Original subtitles

There was a scene that guy shot which is

all about super duper

crazy slow motion and things hitting and

things you know James Haret literally

doing a masterpiece of you know it's

like it's like an editing masterass

and I looked at that thing and the first

time I looked at it and I and hm right

okay there's all this story going on

there's all this stuff going on and

stylistically it's it's very different

from

anything in this movie um

so that two ways of solving it either I

can go and

figure out every moment and

do something with every moment or I can

find

like a crazy simplistic through line.

Um,

and so, so the tempo had to be right.

And the these guys had been working, you

know, I think Guy will forgive me for

saying this, they'd been work working in

the cutting room on this scene forever

and they could not they didn't want to

go and ever look at that scene again.

Um, and so this is where the grid thing

is interesting because it changes the

feel. So they were basically

very maybe a little bored with the

scene, right? So So I remember the first

time I showed it to guy

without saying anything cuz play it

again. Play it again.

Play it again. I thought,

what's he thinking? He's not telling you

what he's thinking. he's, you know, he's

either he's either hating it or he's

trying to cover with some, it was like

he couldn't look at the scene anymore

and suddenly he found it completely

compelling to look at again. Um,

so if I can find this bit, uh, god,

where was it? Real fine. We come from

actually we come from something you know

which is on purpose very action musicy

and very um straight.

Where are the horses?

They're behind.

We need them.

Do you want to go back?

What's my

This is nothing. Just let him talk.

just it's just one note. The whole thing

is just

coming

to

So obviously there's so many different

tempers going on in the scene in the cut

in the in the way he treats every shot.

So, so by just

brutally

imposing this grid onto it, it feels

like sort of things can't end up good.

You know, it's like like like fate just

grabs you and,

you know, imposes its own rhythm on top

of it. Um, and I'm I am on purpose not

moving notes. It's just like

boldly sticking to one note.