All language subtitles for Arrow - 8x06 - Reset.WEB.en

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,290 --> 00:00:02,250 PREVIOUSLY ON "ARROW"... 2 00:00:02,250 --> 00:00:04,420 THIS PLACE LOOKS EXACTLY LIKE IT DID WHEN I WAS 13. 3 00:00:04,420 --> 00:00:06,830 OLIVER: WE HAD PLANNED TO COME BACK HERE WITH BOTH OF YOU. 4 00:00:06,830 --> 00:00:08,420 MIA: YEAH. THAT DIDN'T REALLY WORK OUT. 5 00:00:08,420 --> 00:00:10,000 BECAUSE I DIED. 6 00:00:10,000 --> 00:00:11,500 HAVE YOU COME TO DOUBT YOUR COMMITMENT 7 00:00:11,500 --> 00:00:12,380 TO THIS MISSION? 8 00:00:12,380 --> 00:00:13,830 OLIVER: IT MIGHT HELP IF I ACTUALLY KNEW WHY. 9 00:00:13,830 --> 00:00:15,080 MONITOR: THE RECOVERY OF YOUR UNIVERSE 10 00:00:15,080 --> 00:00:16,830 WILL REQUIRE A SINGLE TASK. 11 00:00:16,830 --> 00:00:19,960 YOU MUST BETRAY OLIVER QUEEN. 12 00:00:19,960 --> 00:00:21,330 LAUREL: IF SAVING IT MEANS GOING BACK 13 00:00:21,330 --> 00:00:22,750 TO THE PERSON THAT I USED TO BE, 14 00:00:22,750 --> 00:00:24,460 THEN WHAT THE HELL IS THE POINT? 15 00:00:24,460 --> 00:00:25,580 I'M SORRY. 16 00:00:25,580 --> 00:00:27,170 [TRANQUILIZER DARTS FIRE] 17 00:00:28,330 --> 00:00:32,000 [CROWD CHEERING ON TV] 18 00:00:32,000 --> 00:00:33,670 ANNOUNCER: TARK DRIVES THE LANE. 19 00:00:33,670 --> 00:00:35,540 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 20 00:00:35,540 --> 00:00:40,210 BINGO! COUNT IT AND THE FOUL! 21 00:00:40,210 --> 00:00:42,000 OHH. 22 00:00:42,000 --> 00:00:43,460 ANNOUNCER: COMETS, WHO HAVE STORMED ALL THE WAY BACK 23 00:00:43,460 --> 00:00:45,460 TO TIE IT UP IN THE FOURTH QUARTER. 24 00:00:45,460 --> 00:00:48,120 MIA: NO WAY. IT TASTES THE SAME. 25 00:00:48,120 --> 00:00:50,710 CONNOR: I'M TELLING YOU THESE BIG BELLY BURGERS ARE JUST BETTER. 26 00:00:50,710 --> 00:00:52,170 WILLIAM: I THINK HE'S RIGHT. 27 00:00:52,170 --> 00:00:53,790 THIS IS PRE-GWESPIN FOODS MERGER. 28 00:00:53,790 --> 00:00:56,790 MIA: DAD, WHAT ARE YOU STILL DOING HERE? 29 00:00:56,790 --> 00:00:58,460 OLIVER: HOW DID WE GET HERE? 30 00:00:58,460 --> 00:01:00,250 WHAT DO YOU MEAN? 31 00:01:00,250 --> 00:01:03,420 UH, I WAS ON A ROOF WITH JOHN AND LAUREL, 32 00:01:03,420 --> 00:01:05,080 AND WE WERE TRANQED. 33 00:01:05,080 --> 00:01:07,080 YEAH. BY LYLA. 34 00:01:07,080 --> 00:01:09,250 DAD SAID IT WAS ALL JUST A BIG MISUNDERSTANDING. 35 00:01:13,710 --> 00:01:17,210 AHEM. WHAT DID WE DO WITH BUROV'S PLAN FOR THE WEAPON? 36 00:01:17,210 --> 00:01:19,830 YOU SAID WE DIDN'T NEED IT ANYMORE. 37 00:01:19,830 --> 00:01:21,540 WHY? THE MONITOR'S STILL OUT THERE. 38 00:01:21,540 --> 00:01:23,040 HE'S STILL A THREAT. 39 00:01:23,040 --> 00:01:25,000 DAD, ARE YOU OK? 40 00:01:25,000 --> 00:01:27,250 YOU--YOU LOOK LIKE YOU DON'T REMEMBER ANY OF THIS. 41 00:01:27,250 --> 00:01:29,960 I... 42 00:01:29,960 --> 00:01:31,920 I NEED TO TALK TO JOHN. 43 00:01:31,920 --> 00:01:33,960 CONNOR: THAT SHOULD BE EASY. 44 00:01:33,960 --> 00:01:38,120 HE'S WAITING FOR YOU AT THAT FANCY FUNDRAISER. 45 00:01:38,120 --> 00:01:39,670 WHAT FUNDRAISER? 46 00:01:39,670 --> 00:01:41,710 THE ONE YOU'RE VERY LATE FOR. 47 00:01:41,710 --> 00:01:44,380 I MEAN, YOU DO REMEMBER YOU'RE OLIVER QUEEN, RIGHT? 48 00:01:47,040 --> 00:01:48,620 [ELEVATOR DINGS] 49 00:01:48,620 --> 00:01:50,210 [JAZZ PLAYING] 50 00:01:50,210 --> 00:01:54,330 [WOMAN LAUGHING] 51 00:01:54,330 --> 00:01:56,000 MAN: HEY, QUEEN, WHAT'S THE DIFFERENCE 52 00:01:56,000 --> 00:01:57,960 BETWEEN A COP AND THE GREEN ARROW? 53 00:01:57,960 --> 00:02:00,500 A COP DOESN'T NEED TO PLAY DRESS-UP TO DO HIS JOB. 54 00:02:00,500 --> 00:02:03,880 HA. YEAH, SURE THING. OHH! 55 00:02:03,880 --> 00:02:07,330 -I'M SO SORRY, MR. QUEEN. -IT'S FINE, IT'S FINE. 56 00:02:07,330 --> 00:02:08,790 JOHN: THERE YOU ARE, MAN. 57 00:02:08,790 --> 00:02:12,250 THE PARTY STARTED AN HOUR AGO, OLIVER. 58 00:02:12,250 --> 00:02:14,420 DO YOU REMEMBER GETTING TRANQED LAST NIGHT? 59 00:02:14,420 --> 00:02:18,210 YEAH. UH, LYLA FEELS AWFUL ABOUT THAT. 60 00:02:18,210 --> 00:02:19,750 BY THE WAY, THAT WASN'T LAST NIGHT. 61 00:02:19,750 --> 00:02:21,960 -THAT WAS TWO DAYS AGO. -WHAT? NO. 62 00:02:21,960 --> 00:02:23,920 NO, NO. THAT-- JOHN, THAT IS THE LAST THING 63 00:02:23,920 --> 00:02:25,670 THAT I REMEMBER BEFORE WAKING UP 64 00:02:25,670 --> 00:02:28,580 IN MY APARTMENT EARLIER TONIGHT. 65 00:02:28,580 --> 00:02:31,000 YOU OK, MAN? 66 00:02:31,000 --> 00:02:34,880 NO. THIS IS--THIS-- IS THIS THE-- 67 00:02:34,880 --> 00:02:36,920 THIS IS THE MONITOR. 68 00:02:36,920 --> 00:02:38,420 -OLIVER. -YOUR WIFE IS WORKING 69 00:02:38,420 --> 00:02:40,000 WITH THE MONITOR, JOHN. WHAT-- 70 00:02:40,000 --> 00:02:42,170 LYLA: I THOUGHT WE ALREADY SETTLED THIS. 71 00:02:42,170 --> 00:02:44,750 I HAVE BEEN WORKING WITH THE MONITOR BUT AS A DOUBLE AGENT, 72 00:02:44,750 --> 00:02:47,040 WHICH I TOLD YOU ON THE ROOF. 73 00:02:47,040 --> 00:02:48,420 I DON'T--I DON'T REMEMBER THAT. 74 00:02:48,420 --> 00:02:49,380 I'M NOT REMEMBERING ANYTHING. 75 00:02:49,380 --> 00:02:50,960 OLIVER, LOOK. JUST MAYBE YOU SHOULD GO HOME, MAN, 76 00:02:50,960 --> 00:02:52,830 GET A LITTLE SLEEP, OK, JUST SOME REST. 77 00:02:52,830 --> 00:02:56,420 OLIVER, THERE YOU ARE. MAYOR'S LOOKING FOR YOU. COME ON. 78 00:02:56,420 --> 00:02:58,250 WHAT? 79 00:02:58,250 --> 00:03:00,330 -WHAT HAPPENED THERE? -OH. 80 00:03:00,330 --> 00:03:02,710 CAN'T GIVE A SPEECH WITH A STAINED SHIRT. 81 00:03:02,710 --> 00:03:04,420 GIVE A S--WHAT SPEECH? I'M GIVING A SPEECH? 82 00:03:04,420 --> 00:03:08,830 VERY FUNNY. YOUR JOINT REMARKS WITH THE MAYOR. 83 00:03:08,830 --> 00:03:12,330 RENE, UM, SERIOUS QUESTION. 84 00:03:12,330 --> 00:03:15,000 WHEN DID PALMER TECH GET REBUILT? 85 00:03:15,000 --> 00:03:17,330 YOU REALLY NEED TO DROP THIS AMNESIA ROUTINE QUICK. 86 00:03:17,330 --> 00:03:19,380 THIS FUNDRAISER IS OUR ONLY CHANCE TO TAKE 87 00:03:19,380 --> 00:03:22,170 THE SCPD VIGILANTE PILOT PROGRAM GLOBAL. 88 00:03:22,170 --> 00:03:23,830 THE MAYOR NEEDS YOU TO BE ON POINT. 89 00:03:23,830 --> 00:03:25,580 -HE'S WAITING FOR YOU. -HE WHO? 90 00:03:25,580 --> 00:03:27,380 ISN'T--ISN'T POLLARD THE MAYOR? 91 00:03:27,380 --> 00:03:29,120 QUENTIN: IN HER DREAMS MAYBE. 92 00:03:35,250 --> 00:03:38,420 WHAT'S THE MATTER, OLIVER? YOU LOOK LIKE YOU'VE SEEN A GHOST. 93 00:03:44,960 --> 00:03:46,620 SO LISTEN. I WAS THINKING ABOUT MAKING 94 00:03:46,620 --> 00:03:48,380 A FEW CHANGES TO THE SPEECH, 95 00:03:48,380 --> 00:03:52,040 SO I FIGURED I SHOULD RUN IT BY YOU FIRST. 96 00:03:52,040 --> 00:03:55,120 THIS IS NOT POSSIBLE. THIS IS... 97 00:03:55,120 --> 00:03:57,120 WHAT? DON'T TELL ME YOU'RE SCARED 98 00:03:57,120 --> 00:04:01,380 OF A LITTLE LAST-MINUTE MEMORIZATION, OLIVER. 99 00:04:01,380 --> 00:04:03,790 IT'S BEEN A WHILE SINCE I'VE SEEN YOU. 100 00:04:03,790 --> 00:04:07,790 COUPLE OF DAYS MAYBE. YOU'RE LOOKING AT ME LIKE IT'S BEEN YEARS. 101 00:04:07,790 --> 00:04:09,790 NO. YOU'RE RIGHT. A COUPLE DAYS. 102 00:04:09,790 --> 00:04:11,750 RIGHT. SO LISTEN. I WAS THINKING 103 00:04:11,750 --> 00:04:13,540 ABOUT ADDING A LINE ABOUT, YOU KNOW, 104 00:04:13,540 --> 00:04:16,040 ME TELLING YOU IT WAS A BAD IDEA TO UNMASK, 105 00:04:16,040 --> 00:04:18,250 BUT, YOU KNOW, MAYBE A JOKE ABOUT HOW 106 00:04:18,250 --> 00:04:19,830 YOU'D RATHER TAKE IT TO SUPERMAX 107 00:04:19,830 --> 00:04:21,290 THAN TAKE MY ADVICE. 108 00:04:21,290 --> 00:04:23,620 HEH. YOU KNOW? WHAT DO YOU THINK? 109 00:04:23,620 --> 00:04:25,750 YOU KNOW THAT I WENT TO SLABSIDE? 110 00:04:25,750 --> 00:04:27,830 UH...YEAH. WHAT'S THAT, 111 00:04:27,830 --> 00:04:30,920 YOUR WAY OF SAYING I SHOULD HAVE COME VISIT MORE OFTEN? 112 00:04:30,920 --> 00:04:33,620 QUENTIN, RIGHT BEFORE I TURNED MYSELF IN... 113 00:04:36,420 --> 00:04:38,380 DIAZ SHOT YOU, RIGHT? 114 00:04:38,380 --> 00:04:40,120 OH. YEAH. 115 00:04:40,120 --> 00:04:42,500 THAT SON OF A BITCH ALMOST KILLED ME. 116 00:04:42,500 --> 00:04:45,920 ALMOST DIED IN THE O.R. YOU DON'T REMEMBER? 117 00:04:45,920 --> 00:04:48,460 I REMEMBER IT DIFFERENTLY. 118 00:04:48,460 --> 00:04:51,620 WELL, THE DOCTORS CALLED IT A MIRACLE. 119 00:04:51,620 --> 00:04:53,540 I WAS WITHOUT OXYGEN FOR SO LONG, 120 00:04:53,540 --> 00:04:55,170 I SHOULD HAVE BEEN 6 FEET UNDER. 121 00:04:55,170 --> 00:04:58,380 FELT LIKE I ESCAPED MY FATE OR SOMETHING. 122 00:04:58,380 --> 00:05:00,170 RENE: HEY. THERE'S SOMETHING YOU NEED TO SEE. 123 00:05:06,170 --> 00:05:09,880 SO...THERE'S A HOSTAGE SITUATION AT THE SCPD. 124 00:05:09,880 --> 00:05:11,880 THE LEADER'S DEMANDING TO MEET WITH THE MAYOR. 125 00:05:11,880 --> 00:05:13,540 NO. YOU CAN'T GO DOWN THERE. 126 00:05:13,540 --> 00:05:15,170 RENE: WE'LL CALL IN A SPECIAL-OPS TEAM. 127 00:05:15,170 --> 00:05:17,710 I'M THE MAYOR. NOBODY DOES MY DIRTY WORK FOR ME. 128 00:05:17,710 --> 00:05:19,670 GIVE MY APOLOGIES TO THE GUESTS. 129 00:05:19,670 --> 00:05:21,380 I'M--I'M GONNA COME WITH YOU. 130 00:05:21,380 --> 00:05:23,830 OK, BUT YOU MIGHT WANT TO BRING A CHANGE OF CLOTHES 131 00:05:23,830 --> 00:05:26,290 BECAUSE SOMETHING TELLS ME WE'RE GONNA NEED THE GREEN GUY. 132 00:05:30,750 --> 00:05:32,460 [SIRENS, HELICOPTER FLYING] 133 00:05:32,460 --> 00:05:34,250 GET THE FEDS ON THE LINE. TELL THEM I NEED BACKUP 134 00:05:34,250 --> 00:05:36,080 -HERE NOW, RIGHT NOW. -YES, MA'AM. 135 00:05:36,080 --> 00:05:37,710 QUENTIN: WHAT'S THE SITUATION, CAPTAIN? 136 00:05:37,710 --> 00:05:39,380 ARMED MERCS STORMED MY PRECINCT, 137 00:05:39,380 --> 00:05:42,080 TOOK A DOZEN OF MY GUYS HOSTAGE. 138 00:05:42,080 --> 00:05:43,880 HOW DID THEY GET BY YOUR MEN? 139 00:05:43,880 --> 00:05:46,250 IT'S A LONG STORY THAT I DON'T HAVE TIME TO TELL. 140 00:05:46,250 --> 00:05:48,250 THE ONLY DEMAND WAS TO SPEAK TO THE MAYOR. 141 00:05:48,250 --> 00:05:49,960 ALL RIGHT. WELL, I'LL GO TALK TO THEM. 142 00:05:49,960 --> 00:05:51,830 I APPRECIATE THAT, BUT THERE IS NO WAY 143 00:05:51,830 --> 00:05:53,460 I'M SENDING YOU IN THERE. 144 00:05:53,460 --> 00:05:55,040 LISTEN. I WORE THE BLUES A LONG TIME 145 00:05:55,040 --> 00:05:56,540 BEFORE I WORE THIS MONKEY SUIT, OK? 146 00:05:56,540 --> 00:05:58,000 -I CAN HOLD MY OWN. -I KNOW, SIR. 147 00:05:58,000 --> 00:05:59,580 IT'S NOT THE POINT. 148 00:05:59,580 --> 00:06:01,210 SHE'S RIGHT. IT'S TOO RISKY. 149 00:06:01,210 --> 00:06:02,540 SAYS THE MAN WHO RISKS HIS LIFE EVERY DAY 150 00:06:02,540 --> 00:06:05,000 FOR THIS CITY? 151 00:06:05,000 --> 00:06:06,750 GIVE ME A VEST. I'LL GO IN THERE, 152 00:06:06,750 --> 00:06:08,420 I'LL DISTRACT THE SON OF A BITCH, 153 00:06:08,420 --> 00:06:09,830 AND IN THE MEANTIME, YOU SNEAK AROUND THE BACK 154 00:06:09,830 --> 00:06:11,750 AND DO YOUR THING, OK? 155 00:06:11,750 --> 00:06:13,380 THE LONGER THIS DRAGS ON, 156 00:06:13,380 --> 00:06:15,710 THE WORSE IT GETS. 157 00:06:15,710 --> 00:06:18,080 LET ME DO THIS. 158 00:06:18,080 --> 00:06:21,710 I'LL HAVE HIS BACK. 159 00:06:21,710 --> 00:06:24,120 I WANT YOU ON COMMS THE WHOLE TIME. 160 00:06:24,120 --> 00:06:25,250 SURE. 161 00:06:26,460 --> 00:06:28,000 MAN ON RADIO: ALL UNITS, BE ADVISED 162 00:06:28,000 --> 00:06:29,790 MAYOR LANCE IS ENTERING THE BUILDING. 163 00:06:29,790 --> 00:06:31,750 I REPEAT MAYOR LANCE IS ENTERING THE BUILDING. 164 00:06:34,920 --> 00:06:37,120 THIS IS MAYOR QUENTIN LANCE. 165 00:06:37,120 --> 00:06:38,750 I'M UNARMED. I'M COMING IN. 166 00:06:42,330 --> 00:06:44,120 -THAT'S FAR ENOUGH. -ALL RIGHT. 167 00:06:44,120 --> 00:06:46,420 JUST--JUST TAKE IT EASY, OK? 168 00:06:46,420 --> 00:06:47,920 TAKE IT EASY. 169 00:06:49,830 --> 00:06:51,880 OLIVER ON COMMS: I'M IN POSITION. KEEP HIM TALKING. 170 00:06:51,880 --> 00:06:54,420 YOU ASKED FOR ME. HERE I AM. 171 00:06:54,420 --> 00:06:56,000 WHAT DO YOU WANT TO TALK ABOUT WITH ME? 172 00:06:56,000 --> 00:06:57,290 YOU'RE THE MAYOR. YOU'RE A GUY 173 00:06:57,290 --> 00:06:59,330 WHO CAN MAKE THINGS HAPPEN. 174 00:06:59,330 --> 00:07:01,040 WHY DON'T YOU LET A FEW OF THESE GUYS GO WHILE WE TALK? 175 00:07:01,040 --> 00:07:02,500 SO I CAN GET STORMED BY THE COPS? 176 00:07:02,500 --> 00:07:04,710 NO, THANKS. I'M NOT STUPID. 177 00:07:04,710 --> 00:07:06,540 BUT IT WOULD SHOW THAT YOU DON'T WANT ANYBODY TO GET HURT 178 00:07:06,540 --> 00:07:08,040 BECAUSE IF ANYBODY GETS HURT, 179 00:07:08,040 --> 00:07:10,080 YOU'RE IN REAL TROUBLE. 180 00:07:10,080 --> 00:07:12,330 ACTUALLY, I THINK YOU'RE ALREADY IN TROUBLE. 181 00:07:12,330 --> 00:07:13,790 I'M THE ONE HOLDING THE GUN. 182 00:07:13,790 --> 00:07:16,330 OLIVER: NOT FOR LONG. PUT IT DOWN. 183 00:07:16,330 --> 00:07:18,290 MAN: AGH. ERR. 184 00:07:18,290 --> 00:07:21,380 OLIVER: THIS...IS...OVER. 185 00:07:21,380 --> 00:07:23,580 THIS ISN'T OVER UNTIL YOU STOP IT, OLIVER. 186 00:07:23,580 --> 00:07:25,540 THAT'S THE ONLY WAY OUT. 187 00:07:25,540 --> 00:07:28,250 WHAT ARE YOU TALKING ABOUT? 188 00:07:28,250 --> 00:07:29,460 -NO! -QUENTIN! 189 00:07:29,460 --> 00:07:30,830 [EXPLOSION] 190 00:07:32,040 --> 00:07:33,670 AHH! 191 00:07:33,670 --> 00:07:35,290 ANNOUNCER: TARK DRIVES THE LANE. 192 00:07:35,290 --> 00:07:37,250 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 193 00:07:37,250 --> 00:07:40,380 BINGO! COUNT IT AND THE FOUL! 194 00:07:43,080 --> 00:07:45,080 THAT'S AN 8-0 RUN BY THE COMETS, 195 00:07:45,080 --> 00:07:46,750 WHO HAVE STORMED ALL THE WAY BACK 196 00:07:46,750 --> 00:07:49,170 TO TIE IT UP IN THE FOURTH QUARTER. 197 00:07:52,290 --> 00:07:56,210 88 APIECE. WHAT A COMEBACK FOR THE COMETS, 198 00:07:56,210 --> 00:07:57,710 AND THERE'S A TIMEOUT... 199 00:07:57,710 --> 00:07:59,920 MIA: NO WAY. IT TASTES THE SAME. 200 00:07:59,920 --> 00:08:01,670 CONNOR: I'M TELLING YOU THIS BIG BELLY BURGER'S JUST BETTER. 201 00:08:01,670 --> 00:08:03,120 WILLIAM: I THINK HE'S RIGHT. 202 00:08:03,120 --> 00:08:04,880 THIS IS PRE-GWESPIN FOODS MERGER. 203 00:08:10,540 --> 00:08:12,710 OOH, DAD. WHAT ARE YOU STILL DOING HERE? 204 00:08:12,710 --> 00:08:14,290 I'M LATE FOR A FUNDRAISER. 205 00:08:14,290 --> 00:08:15,670 YEAH. REALLY LATE. 206 00:08:17,880 --> 00:08:20,380 WILLIAM: YOU WANT A BURGER? THOSE THINGS NEVER HAVE GOOD FOOD. 207 00:08:24,330 --> 00:08:26,920 DID SOMETHING HAPPEN AT THE SCPD HEADQUARTERS? 208 00:08:26,920 --> 00:08:29,580 LIKE WHAT? 209 00:08:29,580 --> 00:08:32,170 NEVER MIND. 210 00:08:32,170 --> 00:08:34,040 [DING, JAZZ PLAYING] 211 00:08:34,040 --> 00:08:38,460 [WOMAN LAUGHING] 212 00:08:38,460 --> 00:08:39,920 MAN: HEY, QUEEN. WHAT'S THE DIFFERENCE 213 00:08:39,920 --> 00:08:42,040 BETWEEN A COP AND THE GREEN ARROW? 214 00:08:42,040 --> 00:08:44,670 A COP DOESN'T NEED TO PLAY DRESS-UP TO DO HIS JOB. 215 00:08:44,670 --> 00:08:46,460 HA HA HA! 216 00:08:46,460 --> 00:08:50,330 -OOH! NICE REFLEXES, MR. QUEEN. -THANK YOU. 217 00:08:50,330 --> 00:08:53,710 THERE YOU ARE. YOU KNOW THE PARTY STARTED AN HOUR AGO, RIGHT? 218 00:08:53,710 --> 00:08:55,250 I NEED TO SPEAK WITH YOU. 219 00:08:55,250 --> 00:08:56,830 UH, THIS IS GONNA SOUND CRAZY. 220 00:08:56,830 --> 00:09:00,380 UM...I HAVE BEEN HERE BEFORE. SO HAVE YOU. 221 00:09:00,380 --> 00:09:02,080 WHAT ARE YOU TALKING ABOUT? 222 00:09:02,080 --> 00:09:03,830 ABOUT THE MONITOR DROPPING ME INTO SOME SORT 223 00:09:03,830 --> 00:09:06,460 OF ALTERNATE REALITY T-T-TIME LOOP OR SOMETHING, 224 00:09:06,460 --> 00:09:08,080 WHERE EVERYTHING IS DIFFERENT, 225 00:09:08,080 --> 00:09:09,670 WHERE LANCE IS STILL ALIVE. 226 00:09:09,670 --> 00:09:11,380 OLIVER, LANCE HAS ALWAYS BEEN ALIVE. 227 00:09:11,380 --> 00:09:13,500 NO, HE HASN'T. YOU JUST DON'T REMEMBER 228 00:09:13,500 --> 00:09:16,210 BECAUSE THE MONITOR HAS DONE SOMETHING TO PEOPLE'S MEMORIES, 229 00:09:16,210 --> 00:09:18,210 BUT I--I THINK I KNOW THE WAY OUT OF THIS, 230 00:09:18,210 --> 00:09:22,080 BUT I--I NEED TO STOP A BOMB AT THE SCPD. 231 00:09:22,080 --> 00:09:23,960 OLIVER, WILL YOU JUST CALM DOWN, MAN? 232 00:09:23,960 --> 00:09:26,500 IF THERE WAS A BOMB, WE WOULD KNOW ABOUT IT. 233 00:09:26,500 --> 00:09:27,960 LYLA WOULD KNOW ABOUT IT. 234 00:09:27,960 --> 00:09:29,210 LYLA'S A PART OF THIS. 235 00:09:29,210 --> 00:09:30,880 LYLA: PART OF WHAT? 236 00:09:30,880 --> 00:09:32,210 JOHN: OLIVER SEEMS TO THINK THAT HE'S CAUGHT 237 00:09:32,210 --> 00:09:33,670 IN SOME SORT OF TIME LOOP. 238 00:09:33,670 --> 00:09:35,000 IF WE'RE TRAVELING BACK IN TIME, 239 00:09:35,000 --> 00:09:36,500 I'D LIKE TO REVISIT MY 20S. 240 00:09:36,500 --> 00:09:37,920 I--I NEED TO SPEAK WITH QUENTIN. 241 00:09:37,920 --> 00:09:40,620 THE MAYOR'S WAITING FOR ME. 242 00:09:40,620 --> 00:09:42,080 YEAH. HOW'D YOU KNOW? 243 00:09:42,080 --> 00:09:44,460 MR. MAYOR. 244 00:09:44,460 --> 00:09:46,620 OH. HEY, OLIVER. LISTEN. 245 00:09:46,620 --> 00:09:49,000 I, UH--I MADE A FEW LAST-MINUTE CHANGES TO THE SPEECH, SO-- 246 00:09:49,000 --> 00:09:52,250 -WE NEED TO TALK. -SURE. LET'S. 247 00:09:52,250 --> 00:09:55,290 UH, YEAH. I WANTED TO RUN THESE CHANGES BY YOU ANYWAY. 248 00:09:55,290 --> 00:09:57,580 YOU WANT TO ADD A JOKE ABOUT SLABSIDE, 249 00:09:57,580 --> 00:09:59,790 ABOUT HOW I WOULD RATHER SPEND TIME 250 00:09:59,790 --> 00:10:03,000 IN A SUPERMAX THAN TAKE YOUR ADVICE. 251 00:10:03,000 --> 00:10:05,460 YOU STEAL A COPY OF MY SPEECH OR SOMETHING? 252 00:10:05,460 --> 00:10:08,500 WE'VE HAD THIS EXACT CONVERSATION ALREADY. 253 00:10:08,500 --> 00:10:12,460 WHAT ARE YOU TALKING ABOUT? 254 00:10:12,460 --> 00:10:15,790 FULLY AWARE OF HOW THIS IS GOING TO SOUND. 255 00:10:15,790 --> 00:10:20,500 QUENTIN, I AM TRAPPED IN SOME SORT OF... TIME LOOP, 256 00:10:20,500 --> 00:10:24,290 WHERE THE SAME EVENTS JUST KEEP REPEATING THEMSELVES. 257 00:10:24,290 --> 00:10:26,460 -LIKE "GROUNDHOG DAY." -SURE 258 00:10:26,460 --> 00:10:29,290 EXCEPT THIS ONE ENDS IN A LOT OF PEOPLE DEAD, 259 00:10:29,290 --> 00:10:31,500 INCLUDING THE TWO OF US. 260 00:10:31,500 --> 00:10:35,540 OK. HOW CAN I HELP? 261 00:10:35,540 --> 00:10:37,330 DO YOU ACTUALLY BELIEVE ME? 262 00:10:37,330 --> 00:10:40,290 OLIVER, I'VE SEEN ONE DAUGHTER DIE 263 00:10:40,290 --> 00:10:42,120 AND COME BACK TO LIFE TWICE. 264 00:10:42,120 --> 00:10:43,960 I'VE SEEN ANOTHER COME FROM SOME OTHER EARTH. 265 00:10:43,960 --> 00:10:46,920 I'VE SEEN A GUY IN RED RUN SO FAST HE CAN REVERSE TIME. 266 00:10:46,920 --> 00:10:49,790 THIS IS NOT EXACTLY OUTSIDE THE NORM, IS IT? 267 00:10:49,790 --> 00:10:52,790 ALSO, I'M DONE LEARNING MY LESSON ABOUT DOUBTING YOU 268 00:10:52,790 --> 00:10:55,330 BECAUSE THAT ALWAYS BITES ME IN THE ASS. HEH. 269 00:10:55,330 --> 00:10:57,420 [SIGHS] 270 00:10:57,420 --> 00:10:59,710 WHAT HAPPENS NOW? 271 00:10:59,710 --> 00:11:01,790 VERY SHORTLY, WE ARE GONNA LEARN THAT 272 00:11:01,790 --> 00:11:05,080 THERE IS A HOSTAGE SITUATION AT THE SCPD. 273 00:11:05,080 --> 00:11:08,670 THEY'RE GOING TO INSIST THAT THEY TALK TO YOU AND ONLY YOU. 274 00:11:08,670 --> 00:11:10,790 AND HOW DOES IT GO SOUTH? 275 00:11:10,790 --> 00:11:13,120 THERE'S A HIDDEN EXPLOSIVE DEVICE 276 00:11:13,120 --> 00:11:15,380 THAT I DIDN'T KNOW ABOUT THE FIRST TIME THROUGH, 277 00:11:15,380 --> 00:11:18,420 AND JUDGING FROM THE BLAST, IT'S UNDERNEATH THE BUILDING. 278 00:11:18,420 --> 00:11:21,670 EH. SO YOU FIND IT, YOU KEEP US FROM GOING BOOM. 279 00:11:21,670 --> 00:11:23,920 -WHAT THEN? -I BREAK OUT OF THE LOOP. 280 00:11:23,920 --> 00:11:25,790 GREAT. 281 00:11:25,790 --> 00:11:28,540 HERE YOU ARE. THERE'S SOMETHING YOU NEED TO SEE. 282 00:11:30,460 --> 00:11:31,880 [SIRENS, HELICOPTER] 283 00:11:31,880 --> 00:11:33,500 GET THE FEDS ON THE LINE. 284 00:11:33,500 --> 00:11:34,790 -TELL THEM I NEED BACKUP NOW. -YES, MA'AM. 285 00:11:34,790 --> 00:11:36,290 WHAT'S THE SITUATION, CAPTAIN? 286 00:11:36,290 --> 00:11:37,710 ARMED MERCS STORMED THE PRECINCT, 287 00:11:37,710 --> 00:11:39,120 TOOK A DOZEN OF MY GUYS HOSTAGE. 288 00:11:43,000 --> 00:11:44,580 THEY HAVE A BOMB. 289 00:11:44,580 --> 00:11:46,250 WE ALREADY DID A SWEEP OF THE ENTIRE BUILDING. 290 00:11:46,250 --> 00:11:48,830 IT'S NOT IN THE BUILDING. IT'S UNDERNEATH IT. 291 00:11:48,830 --> 00:11:50,250 HOW COULD YOU POSSIBLY KNOW THAT? 292 00:11:50,250 --> 00:11:54,500 I TRUST HIM. INSTINCT THING. 293 00:11:54,500 --> 00:11:56,000 SO WHAT DO YOU WANT TO DO? 294 00:11:56,000 --> 00:11:57,920 THIS IS MAYOR QUENTIN LANCE. 295 00:11:57,920 --> 00:12:00,620 I'M UNARMED. I'M COMING IN. 296 00:12:08,960 --> 00:12:10,830 STOP RIGHT THERE. 297 00:12:14,120 --> 00:12:17,210 OH. IT'S YOU. WOULD YOU RELAX? 298 00:12:17,210 --> 00:12:19,460 WE ARE BOTH HERE FOR THE SAME THING. 299 00:12:19,460 --> 00:12:21,380 HEY. HOW DID YOU KNOW TO COME DOWN HERE? 300 00:12:21,380 --> 00:12:23,790 I MAY HAVE LEARNED ABOUT THE EXISTENCE 301 00:12:23,790 --> 00:12:26,540 OF THIS PLACE AS A PART OF A FORMER CAREER. 302 00:12:26,540 --> 00:12:27,920 HOW DID YOU KNOW ABOUT THE BOMB? 303 00:12:27,920 --> 00:12:30,330 YOU WOULDN'T BELIEVE ME IF I TOLD YOU. 304 00:12:30,330 --> 00:12:32,790 WELL, ACTUALLY, SINCE YOU'RE NOT GOING TO REMEMBER ANYWAY, 305 00:12:32,790 --> 00:12:36,620 THERE IS A CRAZY SPACE GOD WHO HAS ME TRAPPED IN A TIME LOOP. 306 00:12:36,620 --> 00:12:38,960 YEAH? ME, TOO. 307 00:12:38,960 --> 00:12:40,960 -IT'S MY SECOND TIME THROUGH. -SAME. 308 00:12:40,960 --> 00:12:42,960 -I WAKE UP IN THE BUNKER. -I WAKE UP IN MY APARTMENT, 309 00:12:42,960 --> 00:12:44,670 SO CLEARLY, THE MONITOR IS DOING THIS. 310 00:12:44,670 --> 00:12:47,040 -YOU MEAN PUNISHING US? -YEAH. 311 00:12:47,040 --> 00:12:50,960 WE ARE THE TWO PEOPLE WHO HAVE ROYALLY PISSED HIM OFF THE MOST. 312 00:12:50,960 --> 00:12:53,120 IN RUSSIA, I DISOBEYED HIM, 313 00:12:53,120 --> 00:12:55,000 AND YOU--YOU TRIED TO DESTROY HIM. 314 00:12:55,000 --> 00:12:56,960 AT LEAST WE'RE IN IT TOGETHER NOW. 315 00:12:56,960 --> 00:12:58,920 I THINK DISARMING THAT IS THE WAY OUT OF HERE. 316 00:12:58,920 --> 00:13:01,080 HOW LONG DO YOU THINK UNTIL THIS THING GOES BOOM? 317 00:13:01,080 --> 00:13:02,750 OH. YOUR GUESS IS AS GOOD AS MINE. 318 00:13:02,750 --> 00:13:05,080 QUENTIN'S UPSTAIRS BUYING US SOME TIME. 319 00:13:06,830 --> 00:13:08,830 -QUENTIN--HE'S HERE? -YEAH. 320 00:13:08,830 --> 00:13:10,750 [BUZZING] 321 00:13:10,750 --> 00:13:12,710 I THINK WE JUST ACTIVATED SOME KIND OF FAILSAFE. 322 00:13:12,710 --> 00:13:14,750 LOOK. WE NEED MORE TIME WITH THE NEXT LOOP, LAUREL. 323 00:13:14,750 --> 00:13:16,670 IT WOULD PROBABLY HELP IF WE FOUND EACH OTHER FASTER NEXT TIME. 324 00:13:16,670 --> 00:13:18,380 THERE'S A PARTY AT THE PALMER TECH BUILDING. 325 00:13:18,380 --> 00:13:20,040 -MEET ME THERE. -ARE WE TALKING FORMAL WEAR OR-- 326 00:13:20,040 --> 00:13:21,620 ANNOUNCER: TARK DRIVES THE LANE. 327 00:13:21,620 --> 00:13:23,790 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 328 00:13:23,790 --> 00:13:25,250 BINGO! 329 00:13:25,250 --> 00:13:27,330 MIA: NO WAY. IT'S THE SAME. 330 00:13:27,330 --> 00:13:29,210 CONNOR: I'M TELLING YOU. THIS BIG BELLY BURGER IS JUST BETTER. 331 00:13:29,210 --> 00:13:30,670 GUESS YOU REALIZED YOU'RE LATE. 332 00:13:30,670 --> 00:13:31,750 SOMETHING LIKE THAT. 333 00:13:31,750 --> 00:13:32,880 [DING, JAZZ PLAYING] 334 00:13:32,880 --> 00:13:34,420 [WOMAN LAUGING] 335 00:13:34,420 --> 00:13:35,710 MAN: HEY, QUEEN. WHAT'S THE DIFFERENCE 336 00:13:35,710 --> 00:13:37,290 BETWEEN A COP AND THE GREEN ARROW? 337 00:13:37,290 --> 00:13:38,750 COP DOESN'T NEED TO PLAY DRESS-UP TO DO HIS JOB. 338 00:13:38,750 --> 00:13:40,170 SORRY. 339 00:13:41,880 --> 00:13:43,880 MR. MAYOR. 340 00:13:43,880 --> 00:13:46,830 HEY, OLIVER. LISTEN. I MADE A FEW LAST-MINUTE CHANGES 341 00:13:46,830 --> 00:13:48,420 TO THE SPEECH. 342 00:13:48,420 --> 00:13:49,960 AND YOU FIGURED YOU SHOULD RUN THEM BY ME FIRST. 343 00:13:49,960 --> 00:13:51,710 YEAH, EXACTLY. 344 00:13:51,710 --> 00:13:54,290 HEY, BABY GIRL. 345 00:13:54,290 --> 00:13:57,080 I DIDN'T THINK YOU WERE GONNA MAKE IT. 346 00:13:57,080 --> 00:13:58,920 ME EITHER. 347 00:13:58,920 --> 00:14:00,330 YOU OK, HONEY? 348 00:14:03,500 --> 00:14:05,420 I'M JUST REALLY HAPPY TO SEE YOU. 349 00:14:05,420 --> 00:14:08,750 OH. I'M HAPPY TO SEE YOU, TOO. 350 00:14:08,750 --> 00:14:10,290 THOUGH I GOT TO SAY I'M GLAD YOU LEFT 351 00:14:10,290 --> 00:14:11,620 THE BLACK LIPSTICK AT HOME TONIGHT. 352 00:14:11,620 --> 00:14:13,500 YOU KNOW THAT I'M EARTH-2 LAUREL. 353 00:14:13,500 --> 00:14:15,120 WHO ELSE WOULD YOU BE? 354 00:14:15,120 --> 00:14:16,620 LOOK. I'M REALLY SORRY TO INTERRUPT, 355 00:14:16,620 --> 00:14:18,290 BUT YOU AND I NEED TO GO. 356 00:14:18,290 --> 00:14:20,040 YOU'RE COMING WITH US. WE NEED YOUR HELP. 357 00:14:22,500 --> 00:14:23,960 [SIRENS, HELICOPTER] 358 00:14:23,960 --> 00:14:25,330 WHAT DO YOU MEAN THERE'S A BOMB? 359 00:14:25,330 --> 00:14:26,500 OLIVER: I KNOW HOW TO STOP IT, 360 00:14:26,500 --> 00:14:27,790 BUT YOU HAVE TO TRUST ME. 361 00:14:27,790 --> 00:14:29,210 I'M GONNA NEED A VEST. 362 00:14:29,210 --> 00:14:31,040 NOT THIS TIME, QUENTIN. 363 00:14:31,040 --> 00:14:32,460 THIS IS MAYOR QUENTIN LANCE. 364 00:14:32,460 --> 00:14:35,460 YOU WANTED TO TALK. LET'S TALK. 365 00:14:37,380 --> 00:14:40,170 THE DETONATOR OPERATES ON AN OSCILLATING FREQUENCY. 366 00:14:40,170 --> 00:14:41,620 IF WE CAN FIND THE RIGHT ONE, 367 00:14:41,620 --> 00:14:44,000 WE SHOULD BE ABLE TO DISRUPT IT. 368 00:14:44,000 --> 00:14:45,540 QUENTIN: VINCENT, LISTEN TO ME. 369 00:14:45,540 --> 00:14:47,170 I KNOW YOU DON'T REALLY WANT TO DO THIS. 370 00:14:47,170 --> 00:14:48,880 VINCENT: AND I KNOW THAT IF YOU DON'T GET IN HERE 371 00:14:48,880 --> 00:14:51,250 THESE MEN ARE GONNA DIE. 372 00:14:51,250 --> 00:14:52,620 I HAVE AN IDEA. 373 00:14:52,620 --> 00:14:54,620 [CANARY CRY] 374 00:14:54,620 --> 00:14:57,620 WE DID IT. 375 00:14:57,620 --> 00:14:58,880 OK. FINE. YOU DID IT. 376 00:15:01,120 --> 00:15:03,170 WE STOPPED THE BOMB. WHAT THE HELL ARE WE STILL DOING HERE? 377 00:15:03,170 --> 00:15:05,120 I DON'T--I-- 378 00:15:05,120 --> 00:15:06,620 WE MUST HAVE MISSED SOMETHING. 379 00:15:08,830 --> 00:15:10,000 -NO! -NO! 380 00:15:10,000 --> 00:15:11,250 [GUNSHOT] 381 00:15:11,250 --> 00:15:13,420 LAUREL: NO! NO! 382 00:15:15,670 --> 00:15:17,290 ANNOUNCER: TARK DRIVES THE LANE. 383 00:15:17,290 --> 00:15:19,380 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 384 00:15:19,380 --> 00:15:20,580 BINGO! 385 00:15:25,670 --> 00:15:27,080 NICE TO HAVE YOU HERE THIS EVENING. 386 00:15:27,080 --> 00:15:28,710 THANKS FOR COMING. 387 00:15:31,670 --> 00:15:34,670 ALL RIGHT. QUENTIN'S DEATH IS THE RESET POINT, 388 00:15:34,670 --> 00:15:36,670 WHICH MEANS THAT 389 00:15:36,670 --> 00:15:38,710 SAVING HIM MUST BE THE KEY. 390 00:15:38,710 --> 00:15:40,620 WHAT KIND OF SICK GAME IS THE MONITOR PLAYING? 391 00:15:40,620 --> 00:15:42,290 I DON'T KNOW. WE NEED TO FIND OUT 392 00:15:42,290 --> 00:15:44,250 WHO IS BEHIND THIS HOSTAGE SITUATION. 393 00:15:44,250 --> 00:15:46,750 IF IT'S JUST ABOUT KILLING QUENTIN, THEN WHY PLANT A BOMB? 394 00:15:46,750 --> 00:15:48,540 IT SEEMS LIKE A LOT OF EXTRA WORK. 395 00:15:48,540 --> 00:15:50,210 MAYBE WHOEVER IS BEHIND THIS WANTS 396 00:15:50,210 --> 00:15:52,040 THEIR INVOLVEMENT KEPT A SECRET. 397 00:15:52,040 --> 00:15:54,380 DO YOU REALLY THINK THERE'S A LARGER CONSPIRACY HERE? 398 00:15:54,380 --> 00:15:56,000 THOSE WERE MERCENARIES, LAUREL, 399 00:15:56,000 --> 00:15:58,000 WHICH MEANS THAT SOMEBODY HAD TO HIRE THEM. 400 00:15:58,000 --> 00:16:01,920 GREAT, AND I'M SURE THEY'RE GONNA BE REALLY EASY TO FIND, TOO. 401 00:16:01,920 --> 00:16:03,540 ANY IDEA WHERE TO START? 402 00:16:05,040 --> 00:16:06,540 LET'S GET QUENTIN OUT OF HERE. 403 00:16:06,540 --> 00:16:08,080 WHY DON'T YOU TAKE HIM TO THE BUNKER? 404 00:16:08,080 --> 00:16:10,120 WHAT ABOUT YOU? 405 00:16:10,120 --> 00:16:11,540 [SIGHS] 406 00:16:11,540 --> 00:16:13,250 I'M GONNA GO TAKE A LOOK AT THAT BOMB. 407 00:16:16,880 --> 00:16:20,790 LAUREL, I DIDN'T THINK YOU'D MAKE IT TONIGHT. 408 00:16:20,790 --> 00:16:22,670 I AM REALLY NOT IN THE MOOD FOR SMALL TALK 409 00:16:22,670 --> 00:16:24,500 WITH THE MONITOR'S BESTIE. 410 00:16:24,500 --> 00:16:26,290 -EXCUSE ME. -IT TURNS OUT TRANQ DARTS, 411 00:16:26,290 --> 00:16:27,960 THEY DON'T FEEL SO GOOD. 412 00:16:27,960 --> 00:16:30,580 I TOLD YOU THAT WAS A BIG MISUNDERSTANDING. 413 00:16:30,580 --> 00:16:32,750 WELL, UNDERSTAND THIS. THE SECOND I GET OUT 414 00:16:32,750 --> 00:16:34,960 OF THIS SADISTIC "EDGE OF TOMORROW" REBOOT, 415 00:16:34,960 --> 00:16:36,830 I AM GOING TO MAKE SURE TO TELL EVERYONE 416 00:16:36,830 --> 00:16:39,330 EXACTLY WHAT KIND OF TRAITOR YOU REALLY ARE. 417 00:16:39,330 --> 00:16:42,080 LAUREL, I TRULY HAVE NO IDEA WHAT YOU'RE TALKING ABOUT, 418 00:16:42,080 --> 00:16:44,210 BUT WHATEVER IT IS YOU'RE FEELING TOWARD ME, 419 00:16:44,210 --> 00:16:45,830 THAT'S ON YOU. 420 00:16:45,830 --> 00:16:48,080 THANK YOU FOR THE ADVICE, DR. PHIL, 421 00:16:48,080 --> 00:16:50,040 AND NOW HERE'S SOME FOR YOU. 422 00:16:50,040 --> 00:16:52,000 THE NEXT TIME YOU DECIDE TO DOUBLE-CROSS SOMEONE, 423 00:16:52,000 --> 00:16:55,790 DON'T PICK A WOMAN WHO SPECIALIZES IN REVENGE. 424 00:16:55,790 --> 00:16:57,750 YOU'RE THREATENING ME. 425 00:16:57,750 --> 00:17:00,500 YES. YES, I AM, BUT DON'T WORRY. 426 00:17:00,500 --> 00:17:02,420 YOU WON'T REMEMBER ANYWAY, 427 00:17:02,420 --> 00:17:04,330 AND BY THE WAY, I PULL OFF 428 00:17:04,330 --> 00:17:05,920 THE SHORT HAIR WAY BETTER THAN YOU DO. 429 00:17:13,120 --> 00:17:15,380 WHAT ARE YOU DOING HERE? 430 00:17:15,380 --> 00:17:20,290 WELL, WORD CAME DOWN THAT THE GREEN ARROW CALLED IN A BOMB THREAT, 431 00:17:20,290 --> 00:17:23,040 SO I THOUGHT TO MYSELF, "HOW DID HE KNOW ABOUT THAT, 432 00:17:23,040 --> 00:17:25,040 AND WHY DIDN'T HE CALL ME?" 433 00:17:25,040 --> 00:17:27,920 BECAUSE THE MONITOR HAS ME TRAPPED IN A TIME LOOP. 434 00:17:27,920 --> 00:17:30,000 ALREADY TOLD YOU THAT. 435 00:17:30,000 --> 00:17:31,830 OK. DEFINITELY NOT THE ANSWER I WAS EXPECTING, 436 00:17:31,830 --> 00:17:34,250 BUT IF THE MONITOR'S INVOLVED, ANYTHING IS POSSIBLE. 437 00:17:34,250 --> 00:17:36,250 ANY IDEA HOW TO BREAK OUT? 438 00:17:36,250 --> 00:17:38,710 I HAVE TO SAVE QUENTIN'S LIFE. 439 00:17:38,710 --> 00:17:40,380 I THOUGHT THAT THIS WAS THE KEY TO IT, 440 00:17:40,380 --> 00:17:42,330 BUT I'M NOT FINDING ANYTHING. 441 00:17:42,330 --> 00:17:44,330 WELL, HAS TO BE SOMETHING. NO CASE IS UNSOLVABLE. 442 00:17:44,330 --> 00:17:45,920 THIS MIGHT BE IMPOSSIBLE. 443 00:17:45,920 --> 00:17:47,710 WELL, YOU'LL FIGURE IT OUT. 444 00:17:47,710 --> 00:17:49,750 I DO WISH I WAS AS SURE AS YOU ARE. 445 00:17:49,750 --> 00:17:52,920 YOU WANT TO KNOW WHAT MAKES ME SO SURE? YOU. 446 00:17:52,920 --> 00:17:55,000 YOU, OLIVER. YOU ALWAYS FIGURE IT OUT. 447 00:17:55,000 --> 00:17:57,670 YOU NEVER STOP FIGHTING. YOU NEVER GIVE UP. 448 00:17:57,670 --> 00:17:59,330 YOU ALWAYS KEEP AT IT. 449 00:17:59,330 --> 00:18:00,920 WHY SHOULD THIS BE ANY DIFFERENT? 450 00:18:00,920 --> 00:18:03,580 WHATEVER VERSION THIS IS OF YOU, 451 00:18:03,580 --> 00:18:06,120 YOU STILL GIVE THE BEST ADVICE. 452 00:18:06,120 --> 00:18:07,880 -YEAH. I'M FLATTERED. -WELL, A.R.G.U.S. HAS 453 00:18:07,880 --> 00:18:11,290 SOME MORE SOPHISTICATED ANALYTICAL EQUIPMENT. 454 00:18:11,290 --> 00:18:15,000 ANY CHANCE YOU CAN GET ME IN THERE? 455 00:18:15,000 --> 00:18:16,830 YEAH. I BET I CAN MAKE A FEW CALLS. 456 00:18:18,880 --> 00:18:21,250 SO YOU'RE TELLING ME WE'RE IN SOME KIND 457 00:18:21,250 --> 00:18:24,880 OF A ALTERNATE REALITY BASED ON THE PLOT OF A BILL MURRAY MOVIE? 458 00:18:24,880 --> 00:18:28,750 WELL, I WAS GONNA GO WITH A TOM CRUISE FLICK BUT BASICALLY. 459 00:18:28,750 --> 00:18:31,670 ALSO JUST REALLY GLAD THAT YOU BELIEVE ME. 460 00:18:31,670 --> 00:18:33,670 WELL, IT'S NOT THE CRAZIEST THING YOU EVER TOLD ME. 461 00:18:33,670 --> 00:18:35,420 I MEAN, I'M JUST GLAD THIS MONITOR GUY 462 00:18:35,420 --> 00:18:37,080 JUST KEPT ME AS MAYOR, YOU KNOW? 463 00:18:39,040 --> 00:18:43,330 WHAT IS IT? WHAT'S THAT LOOK? 464 00:18:43,330 --> 00:18:47,330 IT--IT'S JUST THAT, UH, IN MY WORLD 465 00:18:47,330 --> 00:18:51,710 OR IN THE REAL WORLD, UH, YOU'RE NOT MAYOR ANYMORE. 466 00:18:51,710 --> 00:18:54,540 REALLY? OHH. POLLARD. 467 00:18:54,540 --> 00:18:57,080 SHE ALWAYS HAD IT IN FOR ME. HEH. 468 00:19:00,420 --> 00:19:03,420 THERE SOMETHING ELSE? 469 00:19:03,420 --> 00:19:05,830 LAUREL. SWEETHEART, I ALWAYS KNOW WHEN YOU'RE 470 00:19:05,830 --> 00:19:07,250 HIDING SOMETHING FROM ME. 471 00:19:07,250 --> 00:19:08,500 PLEASE TELL ME. WHAT IS IT? 472 00:19:08,500 --> 00:19:10,210 IT--IT'S A YEAR AND A HALF AGO 473 00:19:10,210 --> 00:19:12,250 WHEN DIAZ-- WHEN HE SHOT YOU 474 00:19:12,250 --> 00:19:14,830 IN--IN THE REAL REALITY OR WHATEVER, 475 00:19:14,830 --> 00:19:17,670 YOU--YOU DIDN'T EXACTLY, UM-- 476 00:19:17,670 --> 00:19:21,710 [SIGHS] 477 00:19:21,710 --> 00:19:23,750 I DIDN'T RECOVER. 478 00:19:23,750 --> 00:19:27,620 NO. NO. YOU DIED TO SAVE ME. 479 00:19:31,330 --> 00:19:34,330 BEST WAY I COULD HAVE GONE. 480 00:19:34,330 --> 00:19:36,580 WHAT?! I'M SORRY. I BASICALLY JUST 481 00:19:36,580 --> 00:19:40,080 TOLD YOU YOU'RE A GHOST, AND YOU'RE COMPLETELY OK WITH THAT? 482 00:19:40,080 --> 00:19:42,460 IT DOESN'T--IT DOESN'T FAZE YOU? YOU'RE COMPLETELY CALM? 483 00:19:42,460 --> 00:19:45,920 I ALWAYS FELT LIKE I CHEATED DEATH WITH THAT ONE. 484 00:19:45,920 --> 00:19:50,290 GUESS THAT'S BECAUSE I DIDN'T. 485 00:19:50,290 --> 00:19:53,500 FATE'S JUST TRICKY LIKE THAT. 486 00:19:53,500 --> 00:19:56,040 [CELL PHONE VIBRATING] 487 00:19:59,670 --> 00:20:02,120 -IT'S OLIVER. -YEAH? 488 00:20:02,120 --> 00:20:03,710 HE FIGURE OUT WHO WANTS ME DEAD? 489 00:20:03,710 --> 00:20:06,330 NOT YET, BUT HE DID FIGURE OUT THE LOCATION 490 00:20:06,330 --> 00:20:07,670 OF THE MERCS' HIDEOUT. 491 00:20:07,670 --> 00:20:10,000 OK. SO WE BETTER GO. 492 00:20:14,170 --> 00:20:15,580 [BANG] 493 00:20:21,580 --> 00:20:23,620 HOW'D YOU FIND THIS PLACE? 494 00:20:23,620 --> 00:20:25,580 UH, WE ANALYZED THE BOMB 495 00:20:25,580 --> 00:20:27,250 AND TRACED THE CHEMICAL SIGNATURE 496 00:20:27,250 --> 00:20:28,540 BACK TO THIS BUILDING. 497 00:20:28,540 --> 00:20:30,920 INTERESTING. 498 00:20:30,920 --> 00:20:32,330 -WHAT? -YOUR MOUTH 499 00:20:32,330 --> 00:20:34,170 BUT FELICITY'S WORDS. 500 00:20:34,170 --> 00:20:37,250 IT STILL DOESN'T TELL US WHO HIRED THESE BOZOS. 501 00:20:37,250 --> 00:20:38,790 MAYBE THIS WILL HELP. 502 00:20:42,580 --> 00:20:45,000 [COMPUTER BEEPING] 503 00:20:51,750 --> 00:20:53,330 [TIMER BEEPING] 504 00:20:53,330 --> 00:20:54,580 BOMB! 505 00:21:01,170 --> 00:21:02,580 OHH. 506 00:21:07,750 --> 00:21:10,290 [GROANING] 507 00:21:12,830 --> 00:21:14,790 LYLA, WHAT THE HELL ARE YOU DOING? 508 00:21:14,790 --> 00:21:17,000 HELPING YOU. YOU'RE MISSING THE POINT, OLIVER. 509 00:21:17,000 --> 00:21:19,000 -WHAT? -YOU CAN'T FIGHT THIS. 510 00:21:20,920 --> 00:21:22,120 UGH. 511 00:21:23,330 --> 00:21:24,620 OLIVER: LYLA! 512 00:21:33,830 --> 00:21:35,540 ANNOUNCER: TARK DRIVES THE LANE. 513 00:21:35,540 --> 00:21:37,380 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 514 00:21:37,380 --> 00:21:40,250 BINGO! COUNT IT AND THE FOUL! 515 00:21:40,250 --> 00:21:44,420 [JAZZ PLAYING] 516 00:21:44,420 --> 00:21:47,250 NO SIGN OF LYLA ANYWHERE. YOU? 517 00:21:47,250 --> 00:21:48,960 JOHN JUST TOLD ME SHE GOT CALLED AWAY 518 00:21:48,960 --> 00:21:50,460 ON A LAST-MINUTE A.R.G.U.S. MISSION, 519 00:21:50,460 --> 00:21:52,710 MEANING SHE'S NEVER EVEN BEEN HERE. 520 00:21:52,710 --> 00:21:55,460 MAYBE THE MONITOR DELETED HER FOR GOING ROGUE. 521 00:21:55,460 --> 00:21:57,120 [BABY VOICE] HEH. WOULDN'T THAT BE SO, SO SAD? 522 00:21:57,120 --> 00:21:58,960 SHE'S CLEARLY HELPING HIM. THERE'S NO REASON FOR HER 523 00:21:58,960 --> 00:22:00,620 TO SWITCH SIDES RIGHT NOW. 524 00:22:00,620 --> 00:22:02,830 SO WHY REVEAL HER HAND? IT MAKES NO SENSE. 525 00:22:02,830 --> 00:22:04,500 ALL RIGHT. YOU SPOKE WITH HER. 526 00:22:04,500 --> 00:22:06,420 WAS THERE ANYTHING, ANYTHING AT ALL 527 00:22:06,420 --> 00:22:08,500 IN THE CONVERSATION THAT STOOD OUT? 528 00:22:08,500 --> 00:22:11,290 SHE SAID HOW I FEEL TOWARDS HER WAS ON ME 529 00:22:11,290 --> 00:22:15,000 LIKE IT'S MY FAULT THAT I'M STUCK HERE. 530 00:22:15,000 --> 00:22:18,790 I TOLD YOU THE MONITOR'S PUNISHING US. 531 00:22:18,790 --> 00:22:20,500 I'M NOT SO SURE. 532 00:22:20,500 --> 00:22:22,920 WE'VE HAD TO WATCH QUENTIN DIE OVER AND OVER AGAIN, 533 00:22:22,920 --> 00:22:24,750 AND WE CAN'T SAVE HIM. 534 00:22:24,750 --> 00:22:27,620 IF I HAD TO DESIGN HELL, THIS WOULD BE IT. 535 00:22:27,620 --> 00:22:30,330 BUT RIGHT BEFORE LYLA DISAPPEARED, 536 00:22:30,330 --> 00:22:32,670 SHE TOLD ME SHE WAS TRYING TO HELP ME. 537 00:22:32,670 --> 00:22:36,170 SHE ALSO TOLD YOU YOU CAN'T FIGHT THIS. 538 00:22:36,170 --> 00:22:39,040 IT SEEMS PRETTY CLEAR TO ME THAT WE'RE NOT SUPPOSED TO WIN. 539 00:22:39,040 --> 00:22:41,330 THE FIRST TIME THAT I MET MAR NOVU, 540 00:22:41,330 --> 00:22:44,290 IT FELT--IT FELT THE SAME. 541 00:22:44,290 --> 00:22:46,620 IT WAS LIKE I WAS PUT IN A SITUATION WHERE THERE WAS NO WAY OUT, 542 00:22:46,620 --> 00:22:48,500 BUT IT WAS A TEST, LAUREL. 543 00:22:48,500 --> 00:22:50,620 IT WAS A TEST JUST LIKE I THINK THAT THIS IS. 544 00:22:50,620 --> 00:22:52,670 -A TEST OF WHAT? -I DON'T KNOW, 545 00:22:52,670 --> 00:22:54,960 BUT THERE IS A WAY OUT OF HERE, 546 00:22:54,960 --> 00:22:56,880 AND I'M GONNA FIND IT. 547 00:22:56,880 --> 00:22:58,790 -YOU JUST NEVER GIVE UP, DO YOU? -NO, I DON'T. 548 00:22:58,790 --> 00:23:02,080 ARE YOU WITH ME? 549 00:23:02,080 --> 00:23:04,040 FINE. 550 00:23:04,040 --> 00:23:06,790 WHAT'S OUR PLAY? 551 00:23:06,790 --> 00:23:08,670 WE GO BACK TO THE MERCS' HIDEOUT. 552 00:23:08,670 --> 00:23:10,120 WE KNOW WHERE THE DANGER IS THIS TIME, 553 00:23:10,120 --> 00:23:13,080 SO WE CAN DO THINGS DIFFERENTLY. 554 00:23:13,080 --> 00:23:15,880 YOU GRAB QUENTIN, AND I'LL MEET YOU THERE. 555 00:23:15,880 --> 00:23:17,170 OK. 556 00:23:18,920 --> 00:23:20,580 QUENTIN: SO YOU'RE TELLING ME WE'VE BEEN HERE ONCE 557 00:23:20,580 --> 00:23:22,380 AND STILL CAME BACK FOR MORE? 558 00:23:22,380 --> 00:23:25,040 AT LEAST NOW WE KNOW WHAT NOT TO DO. 559 00:23:25,040 --> 00:23:26,330 OK. 560 00:23:35,880 --> 00:23:38,290 ALL RIGHT. THAT SHOULD DISABLE THE BOMB. 561 00:23:38,290 --> 00:23:40,040 WELL, I CERTAINLY HOPE SO BECAUSE I AM GETTING 562 00:23:40,040 --> 00:23:42,290 SICK AND TIRED OF GETTING BLOWN UP. 563 00:23:44,420 --> 00:23:46,040 OLIVER: ALL RIGHT. QUENTIN: OK. SO NOW WHAT? 564 00:23:46,040 --> 00:23:49,540 WE FIND OUT WHO HIRED THOSE MERCS TO KILL YOU. 565 00:23:51,460 --> 00:23:54,170 MONEY LEADS TO A MAN NAMED ANDERSON WHITE. 566 00:23:54,170 --> 00:23:55,540 NEVER HEARD OF HIM. 567 00:23:55,540 --> 00:23:57,290 LAUREL: LOOKS LIKE HE'S BEEN ACCUSED 568 00:23:57,290 --> 00:23:58,540 OF NOT TOO MANY NICE THINGS-- 569 00:23:58,540 --> 00:24:01,120 MONEY LAUNDERING, RACKETEERING. 570 00:24:01,120 --> 00:24:03,170 DOESN'T EXPLAIN WHY HE'D WANT ME DEAD. 571 00:24:03,170 --> 00:24:05,250 WELL, THAT'S WHAT WE'RE GONNA FIND OUT. 572 00:24:05,250 --> 00:24:07,880 CEO OF A COMPANY NAMED GLOBAL SOLUTIONS. 573 00:24:07,880 --> 00:24:09,540 THEY HAVE A WAREHOUSE DOWN BY THE DOCKS. 574 00:24:09,540 --> 00:24:10,920 LET'S GO. 575 00:24:15,460 --> 00:24:17,000 WE NEED TO FIND WHITE. 576 00:24:23,420 --> 00:24:24,540 [GUNSHOT] 577 00:24:24,540 --> 00:24:26,380 NO! NO! 578 00:24:26,380 --> 00:24:29,420 MAN: BACK THIS WAY! 579 00:24:29,420 --> 00:24:31,790 OLIVER: COME ON, COME ON. LAUREL: I GOT YOU. I GOT YOU. 580 00:24:31,790 --> 00:24:34,750 [QUENTIN GROANING] 581 00:24:34,750 --> 00:24:36,920 OLIVER: I'LL TAKE CARE OF THE REST. 582 00:24:36,920 --> 00:24:39,170 [MOANING] 583 00:24:39,170 --> 00:24:41,000 ERR! UGH. 584 00:24:41,000 --> 00:24:43,040 OH, I'M SORRY, BABY GIRL. 585 00:24:43,040 --> 00:24:44,710 LOOKS LIKE WE LOST THIS ROUND. 586 00:24:44,710 --> 00:24:49,880 NO. NO! I AM NOT LETTING YOU DIE AGAIN. 587 00:24:49,880 --> 00:24:52,620 -IT'S TOO LATE. -NO. 588 00:24:52,620 --> 00:24:56,250 IT--IT'S--IT'S TIME TO SAY GOOD-BYE. 589 00:24:56,250 --> 00:24:58,330 I'M NOT GIVING UP ON YOU, QUENTIN. 590 00:24:58,330 --> 00:25:00,710 QUENTIN, I AM NOT GIVING UP ON YOU. 591 00:25:00,710 --> 00:25:03,580 YOU NEVER GAVE UP ON ME. 592 00:25:03,580 --> 00:25:06,080 YOU BELIEVED IN ME WHEN NOBODY ELSE DID. 593 00:25:06,080 --> 00:25:10,120 WELL, THAT'S WHAT DADS DO. THEY BELIEVE. 594 00:25:10,120 --> 00:25:12,000 I WANT YOU TO KNOW THAT YOU 595 00:25:12,000 --> 00:25:14,830 ARE THE REASON THAT I'M TRYING TO BE A HERO. 596 00:25:14,830 --> 00:25:16,540 IT'S BECAUSE OF YOU. 597 00:25:18,830 --> 00:25:23,380 SWEETHEART... YOU ARE A HERO. 598 00:25:23,380 --> 00:25:26,620 YOU ARE. 599 00:25:26,620 --> 00:25:28,460 THANK YOU. 600 00:25:28,460 --> 00:25:30,960 THANK YOU. I NEVER HAD THE CHANCE TO TELL YOU 601 00:25:30,960 --> 00:25:32,750 HOW MUCH YOU MEAN TO ME. 602 00:25:32,750 --> 00:25:35,880 [BREATHING HEAVILY] 603 00:25:35,880 --> 00:25:37,710 -WELL... -THANK YOU. 604 00:25:37,710 --> 00:25:40,080 I THINK YOU JUST DID. 605 00:25:40,080 --> 00:25:42,500 [GASPING] 606 00:25:42,500 --> 00:25:44,920 I LOVE YOU. I LOVE YOU. 607 00:26:01,170 --> 00:26:03,540 GOOD-BYE. 608 00:26:03,540 --> 00:26:06,290 DAMN IT. 609 00:26:06,290 --> 00:26:09,040 ALL RIGHT. OK. ALL RIGHT, LAUREL. 610 00:26:09,040 --> 00:26:11,290 WE FIX THIS NEXT TIME. WE'LL FIX IT. 611 00:26:15,250 --> 00:26:17,710 I CAN'T DO THIS AGAIN. 612 00:26:17,710 --> 00:26:19,710 I'M DONE, OLIVER. 613 00:26:19,710 --> 00:26:22,040 ALL I HAVE EVER WANTED WAS A CHANCE 614 00:26:22,040 --> 00:26:23,920 TO SAY GOOD-BYE TO QUENTIN. 615 00:26:27,170 --> 00:26:28,790 NOW I HAVE. 616 00:26:31,790 --> 00:26:33,380 ANNOUNCER: TARK DRIVES THE LANE. 617 00:26:33,380 --> 00:26:35,330 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 618 00:26:35,330 --> 00:26:39,250 BINGO! COUNT IT AND THE FOUL! 619 00:26:40,960 --> 00:26:42,540 LAUREL? 620 00:26:44,620 --> 00:26:46,420 LAUREL! 621 00:26:55,080 --> 00:26:58,290 SHE'S NOT HERE. 622 00:26:58,290 --> 00:27:00,250 -WHERE IS SHE? -GONE. 623 00:27:00,250 --> 00:27:02,420 WHAT DID YOU--WHAT DID YOU DO, LYLA? 624 00:27:02,420 --> 00:27:04,670 I DIDN'T DO ANYTHING. LAUREL GOT WHAT SHE NEEDED FROM THIS. 625 00:27:04,670 --> 00:27:06,460 I DON'T HAVE TIME FOR THESE GAMES, LYLA, 626 00:27:06,460 --> 00:27:09,120 SO WHATEVER THIS IS, GET ME OUT OF HERE RIGHT NOW! 627 00:27:09,120 --> 00:27:10,540 I CAN'T DO THAT, OLIVER. 628 00:27:10,540 --> 00:27:12,250 MAR NOVU NEEDS YOU TO UNDERSTAND 629 00:27:12,250 --> 00:27:14,290 NO GOOD WILL COME FROM STRUGGLE. 630 00:27:14,290 --> 00:27:16,920 THE ONLY WAY TO WIN IS TO ACCEPT THE INEVITABLE. 631 00:27:16,920 --> 00:27:19,170 I HAVE NO IDEA WHAT THAT MEANS. 632 00:27:19,170 --> 00:27:21,880 LEARN THAT, AND THIS WILL END. 633 00:27:25,290 --> 00:27:26,460 LYLA! 634 00:27:31,920 --> 00:27:33,960 SO IF ME DYING IS THE PROBLEM, 635 00:27:33,960 --> 00:27:35,670 MAYBE BRINGING ME INTO THE LION'S DEN ISN'T SO SMART. 636 00:27:35,670 --> 00:27:37,540 COULDN'T THINK OF A BETTER WAY TO KEEP YOU SAFE. 637 00:27:37,540 --> 00:27:39,170 YEAH. THAT MAKES SENSE. 638 00:27:39,170 --> 00:27:40,330 HUH! 639 00:27:42,290 --> 00:27:44,540 AH-AH-AH-AH. UNLESS YOU WANT A HOLE FOR A HEAD. 640 00:27:44,540 --> 00:27:46,830 OLIVER: ARE YOU ANDERSON WHITE? 641 00:27:46,830 --> 00:27:48,580 YOU REALLY THINK MR. WHITE WOULD BE HERE? 642 00:27:48,580 --> 00:27:50,960 HE ORDERED A HIT ON MY FRIEND. WHY? 643 00:27:55,330 --> 00:27:57,290 QUENTIN: I GUESS THE CLOCK'S TICKING. 644 00:27:57,290 --> 00:28:00,500 [ALARM BLARING] 645 00:28:00,500 --> 00:28:02,120 LOOKS LIKE A LIST OF HITS. 646 00:28:02,120 --> 00:28:03,880 AND CLIENTS. CODED AND ANONYMOUS. 647 00:28:03,880 --> 00:28:05,380 WHITE'S JUST THE MIDDLEMAN. 648 00:28:05,380 --> 00:28:07,250 A CEO WITH A HEALTHY SIDE BUSINESS BROKERING 649 00:28:07,250 --> 00:28:08,920 HITS FOR WEALTHY ASSHATS. 650 00:28:08,920 --> 00:28:10,880 ALL RIGHT. WE'RE BACK TO SQUARE ONE. 651 00:28:10,880 --> 00:28:12,540 WE HAVE NO IDEA HOW DEEP THIS RABBIT HOLE GOES. 652 00:28:12,540 --> 00:28:14,290 WE GOT TO GET GOING. 653 00:28:21,290 --> 00:28:22,710 UNH! 654 00:28:38,080 --> 00:28:40,040 GET DOWN! GET DOWN! 655 00:28:42,670 --> 00:28:46,670 HEY. YOU OK? YOU ALL RIGHT? OK. 656 00:28:46,670 --> 00:28:48,210 COME ON. COME ON. 657 00:28:48,210 --> 00:28:50,790 [GROANING] 658 00:28:50,790 --> 00:28:53,420 COME ON. 659 00:28:53,420 --> 00:28:55,290 HEY, HEY, HEY, HEY. 660 00:28:55,290 --> 00:28:56,710 WHOA! 661 00:28:56,710 --> 00:28:58,880 [GUNFIRE] 662 00:29:00,420 --> 00:29:02,460 GO, GO, GO, GO, GO, GO! 663 00:29:04,080 --> 00:29:06,330 MAN: AAH! 664 00:29:06,330 --> 00:29:08,620 -GET THEM. -GO, GO, GO. 665 00:29:28,460 --> 00:29:30,460 LET'S GO. COME ON. 666 00:29:30,460 --> 00:29:32,120 GET DOWN, GET DOWN! 667 00:29:42,120 --> 00:29:44,080 OVER THERE! 668 00:29:44,080 --> 00:29:45,580 DOWN, QUENTIN! 669 00:29:50,170 --> 00:29:53,670 OHH. OH, IT'S THE LAST ONE. 670 00:29:53,670 --> 00:29:55,420 HOW MANY ARROWS YOU GOT LEFT? 671 00:29:58,330 --> 00:29:59,670 NOT ENOUGH. 672 00:29:59,670 --> 00:30:01,880 OH, BOY. AREN'T WE THE COUPLE? 673 00:30:01,880 --> 00:30:04,250 WE ARE GONNA FIND A WAY OUT OF THIS. 674 00:30:04,250 --> 00:30:06,120 THERE HAS TO BE A WAY TO FIX IT, 675 00:30:06,120 --> 00:30:07,920 AND WE ARE GONNA FIND IT, QUENTIN. 676 00:30:07,920 --> 00:30:09,620 IT DOESN'T MATTER HOW MANY TIMES. WE'RE GONNA FIND IT! 677 00:30:09,620 --> 00:30:11,540 HEH HEH. YEAH? SURE. WHAT'S IT GONNA BE, 678 00:30:11,540 --> 00:30:13,790 60 TIMES, 100 TIMES? 679 00:30:13,790 --> 00:30:15,960 IT'S GONNA BE HOWEVER MANY TIMES IT TAKES! 680 00:30:19,170 --> 00:30:22,790 YOU KNOW, GETTING HUNTED LIKE THIS 681 00:30:22,790 --> 00:30:24,330 IN A SPACE LIKE THIS IS KIND OF LIKE 682 00:30:24,330 --> 00:30:26,210 WHAT I WAS DOING TO YOU ALL THOSE YEARS AGO. 683 00:30:26,210 --> 00:30:27,790 REMEMBER? 684 00:30:27,790 --> 00:30:30,080 [SIGHS] 685 00:30:30,080 --> 00:30:31,750 [GROANS] 686 00:30:31,750 --> 00:30:34,040 OHH. OOF. 687 00:30:34,040 --> 00:30:36,420 SORT OF MAKES SENSE I'D GO OUT LIKE THIS NOW, DON'T YOU THINK? 688 00:30:36,420 --> 00:30:38,330 WOULD YOU PLEASE JUST SAVE YOUR STRENGTH? 689 00:30:38,330 --> 00:30:39,710 [EXHALES] 690 00:30:39,710 --> 00:30:42,120 FOR WHAT? 691 00:30:42,120 --> 00:30:44,620 OLIVER, YOU TAKE CARE OF THESE GUYS, 692 00:30:44,620 --> 00:30:45,880 THERE'LL BE MORE BEHIND THEM, 693 00:30:45,880 --> 00:30:47,120 THERE WILL BE MORE BEHIND THEM. 694 00:30:47,120 --> 00:30:49,460 THERE IS NO SAVING ME FROM THIS! 695 00:30:49,460 --> 00:30:54,040 OK? YOU EVER THINK THAT'S THE POINT? 696 00:30:54,040 --> 00:30:57,750 MAYBE YOU'RE NOT SUPPOSED TO. 697 00:30:57,750 --> 00:31:01,380 I'M NOT GIVING UP... 698 00:31:01,380 --> 00:31:04,000 AND YOU'RE NOT GIVING UP EITHER. 699 00:31:04,000 --> 00:31:07,040 OH, NO, NO, NO. I'M NOT GIVING UP. 700 00:31:07,040 --> 00:31:09,920 MAYBE I'M GIVING IN. 701 00:31:09,920 --> 00:31:13,580 YOU SEE, I'VE BEEN OUTRUNNING DEATH FOR A WHILE NOW. 702 00:31:13,580 --> 00:31:16,460 THE SIEGE, THE ISLAND, 703 00:31:16,460 --> 00:31:20,500 BUT WHEN DIAZ SHOT ME, THAT FELT DIFFERENT 704 00:31:20,500 --> 00:31:25,330 LIKE I WAS FINALLY AT THE END, 705 00:31:25,330 --> 00:31:27,500 AND I MADE MY PEACE WITH THAT. 706 00:31:32,120 --> 00:31:34,960 AND MAYBE IT'S TIME YOU DID, TOO. 707 00:31:44,790 --> 00:31:46,620 IT LOOKS LIKE FATE'S KNOCKING. 708 00:31:48,960 --> 00:31:51,500 YOU JUST GET READY TO MOVE. 709 00:32:05,170 --> 00:32:07,000 I'LL SEE YOU ON THE OTHER SIDE, OLIVER. 710 00:32:12,420 --> 00:32:13,710 QUENTIN. 711 00:32:13,710 --> 00:32:15,330 [EXPLOSION] 712 00:32:24,380 --> 00:32:25,960 ANNOUNCER: TARK DRIVES THE LANE. 713 00:32:25,960 --> 00:32:28,250 KICKS IT TO ALDRICH IN THE CORNER FOR 3. 714 00:32:28,250 --> 00:32:32,620 BINGO! COUNT IT AND THE FOUL! 715 00:32:32,620 --> 00:32:34,620 THAT'S AN 8-0 RUN BY THE COMETS, 716 00:32:34,620 --> 00:32:36,830 WHO HAVE STORMED ALL THE WAY BACK TO TIE IT UP HERE 717 00:32:36,830 --> 00:32:38,170 IN THE FOURTH QUARTER. 718 00:32:38,170 --> 00:32:39,460 88 APIECE. 719 00:32:39,460 --> 00:32:41,040 WHAT A COMEBACK FOR THE COMETS, 720 00:32:41,040 --> 00:32:42,420 AND THERE'S AS TIMEOUT. 721 00:32:42,420 --> 00:32:43,670 [TURNS OFF TV] 722 00:33:04,170 --> 00:33:07,380 MIA: NO WAY. IT TASTES THE SAME. 723 00:33:07,380 --> 00:33:10,750 DAD, WHAT ARE YOU STILL DOING HERE? 724 00:33:10,750 --> 00:33:15,330 OLIVER: HEY, GUYS. I'M JUST HEADING OUT THE DOOR. 725 00:33:15,330 --> 00:33:17,920 WANTED TO LET YOU KNOW, ALL OF YOU KNOW 726 00:33:17,920 --> 00:33:23,380 WHAT A--JUST WHAT A GIFT 727 00:33:23,380 --> 00:33:25,670 GETTING TO KNOW YOU ALL HAS BEEN. 728 00:33:25,670 --> 00:33:28,210 DAD, YOU'RE GOING TO A FUNDRAISER. 729 00:33:28,210 --> 00:33:30,040 IT'S NOT LIKE YOU'RE GOING INTO WAR. 730 00:33:30,040 --> 00:33:31,580 HEH HEH. 731 00:33:31,580 --> 00:33:33,960 ALTHOUGH I GUESS I CAN SEE THE SIMILARITIES. 732 00:33:33,960 --> 00:33:35,750 I THINK HE'S TALKING ABOUT CRISIS. 733 00:33:40,170 --> 00:33:43,250 I'M JUST REALLY PROUD OF ALL YOU GUYS. 734 00:33:43,250 --> 00:33:44,750 I'M REALLY PROUD. 735 00:33:46,540 --> 00:33:49,540 I GOT TO GO. 736 00:33:49,540 --> 00:33:50,830 DAD... 737 00:33:55,420 --> 00:33:57,330 YOU'RE GONNA BE FINE. 738 00:33:57,330 --> 00:33:59,580 SO ARE YOU. 739 00:33:59,580 --> 00:34:02,460 ALL OF YOU WILL BE 740 00:34:02,460 --> 00:34:03,920 WHATEVER HAPPENS. 741 00:34:06,000 --> 00:34:07,670 [DING, JAZZ PLAYING] 742 00:34:07,670 --> 00:34:10,250 [WOMAN LAUGHING] 743 00:34:10,250 --> 00:34:11,960 MAN: HEY, QUEEN. WHAT'S THE DIFFERENCE 744 00:34:11,960 --> 00:34:14,500 BETWEEN A COP--HEY! 745 00:34:22,080 --> 00:34:23,330 QUENTIN: YEAH. LOVELY. 746 00:34:23,330 --> 00:34:25,250 QUENTIN, EXCUSE ME. 747 00:34:25,250 --> 00:34:26,790 HEY. 748 00:34:26,790 --> 00:34:28,120 WHAT'S THE MATTER, OLIVER? 749 00:34:28,120 --> 00:34:30,040 YOU LOOK LIKE YOU'VE SEEN A GHOST. 750 00:34:30,040 --> 00:34:32,080 MAYBE I DID. 751 00:34:32,080 --> 00:34:34,210 MAY I SPEAK WITH YOU FOR A SECOND? 752 00:34:34,210 --> 00:34:36,880 SURE. 753 00:34:36,880 --> 00:34:39,000 UH, YEAH, YOU WANT TO GO OVER THE SPEECH? 754 00:34:39,000 --> 00:34:41,580 BECAUSE I WAS THINKING ABOUT ADDING A FEW LINES. 755 00:34:44,500 --> 00:34:45,880 I HAVE A QUESTION FOR YOU. 756 00:34:45,880 --> 00:34:48,000 SURE. 757 00:34:48,000 --> 00:34:51,670 BACK WHEN I WAS RUNNING AROUND AS THE HOOD, 758 00:34:51,670 --> 00:34:53,210 YOU WERE TRYING TO ARREST ME. 759 00:34:53,210 --> 00:34:54,620 -YOU REMEMBER THAT? -HEH HEH HEH. 760 00:34:54,620 --> 00:34:56,960 AH. YEAH. THE GOOD, OLD DAYS. 761 00:34:56,960 --> 00:34:59,120 HOW COULD I EVER FORGET? 762 00:34:59,120 --> 00:35:01,000 THE QUESTION IS... 763 00:35:03,750 --> 00:35:05,880 WHAT MADE YOU DECIDE THAT I WASN'T 764 00:35:05,880 --> 00:35:08,580 YOUR ENEMY ANYMORE? 765 00:35:08,580 --> 00:35:11,830 WHAT CHANGED YOUR MIND? 766 00:35:11,830 --> 00:35:16,670 HEH. OH, YOU KNOW, MY DAUGHTERS FOR ONE. 767 00:35:16,670 --> 00:35:18,380 BECAUSE I DIDN'T RAISE DUMMIES, 768 00:35:18,380 --> 00:35:20,120 AND, UH, YOU KNOW, IF THEY WERE OK WITH YOU, 769 00:35:20,120 --> 00:35:22,750 THEN I FIGURED I SHOULD BE, TOO. 770 00:35:22,750 --> 00:35:27,170 -YEAH. -THEY TRUSTED ME, 771 00:35:27,170 --> 00:35:28,790 AND YOU TRUSTED THEM. 772 00:35:28,790 --> 00:35:30,290 YEAH. THEY GOT ME TO LISTEN TO WHAT I ALWAYS KNEW 773 00:35:30,290 --> 00:35:32,580 IN MY GUT, THAT WE WERE ON THE SAME SIDE 774 00:35:32,580 --> 00:35:34,710 AND FIGHTING FOR THE SAME GOAL, 775 00:35:34,710 --> 00:35:37,880 AND IT JUST TOOK ME A WHILE TO GET THERE. 776 00:35:37,880 --> 00:35:39,580 SORRY. 777 00:35:39,580 --> 00:35:41,620 IT'S OK. 778 00:35:41,620 --> 00:35:43,250 OLIVER, IS THERE ANY PARTICULAR REASON 779 00:35:43,250 --> 00:35:45,290 FOR THIS TRIP DOWN MEMORY LANE? 780 00:35:45,290 --> 00:35:46,620 YEAH. 781 00:35:50,000 --> 00:35:52,460 GOD, I'VE BEEN HANGING ON TO SOMETHING. 782 00:35:55,120 --> 00:35:57,040 SOMEONE TOLD ME JUST RECENTLY THAT, 783 00:35:57,040 --> 00:36:00,830 UH...IT'S ABOUT TIME I MADE PEACE WITH IT. 784 00:36:03,880 --> 00:36:07,500 OK. SOUNDS LIKE A SMART SOMEONE. 785 00:36:11,540 --> 00:36:13,040 YEAH. 786 00:36:16,920 --> 00:36:20,000 OH, I SHOULDN'T HAVE TO SAY GOOD-BYE TO YOU AGAIN. 787 00:36:20,000 --> 00:36:23,420 GOOD-BYE? 788 00:36:23,420 --> 00:36:26,500 EVENING'S JUST GETTING STARTED. 789 00:36:26,500 --> 00:36:28,040 YEAH. 790 00:36:30,580 --> 00:36:34,170 THANK YOU, QUENTIN FOR EVERYTHING. 791 00:36:36,000 --> 00:36:37,790 RENE: MR. MAYOR. 792 00:36:37,790 --> 00:36:39,460 WE'RE GONNA SEE EACH OTHER AGAIN, OLIVER. 793 00:36:39,460 --> 00:36:40,960 RENE: MR. MAYOR! 794 00:36:40,960 --> 00:36:42,790 [WHISPERING] HOSTAGE SITUATION. 795 00:36:42,790 --> 00:36:44,210 AHEM. 796 00:36:45,880 --> 00:36:47,920 I HOPE SO. 797 00:37:13,040 --> 00:37:15,620 LYLA: CONGRATULATIONS, OLIVER. 798 00:37:15,620 --> 00:37:17,290 NOW YOU UNDERSTAND. 799 00:37:20,880 --> 00:37:22,670 I COULDN'T CHANGE QUENTIN'S FATE. 800 00:37:25,080 --> 00:37:28,080 I CAN'T CHANGE MINE EITHER, CAN I? 801 00:37:28,080 --> 00:37:30,710 NO. I'M SORRY. 802 00:37:33,750 --> 00:37:35,540 WHY DID THE MONITOR GO TO ALL 803 00:37:35,540 --> 00:37:38,750 OF THIS TROUBLE JUST TO-- 804 00:37:38,750 --> 00:37:40,330 JUST TO PROVE A POINT? 805 00:37:40,330 --> 00:37:42,080 YOU'VE ALWAYS BEEN A MAN WHO NEEDED TO 806 00:37:42,080 --> 00:37:44,210 SEE THINGS FOR HIMSELF. 807 00:37:44,210 --> 00:37:47,290 TELLING YOU WOULDN'T HAVE BEEN ENOUGH. 808 00:37:47,290 --> 00:37:49,290 HOW LONG HAVE YOU WORKED FOR HIM? 809 00:37:49,290 --> 00:37:50,620 A WHILE. 810 00:37:50,620 --> 00:37:53,080 YOU LIED TO US, LYLA. 811 00:37:53,080 --> 00:37:54,580 YOU... 812 00:37:56,670 --> 00:37:58,210 YOU LIED TO JOHN. 813 00:37:58,210 --> 00:37:59,710 KEEPING THIS FROM JOHN HAS BEEN 814 00:37:59,710 --> 00:38:01,210 THE HARDEST THING I'VE EVER HAD TO DO. 815 00:38:01,210 --> 00:38:02,710 THEN WHY DO IT? 816 00:38:02,710 --> 00:38:04,790 THE SAME REASON YOU LEFT FELICITY AND MIA 817 00:38:04,790 --> 00:38:07,830 IN THAT CABIN-- TO PROTECT MY FAMILY. 818 00:38:07,830 --> 00:38:10,000 DO YOU HONESTLY BELIEVE THAT WORKING 819 00:38:10,000 --> 00:38:12,960 WITH THE MONITOR IS THE BEST WAY TO DO THAT? 820 00:38:12,960 --> 00:38:14,580 IT'S THE ONLY WAY. 821 00:38:14,580 --> 00:38:17,210 THE CRISIS IS COMING. THERE IS NO STOPPING IT. 822 00:38:17,210 --> 00:38:19,330 ALL WE CAN DO IS TRY TO SURVIVE IT. 823 00:38:19,330 --> 00:38:21,000 OK. HELP ME OUT HERE, LYLA. 824 00:38:21,000 --> 00:38:23,750 I DON'T EVEN KNOW WHAT IT IS. 825 00:38:23,750 --> 00:38:28,880 I KNOW, BUT YOU WILL...SOON. 826 00:38:28,880 --> 00:38:30,580 WHAT I CAN TELL YOU 827 00:38:30,580 --> 00:38:32,250 IS THERE IS AN EVIL COMING THAT IS GREATER 828 00:38:32,250 --> 00:38:34,620 THAN ANYTHING WE'VE EVER HAD TO FACE. 829 00:38:39,210 --> 00:38:41,170 CAN WE STOP IT? 830 00:38:41,170 --> 00:38:44,000 I DON'T KNOW... 831 00:38:44,000 --> 00:38:46,250 BUT YOU ARE THE ONLY CHANCE WE HAVE. 832 00:38:49,460 --> 00:38:51,580 SO EVERYTHING I'VE DONE 833 00:38:51,580 --> 00:38:55,210 FROM THE MOMENT I LEFT THAT CABIN, 834 00:38:55,210 --> 00:38:58,540 THIS HAS ALL BEEN SOME... 835 00:38:58,540 --> 00:39:00,330 BIGGER PART OF A TEST? 836 00:39:00,330 --> 00:39:02,580 HE NEEDED TO BE SURE YOU WERE READY. 837 00:39:02,580 --> 00:39:05,500 HE'S JUST BEEN SENDING ME ON USELESS MISSIONS. 838 00:39:05,500 --> 00:39:06,920 THEY WEREN'T USELESS. 839 00:39:06,920 --> 00:39:09,250 THE DWARF STAR PARTICLES, DR. WONG, 840 00:39:09,250 --> 00:39:11,170 EVEN THE ANTIMATTER WEAPON, 841 00:39:11,170 --> 00:39:12,790 THEY ALL HAVE A PURPOSE, 842 00:39:12,790 --> 00:39:15,040 JUST NOT THE ONE YOU WERE EXPECTING. 843 00:39:21,540 --> 00:39:23,830 WHY DID HE INVOLVE MY CHILDREN? 844 00:39:23,830 --> 00:39:25,830 TIME IS A GIFT. 845 00:39:31,420 --> 00:39:32,960 WHAT NOW? 846 00:39:32,960 --> 00:39:34,710 YOU COMPLETE YOUR FINAL MISSION. 847 00:39:37,830 --> 00:39:39,750 I'LL SEE YOU THERE. 848 00:39:42,210 --> 00:39:44,250 [WIND BLOWING] 849 00:39:55,210 --> 00:39:57,880 OHH. 850 00:39:57,880 --> 00:39:59,330 WHERE ARE WE? 851 00:40:01,500 --> 00:40:04,380 YOU OK? 852 00:40:04,380 --> 00:40:06,540 I HAVE A KILLER HEADACHE. 853 00:40:06,540 --> 00:40:10,120 THE LAST THING THAT I REMEMBER IS QUENTIN... 854 00:40:10,120 --> 00:40:13,210 DYING IN THAT WAREHOUSE. 855 00:40:13,210 --> 00:40:15,420 I WAS WEARING THESE ON THE ROOF 856 00:40:15,420 --> 00:40:19,460 WHEN WE GOT TRANQED, SO DOES THAT MEAN THAT-- 857 00:40:19,460 --> 00:40:21,460 WE GOT OUT. 858 00:40:21,460 --> 00:40:24,250 HOW? 859 00:40:24,250 --> 00:40:26,000 WE LEARNED OUR LESSONS. 860 00:40:26,000 --> 00:40:28,790 I GOT OUT AFTER I SAID GOOD-BYE. 861 00:40:28,790 --> 00:40:31,580 WHY WOULD THE MONITOR LET ME SEE QUENTIN ONE LAST TIME? 862 00:40:31,580 --> 00:40:36,620 IT WAS A REWARD FOR NOT BETRAYING ME. 863 00:40:36,620 --> 00:40:39,210 DIDN'T REALLY THINK REWARDS WERE HIS BRAND. 864 00:40:39,210 --> 00:40:43,080 NO. WE WERE WRONG ABOUT HIM. 865 00:40:43,080 --> 00:40:46,080 AND LYLA WAS RIGHT? 866 00:40:46,080 --> 00:40:48,210 THAT'S ANNOYING. 867 00:40:48,210 --> 00:40:50,540 SO WHY DID YOU HAVE TO LEARN TO LET LANCE GO? 868 00:40:50,540 --> 00:40:54,670 BECAUSE DEEP DOWN, I STILL BELIEVED 869 00:40:54,670 --> 00:40:57,040 THAT I COULD FIGHT MY FATE. 870 00:41:00,670 --> 00:41:02,290 NOW I KNOW I CAN'T. 871 00:41:07,960 --> 00:41:11,330 LYLA SAID WE HAD ONE LAST THING TO DO, 872 00:41:11,330 --> 00:41:13,620 ONE FINAL MISSION. 873 00:41:13,620 --> 00:41:15,710 I CAN'T WAIT TO FIND OUT WHAT THAT IS. 874 00:41:15,710 --> 00:41:17,500 [SIGHS] 875 00:41:17,500 --> 00:41:20,710 WHERE THAT IS. 876 00:41:20,710 --> 00:41:22,710 WE'RE NOT IN STAR CITY. 877 00:41:25,960 --> 00:41:27,250 MIA: DAD. 878 00:41:29,920 --> 00:41:31,500 YOU OK? 879 00:41:31,500 --> 00:41:32,960 WHERE THE HELL ARE WE? 880 00:41:37,170 --> 00:41:38,880 WE'RE ON LIAN YU. 881 00:42:17,040 --> 00:42:18,330 MAN: GREG, MOVE YOUR HEAD! 9999 00:00:0,500 --> 00:00:2,00 www.tvsubtitles.net 59680

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