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in movies
lines aren't as precious
because you know often
in order to make it feel real the the
line is not so written. It's much more
conversational.
Sometimes you get a great line uh
and you want to keep it that way, but a
lot of times, you know, I would look
over best lines from the movies of 2008,
and you'd look down the list and it
would be, "Let's get out of here,
you know, and they're really talking
about the moment in the movie, not the
line." Uh, you only test dialogue uh by
running it, you know, with the actors.
And I remember a scene in a movie I did
which I wrote called Simple Twist of
Fate. It was not a big hit or anything.
And I had a scene
that was between two characters. I
wasn't in it. And I was having trouble
making the links. I needed to get like
three points made in this scene, which
is always trouble.
And I thought, okay, here's point one.
Here's point 2 and it's not it's not
flowing great. But also on the other
hand, I'm thinking this is the way
people talk. They kind of jump around a
little bit. They change the subject. So
I made an excuse and I said, "Okay, that
that'll be fine."
And they went off to shoot the scene. I
wasn't there. And when it came back, it
had been changed
uh more correctly by by the actors
because they were having trouble leaping
from one thought to the next as actors.
And and it worked out it worked out
fine. But I find if a if an actor's
having trouble,
I'm suspicious of the line. And I always
investigate the line. if they can't
remember it for some reason, it means
maybe it's not following correctly. So,
I I I really just listen to the flow of
the conversation and also the actor's
trouble could indicate a problem with
the line.
Hey, let's uh let's take a look at this
uh sketch that Beth wrote, which I I
found very funny,
and it's really good. that's about some
very smug people having, you know, a
kind of a would you call it? A creepy uh
upper class memory. And I'm looking at
it, I'm going, well, okay, it's uh it's
five pages. Five pages. And I and I did
feel that maybe there's like one beat
too many that you know, you get the idea
and now you're just reiterating the
idea. But anyway, this is called
Remember the Titanic. They're they're
sitting on a lawn. What a lovely breeze.
Isabella says, "Say, that reminds me of
the time we took that trip on that ocean
liner." What was that called? Oh yes,
the R RMS Titanic. What a what a fine
trip that was. Oh yes, the Titanic. That
was the spring of 1914. Do I remember
that correctly? Oh yes. Remember,
Evelyn, what's the year you started
wearing those love? That's the year you
started wearing those lovely long
necklaces. Oh yes, but remember how they
were always getting caught on the soup
ladles in the parlor? What a disaster.
But but ladies, let's not forget that
trip wasn't all fun and games. Oh yes,
you and Evelyn got into that lover's
spat. I got so mad I threw a half full
cup of tea at you. Yes, but luckily
something caused the ship to jerk
sharply and you missed throwing throwing
the cup overboard. Oh, thanks heaven I
didn't hurt you. I'm sorry I'm not doing
justice to your piece. But then then
James says somberly, "But ladies, that
reminds me of certain other terrible
events from that trip." Oh yes, my
former bow. Philip proposed to Philip
proposed to another woman. I was so
shocked I fainted in front of everyone.
I nearly died of embarrassment. Yes, but
it wasn't all so terrible. Remember
those nice German boys helped you up to
your room and one of them gave you a
beautiful watercolor painting? Do you
still have it? No. No. A mysterious leak
in our cabin floor ruined it. Oh, what a
tragedy.
I wonder what ever happened to those
nice German chaps. I believe they worked
in the boiler room. Probably still
steaming around the world trying to
charm those young ladies. I suppose,
James. Now, wasn't there some other
trauma on that boat involving lifeboats?
Yes, it was some sort of nighttime boat
race that we all participated in. I
remember now. It was so terribly cold. I
can't think of why I agreed to it. Oh,
yes. The cold was awful. And remember
how some people decided to jump in and
swim the race? It was so hard to
navigate the boats around them. That's
right. I believe that's the only way the
secondass passengers were allowed to
participate. They shouldn't have allowed
them to participate at all. I remember
some of them got rowdy and tried to
climb into our boat. Terrible manners.
Just goes to show you why gentleman's
sports should be reserved for the upper
class. Yes. What a strange ship the I'm
sorry I'm clumsily doing your your
thing. What a strange ship the White
Star Line ran. Now that I think of it,
they lost my luggage on that trip and I
had to buy all new gowns afterwards.
Yes, me too. I can't seem to remember
clearly, but it was at some point on
that trip that I injured this trick leg
of mine. It hasn't been the same since.
Didn't someone knock you down running
somewhere? Oh, yes, now I remember. It
was when we were queuing up for the boat
race. People were terribly excited and
pushy for some reason. The confinement
of ocean travel does strange things to
people. My sister won't even talk to me
since that trip. Oh, did you two
quarrel? I can't remember if we did, but
I haven't seen or heard from her since.
Not even a Christmas card. Maybe we
should invite her on another trip and
straighten things out between you. Oh,
yes. Let's see if we can book another
trip on the Titanic for old times sake.
Yes, another trip to now. What port was
it that we disembarked at? I can't seem
to remember. Me either. I think I was
too drunk to remember much of that trip
clearly. Oh, we were all marvelously
drunk. I'm marvelously drunk right now.
Everybody clinks. Haha.
I I think there's some trims in this
uh
as I look at I'm just so ad livinging
and so remember everything I say you go
he's an idiot because you may know
better about the piece. But if I were
editing this, I would say um see it all
all starts great. The premise is really
clearly established. Yes, the Titanic,
that was spring, if I remember
correctly.
And and now let's not forget that trip
wasn't all fun and games. Good setup
because you think we're going to go to
where they need to go. They don't. Oh
yes, you and Evelyn got into the lover
spatter of matter through a half full
cup of tea, but luckily something caused
the ship to jerk sharply and you missed
throwing the cup overboard.
That's fine because that indicates they
were there when the disaster happened.
So now you know. And then James says,
"Ladies, that reminds me of certain
other terrible events from that trip."
But he doesn't say what they are.
Everybody else does. And he never says
one.
But if he just said a simple thing like,
"Weren't there other terrible things on
that trip?" That sets him that yes, you
know,
uh, my former boat. Now, I think the the
bit with the German boys
um feels a little wishy-washy to me and
I thought that if you could go but
ladies that reminds me of certain other
terri or say uh weren't there other
terrible events on that trip and he says
it again on the next page now wasn't
there some other trauma on that trip so
you could go just compress that say
wasn't There's some terrible event on
the trip involving lifeboats. Now you've
cut out a half a page. Yeah.
And you're still in the bit and you're
into a new subject. And I think that
that's a very clear. Yeah. There's some
sort of nighttime boat race that we all
participated in. Now I know where I'm
at. I picture it in the movie or you
know from the history.
You say and then you go down to
Yes, I remember. Uh you you could say uh
you so you say involving lifeboats. Oh
yes.
And remember how some people decided to
jump in and swim the race. You say, "So
now you're you're leaving out two more
lines." You'd have to say, "Now, wasn't
there some other thing involving
lifeboats and or a boat race or
something?" And say, "Oh, yes. Some
people jumped in and then they I
remember that they got rowdy and tried
to climb into our boat and you cut out
like three more lines. It says terrible
manners and this gets a laugh. I think
just goes to show why gentleman's sport
should be reserved for the upper class.
And remember they lost all my luggage.
Oh, that was terrible. Now I think
you're like moving along quickly.
Maybe see how this the best way to do
this.
Cut your piece off.
No, go ahead.
and and you're still making the you're
still having the same essence of the
piece just letting it not wander so
much, you know. Um,
then Charles says, "I can't seem to
remember clearly, but it was at some
point that trip I injured this trick leg
of mine. Didn't someone knock you down?"
I don't know if you need the trick leg
line. They He says it could go I had to
buy all new gowns. Oh, yes, me too. And
Charles, didn't someone knock you down?
and he'd go, "Oh, yes. I it reinjured my
trick leg. It was when we were queuing
up for the light, but I just think it
moves a little faster." So, he doesn't
have to have that that line. Oh, yes. It
was when we queuing up for the boat
race. People were terribly excited and
pushy for some reason. Now, I like this.
The confinement of ocean, they get very,
you know, get back to their intellectual
base here. The confinement of ocean
travel does strange things to people.
But I really think as I remember I was
reading this this line, the confinement
of ocean travel does strange things to
people could really come after
I remember some of them got rowdy and
tried to climb into our boat. Well, the
confinement o ocean travel really uh
gets you know and you just start
thinking what line is best after what
other line
and then then you say and I I love this
bit. My sister won't even talk to me
about that trip. I think that's great.
This is all going great. You two
quarrel. I can't remember. I haven't
heard from her. It's really funny. Not
even a Christmas card. Oh.
Uh, that's, you know, whatever. What
have been Led? Maybe we should invite
her on another trip and straighten
things out between you two. And they're
like, we could book another trip on the
Titanic for old times sake. Now, then
they start talking about and I get too
drunk and then it just sort of winds
down. And I was thinking I thought, what
what possible endings are there? I
thought of just to kind of not have it
be a fade out, you know, where they just
kind of keep talking and you just kind
of lower the lights and say goodbye.
I I thought of something in the realm of
let's see if you can book another trip
on the Titanic for old times sake
or or they could say maybe you should
invite her on another trip and
straighten things out straighten things
out. And then one of them says,
"Remember
that trip we took on the Hindenburg."
Wasn't that lovely? Oh yes. What? That's
so many stories. You and you could go
out on like a bigger note. But I do
think there's you just think of just a
little punchier end something in that
realm. Anyway, it's it's really good. It
it it makes you laugh, you know, when
especially as the premise.
Usually these thing these things start
you establish the premise and the
premise is funny
then you have to exploit the premise and
it starts to get routine. So I go okay
now how many how many ways can we
restate the premise or take it in a new
direction. That that's always the
problem with the sketch. And uh and then
you've got to come up with either a
symbolic ending, meaning it's not really
an ending, but it gets you out, you
know, or a fantastic ending, which is,
you know,
rare, you know, rare. Any questions or
any because I mean, are you sitting
there thinking, well, I happen to know
that line works great that he wants to
take out.
I agree with this. I think those lines
did okay, but I wasn't like I wasn't
like I need them.
It's so great to be able to to take a
piece and you've you've you've written
it carefully and long and lengthy and
you've you know what I call exploiting
the idea and and then go okay now
wouldn't this line really be responsive
to this sentence rather than all this
stuff in between? And that it can really
make your day when you're suddenly
watching it and going, "Oh, those three
lines that were just okay are gone."
When I was, you know, hot in the 70s,
they'd say, "Oh, you have a great sense
of humor." I said, "No, the audience
does." You know, they're the ones who
are determining determining this. And
everything
you do as a performer, entertainer, and
even an artist
is
about response.
And I think people, you know, there's a
kind of cliche like, I'm just going to
write this for myself.
Really? Why? because eventually
someone's going to read it or watch it
or listen to it and it's and it's going
to be absorbed and and interpreted.
Uh so don't ever kid yourself to think
this is just for me. A joke isn't real.
Uh unless there's an audience, that's
one thing that's very important for a
comedian or even a writer. Listen to the
audience. The audience is your editor.
They're editing it for you. You hardly
even have to think. You know, you test a
comedy movie. You need to test a movie
for just to see if laughs or just see if
if uh if the audience understands
what's happening and would they would
test a scene and they test cards would
come back and they'd say, you know, the
uh so- and so scene is too long. I say I
say, how long is that scene? It's three
and a half minutes. Okay, let's work on
it. We take it down to two minutes. And
then we screen it again. You get the
cards coming back and they say, "The so-
and so scene is too long.
Gee, we just took a minute and a half.
Let's take it down further. Let's take
it down. Take it. Take it down to a
minute." Then you screen it. Cards come
back. Say, "So and so scene is too
long." You go, "Oh, they don't like that
scene. It's it's this information that's
always coming at you. You're all
constantly being fed information of how
how to edit. Of course, the great thing
about comedy is this. There's this
actual test, laughter.
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