Original subtitles

[music]

Yes. So, just turn around and go back.

You're welcome to Riiva the day after.

>> I ridden a 100 miles to see this

hanging.

>> That's for the sheriff to decide.

Unbuckle your gun belt.

Give me your rifle.

Don't take the hand off the butt.

Right in slow. I right behind you.

[music]

>> [music]

[music]

[music]

[music]

[music]

>> Who is it?

>> I don't know. [music]

>> That's his office. [music]

>> [music]

>> picked him up at San Marco's pass. Said

he came to see the hanging.

>> I told you not to let anybody through

except Sims. I'll get back there and see

you do it.

>> Yes, sir.

Well, you got a name.

>> Douglas.

>> What are you looking for?

>> Did I say I was looking for somebody?

>> Rio Reap is a quiet little town. We

don't get many strangers here.

What do you want?

Just like your deputy said,

I come here to see the hanging.

>> Where'd you write in from?

>> Winds.

>> You rode 100 miles over the mountains

just to watch a hanging.

>> Uh-huh.

>> Know the men are going to die?

>> No.

Oh, you just like to watch hangings.

That it.

>> I'll keep your guns. You stay away from

this jail while you're in town.

>> What time is the hanging?

>> 6:00 in the morning.

>> He starts serving breakfast at the hotel

at 5:30. You can watch it on a full

stomach.

>> [music]

[music]

[music]

>> My name is Lumis. I own the bank.

>> How do you do?

>> They shot my bank full of holes. Killed

my tiller. But we caught him red-handed.

>> All four of them. Now, sure they didn't

get a D.

>> When you hang him tomorrow,

>> do it slow.

>> Really got me confused, young fella.

>> Aren't you, Mr. [music] Sims? The

hangman from Silver City?

No. [music]

>> If you're not the hangman, what are you

doing here?

>> [music]

>> just passing through.

>> Maybe he came here to help him break

out. [music]

>> Just looking to feed my horse and find a

hotel room for the night.

>> Yes, sir. I'm the hotel clerk. I can

find your room, sir. May I take your

horse? It's

>> all right.

>> You didn't answer my question, mister.

>> I didn't hear you ask one.

>> What's your business here, Ria?

>> Put it down.

I think we got enough trouble without

you starting war.

>> Folks are bit edgy today. Might be a

good idea for you to stay in the hotel.

All right, break it up. That's just what

we're trying to avoid a crowd. You don't

know that all of you. Come on, break it

up.

>> You're going to church tonight, Tom?

>> Emma?

>> Yes, father. Coming. Are you Tom? Yeah,

I'll be there.

>> Willie, take care of this horse.

Saturday, we give him a fair trial.

Well, we never had a hanging in this

town before, so we had to send to Silver

City for a man to do the job. And we we

all thought you was him.

>> Well, it's not my line,

but if you don't show up, I might

accommodate you.

>> Tony,

>> take my horse and I'll meet you at the

store. Yes, Mr. Osa

>> Jim.

[music]

[music]

Joseph,

>> it must be 4 years.

>> It's closer to five.

When when I saw you crossing from the

courthouse, I just couldn't believe it

was you.

I still can't believe it, Jim.

>> It's me. All [music] right.

>> This is an occasion. It deserves a

celebration.

>> Yes, it does.

>> Come on. I'll buy you beer.

disappear.

[music]

>> What brings you to Rio Ariva? Jim,

>> nice country.

>> What are you doing here?

>> I have some business with the sheriff's

office.

Have you been back to New Orleans?

>> Nope.

[music]

>> We had fun.

>> Uhhuh.

>> Since my father died, I don't get to

travel much.

Where have you been?

>> I got a little ranch outside Winthre.

>> I never heard about it.

>> Small place.

>> Sometimes I wish mine were. It's too

much for a woman to handle.

>> You never got married?

>> Nope. [music]

I just can't seem to find the right man.

>> Maybe you're [music] too particular.

>> That's what my father said

when we met in New Orleans.

I was husband hunting.

>> You were?

I guess [music] I I guess I did behave a

little foolishly.

>> I don't know. Maybe you were smart.

>> Did you ever marry?

>> Yes, I did.

>> Fine girl.

>> I'm sure.

I have to go.

How long are you going to be in town?

>> Just until tomorrow.

>> Well,

it's good to see you again, Jim.

[music]

>> Let me go.

Whiskey. Season over.

>> Willie, take Mr. Sim's horse to the

stable. I'll tell the sheriff you're

here.

Mind if I join you?

>> Sit down. [music]

>> Can I buy you a drink?

>> I have mine. [music]

>> I hate to drink alone.

Oh, bartender whiskey

Sims is a name from Silver City.

I've come to perform a little service

for you folks.

See, uh, what does a man do for a little

recreation in this town at at night? I

mean,

I'm a stranger here [music] myself.

>> Mr. Sims.

>> Oh, sure. Come in and have a drink.

>> No, thanks.

Um, would you care to inspect the

gallows and have a look at the

prisoners?

>> Uh, there's plenty of time for that. Had

a long dusty trip. Think I'd like to

freshen up a bit.

>> Your room's ready, Mr. Sims.

>> Oh, thank you.

I hope I see you again, sir.

Of course, not professionally. I'll drop

over to jail this afternoon.

I wonder if I could see the prisoners.

>> Said you didn't know him.

>> I never met him, but I think I know him.

They do you a bad turn?

I've been following them for 6 months,

tracking them up and down the state.

It's relief to catch up with them and

find out the law is going to do the job

for me.

>> You uh

you're sure they're the same bunch?

>> There's two white men, a half breed, and

an Indian, right?

>> That's them. We never had anything like

this in Rioa before. Too bad when it's

over.

>> You're wasting a lot of good lumber. A

tree would have done just as well.

>> They were sentenced to be hanged, not

lynched.

Rainbow.

>> They giving you any trouble?

>> No.

>> Beat them. They ate.

>> All right. Come here.

On your feet, all of you.

I said move now.

>> Can you spare a smoke, stranger?

>> Shut up.

What are you going to do? Punish us if

we talk?

>> I was hoping you'd bring us a woman,

Sheriff.

>> Who's that sheriff?

>> Don't you know him?

>> I never saw him before in my life.

>> He came to see you hang.

>> This is the last night. Now, watch him.

>> Yes, sir.

>> And don't talk to them. If they want

anything, call me.

Sure. H

>> do you think I might been off long

enough to go to church tonight?

I'll see. I'll do what I can.

>> Well, Father Bailey's here to see you.

>> Mike told YOU TO KEEP HIM OUT OF HERE.

>> YOUR MOTHER'S WITH HIM. I DON'T WANT TO

SEE HER EITHER.

>> PRIMO,

what time is it?

>> I don't talk to you.

>> You're the only one we got nothing

against. Primo,

>> Primo takes good care of as we all love

him.

>> Well, I don't love you.

>> Sure you do. The first time I have a

little Nino, I'm going to name him Primo

after you.

>> You joke. You should be praying.

Get down.

What you thinking, sir?

>> Wondering who that stranger is.

>> From the way he looked, he sure didn't

come here to help us.

>> I can't place him.

>> He seemed to know you. He looked at you

the hardest.

You ever see that man before?

>> No, but he's got the face of a hunter.

>> Zack, we don't have much time.

>> Don't you think we know that?

>> We can't just wait here. Go ahead. Bang

your head on the bars and yell. They'll

hang you right now.

[bell]

>> [bell]

[bell]

[bell]

>> Well, you say the darnest thing

sometimes.

>> Good evening, Mr. Steinat.

>> Hello, Tom.

Emma, you happen to know where I put my

stomach powders?

>> Oh, yes. Father,

>> would you get me one?

>> Just in case.

>> Tom, Emma is a fine girl.

>> Yes, sir. I think so, too.

>> The world's big, and there are many

wonderful places in it, and I'd like for

Emma to see them.

>> Well, sir, I want to let me finish, Tom.

>> I was a pack peddler when I came here.

It's taken me a quarter of a century to

make what I got today.

And now I'm too old to enjoy it.

I want Emma to enjoy it. But not in this

out of the way small town.

I want her to marry some man who lives

in Philadelphia or Boston, has his

business there, mixes with educated

people.

Am I wrong to want that for her, Tom?

>> No, sir.

>> Right now, Emma thinks she loves you. I

guess she does, but she's never had a

chance to meet anyone else. I want to

give her that chance.

>> Now, what has he been telling you?

>> Oh, about Philadelphia and Boston.

>> Gosh, wouldn't you love to go there?

Good evening, Sheriff.

>> Evening, Mr. Steinmets. Emma, Tom,

[music]

>> must be big doing church tonight. Looks

like everyone in town is going.

>> That's right. It's our annual novena to

St. Anthony.

Uh, [music]

when would you like to look at the

prisoners?

>> I'd like to finish my cigar first.

[music]

>> All right, there's no hurry. Finish your

cigar.

Think I'll stretch my legs.

[music]

[bell]

[music]

>> [music]

[music]

[music]

>> It's open.

[music]

>> Jim

Kin,

>> I'm on my way to church. I thought that

you might like to go.

>> Well, I don't go to church anymore.

>> Jim, I I don't understand.

>> Very simple. [music] I just don't go.

>> I'm sorry.

Very sorry.

If you allow me, I'll walk you there.

>> Of course.

Take out.

You think the sheriff would let us go to

church?

>> No.

>> It's all right if I look at her from the

window, isn't it?

>> All right.

Everyone's going to church.

You think they pray for us, Primo?

Primo,

will you pray for us?

You want me to?

>> You're a good man, Primo. God, listen to

you.

What should I pray for?

>> That we go to heaven.

I can't do that.

But I will pray that God [music] will

forgive you. I'll settle for that.

Was it Tucker?

>> How soon you think before he'll make his

try?

>> When everyone's in church.

>> No talking.

I'm praying. Primo,

>> do you have any children? Jim,

>> little girl.

>> How old is she?

>> Three.

>> Pretty.

>> She's [music] pretty

like her mother was.

>> Was.

>> She's dead.

>> [music]

>> I'm sorry.

>> Good evening, Sheriff.

>> Evening, Joseph.

>> You must have been [music] very much in

love.

>> Still am.

Beautiful evening, isn't it?

>> Yes, it is.

[music]

>> Thanks, Joseph.

Guess I needed to talk to a woman.

There's a woman inside. I think you

[music] might do well to talk to.

Ghost

[music]

[singing]

is

Well, should we take a look at our bad

boys now?

>> Fine.

>> Remo.

>> Yes, sir.

>> Everything all right?

>> Yes, sir.

>> You going to church now? Mr. Sims is

with you.

>> Thank you, Sheriff. Thank you, too.

>> I'm Primo. Yes, sir.

>> Come back as soon as the service is

over. Mr. Sims may want to get to bed

early on the count of tomorrow.

>> Oh, that's all right, Sheriff. Take your

time. Don't worry about me.

>> Thank you, sir.

All right. On your feet, all of you over

here.

Say, uh, can we have a little more light

in here, Sheriff?

>> Sure.

>> I'd like to get a good idea of each

man's size and weight.

>> [screaming]

>> Hold him up. Hold him up like a key.

>> There's a key dropped on the floor. Get

it.

Reach the dipper. Reach with a dipper.

Reach.

reach.

Oh, come on.

>> [singing]

[singing]

>> I got you.

Holy.

[singing]

[singing]

[singing]

Give me the key. medicine.

[singing]

[singing]

Hallelujah.

the beautiful

I'll tie her up.

>> We'll take her along.

>> She'll slow us down.

>> They won't rush us as long as we've got

her. I get the horses.

I think we're all aware of the shadow

that has fallen over Rio Aribba.

The gallows cast a shadow even at night.

Tomorrow for men are to die.

That they die is the just fulfillment of

Caesar's law.

But I would remind you that these four

men are also creatures of God eligible

for his mercy.

Pray for them as he would.

If you recall, there was also

scaffolding at Golgtha

and Christ bleeding and dying took time

in his agony to turn and to pardon a

common thief.

Remember that tomorrow

for all of you, it'll be daybreak.

But for these four men,

it'll be the midnight of their lives.

Your prayers will help them.

[music and singing]

>> [singing]

[music]

[music]

[singing]

>> beforeh.

[music]

[music and singing]

[music]

Hallelujah. [music]

[singing]

>> [music]

[music]

>> What's the matter? Get bus.

>> [music]

[music]

>> Emma,

EMMA,

EMMA.

Here's

your purse.

>> How's the sheriff?

>> He's badly hurt.

>> Everybody, come on. Let's go. Get your

horses and guns.

>> You get your gun and horse and let's get

going.

>> WHERE?

>> ARAM. THEY STOLE.

>> I WANT A HORSE. SIR,

>> we can't find Emma. They must have taken

her with him. Cuz if uh they've taken

Emma, what will I do? Please help me.

Please,

>> Mr. Steinmets, we'll all help. I'll get

my horse and go with you.

>> Come on, Jim. Oh,

>> you can't overtake them tonight before

they get to San Marcos's Pass.

>> One of them can hold that against a

hundred.

>> Aren't you coming with us?

>> Going to be a long hard chase.

I can use some sleep. I'll wait till

morning.

>> Do you mean to tell me after what's

happened tonight, you can just go back

to that hotel and go to sleep?

>> Yes. And then what?

>> I'm going to find her. It's the last

thing I do. Night.

[music]

>> What do you think, Luhan? With the woman

along, they can overtake us.

>> Tell her, you stay here and hold them

off till sundown. We'll turn off at the

top of the pass and head for Elder

Gorge. You'll make camp and wait for you

there.

>> Please let me go. Please

>> later.

>> Please. My father will give you

anything.

>> I've already got all he can do.

[music]

>> Everybody, let's go. Come on. [music]

And how about those back?

[music]

>> Get your horse. Go into town and get a

wagon back here. Quick. Go on.

Take this man down with the others.

Primo Murphy looks very bad. There's

nothing I can do for him. You've got to

get him out of here.

>> Do what you can. I've sent for a wagon.

Let's go back to town.

All we can do now is wait. Then we'll

follow them over the pass. Once they get

into the open desert, we can circle

them.

>> Once they get to the desert, we can lose

them.

>> They got Emma. I'm not going to take

that chance.

>> Come on, Tom. Wait.

Primo's right. You can't rush him.

>> But don't worry about losing her.

>> What do you know about it? Who are you?

You're a stranger here. You say you

can't rush them. That's all right for

you. But me, it's my daughter who is in

danger.

>> Maybe you want us to lose them.

>> I've been following them for 6 months.

I'm not going to lose them now.

If I was you,

I'd pick out 12 of these men and send

the rest of them home. Especially the

old fell and the lady over there.

>> I can't send Mr. Steinmets home.

>> Not going to do us any good. He's just

going to get in the way.

>> He won't leave.

I'm sorry.

Primo just told me you don't want me

alone.

>> Well, that's right.

>> Emma's going to need me when we catch up

with them.

>> With you along,

we might not catch up with them. You

might get hurt. I wouldn't want to see

that.

>> Are you worried about me?

>> These are mean men we're after. They're

real mean.

>> For the gorge. You must turn off here.

You still like the gorge idea?

>> Yes. We told Taylor we'll wait for him

there.

>> We can move faster around the desert.

>> That's where they'll be looking for us.

>> If we keep moving and ride hard, we can

reach the border in two days.

>> In the desert, we can only ride at

night. Two days and we'll burn up. She

won't last that day.

>> Well, why do we need her?

>> I need her. We'll head for the gorge and

hole up there till they stop searching.

Lead Lan.

What do you think, Mr. Douglas?

>> Sun's going down.

That's what he waited for. We can't

track him by night. Let's move ahead as

long as we can see.

>> Everybody get mounted.

>> [music]

[music]

>> Somebody build a fire. Start up some

[music] coffee.

>> [music]

[music]

>> Can't we go on? Just you and me.

[music]

>> Be like looking for a needle in a

haststack.

>> Yeah, but I'm worried about Emma.

Well, suppose we were lucky enough to

stumble across [music] him. You don't

think they'd give up without a fight?

She'd be the first they'd kill. Here is

one of them. Here he is. Come on, all of

you. [music]

Come here, all of you. Help.

[music]

I found one of them.

There he is. See? [music] Must be one of

them.

[music]

>> This is not one of them.

That must be the real Mr. Sims.

>> Got a time piece? No sir.

>> Here,

take mine.

[music] You go back to the rim of the

gorge and fire a shot every 5 minutes.

>> But what' good do?

>> Well, sound carries a long way in these

canyons. If they're in there, they'll

hear it. Make them wonder. Keep them up

all night. [music]

Take their minds off Emma.

One of us will relieve him every hour.

Keep it up all night.

[music]

[music]

You take turns [music] standing. Watch.

I'll look after the horses.

>> I'll take the [music] last turn.

>> You'll take the first.

>> I'll take the first. Watch. [music]

Can't sleep anyway.

[music]

>> Taylor.

>> Yeah.

>> When we get out of this, you want to

stick with me or split up?

>> Well, I haven't given him much thought.

>> Well, I have. [music]

You're a good man, Taylor. I should hate

to lose you.

>> Well, I [music] sort of like having a

man behind me I can count on.

That parallels a louse. [music]

The engine makes me nervous. Never know

what's going on inside his head.

>> I never crossed a man [music] that rode

with me.

>> Well, neither did I.

>> I need you with me.

>> That goes double.

>> I got one weakness [music] I feel you

should know about.

What's that?

[music]

>> Women.

Every man's entitled to one weakness.

Minds cards.

>> You think Lohan needs some help with the

horses?

>> Well, now he [music] just might.

>> [music]

>> Is that silk?

Where'd that come from?

Where'd that [ __ ] come from?

>> It's an old trick that want to keep us

awake.

>> Get back on watch.

Go to sleep. You'll never hear the shot

that kills you.

[music]

>> [music]

[music]

[music]

>> while they were here. All right. Not too

long ago.

Looks like those shots changed their

plan.

>> Track show. They went down the gorge.

>> Yeah. Could be the Indians thinking to

throw us off.

Hold

on.

Get out.

Stop that, you idiot.

>> I want Emma to know we're following.

>> Now they all know.

You said we'd lose them in the gorge.

>> They're smarter than you thought. Rad

man,

>> there's only one man that could have

followed us down here. The one with the

eyes of the hunter. The strange one

that the sheriff brought down to the

jail to look at us.

>> He's right. I saw him with a posy up in

San Marcus Pass.

>> Well, who is he? What's he dog on us

for?

>> Maybe she knows. I never saw him before

he came to Ribo.

>> Why did he come?

>> To watch you hang.

>> Is the truth.

>> Let her go.

>> He must know one of you.

>> Maybe it's you he's after.

>> How could he be? I never saw him before.

>> No, he don't look like no banker or the

owner of any place we ever robbed.

>> Let's kill him. Then the others can't

follow us. It's a very good idea. You do

it.

>> Did Luhan do it?

>> No. No. We need Luhan to take us to the

border. You catch up with us tonight.

>> SO WHY ME?

>> IT WAS YOUR IDEA.

[music]

[music]

HELLO.

[music]

HEAT.

What is it, Mr. Douglas?

>> You see some movement up there in that

tall grass?

No, sir.

>> I think there's a man up there waiting

for us to come within range.

>> Why don't we make him fire first?

>> And one of us will be dead.

>> We going to wait for some now and again.

>> Primo,

you take the lead.

You and the others circle the hill. Stay

just outside rifle range of that tall

grass.

I'll go up the other side.

Why are you doing this for us, Mr.

Douglas?

>> Not doing it for you, Mr. Stein.

>> [music]

>> Come on.

Come on. Keep moving.

I'm waiting for you.

>> I'm here.

>> Drop it.

Woo!

Woo!

You remember that woman?

>> No.

>> Now look at it.

>> No,

>> you're lying.

>> I never saw it before. I swear I didn't.

>> You stopped at my ranch 6 months ago. I

never saw your ranch. I don't even know

where it is.

>> There were four of you.

>> We never did. Please, you got to believe

me.

>> She begged and cried and pleaded too,

didn't she? Please leave me alone. I

have a baby. I have a husband. Please

leave me alone. Take anything you want,

but please leave me alone. Didn't she?

But it didn't help much. I never saw

that face before. I was never on your

ranch. I never did anything to you.

>> Which one of you? Which one of you did

it?

>> I didn't do it.

I've done some bad things. Robbed,

stole, I've run cattle, but I never

killed no woman.

>> Come on, talk. There were four of you.

Which one? Which one?

>> Don't do it. Please let me live. Please

let me. Please. I've got a wife and

baby, too. Oh, don't do it. Please don't

do it.

>> I'll do anything for you.

>> And it was all part of you.

>> Holy

>> [music]

>> Morning, father.

>> Good morning, sir.

>> How's the sheriff?

>> Much better.

>> Good. [music] Poor Mrs. Pel. I feel so

sorry for her. [music]

>> It's hard to believe one child can bring

so much happiness.

So much grief.

>> Any news [music] of Primo and the men?

>> Jim Douglas is long with him, isn't he?

>> Yes.

>> Came to [music] church with you.

>> Yes.

Do you know him?

[music]

>> Years ago.

>> I hadn't seen him in 5 years,

but he's changed.

What happened to him, father?

>> Quite [music] a lot.

He was out tending his cattle. Came home

late one evening to find that his house

had [music] been ransacked and robbed

and his wife had been raped and

murdered.

>> Awful.

>> I think that's what's brought him to

Rio. Jim Douglas not the kind of man to

just watch a hanging. Must be some

connection [music] between those four

men. What happened to the ranch? I think

Jim must believe that those men

committed the crime.

>> Did they?

>> Nobody knows. I doubt if Jim knows.

>> But his child, father, [music] what

happened to the child?

>> A ranch and his wife taking care of her.

That child could have been mine.

I was in love with Jim Douglas and he

asked me to marry him.

I didn't have the sense to say yes.

>> You'd have married a good man.

>> How do I get to his ranch?

>> Well, after San [music] Michael's Pass,

you take the win road to Canyon Diablo.

It'll be a small stone [music] cabin.

>> You think Pal got our man? I hope they

got each other.

>> Look.

>> Yeah, there's Farrell now.

He's got our man. I feel better.

>> Let's not Paral.

>> How could they have caught us so soon?

We rule all night.

>> They haven't. It's only one man.

Well, we can handle one man easy enough.

>> He's marking a trail for the posi.

>> Let's wait for him.

>> And let the posi gain on us.

>> Go on, I'll catch up with you. Why you?

I'm a better shot. And I don't like a

man dogging my trail.

>> [music]

[music]

[music]

[music]

[music]

>> Heat. Heat.

>> [music]

[music]

>> Wow. [music]

Heat. Heat.

[music]

Heat. [music]

[music]

[music]

Heat.

Heat. [music]

[music]

[music]

Heat.

[music] Heat. Heat.

[music]

[music]

[music]

>> [music]

>> What do you think, Luhan?

>> There sure will be someone there.

>> Then we'll get something to eat. We need

fresh horses more than food.

>> Maybe we'll get both.

>> COME BACK HERE.

NOW, where did you think you were going?

Ah, don't cry. I'm not going to make you

walk.

I'm going to let you ride

right up here next to me.

>> You haven't seen Douglas since he killed

Paral. He must have gone back.

>> [music]

>> Douglas didn't go back.

Look.

[music]

Howdy.

>> Howdy.

>> Any spare little food? We haven't eaten

all day.

>> Food's pretty scarce around these parts.

>> We're willing to pay for hospitality.

>> Where you heading?

>> Rio Reeba.

>> Oh, well, you're lost. You're headed in

the wrong direction.

Rio Rebas across a Diablo to the north.

>> You can spare a little grub for the

lady, can't you?

>> I guess so.

>> We'd be satisfied with a cup of coffee.

>> You know what happened to your horse?

Well, just one word and you'll get the

same. I won't.

>> Hey,

>> where can we get a couple of horses?

>> Well, the uh Douglas Ranch is about 4

miles west of here, but I don't know if

they got any horses or not.

I don't got any foolish ideas.

>> What's that?

>> There's gold.

>> Them's my teeth.

>> Where do you keep your gold?

>> I haven't got any. What are you mining

for?

>> Silver. So far, I haven't found any.

>> Well,

I got to get back to work.

>> Go ahead. Don't let us stop you.

What did he take?

>> Go and see what it was.

>> [screaming]

>> WOW.

[screaming]

NO.

LET'S GO. THE posi's coming.

>> Go ahead. Go ahead. I'll be alone.

>> I said no.

>> [music]

>> Well, there's the miner's cabin.

[music]

Douglas's ranch should be about four

more miles west.

>> [music]

>> Who's that?

[music]

You know that looks like Jim Douglas.

[music]

>> [music]

>> Jim,

I'm glad I caught up with you.

>> Why?

>> Jim, why don't you stop this mad chase

after these men and let [music] them go?

>> You can undo what's been done, and you

have a child to think of. How can you be

so sure these are the men?

[music]

[music]

>> [music]

>> Come here.

Look at this. [music]

That's John Butler, my neighbor. Poor

devil never harmed anybody in his life.

Now they've killed him.

[music]

Let's get him in the house.

[music]

JEN. [music]

JEN, COME HERE. Come quickly. Emma.

[music]

>> [music]

>> Come on. Hurry. Hurry. [music]

It's a statement. Hurry. [music] We

found Emma here in the house.

I don't know. [music]

>> Please don't worry.

>> Please stop crying. Everything's fine

now. Really, it is Tom's here. No part

of you. [music]

[music] Get him.

Now I know how you'll feel. Go after

them, Jim and catch them. Gather me.

Kill them. Kill them. Kill them.

[music]

Remo. [music]

You take your men and head straight to

the border. I'm going by my place and

pick up a fresh horse. [music] I'll meet

you at the river.

>> Yes, sir.

Everybody get mounted. [music]

All right, let's [music] get going.

[music]

Wanita

Vanita,

I see.

Let's go. No,

[music]

your doctor.

and Monita. No pures.

Not far behind them, but they took the

only horses that were here.

Karen, this is Josetta.

She's a good friend of mine, a very good

friend. I want you to stay with her

until I get back.

I don't know when that'll be.

>> I'll take care of her just as if she

were my own.

Guess I haven't been much of a father.

>> I

[music]

God bless you, Jim.

>> [music]

[music]

>> That looks like it. All right,

>> Mr. Douglas, where are the tracks?

This is where they cross the river.

>> Mr. Douglas,

>> this is the international border. We

can't go any further.

I can't

Did you see two men on horseback cross

the river here today?

Christo

Gracias.

>> [music]

[music]

>> Got

kopa paral.

Yeah.

>> [music]

[music]

>> Who are you?

What do you want with me?

>> Look at it.

>> I see it.

>> What are it? It's a watch. Look at the

picture.

[music]

>> What about her? Who is she?

>> You remember her?

>> I never saw that woman before in my

life.

Now get out of here. I'm tired of you

dog on my trail.

>> She was my wife

raped and killed by you.

>> I tell you, I never saw that woman

before in my life. Now get away from me.

[screaming]

>> [music]

>> Heat up here.

Heat. Heat.

[music]

[music]

[music]

Heat. Heat.

[music]

[music]

[music]

>> [music]

[music]

[music]

[music]

>> foreign much.

Missaga.

Where's the Indian who rode up here on

that horse? for

itch.

You could

try I'll go the com

Eat.

>> Why don't you kill me? Well, you got a

chance. I came here to kill you.

>> I have no reason to kill you. Why do you

hunt me?

>> Just look at that picture.

Your wife and baby.

>> Yeah,

>> she's very pretty.

My wife and baby, they are pretty.

Why do you hunt me?

You ever see that woman before?

No,

>> there were four men. Two white men, a

half breed, and an Indian. They robbed

my ranch house, and they killed my wife.

>> I have never seen your ranch.

>> The horse you rode up here, you stole

from my ranch.

>> I did not know that was your ranch, and

I didn't see any woman.

>> If you've never been to my ranch before,

where'd you get this bag of money?

>> That I took from a minor that I met in

Canyon Diablo. We were at his house. We

ate his eggs and meat. And then he ran

down the hill to hide that money. And

Zachary killed him. I took that money

from his hand when he was dead.

No,

but it was the one who told me 6 months

ago, the day my wife was murdered, that

the four of you, you came straight from

my ranch, past his place.

>> It is true. We did come past his place,

but we did not come from the direction

of your ranch. We came straight from the

border.

How

where did Butler get that money?

It was stolen from my house the day

to put my wife in.

>> [music]

[music]

>> What?

What [music] I have told you is the

truth.

[music]

>> [music]

[music]

[music]

>> Oh God.

Dear God.

>> [music]

>> That's him.

>> He's back.

Serious.

[music]

[music]

>> [music]

[music]

[music]

[music]

[music]

>> Glad you're Right. Jim

been away a long time.

>> Father, I need help.

>> We all do. I killed three men.

And the people of Rio Reba are thankful

that you brought justice where they

failed.

>> You don't understand. I

I didn't

kill him for the sake of justice.

You were a member of an armed posi,

legally sent out to get them, dead or

alive.

>> No, father. I didn't kill them for

anything that they did here in Rioba.

I killed them for revenge.

Revenge for something that they didn't

even do.

I set myself up

as the judge, the

jury, and the executioner.

They swore that they were innocent.

One of them even

he begged on his knees

for his life.

I wouldn't listen.

I killed them for something that they

didn't do.

Well, um,

look, Jim, let me point this out to you

that telling me what you have and

feeling as you do, you're already a step

ahead of a lot of other men that have

been in your shoes.

That doesn't mean that I'm condoning

what you've done, but at least you

haven't.

excused your own actions by saying as

many men would that that these men were

evil and should die anyway and that you

merely carried out a legal execution.

>> I know that, father, but

doesn't help. I

was wrong.

Wrong.

[screaming]

Wrong.

Come on.

Some people think prayers.

>> [music]

[music]

>> Yeah. [cheering]

Hey. [cheering]

>> [applause]

[applause]

[applause]

>> Ladies and gentlemen,

there's no need for me to tell you.

The emergency arose

and the man appeared.

So, Douglas, it's not often a man gets

to do so much for his neighbors. Do it

like you did.

>> We want you to know we'll be forever

grateful

and you'll be in our hearts always.

Thank you.

And in your prayers,

Please.

[music]