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1
00:00:07,140 --> 00:00:08,280
PREVIOUSLY ON
"SWITCHED AT BIRTH"...
2
00:00:08,280 --> 00:00:09,320
I JUST GOT OUT
OF A MEETING WITH
3
00:00:09,320 --> 00:00:10,570
the builder for
the restaurant.
4
00:00:10,570 --> 00:00:12,070
IT'LL BE ANOTHER
350K EACH.
5
00:00:12,070 --> 00:00:13,280
ARE YOU KIDDING?
6
00:00:13,280 --> 00:00:14,360
YOU WON $5 MILLION
IN A LAWSUIT--
7
00:00:14,360 --> 00:00:15,360
WHERE DID IT ALL GO?
8
00:00:15,360 --> 00:00:18,160
I KEPT THINKING
I'D TURN IT AROUND.
9
00:00:18,160 --> 00:00:20,250
AND I WILL WITH
THIS RESTAURANT.
10
00:00:20,250 --> 00:00:21,870
Daphne:
GUYS LIKE COTO
WORK THE SYSTEM
11
00:00:21,870 --> 00:00:23,870
AND TRADE FAVORS.
IT MAKES ME SICK.
12
00:00:23,870 --> 00:00:25,580
Secretary:
Senator Coto,
there's a reporter
13
00:00:25,580 --> 00:00:27,160
from the "Star" out here
waiting to talk to you.
14
00:00:27,160 --> 00:00:30,590
I'M SUPPOSED TO PICK
SOME PIECES TO SHOW
THIS PRATT RECRUITER.
15
00:00:30,590 --> 00:00:33,840
WHATEVER CAN MAKE YOU
STAND OUT IS VALUABLE.
16
00:00:33,840 --> 00:00:35,260
I WAS THINKING ABOUT
APPLYING TO SCHOOLS
17
00:00:35,260 --> 00:00:38,270
- THAT HAVE A STRONG
PREMED PROGRAM.
- PREMED.
18
00:00:38,270 --> 00:00:40,230
TOBY LEFT US THIS NOTE
ON HIS WAY TO THE AIRPORT.
19
00:00:40,230 --> 00:00:42,100
- ICELAND.
- ICELAND?
20
00:00:42,100 --> 00:00:43,480
THE CREW THAT
NACHO RUNS WITH,
21
00:00:43,480 --> 00:00:44,520
THEY CAN DO A LOT MORE
THAN THROW
22
00:00:44,520 --> 00:00:46,270
BRICKS THROUGH
YOUR WINDOW.
23
00:00:46,270 --> 00:00:48,320
- I GOT MY JOB BACK.
- ON THE EAST RIVERSIDE PROJECT?
24
00:00:48,320 --> 00:00:50,990
ARE YOU DETERMINED
TO GET YOURSELF HURT?
25
00:00:50,990 --> 00:00:52,490
WHY DON'T YOU COME
TO THE SHOOTING RANGE?
26
00:00:52,490 --> 00:00:54,070
I'LL SHOW YOU HOW
TO PROTECT YOURSELF.
27
00:00:54,070 --> 00:00:55,320
ABSOLUTELY NOT!
28
00:00:55,320 --> 00:00:56,400
Regina:
I THINK I'M BEING FOLLOWED.
29
00:00:56,400 --> 00:00:57,740
THERE'S A MAN IN
THE PARKING LOT,
30
00:00:57,740 --> 00:00:58,870
WHERE I WORK.
I THINK HE'S WAITING FOR ME.
31
00:00:58,870 --> 00:01:00,790
I WOULD LIKE TO TAKE YOU UP
ON YOUR OFFER.
32
00:01:00,790 --> 00:01:02,080
I WANT YOU TO TEACH ME
HOW TO SHOOT.
33
00:01:04,000 --> 00:01:06,000
( cell phone ringing )
34
00:01:06,000 --> 00:01:07,500
Kathryn:
OHH.
35
00:01:07,500 --> 00:01:09,260
( sighs )
36
00:01:10,340 --> 00:01:12,300
OH.
37
00:01:12,300 --> 00:01:14,300
( sighs deeply )
38
00:01:14,300 --> 00:01:15,800
( groggily )
HELLO?
39
00:01:18,390 --> 00:01:21,140
OH, NO.
40
00:01:21,140 --> 00:01:23,140
- WHAT? WHAT IS IT?
- OH...
41
00:01:23,140 --> 00:01:26,390
( exhales )
THERE'S BEEN AN ACCIDENT.
42
00:01:26,390 --> 00:01:29,400
( theme music playing )
43
00:01:37,030 --> 00:01:40,410
( gunshots )
44
00:01:40,410 --> 00:01:42,910
YOU'RE PULLING
TO THE LEFT.
45
00:01:42,910 --> 00:01:44,160
JUST BREATHE OUT FIRST.
46
00:01:46,580 --> 00:01:48,080
( exhales )
47
00:01:50,300 --> 00:01:51,670
( gunshot )
48
00:01:51,670 --> 00:01:53,380
NICE!
49
00:01:53,380 --> 00:01:54,010
ARE YOU SURE YOU HAVEN'T
50
00:01:54,010 --> 00:01:55,250
DONE THIS BEFORE?
51
00:01:55,250 --> 00:01:57,210
I NEVER WANNA DO IT AGAIN.
52
00:01:57,210 --> 00:01:59,220
YOU CAN'T BE AFRAID OF IT.
53
00:01:59,220 --> 00:02:01,060
IT'S JUST A TOOL.
54
00:02:01,060 --> 00:02:03,390
THAT IS A DEADLY WEAPON.
55
00:02:03,390 --> 00:02:04,600
IT'S A MEANS OF
SELF-DEFENSE.
56
00:02:04,600 --> 00:02:05,640
IF YOU'VE GOT
ONE OF THESE,
57
00:02:05,640 --> 00:02:07,220
NO ONE'S GONNA MESS WITH YOU.
58
00:02:07,220 --> 00:02:09,030
YOU JUST KEEP IT LOCKED,
59
00:02:09,030 --> 00:02:10,730
AND YOU'RE ALWAYS
THE ONE IN CONTROL.
60
00:02:10,730 --> 00:02:12,030
HAVE YOU EVER USED YOURS?
61
00:02:12,030 --> 00:02:13,820
NO, BUT THERE'S BEEN
62
00:02:13,820 --> 00:02:15,900
A FEW TIMES WHERE
I'M GLAD I HAD IT.
63
00:02:15,900 --> 00:02:17,270
( sighs )
64
00:02:17,270 --> 00:02:19,280
I'LL KEEP IT AT WORK,
65
00:02:19,280 --> 00:02:20,740
BUT IT'S NEVER
COMING HOME WITH ME.
66
00:02:20,740 --> 00:02:22,160
WELL, THERE YOU GO.
67
00:02:22,160 --> 00:02:23,450
PERMIT'S INSIDE.
68
00:02:23,450 --> 00:02:26,410
THIS IS ONLY TILL
WE'RE DONE WITH EAST RIVERSIDE.
69
00:02:26,410 --> 00:02:28,160
OH, YEAH, I BOOKED A DINNER
WITH A MEMBER OF
70
00:02:28,160 --> 00:02:29,790
THE FOURTH CITY COUNCIL
DISTRICT.
71
00:02:29,790 --> 00:02:31,000
I WANT YOU TO COME
WITH ME.
72
00:02:31,000 --> 00:02:32,000
OKAY, WHEN?
73
00:02:32,000 --> 00:02:33,590
TONIGHT.
74
00:02:33,590 --> 00:02:35,250
WHAT?
75
00:02:35,250 --> 00:02:36,710
YOU SUDDENLY REMEMBERED
76
00:02:36,710 --> 00:02:38,050
YOU NEEDED THE LATINA?
77
00:02:38,050 --> 00:02:40,350
YOU'RE MY PARTNER
ON THE PROJECT.
78
00:02:40,350 --> 00:02:41,350
YOU MAKE THE CASE
FOR THE COMMUNITY
79
00:02:41,350 --> 00:02:43,640
BETTER THAN I EVER
COULD.
80
00:02:43,640 --> 00:02:47,390
AND, FRANKLY,
I COULD USE THE COMPANY.
81
00:02:48,100 --> 00:02:50,900
OKAY. FINE.
82
00:02:50,900 --> 00:02:53,150
GOOD.
83
00:02:53,150 --> 00:02:54,230
LET'S GET THE MOCKUPS.
84
00:02:54,230 --> 00:02:55,230
I'LL MEET YOU AT K&D.
85
00:02:55,230 --> 00:02:56,230
OKAY.
86
00:03:05,030 --> 00:03:07,370
OH, MY GOD.
PRATT.
87
00:03:23,100 --> 00:03:25,340
HALLO?!
EG ER KOMIN HEIM.
88
00:03:27,340 --> 00:03:28,810
IN ICELANDIC
THAT MEANS
89
00:03:28,810 --> 00:03:30,810
"HELLO, I'M HOME!"
90
00:03:30,810 --> 00:03:32,350
WOW, HI!
91
00:03:32,350 --> 00:03:33,770
Kathryn:
JOHN, WE'RE BACK!
92
00:03:35,350 --> 00:03:37,060
- HOW WAS IT?
- UH!
93
00:03:37,060 --> 00:03:39,240
IT WAS EXACTLY
WHAT I NEEDED.
94
00:03:39,240 --> 00:03:40,990
AWESOME.
95
00:03:40,990 --> 00:03:42,320
I THINK I LIKE
THE SCRUFF?
96
00:03:42,320 --> 00:03:43,660
THANK YOU.
97
00:03:43,660 --> 00:03:45,660
DOES HE LOOK SKINNY
TO YOU?
98
00:03:45,660 --> 00:03:47,070
HOW ARE YOU?
99
00:03:47,070 --> 00:03:48,070
A-OKAY.
100
00:03:51,290 --> 00:03:52,540
THIS IS UNACCEPTABLE!
101
00:03:52,540 --> 00:03:54,040
I WANNA TALK TO CHRISTY.
102
00:03:56,170 --> 00:03:58,170
TELL-- TELL HER
TO CALL ME TONIGHT.
103
00:03:58,170 --> 00:03:59,180
THANKS.
104
00:04:01,590 --> 00:04:03,590
HAVE YOU SEEN MY S.A.T.
STUDY BOOK?
105
00:04:03,590 --> 00:04:06,050
I-- I THINK IT WAS
ON THE TABLE.
106
00:04:06,050 --> 00:04:08,390
NO, I HAD IT WITH ME WHEN
I WENT DOWN TO THE CLINIC.
107
00:04:08,390 --> 00:04:10,650
OH, I HOPE I DIDN'T
LEAVE IT THERE.
108
00:04:10,650 --> 00:04:13,100
SORRY. SORRY.
109
00:04:13,100 --> 00:04:14,020
WORSE TRAFFIC EVER.
110
00:04:14,020 --> 00:04:16,150
HAVE YOU SEEN
MY S.A.T. BOOK?
111
00:04:16,150 --> 00:04:17,600
THE ONE THAT'S BEEN
ATTACHED TO YOUR FACE ALL WEEK?
112
00:04:17,600 --> 00:04:19,240
YEAH, I CAN'T FIND IT,
113
00:04:19,240 --> 00:04:21,780
AND IT HAS ALL MY PRACTICE
TESTS, ALL MY NOTES.
114
00:04:21,780 --> 00:04:23,990
ALL RIGHT, ALL RIGHT.
LET'S LOOK AROUND.
115
00:04:23,990 --> 00:04:25,110
IT'S GOTTA BE HERE.
116
00:04:25,110 --> 00:04:26,110
I THINK--
117
00:04:26,110 --> 00:04:27,490
I THINK WE ALL NEED
A BREAK.
118
00:04:27,490 --> 00:04:29,370
HOW ABOUT I MAKES US
DINNER TONIGHT?
119
00:04:29,370 --> 00:04:31,040
OH, SORRY.
120
00:04:31,040 --> 00:04:32,410
WES JUST ASKED ME
TO JOIN HIM
121
00:04:32,410 --> 00:04:34,830
AT SOME DINNER WITH
SOME CITY COUNCILWOMAN.
122
00:04:34,830 --> 00:04:36,830
DOES THIS GUY EVER
TAKE A NIGHT OFF?
123
00:04:36,830 --> 00:04:40,050
I KNOW,
BUT IT'S REALLY IMPORTANT.
124
00:04:40,050 --> 00:04:42,340
OKAY, BUT...
WE NEED TO TALK.
125
00:04:42,340 --> 00:04:44,050
WHAT IS IT?
126
00:04:44,050 --> 00:04:45,550
KNOCK KNOCK.
127
00:04:45,550 --> 00:04:48,350
HEY, GUESS WHO JUST
GOT BACK FROM ICELAND?
128
00:04:48,350 --> 00:04:49,480
TOBY'S HOME?
129
00:04:49,480 --> 00:04:50,480
YEAH.
130
00:04:50,480 --> 00:04:52,060
LET'S GO SAY HI,
COME ON.
131
00:04:57,100 --> 00:04:58,190
HERE HE IS!
132
00:04:58,190 --> 00:05:00,030
- OH!
- LOOK AT THE WORLD TRAVELER.
133
00:05:00,030 --> 00:05:01,150
OH, WOW, THE WHOLE
WELCOMING COMMITTEE.
134
00:05:01,150 --> 00:05:02,150
WELCOME HOME.
135
00:05:02,150 --> 00:05:04,150
LOOK AT YOUR HAIR.
136
00:05:04,150 --> 00:05:06,280
BUT SERIOUSLY,
WHAT'S ON YOUR FACE?
137
00:05:06,280 --> 00:05:08,370
- ( all laugh )
- WAS IT FUN?
138
00:05:08,370 --> 00:05:09,660
WASN'T IT COLD?
139
00:05:09,660 --> 00:05:11,250
YOU KNOW, THERE WASN'T
A WHOLE LOT OF DAYLIGHT,
140
00:05:11,250 --> 00:05:13,120
BUT I STILL HAD A BLAST.
141
00:05:13,120 --> 00:05:14,290
THAT'S MY BOY.
142
00:05:14,290 --> 00:05:15,160
YOU CAN TELL US
ALL ABOUT IT
143
00:05:15,160 --> 00:05:16,160
AT DINNER TONIGHT.
144
00:05:16,160 --> 00:05:17,750
EVERYBODY IS INVITED.
145
00:05:17,750 --> 00:05:20,380
I HAVE NO IDEA
WHAT TIME ZONE I'M IN,
146
00:05:20,380 --> 00:05:21,590
BUT DINNER SOUNDS GREAT.
147
00:05:21,590 --> 00:05:23,050
EXCELLENT.
I'M GONNA FIRE UP
THE GRILL.
148
00:05:23,050 --> 00:05:24,130
( chuckles )
149
00:05:24,130 --> 00:05:26,220
UNFORTUNATELY,
I HAVE A WORK THING.
150
00:05:26,220 --> 00:05:27,550
BUT I CAN STOP BY TOMORROW.
151
00:05:27,550 --> 00:05:29,310
AND I'LL BE THERE
AS SOON AS I FIND
152
00:05:29,310 --> 00:05:31,850
MY STUPID S.A.T. BOOK.
153
00:05:31,850 --> 00:05:33,730
AH, THE "SADISTIC ACT
OF TORTURE."
154
00:05:33,730 --> 00:05:35,310
( exhales )
IT'S TOMORROW.
155
00:05:35,310 --> 00:05:38,310
- OHH...
- AND SHE IS COMPLETELY OBSESSED
156
00:05:38,310 --> 00:05:39,360
WITH THIS MAGIC BOOK.
157
00:05:39,360 --> 00:05:41,650
WELL, IT HAS ALL
THE PRACTICE TESTS.
158
00:05:41,650 --> 00:05:44,150
- SEE?
- LET'S GO TO THE CLINIC.
159
00:05:44,150 --> 00:05:45,070
I'LL HELP YOU LOOK FOR IT.
160
00:05:45,070 --> 00:05:46,480
ARE YOU SURE
YOU DON'T MIND?
161
00:05:46,480 --> 00:05:48,030
NO PROBLEM.
WE CAN SOLVE THIS.
162
00:05:48,030 --> 00:05:50,120
ANGELO MOVED IN.
163
00:05:50,120 --> 00:05:52,120
OH. WOW.
WELL, UH...
164
00:05:52,120 --> 00:05:53,660
WELCOME TO THE COMPOUND.
165
00:05:53,660 --> 00:05:55,160
- THANKS.
- ALL RIGHT.
166
00:05:55,160 --> 00:05:57,750
I'VE GOTTA GO GET READY.
WELCOME BACK.
167
00:05:57,750 --> 00:05:58,800
THANKS.
168
00:06:00,000 --> 00:06:01,300
- BYE.
- GOOD TO SEE YOU.
169
00:06:01,300 --> 00:06:02,050
- YOU TOO, MAN.
- SEE YOU. BYE.
170
00:06:02,050 --> 00:06:03,170
WELL, LOOKS TO ME
171
00:06:03,170 --> 00:06:05,300
LIKE WE'RE GONNA HAVE
AN OLD-TIME
172
00:06:05,300 --> 00:06:06,460
KENNISH PARTY THEN.
173
00:06:06,460 --> 00:06:08,260
UM, I ACTUALLY...
174
00:06:08,260 --> 00:06:09,970
GOTTA GO START THIS
ENGLISH LIT THING.
175
00:06:09,970 --> 00:06:12,970
BAY, COME ON.
STAY WITH US.
176
00:06:12,970 --> 00:06:14,600
YOU'RE GONNA BE
AT ART SCHOOL SOON.
177
00:06:14,600 --> 00:06:16,600
I MEAN, HOW MANY
OF THESE TIMES
178
00:06:16,600 --> 00:06:18,350
DO WE GET TOGETHER?
179
00:06:19,860 --> 00:06:21,110
KENNISH PARTY IT IS.
180
00:06:25,780 --> 00:06:28,020
( alarm beeping )
181
00:06:28,020 --> 00:06:30,330
- ( beeping )
- ( alarm stops )
182
00:06:31,660 --> 00:06:33,660
OKAY, I HAD IT
AT THE DESK.
183
00:06:38,080 --> 00:06:40,500
UM, SHOULD I LOOK UPSTAIRS?
184
00:06:40,500 --> 00:06:42,380
NO, I WASN'T UP THERE.
185
00:06:42,380 --> 00:06:43,630
( quietly )
WHERE IS IT?
186
00:06:45,750 --> 00:06:47,340
HEY.
187
00:06:47,340 --> 00:06:50,220
WHY ARE YOU TAKING
THIS TEST AGAIN?
188
00:06:50,220 --> 00:06:51,640
I THOUGHT YOU HAD
A GOOD SCORE.
189
00:06:51,640 --> 00:06:53,470
I NEED AN INCREDIBLE SCORE
190
00:06:53,470 --> 00:06:56,050
IF I'M GONNA GET IN TO ONE
OF THESE PREMED PROGRAMS.
191
00:06:56,050 --> 00:06:59,270
YOU'VE BEEN STUDYING
SO HARD.
192
00:06:59,270 --> 00:07:01,520
MAYBE IT'S TIME
TO TAKE A REST.
193
00:07:01,520 --> 00:07:03,770
BUT I KEEP MAKING MISTAKES.
194
00:07:03,770 --> 00:07:06,020
I GO OVER IT
AND I GO OVER IT...
195
00:07:06,020 --> 00:07:06,980
WHAT IS THIS?
196
00:07:06,980 --> 00:07:09,120
WHAT'S GOING ON?
197
00:07:09,120 --> 00:07:10,370
( sighs )
198
00:07:13,990 --> 00:07:16,240
MY MOM AND GRANDMA
199
00:07:16,240 --> 00:07:17,660
AND JOHN AND KATHRYN
200
00:07:17,660 --> 00:07:21,380
KEEP BRAGGING ABOUT
WHAT A GREAT DOCTOR
I'M GONNA BE.
201
00:07:23,380 --> 00:07:26,130
BUT WHAT IF I CAN'T
EVEN GET IN?
202
00:07:26,130 --> 00:07:28,080
WHAT IF I LET
EVERYONE DOWN?
203
00:07:28,080 --> 00:07:30,510
YOU'RE NOT GONNA
LET US DOWN.
204
00:07:32,090 --> 00:07:34,260
YOU NEED TO GET
OUT OF YOUR HEAD.
205
00:07:34,260 --> 00:07:35,550
IT'S LIKE ME
WITH MY GOLF SWING.
206
00:07:37,220 --> 00:07:39,980
JUST LET GO
AND FORGET EVERYTHING.
207
00:07:45,600 --> 00:07:47,100
IT'S NOT HERE.
208
00:07:49,070 --> 00:07:50,570
I'M TOTALLY SCREWED.
209
00:07:52,910 --> 00:07:55,160
I HAVE AN IDEA.
210
00:07:55,160 --> 00:07:56,240
COME.
211
00:07:56,240 --> 00:07:58,490
WHERE ARE WE GOING?
212
00:07:58,490 --> 00:07:59,620
JUST TRUST ME, COME.
213
00:08:06,250 --> 00:08:09,260
SO THIS IS THE BRAND-NEW
MUSIC HALL IN REYKJAVIK.
214
00:08:09,260 --> 00:08:11,390
- WHO'S THAT?
- UH, THAT'S HALLFRIDUR.
215
00:08:11,390 --> 00:08:12,390
SHE WORKED AT
THIS COFFEE SHOP
216
00:08:12,390 --> 00:08:13,550
THAT I SPENT
A LOT OF TIME AT.
217
00:08:13,550 --> 00:08:15,010
OH, SO YOU MADE
SOME FRIENDS.
218
00:08:15,010 --> 00:08:17,090
UH, YEAH.
A FEW.
219
00:08:17,090 --> 00:08:18,510
- HUH.
- OH, AND THIS IS A WATERFALL
220
00:08:18,510 --> 00:08:20,310
I FOUND JUST
WHILE I WAS DRIVING.
221
00:08:20,310 --> 00:08:22,850
Toby:
IT'S LIKE ONE BEAUTIFUL THING
AFTER ANOTHER.
222
00:08:22,850 --> 00:08:25,600
AND NOT ANOTHER HUMAN BEING
FOR MILES IN ANY DIRECTION.
223
00:08:26,730 --> 00:08:28,230
SOUNDS KINDA LONELY.
224
00:08:28,230 --> 00:08:29,570
IT WASN'T.
225
00:08:29,570 --> 00:08:31,410
OR IT WAS,
BUT IN A GOOD WAY.
226
00:08:31,410 --> 00:08:32,450
I MEAN,
227
00:08:32,450 --> 00:08:34,860
AFTER ALL THE STUFF
WITH NIKKI...
228
00:08:34,860 --> 00:08:36,490
UM,
229
00:08:36,490 --> 00:08:38,750
JUST KINDA FELT
LIKE I FOUND MYSELF AGAIN.
230
00:08:38,750 --> 00:08:39,920
THAT'S GREAT, HONEY.
231
00:08:39,920 --> 00:08:42,420
MAYBE I NEED TO GO
TO ICELAND.
232
00:08:42,420 --> 00:08:43,080
( Kathryn chuckles softly )
233
00:08:43,080 --> 00:08:45,500
OH, THIS.
234
00:08:45,500 --> 00:08:46,750
THIS WAS THE MOST
235
00:08:46,750 --> 00:08:48,040
UNBELIEVABLE NIGHT.
236
00:08:48,040 --> 00:08:49,630
SO ALL THESE TOUR GROUPS
GO OUT TO TRY TO FIND
237
00:08:49,630 --> 00:08:51,010
THE NORTHERN LIGHTS.
238
00:08:51,010 --> 00:08:53,090
I WENT OUT BY MYSELF,
COULDN'T FIND ANYTHING.
239
00:08:53,090 --> 00:08:54,510
AND I'M ON MY WAY BACK,
240
00:08:54,510 --> 00:08:56,090
SEE THIS BUS
ON THE SIDE OF THE ROAD,
241
00:08:56,090 --> 00:08:57,970
ASK THE GUY, "HEY, YOU LOOKING
FOR THE NORTHERN LIGHTS?"
242
00:08:57,970 --> 00:08:59,890
HE SAYS, "LOOK UP."
AND...
243
00:09:01,140 --> 00:09:02,390
( upbeat music playing )
244
00:09:02,390 --> 00:09:03,390
( gasps )
245
00:09:03,390 --> 00:09:04,770
YOU MADE A VIDEO?
246
00:09:04,770 --> 00:09:06,230
THAT'S AMAZING.
247
00:09:06,230 --> 00:09:07,770
IT'S ACTUALLY
TIME LAPSED.
248
00:09:07,770 --> 00:09:09,650
IT'S A LOT SLOWER
IN REAL LIFE,
249
00:09:09,650 --> 00:09:11,360
BUT EVEN MORE BEAUTIFUL.
250
00:09:11,360 --> 00:09:12,690
LOOK AT THAT GREEN.
251
00:09:12,690 --> 00:09:14,610
VIKING LEGEND IS THAT
THE LIGHTS WERE VALKYRIES,
252
00:09:14,610 --> 00:09:16,650
THESE VIRGIN GODDESSES
THAT WOULD
253
00:09:16,650 --> 00:09:18,830
TAKE THE SPIRITS OF
THE FALLEN WARRIORS
UP TO HEAVEN.
254
00:09:18,830 --> 00:09:20,830
SO ARE THE VALKYRIES
RESPONSIBLE
255
00:09:20,830 --> 00:09:24,660
FOR THIS WEIRD TECHNO-POP
WE'RE LISTENING TO RIGHT NOW?
256
00:09:24,660 --> 00:09:26,660
UH, ACTUALLY, I PUT THAT
TOGETHER.
257
00:09:28,630 --> 00:09:29,670
OH.
258
00:09:29,670 --> 00:09:31,090
WAIT, THAT'S YOU?
259
00:09:31,090 --> 00:09:33,090
YEAH, THERE'S THIS WHOLE
DJ SCENE OVER THERE.
260
00:09:33,090 --> 00:09:35,050
YOU KNOW, I TRIED IT
ONE NIGHT,
261
00:09:35,050 --> 00:09:36,590
AND IT WAS SO MUCH FUN.
262
00:09:36,590 --> 00:09:38,210
COUNTRY KINDA OPENED ME UP.
263
00:09:38,210 --> 00:09:39,270
( music stops )
264
00:09:39,270 --> 00:09:41,850
SO, HOW'S THE STUFF
WITH YOU?
265
00:09:41,850 --> 00:09:43,220
I MEAN, WITH YOUR HAND.
266
00:09:43,220 --> 00:09:45,220
OH, UH-- HEH.
267
00:09:45,220 --> 00:09:46,560
NEVER BETTER.
268
00:09:48,100 --> 00:09:49,150
I ACTUALLY NEED
TO GET STARTED
269
00:09:49,150 --> 00:09:50,150
ON THIS
ENGLISH LIT THING,
270
00:09:50,150 --> 00:09:51,860
- SO, UH...
- OH, YEAH YEAH.
271
00:09:51,860 --> 00:09:53,360
- GO, HONEY.
- THANK YOU.
272
00:09:55,860 --> 00:09:57,860
( knocks on door )
273
00:10:08,040 --> 00:10:10,050
OKAY, WHAT'S UP?
274
00:10:12,670 --> 00:10:14,670
I DIDN'T GET INTO PRATT.
275
00:10:16,090 --> 00:10:17,250
WHAT?
276
00:10:17,250 --> 00:10:18,720
HOW IS THAT
EVEN POSSIBLE?
277
00:10:18,720 --> 00:10:22,470
APPARENTLY I'M
UNEXCEPTIONAL.
278
00:10:22,470 --> 00:10:24,260
( sighs )
279
00:10:24,260 --> 00:10:26,520
THAT'S CRAZY.
280
00:10:30,270 --> 00:10:31,530
DID YOU TELL MOM AND DAD?
281
00:10:34,110 --> 00:10:36,070
I JUST GOT THE LETTER.
282
00:10:36,070 --> 00:10:37,320
THEY SENT THE E-MAIL
ON MONDAY
283
00:10:37,320 --> 00:10:38,830
AND IT WENT TO SPAM,
284
00:10:38,830 --> 00:10:40,040
SO, YOU KNOW,
285
00:10:40,040 --> 00:10:41,330
MY WHOLE WORLD
ENDED FOUR DAYS AGO,
286
00:10:41,330 --> 00:10:43,160
AND I DIDN'T
EVEN KNOW IT.
287
00:10:43,160 --> 00:10:45,910
BAY, YOUR WORLD
DID NOT END.
288
00:10:45,910 --> 00:10:47,580
IT WAS ONE PLACE.
289
00:10:47,580 --> 00:10:49,340
THEY DON'T GET TO SAY
WHAT YOU ARE.
290
00:10:49,340 --> 00:10:50,340
THE ONLY PERSON THAT
GETS TO SAY THAT
291
00:10:50,340 --> 00:10:51,670
YOU'RE AN ARTIST IS YOU.
292
00:10:51,670 --> 00:10:54,170
I'LL BE SURE TO PUT THAT
ON MY JOB APPLICATION
293
00:10:54,170 --> 00:10:55,000
AT THE COFFEE PALACE.
294
00:10:55,000 --> 00:10:56,630
OH, COME ON.
295
00:10:56,630 --> 00:10:59,140
WHERE'S YOUR VALKYRIE SPIRIT?
296
00:10:59,140 --> 00:11:00,140
HEY.
297
00:11:02,010 --> 00:11:03,300
YOU NEED TO GET ANGRY.
298
00:11:03,300 --> 00:11:05,350
YOU NEED TO PROVE TO THEM
THAT THEY'RE WRONG.
299
00:11:05,350 --> 00:11:06,350
DON'T YOU THINK
THEY'RE WRONG?
300
00:11:06,350 --> 00:11:08,140
( quietly )
I DON'T KNOW.
301
00:11:08,140 --> 00:11:10,230
OF COURSE THEY'RE WRONG!
PRATT SUCKS!
302
00:11:10,230 --> 00:11:12,230
PRATT NEEDS TO FEEL
THE WRATH OF HAMMER GIRL.
303
00:11:12,230 --> 00:11:13,270
YOU WITH ME?
304
00:11:13,270 --> 00:11:15,310
( weakly )
GRR.
305
00:11:15,310 --> 00:11:17,150
WELL, THAT'S A START.
306
00:11:18,990 --> 00:11:20,660
( snaps fingers )
COME ON.
307
00:11:20,660 --> 00:11:22,280
GET UP.
308
00:11:22,280 --> 00:11:23,820
"COME ON," WHAT?
309
00:11:23,820 --> 00:11:26,580
WE ARE GONNA DO
SOME STREET ART.
310
00:11:26,580 --> 00:11:30,630
OKAY, I'M GLAD THAT ICELAND
WAS GREAT FOR YOU,
311
00:11:30,630 --> 00:11:32,880
AND MAYBE IF I WENT THERE,
I'D FEEL THAT WAY TOO,
312
00:11:32,880 --> 00:11:35,330
- BUT--
- BAY, YOU DON'T HAVE ICELAND.
313
00:11:35,330 --> 00:11:37,590
YOU HAVE HAMMER GIRL.
314
00:11:37,590 --> 00:11:38,630
AND ME.
315
00:11:44,800 --> 00:11:45,800
Angelo:
WELCOME TO MY RESTAURANT.
316
00:11:54,440 --> 00:11:56,440
IS ALL OF THIS NEW?
317
00:11:58,310 --> 00:12:01,120
YOU'RE THE FIRST ONE
TO COOK HERE.
318
00:12:01,120 --> 00:12:02,700
OHH.
319
00:12:02,700 --> 00:12:06,030
IT'S LIKE WALKING
ON FRESH SNOW.
320
00:12:06,030 --> 00:12:07,530
I KNOW.
321
00:12:09,130 --> 00:12:12,370
I GUESS I COULD TAKE
A LITTLE STUDY BREAK.
322
00:12:12,370 --> 00:12:14,750
BUT, UH, WHAT SHOULD
WE MAKE?
323
00:12:14,750 --> 00:12:18,130
EVERY SUMMER GROWING UP
MY WHOLE FAMILY
324
00:12:18,130 --> 00:12:20,720
USED TO GO TO THIS
LITTLE VILLAGE IN
BRITTANY.
325
00:12:20,720 --> 00:12:23,840
THERE'S THIS HOUSE
ON THE BEACH.
326
00:12:23,840 --> 00:12:25,720
MUST BE IN MY FAMILY
FOR--
327
00:12:25,720 --> 00:12:28,220
HOW DO YOU SIGN
"GENERATIONS"?
328
00:12:31,810 --> 00:12:33,060
SO, EVERY SUNDAY
329
00:12:33,060 --> 00:12:37,060
MY GRANDMOTHER USED TO
MAKE THIS LEMON CAKE...
330
00:12:38,820 --> 00:12:42,860
IT WAS LIKE
A LITTLE SLICE OF HEAVEN.
331
00:12:42,860 --> 00:12:44,860
I GOT HER TO TELL ME
THE RECIPE,
332
00:12:44,860 --> 00:12:48,070
BUT EVERY TIME
I MAKE IT, IT'S...
333
00:12:49,290 --> 00:12:51,000
PARADISE LOST.
334
00:12:51,000 --> 00:12:53,870
NICE.
335
00:12:53,870 --> 00:12:56,080
MAYBE IT'S THE FLOUR.
336
00:12:56,080 --> 00:12:57,620
IT'S DIFFERENT OVER THERE.
337
00:12:57,620 --> 00:13:00,840
NO, I ORDERED THE FLOUR.
EVEN GOT THE BEST FRENCH
BUTTER.
338
00:13:00,840 --> 00:13:03,590
SOMETHING ELSE.
339
00:13:03,590 --> 00:13:07,090
WELL, WE HAVE ENOUGH
FOR FIVE CAKES?
340
00:13:07,090 --> 00:13:09,690
- I THINK SO.
- GOOD.
341
00:13:09,690 --> 00:13:12,190
WE'LL KEEP TRACK OF ALL
THE DIFFERENT VARIATIONS.
342
00:13:12,190 --> 00:13:13,850
CAN YOU TAKE NOTES?
343
00:13:13,850 --> 00:13:15,190
I AM YOUR SOUS-CHEF.
344
00:13:16,520 --> 00:13:18,770
THIS IS GONNA BE FUN.
345
00:13:18,770 --> 00:13:22,700
AND THEN AFTER,
IT'S BACK TO THE BOOK HUNT.
346
00:13:22,700 --> 00:13:24,820
DEFINITELY.
347
00:13:29,040 --> 00:13:31,040
STOP WHAT YOU'RE DOING.
I HAVE A NEW IDEA.
348
00:13:32,830 --> 00:13:34,120
- UH, OKAY.
- OKAY.
349
00:13:34,120 --> 00:13:35,750
SO THAT WHOLE THING
YOU SAID ABOUT THE VALKYRIES
350
00:13:35,750 --> 00:13:37,120
TAKING THE WARRIORS UP
TO HEAVEN--
351
00:13:37,120 --> 00:13:39,090
THOSE AMAZING LIGHTS--
WELL, THAT'S EXACTLY
352
00:13:39,090 --> 00:13:41,510
WHAT WERE GONNA DO
WITH THIS.
353
00:13:41,510 --> 00:13:43,510
MOM'S OLD SNOW PROJECTOR?
354
00:13:43,510 --> 00:13:45,260
WE'RE GONNA CUT OUT
SOME WAVE PATTERNS
355
00:13:45,260 --> 00:13:47,090
TO PUT OVER THE LENSES,
AND THEN WE'RE GONNA DRIZZLE
356
00:13:47,090 --> 00:13:49,850
STAINED GLASS PAINT
ONTO THE PLEXIGLAS.
357
00:13:49,850 --> 00:13:52,810
( gasps )
OH, OR MAYBE COLORED CELLOPHANE.
358
00:13:52,810 --> 00:13:54,810
I DON'T KNOW YET.
ANYWAY, WE'RE GONNA
TURN ON THE LIGHTS,
359
00:13:54,810 --> 00:13:56,810
AND THEN THE SHAPES ARE
GONNA CREATE THIS, LIKE,
360
00:13:56,810 --> 00:13:58,850
MOVING, DANCING LIGHT PATTERN.
361
00:13:58,850 --> 00:14:00,440
THE NORTHERN LIGHTS.
362
00:14:00,440 --> 00:14:01,690
BRINGING THE MAGIC BACK HOME.
363
00:14:01,690 --> 00:14:02,860
I'M IN!
364
00:14:02,860 --> 00:14:04,570
GREAT. OKAY.
YOU CUT YOU SOME SHAPES,
365
00:14:04,570 --> 00:14:06,440
I WILL SKETCH THEM.
366
00:14:06,440 --> 00:14:08,950
HEY, YOU GUYS.
367
00:14:08,950 --> 00:14:10,990
DAD'S BRINGING OUT
THE KARAOKE MACHINE,
368
00:14:10,990 --> 00:14:13,040
SO...
369
00:14:15,950 --> 00:14:17,790
UH, WHAT'S GOING ON?
370
00:14:17,790 --> 00:14:20,050
UH...
371
00:14:20,050 --> 00:14:22,710
WE WERE JUST SEEING IF
THIS OLD THING STILL WORKED.
372
00:14:22,710 --> 00:14:24,710
MY SNOW PROJECTOR?
373
00:14:24,710 --> 00:14:27,380
YEAH, YOU KNOW, TO--
TO GO ALONG WITH MY...
374
00:14:27,380 --> 00:14:29,100
"WEIRD TECHNO MUSIC."
375
00:14:29,100 --> 00:14:31,930
( mimics techno music )
376
00:14:31,930 --> 00:14:33,180
IT'S NOT FOR HIM,
IT'S FOR ME.
377
00:14:35,970 --> 00:14:37,510
I'M DOING AN ART PIECE.
378
00:14:37,510 --> 00:14:40,020
AND IT KINDA MIGHT BE
BORDERLINE ILLEGAL,
379
00:14:40,020 --> 00:14:41,610
- BUT IT IS GONNA BE
TOTALLY BEAUTIFUL.
- ( sighs )
380
00:14:41,610 --> 00:14:43,190
AND NOTHING'S GONNA
GET DAMAGED,
381
00:14:43,190 --> 00:14:45,110
AND I PROMISE
WE WILL BE SAFE.
382
00:14:47,940 --> 00:14:49,830
I'M GONNA HAVE TO
TELL YOUR DAD
383
00:14:49,830 --> 00:14:51,990
THAT...
384
00:14:53,240 --> 00:14:55,580
WE'RE ALL GOING
FOR ICE CREAM.
385
00:14:55,580 --> 00:14:58,080
"WE"?
386
00:14:58,080 --> 00:14:59,840
DO YOU KNOW HOW MANY
FUNDRAISERS
387
00:14:59,840 --> 00:15:02,000
I ORGANIZE
TO SUPPORT THE ARTS?
388
00:15:02,000 --> 00:15:04,540
THIS IS WAY MORE FUN.
389
00:15:04,540 --> 00:15:06,630
I'LL DRIVE.
SHH.
390
00:15:08,630 --> 00:15:10,600
GOTTA LOVE
THE NEW KATHRYN KENNISH.
391
00:15:13,930 --> 00:15:16,260
DAMN, SHE BEAT US.
392
00:15:16,260 --> 00:15:18,350
- ( patrons chattering )
- ( soft piano music playing )
393
00:15:18,350 --> 00:15:20,320
HOW DO I LOOK?
394
00:15:20,320 --> 00:15:21,610
READY FOR BATTLE.
395
00:15:21,610 --> 00:15:23,320
OH, WAIT, HOLD ON.
396
00:15:26,190 --> 00:15:27,440
THANKS.
397
00:15:31,780 --> 00:15:34,280
TAMMY, GREAT TO SEE YOU.
398
00:15:34,280 --> 00:15:35,780
FINALLY FIGURED OUT
I HAD TO GET HERE
399
00:15:35,780 --> 00:15:37,370
20 MINUTES EARLY
IF I WAS GONNA BEAT YOU.
400
00:15:37,370 --> 00:15:38,700
HA, YOU'RE ON TO ME.
401
00:15:38,700 --> 00:15:40,790
REGINA VASQUEZ,
TAMMY BRENAWICZ,
402
00:15:40,790 --> 00:15:42,130
FOURTH DISTRICT
CITY COUNCIL.
403
00:15:42,130 --> 00:15:44,080
IT'S AN HONOR TO MEET YOU,
COUNCILWOMAN.
404
00:15:44,080 --> 00:15:46,080
OH, TAMMY, PLEASE.
405
00:15:46,080 --> 00:15:47,710
I HOPE YOU DON'T MIND,
BUT I INVITED
406
00:15:47,710 --> 00:15:49,590
A NEW MEMBER OF
THE CHAMBER OF COMMERCE,
407
00:15:49,590 --> 00:15:53,090
AND HE'S GOT A GREAT DEAL
OF INTEREST IN YOUR PROJECT.
408
00:15:54,220 --> 00:15:56,970
CHIP COTO.
GREAT TO MEET YOU.
409
00:15:59,440 --> 00:16:00,860
AND YOU.
410
00:16:00,860 --> 00:16:03,100
I WISH YOU'D WARN ME
ABOUT YOUR PARTNER, WES.
411
00:16:03,100 --> 00:16:04,270
SHE'S A STUNNER.
412
00:16:06,020 --> 00:16:07,520
SHE'S MY SECRET WEAPON.
413
00:16:07,520 --> 00:16:08,730
HA...
414
00:16:08,730 --> 00:16:10,200
SIT, PLEASE.
415
00:16:10,200 --> 00:16:12,700
OH.
416
00:16:12,700 --> 00:16:14,450
THANK YOU.
417
00:16:23,080 --> 00:16:24,540
SO,
BY THE END OF SUMMER,
418
00:16:24,540 --> 00:16:25,830
THURSDAYS HAD BECOME
LIKE A SUPPORT GROUP
419
00:16:25,830 --> 00:16:27,420
FOR ALL THE MOMS
THAT WERE TRYING
TO MOVE UP.
420
00:16:27,420 --> 00:16:29,430
I WOULD DO HAIR
FOR JOB INTERVIEWS,
421
00:16:29,430 --> 00:16:30,590
ANJELICA WOULD DO
RESUMES.
422
00:16:30,590 --> 00:16:32,760
I ALWAYS SAY YOU CAN'T
KEEP A LATINA DOWN.
423
00:16:32,760 --> 00:16:35,800
YOU SEE, THAT IS WHAT
I LOVE ABOUT EAST RIVERSIDE.
424
00:16:35,800 --> 00:16:37,550
THAT FIGHTING SPIRIT,
EVERYBODY COMING TOGETHER.
425
00:16:37,550 --> 00:16:40,140
AND THAT'S WHAT WE WANNA
PRESERVE AS WE MOVE FORWARD.
426
00:16:40,140 --> 00:16:42,400
WORKING WITH LOCAL GOVERNMENT
TO PROTECT LOW-INCOME HOUSING.
427
00:16:42,400 --> 00:16:44,810
WE LOVE COOPERATION.
THAT'S WHY I CAME TO TAMMY,
428
00:16:44,810 --> 00:16:46,730
TO FORGE ALLIANCES
WITH BUSINESSES THAT
429
00:16:46,730 --> 00:16:48,560
LOVE PROGRESS
AS MUCH AS WE DO.
430
00:16:48,560 --> 00:16:51,150
YOU'VE BEEN WORKING
WITH CUTLER CONSTRUCTION
IN DENVER, IS THAT RIGHT?
431
00:16:51,150 --> 00:16:53,570
- PAST FEW PROJECTS, YEAH.
- THINK ABOUT THIS.
432
00:16:53,570 --> 00:16:56,780
65% OF ALL COMMERCIAL
DEVELOPMENT IN K.C.
433
00:16:56,780 --> 00:16:58,200
THIS YEAR ALONE.
434
00:16:58,200 --> 00:17:00,500
THAT'S WHAT FRONTIER
CONSTRUCTION'S DONE WITH US.
435
00:17:00,500 --> 00:17:02,160
YOU KNOW WHAT YOU GET
WITH THAT KIND OF VOLUME?
436
00:17:02,160 --> 00:17:03,160
EASE.
437
00:17:03,160 --> 00:17:05,160
THEY KNOW US,
WE KNOW THEM.
438
00:17:05,160 --> 00:17:07,500
GETS ALL THAT PAPERWORK
RIGHT TO THE TOP OF THE PILE.
439
00:17:07,500 --> 00:17:08,920
DOORS OPEN ON COMMAND.
440
00:17:11,340 --> 00:17:12,720
ACTUALLY, I'M SORRY.
441
00:17:12,720 --> 00:17:16,760
I THINK I LEFT
MY PHONE IN YOUR CAR.
442
00:17:16,760 --> 00:17:18,470
SORRY, I NEED TO KEEP
IN TOUCH WITH MY FAMILY.
443
00:17:18,470 --> 00:17:20,810
OF COURSE.
444
00:17:20,810 --> 00:17:22,440
- THERE YOU GO.
- ( exhales )
445
00:17:22,440 --> 00:17:24,140
ACTUALLY,
CAN YOU COME WITH?
446
00:17:24,140 --> 00:17:25,480
I DON'T WANNA SET OFF
THAT ALARM AGAIN.
447
00:17:27,640 --> 00:17:29,650
SURE.
EXCUSE US.
448
00:17:29,650 --> 00:17:31,530
( mouths )
449
00:17:31,530 --> 00:17:33,280
( clears throat )
450
00:17:37,320 --> 00:17:39,700
HEY, WHAT IS GOING ON?
451
00:17:39,700 --> 00:17:41,080
I'M SORRY TO PULL
THE RIPCORD,
452
00:17:41,080 --> 00:17:43,040
BUT THAT CHAMBER
OF COMMERCE GUY--
453
00:17:43,040 --> 00:17:45,080
MY DAUGHTER WORKED WITH HIM
AT THE SENATE OFFICE.
454
00:17:45,080 --> 00:17:47,660
SHE FOUND OUT HE WAS
SLEEPING WITH HIS INTERN.
455
00:17:49,420 --> 00:17:50,760
AND?
456
00:17:50,760 --> 00:17:52,090
AND...
457
00:17:52,090 --> 00:17:54,710
SHE KIND OF
GOT HIM FIRED.
458
00:17:54,710 --> 00:17:56,300
( exhales )
WAIT, WHAT?
459
00:17:56,300 --> 00:17:58,710
TECHNICALLY HE RESIGNED.
460
00:17:58,710 --> 00:18:00,430
AFTER SHE BLACKMAILED HIM.
461
00:18:00,430 --> 00:18:02,390
( sighs )
ARE YOU KIDDING ME?
462
00:18:02,390 --> 00:18:04,680
THE GUY IS A TOTAL SLEAZE.
463
00:18:04,680 --> 00:18:05,810
AND I DON'T KNOW WHAT
HE'S TRYING TO PULL WITH
464
00:18:05,810 --> 00:18:07,220
THIS WHOLE CONSTRUCTION
COMPANY THING.
465
00:18:07,220 --> 00:18:09,690
HE LOOKING FOR A KICKBACK
AND SO IS TAMMY.
466
00:18:09,690 --> 00:18:10,900
THAT'S WHAT I THOUGHT.
467
00:18:10,900 --> 00:18:12,150
WE GOTTA GET OUT OF THIS.
468
00:18:12,150 --> 00:18:14,280
NOT IF WE WANT
OUR PROJECT TO HAPPEN.
469
00:18:14,280 --> 00:18:15,650
BUT THAT'S ILLEGAL.
470
00:18:15,650 --> 00:18:18,320
IT'S HOW THINGS
GET DONE, REGINA.
471
00:18:19,450 --> 00:18:21,830
DO YOU THINK THAT
HE RECOGNIZED YOU?
472
00:18:21,830 --> 00:18:22,450
I DON'T THINK SO.
473
00:18:22,450 --> 00:18:25,080
OKAY. GOOD.
474
00:18:25,080 --> 00:18:26,910
WAIT, WHAT ARE YOU
GONNA DO?
475
00:18:26,910 --> 00:18:28,410
YOU GONNA GO BACK IN THERE
AND CLOSE THIS DEAL?
476
00:18:28,410 --> 00:18:30,010
DO YOU WANNA TAKE A STAND
477
00:18:30,010 --> 00:18:31,710
OR DO YOU WANNA
MAKE THINGS BETTER
FOR EAST RIVERSIDE?
478
00:18:31,710 --> 00:18:34,050
I WANT THINGS TO BE LEGAL.
479
00:18:34,050 --> 00:18:37,090
WELL, THAT'S A GRAY AREA.
480
00:18:37,090 --> 00:18:39,560
IF CERTAIN THINGS
AREN'T SAID OUT LOUD,
481
00:18:39,560 --> 00:18:40,850
TECHNICALLY WE'RE OKAY.
482
00:18:40,850 --> 00:18:43,930
IF THAT'S WHAT YOU NEED
TO TELL YOURSELF.
483
00:18:43,930 --> 00:18:45,930
( sighs )
484
00:18:57,730 --> 00:18:59,780
OOH, HOT HOT HOT HOT HOT.
485
00:18:59,780 --> 00:19:01,040
LOOKS GOOD.
486
00:19:01,040 --> 00:19:02,540
THIS ONE'S READY.
487
00:19:04,540 --> 00:19:06,540
SO, UH...
488
00:19:06,540 --> 00:19:08,950
NANA PUT PINE NUTS
ON TOP, LIKE FLOWERS.
489
00:19:08,950 --> 00:19:11,000
AWW.
490
00:19:11,000 --> 00:19:13,550
GET TO IT.
491
00:19:13,550 --> 00:19:14,590
OUI, CHEF.
492
00:19:14,590 --> 00:19:16,590
( chuckles )
493
00:19:18,460 --> 00:19:19,470
WHAT WAS SHE LIKE?
494
00:19:19,470 --> 00:19:21,010
NANA?
495
00:19:22,220 --> 00:19:24,260
LITTLE FRENCH WIDOW,
THIS HIGH,
496
00:19:24,260 --> 00:19:26,930
DRESSED IN BLACK,
BUT CRAZY.
497
00:19:26,930 --> 00:19:28,760
- ( laughs )
- SHE USED TO RIDE AROUND
498
00:19:28,760 --> 00:19:30,480
IN A SCOOTER,
AND YELL AT ALL THE NUNS
499
00:19:30,480 --> 00:19:31,810
IF THEY WERE IN HER WAY.
500
00:19:31,810 --> 00:19:34,020
"ALLEZ, ALLEZ LES VIELLES,
DEGAGEZ, DEGAGEZ!"
501
00:19:34,020 --> 00:19:37,270
( both laugh )
502
00:19:37,270 --> 00:19:39,410
I'D LOVE TO SEE IT SOMEDAY.
503
00:19:39,410 --> 00:19:41,030
I'VE NEVER BEEN OUT
OF THE COUNTRY.
504
00:19:41,030 --> 00:19:42,660
NO?
505
00:19:43,490 --> 00:19:45,490
WE GO.
NEXT SUMMER.
506
00:19:45,490 --> 00:19:46,700
ALL OF US.
507
00:19:46,700 --> 00:19:48,660
YEAH?
508
00:20:15,650 --> 00:20:17,520
WHAT IS IT?
509
00:20:17,520 --> 00:20:20,660
IT'S MY GRANDMOTHER'S CAKE.
510
00:20:20,660 --> 00:20:21,660
REALLY?
511
00:20:21,660 --> 00:20:24,570
OH, MY GOD, YOU--
YOU DID IT.
512
00:20:24,570 --> 00:20:26,030
IT'S LIKE A TIME MACHINE.
513
00:20:26,030 --> 00:20:27,530
YES!
514
00:20:27,530 --> 00:20:29,030
WHICH ONE IS THAT?
515
00:20:29,030 --> 00:20:31,580
OH.
516
00:20:33,040 --> 00:20:35,500
UM...
517
00:20:35,500 --> 00:20:37,460
WAIT, MAYBE...
518
00:20:37,460 --> 00:20:39,000
MAYBE THIS ONE.
I'M NOT SURE.
519
00:20:39,000 --> 00:20:41,010
( laughs )
520
00:20:41,010 --> 00:20:43,470
ANGELO, YOU WERE SUPPOSED
TO BE TAKING NOTES!
521
00:20:43,470 --> 00:20:45,470
WELL, THIS IS NOT MY TALENT.
522
00:20:45,470 --> 00:20:46,590
YOU ARE THE SCIENCE ONE.
523
00:20:46,590 --> 00:20:49,650
- YOU AGREED--
- LOOK...
524
00:20:49,650 --> 00:20:51,770
THE POINT OF ALL THIS--
525
00:20:51,770 --> 00:20:54,650
WHEN YOU ARE NOT
THINKING ABOUT IT,
526
00:20:54,650 --> 00:20:56,980
YOU TOTALLY GOT IT.
RIGHT?
527
00:20:58,730 --> 00:21:01,490
STOP TRYING TO MAKE THIS
ABOUT THE S.A.T.
528
00:21:01,490 --> 00:21:03,400
AND GIVE ME SOME
OF THAT CAKE.
529
00:21:05,490 --> 00:21:06,700
YOU'RE GONNA DO GREAT
ON THIS TEST.
530
00:21:08,530 --> 00:21:11,290
JUST LET GO
AND SWING.
531
00:21:12,410 --> 00:21:14,410
- MM.
- ( cell phone ringing )
532
00:21:18,210 --> 00:21:19,250
I HAVE TO TAKE THIS.
533
00:21:22,590 --> 00:21:25,590
HEY, CHRISTY...
534
00:21:25,590 --> 00:21:26,840
( door closes )
535
00:21:44,820 --> 00:21:46,820
( inaudible )
536
00:21:53,580 --> 00:21:54,830
WAIT, DID YOU GET
THE GOBOS?
537
00:21:54,830 --> 00:21:57,330
YEAH,
THEY'RE IN THE TRUNK.
538
00:21:57,330 --> 00:21:59,460
OKAY, YOU GUYS GET STARTED.
I'LL SWEEP THE PERIMETER.
539
00:21:59,460 --> 00:22:00,800
- OKAY?
- CHECK.
540
00:22:00,800 --> 00:22:03,550
TEXT US IF YOU SEE
ANY FIVE-O.
541
00:22:03,550 --> 00:22:06,420
I THOUGHT WE WERE
DOING STREET SLANG.
542
00:22:06,420 --> 00:22:07,510
CAN YOU SCOPE OUT
A POWER SOURCE?
543
00:22:07,510 --> 00:22:09,600
I GOT LIKE 100 FEET
OF CORD IN HERE.
544
00:22:09,600 --> 00:22:11,560
OKAY.
LOOK FOR THE FIVE-O,
545
00:22:11,560 --> 00:22:12,810
SCOPE OUT THE JUICE.
546
00:22:12,810 --> 00:22:14,390
I CAN'T WAIT TO TELL
RENZO ABOUT THIS.
547
00:22:14,390 --> 00:22:16,470
WHY ARE WE SO WORRIED
ABOUT COPS?
548
00:22:16,470 --> 00:22:17,930
IT'S NOT LIKE WE'RE
DOING ANYTHING WRONG.
549
00:22:17,930 --> 00:22:20,740
UH, UNLESS YOU COUNT
TRESPASSING.
550
00:22:20,740 --> 00:22:22,320
YOU COULD PICK A PLACE A LITTLE
BIT MORE UNDER THE RADAR?
551
00:22:22,320 --> 00:22:23,980
THAT'S THE POINT.
IT'S AN ART CENTER.
552
00:22:23,980 --> 00:22:25,480
SHOWING THE ESTABLISHED
POWERS-THAT-BE
553
00:22:25,480 --> 00:22:27,240
THAT I WILL NOT BE
DEFEATED OR EXCLUDED.
554
00:22:27,240 --> 00:22:29,410
- I AM A VALKYRIE!
- GREAT, SO, IF WE
555
00:22:29,410 --> 00:22:31,660
RUN INTO ANY SECURITY,
WE'LL JUST VANQUISH THEM.
556
00:22:31,660 --> 00:22:33,410
OR CALL DAD.
557
00:22:35,660 --> 00:22:39,590
THERE YOU ARE,
MY BEAUTIFUL BLANK CANVAS.
558
00:22:39,590 --> 00:22:42,500
YOU KNOW, IT REALLY IS
A BUMMER ABOUT YOU AND TANK.
559
00:22:42,500 --> 00:22:44,800
I RECOMMEND
INTERNATIONAL TRAVEL.
560
00:22:44,800 --> 00:22:47,260
I, UH,
ACTUALLY ALREADY...
561
00:22:47,260 --> 00:22:49,000
GOT BACK TOGETHER
WITH EMMETT.
562
00:22:49,000 --> 00:22:52,180
THE WHOLE THING WAS
KIND OF A MESS.
563
00:22:52,180 --> 00:22:54,640
UH, GO AHEAD AND JUDGE.
564
00:22:54,640 --> 00:22:57,890
NO, AS LONG AS
THERE'S NOT A LIFETIME
COMMITMENT INVOLVED,
565
00:22:57,890 --> 00:22:59,690
I THINK YOU'RE
DOING ALL RIGHT.
566
00:22:59,690 --> 00:23:01,940
AH, I APPRECIATE THAT.
HOLD THIS.
567
00:23:01,940 --> 00:23:03,480
HEY, GUYS, I FOUND IT!
568
00:23:03,480 --> 00:23:05,940
( sighing )
WAY TO BE LOW-KEY, MOM.
569
00:23:05,940 --> 00:23:07,690
THERE'S AN ELECTRIC VEHICLE
CHARGING STATION
570
00:23:07,690 --> 00:23:08,980
RIGHT AROUND THE CORNER.
571
00:23:08,980 --> 00:23:10,950
SWEET.
572
00:23:10,950 --> 00:23:12,490
SHH.
573
00:23:15,410 --> 00:23:16,660
Kathryn:
YOU READY?
574
00:23:16,660 --> 00:23:18,660
BAY'S FIRST SHOWCASE
AT THE KAUFFMAN.
575
00:23:18,660 --> 00:23:20,670
ALL RIGHT, SHALL WE
COUNT IT OFF?
576
00:23:20,670 --> 00:23:21,750
ON THREE.
577
00:23:21,750 --> 00:23:24,250
All:
ONE, TWO, THREE.
578
00:23:24,250 --> 00:23:27,340
LET THERE BE LIGHT!
579
00:23:27,340 --> 00:23:28,710
( gasps )
580
00:23:32,310 --> 00:23:35,260
- Kathryn: AH.
- Toby: UH-OH.
581
00:23:35,260 --> 00:23:37,720
WELL, THIS HAS
BEEN GREAT.
582
00:23:37,720 --> 00:23:39,220
WE'LL GET THOSE
CONTRACTS OVER,
583
00:23:39,220 --> 00:23:41,400
AND YOU AND FRONTIER
CAN GET STARTED.
584
00:23:43,400 --> 00:23:45,020
YOU KNOW, I THINK
I'M GONNA STICK
WITH MY COMPANY.
585
00:23:45,020 --> 00:23:46,060
THEY'VE BEEN GOOD
TO ME.
586
00:23:46,060 --> 00:23:48,320
WE'D LOVE TO MEET
WITH THEM.
587
00:23:48,320 --> 00:23:49,400
SEE WHAT WE CAN
WORK OUT.
588
00:23:50,450 --> 00:23:51,700
THAT WON'T BE NECESSARY.
589
00:23:53,450 --> 00:23:54,780
WE'RE SORRY TO HEAR THAT.
590
00:23:54,780 --> 00:23:57,570
YOU KNOW, I UNDERSTAND
THERE'S BEEN SOME
591
00:23:57,570 --> 00:23:59,580
COMMUNITY TENSION
ABOUT THIS PROJECT--
592
00:23:59,580 --> 00:24:01,500
ACTS OF VANDALISM,
THREATS OF VIOLENCE?
593
00:24:01,500 --> 00:24:04,750
A FEW MINOR INCIDENTS,
NOTHING WE CAN'T HANDLE.
594
00:24:04,750 --> 00:24:06,580
VOLATILE SITUATION
LIKE THAT,
595
00:24:06,580 --> 00:24:07,840
YOU NEVER KNOW
WHAT CAN HAPPEN.
596
00:24:07,840 --> 00:24:10,850
I'D HATE TO SEE YOU GUYS
GET HUNG UP IN DELAYS.
597
00:24:10,850 --> 00:24:14,180
WELL, THAT'S A RISK
WE'RE WILLING TO TAKE.
598
00:24:15,680 --> 00:24:18,180
THANKS VERY MUCH
FOR YOUR TIME, GUYS.
599
00:24:19,560 --> 00:24:20,810
Tammy:
I'LL KEEP IN TOUCH.
600
00:24:25,480 --> 00:24:27,270
KEEP HIM AWAY
FROM YOUR INTERNS.
601
00:24:38,530 --> 00:24:40,460
SO...
602
00:24:40,460 --> 00:24:42,710
MAYBE WE COULD TRY
THE COUNTRY CLUB.
603
00:24:42,710 --> 00:24:43,830
THERE'S THAT WALL
BY THE TENNIS COURTS.
604
00:24:43,830 --> 00:24:45,790
OH, DAD'S GOT A GENERATOR
AT THE CAR WASH.
605
00:24:45,790 --> 00:24:47,540
- I'LL GO GRAB IT.
- GUYS, IT'S NOT HAPPENING.
606
00:24:47,540 --> 00:24:49,550
THE PIECE FAILED;
IT'S OVER.
607
00:24:49,550 --> 00:24:51,470
YOU WERE SO EXCITED.
608
00:24:51,470 --> 00:24:53,470
HONEY, DON'T GIVE UP
BECAUSE OF ONE SETBACK.
609
00:24:53,470 --> 00:24:55,800
IT'S-- IT'S ALL PART
OF THE CREATIVE PROCESS.
610
00:24:55,800 --> 00:24:56,930
I'M SORRY, MOM,
611
00:24:56,930 --> 00:24:58,300
BUT WHEN DID YOU
BECOME SUCH AN EXPERT
612
00:24:58,300 --> 00:24:59,730
ON THE CREATIVE PROCESS?
613
00:24:59,730 --> 00:25:03,560
WELL, MAYBE WRITING ISN'T
THE SAME AS VISUAL ARTS--
614
00:25:03,560 --> 00:25:05,770
MOM, YOU'RE NOT A WRITER,
NOT A REAL ONE.
615
00:25:05,770 --> 00:25:07,060
BAY.
616
00:25:08,980 --> 00:25:10,740
I SEE.
617
00:25:10,740 --> 00:25:12,530
GOOD LUCK WITH
YOUR PROJECT.
618
00:25:12,530 --> 00:25:14,740
MOM, I--
619
00:25:14,740 --> 00:25:16,320
NICE.
620
00:25:25,500 --> 00:25:27,000
MOM, WAIT.
621
00:25:27,000 --> 00:25:28,460
I DON'T CARE IF
YOU'RE UPSET
622
00:25:28,460 --> 00:25:30,220
ABOUT YOUR ART PIECE,
YOU HAVE NO RIGHT
623
00:25:30,220 --> 00:25:32,220
- TO TALK TO ME LIKE THAT.
- I KNOW, I KNOW.
624
00:25:32,220 --> 00:25:34,380
AND YOU KNOW WHAT?
EXCUSE ME.
625
00:25:34,380 --> 00:25:36,470
I AM A WRITER.
626
00:25:36,470 --> 00:25:39,220
I HAVE ONE BOOK PUBLISHED
AND ANOTHER ONE--
627
00:25:39,220 --> 00:25:41,440
WHAT AM I EVEN DEFENDING
MYSELF TO YOU?!
628
00:25:41,440 --> 00:25:42,350
I'M SORRY.
629
00:25:43,890 --> 00:25:45,140
THIS ISN'T ABOUT
THE ART PIECE.
630
00:25:45,140 --> 00:25:47,180
WHAT IS IT THEN?
631
00:25:49,950 --> 00:25:52,690
UH, GUYS,
I THINK WE HAVE A LITTLE
BIT OF A SITUATION HERE.
632
00:25:54,610 --> 00:25:56,280
( siren blares )
633
00:26:03,000 --> 00:26:05,200
( car door opens )
634
00:26:08,120 --> 00:26:10,130
ALL WE SAID IS THAT
WE DIDN'T WANNA USE
635
00:26:10,130 --> 00:26:12,050
THEIR CONSTRUCTION COMPANY.
636
00:26:12,050 --> 00:26:14,010
HOW SCREWED ARE WE?
637
00:26:14,010 --> 00:26:16,010
WE MADE IT PRETTY CLEAR
HE DOESN'T WANNA BE OUR FRIEND.
638
00:26:16,010 --> 00:26:17,920
YOU THINK IT'S BECAUSE
HE RECOGNIZED ME?
639
00:26:17,920 --> 00:26:18,920
IT WOULDN'T HAVE MATTERED
IF WE WERE WILLING TO
640
00:26:18,920 --> 00:26:19,930
CUT HIM A DEAL.
641
00:26:19,930 --> 00:26:21,310
- ( sighs )
- LIKE I SAID,
642
00:26:21,310 --> 00:26:23,060
IT'S HOW THINGS GET DONE.
643
00:26:23,060 --> 00:26:25,220
WHY NOT THIS TIME?
644
00:26:27,220 --> 00:26:30,230
I DIDN'T WANNA LOSE
YOUR RESPECT.
645
00:26:30,230 --> 00:26:31,780
REALLY?
646
00:26:31,780 --> 00:26:34,690
PLUS, I DON'T NEED
YOUR TEENAGE DAUGHTER
647
00:26:34,690 --> 00:26:36,940
- TRYING TO BLACKMAIL ME.
- ( laughs )
648
00:26:36,940 --> 00:26:38,940
WELL, THANK YOU
649
00:26:38,940 --> 00:26:41,450
FOR THE CRASH COURSE
IN POLITICAL CORRUPTION.
650
00:26:41,450 --> 00:26:43,450
MY PLEASURE.
651
00:26:43,450 --> 00:26:46,200
LOOKS LIKE WE'LL BE
TAKING THE HARD ROAD.
652
00:26:46,200 --> 00:26:48,740
OH, I'VE BEEN DOWN IT
MANY TIMES, MY FRIEND.
653
00:26:48,740 --> 00:26:50,510
DRIVE SAFE.
654
00:26:50,510 --> 00:26:51,510
YOU TOO.
655
00:26:59,130 --> 00:27:00,890
( engine turns over )
656
00:27:11,230 --> 00:27:12,480
DAMN IT.
657
00:27:18,530 --> 00:27:20,370
( deeply sighs )
658
00:27:49,470 --> 00:27:52,230
YEAH, LOOKS LIKE IT'S
FAMILY TRESPASSING NIGHT.
659
00:27:52,230 --> 00:27:53,270
Security Guard #2:
( through radio ) 10-4.
660
00:28:01,120 --> 00:28:04,370
UH, EXCUSE ME.
I'M AFRAID THERE'S BEEN
SOME MISUNDERSTANDING.
661
00:28:04,370 --> 00:28:06,530
MY NAME IS, UH,
KATHRYN DIXON...
662
00:28:06,530 --> 00:28:08,280
AND I REPRESENT
THESE ARTISTS.
663
00:28:08,280 --> 00:28:10,290
THE HALLFRIDUR TWINS.
664
00:28:10,290 --> 00:28:13,040
THEY ARE THE ARTISTS
IN RESIDENCE
665
00:28:13,040 --> 00:28:14,750
AT THE DEAF ART INSTITUTE
666
00:28:14,750 --> 00:28:16,130
IN REYKJAVIK.
667
00:28:18,420 --> 00:28:19,630
Security Guard:
WELL, I, UH--
668
00:28:19,630 --> 00:28:20,930
( loudly )
I DON'T HAVE ANYTHING
669
00:28:20,930 --> 00:28:22,260
DOWN ABOUT THIS.
670
00:28:22,260 --> 00:28:24,260
THE LIGHT INSTALLATION?!
671
00:28:24,260 --> 00:28:26,180
WE SET IT UP MONTHS AGO.
672
00:28:26,180 --> 00:28:27,430
( shuffling papers )
673
00:28:27,430 --> 00:28:29,180
WELL, I'M AFRAID I'M JUST
GONNA HAVE TO CALL
674
00:28:29,180 --> 00:28:31,190
GARY KLEINHOFFER
FROM THE BOARD.
675
00:28:31,190 --> 00:28:32,690
I'M SURE WE CAN
SETTLE THIS
676
00:28:32,690 --> 00:28:34,400
WITHOUT CALLING
MR. KLEINHOFFER.
677
00:28:34,400 --> 00:28:36,150
WAIT, I THINK HE'S AT
SOME KIND OF BENEFIT.
678
00:28:36,150 --> 00:28:38,980
GARY, HELLO, HI.
KATHRYN DIXON.
679
00:28:38,980 --> 00:28:40,990
UM, WAIT, CAN YOU HEAR ME?
680
00:28:40,990 --> 00:28:42,490
TERRIBLE RECEPTION HERE.
681
00:28:42,490 --> 00:28:43,530
LOOK, THERE'S NO NEED.
682
00:28:43,530 --> 00:28:45,410
I MEAN,
IF MR. KLEINHOFFER--
683
00:28:45,410 --> 00:28:46,780
WE COULD SETTLE THIS
RIGHT NOW.
684
00:28:46,780 --> 00:28:48,240
IT'S FINE.
685
00:28:48,240 --> 00:28:50,750
OH. GARY, I'M SO SORRY
TO BOTHER YOU.
686
00:28:50,750 --> 00:28:53,750
FALSE ALARM. BYE.
687
00:28:53,750 --> 00:28:55,250
CAN'T HEAR ME ANYWAY.
( chuckles )
688
00:28:55,250 --> 00:28:56,540
I SHOULD BE USED
TO THIS BY NOW.
689
00:28:56,540 --> 00:28:58,290
THERE'S ALWAYS SOME
CRAZY THING
690
00:28:58,290 --> 00:28:59,250
HAPPENING AROUND HERE.
691
00:28:59,250 --> 00:29:01,470
CALL OFF THE K.C.P.D.
692
00:29:01,470 --> 00:29:02,510
10-4.
Roger that.
693
00:29:02,510 --> 00:29:03,680
OH, CRAP.
694
00:29:03,680 --> 00:29:05,260
I RAN OUT OF
REPORT FORMS.
695
00:29:05,260 --> 00:29:07,010
HOLD ON.
696
00:29:11,230 --> 00:29:13,190
( quietly )
THE DEAF ART INSTITUTE
OF REYKJAVIK?!
697
00:29:13,190 --> 00:29:14,100
YOU WERE ON FIRE!
698
00:29:14,100 --> 00:29:15,230
( chuckles )
699
00:29:15,230 --> 00:29:17,480
IT'S LIKE I'M A REAL WRITER.
700
00:29:21,450 --> 00:29:22,700
BAY?
701
00:29:26,450 --> 00:29:28,950
I'M THE WORST DAUGHTER
IN THE WORLD.
702
00:29:28,950 --> 00:29:30,250
WHAT ARE YOU TALKING ABOUT?
703
00:29:30,250 --> 00:29:33,000
WELL, HERE YOU--
YOU CAME OUT HERE
704
00:29:33,000 --> 00:29:34,750
IN THE MIDDLE OF
THE NIGHT
705
00:29:34,750 --> 00:29:37,750
AND YOU TOTALLY SAVED ME.
YOU DID ALL OF THIS FOR ME,
706
00:29:37,750 --> 00:29:40,130
AND I...
707
00:29:40,130 --> 00:29:42,130
DIDN'T EVEN
GET INTO PRATT.
708
00:29:42,130 --> 00:29:44,130
OH, WHAT?
709
00:29:45,880 --> 00:29:47,380
THEY REJECTED ME.
710
00:29:47,380 --> 00:29:50,390
OH, I'M SO SORRY,
HONEY.
711
00:29:50,390 --> 00:29:52,140
( sniffles )
712
00:29:52,140 --> 00:29:55,640
I REALLY WANTED THEM
AND THEY DIDN'T WANT ME.
713
00:29:57,980 --> 00:29:59,230
BABY...
714
00:30:13,210 --> 00:30:14,950
HEY.
715
00:30:14,950 --> 00:30:16,290
I THINK WE'RE ALL SET.
716
00:30:16,290 --> 00:30:19,880
THANKS.
UH, I GET THIS.
717
00:30:19,880 --> 00:30:21,920
CAN I ASK YOU SOMETHING?
718
00:30:21,920 --> 00:30:23,800
SURE.
719
00:30:25,670 --> 00:30:27,880
WHAT DOES THIS MEAN?
720
00:30:33,890 --> 00:30:36,850
UM, THIS MEANS...
721
00:30:36,850 --> 00:30:40,400
THAT EVERYTHING
WILL BE SOLD NEXT WEEK.
722
00:30:40,400 --> 00:30:42,400
WHY?
723
00:30:42,400 --> 00:30:43,900
WHAT HAPPENED?
724
00:30:43,900 --> 00:30:45,030
MY PARTNER.
725
00:30:45,030 --> 00:30:47,110
- CHRISTY?
- YEAH.
726
00:30:47,110 --> 00:30:49,860
SHE HAS THIS OTHER PLACE
ACROSS TOWN.
727
00:30:49,860 --> 00:30:53,370
I THOUGHT SHE COULD
HANDLE IT ALL, BUT, UH,
728
00:30:53,370 --> 00:30:55,750
I GUESS SHE GOT IN
OVER HER HEAD.
729
00:30:55,750 --> 00:30:58,990
ISN'T THERE SOMETHING
YOU CAN DO?
730
00:30:58,990 --> 00:31:01,000
WE FORECLOSED.
731
00:31:01,000 --> 00:31:03,000
THE BANK GETS EVERYTHING.
732
00:31:03,000 --> 00:31:05,670
IT'S-- IT'S DONE.
733
00:31:08,210 --> 00:31:11,720
I THOUGHT
I WAS DONE, YOU KNOW?
734
00:31:11,720 --> 00:31:14,470
WANDERING AROUND...
735
00:31:14,470 --> 00:31:16,720
FIRST I'M A MUSICIAN,
736
00:31:16,720 --> 00:31:18,680
NOW I'M A CARPENTER,
737
00:31:18,680 --> 00:31:20,860
TRYING TO BE A FATHER.
738
00:31:22,860 --> 00:31:26,650
FAILING AT BEING
A FATHER.
739
00:31:26,650 --> 00:31:30,620
THIS WAS SUPPOSED TO BE
WHEN EVERYTHING CAME TOGETHER.
740
00:31:33,910 --> 00:31:35,700
BUT IT FELL APART.
741
00:31:35,700 --> 00:31:38,950
AT LEAST IT BROUGHT US
TOGETHER.
742
00:31:41,670 --> 00:31:42,920
YEAH.
743
00:31:50,970 --> 00:31:52,390
( gasps )
744
00:31:52,390 --> 00:31:55,640
AH, I REMEMBER
WHERE I LEFT MY BOOK!
745
00:31:55,640 --> 00:31:57,220
I HAD IT WITH ME
WHEN I WENT TO K&D.
746
00:31:57,220 --> 00:31:58,470
WE ARE BACK TO THE BOOK?
747
00:31:58,470 --> 00:32:00,190
I KNOW, I KNOW.
I NEED TO LET IT GO.
748
00:32:00,190 --> 00:32:02,730
- BUT--
- LISTEN, WE CAN
JUST CALL REGINA.
749
00:32:02,730 --> 00:32:05,610
NO, DON'T BOTHER HER.
SHE'S AT THAT DINNER.
750
00:32:05,610 --> 00:32:07,940
BUT I HAVE A KEY.
751
00:32:09,990 --> 00:32:11,620
DO YOU MIND?
752
00:32:11,620 --> 00:32:13,030
( sighs )
753
00:32:13,030 --> 00:32:14,030
OF COURSE NOT.
754
00:32:16,740 --> 00:32:17,740
HANG ON.
755
00:32:29,040 --> 00:32:31,300
( grunts, exhales )
756
00:33:02,710 --> 00:33:05,040
WELL, THAT'S THE LAST
OF IT.
757
00:33:05,040 --> 00:33:07,170
I'M SORRY I RUINED
EVERYONE'S ARTISTIC BUZZ
758
00:33:07,170 --> 00:33:10,050
WITH MY MIDAS TOUCH
OF FAILURE.
759
00:33:10,050 --> 00:33:12,720
HEY, YOU DON'T HAVE
SOLE RIGHTS TO FAILURE
IN THIS FAMILY.
760
00:33:12,720 --> 00:33:14,970
I HAVE 18 REJECTED
BOOK PROPOSALS
761
00:33:14,970 --> 00:33:16,260
THAT I COULD SHOW YOU.
762
00:33:16,260 --> 00:33:17,470
I'VE GOT
A FAILED MARRIAGE,
763
00:33:17,470 --> 00:33:19,050
AND I CAN'T EVEN
LEGALLY DRINK YET.
764
00:33:19,050 --> 00:33:21,560
AND YOU WERE WAITLISTED
AT WASH U.
765
00:33:21,560 --> 00:33:22,730
THERE'S THAT.
766
00:33:22,730 --> 00:33:23,640
PLUS, THERE WAS
THAT GAMBLING THING.
767
00:33:23,640 --> 00:33:24,640
THAT WAS BAD.
768
00:33:24,640 --> 00:33:25,640
THANKS, MOM.
769
00:33:25,640 --> 00:33:28,900
I FEEL SO MUCH BETTER.
770
00:33:28,900 --> 00:33:29,900
WE SHOULD GO.
771
00:33:29,900 --> 00:33:31,860
NO, LET'S JUST KINDA
WAIT A SECOND.
772
00:33:31,860 --> 00:33:34,030
( car approaching )
773
00:33:40,160 --> 00:33:42,040
I HEARD SOMEONE
NEEDED SOME POWER
774
00:33:42,040 --> 00:33:43,420
TO LIGHT UP HER DREAMS.
775
00:33:44,460 --> 00:33:46,370
GENERATOR IS IN THE TRUNK.
776
00:33:46,370 --> 00:33:47,420
NICE GOING.
777
00:33:47,420 --> 00:33:49,040
- THANK YOU.
- HEY, HONEY.
778
00:33:49,040 --> 00:33:51,800
- HEY.
- TELL BAY ABOUT A MOMENT
779
00:33:51,800 --> 00:33:55,800
WHEN YOUR DREAMS WERE CRUSHED,
BUT YOU SURVIVED ANYWAY.
780
00:33:58,550 --> 00:34:00,180
OH, YES.
781
00:34:00,180 --> 00:34:02,680
WHEN I BECAME
A STATE SENATOR,
782
00:34:02,680 --> 00:34:04,890
I THOUGHT THAT I WOULD
BE USEFUL.
783
00:34:04,890 --> 00:34:07,180
INSTEAD OF
A BARELY-TOLERATED PUPPET
784
00:34:07,180 --> 00:34:08,350
FOR CORPORATE INTERESTS.
785
00:34:09,480 --> 00:34:10,990
THAT WAS A GOOD ONE.
786
00:34:10,990 --> 00:34:11,990
HAPPY TO HELP.
787
00:34:13,240 --> 00:34:14,990
SO ARE WE DOING THIS,
OR WHAT?
788
00:34:15,740 --> 00:34:17,740
COME ON, HONEY.
GIVE IT ANOTHER SHOT.
789
00:34:21,290 --> 00:34:22,790
SURE.
790
00:34:22,790 --> 00:34:24,790
IF SECURITY COMES BACK,
LET MOM TAKE THE LEAD.
791
00:34:34,970 --> 00:34:36,670
( laughing )
792
00:34:36,670 --> 00:34:37,710
IT LOOKS LIKE
SHE'S WORKING LATE.
793
00:34:39,470 --> 00:34:40,480
( sighs )
794
00:34:41,480 --> 00:34:42,980
ALONE?
795
00:34:42,980 --> 00:34:44,720
SHE PROMISED
NOT TO DO THAT.
796
00:34:44,720 --> 00:34:46,720
( cell phone ringing )
797
00:34:49,520 --> 00:34:51,030
- IT'S CHRISTY.
- GET IT.
798
00:34:51,030 --> 00:34:53,030
I'LL GO IN AND TELL MOM
TO COME HOME WITH US.
799
00:34:57,360 --> 00:34:59,360
CHRISTY.
800
00:34:59,360 --> 00:35:01,870
NO, I UNDERSTAND.
801
00:35:01,870 --> 00:35:04,450
BUT THIS IS NOT
WHAT WE DISCUSSED.
802
00:35:04,450 --> 00:35:07,040
( bell dings )
803
00:35:07,040 --> 00:35:07,790
MOM!
804
00:35:12,630 --> 00:35:14,050
( shuffling )
805
00:35:14,050 --> 00:35:15,050
HELLO?
806
00:35:15,050 --> 00:35:16,630
WHO'S THERE?!
807
00:35:19,250 --> 00:35:21,260
( loud thuds )
808
00:35:35,650 --> 00:35:36,690
( clicks )
809
00:35:39,030 --> 00:35:40,910
DON'T COME IN HERE!
I HAVE A GUN!
810
00:35:40,910 --> 00:35:42,950
( gun clicks )
811
00:35:44,620 --> 00:35:45,740
( both gasp )
812
00:35:49,540 --> 00:35:50,550
( panting )
OH, MY GOD.
813
00:35:50,550 --> 00:35:52,920
- MOM!
- SO SORRY.
814
00:35:52,920 --> 00:35:54,550
YOU HAVE A GUN?!
815
00:35:54,550 --> 00:35:55,880
I DIDN'T KNOW IT WAS YOU.
816
00:35:55,880 --> 00:35:57,380
- ARE YOU OKAY?
- I CALLED OUT!
817
00:35:57,380 --> 00:35:59,380
THE WATER MUST HAVE
BEEN ON, AND THEN I
CALLED OUT.
818
00:35:59,380 --> 00:36:00,680
I'M DEAF!
819
00:36:00,680 --> 00:36:02,430
SWEETIE, I KNOW!
820
00:36:03,510 --> 00:36:06,010
I WASN'T EXPECTING YOU.
NO ONE ANSWERED
821
00:36:06,010 --> 00:36:09,760
- AND I PANICKED.
- ( bell dings )
822
00:36:09,760 --> 00:36:11,190
WHAT'S GOING ON?
823
00:36:11,190 --> 00:36:12,400
WHAT ARE YOU DOING HERE?
824
00:36:12,400 --> 00:36:14,610
SHE CAME TO GET A BOOK.
825
00:36:14,610 --> 00:36:16,480
DID SOMETHING HAPPEN?
826
00:36:16,480 --> 00:36:17,730
I HEARD SOMEONE
827
00:36:17,730 --> 00:36:19,730
AND I DIDN'T KNOW
WHO IT WAS.
828
00:36:19,730 --> 00:36:21,490
SHE PULLED A GUN.
829
00:36:21,490 --> 00:36:22,740
YOU WHAT?
830
00:36:22,740 --> 00:36:25,120
I WAS TERRIFIED.
I HEARD SOMEONE.
831
00:36:25,120 --> 00:36:27,160
DAPHNE, ARE YOU OKAY?
832
00:36:27,160 --> 00:36:29,490
- YEAH.
- LOOK, I DIDN'T--
833
00:36:29,490 --> 00:36:31,380
NOTHING HAPPENED.
834
00:36:31,380 --> 00:36:32,920
WHERE DID YOU GET A GUN?
835
00:36:32,920 --> 00:36:34,500
IT WAS SOMETHING WES
THOUGHT I SHOULD HAVE.
836
00:36:34,500 --> 00:36:36,460
- WES?!
- TO BE SAFE.
837
00:36:36,460 --> 00:36:38,460
SO YOU NEARLY SHOT
OUR DAUGHTER?!
838
00:36:38,460 --> 00:36:39,790
YOU GUYS, STOP.
I'M FINE.
839
00:36:39,790 --> 00:36:41,430
I THOUGHT SHE WAS
AN INTRUDER.
840
00:36:41,430 --> 00:36:43,430
THERE WAS GRAFFITI!
I DID NOT HEAR HER
COME IN!
841
00:36:43,430 --> 00:36:44,640
THAT'S IT!
842
00:36:44,640 --> 00:36:47,510
THIS EAST RIVERSIDE PROJECT
HAS TO STOP!
843
00:36:47,510 --> 00:36:49,510
THIS HAS NOTHING TO DO
WITH WES OR THE PROJECT.
844
00:36:49,510 --> 00:36:51,020
I JUST OVERREACTED.
845
00:36:51,020 --> 00:36:53,480
YOU'RE COMPLETELY BLIND,
YOU KNOW THAT?
846
00:36:53,480 --> 00:36:55,730
ALL OF THIS "WE WANNA
SAVE EAST RIVERSIDE."
847
00:36:55,730 --> 00:36:57,610
JUST ADMIT IT!
IT'S FOR HIM!
848
00:36:57,610 --> 00:37:00,190
WHAT ARE YOU SAYING?
THAT I'M CHEATING?
849
00:37:00,190 --> 00:37:01,200
ARE YOU?
850
00:37:01,200 --> 00:37:03,450
ARE YOU KIDDING ME?!
851
00:37:03,450 --> 00:37:07,530
CAN I REMIND YOU THAT YOU
ARE THE ONE THAT LEFT US?
852
00:37:07,530 --> 00:37:09,780
AND THEN HAD A BABY
WITH ANOTHER WOMAN?!
853
00:37:11,790 --> 00:37:13,370
YOU COULDN'T RAISE THAT ONE
EITHER, COULD YOU?
854
00:37:13,370 --> 00:37:14,460
MOM!
855
00:37:14,460 --> 00:37:16,960
I'VE GIVEN YOU
EVERYTHING I'VE GOT!
856
00:37:27,470 --> 00:37:28,470
ANGELO, WAIT!
857
00:37:31,560 --> 00:37:33,690
WAIT!
858
00:37:33,690 --> 00:37:35,060
DON'T GO.
859
00:37:35,060 --> 00:37:37,480
I'M GOING TO MY APARTMENT.
I'LL SEE YOU TOMORROW.
860
00:37:37,480 --> 00:37:40,020
I'M SORRY
FOR EVERYTHING.
861
00:37:40,020 --> 00:37:42,950
IT'S NOT YOUR FAULT.
IF SHE WASN'T SO STUBBORN...
862
00:37:42,950 --> 00:37:44,860
LOOK,
863
00:37:44,860 --> 00:37:47,110
GOOD LUCK WITH THE TEST;
TEXT ME WHEN YOU'RE DONE.
864
00:37:47,110 --> 00:37:48,530
( engine turns over )
865
00:37:51,040 --> 00:37:53,210
( tires screeching )
866
00:38:07,010 --> 00:38:09,760
NO WONDER YOU SHORTED OUT
THE ENTIRE BUILDING.
867
00:38:09,760 --> 00:38:11,190
LOOK AT THAT THING.
868
00:38:11,190 --> 00:38:12,930
YEAH, I NOTICED.
UH...
869
00:38:12,930 --> 00:38:14,430
MM-HMM.
870
00:38:14,430 --> 00:38:16,190
SO ARE WE READY?
871
00:38:16,190 --> 00:38:19,640
- ( exhales )
- John, Kathryn, Toby:
ONE, TWO...
872
00:38:19,640 --> 00:38:20,530
THREE!
873
00:38:20,530 --> 00:38:22,780
LET THERE BE LIGHT!
PLEASE.
874
00:38:24,610 --> 00:38:26,360
( projector whirring )
875
00:38:26,360 --> 00:38:28,940
♪ OPEN UP THE SKYLIGHT,
BABY ♪
876
00:38:28,940 --> 00:38:32,210
♪ LET THE TRUTH COME
RUSHING IN ♪
877
00:38:33,620 --> 00:38:36,370
♪ DON'T YOU LET YOUR HEART
GO ANYWHERE ♪
878
00:38:36,370 --> 00:38:39,620
♪ JUST THINK WHAT
MIGHT HAVE BEEN ♪
879
00:38:40,920 --> 00:38:43,420
♪ NOW THAT ALL
THE WAITING'S OVER ♪
880
00:38:43,420 --> 00:38:46,510
♪ DON'T KNOW WHAT
I WOULDN'T GIVE ♪
881
00:38:47,800 --> 00:38:49,380
♪ TO HIDE AMONG
THE BYGONE SHADOWS... ♪
882
00:38:49,380 --> 00:38:51,640
THAT IS THE WORK
OF AN ARTIST
883
00:38:51,640 --> 00:38:54,810
WITH A VERY BRIGHT FUTURE...
884
00:38:54,810 --> 00:38:55,810
AHEAD OF HER.
885
00:38:55,810 --> 00:38:59,770
♪ OH-OH-OH-OH-OH ♪
886
00:38:59,770 --> 00:39:02,530
♪ OH-OH-OH-OH-OH ♪
887
00:39:02,530 --> 00:39:04,900
♪ OH-OH-OH ♪
888
00:39:04,900 --> 00:39:06,900
♪ THERE'S NEVER BEEN
A BETTER TIME... ♪
889
00:39:06,900 --> 00:39:08,650
YOU'RE A VALKYRIE.
890
00:39:08,650 --> 00:39:11,160
♪ TO BE ALIVE... ♪
891
00:39:11,160 --> 00:39:13,160
SCREW PRATT.
892
00:39:14,450 --> 00:39:15,450
THANKS, GUYS.
893
00:39:15,450 --> 00:39:17,700
LET'S GO TAKE SOME PICTURES.
894
00:39:17,700 --> 00:39:19,370
COME ON.
895
00:39:22,760 --> 00:39:25,500
SO, SEEMS LIKE THE TRIP
896
00:39:25,500 --> 00:39:27,210
PUT THE WHOLE NIKKI
THING BEHIND YOU, HUH?
897
00:39:30,210 --> 00:39:33,470
AH.
898
00:39:33,470 --> 00:39:35,470
WELL...
899
00:39:35,470 --> 00:39:38,720
BEST THING TO DO
IS JUST GET BACK
TO BUSINESS AS USUAL.
900
00:39:40,570 --> 00:39:42,820
REGULAR PLACE TO GO
EVERY MORNING.
901
00:39:44,230 --> 00:39:45,730
ABOUT THAT.
902
00:39:45,730 --> 00:39:48,730
UM, I WAS WONDERING IF
YOU WOULD...
903
00:39:48,730 --> 00:39:50,740
FIRE ME
FROM THE CAR WASH.
904
00:39:52,240 --> 00:39:54,490
( chuckles lightly )
C-COME AGAIN?
905
00:39:54,490 --> 00:39:57,490
I WAS HOPING TO
GET ON UNEMPLOYMENT
906
00:39:57,490 --> 00:40:00,240
SO I COULD TAKE A FEW WEEKS
AND LAUNCH MY NEXT THING.
907
00:40:01,710 --> 00:40:03,710
I THINK I WANNA BE A DJ.
908
00:40:03,710 --> 00:40:05,750
A DJ?
909
00:40:05,750 --> 00:40:08,250
LIKE FOR WEDDINGS?
910
00:40:08,250 --> 00:40:11,970
( laughs )
UM, MORE LIKE FOR CLUBS.
911
00:40:11,970 --> 00:40:13,970
BUT, YOU KNOW,
I NEED SOME, UH...
912
00:40:13,970 --> 00:40:15,510
EQUIPMENT,
913
00:40:15,510 --> 00:40:18,510
MAKE SOME NEW TRACKS,
GET SOME GIGS.
914
00:40:20,480 --> 00:40:22,520
OKAY.
YOU'RE FIRED.
915
00:40:22,520 --> 00:40:24,270
THANKS.
916
00:40:29,650 --> 00:40:31,410
- NICE.
- ( chuckles )
917
00:40:31,410 --> 00:40:33,490
( both sigh )
918
00:40:33,490 --> 00:40:34,490
IT REALLY IS BEAUTIFUL.
919
00:40:36,910 --> 00:40:39,160
YEAH, IF ONLY PRATT
THOUGHT SO.
920
00:40:41,130 --> 00:40:44,500
( sighs )
IT'S THE ONLY SCHOOL
I'VE EVER WANTED TO GO TO.
921
00:40:44,500 --> 00:40:47,500
WHAT AM I SUPPOSED
TO DO NOW?
922
00:40:47,500 --> 00:40:49,250
YOU KNOW WHAT YOU'RE
SUPPOSED TO DO NOW?
923
00:40:49,250 --> 00:40:52,300
DEVOUR A TRIPLE-CHOCOLATE
FUDGE SUNDAE
924
00:40:52,300 --> 00:40:54,800
FROM FARRELL'S!
WHAT DO YOU THINK, YOU GUYS?
925
00:40:54,800 --> 00:40:56,550
- HEH.
- HUH?
926
00:40:56,550 --> 00:40:59,510
HATE TO SPOIL THE PARTY,
BUT FARRELL'S CLOSES IN
10 MINUTES.
927
00:40:59,510 --> 00:41:02,520
- OH.
- WELL THEN,
WHY DON'T YOU TAKE THIS?
928
00:41:02,520 --> 00:41:06,360
ENJOY YOUR ICE CREAM,
AND YOUR MOTHER AND I
WILL CLEAN ALL THIS UP.
929
00:41:06,360 --> 00:41:08,100
REALLY?
THANKS.
930
00:41:08,100 --> 00:41:09,360
WE'LL BRING YOU BACK
SOMETHING.
931
00:41:09,360 --> 00:41:10,480
AWW, OKAY.
932
00:41:10,480 --> 00:41:11,990
CAN I TAKE THE PORSCHE?
933
00:41:11,990 --> 00:41:13,490
UHH...
934
00:41:13,490 --> 00:41:14,990
OKAY.
935
00:41:14,990 --> 00:41:16,490
HA-HO!
YES!
936
00:41:16,490 --> 00:41:19,240
WHOA! YOU'RE STILL
ON ICELAND TIME.
937
00:41:19,240 --> 00:41:20,750
- YOU SHOULD PROBABLY
LET ME DRIVE.
- NICE TRY,
938
00:41:20,750 --> 00:41:22,290
BUT I'LL BE JUST FINE.
939
00:41:24,620 --> 00:41:28,000
- HEY! DRIVE SAFE!
- YES, MOTHER.
940
00:41:28,000 --> 00:41:32,510
♪ ...'CAUSE THERE'S NEVER BEEN
A BETTER TIME ♪
941
00:41:32,510 --> 00:41:36,760
♪ TO BE ALIVE. ♪
942
00:41:39,680 --> 00:41:41,690
( tires screeching )
943
00:41:49,980 --> 00:41:51,990
( cell phone ringing )
944
00:41:51,990 --> 00:41:53,410
Kathryn:
OHH.
945
00:41:53,410 --> 00:41:55,150
( sighs )
946
00:41:56,780 --> 00:41:58,740
OH.
947
00:41:58,740 --> 00:42:00,750
( sighs deeply )
948
00:42:00,750 --> 00:42:01,750
( groggily )
HELLO?
949
00:42:04,460 --> 00:42:07,710
OH, NO.
950
00:42:07,710 --> 00:42:10,210
- WHAT? WHAT IS IT?
- OH...
951
00:42:10,210 --> 00:42:13,220
( exhales )
THERE'S BEEN AN ACCIDENT.
952
00:42:13,220 --> 00:42:15,470
WHAT? WHO IS THAT?
953
00:42:15,470 --> 00:42:17,220
( breathing heavily )
954
00:42:17,220 --> 00:42:19,220
WE HAVE TO GET TO
THE HOSPITAL.
955
00:42:19,220 --> 00:42:21,230
NO NO NO,
I'M STILL HERE.
956
00:42:21,230 --> 00:42:22,390
OKAY.
957
00:42:22,390 --> 00:42:24,980
Doctor:
THREE, TWO, ONE, PULL.
958
00:42:24,980 --> 00:42:27,480
- EASY EASY.
- ( Doctor speaks indistinctly )
959
00:42:27,480 --> 00:42:28,980
- SIGNS OF INTERNAL INJURY...
- CLEAR THIS OUT.
960
00:42:28,980 --> 00:42:30,180
- ...BRUISING.
- ROLL HIM. ONE...
961
00:42:30,180 --> 00:42:31,690
- PASS ME THE O2.
- ...TWO, THREE.
962
00:42:31,690 --> 00:42:32,990
- GENTLY.
- ABDOMINAL BRUISING.
963
00:42:32,990 --> 00:42:34,150
CUT THE SHIRT.
I NEED TO SEE HIM.
964
00:42:34,150 --> 00:42:35,650
Doctor:
ANY SIGNS OF SPINAL INJURY?
965
00:42:35,650 --> 00:42:37,740
Doctor #2:
CALL RADIOLOGY FOR CT, STAT.
966
00:42:37,740 --> 00:42:39,490
- SIR, DO YOU HEAR ME?
- HEART STEADY...
967
00:42:39,490 --> 00:42:42,000
- ( indistinct speech )
- ( heart monitor beeps )
968
00:42:42,000 --> 00:42:43,660
ALL RIGHT, LET'S SEE
WHAT WE GOT.
969
00:42:43,660 --> 00:42:44,700
DILATED...
970
00:42:44,700 --> 00:42:46,460
NO RESPONSE...
971
00:42:46,460 --> 00:42:48,460
( doctors speaking
indistinctly )
972
00:42:50,460 --> 00:42:52,920
( beeping continues )
65430
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