All language subtitles for Masterclass Steve Martin Teaches Comedy - 23. Steve s Journey

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French Download
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,400 --> 00:00:14,400 Nothing in my house as a child 2 00:00:14,400 --> 00:00:18,400 contributed to my comedy. Uh I I talked 3 00:00:18,400 --> 00:00:20,800 about listening in the car radio as we'd 4 00:00:20,800 --> 00:00:22,960 make family trips, but that was silent. 5 00:00:22,960 --> 00:00:24,480 You know, I'm listening and and just 6 00:00:24,480 --> 00:00:28,240 loving these great performers. 7 00:00:28,240 --> 00:00:30,720 Uh 8 00:00:30,720 --> 00:00:33,600 but my house was not a a an artistic 9 00:00:33,600 --> 00:00:38,640 household at all. I got lucky in one I 10 00:00:38,640 --> 00:00:41,440 developed a interest in comedy ma magic 11 00:00:41,440 --> 00:00:43,760 and performing. Great thing about magic 12 00:00:43,760 --> 00:00:46,800 is you could buy a trick and then it had 13 00:00:46,800 --> 00:00:48,320 instructions 14 00:00:48,320 --> 00:00:51,760 and it had patter. Patter means talking 15 00:00:51,760 --> 00:00:56,000 and you'd say the great Egyptian god fu 16 00:00:56,000 --> 00:00:58,800 and you had your whole uh act kind of 17 00:00:58,800 --> 00:01:00,800 defined for you. You didn't have to 18 00:01:00,800 --> 00:01:02,559 think too much and you could be on 19 00:01:02,559 --> 00:01:04,640 stage. Well, on stage I mean you know 20 00:01:04,640 --> 00:01:06,880 doing your doing a performance at your 21 00:01:06,880 --> 00:01:11,360 parents bridge party. Um, 22 00:01:11,360 --> 00:01:14,720 and so I had collected this and and also 23 00:01:14,720 --> 00:01:17,280 I had heard about uh performers and they 24 00:01:17,280 --> 00:01:19,840 had a funny joke and I thought, "Oh, 25 00:01:19,840 --> 00:01:21,680 that I didn't I didn't realize jokes 26 00:01:21,680 --> 00:01:23,840 were property." 27 00:01:23,840 --> 00:01:27,280 And uh there was a great uh comedy 28 00:01:27,280 --> 00:01:30,320 magician named Carl Ballentine who had a 29 00:01:30,320 --> 00:01:32,000 fantastic 30 00:01:32,000 --> 00:01:34,880 joke where he said now the appearing 31 00:01:34,880 --> 00:01:40,079 dove and he would blow up a paper sack 32 00:01:40,079 --> 00:01:42,159 the appearing dove and he'd go like this 33 00:01:42,159 --> 00:01:44,960 and then you just get feathers 34 00:01:44,960 --> 00:01:47,200 and um so I thought well of course I can 35 00:01:47,200 --> 00:01:51,040 use that and so uh I had an act and I 36 00:01:51,040 --> 00:01:52,560 had actually thought up a couple of 37 00:01:52,560 --> 00:01:57,360 jokes on my own. I had a um 38 00:01:57,360 --> 00:02:00,399 I had the a disappearing candle and it 39 00:02:00,399 --> 00:02:03,040 was a candle like this and I would put a 40 00:02:03,040 --> 00:02:06,000 silk over it and then I would hold it up 41 00:02:06,000 --> 00:02:09,280 and then I would go like this and the 42 00:02:09,280 --> 00:02:12,480 candle was gone and then I would do 43 00:02:12,480 --> 00:02:14,879 this. Thank you. Thank you very much. 44 00:02:14,879 --> 00:02:16,480 Thank you. And it would get a laugh cuz 45 00:02:16,480 --> 00:02:19,840 my arm was sticking out. And I had a few 46 00:02:19,840 --> 00:02:23,360 little jokes. I remember I was I was in 47 00:02:23,360 --> 00:02:26,160 high school and I was a cheerleader in 48 00:02:26,160 --> 00:02:28,160 high school because I injured myself. I 49 00:02:28,160 --> 00:02:29,680 really wanted to play football. So glad 50 00:02:29,680 --> 00:02:32,800 I didn't. Um I ended up being a 51 00:02:32,800 --> 00:02:34,239 cheerleader. And the reason I wanted to 52 00:02:34,239 --> 00:02:36,800 be a cheerleader, I thought 53 00:02:36,800 --> 00:02:38,879 that's show business standing up there 54 00:02:38,879 --> 00:02:40,239 in front of those people. I'm in show 55 00:02:40,239 --> 00:02:43,239 business. 56 00:02:47,120 --> 00:02:50,080 As I got into college, you know, I I met 57 00:02:50,080 --> 00:02:53,280 people who were inspirational to me, um, 58 00:02:53,280 --> 00:02:55,280 I I got into a philosophy class. So, I 59 00:02:55,280 --> 00:02:58,640 started thinking about, you know, philos 60 00:02:58,640 --> 00:03:00,959 philosophy is about the willingness to 61 00:03:00,959 --> 00:03:03,440 think about anything and break it down 62 00:03:03,440 --> 00:03:05,280 and find out if it's true or false. And 63 00:03:05,280 --> 00:03:06,480 I started thinking that way and I 64 00:03:06,480 --> 00:03:07,599 thought, what if I applied that to 65 00:03:07,599 --> 00:03:10,720 comedy? you know, I'm just a a kid in my 66 00:03:10,720 --> 00:03:12,239 teens, 67 00:03:12,239 --> 00:03:14,159 but it helped me get excited about it, 68 00:03:14,159 --> 00:03:16,480 and it helped me find something new 69 00:03:16,480 --> 00:03:18,319 about it, even if I'm making it up, even 70 00:03:18,319 --> 00:03:21,680 if it's incorrect. I thought, 71 00:03:21,680 --> 00:03:23,440 gee, 72 00:03:23,440 --> 00:03:26,640 I don't see a future in me doing a magic 73 00:03:26,640 --> 00:03:28,480 act. 74 00:03:28,480 --> 00:03:30,159 But I did notice something. I said, I've 75 00:03:30,159 --> 00:03:32,159 got to I've got to just kind of slip 76 00:03:32,159 --> 00:03:35,920 into a little more comedy material. 77 00:03:35,920 --> 00:03:38,239 And I thought, you know what? They love 78 00:03:38,239 --> 00:03:41,760 it when the tricks don't work. So, I 79 00:03:41,760 --> 00:03:44,560 started edging into like from a serious 80 00:03:44,560 --> 00:03:46,799 magician into, hey, it's kind of funny 81 00:03:46,799 --> 00:03:49,440 when the tricks don't work. And then I 82 00:03:49,440 --> 00:03:51,440 started thinking maybe I could just do a 83 00:03:51,440 --> 00:03:53,680 little bit of just regular comedy 84 00:03:53,680 --> 00:03:55,519 materials, blah blah blah. And I put the 85 00:03:55,519 --> 00:03:57,200 magic that that shape of that act stayed 86 00:03:57,200 --> 00:03:58,560 with me my whole life where I put the 87 00:03:58,560 --> 00:03:59,840 magic act at the end. It's kind of 88 00:03:59,840 --> 00:04:02,080 silly. And did all this comedy up front. 89 00:04:02,080 --> 00:04:04,400 So now I've got a little standup and I 90 00:04:04,400 --> 00:04:07,519 and I thought I need time. I don't have 91 00:04:07,519 --> 00:04:10,239 any time. Uh I don't have an act. My act 92 00:04:10,239 --> 00:04:11,920 is 10 minutes long. I played the banjo. 93 00:04:11,920 --> 00:04:16,079 So I I'll put the banjo in. So now I'm 94 00:04:16,079 --> 00:04:21,199 accidentally creating a variety show and 95 00:04:21,199 --> 00:04:22,880 I started with everything. I I played 96 00:04:22,880 --> 00:04:25,440 the banjo and read poetry. 97 00:04:25,440 --> 00:04:29,199 I I put everything in. I juggled. I put 98 00:04:29,199 --> 00:04:32,320 in juggling and did like funny bits with 99 00:04:32,320 --> 00:04:34,080 juggling 100 00:04:34,080 --> 00:04:36,720 and 101 00:04:36,720 --> 00:04:39,040 so slowly you're building. So, so now 102 00:04:39,040 --> 00:04:40,800 I'm thinking, okay, so I'm I'm writing a 103 00:04:40,800 --> 00:04:43,759 few jokes and that's fine. And then I 104 00:04:43,759 --> 00:04:45,919 got this job on the Smother's brother's 105 00:04:45,919 --> 00:04:48,000 comedy hour and I became a comedy writer 106 00:04:48,000 --> 00:04:52,160 and I didn't know how to write a word. I 107 00:04:52,160 --> 00:04:54,560 had written little funny stories that 108 00:04:54,560 --> 00:04:57,680 were bizarre that had titles like uh you 109 00:04:57,680 --> 00:05:00,160 know cruel shoes and the day the dopes 110 00:05:00,160 --> 00:05:01,600 came over little kind of kind of 111 00:05:01,600 --> 00:05:04,639 creative original but they had no 112 00:05:04,639 --> 00:05:08,000 you know no outlet no purpose so there I 113 00:05:08,000 --> 00:05:09,199 am writing now I have a little 114 00:05:09,199 --> 00:05:12,000 background in uh writing sketches 115 00:05:12,000 --> 00:05:15,199 whatever but I decide 116 00:05:15,199 --> 00:05:18,080 um I don't really want to be here behind 117 00:05:18,080 --> 00:05:19,520 the scenes I want to be in front of the 118 00:05:19,520 --> 00:05:22,000 scenes so I quit 119 00:05:22,000 --> 00:05:24,160 and went on the road with my act. And 120 00:05:24,160 --> 00:05:26,240 out there 121 00:05:26,240 --> 00:05:29,120 in all these little towns, these little 122 00:05:29,120 --> 00:05:33,520 clubs where you perform in a corner with 123 00:05:33,520 --> 00:05:36,639 no elevated stage, where you're running 124 00:05:36,639 --> 00:05:40,000 the lights yourself, you know, 125 00:05:40,000 --> 00:05:43,000 everything 126 00:05:43,360 --> 00:05:46,000 meant something. Every lesson was 127 00:05:46,000 --> 00:05:50,479 learned. every drunk person is dealt 128 00:05:50,479 --> 00:05:54,000 with. Um, 129 00:05:54,000 --> 00:05:56,479 and you're getting this backlog of 130 00:05:56,479 --> 00:05:58,240 experience that you don't even know you 131 00:05:58,240 --> 00:06:03,039 have that I I remember uh once in the 132 00:06:03,039 --> 00:06:07,360 90s I did uh the play Waiting for GDAU 133 00:06:07,360 --> 00:06:10,720 on at Lincoln Center with Robin Williams 134 00:06:10,720 --> 00:06:13,360 directed by Mike Nichols F. Murray 135 00:06:13,360 --> 00:06:15,360 Abraham. 136 00:06:15,360 --> 00:06:20,000 And I thought I haven't done a play in 137 00:06:20,000 --> 00:06:25,440 what was it 35 years. But when I was 18, 138 00:06:25,440 --> 00:06:27,840 I worked for three years at Knottberry 139 00:06:27,840 --> 00:06:30,560 Farm at a little theater uh where we did 140 00:06:30,560 --> 00:06:35,120 a play four times a day. And I thought 141 00:06:35,120 --> 00:06:37,199 this is exactly the same. Only the words 142 00:06:37,199 --> 00:06:39,440 are different. The words are fantastic 143 00:06:39,440 --> 00:06:42,160 and great, but the experience is the 144 00:06:42,160 --> 00:06:44,880 same as that little thrust stage that we 145 00:06:44,880 --> 00:06:48,000 perform to 200 people four times a day 146 00:06:48,000 --> 00:06:50,560 and sometimes no people. 147 00:06:50,560 --> 00:06:53,600 Uh sometimes we perform for two people. 148 00:06:53,600 --> 00:06:56,479 So I have that in my head somewhere. How 149 00:06:56,479 --> 00:06:59,440 to manage that? Uh how to not be 150 00:06:59,440 --> 00:07:03,440 intimidated by three people or 18,000 151 00:07:03,440 --> 00:07:06,440 people. 152 00:07:10,240 --> 00:07:14,800 There's many ways to self-define success 153 00:07:14,800 --> 00:07:17,360 and I've gone through many many stages 154 00:07:17,360 --> 00:07:21,039 of it because at the same time you're 155 00:07:21,039 --> 00:07:23,759 saying 156 00:07:23,759 --> 00:07:28,000 um I'm on the cover of time. Uh I must 157 00:07:28,000 --> 00:07:30,800 be successful. At the same time you're 158 00:07:30,800 --> 00:07:34,720 thinking when's it all going to be over? 159 00:07:34,720 --> 00:07:36,800 And uh I've had many of those moments 160 00:07:36,800 --> 00:07:38,800 from I think the cover of time was like 161 00:07:38,800 --> 00:07:40,560 I don't know 85 or something like 162 00:07:40,560 --> 00:07:44,400 Newsweek was or 78 Newsweek and I 163 00:07:44,400 --> 00:07:48,000 thinking well this happened this 164 00:07:48,000 --> 00:07:50,960 happened where I became successful 165 00:07:50,960 --> 00:07:54,160 and so you can notch that off. You say I 166 00:07:54,160 --> 00:07:55,440 never thought it would happen but that's 167 00:07:55,440 --> 00:07:57,360 your first moment of success. You could 168 00:07:57,360 --> 00:07:59,520 go yeah I became successful now. Now 169 00:07:59,520 --> 00:08:02,560 what happens now what is it? Is it this 170 00:08:02,560 --> 00:08:05,039 for the rest of your life or is it 171 00:08:05,039 --> 00:08:07,520 whatever? I I had no no clue. 172 00:08:07,520 --> 00:08:09,120 Fortunately, I got into movies. So then 173 00:08:09,120 --> 00:08:11,280 you have a hit. Go, oh, hit. This is so 174 00:08:11,280 --> 00:08:13,039 great. Then you have some flops. Now 175 00:08:13,039 --> 00:08:17,520 you're going like this. And it was only 176 00:08:17,520 --> 00:08:20,720 until like the late 80s I kept thinking, 177 00:08:20,720 --> 00:08:22,960 you know, I kept thinking I was going to 178 00:08:22,960 --> 00:08:25,840 go away, but I never went away. So why 179 00:08:25,840 --> 00:08:28,319 am I wasting all that 180 00:08:28,319 --> 00:08:31,039 grief, you know, for my on what am I 181 00:08:31,039 --> 00:08:33,599 putting that on myself? It's it's 182 00:08:33,599 --> 00:08:35,919 survived somehow by the skin of my 183 00:08:35,919 --> 00:08:38,959 teeth. And some of that is luck and some 184 00:08:38,959 --> 00:08:43,880 of it is just luck. 185 00:08:48,800 --> 00:08:50,560 There's this moment in in this long 186 00:08:50,560 --> 00:08:52,959 career uh where you where you suddenly 187 00:08:52,959 --> 00:08:55,120 kind of relax. 188 00:08:55,120 --> 00:08:56,959 in this strange way that you never 189 00:08:56,959 --> 00:08:58,480 thought you always thought you were 190 00:08:58,480 --> 00:09:01,680 relaxed before but the truth was you're 191 00:09:01,680 --> 00:09:04,320 very nervous and you're uh you know a 192 00:09:04,320 --> 00:09:05,680 big project comes up like I said you 193 00:09:05,680 --> 00:09:06,880 think about it for months and months and 194 00:09:06,880 --> 00:09:08,399 months and then there's a sort of 195 00:09:08,399 --> 00:09:10,560 elegance either maybe it's age or maybe 196 00:09:10,560 --> 00:09:13,360 it's continued success or maybe it's 197 00:09:13,360 --> 00:09:16,080 some kind of weird confidence even false 198 00:09:16,080 --> 00:09:17,600 confidence 199 00:09:17,600 --> 00:09:19,839 where it actually started to become fun 200 00:09:19,839 --> 00:09:23,279 you know you finish a show and it's you 201 00:09:23,279 --> 00:09:26,240 just feel ecstatic IC. I still feel that 202 00:09:26,240 --> 00:09:28,800 today. I mean, if I play a show, say I 203 00:09:28,800 --> 00:09:30,240 work with a band, the Rangers, or I work 204 00:09:30,240 --> 00:09:32,000 with Marty, and we feel it went well, 205 00:09:32,000 --> 00:09:35,200 we're we're high, you know, we really we 206 00:09:35,200 --> 00:09:37,120 we discuss it and say, "How about that 207 00:09:37,120 --> 00:09:38,880 in that moment?" And then we're still 208 00:09:38,880 --> 00:09:40,399 high. Then, of course, the next day you 209 00:09:40,399 --> 00:09:43,360 start over. And uh you know, I mean, 210 00:09:43,360 --> 00:09:45,839 that that high doesn't last you through 211 00:09:45,839 --> 00:09:48,080 the week. And I'm at that stage now. I'm 212 00:09:48,080 --> 00:09:51,120 maybe I've lost the uh feeling that I 213 00:09:51,120 --> 00:09:53,760 have to prove myself. And that's a big 214 00:09:53,760 --> 00:09:55,360 relief. 215 00:09:55,360 --> 00:09:57,360 So I went to London. I was so close to 216 00:09:57,360 --> 00:09:58,880 Paris. I decided to go over there. So I 217 00:09:58,880 --> 00:10:02,080 saw London and I saw France and then I 218 00:10:02,080 --> 00:10:05,519 saw someone's underpants. 219 00:10:05,519 --> 00:10:07,120 How many people have plans to go to 220 00:10:07,120 --> 00:10:08,480 France? Raise your hand. Okay. Now 221 00:10:08,480 --> 00:10:10,640 listen. 222 00:10:10,640 --> 00:10:12,959 If you're going to France, let me give 223 00:10:12,959 --> 00:10:16,560 you a warning. In France, chapo means 224 00:10:16,560 --> 00:10:21,120 hat. Ru means street. It's like those 225 00:10:21,120 --> 00:10:22,800 French have a different word for 226 00:10:22,800 --> 00:10:25,800 everything. 227 00:10:26,320 --> 00:10:27,839 They do it to screw you up. I'm not 228 00:10:27,839 --> 00:10:30,480 kidding.16744

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.