,
sir. Who's next?
Jim Marshall, sir. I intend to get to
the Czech border on foot.
Yeah, well, you'll need maps and a
compass.
You speak any other language?
No, sir.
Aren't you the bloke that was against
this idea in the theater that time?
Yes, sir, that's right. And what's given
you a change of heart? Thought for a
nice little holiday, didn't you? No,
sir. I was
I've been thinking about what you said.
You know, about being a soldier and duty
and all that. Well, all I know is he's
done a lot of work on it.
He's our chief engineer.
Well, that's my game, isn't it? That's
what I used to do in civilian street.
Dig tunnels.
>> All right, all right, we don't want your
life history. Yes, sir. You take a
chance on him?
Yes.
All right, you're on.
Thank you very much, sir. Now, what's
your story? Well, I thought if I'm
trying to move down south On the 25th,
each group leader held a final dress
rehearsal.
What's your name? Jacques de Vivier.
Where are you employed?
>> Zahl Industries, Hamburg, 8359
Bergstrasse. Here's my permit and letter
from the company. When did you start
there? July 16th, 1942. And where'd you
come from? Uh uh Lyon, number 77 Rue
General Pelissier. My wife's name is
Yvonne, we have three children.
What's your name? Otto Metz. Here,
Charlie.
This is the schedule for tomorrow night.
Go through which might want to brief the
men on it.
>> Yeah, thanks.
This is the schedule.
Every 30 seconds, starting at 7:00 p.m.,
a man will be dispatched to hut 110. By
20:30, all 180 should be there, ready to
go.
Each one of you will be given the
precise second at which you are to leave
your hut, the precise route, and the
precise moment of your arrival.
Well, what about the chaps who bunk in
10? I mean,
the ones that aren't going. Well,
they'll change over with the ones that
are going. All right?
Yeah.
All right.
Now, that's the end of the first dummy
run. Now, remember, on the night, behave
as if it was all perfectly normal.
You've got to be absolutely natural.
>> [music]
>> 15 seconds left.
Good luck.
See you at Piccadilly Circus.
See you.
>> [music]
>> That's it, Pringle.
Now, let's see.
18 men leave from the other huts. You'll
be the next to go from here, Martin.
In 9 minutes.
>> [music]
[music]
>> Right.
Skill, you're up.
Pringle. Yes, sir. Right.
Good luck, Pringle. I won't let you down
this time, Charlie. Right. Sir.
I promise I won't. I know you won't.
Hence to get you out.
Well, that's it. We've checked every
bloody inch of shoring your bloody
length of that tunnel. But they're not
guaranteeing anything.
Bankers laid. Car with a motor washer.
My name is Paul Vandrick from Amsterdam.
I'm an attorney. How's your German? I'm
fine. Gut zu Hamburg. Well, I hope it's
all right for your sake, and I know what
it means.
From your heart?
Yeah.
You
You'll see her again. Sure of [music]
that.
You all right?
Yeah. Mhm? Just want to get going,
that's all.
>> Yeah, we all do. You'll all be [music]
going soon enough.
You all right? It's the waiting that
gets you. Yeah, I know, doesn't it?
You'll be off.
>> [music]
>> Hoffmeier and Krosman have almost
completed their rounds. Good.
That's Hoffmeier out of the way. He's
out of the guard room.
Right on schedule.
>> [music]
>> My name's Krosman. He's also out of the
guard room. There are no more goons
patrolling the huts. Good.
I'm on my way. Safe home. Thanks.
some. Great. Right.
23rd, yeah? Yeah, I know.
Have they all arrived?
This is the last man, the Connelly? Yes,
sir. All right.
Now pay attention.
As you know,
Charlie Coward goes first. He'll make
the break through at the other end.
We've left 2 ft of earth to the surface.
Now, if everything goes according to
plan,
he'll come out in the pine grove.
Just a couple of points before we start.
It's going to be very tricky going
through this tunnel with all your gear.
So, whatever you do, don't whack the
shoring.
Don't even brush up against it.
Otherwise, we shall have a disaster with
the whole lot collapsing in on top of
us. Second point is, those going by rail
will leave first. They've got very tight
time schedules to fill.
The first 20 men will wait in the tunnel
until I've broken through.
We aim to get one man out every 4
minutes.
The rest of you will wait here
in this hut
until your names are called.
Well, after all that,
this is it.
So, good journeys. Keep moving.
And good luck to you. Good luck, mate.
Good luck, mate.
Okay. All right. Poop. Here.
Here you are, mate. Your last will and
testament. All right. Cheers. Cheerio.
Bennett. Here.
Here you are, Bennett. Good luck,
Bennett. Thank you, sir.
Good luck, mate.
You take the high road, and I'll take
the
Campbell. Here.
Foyle. Sir.
Davis. Sir.
Okay, mates.
You'll make the 20th, and it for the
moment.
>> Yes, sir.
All right, Charlie.
No,
I've s-
struck a
a root.
TIME TO MOVE IT.
>> [snorts]
>> CHARLIE, THE THE AIR DOWN HERE IT IT'S
GETTING BAD.
WELL, DON'T WASTE IT TALKING, THEN.
I never said a word.
>> [cough]
>> Krosman suddenly left the guard room.
He's starting back this way.
Krosman left the guard room. He's
starting back this way. Krosman Krosman
left the I can't really be bothered
about half A BLOCK UP. KROSMAN left the
guard room. Of all nights for this to
happen. Just because he left the guard
room, it doesn't mean that's how he's
going to come in this hut. What must he
be doing? What's he up to?
Charlie, I I can't come and give you
air.
No, stay where you are.
You can see there's only room for one up
here.
>> [clears throat]
>> Krosman's still headed this way. What do
we do? Just wait here like sitting
ducks? What else? There's no way to
cover up.
>> Not 180 blocks in all this rig. Look.
Maybe we could just make it if we chuck
all these clothes and gear on the shot.
You want the 20 men in the tunnel to
suffocate? And that's what would happen
if you put the soil back over the hole.
>> DON'T WE JUMP THE GOON THE MINUTE he
comes in? And how long do you think we'd
get away with that?
>> They check on the goons every few
minutes.
>> Quiet. All of you.
>> [cough and clears throat]
>> Charlie, this air's getting very bad.
I I won't last longer.
I don't know.
You'd better warn Cole.
You got pencil, Bennett?
Yeah? Yeah.
Here.
Here's quick, Bennett. Pass it back.
Here's a note, mate. Coward's having
trouble.
Pass it back.
Coward's having trouble. Pass it back.
Pass it back. Pass it back. Coward's
having trouble.
Pass it back. Coward's having trouble.
Looks very bad, boys.
Krosman seems to be heading straight for
this hut.
>> He must be suspicious. So many men
coming in and out of here. It's always
that much activity when we have a party.
But this doesn't seem a bit like a
party.
Wait a minute.
Doc's right.
You mean a party? Yeah. It's a long
shot, but it's worth a gamble. Come on,
BOYS. A PARTY. SING. COME ON.
>> YES, COME ON.
I NEED ALL OF YOU HERE.
>> [chanting]
[chanting]
[music]
[cheering]
>> HEY, YOU. YOU'RE DRUNK.
YOU'RE DRUNK.
WE'LL GET YOU, STAHLSCHMIDT.
QUIET.
QUIET.
QUIET. [screaming]
>> [music]
>> HEY.
It's It's darling.
>> [music]
>> Yeah.
>> [music]
>> DARLING IS BROKEN THROUGH.
THANK GOD FOR THAT. PHIL.
NOW, listen to me.
We miscalculated.
He comes out this side of the trees.
40 ft from a goon tower. Oh my god, no.
Yeah.
And listen.
The first chap who gets out gets into
the trees, see?
Soon as he sees it's all clear, he
chucks a pebble into the hole. That's
the signal for the next bloke to run.
All right? Yeah. You've got it in your
silly head now? Yeah. You're quite sure?
>> Yeah. Right, then.
Pass it on.
Innes. Right.
Okay, Robinson.
Come on. Come on.
Are you all right?
No.
No, I'm not all right.
And I'm not going.
Who are you going with? I'm to join
I'm to join Osmond at the station. Well,
go on. Get going.
Look, I don't want to get a bullet in
the back. This war can't last forever.
You've been teamed up with Pringle. He
can't speak French. HE'S DEPENDING ON
YOU.
>> WITH HIM.
THE HELL WITH A LOT OF YOU.
A MAN LIKE THAT WILL BE NO USE TO
PRINGLE.
>> OR TO ANYONE ELSE.
How about it, Pringle?
I'm on my way. When do we go?
Get a few more out first.
>> [music]
[music]
[music]
>> Robinson pulled out on me.
What?
What?
He wants to take a chance on my French.
Come with us. I'm afraid I can't do
that. It's much too dangerous.
>> [snorts]
>> You better replace Robinson and go with
him.
And dump you? You have no choice.
I know my French is lousy, but without
it you don't stand a chance. Oh, no.
Should've thought of that before.
Well, I'm off. See you at the Rose and
Crown.
Watch it.
>> [music]
[music]
[music]
[music]
>> Thank god you're all right. He's only
got a few seconds to talk. Elizabeth,
what are you doing here?
You told me about this cape, the 26
Lamb's Dock.
You're crazy, your majesty. You should
never have come here, but
I'll never forget you for it.
Thank you.
They won't look for an escaped prisoner
if he's traveling with a woman.
>> can't come with me right now.
If they search you, I have nothing to
If they catch you with me with this
cape, they'll shoot you.
Whenever I talk German to you, say "Ja."
Please. It's too dangerous. It's
dangerous to talk English here.
Mein Gott.
Köln ist ausgebombt. Was steht in der
Zeitung? Gib ihm die Zeitung, Liebling.
Äh, entschuldigen Sie.
Meine Gläser sind zerbrochen. Ich ich
ich ich ich ich ich ich kann nicht
lesen. Bitte lesen Sie mir es vor. Was
steht da drin?
Ach,
nichts Besonderes. Ein ganz normaler
Angriff.
Liebling, ich bin hungrig. Wollen wir
nicht essen gehen? Ja.
Where are we going? The dining car. I
had to get you away from that old man.
No space.
All in.
All going in.
This is good.
Do you think we got away with this?
I'm not sure, but
we'll find out as soon as we reach
Vienna.
No, no, no, no. Just stay here a minute.
But not for long.
We're supposed to be in the dining car,
remember? I didn't like that way that
old man looked at us.
He could be here any second. We could be
caught at any second.
And never see each other again.
Did that mean much to you?
Yes.
All I can do now is get your ticket
straight through to Budapest and
see you safely aboard.
Elizabeth.
When this war is over,
I'm going to come back and try and drag
you out of trial. I promise you.
You'd better start, majesty.
We must go now.
It's not safe for you here on this
station.
They always check up on people. I think
I'll better go ahead and get your
ticket.
All right.
But I'll give you the money.
Will 50 do?
I'll follow you.
Bitte Vorsicht nehmen an der
>> [music]
>> In the entire history of mankind.
Finally, when the allies closed in, we
were driven relentlessly further and
further to the west
until one day Billy Pope and I managed
to escape somehow and
we posed as workmen
cleaning up the rubble.
All right, put your hands over your
head.
Look behind you.
Hello, mate. Are we glad to see you.
I'm Sergeant Major Coward, the Royal
Artillery.
I'm trying to make my way to the
American lines. Yeah, and me too. You
only have a mile to go. Only a mile?
You'll never make it, buddy. There's a
road full of Krauts between here and
there.
Good luck, anyway. Good luck to
Four years awaiting.
All right.
And one little mile full of Krauts.
One tiny bloody mile.
Might just as well be a thousand.
You ever wanted to be a farmer? Have I
what?
A farmer, cuz now's your chance. COME
ON, KRAUTS.
OH, CROSS YOUR LEGS, CHARLIE. They come.
Too late, mate.
>> [bell]
>> Rather we don't wait.
All fair thee well. All right, I must
leave you gentlemen now. My parting
greeting, remember that the best OF
FRIENDS MUST PART, MUST PART.
>> [music]
[music]
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