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[MUSIC PLAYING]
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The oral tradition
of storytelling
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is one of the primary building
blocks of civilization.
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In the early days, it was
how all knowledge was passed
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from one generation to another.
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And that's what brought
the aspect of continuity
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to our lives as a
species, the idea
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that one generation passes its
knowledge and information down
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to the next through
storytelling,
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the idea that what I know
about my ancestors comes
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from the stories that I've
been told from the time
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I was a little boy.
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Alex Haley talking about
roots and his journey
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of writing the novel "Roots"--
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he used to talk about
sitting on his grandmother's
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Cynthia's porch in
Henning, Tennessee,
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and hearing the
stories in the summer--
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all of the old
ladies in the family
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would sit, and rock, and
chew, and spit tobacco,
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and they would tell the
stories of the family.
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And inevitably,
those stories would
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get to the original African.
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They called him the
old African, Kunta
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Kinte, who one day was
looking for wood to make
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a drum for his younger brother,
and was never seen or heard
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from again.
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And the importance of Kunta
maintaining his identity
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and maintaining his
contact with who
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he was enabled him to pass
that story on to succeeding
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generations.
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When he came to this
country, he was in chains,
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and then he was able to
pass on his personal story
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to, first, his daughter Kizzy,
and Kizzy passed that story
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along to her son, Chicken
George, and on and on
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through the succeeding
generations.
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It's a powerful illustration
of the nature of information
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as it is passed orally.
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[MUSIC PLAYING]
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I think what makes the oral
tradition of storytelling
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unique to the human
experience is the idea that it
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is as old as it
is, and that that's
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where our contact and the nature
of our communication with one
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another was born.
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It was born out of a need
and necessity to communicate.
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You can achieve the same thing
through the art of written
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storytelling, but
there's an energetic
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that is passed through the oral
tradition that isn't present
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necessarily in any other medium.
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And that energetic
has everything
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to do with there being nothing
required in order to enjoy it,
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that there is nothing
that one needs
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to do to learn to perform
in able to benefit
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from the oral
storyteller tradition.
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You just have to be present.
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You just have to be listening.
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You just have to be
paying attention.
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So I think it's the nature
of oral storyteller itself
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as being something that requires
no additional work on our part
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that makes it so important to
us, that makes it so unique.
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Take the time, if
you are able, to sit
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with the oldest members of your
family, and get their stories.
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Have them tell you their stories
so that they don't disappear.
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The way this transference
of knowledge,
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and information, and lore works
is that it is only at its most
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successful when it is shared.
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And in order to
share a story, you
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have to have contact with it.
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You have to know that story.
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And they say that a
griot is like a tree,
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and that all of the stories that
a griot contains, knows, shares
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are like the leaves
of a great tree--
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and that, when a
storyteller dies,
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that there is a mourning
that we must pay attention
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to because of the loss.
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The only thing that mitigates
that loss is the idea that we
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have extracted as much
as we can of the value
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and the benefit of what
that storyteller contained,
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of what they embodied--
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and that they have
trained a successor, one
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that will follow
the griot traditions
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and pass on the gifts
of those stories
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to the succeeding generations.
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For me, a lot of the
purpose of storytelling
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is to remind us of who we
are, and why we're here,
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and what's important to us.
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And that more than
anything else is
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what gets communicated in
the sharing and the telling.
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It's the idea that,
as an audience member,
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I can be the beneficiary of
all of that knowledge, all
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of that wisdom, all
of that emotion--
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that it is available to me
by the simple act of showing
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up and being present.
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[MUSIC PLAYING]
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The act of listening is active.
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One might think that
just sitting in listening
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is a passive pursuit,
but it's not.
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Listening is an action.
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It's an activity
that one engages in,
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because it requires--
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not necessarily
effort, but awareness.
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And I think that's
the difference
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between being a lump on a
log and a human being engaged
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in a moment.
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It's your awareness of where
you are, and what you're doing,
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and what the intention is.
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Part of the storyteller's
magic is the ability
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to capture the attention and
the imagination of the audience.
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And we do that through so
many different methods.
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It's the ability to
command one's attention,
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command the attention
of the other
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through inflection, through
movement, through gesture,
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through silence.
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Silence is an underutilized
tool in communicating.
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I've stood in front of
a room full of people
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like at a luncheon, where people
were chattering, chattering,
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chattering,
chattering, chattering,
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and for me, the most
effective way to get
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that room to quiet down
is to simply stand still.
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Sooner or later,
the awareness begins
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to move throughout the room.
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Wait a minute.
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We should be paying
attention here.
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And sure enough, all of
those conversations die down,
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and before I know it, I have
the attention of the room.
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And it's the stillness that
I bring to that moment that
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makes it possible.
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So silence is a real powerful
tool for communication.
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And it's the journey
of the storyteller
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that we learn all of
these tricks of the trade.
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We learn all of these
methods and methodologies
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of capturing and holding the
attention of the audience
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long enough to deliver what
it is we came to deliver.
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[MUSIC PLAYING]
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For me, being present
has everything
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to do with engaging my
filter, filtering out
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distraction, filtering out that
which is not necessary for me--
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all of the thoughts that
one can bring to a moment.
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Did I turn off the
coffee pot this morning?
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I wonder-- oh, I didn't
start the load of laundry.
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I was supposed to call
my accountant back.
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Is it bad news?
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Is it good news?
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All of these thoughts that,
a million miles a second,
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tend to permeate our mind--
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the ability to filter
them out and surrender
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to any given moment--
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that's what being in the moment
looks and feels like to me--
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just being able to get
rid of all of the noise
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all of the chatter.
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Because we are always
bringing something
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to every moment,
what I try to do--
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I try and bring my
attention to the moment.
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And everything else seems
to fade in the background.
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It's the attention
that you bring that--
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where you find the value
in any present time moment
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that you want to engage with.
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It's intention,
attention and intention.
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And I think that it
is true for most of us
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that we have the ability
to focus our energy
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and attention in a singular
direction for at least
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a few minutes at a time.
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And if you can do it for
a few seconds at a time,
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you can do it for a
few minutes at a time.
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And if you can do it for
a few minutes at a time,
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you can do it for longer
periods, through practice.
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The key to cultivating
awareness is
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as simple as practicing
noticing things.
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There's so much that we
are not aware of, that we
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don't notice in our lives.
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Awareness is the key
to self-knowledge--
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going back to those
important qualities
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that a good storyteller
possesses, self-knowledge chief
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among them.
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There is an experience
that we have all
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had of standing and
gazing up at the night
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sky, and the sense
of majesty that we
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experience in that moment.
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And by just noticing the
heavens, and how sparkly
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and infinite they are
creates an a an awareness
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that doesn't go away.
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It's only enhanced every time
you look up at the night sky.
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So it's the ability.
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I believe, to notice
that really introduces us
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to the concept of awareness.
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That awareness is what we
bring to these moments that
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enhance our ability to
be successful as a part
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of a storytelling experience.
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