All language subtitles for MasterClass Ron Howard Teaches Directing - 121 - Frost Nixon Feature Staging for Masters

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These are the user uploaded subtitles that are being translated: 1 00:00:00,050 --> 00:00:08,900 [Music] 2 00:00:12,160 --> 00:00:14,440 I want to simulate basically not 3 00:00:14,440 --> 00:00:16,279 performance although keep performing it 4 00:00:16,279 --> 00:00:18,439 keep playing it as actors because I want 5 00:00:18,439 --> 00:00:21,039 to lay out the shots so I want to Stage 6 00:00:21,039 --> 00:00:24,160 for the camera now if I was shooting 7 00:00:24,160 --> 00:00:26,519 this would be on the shooting day mhm 8 00:00:26,519 --> 00:00:28,160 and I would have had a careful shot list 9 00:00:28,160 --> 00:00:29,240 and things like that which I haven't 10 00:00:29,240 --> 00:00:30,720 really done because I want to experiment 11 00:00:30,720 --> 00:00:33,440 with several different um you know uh 12 00:00:33,440 --> 00:00:37,360 versions of uh of the scene uh but for 13 00:00:37,360 --> 00:00:39,719 now we've we've kind of gotten the the 14 00:00:39,719 --> 00:00:42,520 character movement working uh and uh 15 00:00:42,520 --> 00:00:44,239 we're going to start working with 16 00:00:44,239 --> 00:00:47,320 various shots okay so Frost Nixon was 17 00:00:47,320 --> 00:00:50,440 was sort of done in a in a loose kind of 18 00:00:50,440 --> 00:00:53,280 naturalistic sometimes handheld way and 19 00:00:53,280 --> 00:00:55,760 my feeling about this scene then and now 20 00:00:55,760 --> 00:00:57,359 is that there's a there's a kind of an 21 00:00:57,359 --> 00:01:00,320 energy to doing this scene handheld so 22 00:01:00,320 --> 00:01:02,199 for my movie version then and what I 23 00:01:02,199 --> 00:01:03,920 would sort of say is our is our most 24 00:01:03,920 --> 00:01:06,320 ambitious version now I would go for 25 00:01:06,320 --> 00:01:08,960 handheld with a couple of other specific 26 00:01:08,960 --> 00:01:11,119 shots mixed in I'm going to do quite a 27 00:01:11,119 --> 00:01:14,240 bit of coverage for this scene uh and 28 00:01:14,240 --> 00:01:16,200 we'll experiment with all of those all 29 00:01:16,200 --> 00:01:18,520 of those ideas so why don't we start 30 00:01:18,520 --> 00:01:22,600 with a camera back here wide because 31 00:01:22,600 --> 00:01:23,520 we're going to sort of start with our 32 00:01:23,520 --> 00:01:27,400 masters what's your Zoom 28 to 7 let's 33 00:01:27,400 --> 00:01:28,759 go with a 28 which will give you a good 34 00:01:28,759 --> 00:01:30,880 full figure here right but because we do 35 00:01:30,880 --> 00:01:33,320 want movement why don't we think about 36 00:01:33,320 --> 00:01:35,439 as they settle in why don't you just 37 00:01:35,439 --> 00:01:38,520 sort of drift in and over maybe go with 38 00:01:38,520 --> 00:01:43,000 David from where's your first stop here 39 00:01:43,000 --> 00:01:45,119 so you kind of hold that as wide as you 40 00:01:45,119 --> 00:01:47,799 can right and then just drift over with 41 00:01:47,799 --> 00:01:50,479 him when he comes over here to this desk 42 00:01:50,479 --> 00:01:54,439 so you're uh why don't you go um in 43 00:01:54,439 --> 00:01:59,399 because there's U why don't you be wide 44 00:01:59,399 --> 00:02:02,439 but kind of hide over here stay out of 45 00:02:02,439 --> 00:02:06,200 the a camera right and just pan them in 46 00:02:06,200 --> 00:02:08,039 through the doorway so that way you're 47 00:02:08,039 --> 00:02:10,039 not violating his space you're not 48 00:02:10,039 --> 00:02:12,680 you're not in his shot um but you can 49 00:02:12,680 --> 00:02:15,879 get this and then when David Frost comes 50 00:02:15,879 --> 00:02:18,120 through why don't you pull with 51 00:02:18,120 --> 00:02:22,160 him um and uh and you know and then fall 52 00:02:22,160 --> 00:02:24,400 fall in over here as the others come and 53 00:02:24,400 --> 00:02:26,080 then when he turns back you've got kind 54 00:02:26,080 --> 00:02:29,640 of a medium widish over the shoulder 55 00:02:29,640 --> 00:02:31,040 okay so you'll be the second master you 56 00:02:31,040 --> 00:02:32,920 like me to stay camera left of him yeah 57 00:02:32,920 --> 00:02:36,640 let's go this way um like that because 58 00:02:36,640 --> 00:02:38,599 that that helps with the the coverage 59 00:02:38,599 --> 00:02:40,720 and a reverse shot later and the other 60 00:02:40,720 --> 00:02:42,879 thing is is that and you know you never 61 00:02:42,879 --> 00:02:44,519 want in this kind of coverage to be 62 00:02:44,519 --> 00:02:46,680 having to shoot straight into a wall 63 00:02:46,680 --> 00:02:48,519 because it's very boring so it's one of 64 00:02:48,519 --> 00:02:50,239 the cheapest things that you can do to 65 00:02:50,239 --> 00:02:51,879 give a you know to give any kind of 66 00:02:51,879 --> 00:02:54,640 staging some de some some scope is to 67 00:02:54,640 --> 00:02:56,959 create depth in the staging so you want 68 00:02:56,959 --> 00:02:59,360 to use light you want to lose use space 69 00:02:59,360 --> 00:03:01,640 and unless you're making a point of you 70 00:03:01,640 --> 00:03:03,680 know somebody trapped or something like 71 00:03:03,680 --> 00:03:05,440 that you know you never want to get into 72 00:03:05,440 --> 00:03:08,040 a situation where a person's coverage is 73 00:03:08,040 --> 00:03:10,280 has to be jammed you know straight back 74 00:03:10,280 --> 00:03:13,120 into a wall just it just uh just looks 75 00:03:13,120 --> 00:03:15,280 terrible so like when you go back over 76 00:03:15,280 --> 00:03:16,440 there make sure you don't get too close 77 00:03:16,440 --> 00:03:17,799 to that wall but also the coverage will 78 00:03:17,799 --> 00:03:19,319 be good because we'll be raking along 79 00:03:19,319 --> 00:03:21,879 down this way okay so let's just try it 80 00:03:21,879 --> 00:03:24,440 so you're going to be wide and you'll 81 00:03:24,440 --> 00:03:27,159 you'll see when he starts to come right 82 00:03:27,159 --> 00:03:28,239 you pull with 83 00:03:28,239 --> 00:03:30,840 him when he goes 84 00:03:30,840 --> 00:03:33,239 here you know I think what you can do is 85 00:03:33,239 --> 00:03:35,840 as they start to go is just come over 86 00:03:35,840 --> 00:03:37,920 and we'll just see what we can get you 87 00:03:37,920 --> 00:03:40,159 know maybe some sort of U I think you're 88 00:03:40,159 --> 00:03:42,519 going to kind of be dead at that point 89 00:03:42,519 --> 00:03:44,879 but just just follow them out the door 90 00:03:44,879 --> 00:03:47,480 you know just hold here okay great so 91 00:03:47,480 --> 00:03:48,640 let's try that let's walk through the 92 00:03:48,640 --> 00:03:50,680 scene and we'll see what that looks like 93 00:03:50,680 --> 00:03:53,439 I'm going to stop and go to try to make 94 00:03:53,439 --> 00:03:58,400 some adjustments for the camera as we go 95 00:04:00,519 --> 00:04:04,239 okay yeah you guys you ready with your 96 00:04:04,239 --> 00:04:06,439 wide so we're pretending this is the 97 00:04:06,439 --> 00:04:08,200 doorway to a garage in fact start back a 98 00:04:08,200 --> 00:04:09,840 little further because I'd like you to 99 00:04:09,840 --> 00:04:11,200 I'd like to feel like you're actually 100 00:04:11,200 --> 00:04:13,560 can see the edges of the garage door and 101 00:04:13,560 --> 00:04:15,570 everything okay 102 00:04:15,570 --> 00:04:19,920 [Music] 103 00:04:20,880 --> 00:04:22,960 great are we 104 00:04:22,960 --> 00:04:26,000 set good to go yeah all right yeah yeah 105 00:04:26,000 --> 00:04:29,360 and action what Revolution David you 106 00:04:29,360 --> 00:04:30,720 just let Richard Nixon claimed the 107 00:04:30,720 --> 00:04:32,560 country was in a state of Revolution 108 00:04:32,560 --> 00:04:34,840 with protesters bombing and assaulting 109 00:04:34,840 --> 00:04:36,960 police officers that that's not how I 110 00:04:36,960 --> 00:04:39,280 remember it what I remember was people 111 00:04:39,280 --> 00:04:41,120 protesting peacefully and legitimately 112 00:04:41,120 --> 00:04:42,759 against the Vietnam War that's what I 113 00:04:42,759 --> 00:04:45,320 Remember music off please music off hang 114 00:04:45,320 --> 00:04:47,880 on for one sec so when he comes in here 115 00:04:47,880 --> 00:04:49,919 don't press in quite so tight okay so 116 00:04:49,919 --> 00:04:52,120 that you can come in to something like 117 00:04:52,120 --> 00:04:55,360 this widish but like that right okay and 118 00:04:55,360 --> 00:04:57,840 that way you'll be able to come over and 119 00:04:57,840 --> 00:04:59,160 cross over with him let's just start it 120 00:04:59,160 --> 00:05:01,440 again from the top see if we can fall 121 00:05:01,440 --> 00:05:04,720 ease into that position 122 00:05:05,560 --> 00:05:07,759 sure 123 00:05:07,759 --> 00:05:11,680 okay and action what Revolution David 124 00:05:11,680 --> 00:05:13,120 you just let Richard Nixon claim the 125 00:05:13,120 --> 00:05:14,800 country was in a state of Revolution 126 00:05:14,800 --> 00:05:16,560 with protesters bombing and assaulting 127 00:05:16,560 --> 00:05:18,720 police officers that's not how I 128 00:05:18,720 --> 00:05:20,960 remember it what I remember was people 129 00:05:20,960 --> 00:05:23,080 protesting peacefully and legitimately 130 00:05:23,080 --> 00:05:25,840 against the Vietnam 131 00:05:26,360 --> 00:05:29,960 war music off please music off by the 132 00:05:29,960 --> 00:05:32,120 wiretapping students and breaking into 133 00:05:32,120 --> 00:05:33,919 journalist homes was beginning to sound 134 00:05:33,919 --> 00:05:36,039 like a rational response I'm sorry you 135 00:05:36,039 --> 00:05:37,440 feel this way but I simply cannot share 136 00:05:37,440 --> 00:05:41,440 your view about what about any of it 137 00:05:41,440 --> 00:05:44,680 frankly I thought today was a huge 138 00:05:44,680 --> 00:05:47,440 Improvement are you nuts uh hang on one 139 00:05:47,440 --> 00:05:50,160 second so when we do it we uh so when he 140 00:05:50,160 --> 00:05:51,919 lands over here that which is a good 141 00:05:51,919 --> 00:05:55,080 move you should be here find that lens 142 00:05:55,080 --> 00:05:57,440 so that when you take that look uh you 143 00:05:57,440 --> 00:05:59,199 know you're you're you're not blocked 144 00:05:59,199 --> 00:06:01,160 got right okay that's good we carry on 145 00:06:01,160 --> 00:06:02,600 so take it from there where you just 146 00:06:02,600 --> 00:06:04,600 looked at him yeah be out a little 147 00:06:04,600 --> 00:06:06,199 further a little further if we were 148 00:06:06,199 --> 00:06:08,080 doing this we'd Mark you we're not right 149 00:06:08,080 --> 00:06:12,120 now so okay I thought today was a huge 150 00:06:12,960 --> 00:06:15,360 Improvement are you 151 00:06:15,360 --> 00:06:18,560 nuts let me tell you how bad things were 152 00:06:18,560 --> 00:06:21,039 today after the taping finished I 153 00:06:21,039 --> 00:06:22,759 overheard two members of the crew say 154 00:06:22,759 --> 00:06:24,080 they never voted for him when they had 155 00:06:24,080 --> 00:06:27,680 the chance but if he ran again today 156 00:06:27,680 --> 00:06:30,199 he'd have their support you're making 157 00:06:30,199 --> 00:06:32,880 him look presidential for Christ's sake 158 00:06:32,880 --> 00:06:35,160 and forget about the trivia David who 159 00:06:35,160 --> 00:06:36,560 cares whether Nixon took the White House 160 00:06:36,560 --> 00:06:38,080 bed to Europe when he 161 00:06:38,080 --> 00:06:40,080 Trav well it's 162 00:06:40,080 --> 00:06:41,960 irrelevant and it's just a sort of 163 00:06:41,960 --> 00:06:44,919 banale anecdote that would distract 164 00:06:44,919 --> 00:06:47,639 the distractor 165 00:06:47,639 --> 00:06:51,680 what go you say it you're about to say 166 00:06:51,680 --> 00:06:52,840 talk show 167 00:06:52,840 --> 00:06:56,319 hos said find the lens yeah good good 168 00:06:56,319 --> 00:06:59,639 staging I was 169 00:06:59,639 --> 00:07:01,919 look it's useless me trying to answer 170 00:07:01,919 --> 00:07:04,720 your points frankly I don't share any of 171 00:07:04,720 --> 00:07:07,720 your sense of of pessimism or alarm and 172 00:07:07,720 --> 00:07:10,000 this ridiculous self flagellation in my 173 00:07:10,000 --> 00:07:11,240 view is just 174 00:07:11,240 --> 00:07:13,440 depressing now let me stop one for one 175 00:07:13,440 --> 00:07:15,879 second now if what Linds you on there 176 00:07:15,879 --> 00:07:17,759 you're on a 32 well that's pretty good 177 00:07:17,759 --> 00:07:19,599 now let me just see if you can get Bert 178 00:07:19,599 --> 00:07:23,319 in also back shre great I think that's 179 00:07:23,319 --> 00:07:25,039 where we'd want to actually land on this 180 00:07:25,039 --> 00:07:26,759 cop that if we were doing it so let's 181 00:07:26,759 --> 00:07:28,240 just overlap it from where you come 182 00:07:28,240 --> 00:07:29,879 through and just for the heck of it 183 00:07:29,879 --> 00:07:32,120 let's just you'll come back to this spot 184 00:07:32,120 --> 00:07:33,319 you you'll guard it and make sure he 185 00:07:33,319 --> 00:07:35,080 doesn't fall down and get hurt great 186 00:07:35,080 --> 00:07:40,319 just from where you cross through okay 187 00:07:40,440 --> 00:07:43,159 great 188 00:07:43,159 --> 00:07:47,159 great all right um now let's get the a 189 00:07:47,159 --> 00:07:50,080 camera again since we're doing a pickup 190 00:07:50,080 --> 00:07:51,840 I would probably use this opportunity 191 00:07:51,840 --> 00:07:55,280 for just for you to to get down low get 192 00:07:55,280 --> 00:07:58,879 super wide and let's just get that exit 193 00:07:58,879 --> 00:08:01,800 as they go walking out okay and you're 194 00:08:01,800 --> 00:08:03,039 still keeping the other camera out so 195 00:08:03,039 --> 00:08:04,960 you're backing up a little bit is he out 196 00:08:04,960 --> 00:08:06,800 of 197 00:08:06,800 --> 00:08:09,680 frame yeah yeah great okay yeah good 198 00:08:09,680 --> 00:08:15,000 good everybody clear good action I do 199 00:08:15,000 --> 00:08:16,520 well it's a relevant let's go back a 200 00:08:16,520 --> 00:08:18,360 little further since we've got this this 201 00:08:18,360 --> 00:08:21,120 wide shot that I've just designed uh 202 00:08:21,120 --> 00:08:22,440 just do that last part where you're 203 00:08:22,440 --> 00:08:25,240 where you come walking over to him okay 204 00:08:25,240 --> 00:08:28,080 okay yeah yeah let's take it you just 205 00:08:28,080 --> 00:08:29,800 did it let's take it from where you walk 206 00:08:29,800 --> 00:08:33,560 were you cross over 207 00:08:34,839 --> 00:08:36,760 okay that was it beginning to sound like 208 00:08:36,760 --> 00:08:40,120 a rational response yeah yeah okay and 209 00:08:40,120 --> 00:08:42,680 action by the end wiretapping students 210 00:08:42,680 --> 00:08:44,800 and breaking into journalist homes was 211 00:08:44,800 --> 00:08:46,160 beginning to sound like a rational 212 00:08:46,160 --> 00:08:48,160 response I'm sorry you feel this way I 213 00:08:48,160 --> 00:08:50,519 simply cannot share your view about what 214 00:08:50,519 --> 00:08:52,560 about any of it 215 00:08:52,560 --> 00:08:56,399 frankly I thought today was a huge 216 00:08:57,600 --> 00:09:01,320 Improvement are you nuts 217 00:09:01,320 --> 00:09:03,279 let me tell you how bad things were 218 00:09:03,279 --> 00:09:06,360 today after the taping finished I 219 00:09:06,360 --> 00:09:08,160 overheard two crew members say they 220 00:09:08,160 --> 00:09:09,600 never voted for him when he had the 221 00:09:09,600 --> 00:09:12,560 chance but if he ran for office again 222 00:09:12,560 --> 00:09:15,839 today he get their support you're making 223 00:09:15,839 --> 00:09:18,680 him look presidential for Christ's sake 224 00:09:18,680 --> 00:09:20,720 and forget about the trivia David who 225 00:09:20,720 --> 00:09:22,279 cares whether Nixon took the White House 226 00:09:22,279 --> 00:09:23,920 bed with him to Europe when he traveled 227 00:09:23,920 --> 00:09:25,880 well 228 00:09:25,880 --> 00:09:29,680 it's well it's irrelevant okay let's 229 00:09:29,680 --> 00:09:31,200 take that turn again you should chase 230 00:09:31,200 --> 00:09:32,959 him and be talking the whole way don't 231 00:09:32,959 --> 00:09:34,880 wait to get there so so just take it 232 00:09:34,880 --> 00:09:38,720 from right right before I do 233 00:09:38,880 --> 00:09:44,160 okay okay ready yeah and action who 234 00:09:44,160 --> 00:09:45,640 cares whether Nixon took the White House 235 00:09:45,640 --> 00:09:47,320 bed with him to Europe when he traveled 236 00:09:47,320 --> 00:09:48,440 well it's 237 00:09:48,440 --> 00:09:50,800 irrelevant and it's just a sort of Bol 238 00:09:50,800 --> 00:09:54,279 anecdote that would distract 239 00:09:55,160 --> 00:09:57,160 a 240 00:09:57,160 --> 00:10:00,279 what no go on 241 00:10:00,279 --> 00:10:01,600 you're about to say talk show host 242 00:10:01,600 --> 00:10:05,120 aren't you can you just come over a 243 00:10:05,120 --> 00:10:07,480 little bit that way so that that does 244 00:10:07,480 --> 00:10:08,839 that open them up a little bit so on the 245 00:10:08,839 --> 00:10:10,240 day if we were shooting we'd be going 246 00:10:10,240 --> 00:10:11,600 for that 247 00:10:11,600 --> 00:10:14,040 great look it's useless me trying to 248 00:10:14,040 --> 00:10:17,040 answer your points frankly I don't share 249 00:10:17,040 --> 00:10:19,680 any of your sense of pessimism or alarm 250 00:10:19,680 --> 00:10:22,320 and this ridiculous self flagellation in 251 00:10:22,320 --> 00:10:25,880 my view is just depressing and 252 00:10:25,880 --> 00:10:27,120 threatening to derail the whole 253 00:10:27,120 --> 00:10:29,760 Enterprise 254 00:10:29,760 --> 00:10:31,480 if anyone of you thinks we are going to 255 00:10:31,480 --> 00:10:33,240 fail they' better leave now or it'll 256 00:10:33,240 --> 00:10:35,639 infect everyone 257 00:10:35,639 --> 00:10:38,160 else no 258 00:10:38,160 --> 00:10:40,200 one right 259 00:10:40,200 --> 00:10:42,800 good now I suggest instead of festering 260 00:10:42,800 --> 00:10:44,360 around the hotel for the next 5 days we 261 00:10:44,360 --> 00:10:46,880 all go our separate ways over Easter but 262 00:10:46,880 --> 00:10:48,320 before we go Caroline and I would like 263 00:10:48,320 --> 00:10:50,120 you to join us for a little celebratory 264 00:10:50,120 --> 00:10:52,399 dinner at Patrick Terrell's new place 265 00:10:52,399 --> 00:10:55,880 celebrate celebrate what David the fact 266 00:10:55,880 --> 00:10:56,959 that we're going to be working out 267 00:10:56,959 --> 00:10:58,320 Burger King I mean what are we 268 00:10:58,320 --> 00:11:03,120 celebrating my birthday oh it's my 269 00:11:03,120 --> 00:11:06,079 birthday and uh I'd like to celebrate it 270 00:11:06,079 --> 00:11:08,480 with a few 271 00:11:11,839 --> 00:11:14,839 friends 272 00:11:17,079 --> 00:11:19,240 good great now we're going to do a 273 00:11:19,240 --> 00:11:21,120 little pickup this is something that I 274 00:11:21,120 --> 00:11:22,440 would do on the day because I don't need 275 00:11:22,440 --> 00:11:24,320 it for the whole scene but let's just 276 00:11:24,320 --> 00:11:26,639 sit you on a box so you're as low as you 277 00:11:26,639 --> 00:11:29,040 can be and as wide as you can be and 278 00:11:29,040 --> 00:11:31,240 let's just get that walking away moment 279 00:11:31,240 --> 00:11:33,360 so you guys are left very lonely you 280 00:11:33,360 --> 00:11:35,440 know do you like me exiting the frame or 281 00:11:35,440 --> 00:11:36,920 I like you going want to follow and be 282 00:11:36,920 --> 00:11:38,720 like yo yeah I like that moment and then 283 00:11:38,720 --> 00:11:40,560 you go with your friend yeah so we'll 284 00:11:40,560 --> 00:11:42,560 just take it from I'd like a few things 285 00:11:42,560 --> 00:11:45,320 uh you know a birthday with my you know 286 00:11:45,320 --> 00:11:47,959 friends you want to go lower uh yeah if 287 00:11:47,959 --> 00:11:50,920 you can if you can get it a little 288 00:11:50,920 --> 00:11:54,399 lower beautiful great just for this part 289 00:11:54,399 --> 00:11:57,720 going celebrate how's that uh sure cool 290 00:11:57,720 --> 00:11:59,560 great yeah that's nice okay here we go 291 00:11:59,560 --> 00:12:01,200 it's just really for that lonely just 292 00:12:01,200 --> 00:12:03,680 just right before you go uh it's my 293 00:12:03,680 --> 00:12:06,880 birthday B okay ready okay let's keep 294 00:12:06,880 --> 00:12:08,440 rolling this is just to get a little 295 00:12:08,440 --> 00:12:11,120 lonely moment in the alleyway and 296 00:12:11,120 --> 00:12:13,959 actions my birthday Bob I'd like to 297 00:12:13,959 --> 00:12:17,320 celebrate my birthday with a few 298 00:12:24,279 --> 00:12:26,560 friends great that's very helpful okay 299 00:12:26,560 --> 00:12:28,959 great22197

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