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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,140 --> 00:00:08,610 PREVIOUSLY ON "SWITCHED AT BIRTH"... 2 00:00:08,610 --> 00:00:10,030 - IT WAS A STUPID, DRUNKEN KISS. - I WANT YOU OUT OF HERE! 3 00:00:10,030 --> 00:00:11,070 Toby: RISE AND SHINE. 4 00:00:11,070 --> 00:00:14,030 MAN, I AM BUYING YOU A NEW COUCH. 5 00:00:14,030 --> 00:00:16,030 OR YOU COULD JUST GO HOME AND APOLOGIZE TO MOM 6 00:00:16,030 --> 00:00:17,990 FOR MAKING OUT WITH MY MOTHER-IN-LAW. 7 00:00:17,990 --> 00:00:20,330 IT'S MY DECISION. AND IT DOESN'T AFFECT YOU. 8 00:00:20,330 --> 00:00:22,370 IT DOES AFFECT ME. I CARE ABOUT YOU. 9 00:00:22,370 --> 00:00:24,250 WHAT'S YOUR DEAL? ARE YOU INTO HIM? 10 00:00:24,250 --> 00:00:26,000 I DO HAVE FEELINGS FOR CAMPBELL. 11 00:00:26,000 --> 00:00:28,040 BUT I HAVE THEM FOR YOU TOO. 12 00:00:28,040 --> 00:00:29,880 - WHAT'S WRONG? - I CAN'T MOVE MY FINGERS. 13 00:00:29,880 --> 00:00:31,050 SHE HAS TWO LACERATED TENDONS. 14 00:00:31,050 --> 00:00:32,130 MIDDLE AND INDEX FINGER. 15 00:00:32,130 --> 00:00:34,300 - WHAT DO WE DO? - WE'LL GET IN THERE 16 00:00:34,300 --> 00:00:35,970 AND WE'LL SURGICALLY REPAIR THE TENDONS. 17 00:00:35,970 --> 00:00:36,970 WILL SHE STILL BE ABLE TO PAINT AND DRAW? 18 00:00:36,970 --> 00:00:38,010 WE'LL DO OUR BEST. 19 00:00:38,010 --> 00:00:39,890 POP IT. LIKE A BALLOON. 20 00:00:40,940 --> 00:00:43,270 ( groans, gasps ) 21 00:00:43,270 --> 00:00:44,270 ( sighs ) 22 00:00:46,100 --> 00:00:48,110 YOU DID GOOD. 23 00:00:54,990 --> 00:00:57,320 SO YOU DEFINITELY HAVE IT. FOR SURE? 24 00:00:57,320 --> 00:00:59,040 OKAY, GREAT. 25 00:00:59,040 --> 00:01:00,080 I'LL SEE YOU LATER. 26 00:01:00,080 --> 00:01:01,120 THANK YOU. 27 00:01:01,120 --> 00:01:02,160 HA! 28 00:01:02,160 --> 00:01:04,080 WHAT'S UP WITH YOU? 29 00:01:04,080 --> 00:01:06,960 YOU ARE LOOKING AT A MAN WITH A PLAN. 30 00:01:06,960 --> 00:01:09,880 DOES THAT PLAN INVOLVE A LAUNDRY BASKET AND A MOP? 31 00:01:09,880 --> 00:01:11,010 THAT'S FUNNY. 32 00:01:11,010 --> 00:01:12,970 IT'S A PLAN TO GET THROUGH TO YOUR MOTHER. 33 00:01:12,970 --> 00:01:16,210 SHE WANTS TO BE WON BACK? SHE WILL BE WON BACK. 34 00:01:16,210 --> 00:01:18,310 SOUNDS GREAT. WHAT'S THE PLAN? 35 00:01:18,310 --> 00:01:21,140 I'M NOT QUITE READY TO SPILL THE BEANS YET. 36 00:01:21,140 --> 00:01:22,980 OKAY. WELL, GOOD LUCK. 37 00:01:22,980 --> 00:01:24,220 I'M SURE SHE'LL LOVE WHATEVER YOU HAVE UP YOUR SLEEVE. 38 00:01:24,220 --> 00:01:26,350 YOU KNOW, I REALLY THINK SHE WILL. 39 00:01:27,980 --> 00:01:29,320 ( sighs ) 40 00:01:47,160 --> 00:01:49,920 ACTUALLY, THERE'S ONE MORE THING. 41 00:01:49,920 --> 00:01:52,880 I WAS THINKING ABOUT CASTING A WIDER NET. 42 00:01:52,880 --> 00:01:54,090 REALLY? 43 00:01:54,090 --> 00:01:56,130 BUT YOU ALWAYS WANTED TO GO TO GALLAUDET. 44 00:01:56,130 --> 00:01:57,510 I KNOW, AND I DO. 45 00:01:57,510 --> 00:02:00,310 BUT I WAS THINKING ABOUT APPLYING TO A FEW SCHOOLS 46 00:02:00,310 --> 00:02:02,350 THAT HAVE A STRONG PRE-MED PROGRAM. 47 00:02:02,350 --> 00:02:04,970 PRE-MED. 48 00:02:04,970 --> 00:02:07,060 I DON'T KNOW. DO YOU GUYS THINK IT'S CRAZY? 49 00:02:29,380 --> 00:02:31,000 ( quietly ) YEAH. 50 00:02:37,340 --> 00:02:39,010 Renzo: HEYA, SUNSHINE. 51 00:02:39,010 --> 00:02:40,260 Woman: KEEP STRETCHING. 52 00:02:40,260 --> 00:02:43,260 YOU KNOW WHAT-- I THINK I'M JUST GONNA GO HOME. 53 00:02:43,260 --> 00:02:45,220 OH, KATHRYN KENNISH. 54 00:02:45,220 --> 00:02:47,220 TO EVERYTHING THERE IS A SEASON. 55 00:02:47,220 --> 00:02:49,150 AND A TIME TO EVERY PURPOSE UNDER THE SUN. 56 00:02:49,150 --> 00:02:50,980 A TIME TO LOVE. 57 00:02:50,980 --> 00:02:52,070 A TIME TO HATE. 58 00:02:52,070 --> 00:02:54,020 A TIME TO DIET. A TIME TO PIG OUT. 59 00:02:54,020 --> 00:02:55,110 A TIME TO-- 60 00:02:55,110 --> 00:02:57,070 - RENZO, I... - LOOK. 61 00:02:57,070 --> 00:03:00,370 I KNOW YOU'RE SAD. 62 00:03:00,370 --> 00:03:02,320 BUT WALLOWING IN IT ISN'T GOING TO HELP. 63 00:03:02,320 --> 00:03:04,280 ALL RIGHT, EVERYONE. LET'S GET STARTED. 64 00:03:04,280 --> 00:03:05,320 COME ON. 65 00:03:07,080 --> 00:03:08,200 IT'S TIME TO DANCE. 66 00:03:08,200 --> 00:03:09,920 COME ON. 67 00:03:09,920 --> 00:03:12,130 ( rock music begins ) 68 00:03:12,130 --> 00:03:15,290 FIVE, SIX, SEVEN, AND A WALKING. 69 00:03:27,010 --> 00:03:30,230 ♪ I FELL IN LOVE WITH A BEAUTIFUL SOUND ♪ 70 00:03:30,230 --> 00:03:33,270 ♪ TURN IT UP AND WATCH IT SPIN AROUND ♪ 71 00:03:33,270 --> 00:03:37,110 ♪ A LITTLE BIT LO-FI, THAT'S ALL RIGHT ♪ 72 00:03:37,110 --> 00:03:40,160 ♪ I WANT YOU TO PLAY ME LIKE A RECORD TONIGHT ♪ 73 00:03:40,160 --> 00:03:42,070 ♪ YEAH, 'CAUSE I ♪ 74 00:03:42,070 --> 00:03:44,950 ♪ WILL BE YOUR RECORD ♪ 75 00:03:44,950 --> 00:03:48,120 ♪ AND YOU WILL BE MY TURNTABLE ♪ 76 00:03:48,120 --> 00:03:51,130 ♪ I'M YOUR AMPLIFIER ♪ 77 00:03:51,130 --> 00:03:55,210 ♪ AND YOU'RE MY R.C.A. CABLE ♪ 78 00:03:55,210 --> 00:03:57,080 ♪ UP, DOWN, UP, DOWN ♪ 79 00:03:57,080 --> 00:03:59,050 ♪ DOWN, DOWN, BABY, UP ♪ 80 00:03:59,050 --> 00:04:02,050 ♪ ONE KISS AND I'M DISABLED ♪ 81 00:04:02,050 --> 00:04:05,140 ♪ I WILL BE YOUR RECORD ♪ 82 00:04:05,140 --> 00:04:09,310 ♪ AND YOU WILL BE MY TURNTABLE ♪ 83 00:04:12,100 --> 00:04:17,940 ♪ YEAH, TURNTABLE. ♪ 84 00:04:17,940 --> 00:04:21,360 ( vocalizing ) 85 00:04:26,950 --> 00:04:28,070 ( record idles on turntable ) 86 00:04:32,960 --> 00:04:35,330 - ( country rock plays ) - FIVE, SIX, SEVEN, EIGHT. 87 00:04:35,330 --> 00:04:37,170 LEFT, RIGHT, LEFT, HEEL. 88 00:04:37,170 --> 00:04:38,970 HEEL, RIGHT, LEFT, HEEL. 89 00:04:38,970 --> 00:04:40,970 PUT IT BEHIND. AND A BEND AND A CLAP. 90 00:04:40,970 --> 00:04:42,180 AND A RIGHT, LEFT. 91 00:04:42,180 --> 00:04:44,180 AND RIGHT AND LEFT. 92 00:04:44,180 --> 00:04:46,300 ( door closes ) 93 00:04:46,300 --> 00:04:48,180 OKAY. WHAT'S HAPPENING? 94 00:04:48,180 --> 00:04:50,140 ( laughs ) UM... 95 00:04:50,140 --> 00:04:53,230 IT'S THIS, UH-- THIS SERENADE THING 96 00:04:53,230 --> 00:04:56,310 THE PLEDGES HAVE TO DO FOR THE SORORITIES. 97 00:04:56,310 --> 00:04:58,990 THEY KEEP COMING UP WITH NEW WAYS TO HUMILIATE US. 98 00:04:58,990 --> 00:05:01,280 MM-HMM. ENCORE. NOW. 99 00:05:01,280 --> 00:05:04,320 NO NO NO. I'M NOT DANCING FOR YOU. 100 00:05:04,320 --> 00:05:07,200 OH, YES, YOU ARE. 101 00:05:07,200 --> 00:05:09,290 ( chuckles ) ALL RIGHT. 102 00:05:09,290 --> 00:05:11,290 YOU ASKED FOR IT. 103 00:05:11,290 --> 00:05:14,040 ( country rock plays ) 104 00:05:16,080 --> 00:05:18,330 MM. ♪ SOME GO LEFT ♪ 105 00:05:18,330 --> 00:05:19,960 ♪ SOME GO RIGHT ♪ 106 00:05:19,960 --> 00:05:22,090 ♪ WE ARE THE ONES WHO CAN GO ALL NIGHT ♪ 107 00:05:22,090 --> 00:05:25,010 ♪ WHEN LESSER MEN ASK WHO AM I ♪ 108 00:05:25,010 --> 00:05:27,960 ♪ I SAY A LOYAL BROTHER OF OMEGA PSI! ♪ 109 00:05:35,060 --> 00:05:36,060 ( laughs ) 110 00:05:37,930 --> 00:05:39,900 OMEGA PSI! 111 00:05:39,900 --> 00:05:41,070 YOU ARE NOT BAD, YOU KNOW THAT? 112 00:05:41,070 --> 00:05:42,240 YOU REALLY CAN DANCE. 113 00:05:42,240 --> 00:05:45,240 OH, DUDE. I'VE GOT SOME HIDDEN TALENTS. 114 00:05:45,240 --> 00:05:47,030 I'M KIND OF LIKE AN ONION. 115 00:05:47,030 --> 00:05:49,120 YOU JUST HAVE TO UNPEEL ME. 116 00:05:49,120 --> 00:05:52,990 HUH. SADLY, THERE WILL BE NO UNPEELING HAPPENING. 117 00:05:52,990 --> 00:05:54,330 WE HAVE TO GET TO CLASS. 118 00:05:54,330 --> 00:05:56,160 ( sighs ) 119 00:05:56,160 --> 00:05:57,580 WAIT, YOU'RE COMING? 120 00:05:57,580 --> 00:05:59,000 I THOUGHT YOU WERE WORRIED YOU HAD TO DROP THE CLASS 121 00:05:59,000 --> 00:06:00,380 'CAUSE OF YOUR HAND. 122 00:06:00,380 --> 00:06:02,300 I WAS NERVOUS HOW OF THAT WAS GONNA LOOK TO PRATT, 123 00:06:02,300 --> 00:06:04,880 SINCE I'D HAVE TO EXPLAIN WHY I WAS DROPPING IT. 124 00:06:04,880 --> 00:06:06,300 RIGHT, YEAH. PROBABLY A GOOD CALL. 125 00:06:06,300 --> 00:06:08,130 DID YOU DO THE ASSIGNMENT? 126 00:06:08,130 --> 00:06:09,890 I TRIED. 127 00:06:09,890 --> 00:06:12,970 SHE'S GONNA HAVE TO TAKE THIS THING INTO CONSIDERATION. 128 00:06:12,970 --> 00:06:14,310 - YEAH. - I'M JUST GONNA KEEP MY HEAD DOWN 129 00:06:14,310 --> 00:06:16,060 AND GET THROUGH THIS CLASS-- 130 00:06:16,060 --> 00:06:17,970 AND AWAIT MY LETTER OF ACCEPTANCE? 131 00:06:17,970 --> 00:06:19,070 - HMM. - SO... 132 00:06:19,070 --> 00:06:20,150 I'M JUST HOPING EVERYTHING'S 133 00:06:20,150 --> 00:06:22,190 GOING TO BE BACK TO NORMAL BY THEN. 134 00:06:22,190 --> 00:06:24,980 I LIKE YOUR SPIRIT, KENNISH. 135 00:06:24,980 --> 00:06:26,150 ( chuckles ) 136 00:06:27,940 --> 00:06:29,990 ( cowboy accent ) WELL, ALL RIGHT, COWPOKE. 137 00:06:29,990 --> 00:06:31,160 LET'S HIT THE TRAIL. 138 00:06:31,160 --> 00:06:32,950 ( chuckles ) 139 00:06:39,380 --> 00:06:41,090 ( applause ) 140 00:06:46,250 --> 00:06:47,880 HEY. THERE'S A WHOLE PAN 141 00:06:47,880 --> 00:06:48,930 OF PIPETTES THAT NEED TO BE CLEANED. 142 00:06:48,930 --> 00:06:50,050 OKAY. 143 00:06:50,050 --> 00:06:51,890 I WAS ACTUALLY GOING TO ASK YOU SOMETHING. 144 00:06:51,890 --> 00:06:53,930 IS THERE ANY WAY 145 00:06:53,930 --> 00:06:56,890 THAT I COULD TAKE ON MORE RESPONSIBILITY AROUND HERE? 146 00:06:56,890 --> 00:06:59,940 I'D BE REALLY GRATEFUL FOR ANY OPPORTUNITIES TO LEARN, 147 00:06:59,940 --> 00:07:02,320 AND THE WHOLE DR. J THING KIND OF GOT ME THINKING THAT-- 148 00:07:02,320 --> 00:07:04,150 THAT YOU'RE A HERO? 149 00:07:04,150 --> 00:07:05,360 FROM WHAT I UNDERSTAND, 150 00:07:05,360 --> 00:07:07,270 YOU AND YOUR FRIEND 151 00:07:07,270 --> 00:07:10,120 TRICKED A VIOLENT, MENTALLY UNSTABLE WOMAN 152 00:07:10,120 --> 00:07:12,240 INTO COMING HERE AFTER HOURS. 153 00:07:12,240 --> 00:07:14,070 YOU'RE GETTING CREDIT FOR FIXING SOMETHING 154 00:07:14,070 --> 00:07:17,240 THAT SHOULD HAVE NEVER HAPPENED IN THE FIRST PLACE. 155 00:07:17,240 --> 00:07:19,340 LET ME KNOW WHEN YOU FINISH THE PIPETTES. 156 00:07:21,960 --> 00:07:24,040 ( door opens ) 157 00:07:28,040 --> 00:07:29,300 WHAT GOOD WOULD THAT DO? 158 00:07:32,890 --> 00:07:34,220 TRAVIS-- 159 00:07:40,270 --> 00:07:42,190 HE'S A JACKASS. 160 00:07:42,190 --> 00:07:44,940 AND I DON'T WANT YOU TO GET HURT. 161 00:07:49,110 --> 00:07:51,070 WHY WOULD YOU SAY THAT? 162 00:07:53,320 --> 00:07:56,910 OKAY. OKAY, I'M SORRY. 163 00:07:56,910 --> 00:07:59,170 ( stammers ) LET'S DO SOMETHING. 164 00:07:59,170 --> 00:08:01,080 HERE. 165 00:08:01,080 --> 00:08:05,290 UM... THERE'S-- 166 00:08:05,290 --> 00:08:07,120 THERE'S AN OPEN-MIC THING 167 00:08:07,120 --> 00:08:08,970 AT THE STUDENT CENTER. 168 00:08:08,970 --> 00:08:10,130 NO. ( chuckles ) DUH. 169 00:08:10,130 --> 00:08:11,340 HOW ABOUT A MOVIE? 170 00:08:11,340 --> 00:08:13,260 THERE ARE LIKE THREE THAT I WANT TO SEE. 171 00:08:18,300 --> 00:08:21,350 OKAY. BUMMER. 172 00:08:21,350 --> 00:08:25,060 UM, THEN WE'LL JUST WATCH A MOVIE HERE. 173 00:08:28,230 --> 00:08:30,360 ( phone chimes ) 174 00:08:39,210 --> 00:08:42,210 UH, A BUNCH OF THE GIRLS FROM MY FLOOR 175 00:08:42,210 --> 00:08:44,960 WENT SHOPPING FOR DRESSES FOR THE CAMPUS FORMAL. 176 00:08:44,960 --> 00:08:47,080 THEY'RE SENDING ME PICTURES. 177 00:08:52,340 --> 00:08:54,010 WHY WOULD I HAVE A DRESS? 178 00:08:55,880 --> 00:08:58,300 I JUST FIGURED THAT YOU WOULDN'T BE INTO IT. 179 00:09:04,890 --> 00:09:06,020 YOU DO? 180 00:09:10,990 --> 00:09:13,900 I'M SORRY, THAT-- THAT WAS DUMB OF ME. 181 00:09:18,070 --> 00:09:19,330 YES. 182 00:09:22,000 --> 00:09:23,290 YAY! OKAY. 183 00:09:23,290 --> 00:09:25,250 I'M EXCITED. I LOVE DANCING. 184 00:09:25,250 --> 00:09:28,290 BUT IT'S FORMAL, OKAY? 185 00:09:28,290 --> 00:09:30,970 DRESS UP. THAT'S STILL COOL? 186 00:09:38,210 --> 00:09:41,310 I ASKED YOU TO DEPICT A MEMORY. 187 00:09:41,310 --> 00:09:44,930 AND TODAY WE'RE GOING TO SEE WHAT YOU CAME UP WITH. 188 00:09:44,930 --> 00:09:48,140 I'M SENSING WE'RE GOING TO SEE A LOT OF BIRTHDAY CAKES 189 00:09:48,140 --> 00:09:50,230 AND PUPPIES ON CHRISTMAS MORNING. 190 00:09:58,150 --> 00:10:00,160 WHAT IS THIS? 191 00:10:00,160 --> 00:10:02,000 IT'S A MEMORY. 192 00:10:02,000 --> 00:10:04,240 OF THE DAY I FOUND OUT THAT MY BLOOD TYPE 193 00:10:04,240 --> 00:10:05,910 DIDN'T MATCH MY PARENTS'. 194 00:10:05,910 --> 00:10:08,120 THAT'S MY THUMBPRINT. I SCANNED IT. 195 00:10:08,120 --> 00:10:11,050 AND ENLARGED IT. THAT'S BLOOD, OBVIOUSLY. 196 00:10:11,050 --> 00:10:13,050 WHAT'S THIS SUPPOSED TO MEAN? 197 00:10:13,050 --> 00:10:15,130 HOW IS THIS SUPPOSED TO MAKE ME FEEL? 198 00:10:15,130 --> 00:10:20,140 HOW CONFUSED AND WORRIED I WAS. 199 00:10:20,140 --> 00:10:22,100 WELL, THE ONLY THING IT'S MAKING ME FEEL 200 00:10:22,100 --> 00:10:24,100 IS ANNOYED AT HOW LITTLE YOU TRIED. 201 00:10:24,100 --> 00:10:26,220 MY TENDON SNAPPED. 202 00:10:26,220 --> 00:10:28,060 AND THAT SUCKS. 203 00:10:28,060 --> 00:10:30,070 AND I'M SORRY ABOUT THAT. 204 00:10:30,070 --> 00:10:31,230 BUT YOU'RE AN ARTIST, 205 00:10:31,230 --> 00:10:33,230 AND AN ARTIST FIGURES IT OUT. 206 00:10:33,230 --> 00:10:35,150 I'M TRYING HERE, BUT MY TOOLBOX 207 00:10:35,150 --> 00:10:36,940 IS A LITTLE EMPTY AT THE MOMENT. 208 00:10:36,940 --> 00:10:38,190 WELL, GET A BIGGER TOOLBOX. 209 00:10:38,190 --> 00:10:40,910 YOU'RE PHONING IT IN. 210 00:10:40,910 --> 00:10:43,040 I'LL GIVE YOU TILL THURSDAY TO REDO IT. 211 00:10:55,170 --> 00:10:56,380 DUDE, IT'S JUST A DANCE. 212 00:10:56,380 --> 00:10:57,460 YOU'RE GOING TO BE FINE. 213 00:11:01,390 --> 00:11:03,180 WELL, THEN WHY DID YOU TELL HER 214 00:11:03,180 --> 00:11:04,470 THAT YOU CAN DANCE? 215 00:11:08,640 --> 00:11:10,650 IT'S NOT THAT HARD. 216 00:11:13,360 --> 00:11:16,270 IF EMMETT CAN PLAY THE DRUMS, 217 00:11:16,270 --> 00:11:17,650 I'M PRETTY SURE YOU CAN FIGURE OUT, 218 00:11:17,650 --> 00:11:19,620 YOU KNOW, HOW TO DO THE ROBOT 219 00:11:19,620 --> 00:11:22,240 OR THE GANGNAM STYLE. 220 00:11:22,240 --> 00:11:25,200 YOU KNOW, WHATEVER. 221 00:11:25,200 --> 00:11:27,370 SHE'S GOING TO BE HAPPY THAT YOU EVEN CAME. 222 00:11:45,300 --> 00:11:47,390 WELL, WHAT DO YOU NEED TO LEARN? 223 00:11:47,390 --> 00:11:49,270 MAYBE I CAN SHOW YOU SOME MOVES. 224 00:12:00,570 --> 00:12:03,490 ARE YOU TRYING TO TAKE A GIRL OUT ON A DATE 225 00:12:03,490 --> 00:12:05,360 OR WIN "DANCING WITH THE STARS"? 226 00:12:07,660 --> 00:12:09,420 DON'T WORRY, MAN. 227 00:12:09,420 --> 00:12:11,210 WE'LL FIGURE IT OUT. OKAY? 228 00:12:33,520 --> 00:12:34,600 ( sighs ) 229 00:12:38,190 --> 00:12:39,530 HI. 230 00:12:40,530 --> 00:12:42,360 HI. 231 00:12:42,360 --> 00:12:44,200 HOW'S YOUR HAND? 232 00:12:44,200 --> 00:12:46,280 OH, IT'S PERFECT. 233 00:12:46,280 --> 00:12:48,200 AS LONG AS I DON'T SIGN, 234 00:12:48,200 --> 00:12:50,460 OR BRUSH MY TEETH, OR EAT, OR DRAW. 235 00:12:50,460 --> 00:12:53,330 I'M SORRY I DIDN'T COME BY SOONER. 236 00:12:53,330 --> 00:12:56,210 IT'S OKAY. 237 00:13:02,510 --> 00:13:04,510 THAT LOOKS LIKE A PRETTY GOOD START. 238 00:13:04,510 --> 00:13:07,260 IT LOOKS LIKE A BABY DREW IT. 239 00:13:07,260 --> 00:13:10,190 AND I KNOW PEOPLE PAINT WITH THEIR TOES 240 00:13:10,190 --> 00:13:11,230 AND PAINT WITH THEIR TEETH. 241 00:13:11,230 --> 00:13:12,390 WELL, I PAINT WITH MY HANDS. 242 00:13:12,390 --> 00:13:14,480 AND I ACTUALLY NEED MINE TO DO WHAT I DO. 243 00:13:14,480 --> 00:13:16,520 AREN'T YOU SUPPOSED TO BE RESTING IT? 244 00:13:16,520 --> 00:13:19,240 I HAVE AN ASSIGNMENT. THERE'S NO GETTING OUT OF IT. 245 00:13:19,240 --> 00:13:20,570 THAT'S RIDICULOUS. LET ME CALL YOUR TEACHER. 246 00:13:20,570 --> 00:13:22,400 I APPRECIATE YOU TRYING TO SAVE THE DAY 247 00:13:22,400 --> 00:13:23,570 AND BE ALL PARENTAL, 248 00:13:23,570 --> 00:13:25,490 BUT I JUST WANT TO ICE THIS THING 249 00:13:25,490 --> 00:13:27,570 AND BE ALONE, SO-- YEAH, I'LL SEE YOU LATER. 250 00:13:35,450 --> 00:13:37,540 I WOULDN'T TAKE IT PERSONALLY. 251 00:13:37,540 --> 00:13:39,550 SHE'S BEEN YELLING AT EVERYBODY. 252 00:13:39,550 --> 00:13:42,170 I WISH I COULD DO SOMETHING TO HELP HER. 253 00:13:42,170 --> 00:13:44,170 YOU KNOW, 254 00:13:44,170 --> 00:13:46,260 I MAY KNOW SOMEONE WHO... 255 00:13:46,260 --> 00:13:47,420 WOULD WELCOME YOUR HELP. 256 00:13:47,420 --> 00:13:50,430 SURE. WHAT DO YOU NEED? 257 00:13:50,430 --> 00:13:54,270 ( waltz music playing ) 258 00:13:54,270 --> 00:13:57,390 Angelo: FORWARD, SIDE, CLOSE. BACK, SIDE, CLOSE. 259 00:13:57,390 --> 00:13:59,650 FORWARD, SIDE, CLOSE. BACK, SIDE, CLOSE 260 00:14:05,320 --> 00:14:06,570 HE SAYS HE SUCKS. 261 00:14:06,570 --> 00:14:08,440 AND I CAN'T SAY I DISAGREE. 262 00:14:08,440 --> 00:14:09,620 HERE. 263 00:14:09,620 --> 00:14:10,620 LET ME. 264 00:14:13,290 --> 00:14:15,450 RELAX. 265 00:14:15,450 --> 00:14:17,450 STAY STRAIGHT. STRAIGHT. 266 00:14:17,450 --> 00:14:19,550 NOT SO STRAIGHT. RELAX. 267 00:14:19,550 --> 00:14:21,550 NO. NOT SO RELAXED. 268 00:14:21,550 --> 00:14:23,210 KEEP YOUR HEAD UP. 269 00:14:23,210 --> 00:14:25,550 IT LOOKS A LITTLE SLOPPY HERE. OKAY. NOW LEAD ME. 270 00:14:25,550 --> 00:14:29,180 ALL RIGHT? ONE, TWO, THREE. ONE, TWO, THREE. 271 00:14:29,180 --> 00:14:33,350 ONE-- YOU DON'T HAVE TO SQUEEZE HER LIKE THAT, OKAY? 272 00:14:33,350 --> 00:14:36,350 UM, LOOK-- DANCING WITH A WOMAN 273 00:14:36,350 --> 00:14:38,510 IS LIKE MAKING LOVE. 274 00:14:38,510 --> 00:14:41,230 YOU HAVE TO BE IN CHARGE. 275 00:14:43,190 --> 00:14:44,520 I'M NOT INTERPRETING THAT. 276 00:14:47,190 --> 00:14:49,370 OKAY, LET'S TRY ONE MORE TIME. 277 00:14:49,370 --> 00:14:51,490 KEEP YOUR FRAME. I'M GOING TO GIVE YOU A TEMPO. 278 00:14:51,490 --> 00:14:53,530 ALL RIGHT? ONE, TWO, THREE. 279 00:14:53,530 --> 00:14:56,290 - ONE, TWO, THREE. ONE, TWO, THREE. - ( door opens ) 280 00:14:56,290 --> 00:14:57,370 ONE, TWO-- BETTER. 281 00:14:57,370 --> 00:15:00,420 ONE, TWO, THREE, GOOD. 282 00:15:00,420 --> 00:15:01,630 Toby: OH, HEY. 283 00:15:01,630 --> 00:15:05,250 UH, WE'RE TRYING TO TEACH TRAVIS 284 00:15:05,250 --> 00:15:06,460 HOW TO DANCE. 285 00:15:06,460 --> 00:15:08,210 FOR MARY BETH. 286 00:15:13,180 --> 00:15:15,600 UH, DO YOU KNOW HOW TO DANCE? 287 00:15:20,320 --> 00:15:21,440 UH... 288 00:15:21,440 --> 00:15:23,320 MAY I? 289 00:15:23,320 --> 00:15:25,230 YEAH, PLEASE. 290 00:15:26,560 --> 00:15:29,280 GUYS, JUST LIKE THIS. 291 00:15:29,280 --> 00:15:31,370 RIGHT? AND THEN YOU GET A LITTLE BETTER. 292 00:15:31,370 --> 00:15:33,370 AND THEN YOU GIVE HER A LITTLE DIP. 293 00:15:33,370 --> 00:15:35,450 IF YOU'RE A GOOD LEADER... 294 00:15:37,330 --> 00:15:38,660 SHE DOESN'T NEED TO KNOW THE STEPS 295 00:15:38,660 --> 00:15:41,500 IF YOU KNOW HOW TO LEAD. 296 00:15:57,180 --> 00:15:58,350 VOILA! 297 00:16:00,360 --> 00:16:01,650 EASY. 298 00:16:01,650 --> 00:16:03,560 SEE? EASY. 299 00:16:11,160 --> 00:16:13,070 OF COURSE BAY'S SURGEON IS REPUTABLE. 300 00:16:13,070 --> 00:16:15,110 I DON'T KNOW IF HE'S JEWISH. 301 00:16:15,110 --> 00:16:16,910 ( stammers ) 302 00:16:19,040 --> 00:16:21,040 MOM, I GOTTA CALL YOU BACK. 303 00:16:21,040 --> 00:16:22,960 BYE. 304 00:16:24,250 --> 00:16:25,880 HEY. 305 00:16:25,880 --> 00:16:26,920 HI. 306 00:16:26,920 --> 00:16:28,830 I BOUGHT YOU A LITTLE SOMETHING. 307 00:16:28,830 --> 00:16:30,180 OH. 308 00:16:30,180 --> 00:16:31,300 SHOULD I OPEN IT? 309 00:16:31,300 --> 00:16:33,010 PLEASE. 310 00:16:37,090 --> 00:16:39,140 IT'S LOVELY. 311 00:16:39,140 --> 00:16:40,270 THANK YOU. 312 00:16:40,270 --> 00:16:43,140 YOU'RE WELCOME. TRY IT ON. IT'S A-- 313 00:16:43,140 --> 00:16:46,900 14-KARAT GOLD DIAMOND BRACELET FROM PRENTICE BROTHERS. 314 00:16:46,900 --> 00:16:49,020 YEAH. HOW DID YOU KNOW THAT? 315 00:16:49,020 --> 00:16:51,150 BECAUSE I ALREADY HAVE IT. 316 00:16:51,150 --> 00:16:53,950 YOU BOUGHT ME THE SAME ONE FOR CHRISTMAS FOUR YEARS AGO. 317 00:16:53,950 --> 00:16:56,030 - REMEMBER? - I DID. 318 00:16:56,030 --> 00:16:57,200 ( sighs ) 319 00:16:57,200 --> 00:16:59,080 I'LL EXCHANGE IT FOR SOMETHING ELSE. 320 00:16:59,080 --> 00:17:00,250 A REALLY NICE GESTURE. 321 00:17:00,250 --> 00:17:03,290 BUT A BRACELET IS NOT GOING TO FIX 322 00:17:03,290 --> 00:17:06,040 THE PROBLEMS THAT WE'RE HAVING. 323 00:17:06,040 --> 00:17:08,870 PLEASE TELL ME THAT THERE'S SOMETHING I CAN DO 324 00:17:08,870 --> 00:17:10,970 TO HELP YOU STOP BEING SO UPSET WITH ME. 325 00:17:10,970 --> 00:17:13,010 I'M NOT MAD ANYMORE. 326 00:17:13,010 --> 00:17:14,840 I JUST NEED A LITTLE SPACE 327 00:17:14,840 --> 00:17:16,840 TO FIGURE OUT WHAT'S GOING TO MAKE ME HAPPY. 328 00:17:16,840 --> 00:17:19,890 OKAY, JUST TELL ME WHAT THAT IS, AND I'LL DO IT. 329 00:17:19,890 --> 00:17:21,940 - I DON'T KNOW. - WHAT DO YOU MEAN, YOU DON'T KNOW? 330 00:17:21,940 --> 00:17:24,180 MAYBE I'M HAVING AN EXISTENTIAL CRISIS. 331 00:17:24,180 --> 00:17:26,140 MAYBE IT'S EMPTY-NEST SYNDROME. 332 00:17:26,140 --> 00:17:29,280 MAYBE IT'S EARLY MENOPAUSE OR DEPRESSION. 333 00:17:29,280 --> 00:17:32,150 I DON'T KNOW, IT'S JUST-- I'M NOT HAPPY. 334 00:17:32,150 --> 00:17:34,320 ( sobs ) I DON'T WANT TO COOK THE SAME MEALS. 335 00:17:34,320 --> 00:17:36,950 I DON'T WANT TO WATCH THE SAME SHOWS. 336 00:17:36,950 --> 00:17:39,250 I DON'T WANT TO GIVE EACH OTHER THE SAME PRESENTS-- 337 00:17:39,250 --> 00:17:44,000 YEAR AFTER YEAR, LIKE WE'RE STUCK ON REPEAT. 338 00:17:44,000 --> 00:17:47,040 I WANT ADVENTURE. 339 00:17:47,040 --> 00:17:49,210 MAYBE IT'S TOO MUCH TO ASK. 340 00:17:49,210 --> 00:17:50,970 MAYBE IT'S UNFAIR. 341 00:17:50,970 --> 00:17:53,090 BUT THAT'S WHAT I WANT. 342 00:17:55,090 --> 00:17:57,210 I HAVE TO GO. 343 00:18:14,280 --> 00:18:15,900 ( door closes ) 344 00:18:18,280 --> 00:18:20,200 HI THERE. 345 00:18:20,200 --> 00:18:21,870 OF COURSE. 346 00:18:21,870 --> 00:18:22,910 EXCUSE ME? 347 00:18:22,910 --> 00:18:24,950 YOU KNOW, BEFORE YOU CAME ALONG, 348 00:18:24,950 --> 00:18:26,910 KATHRYN WAS FINE. 349 00:18:26,910 --> 00:18:28,950 SHE WASN'T LYING TO ME. 350 00:18:28,950 --> 00:18:30,920 SHE WASN'T BLOWING OFF HER FAMILY FOR A DRUM CIRCLE 351 00:18:30,920 --> 00:18:32,210 OR DANCE OR WHATEVER. 352 00:18:32,210 --> 00:18:33,840 SHE WAS HAPPY. 353 00:18:33,840 --> 00:18:35,300 - WAIT A MINUTE. - IS THIS WHAT YOU DO? 354 00:18:35,300 --> 00:18:38,210 YOU GO AROUND BREAKING UP PEOPLE'S MARRIAGES? 355 00:18:38,210 --> 00:18:41,020 POISONING WOMEN'S MINDS WITH THESE, LIKE, 356 00:18:41,020 --> 00:18:43,180 NOTIONS OF HOW MUCH THEY'RE MISSING OUT ON 357 00:18:43,180 --> 00:18:45,310 WITH THEIR BORING, PATRIARCHAL HUSBANDS? 358 00:18:45,310 --> 00:18:47,220 WELL, GUESS WHAT-- CONGRATULATIONS. 359 00:18:47,220 --> 00:18:49,230 IT WORKED. 360 00:18:49,230 --> 00:18:51,270 YOU WILL YELL, SCREAM, 361 00:18:51,270 --> 00:18:54,070 AND POINT FINGERS-- ANYTHING... 362 00:18:54,070 --> 00:18:57,150 SO YOU DON'T HAVE TO CHANGE. 363 00:18:57,150 --> 00:18:59,070 NOT ONE BIT. 364 00:19:02,910 --> 00:19:05,870 ( door opens ) 365 00:19:05,870 --> 00:19:08,040 ( indistinct chatter ) 366 00:19:22,180 --> 00:19:23,850 I'VE TRIED MY LEFT HAND, 367 00:19:23,850 --> 00:19:25,060 I'VE TRIED MY RIGHT HAND. 368 00:19:25,060 --> 00:19:27,060 I DON'T KNOW WHAT SHE WANTS FROM ME. 369 00:19:31,020 --> 00:19:32,190 DRAW A MEMORY. 370 00:19:32,190 --> 00:19:34,020 I'VE TRIED LIKE 20. 371 00:19:34,020 --> 00:19:35,230 THEY'RE ALL COMPLETELY OBVIOUS. 372 00:19:35,230 --> 00:19:37,070 ( sighs ) 373 00:19:37,070 --> 00:19:40,030 I WOKE UP ONE DAY AND FOUND OUT 374 00:19:40,030 --> 00:19:42,870 I WASN'T REALLY BAY KENNISH. 375 00:19:42,870 --> 00:19:45,200 AND THE ONLY WAY I GOT THROUGH THAT 376 00:19:45,200 --> 00:19:47,030 WAS BECAUSE I HAD ART. 377 00:19:47,030 --> 00:19:49,200 AND IF THAT GETS TAKEN AWAY FROM ME, I-- 378 00:20:03,050 --> 00:20:05,100 YEAH, WHY? 379 00:20:07,970 --> 00:20:09,140 WHAT? 380 00:20:30,870 --> 00:20:32,130 HEY. 381 00:20:34,130 --> 00:20:35,290 I WAS A LITTLE HARSH ON YOU THE OTHER DAY. 382 00:20:35,290 --> 00:20:37,130 I THINK I MIGHT HAVE BEEN LASHING OUT AT YOU 383 00:20:37,130 --> 00:20:39,970 FOR OTHER STUFF. WHICH ISN'T FAIR. 384 00:20:39,970 --> 00:20:42,010 I UNDERSTAND IF YOU'RE UPSET. 385 00:20:42,010 --> 00:20:43,930 IT SHOULDN'T AFFECT ME PROFESSIONALLY. 386 00:20:43,930 --> 00:20:46,050 I KNEW WHAT I WAS GETTING INTO WHEN I ASKED A VOLUNTEER OUT. 387 00:20:46,050 --> 00:20:47,590 JORGE, I-- 388 00:20:47,590 --> 00:20:50,940 MY POINT IS, IF YOU'D LIKE TO STICK AROUND A LITTLE LONGER, 389 00:20:50,940 --> 00:20:52,850 I HAVE SOMETHING THAT MIGHT INTEREST YOU. 390 00:20:52,850 --> 00:20:54,850 REALLY? 391 00:20:54,850 --> 00:20:56,270 ABSOLUTELY. OKAY. 392 00:20:56,270 --> 00:20:58,020 YES. 393 00:20:58,020 --> 00:20:59,020 FOLLOW ME. 394 00:21:02,280 --> 00:21:04,070 MRS. ARROYO, 395 00:21:04,070 --> 00:21:05,320 SAMMY! 396 00:21:05,320 --> 00:21:07,070 ( door closes ) 397 00:21:07,070 --> 00:21:08,950 THIS IS THE CLINIC VOLUNTEER I MENTIONED. 398 00:21:10,330 --> 00:21:13,120 SAMMY, MY MAN. WHAT ARE YOU READING? 399 00:21:13,120 --> 00:21:15,290 THE LAST "HUNGER GAMES." 400 00:21:15,290 --> 00:21:17,080 SO YOU ASTHMA'S REALLY BAD LATELY? 401 00:21:17,080 --> 00:21:18,290 IT'S NOT THE ASTHMA THIS TIME. 402 00:21:18,290 --> 00:21:20,050 HE'S BEEN SAYING HE'S DIZZY, 403 00:21:20,050 --> 00:21:22,090 HE THREW UP DURING THE NIGHT AND THIS MORNING. 404 00:21:22,090 --> 00:21:23,130 IT'S THE NEW MEDS. 405 00:21:23,130 --> 00:21:24,880 OKAY. WE'LL SEE WHAT'S GOING ON. 406 00:21:26,840 --> 00:21:28,130 THE THEOPHYLLINE COULD HAVE SOME SIDE EFFECTS. 407 00:21:28,130 --> 00:21:30,020 WE'LL SET UP SOME BLOOD TEST. 408 00:21:30,020 --> 00:21:31,190 IN THE MEANTIME, WHY DON'T WE GO IN THE FRONT 409 00:21:31,190 --> 00:21:32,140 SEE WHAT ELSE YOUR INSURANCE WILL COVER. 410 00:21:32,140 --> 00:21:34,060 THANK YOU. 411 00:21:34,060 --> 00:21:35,230 BE RIGHT BACK, HONEY. 412 00:21:35,230 --> 00:21:37,020 DAPHNE, CAN YOU SET UP A BLOOD DRAW? 413 00:21:37,020 --> 00:21:38,850 - OF COURSE. - THANKS. 414 00:22:00,130 --> 00:22:01,340 SAMMY! 415 00:22:01,340 --> 00:22:02,340 HELP! 416 00:22:04,010 --> 00:22:05,170 SOMEONE HELP ME. 417 00:22:08,220 --> 00:22:10,180 WHAT'S WRONG WITH YOU? WHY DIDN'T YOU CALL US? 418 00:22:10,180 --> 00:22:11,890 I'M SO SORRY, I DIDN'T-- 419 00:22:11,890 --> 00:22:13,060 I'M DEAF. I DIDN'T-- 420 00:22:13,060 --> 00:22:14,270 - HOLD ON. - ARE YOU CRAZY? 421 00:22:14,270 --> 00:22:16,180 YOU LEAVE SOME DEAF IDIOT IN HERE 422 00:22:16,180 --> 00:22:18,020 WITH A CHILD? IF I HADN'T COME BACK 423 00:22:18,020 --> 00:22:19,860 FOR MY PHONE, MY SON COULD HAVE DIED. 424 00:22:19,860 --> 00:22:21,190 SAMMY, YOU'RE GONNA BE FINE. 425 00:22:21,190 --> 00:22:22,190 SWEETIE. 426 00:22:28,030 --> 00:22:30,040 ( pop music playing ) 427 00:22:38,200 --> 00:22:40,170 ♪ CAN'T TAKE THAT NINE TO FIVE ♪ 428 00:22:40,170 --> 00:22:42,050 ♪ BUT I STILL LOOK GOOD IN A SUIT AND TIE ♪ 429 00:22:42,050 --> 00:22:44,050 ♪ I FEEL SO ALIVE ♪ 430 00:22:44,050 --> 00:22:45,880 ♪ COULDN'T KILL MY VIBE EVEN IF YOU TRIED ♪ 431 00:22:45,880 --> 00:22:46,960 ♪ WE'LL ♪ 432 00:22:46,960 --> 00:22:48,300 ♪ KEEP BREAKING RULES ♪ 433 00:22:48,300 --> 00:22:50,060 ♪ ME AND MY FRIENDS, THESE CRAZY FOOLS ♪ 434 00:22:50,060 --> 00:22:51,890 ♪ 'CAUSE HEY ♪ 435 00:22:51,890 --> 00:22:55,060 ♪ HEY, WE'RE JUST TRYING TO PAINT THE TOWN TONIGHT ♪ 436 00:22:55,060 --> 00:22:58,270 ♪ HEY, WE AIN'T COLORING INSIDE THE LINES ♪ 437 00:22:58,270 --> 00:23:00,860 ♪ HEY ♪ 438 00:23:00,860 --> 00:23:03,190 ♪ WE'RE JUST TRYING TO LIVE OUR LIVES ♪ 439 00:23:03,190 --> 00:23:06,860 ♪ HEY, WE'RE JUST TRYING TO LIVE OUR LIVES. ♪ 440 00:23:13,200 --> 00:23:16,200 THIS IS WHAT YOU WANTED TO SHOW ME? 441 00:23:35,850 --> 00:23:37,180 ( exhales ) 442 00:23:37,180 --> 00:23:40,230 DID YOU JUST TAKE ME ON A 45 MINUTE MOTORCYCLE RIDE 443 00:23:40,230 --> 00:23:43,020 OR THROUGH A PORTAL INTO ANOTHER DIMENSION? 444 00:23:43,020 --> 00:23:44,230 WHAT-- 445 00:23:54,240 --> 00:23:56,910 THEIR FACTORY WAS RIGHT BY MAUI, KANSAS. 446 00:24:01,040 --> 00:24:03,130 WAS HE INSANE? 447 00:24:08,170 --> 00:24:09,250 WHAT IS THIS PLACE? 448 00:24:23,190 --> 00:24:24,900 SO... 449 00:24:24,900 --> 00:24:27,900 HE BUILT THIS. 450 00:24:48,290 --> 00:24:50,050 SHE'D REMEMBER HIM. 451 00:24:55,010 --> 00:24:57,260 MY ASSIGNMENT IS TO PAINT A MEMORY. 452 00:25:02,980 --> 00:25:05,060 ( lights power on ) 453 00:25:07,230 --> 00:25:08,850 ( jazz music playing ) 454 00:25:13,030 --> 00:25:16,200 ♪ YOU CAST A SPELL ON ME ♪ 455 00:25:16,200 --> 00:25:18,950 ♪ I WAS BLIND BUT NOW I SEE ♪ 456 00:25:18,950 --> 00:25:22,040 ♪ YOU WORK YOUR MAGIC, THAT'S THE KEY ♪ 457 00:25:22,040 --> 00:25:24,290 ♪ YOU WAVE YOUR WAND ♪ 458 00:25:24,290 --> 00:25:26,960 ♪ CAST A SPELL ON ME ♪ 459 00:25:31,050 --> 00:25:33,840 ♪ YOU CAST A SPELL ON ME ♪ 460 00:25:33,840 --> 00:25:36,010 ♪ I WAS BLIND BUT NOW I SEE ♪ 461 00:25:36,010 --> 00:25:39,850 ♪ YOU WORK YOUR MAGIC, THAT'S THE KEY ♪ 462 00:25:39,850 --> 00:25:42,850 ♪ YOU WAVE YOUR WAND ♪ 463 00:25:42,850 --> 00:25:44,890 ♪ AND CAST A SPELL ON... ♪ 464 00:25:57,190 --> 00:25:58,280 DID YOU BRING YOUR CAMERA? 465 00:26:02,120 --> 00:26:03,290 WAIT, UH... 466 00:26:03,290 --> 00:26:04,960 WHAT HAPPENED? 467 00:26:04,960 --> 00:26:07,120 DID THE WIFE REMEMBER HIM? 468 00:26:32,030 --> 00:26:33,900 News Reporter: Tonight at 11:00. 469 00:26:33,900 --> 00:26:36,780 A fire broke out at a west Kansas City apartment complex. 470 00:26:36,780 --> 00:26:39,790 Firefighters believe... 471 00:26:39,790 --> 00:26:41,700 WHAT HAPPENED TO THE MAN WITH THE PLAN? 472 00:26:41,700 --> 00:26:44,950 TOTAL DUD. 473 00:26:44,950 --> 00:26:47,790 - THE PLAN AND THE MAN. - ( mutes TV ) 474 00:26:47,790 --> 00:26:50,630 IS MOM STILL THAT MAD ABOUT THE JENNICE THING? 475 00:26:50,630 --> 00:26:51,960 NO, JUST... 476 00:26:51,960 --> 00:26:53,010 OTHER THINGS. 477 00:27:01,760 --> 00:27:02,930 ( sighs ) 478 00:27:02,930 --> 00:27:05,600 LIKE WHAT? 479 00:27:05,600 --> 00:27:07,930 LIKE MOM IS CHANGING. 480 00:27:07,930 --> 00:27:10,690 OR SHE'S CHANGED, YOU KNOW? 481 00:27:10,690 --> 00:27:12,610 SOMETIMES PEOPLE DON'T ALWAYS CHANGE 482 00:27:12,610 --> 00:27:14,980 AT THE SAME TIMES IN THE SAME WAYS, 483 00:27:14,980 --> 00:27:17,770 - AND WHEN THAT HAPPENS-- - ARE YOU GUYS GONNA, LIKE, 484 00:27:17,770 --> 00:27:19,830 SPLIT UP? 485 00:27:19,830 --> 00:27:21,700 ( sighs ) 486 00:27:21,700 --> 00:27:23,950 I HOPE NOT. 487 00:27:23,950 --> 00:27:24,990 I REALLY HOPE NOT. 488 00:27:24,990 --> 00:27:26,830 ( sighs ) 489 00:27:26,830 --> 00:27:29,080 YOU KNOW, BUDDY, LISTEN. 490 00:27:29,080 --> 00:27:30,090 ( clears throat ) 491 00:27:30,090 --> 00:27:32,630 WHATEVER HAPPENS, 492 00:27:32,630 --> 00:27:35,050 WE WILL ALWAYS BE YOUR MOM AND DAD, OKAY? 493 00:27:35,050 --> 00:27:36,750 YOU GOT THAT? 494 00:27:36,750 --> 00:27:38,710 YEAH. 495 00:27:38,710 --> 00:27:40,760 I KNOW I MUST BE DRIVING YOU NUTS. 496 00:27:40,760 --> 00:27:42,760 I WILL BE OUT OF YOUR HAIR SOON, ALL RIGHT? 497 00:27:42,760 --> 00:27:45,010 DAD, REALLY, IT'S FINE. 498 00:27:49,600 --> 00:27:50,940 - ( sighs ) - GOOD NIGHT. 499 00:27:50,940 --> 00:27:52,610 YEAH. GOOD NIGHT. 500 00:27:56,610 --> 00:27:58,020 Man: Cut sideways or cut diagonally-- 501 00:27:58,020 --> 00:27:59,610 Woman: Just amazing. 502 00:27:59,610 --> 00:28:02,950 Man: ♪ If you could read them all ♪ 503 00:28:05,620 --> 00:28:10,960 ♪ Many the hopes that have vanished ♪ 504 00:28:10,960 --> 00:28:16,880 ♪ After the ball. ♪ 505 00:28:19,840 --> 00:28:20,970 THERE SHE IS. 506 00:28:20,970 --> 00:28:22,640 - HEY. - HEY. 507 00:28:22,640 --> 00:28:24,970 MY GRANDDAUGHTER, THE DOCTOR. 508 00:28:24,970 --> 00:28:26,930 THE FIRST ONE IN OUR FAMILY. 509 00:28:26,930 --> 00:28:28,760 ARE YOU TELLING EVERYONE? 510 00:28:28,760 --> 00:28:29,850 WELL, WHY SHOULDN'T I? 511 00:28:29,850 --> 00:28:31,610 IS IT A SECRET? 512 00:28:31,610 --> 00:28:32,940 ( sighs ) I HAVE A HEADACHE. 513 00:28:32,940 --> 00:28:34,770 I'M GONNA GO TO BED. 514 00:28:38,940 --> 00:28:41,660 ( knocks on door ) 515 00:28:43,780 --> 00:28:44,780 ( exhales ) 516 00:28:47,780 --> 00:28:49,790 YOU LOOK REALLY HANDSOME. 517 00:28:53,960 --> 00:28:56,790 YOU READY TO PARTY? 518 00:29:04,010 --> 00:29:05,760 OH, NO. 519 00:29:05,760 --> 00:29:06,930 WAIT, WHAT HAPPENED? 520 00:29:14,020 --> 00:29:17,020 THAT'S THE BIG CONFESSION? 521 00:29:26,950 --> 00:29:28,780 YOU DID? 522 00:29:49,720 --> 00:29:51,890 TRAVIS... 523 00:29:51,890 --> 00:29:54,600 OF COURSE THERE ARE GONNA BE THINGS 524 00:29:54,600 --> 00:29:57,600 THAT WE CAN'T DO BECAUSE YOU'RE DEAF. 525 00:29:57,600 --> 00:30:00,780 BUT THERE'S ALSO A WHOLE WORLD 526 00:30:00,780 --> 00:30:02,780 OF THINGS I NEVER KNEW ABOUT 527 00:30:02,780 --> 00:30:04,780 UNTIL YOU SHOWED ME. 528 00:30:04,780 --> 00:30:08,780 YOU MAKE ME SEE THE WORLD DIFFERENTLY. 529 00:30:08,780 --> 00:30:13,000 YOU CHANGED EVERYTHING ABOUT ME. 530 00:30:13,000 --> 00:30:16,660 I LOVE YOU JUST THE WAY YOU ARE. 531 00:30:16,660 --> 00:30:18,000 ( acoustic guitar music playing ) 532 00:30:18,000 --> 00:30:19,790 ♪ 'CAUSE ARE YOU NOT JUST SOME GIRL... ♪ 533 00:30:19,790 --> 00:30:21,920 AND YOU DON'T NEED TO IMPRESS ME. 534 00:30:21,920 --> 00:30:24,920 JUST HOLD ME AND SWAY. 535 00:30:24,920 --> 00:30:27,010 ♪ OH-OOH ♪ 536 00:30:32,600 --> 00:30:34,930 ♪ FALLING IN LOVE IS SOMETHING ♪ 537 00:30:34,930 --> 00:30:37,770 ♪ OOH ♪ 538 00:30:37,770 --> 00:30:40,780 ♪ AHH ♪ 539 00:30:40,780 --> 00:30:43,940 ♪ FALLING IN LOVE IS NOTHING ♪ 540 00:30:43,940 --> 00:30:45,740 ( whistling ) 541 00:30:53,790 --> 00:30:54,950 HEY, DAPHNE. 542 00:30:54,950 --> 00:30:56,620 GOT A MINUTE? 543 00:30:56,620 --> 00:30:57,950 I'M INCREDIBLY BUSY. 544 00:30:57,950 --> 00:30:59,870 I'VE GOT PATIENTS TO SEE, LAB WORK TO PICK UP. 545 00:30:59,870 --> 00:31:01,630 I CAN'T TODAY. 546 00:31:01,630 --> 00:31:02,710 IT'S IMPORTANT. 547 00:31:02,710 --> 00:31:03,710 ( sighs ) 548 00:31:03,710 --> 00:31:04,760 ( salsa music playing ) 549 00:31:04,760 --> 00:31:05,920 WHAT ARE YOU DOING? 550 00:31:06,960 --> 00:31:08,590 WHAT? 551 00:31:08,590 --> 00:31:10,600 I CAN DANCE TOO. 552 00:31:10,600 --> 00:31:11,720 COME ON, IT'S EASY. 553 00:31:33,950 --> 00:31:36,620 ( singing in Spanish ) 554 00:32:00,900 --> 00:32:03,610 DR. VASQUEZ! DR. VASQUEZ! WE NEED YOU. 555 00:32:05,900 --> 00:32:07,820 ( screams ) 556 00:32:07,820 --> 00:32:08,940 Jorge: DOUBLE TIME. 557 00:32:08,940 --> 00:32:10,950 - COME ON, DAPHNE. - FASTER! FASTER! 558 00:32:10,950 --> 00:32:12,620 I CAN'T KEEP UP. 559 00:32:12,620 --> 00:32:13,620 - YOU CAN DO IT. - COME ON. 560 00:32:13,620 --> 00:32:14,700 I DON'T KNOW THE STEPS. 561 00:32:14,700 --> 00:32:16,120 - FASTER. - ( screams ) 562 00:32:16,120 --> 00:32:17,950 - WHAT ARE YOU DOING? - YOU'RE GONNA KILL SOMEBODY. 563 00:32:17,950 --> 00:32:19,620 - STOP IT! - GET UP. 564 00:32:19,620 --> 00:32:21,840 - COME ON. - STOP IT! 565 00:32:23,960 --> 00:32:25,710 ( exhales ) 566 00:32:31,220 --> 00:32:32,390 Bay: IT'S A ZOETROPE. 567 00:32:32,390 --> 00:32:34,550 YOU SPIN IT AND THE IMAGES MOVE. 568 00:32:34,550 --> 00:32:36,220 Teresa: BUT WHY? 569 00:32:36,220 --> 00:32:38,470 I GUESS I JUST LIKED THAT THE OUTSIDE IS VEGAS. 570 00:32:38,470 --> 00:32:40,270 IT SEEMS SORT OF GENERIC, 571 00:32:40,270 --> 00:32:43,520 BUT INSIDE EVERY LANDSCAPE 572 00:32:43,520 --> 00:32:46,560 THERE ARE THESE PEOPLE WITH THESE PROFOUND MEMORIES 573 00:32:46,560 --> 00:32:48,230 OF WHAT THE PLACES MEANT TO THEM. 574 00:32:48,230 --> 00:32:50,660 SO THE PICTURES OF THIS SHOWGIRL, 575 00:32:50,660 --> 00:32:52,450 THAT'S THE HUSBAND'S MEMORY. 576 00:32:52,450 --> 00:32:54,280 YES. 577 00:32:54,280 --> 00:32:55,530 BUT WHY DID YOU MAKE A ZOETROPE? 578 00:32:55,530 --> 00:32:57,660 WHY CHOOSE TO DO IT LIKE THIS? 579 00:32:57,660 --> 00:32:59,370 I KNOW YOU SAID TO PAINT, 580 00:32:59,370 --> 00:33:02,580 BUT I REALLY WANTED MOVEMENT. 581 00:33:02,580 --> 00:33:05,460 I WANTED HER TO COME ALIVE 582 00:33:05,460 --> 00:33:07,420 BECAUSE... 583 00:33:07,420 --> 00:33:09,580 BECAUSE THE MOST POWERFUL MEMORIES 584 00:33:09,580 --> 00:33:12,260 AREN'T FLAT OR LINEAR. 585 00:33:14,300 --> 00:33:15,470 AT LEAST, THEY AREN'T FOR ME. 586 00:33:15,470 --> 00:33:18,430 THE MOMENTS THAT I REPLAY OVER AND OVER AGAIN 587 00:33:18,430 --> 00:33:20,640 ARE-- ARE LIKE THIS. THEY... 588 00:33:24,350 --> 00:33:28,230 THEY SPIN AND SPIN... 589 00:33:28,230 --> 00:33:30,320 AND SOMETIMES THEY MAKE YOU DIZZY. 590 00:33:30,320 --> 00:33:32,610 OR AT LEAST, THE GOOD ONES DO. 591 00:33:34,240 --> 00:33:36,280 CONGRATULATIONS. 592 00:33:36,280 --> 00:33:39,360 YOU FIGURED OUT A WAY TO MAKE ART INSTEAD OF EXCUSES. 593 00:33:45,250 --> 00:33:46,420 Toby: DAD? 594 00:33:48,580 --> 00:33:51,380 DAD, ARE YOU HERE? 595 00:33:56,380 --> 00:33:58,220 YES. 596 00:33:58,220 --> 00:33:59,550 ( laughs ) 597 00:33:59,550 --> 00:34:02,310 ( rock music playing ) 598 00:34:07,230 --> 00:34:09,310 - ( mouthing ) - ♪ WILD THING ♪ 599 00:34:10,400 --> 00:34:12,490 ♪ YOU MAKE MY HEART SING ♪ 600 00:34:15,320 --> 00:34:18,320 ♪ YOU MAKE EVERYTHING ♪ 601 00:34:18,320 --> 00:34:19,650 ♪ GROOVY ♪ 602 00:34:19,650 --> 00:34:22,250 - ( laughing ) - ♪ WILD THING ♪ 603 00:34:27,250 --> 00:34:28,370 ♪ WILD THING ♪ 604 00:34:28,370 --> 00:34:30,380 ♪ I THINK I LOVE YOU ♪ 605 00:34:31,590 --> 00:34:34,590 ♪ BUT I WANT TO KNOW FOR SURE ♪ 606 00:34:36,210 --> 00:34:38,470 ♪ COME ON AND HOLD ME TIGHT ♪ 607 00:34:38,470 --> 00:34:40,600 ( laughing ) 608 00:34:42,220 --> 00:34:43,390 ♪ I LOVE YOU ♪ 609 00:34:45,220 --> 00:34:47,270 WHOO! ( laughs ) 610 00:34:48,560 --> 00:34:51,400 WHOO! 611 00:34:54,230 --> 00:34:55,400 ♪ WILD THING. ♪ 612 00:35:03,410 --> 00:35:04,410 HI. 613 00:35:04,410 --> 00:35:07,330 MISS VASQUEZ. 614 00:35:07,330 --> 00:35:09,620 I BROUGHT YOU SOME CARROT JUICE. 615 00:35:09,620 --> 00:35:12,420 JORGE MENTIONED IT ONCE. 616 00:35:12,420 --> 00:35:14,550 I HOPE IT'S THE RIGHT BRAND. 617 00:35:14,550 --> 00:35:16,590 THAT IS PERFECT. THANK YOU. 618 00:35:18,250 --> 00:35:19,670 SIT. 619 00:35:31,400 --> 00:35:33,570 A LITTLE BIRDIE TOLD ME YOU WERE ASKING ABOUT 620 00:35:33,570 --> 00:35:36,360 TAKING ON SOME MORE RESPONSIBILITY AT THE CLINIC. 621 00:35:36,360 --> 00:35:38,230 OH. 622 00:35:38,230 --> 00:35:39,360 UH, I DON'T KNOW. 623 00:35:41,280 --> 00:35:43,240 PROBABLY NOT. 624 00:35:43,240 --> 00:35:46,490 MY HOURS ARE ALMOST DONE AT THE CLINIC ANYWAY, SO. 625 00:35:46,490 --> 00:35:48,280 WHAT DID I MISS? 626 00:35:57,550 --> 00:36:00,390 IT'S PROBABLY NOT THAT REALISTIC ANYWAY. 627 00:36:00,390 --> 00:36:02,220 BECOMING A DOCTOR. 628 00:36:02,220 --> 00:36:05,560 BEING DEAF, YOU KNOW. 629 00:36:05,560 --> 00:36:08,390 DO YOU KNOW HOW MANY AFRICAN AMERICANS 630 00:36:08,390 --> 00:36:10,610 WERE IN MED SCHOOL IN 1971? 631 00:36:12,230 --> 00:36:13,690 THERE WERE NINE IN MY CLASS. 632 00:36:13,690 --> 00:36:17,230 NINE OUT OF 140. 633 00:36:17,230 --> 00:36:18,480 AND DO YOU KNOW HOW MANY FINISHED? 634 00:36:20,410 --> 00:36:21,580 TWO. 635 00:36:23,410 --> 00:36:27,580 HOSPITALS KEPT "LOSING" MY APPLICATION FOR RESIDENCY. 636 00:36:27,580 --> 00:36:29,320 AND EVEN WHEN I GOT IN, 637 00:36:29,320 --> 00:36:32,250 EVERYONE KEPT WAITING FOR ME TO MAKE MISTAKES 638 00:36:32,250 --> 00:36:33,500 TO KICK ME OUT. 639 00:36:33,500 --> 00:36:35,420 THAT'S HORRIBLE. 640 00:36:35,420 --> 00:36:37,250 THE POINT IS, 641 00:36:37,250 --> 00:36:40,390 NO ONE'S GOING TO HAND YOU A LADDER. 642 00:36:40,390 --> 00:36:41,550 IF YOU WANT IT BAD ENOUGH, 643 00:36:41,550 --> 00:36:43,300 YOU'LL BUILD YOUR OWN. 644 00:36:44,550 --> 00:36:47,550 BUT BEING DEAF IS DIFFERENT THAN BEING BLACK. 645 00:36:47,550 --> 00:36:50,220 I MIGHT ACTUALLY 646 00:36:50,220 --> 00:36:51,650 NOT BE ABLE TO DO THE JOB. 647 00:36:51,650 --> 00:36:53,400 SO YOU'LL MAKE ADJUSTMENTS. 648 00:36:53,400 --> 00:36:56,230 DAPHNE, YOU CAN OVERCOME 649 00:36:56,230 --> 00:36:58,350 ALL THE ROAD BLOCKS IN THE WORLD 650 00:36:58,350 --> 00:37:02,410 IF YOU BELIEVE IN YOURSELF. 651 00:37:02,410 --> 00:37:04,240 BUT IF YOU LET THEM GET IN HERE, 652 00:37:04,240 --> 00:37:06,240 IT'S OVER. 653 00:37:13,040 --> 00:37:14,290 SO EMMETT SAID THAT YOU DID THIS 654 00:37:14,290 --> 00:37:19,000 AMAZING PHOTO SPINNING THING FOR YOUR ART CLASS? 655 00:37:20,300 --> 00:37:22,340 ACTUALLY, EMMETT DID THAT. 656 00:37:22,340 --> 00:37:24,970 HE DESERVES ALL THE CREDIT. 657 00:37:24,970 --> 00:37:26,430 WHAT DO YOU MEAN? 658 00:37:26,430 --> 00:37:28,300 I HAD THE IDEA, 659 00:37:28,300 --> 00:37:30,220 BUT HE FIGURED OUT THE CAMERA SETTINGS, 660 00:37:30,220 --> 00:37:31,440 AND HE SHOWED ME HOW TO TAKE THESE 661 00:37:31,440 --> 00:37:34,190 INDIVIDUAL FRAMES OF THIS VIDEO 662 00:37:34,190 --> 00:37:35,480 OF A DANCER. 663 00:37:35,480 --> 00:37:38,390 HE EVEN HELPED ME BUILD IT BECAUSE I COULDN'T. 664 00:37:38,390 --> 00:37:40,150 SO? 665 00:37:40,150 --> 00:37:41,990 IT WAS STILL YOUR IDEA. 666 00:37:41,990 --> 00:37:44,070 EVERYONE THINKS THAT IF YOU HAVE A GREAT IDEA, 667 00:37:44,070 --> 00:37:46,160 EVERYTHING ELSE JUST FALLS INTO PLACE, 668 00:37:46,160 --> 00:37:48,030 BUT IT'S THE EXECUTION THAT COUNTS. 669 00:37:48,030 --> 00:37:49,070 IT'S ALL THE DETAILS. 670 00:37:49,070 --> 00:37:50,370 EVERY LITTLE TINY CHOICE. 671 00:37:50,370 --> 00:37:52,210 THAT IS WHAT ART IS. 672 00:37:52,210 --> 00:37:54,330 SEE? EVEN THAT YOU KNOW THAT, 673 00:37:54,330 --> 00:37:56,330 YOU ARE SUCH AN ARTIST. 674 00:37:56,330 --> 00:37:58,330 YOU'LL FIGURE IT OUT. 675 00:37:58,330 --> 00:38:00,470 IT'S SO STRANGE HATING A PART OF YOUR BODY, 676 00:38:00,470 --> 00:38:02,420 BEING MAD AT IT FOR NOT BEING ABLE TO DO 677 00:38:02,420 --> 00:38:03,970 WHAT YOU WANT IT TO. 678 00:38:03,970 --> 00:38:05,340 ( door opens, closes ) 679 00:38:09,130 --> 00:38:11,060 I GOTTA GO DO AN APOLOGY TOUR. 680 00:38:15,310 --> 00:38:17,310 YOU ARE NOT GOING TO YELL AT ME, ARE YOU? 681 00:38:17,310 --> 00:38:19,310 I AM SO SORRY. 682 00:38:20,990 --> 00:38:22,070 IT'S OKAY. 683 00:38:23,110 --> 00:38:25,030 YOU KNOW WHAT I LEARNED THIS SUMMER? 684 00:38:25,030 --> 00:38:28,990 VASQUEZ WOMEN HAVE TERRIBLE HOUSEHOLD CLEANING HABITS? 685 00:38:28,990 --> 00:38:30,200 WELL, YES. 686 00:38:30,200 --> 00:38:33,000 BUT ALSO IF YOU'RE WILLING TO YELL AT ME, 687 00:38:33,000 --> 00:38:35,040 THAT MEANS YOU'RE REALLY MY DAUGHTER. 688 00:38:36,330 --> 00:38:39,000 WELL, THAT IS A VERY SWEET WAY 689 00:38:39,000 --> 00:38:41,380 TO LOOK AT VERY RUDE BEHAVIOR. 690 00:38:41,380 --> 00:38:42,460 THANK YOU. 691 00:38:47,130 --> 00:38:48,960 - HI. - HI. 692 00:38:51,140 --> 00:38:53,020 I HAVE A SURPRISE FOR YOU. 693 00:38:53,020 --> 00:38:54,230 JOHN-- 694 00:38:54,230 --> 00:38:56,970 THE WHOLE FAMILY'S INSIDE. WE'RE HAVING DINNER. 695 00:38:56,970 --> 00:38:58,310 I'M SUPPOSED TO GO INSIDE 696 00:38:58,310 --> 00:38:59,970 AND PRETEND THAT NOTHING IS WRONG? 697 00:38:59,970 --> 00:39:01,400 WILL YOU PLEASE JUST HAVE A MEAL WITH YOUR FAMILY? 698 00:39:01,400 --> 00:39:04,320 THAT'S ALL I'M ASKING. PLEASE? 699 00:39:07,190 --> 00:39:08,190 OKAY. 700 00:39:17,120 --> 00:39:18,410 HI, EVERYBODY. 701 00:39:18,410 --> 00:39:21,260 - All: HI. - HI, KATHRYN. 702 00:39:21,260 --> 00:39:22,260 - UM-- - OH, NO. 703 00:39:22,260 --> 00:39:24,000 THIS END, PLEASE. 704 00:39:24,000 --> 00:39:26,260 - I INSIST. - OKAY. 705 00:39:27,380 --> 00:39:29,170 Kathryn: WOW. 706 00:39:29,170 --> 00:39:30,430 LOOK AT THIS. 707 00:39:30,430 --> 00:39:32,970 ( chuckles ) 708 00:39:32,970 --> 00:39:34,060 WHO COOKED? 709 00:39:35,220 --> 00:39:38,010 ( clears throat ) 710 00:39:40,060 --> 00:39:41,980 ( knocking rhythmically ) 711 00:39:45,230 --> 00:39:46,440 TOBY, PLEASE DON'T. 712 00:39:46,440 --> 00:39:49,440 ( clinks glass ) 713 00:39:49,440 --> 00:39:52,030 BAY. COME ON, STOP. 714 00:39:52,030 --> 00:39:54,990 ( shaking rhythmically ) 715 00:39:54,990 --> 00:39:56,410 WHAT ARE YOU GUYS--? 716 00:40:00,240 --> 00:40:03,340 ( all playing rhythmically ) 717 00:40:09,130 --> 00:40:10,970 WHAT'S GOING ON? 718 00:40:14,140 --> 00:40:16,050 ( pop music playing ) 719 00:40:16,050 --> 00:40:18,220 ( all playing rhythmically ) 720 00:40:22,980 --> 00:40:24,980 ♪ ME PLUS YOU ♪ 721 00:40:24,980 --> 00:40:29,440 ♪ IS GREATER THAN OR EQUAL TO ♪ 722 00:40:29,440 --> 00:40:32,200 ♪ THE SUM OF EVERY LOVE WE KNEW ♪ 723 00:40:32,200 --> 00:40:34,160 AH! 724 00:40:34,160 --> 00:40:36,990 ♪ BACK WHEN WE WERE YOUNG ♪ 725 00:40:39,990 --> 00:40:42,080 ♪ AND IF WE MULTIPLY ♪ 726 00:40:43,340 --> 00:40:46,210 ♪ I HOPE TO GOD THEY GET YOUR EYES ♪ 727 00:40:46,210 --> 00:40:47,630 OHH! 728 00:40:47,630 --> 00:40:50,970 ♪ AND WE GET SOMETHING THAT YOU CAN'T DIVIDE ♪ 729 00:40:50,970 --> 00:40:54,300 ♪ 'CAUSE BABY, YOU ARE THE ONE ♪ 730 00:40:54,300 --> 00:40:57,090 ♪ AND WE CAN DANCE OFF TIME ♪ 731 00:40:57,090 --> 00:41:02,230 ♪ TO SONGS I MAKE UP FOR YOU ♪ 732 00:41:03,310 --> 00:41:06,060 ♪ 'CAUSE EVERY WORD I WRITE ♪ 733 00:41:06,060 --> 00:41:10,270 ♪ CHORD I STRIKE IS FOR YOU ♪ 734 00:41:10,270 --> 00:41:12,200 ♪ OHH-OH ♪ 735 00:41:12,200 --> 00:41:14,990 - ♪ IT'S FOR YOU ♪ - ♪ OH OH, WHOA ♪ 736 00:41:14,990 --> 00:41:17,110 ♪ OH OH, WHOA-OH-OH ♪ 737 00:41:17,110 --> 00:41:20,320 ♪ OHH ♪ 738 00:41:20,320 --> 00:41:23,460 ♪ YOUR SUN-KISSED SKIN ♪ 739 00:41:23,460 --> 00:41:27,290 ♪ A SOUVENIR OF WHERE WE'VE BEEN ♪ 740 00:41:29,000 --> 00:41:31,970 ♪ YOU MAKE ME FEEL BORN AGAIN ♪ 741 00:41:31,970 --> 00:41:36,050 ♪ HALLELUJAH, AMEN ♪ 742 00:41:37,970 --> 00:41:39,390 ♪ AND WHEN THE ANGELS SING ♪ 743 00:41:39,390 --> 00:41:42,140 ♪ IT FEELS LIKE HEAVEN POURING DOWN ♪ 744 00:41:42,140 --> 00:41:44,980 ♪ WHEN THE CHURCH BELLS RING ♪ 745 00:41:44,980 --> 00:41:46,310 ♪ AND MY QUEEN IS CROWNED ♪ 746 00:41:46,310 --> 00:41:48,980 ♪ WELL, I COULD BE YOUR KING... ♪ 747 00:41:48,980 --> 00:41:50,140 RENZO, DID YOU DO THIS? 748 00:41:50,140 --> 00:41:52,240 NO. IT WAS ALL HIM. 749 00:41:52,240 --> 00:41:55,360 ♪ AND WE CAN DANCE OFF TIME ♪ 750 00:41:55,360 --> 00:41:57,990 ♪ TO SONGS I MAKE UP FOR YOU... ♪ 751 00:41:57,990 --> 00:42:00,070 I CAN'T BELIEVE YOU DID THIS. 752 00:42:00,070 --> 00:42:02,250 IF IT'S ADVENTURE YOU WANT, 753 00:42:02,250 --> 00:42:04,080 IT'S ADVENTURE YOU'LL GET. 754 00:42:04,080 --> 00:42:09,000 ♪ CHORD I STRIKE IS FOR YOU ♪ 755 00:42:09,000 --> 00:42:10,080 ♪ OHH, OH ♪ 756 00:42:10,080 --> 00:42:11,300 ♪ IT'S FOR YOU ♪ 757 00:42:11,300 --> 00:42:13,130 ♪ OH OH, WHOA ♪ 758 00:42:13,130 --> 00:42:15,300 ♪ OH OH, WHOA-OH-OH ♪ 759 00:42:15,300 --> 00:42:18,970 ♪ OHH ♪ 760 00:42:18,970 --> 00:42:21,310 ♪ 'CAUSE EVERY WORD I WRITE ♪ 761 00:42:21,310 --> 00:42:26,140 ♪ CHORD I STRIKE IS FOR YOU ♪ 762 00:42:26,140 --> 00:42:27,310 ♪ OHH, OH ♪ 763 00:42:27,310 --> 00:42:28,310 ♪ IT'S FOR YOU ♪ 764 00:42:28,310 --> 00:42:30,310 ♪ OH OH, WHOA ♪ 765 00:42:30,310 --> 00:42:33,070 ♪ OH OH, WHOA-OH-OH ♪ 766 00:42:33,070 --> 00:42:35,150 ♪ OHH. ♪ 51387

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