Original subtitles

(dramatic violin tone)

* There's a feeling in the air now, baby

* Can you feel it too

* There ain't nothing you can do now, baby

* It's just too late for you

* But if you fall into my arms

* I will carry you away

* Oh, oh

* You've fallen for the devil

* Now he'll take you for his bride

* Shaking with a fever and feeling deep inside, my love

* Oh, oh

* Yes you'll fallen for the devil

* Now he'll take you for his bride

* If we ever leave then we'd be lonely inside, my love

* Oh, oh

* You've fallen for the devil

* Now he'll take you for his bride

* Shaking with a fever and a feeling deep inside, my love

* Oh, oh, yes you've fallen for the devil

* Now he'll take you for his pride

* If we ever leave then we'd be lonely inside, my love *

(classic rock tones)

(relaxed violin, piano music)

(somber violin, piano tones)

- Most of you know I'm not one to

get up in front of a room and express myself.

But if anyone could get me to do something

that I didn't want to do, it's Marly.

(door creaks)

I'm so unwilling to accept this is reality.

- What is it?

- It's Pete.

- Yeah it's Pete.

- I thought I was over him but there's this,

this feeling in my stomach like butterflies.

- Vivian, we need to get in there.

This is Marly's funeral.

- You're right, I'm sorry, I'll be fine.

- Are you sure? - [Vivian] Yeah.

- Okay.

Yeah? Okay.

- We take our loved ones for granted.

We think they're just gonna be there and then

something like this happens in the blink of an eye.

Marly is the best sister I could have ever asked for.

She always had my back.

Sure she have me crap when I'd get in trouble but

boy was she proud of me for every little thing I did right.

I remember her beautiful smile.

I remember that look she gave me like,

yeah the world's a little messed up

but at least we have each other.

At least we're in on this together.

(somber piano, violin tones)

I can't imagine life without her

but I know there's only one choice to make.

Move forward or not.

There has to be a way to make sense of it all.

Maybe she has a greater purpose in a whole other world

and I could see her in paradise where she belongs.

Free as a bird, no more pain

and I know she's shouting down at us right now.

She's telling us to be happy.

She's telling us to be happy, not sad.

She's telling us to love each other.

Love's all that matters.

Why are we treating each other

like enemies when we're family?

(somber violin, guitar tones)

I love you so much Marly, I'll see you on the other side.

Thank you all for being here to celebrate my amazing sister.

- Sweetie.

Love you both. - [Pete] I love you.

(relaxed guitar music)

- My lovely niece Marly,

I dedicate this to you.

(relaxed jazzy guitar music)

* A candle burns on a city street

* A flower grows in September heat

* A universe in a small rosebud

* Flesh and blood

* I know that look in a stranger's eyes

* The fire that fills every inch of sky

* A ray of hope that you can't deny

* Will never die, will never die

* The ways of the world we don't understand

* Everywhere leads us to why

* Hold onto the earth in your own two hands

* And never say goodbye

* No goodbye

* Goodbye

* Goodbye

* If life goes on in a grain of sand

* A blade of grass on a mile of land

* I always thought I could trust you to love

* How do we rise above this flesh and blood

* I'm not as strong as I want to be, oh no

* A tiny raft on an endless sea

* When wind and water become a flood

* How do we rise above this flesh and blood

* The ways of the world we don't understand

* Everywhere leads us to why, why, why

* Hold onto the earth in your own two hands

* And never say goodbye

* No goodbye

* Goodbye

* Goodbye

* The ways of the world we don't understand

* Everywhere leads us to why, why, why

* Hold onto the earth in your own two hands

* And never say goodbye

* No goodbye

* No goodbye

* No goodbye

* I hear a voice as my day begins

* I feel its soul underneath my skin

* Somehow I know this will never end *

- Yeah, so you can confirm that no passengers

by the name of Manuel Ricardo Ramos

boarded a plane for Mexico this morning?

And how many, how many airlines

fly in and out of Bay City International?

Okay, thank you.

How the hell is this possible?

Well come in, make yourself at home, ope too late.

- It's time for you to get up off

your ass, Mack, and make an arrest.

(tense violin tones)

- I um, I can't even fathom

that I'm standing up here right now.

No mother should ever have to do this.

I look around here and I see so many familiar faces,

so many people that Marly loved.

Peter.

Avery.

Lex.

Tony...

and her sweet, her sweet little RJ.

I was so excited when Marly was born.

Lee and I had our baby girl.

She certainly, she certainly let us know when she arrived.

- Almost there, okay relax.

Almost there, relax, coming.

(screams)

- Push, push, push baby.

I've got you, it's okay.

- Okay here we, and...

Oh, ho ho, ho ho ho.

Oh you did so good, you did so good.

- Let me see, let me see.

Oh my God.

- Mister and Mrs. Nelson, I'd like to

introduce you to your beautiful baby girl.

- She's beautiful.

- She's beautiful.

- Like her mommy.

- She's beautiful.

- She is beautiful.

We did it.

- I need a moment.

No I'm good, all right.

It's okay.

Marly grew up...

to be the most beautiful, vibrant young woman.

She never hesitated for a second

to tell me what I did was wrong.

I have to confess to you now, she was always right

and I'd like to say right now, right here

that I'm really sorry.

I'm sorry, Marly.

(solitary clapping)

- Of course she was, epic performance, did you see that?

Oh my God, isn't she good?

Oh don't get up, I'm not staying long.

I just couldn't resist facing all of you

and look at you, just mourning over poor little Marly.

What about my brother hmm, my brother!

She might have killed my brother!

You guys are just (cursing in Spanish).

- What is she talking about?

Are you okay?

- Yeah, yeah I'm all right.

- Ladies and gentlemen, I'm sorry for this interruption.

Miss Ramos is obviously intoxicated.

- What are you doing?

Let me go, damn it!

Put me down!

- What the hell is wrong with you, Janice?

- I don't want to hear anything from you.

- You don't have a choice, you can't just

stumble into my sister's funeral and cause a scene.

This isn't about your brother right now.

- Don't you ever say that, it is about my brother!

- Are you crazy?

Stop, are you insane?

- Yeah maybe I am,

maybe this is what your family does to me.

- You're a drunken mess

and you've completely lost your mind.

- Yeah keep going, tell me how you really feel about me.

Tell me how screwed up I am.

I mean you are a Garrett after all.

- I wish I could just take a mirror and hold

it in front of your face so you can see how

completely ridiculous you look right now.

- Ridiculous, my brother is missing and nobody cares

because they're too busy worrying about the royal Garretts!

- I understand that, I understand!

- No you don't!

- Have some goddamn respect, this is my sister!

I'm sorry, I'm sorry.

You gotta go.

Don't drive, take a cab but you gotta go.

- Go ahead, push me away.

I knew you would eventually.

- I didn't do this, you did this.

- I knew better, I knew better

than to get involved with a kid.

- Don't you dare point a finger

at me when you're the one who did this.

You're the one who pushed us apart, do you understand that?

You did this.

I've gotta get back to where I belong,

in my sister's funeral okay?

This is the end, Janice.

This is the end, it was short,

it was sweet but I'm glad as hell I found out

how crazy you are before I got in too deep.

- No.

- Now I gotta go, I gotta be where I belong

and don't you dare think about coming back inside.

You hear me?

- Pete!

Pete!

Pete!

(somber violin, piano tones)

- Thanks for being here for me, Will.

Even though I gotta be honest, I have no idea why you are.

Do you even give a shit about me?

- What do you think Lianna, like why do you think I'm here?

- I don't know what to think, you know?

Like I know I should probably stop thinking

that everything's just gonna work out for me one day.

You're probably sittin' over there thinking

why is she so upset, you know?

We don't know if her uncle Manny's dead,

he could be alive right?

And her sister hated her so why is

she sittin' over here crying the blues?

That's what you're thinkin' though, right?

- No that's not what I'm thinking,

you shouldn't put words in my mouth.

- What are you thinking?

- What, are you fishing for me to say something?

- No I'm not fishing, I want to know like for real.

- Well I think you keep getting the shitty

end of the stick and it's pretty unfortunate.

- I'm not happy that Marly's dead.

You wanna hear something really weird?

All right so you know that guy I told

you about, the dude I've been seeing?

- Damian? - [Lianna] Yeah.

- Mhm.

- So the night of the raid,

he has an overdose and he needs a transplant.

It was Marly's liver that saved him.

Yeah.

I don't get it,

like how am I so intertwined with these people?

- Well it's Bay City and the Garretts own everything

Lianna, so it's pretty hard not to be intertwined with them.

- Am I the only person that thinks

that's completely twisted, you know?

No I mean let's rewind, let's rewind, let's lay it out.

First Pete and I are dating and then I find out

that my real dad is a Nelson which by extension

makes me have a half-sister who's a Garrett and then

surprise Lianna, your uncle Manny's sleeping with her.

Fantastic, that felt great.

Oh and now guess what, cut to today.

Her organs are in the guy I'm dating.

- Which is, that's crazy.

- It's nuts right, completely nuts.

Am I like cosmically meant to be connected to them?

Thank God my mother doesn't have anything to do with them.

Maybe I should call her.

She's probably going nuts with my uncle Manny missing.

Maybe I've been too hard on her.

I know she loves me I just, and she's been trying too.

But it's like I'm so fixated on

punishing her for everything she's done wrong,

I haven't even noticed anything she's done right.

Horrible daughter, you can say it, go ahead.

Tell me that I'm a horrible daughter

and a horrible person and the reason that life

doesn't work out for me is because I'm a horrible person.

- No no okay look, look stop Lianna, don't.

There's um, there's something

I think I should tell you about your mother.

(anxious violin, piano tones)

- Miss Garrett, I am so sorry.

We should be celebrating Marly

and not dealing with these intrusions.

- I agree Father, Aunt Sarah why don't we

just ask the guests to leave so that we can

pay our respects as a family in private?

- That's a great idea.

- Brothers and sisters, thank you for

celebrating the life of Marly Garrett Nelson.

At this time we would please ask everyone to exit through

the foyer so that the Garrett family can pray privately.

May the Lord be with you.

Would you like to say goodbye to your guests?

- I'll do that.

(chattering)

- It's crazy for somebody to do that at a funeral.

- You know what RJ, you know what?

I just want to tell you how proud I was

of you in there and you're such a good boy.

- Okay baby, it's time for us to go now.

- Wait Sammy, I think that Aunt Sara

would like RJ to stay with us if that's okay.

- No, it's not okay.

I mean unless of course we're welcome.

- Are you serious? - [Sammy] Yeah.

- That's enough, hey that's enough.

Sorry about that and I'm really sorry about your loss.

You have my deepest condolences, all of you

and we're gonna be leaving to give you guys

some family time together and RJ's welcome

to stay with you as long as you want.

We can just pick him up later.

- Thank you, Tony.

- No no no, see Tony's just trying to be nice

considering the circumstances but RJ doesn't know

any of you so it's best that he comes home with us.

- Are you delusional?

- Okay okay, we should not be doing this right now.

- Am I delusional?

- He's fine with us, he'll get acquainted.

He'll be fine, you should go.

- Since when do you get to

make the rules around here, Avery?

- You know, since when do you get to make the rules--

- And why are you speaking up because I think

Marly liked you just about as much as she

liked me and in case you've all forgotten,

I am the woman in Tony's life and I'm

the one who spends most of the time with RJ.

- Oh no no no, we haven't forgotten anything.

Like how you pretended to be Marly's best friend

while you were screwing around with Tony behind her back.

- Yeah, yeah.

(somber violin tones)

- Mommy.

it's me.

Grandpa Steve, come here.

You miss your mommy, yeah?

Hey, you want to see her one last time?

All right, I want to see her one last time too.

You know, I never got to see my mommy one last time.

We'll do it together.

- You need to leave.

You're not welcome here, just slither on out.

- Why don't I just break your kneecaps?

- Okay that's enough and how

dare you talk to my family like that.

RJ?

Did anyone see where he went, RJ?

- Sara Garret? - [Sara] Yes.

- You're under arrest for the murder of Senator Red Garrett.

- Wait, wait. - [Sarah] What?

- What's going on here?

- What's going on?

- What is going on, come on.

I'm the Mayor, what's going--

- Is this true, did Sara kill my father?

- I don't know, how could I possibly know that?

I'm gonna find out.

- One, two, three.

Well I'll be.

- What the hell are you doing?

(low tense drumbeat, violin tones)

Oh my God.

(relaxed piano tones)

- [Voiceover] Next on The Bay.

- Do we really need to be doing this?

- That is kinky with a capital K.

- It's like they monopolize this whole town

spreading their filth and their disease everywhere.

- Lianna, you have to promise me I'm not gonna regret this.

- Hi.

- I think I've done something pretty bad.

* There's a feeling in the air now, baby

* Can you feel it too

* There ain't nothing you can do now, baby

* It's just too late for you

* Oh, oh

* You've fallen for the devil

* Now he'll take you for his bride

* Shaking with a fever and a feeling deep inside, my love

* Oh, oh

* Yes you've fallen for the devil

* Now he'll take you for his bride

* If we ever leave then we'd be lonely inside, my love

* Oh, oh

* You've fallen for the devil

* Now he'll take you for his bride

* Shaking with a fever and a feeling deep inside, my love

* Oh, oh

* Yes you've fallen for the devil

* Now he'll take you for his bride

* And if we ever leave then we'd be lonely inside

* My love

(classic rock tones)