Original subtitles

[In Spanish]

[Grunts] He's breathing.

[In Spanish]

Daryl: Maybe it's safer we don't know.

And that'll throw Fede off, and he can get better.

Antonio: They have new medicine from El Alcazar.

Where's that convoy go next?

Barcelona, probably.

Daryl went after them to get Justina.

♪♪

♪♪

Ah!

♪♪

[Fuel trickling]

♪♪

[Vehicle approaching]

♪♪

♪♪

♪♪

[Car door slams]

♪♪

What the hell are you doing here?

I could ask you the same question.

I thought you might need a tour guide in Barcelona.

♪♪

Didn't figure you for a Hipomiope guy.

Whatever.

Let's go.

♪♪

[Motorcycle engine starts]

♪♪

♪♪

♪♪

[Theme music plays]

♪♪

♪♪

♪♪

♪♪

♪♪

Paz: I used to love coming here with my cousins

when we were kids.

I didn't realize Barcelona was so big.

Over there...

...is Ciutat Vella, the old Gothic neighborhood.

That's where the convoy will be going.

All right, lead the way.

We won't make it on our own.

No, we'll be fine.

I know people here. They can help.

We don't need 'em.

Back at the beginning, I came here with my friend Nerea.

There was a refugee community.

They took us in.

Well, she fell in love with a man there

and decided to stay behind.

But you kept moving?

I was...[sighs]

I was looking for somebody.

[Objects clattering, walkers growling in distance]

We should get going. Let's go find your friend.

Paz: Follow me.

♪♪

[Growling, snarling]

♪♪

[Indistinct chatter]

♪♪

[Conversing in Spanish]

[Man speaking off camera in Spanish]

[Laughter]

[Man continues in Spanish]

♪♪

[Conversing in Spanish]

♪♪

[Conversing in Spanish]

Carol: How long did you live in Barcelona?

For four years before la Caida.

I really wanted to make films.

Mm.

You're more than just a movie nerd.

I spent my communion money on a Super 8.

My mother cried.

My father hit me with a belt.

Nobody understood.

Then I met Maria.

She was the first person who believed it wasn't just...

What's the expression? Uh...

A pipe dream?

Mm.

[Knock on door]

Doña Marga.

Fede: Good afternoon. Buenas tardes.

Mm.

[Video continues playing indistinctly]

[TV clicks off]

[Birds chirping in distance]

[Clears throat]

Mm.

[Speaking in Spanish]

Has he said anything? Mnh-mnh.

We just need to let Doña Marga's treatment take its course.

What about your friend?

He works all night and all day on the boat.

No rest.

That's Daryl.

He's just a really hard worker.

[Chuckles]

[Knock on door] Fede.

Well, keep me apprised. Mm?

My town deserves to know what happened.

-Sí? -Sí.

Bien.

[Walkers growling]

[Growling, snarling]

♪♪

♪♪

No, no, no. No, no.

[Cat meows]

Oh! Uh... I'll be done in a moment.

Oh, God.

I'm -- I'm good.

I'm just -- was looking for a screwdriver...

[Tools clinking]

...for the boat.

Your cat's hungry.

Is that a boy, girl?

Oh, God, so many tools.

Sorry, I'm not used to having guests.

But the water is still warm if you want to also shower.

Uh, I mean...

Found it. ...after I finish.

Oh, mierda.

Valentina: And the Vernier scale says what?

Um...three tenths of one arc minute.

Mm. Okay.

So, with the degrees and the minutes,

you make the corrections for refraction, sea level,

altitude of the sun...

And there you have it.

You will always know where you are.

[Tools banging in distance]

Did you?

What?

Taste the local wine?

God, you are the worst.

[Valentina laughs]

Mira.

This...may help.

Not gonna need it. We're leaving.

Exactly. You don't have much time.

Okay. Let's see.

[Speaking haltingly in Spanish]

[Chuckles]

"One poison cures another one"?

Poison? What is this? Spanish self-help?

No, it just means that sometimes...

sometimes you need something...

...peligroso.

Um...

Risky, dangerous.

Um...

Alcohol, sex...

Love.

Bueno.

♪♪

♪♪

♪♪

♪♪

♪♪

Ohh!

Big waste of time.

Was 13, 14 years ago, right?

We need to find my friends.

[Walkers growling]

♪♪

Hope these ain't your friends.

♪♪

[Grunting]

♪♪

Heads up!

♪♪

[Indistinct shouting]

[Grunting]

Tranquilas.

Laia?

Paz?

♪♪

♪♪

Nice crossbow.

♪♪

It used to be just a dozen or so girls

running from La Ofrenda.

Some grew up,

started families of their own,

and we keep welcoming others to save them from El Alcazar.

That's why we're here.

We need to catch up to 'em.

We are a refugee community.

We don't have resources for an attack.

You can definitely protect yourselves.

To survive.

But to do what we do,

we need to keep a low profile.

Come. There's someone you'll want to say hello to.

[Children laughing]

Khalid!

Khalid!Paz.

Um... He's my friend. Daryl.

Ah. He comes from very far away.

Everywhere is far away now, huh?

Tell me about it.

You and your friend, you must be hungry.

Take a seat.

Yeah. Come on.

[Haltingly] No tengo pelos en la lengua...?

Yeah. It means that, uh, you speak your mind.

Isn't peloshair?

Mm, the literal translation is

"I don't have hairs on my tongue."

Oh, well, that makes much more sense.

Do you know the expression, um,

"Estas como una regadera"?

Isn't it in your book?

Is this...?

Hmm...here.

"I am a watering can"? [Chuckling] No.

It means that, uh, you are out of your mind.

Mm!

Regadera.

[Rolling R] Regadera.

Rega... You have to roll your R's, like "rrrr."

Rrrr.Rrrr.

Rrrr.Rrrr.

That's right, yes. Rrrr. That's hard.

Especially with all the hairs on my tongue.

[Laughs]

Rio.River.

Uh, rio... Me, me, me río.

Laugh? Yes.

[Both laugh]

Doña Marga had to tend to a birth.

[Roberto whimpers]

When did his fever start?

I don't understand. He was better.

We need medicine.

We're gonna have to ask Fede for some aspirin

or something to reduce the fever.

He's not going to give it to me.

Well, we're just gonna have to make him.

He needs more than tea and a prayer right now.

♪♪

♪♪

The town is devoting as many resources

as possible to your son.

Please. You saw how weak he is. Just aspirin to stop the fever.

Roberto put us all in danger when he took off on his own.

We have rules to keep everyone safe.

Actually, that's my job.

You're saying you can't spare any for Roberto?

He put our alliance in jeopardy.

Do you understand?

Who knows when we'll have the next delivery?

Until then, I have to ration for my town.

I wonder what your town would think

if they knew what you were doing.

You want to threaten me?

Is that what you want to do?

♪♪

Perhaps it's time for you to leave.

I intend to, very soon.

But until then, she's my guest.

♪♪

[Sandra singing in Spanish]

♪♪

♪♪

She has a pretty voice.

Sandra.

She was 14 when she was sent to El Alcazar,

but she was never matched.

So they put her to work.

They beat her there.

Kept her like a slave.

It was a miracle she got away.

Her first three months here,

she didn't utter a word.

so traumatized.

When's the next pig race?

The Ofrenda.

That's where they're headed. When is that?

Very soon. Two days.

They will be heavily fortified.

And once they are inside Ciutat Vella,

you have no chance.

We gotta get ahead of 'em.

It's not possible.

I'm trying to save a girl.

Isn't that what you do here?

And what do you think happens to all of these girls

if El Alcazar finds out about this place?

I can't risk everything for just one girl.

It's not just one girl.

Guillermo Torres is with them.

Next in line for the crown.

We get to save our girl --

you get to kill the next king of Spain.

No more king.

No more Ofrenda.

Hm.

[Sandra continues singing]

♪♪

To get to Ciutat Vella, they must cross here.

La Riada.

What is that, a river? A bad kind.

Ciutat Vella built a trap to contain els insaciables.

That's what they call here los huecos.

Insatiables.

Laia: It started out as a way to confine them.

And over time,

it's become a belt that protects the community.

♪♪

[Walkers growling]

♪♪

So, Vella? That's where they're headed?

Laia: Sí.

♪♪

And that's the only crossing.

♪♪

♪♪

That's where we hit them, before they get across.

Laia: One problem.

The convoy soldiers and the checkpoint guards

will be fighting together.

We will be outnumbered.

We don't hit 'em all at once, then.

♪♪

♪♪

[Breathing heavily]

-Young Boy: Get out of here! -You gotta come, too.

♪♪

Go! Run!

♪♪

Oh! I'm scared.

Daryl! Haul ass!

Now, go! Don't look back.

♪♪

Don't you ever look back.

♪♪

Don't you worry about me. I can take it, all right?

[Man screaming]

[Objects clattering]

-You gotta come, too. -I'll be okay.

Now go on. Go!

[Man screaming]

[Gasping]

[Groans]

[Crickets chirping]

[Blade scraping in distance]

Maybe you should save a little bit of that blade for tomorrow.

Bad dreams? [Sighs]

Rainbows and puppies.

I'm sorry about your friend.

Mm.

[Scraping continues]

You know, in Solaz, I saw you with that lady.

The one from El Alcazar.

Elena.

She's a princess now.

We were teenagers when we met in school.

I never dreamed she'd notice me.

Then she did, and...

and it was magic.

Those first few months after la Caida,

when the world was falling apart...

...she and I...

...we were so happy.

Then they took her?

The first Ofrenda.

It was supposed to be only once,

to repopulate or some bullshit.

And you went to get her back.

We were so naive, Nerea and I,

chasing the convoy from town to town.

Always too late.

I felt like if I stopped...

it would become real.

Not seeing her again.

But if I didn't give up...

You wouldn't have to accept it.

I get it.

I made it to El Alcazar.

I tried to break in, but they got me.

Left me on the road for dead, to be eaten by los huecos.

But I lived.

I convinced myself that it was better to forget.

That forgetting wasn't the same as giving up.

What changed?

She showed up in Solaz.

Out of the blue.

Like a dream.

And everything with Roberto...

how hard he was fighting, never giving up.

I knew I was wrong to ever stop.

Now you know my reason for being here.

What's yours?

I think, maybe...

...you lost someone, too.

Someone you can't get back.

I've lost a lot of people.

They don't all hurt the same.

♪♪

[Roberto wheezing]

♪♪

♪♪

♪♪

[Ominous music plays]

♪♪

♪♪

♪♪

[Distant laughter]

[Men speaking indistinctly]

♪♪

[Laughter continues]

♪♪

♪♪

♪♪

♪♪

[Doors rattling]

♪♪

♪♪

[Door creaking]

♪♪

♪♪

♪♪

[Switch clicks]

[Gun cocks]

♪♪

Doña Marga. Por favor.

For Roberto. He's very sick.

Muy enfermo.

Justina loved him.

He caught up to her.

This is her necklace.

Fede lied.

♪♪

He's been lying for years.

She found out, and he sent her away.

♪♪

You don't know what I'm saying. [Crying]

Fede...

No.

Justina loved Roberto.

♪♪

[Sighs]

Oh, God.

♪♪

Fede is poisoning him.

That's why he's so sick.

Por favor.

♪♪

♪♪

Muchísimas gracias.

♪♪

The medicine is working.

His fever is down.

Oh, good. We have to go.

He's too weak to move him.

It's just to the lighthouse.

Valentina will let us stay there.

If he dies because of me...

We have to go before Fede's onto us.

And then what?

Then when Daryl and Justina get back,

we get on that boat.

To America?

I can't.

Yes, you can. No.

Whatever this awful thing is that Fede's holding over you,

you've paid for it enough.

You don't understand!

Well, okay, then help me.

Tell me what it is.

[Sighing]

♪♪

I can show you.

♪♪

[Protesters chanting]

♪♪

ETA was a radical group.

They fought for Basque independence for decades.

Since Franco.

They wanted their own country?

Yes.

Euskal Herria.

My mother was Basque.

She believed in it.

So did I.

For a while.

[Chanting continues]

I was working on this documentary.

[Breathing heavily]

♪♪

[Protesters shouting]

Antonio: Maria wanted nothing to do with this process.

She hated that we were giving voice to terrorists.

But I made her do it. I insisted.

[Shouting in Spanish]

[Speaking in Spanish] [Engine starting]

[Engine starting]

[Explosion]

[Screaming]

[Crowd clamoring]

♪ ♪

♪♪

Antonio: Maria!

Fede found out.

He was going to tell Roberto.

Instead, he held it over me.

Ayuda! [Sobs]

I was never able to tell my son the truth.

It was not possible to tell him

how his mom died.

How she did it for me.

How it was all my fault.

[Crying]

♪♪

♪♪

Roberto. Roberto.

♪♪

[Horses neighing]

♪♪

♪♪

♪♪

[Walkers growling]

♪♪

[Shouting in Spanish]

♪♪

♪♪

[Shouting continues]

[Dramatic music plays]

♪♪

♪♪

♪♪

Vamonos.Let's go.

♪♪

[Gun cocks]

[Horses neighing]

♪♪

[Walkers growling]

♪♪

♪♪

♪♪

[Engine starts]

[Thud]

[Men shouting]

[Thudding]

[Screaming]

♪♪

[Grunting]

[Gunshots]

[Horses neighing] [Man shouts]

[Arrows firing]

[Horses neighing]

[Gunshot]

[Groans, thuds]

[Gunfire] [Horses neighing]

♪♪

[Gunfire continues]

♪♪

[Men shouting]

[Gunfire continues]

♪♪

♪♪

[Gunfire, shouting continue]

♪♪

[Grunting]

♪♪

[Screaming]

[Banging]

Find something else!

♪♪

[Gunfire continues]

♪♪

[Daryl grunting] And Roberto?

He's gonna be fine.

[Gunshots]

♪♪

What's the problem?

It's not working.

[Gunfire continues]

♪♪

♪♪

[Shouting in Spanish]

The guard, he has the keys!

♪♪

♪♪

[Gunfire continues]

♪♪

It's opening! Come on!

♪♪

[Gunfire continues]

[Explosion]

♪♪

[Walkers growling]

[Gunfire, shouting continue]

♪♪

Laia! Laia, no!

[Gunshots]

[Grunts]

[Walkers growling]

[Shouting]

Daryl, they're moving!

Get them out now!

♪♪

[Gasping]

[Walker growling]

[Flesh tearing] [Walkers snarling]

[Keys jingling] [Gabrielle and Justina whimpering]

Paz: Daryl, come on! Daryl!

Hurry!

Get back!

[Gunfire]

[Engine starting]

[Gate rattling]

♪♪

♪♪

[Engine revving]

♪♪

-Daryl! -Don't let us go!

[Sobs]

Daryl! Please! No!

♪♪

♪♪

♪♪

I know it's not first-class legroom.

As long as it gets me out of here.

You good?

Give me a minute.

He'll talk to you eventually.

The best thing telling a lie

is when you get to start telling the truth.

It really does kind of set you free.

I hope so.

First you survive what happened to you...

...then you survive the survival.

And then after time, if you're lucky,

the gift you get is you start living again.

♪♪

Gustavo will help me to sneak out.

I'll meet you at the lighthouse.

Okay.And Carol...

One more thing I want to say.

You can say it later.

For saving Roberto...

For caring about him...

[Sighs]

I mean, I think what I'm trying to say...

♪♪

♪♪

Thank you.

♪♪

♪♪

Okay. I need the keys.

Yeah.

Hasta luego, gringa.

♪♪

♪♪

[Engine starts]

♪♪

♪♪

♪♪

♪♪

Will you be able to make it back to the camp?

Promise to be back?

I'm so sorry.

♪♪

We had to try.

♪♪

♪♪

You weren't gonna let go of her, were you?

I thought that might have been my only chance.

♪♪

So, El Alcazar.

♪♪

Which way do we go?

♪♪

♪♪

[Engine starts]

♪♪

♪♪

A bit late for the beach, no?

I was just leaving town.

It's been nice, but it's time for me to leave.

♪♪

Buenas tardes.

We have to inspect your vehicle.

Sure. I have to warn you, it's like Jenga back there.

♪♪

I don't remember you bringing a solar panel when you arrived.

Parting gift from Antonio for the journey home.

Antonio is very generous, but it is not his to give, mm?

♪♪

♪♪

♪♪

♪♪

[Bystanders murmuring]

♪♪

♪♪

Goodbye, Carol.

This is none of your concern anymore.

Thank you.

♪♪

Go.

♪♪

[Engine starts]

♪♪

♪♪

[Indistinct chatter]

[Sirens wailing in distance]

No.

♪♪

Amor. Mi amor.

♪♪

[People screaming in distance]

♪♪

[Rustling, growling]

♪♪

[Growling, snarling]

♪♪

♪♪

[Wheezing]

[Growling]

♪♪

[Growling]

♪♪

I have to go back for your dad.

He's called him out in public.

I don't think Fede's gonna let that go.

[Speaking Spanish]

Got any ideas?

Still working on it.

Roberto.

You took everything from me.

[Rapid gunfire] You are gonna die here.

♪♪

-Did you?

-What?

-Taste the local wine?

-God, you are the worst.

-The most amazing love story of the show,

and the one we probably had to keep secret for quite a while,

is between Antonio and Carol.

-She's had a bunch of love.

She's been married to a king.

She's had a couple of things.

But I think that having these moments,

watching movies and, like, this is nice here.

Maybe you could settle here.

I think it's nice to watch her have that.

-Oh.

I'll be done in a moment. -Oh, God.

The shower scene was really cute.

It was fun to shoot.

And he's awfully brave because that water was very cold.

And we did take after take after take.

But it was a cute scene for both of them.

-The shower scene was a fun scene to come up with.

Part of it is inverting the male and female roles in it,

so that it's not the female body that's being idolized.

It was also meant to sort of point out a difference

between the more modest American, uh, point of view

and a looser European attitude.

-What the hell are you doing here?

-I thought you might need a tour guide in Barcelona.

-Paz was really another way of framing

a different kind of love story

in the context of a bunch of love stories

that are all kind of coming together.

You know, Daryl's lost love story,

Carol's building love story, Justine and Roberto

as a sort of classic young love story,

and Paz and Elena as a different sort of lost love also.

-Paz believes she failed to protect her love,

Elena, before,

and she goes on a huge adventure to rescue her, with Daryl.

-It was beautiful.

When I read on the script that we had to shoot

in Barcelona, it was amazing

because I'm from Barcelona

and I have beautiful memories when I was a child in Tibidabo.

-Three, two, one. Car!

[Engine revving]

-Starting the scene with the phrase,

"I used to love coming here with my cousins when we were kids,"

was so emotional for me because it was 100% true,

and seeing this Ferris wheel with the walkers in it,

to see the booth, to see the plaza, it was crazy.

I loved it.

I never imagined I could see Tibidabo like that. Right?

Back at the beginning, I came here with my friend Nadia.

There was a refugee community.

Well, she fell in love with a man there

and decided to stay behind. -You kept moving?

-I was looking for somebody.

-They don't recognize it at first,

but Paz and Daryl are kind of kindred spirits

in that they both feel like they blew it.

You know, Daryl, I think, still harbors a sense

of responsibility and guilt that he didn't save Isabel.

And with her, she failed to save Elena

when she feels she could have back in the day.

And so they're both engaged in trying to fix something

that they messed up.

♪

-Sobea, that's where they're headed?

-Si. -"Contrabando" is the name

of episode six, contraband being goods

that are stolen and delivered.

It refers to a contraband of these girls

who were taken from their homes and brought into El Alcazar.

It's largely revolving around the attempt

to rescue Justina and Elena.

-My favorite scene was the convoy ambush.

We spent one day rehearsing

and almost three days to film it,

but it was visually striking.

-Carol, one more thing I want to say.

-You can say it later.

-Filming the kiss, I don't know how you prepare for a thing like that.

You don't really rehearse.

-Gentleman doesn't speak about kiss.

I don't know how to say that in English, but... [Laughs]

-They've known for months that they're coming to this moment.

And there was always a lot of anxiety around it

because you want it to work and you want it to be believable.

-The key for me, for us as writers, was always,

don't force things,

don't rush into them, earn them.

So we really felt like we built a dynamic

between Antonio and Carol

over five episodes that got to that moment.

-I think Carol's wounded, as my character is.

And I think they recognize themselves in each other.

-He catches her off guard.

Okay, I need the keys.

-Yeah.

♪♪

[In Spanish] De nuevo, gringa.

-It's funny when I'm playing Carol

and something like that happens, she gets a little flustered.

She doesn't know where she's going.

She kind of does a like a...

I don't know where I'm going.

-[In Spanish] Venga, Roberto. [Laughs]

-There's also a backstory of Antonio,

which involves his story of his wife and Roberto

when Roberto was younger.

-The Fede, Antonio, Maria triangle is really a story

about unrequited love and guilt,

because Fede was very much in love

and he lost, in the game of love, to Antonio.

And Fede has never gotten over this.

So of course Fede's niece and Roberto

would be an extension of this feud.

-Three cameras rolling.

-We have to inspect your vehicle.

-Sure.

-We see Carol sneaking out of the village

with Roberto in the truck to try to get him to safety

because he's endangered by Fede.

His health is endangered.

And it seems that Fede is trying to get rid of him.

And so she has to smuggle him out.

So there's a couple of different smuggling references there.

-Maria wanted nothing to do with this process.

[Crowd clamoring]

She hated that we were giving voice to terrorists.

But I made her do it.

[Engine starts, explosion]

-And because he lost, Maria was with Antonio.

And because she was with Antonio, she died.

-The story also culminates with the arrival

of the Apocalypse in Barcelona.

♪♪

[Walker growling]

♪♪

♪♪

♪♪

♪♪