All language subtitles for Switched at Birth (2011) - S04E20 - And Always Searching for Beauty (1080p x265 EDGE2020).eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,450 --> 00:00:03,650 ♪♪ 2 00:00:04,850 --> 00:00:05,950 John: PREVIOUSLY... 3 00:00:05,950 --> 00:00:07,390 Daphne: I KISSED SOMEONE IN MEXICO. 4 00:00:07,390 --> 00:00:11,030 -WAS IT THAT AUDIOLOGIST GUY? -IT DIDN'T MEAN ANYTHING, I SWEAR. 5 00:00:11,030 --> 00:00:14,260 THEY'RE GOING OVER TO THE WAITE GALLERY FOR MY SHOW. 6 00:00:14,260 --> 00:00:18,840 THE FACT THAT THIS GUY EVEN LIKES MY STUFF IS BEYOND CRAZY. 7 00:00:18,840 --> 00:00:20,570 OH! EMMETT! 8 00:00:27,540 --> 00:00:29,920 -IT'S A BOY. -WE'RE HAVING A BOY? 9 00:00:29,920 --> 00:00:31,980 YEAH! (laughs) 10 00:00:31,980 --> 00:00:33,620 THERE'S NOTHING LEFT FOR ME TO LIQUIDATE. 11 00:00:33,620 --> 00:00:36,350 -THAT PRETTY MUCH TAPS ME OUT. -WHY DIDN'T YOU TALK TO ME? 12 00:00:36,350 --> 00:00:40,990 KATHRYN, I AM TRYING TO FIND A WAY TO MAKE THIS ALL WORK. 13 00:00:42,760 --> 00:00:46,230 HEY, STOP! REGINA, SOMEONE JUST TOOK WILL. 14 00:00:46,230 --> 00:00:48,600 SHE'S HIS MOTHER. WE'RE NOT CALLING THE POLICE. 15 00:00:48,600 --> 00:00:53,200 ERIC IS A GOOD GUY. HE ONLY TOOK WILL BECAUSE IT WAS A REALLY DANGEROUS SITUATION. 16 00:00:53,200 --> 00:00:55,000 SO ERIC IS THE KIDNAPPER. 17 00:00:55,000 --> 00:00:58,980 YOU WANNA TELL US WHY YOU LET A FUGITIVE MOVE INTO OUR HOUSE? 18 00:00:59,980 --> 00:01:01,980 I ONLY FOUND OUT A COUPLE MONTHS AGO. 19 00:01:01,980 --> 00:01:04,480 SO BEFORE YOU ASKED IF HE COULD MOVE INTO OUR HOUSE. 20 00:01:04,480 --> 00:01:07,710 HE HAD PUT IT ALL BEHIND HIM YEARS AGO. HE MADE A FRESH START. 21 00:01:07,710 --> 00:01:11,220 I DIDN'T THINK IT WAS FAIR TO TELL EVERYONE HIS PRIVATE BUSINESS. 22 00:01:11,220 --> 00:01:14,820 -THAT HE'S A FUGITIVE? -HE TOOK HIS SON OUT OF A DANGEROUS SITUATION, 23 00:01:14,820 --> 00:01:19,270 WHICH YOU AND I TALKED ABOUT. YOU SAID YOU WOULD DO WHATEVER YOU COULD TO PROTECT YOUR CHILD. 24 00:01:19,270 --> 00:01:21,200 I DIDN'T KNOW WE WERE TALKING ABOUT ERIC, 25 00:01:21,200 --> 00:01:23,130 AND I DIDN'T MEAN BREAKING THE LAW. 26 00:01:23,130 --> 00:01:25,330 HE WAS TRYING TO DO THE RIGHT THING FOR WILL. 27 00:01:25,330 --> 00:01:27,970 Kathryn: DO YOU KNOW THE RISK YOU PUT US IN? 28 00:01:27,970 --> 00:01:30,710 FOR ALL WE KNOW, WE'RE BREAKING THE LAW JUST BY HOUSING HIM! 29 00:01:30,710 --> 00:01:34,340 REGINA, YOU CALL THE COPS ON THAT GUY OR I WILL. 30 00:01:34,340 --> 00:01:37,840 I WILL FIGURE IT OUT, I PROMISE. 31 00:01:37,840 --> 00:01:42,120 -JUST GIVE ME SOME TIME. -ONE DAY. WE'LL GIVE YOU ONE DAY. 32 00:01:45,620 --> 00:01:49,460 I ALWAYS DEFEND YOU TO HIM, BUT NOT THIS TIME. 33 00:01:51,860 --> 00:01:56,030 I WANT YOU TO KNOW I'M NOT UPSET AT YOU FOR TELLING THEM. 34 00:01:56,030 --> 00:01:58,310 OH, DON'T WORRY. I'M NOT APOLOGIZING. 35 00:02:03,910 --> 00:02:07,210 (theme music plays) 36 00:02:12,120 --> 00:02:15,720 I THINK I WOULD BE A GREAT ASSET TO THE MISSION IN CHINA. 37 00:02:15,720 --> 00:02:19,030 WHILE SIGN LANGUAGE IS DIFFERENT IN EVERY COUNTRY, 38 00:02:19,030 --> 00:02:22,060 THE DEAF EXPERIENCE HAS SO MANY SIMILARITIES. 39 00:02:22,060 --> 00:02:25,360 AND MAYBE I COULD BE A ROLE MODEL TO THEM, 40 00:02:25,360 --> 00:02:29,500 TO SHOW THAT ANYTHING IS POSSIBLE FOR A DEAF PERSON. 41 00:02:29,500 --> 00:02:32,940 -IS THAT TOO CHEESY? -WELL, IT'S AN INTERVIEW, RIGHT? 42 00:02:32,940 --> 00:02:34,570 YOU'RE SUPPOSED TO SAY STUFF LIKE THAT. 43 00:02:34,570 --> 00:02:37,570 BESIDES, ISN'T THIS GABE DUDE, LIKE, MELODY'S BOYFRIEND ANYWAYS? 44 00:02:37,570 --> 00:02:39,050 DOESN'T THAT MAKE YOU A SHOO-IN? 45 00:02:39,050 --> 00:02:41,310 I DON'T WANNA TAKE ANYTHING FOR GRANTED. 46 00:02:41,310 --> 00:02:43,450 ESPECIALLY AFTER WHAT HAPPENED WITH MARILLO. 47 00:02:43,450 --> 00:02:46,610 -WELL, SHE'S WRONG. -OH, GOD, I WANT THIS. 48 00:02:46,610 --> 00:02:49,920 A SIX-WEEK INTERNSHIP IN CHINA FITTING HEARING AIDS? 49 00:02:49,920 --> 00:02:52,690 THAT WOULD LOOK AMAZING ON MY MED SCHOOL APPLICATION. 50 00:02:52,690 --> 00:02:55,320 YEAH, WHICH IS, LIKE, YEARS AWAY. 51 00:02:55,320 --> 00:02:57,220 I NEED ALL THE HELP I CAN GET. 52 00:02:57,220 --> 00:02:59,570 (sighs) ALL RIGHT, GO KICK SOME INTERVIEW BUTT. 53 00:03:04,930 --> 00:03:06,430 OH! 54 00:03:09,310 --> 00:03:12,280 CANNOT BELIEVE THAT YOU'RE HAVING YOUR OWN FREAKING SHOW AT 19. 55 00:03:12,280 --> 00:03:14,480 -THIS IS CRAZY. -YEAH, I GUESS. 56 00:03:16,440 --> 00:03:20,220 BAY. WHATEVER HAPPENS WITH REGINA 57 00:03:20,220 --> 00:03:23,390 AND ERIC AND HIS EX-WIFE, IT HAS NOTHING TO DO WITH YOU. 58 00:03:23,390 --> 00:03:27,690 IT'LL WORK ITSELF OUT. TONIGHT IS THE BIGGEST NIGHT OF YOUR LIFE. 59 00:03:27,690 --> 00:03:30,330 -YOU GOTTA ENJOY IT. -OKAY. 60 00:03:30,330 --> 00:03:32,560 YEAH. 61 00:03:32,560 --> 00:03:35,230 THAT IS THE OWNER OF THE GALLERY, MATTHEW WAITE. 62 00:03:35,230 --> 00:03:39,610 -HE'S THE ONE WHO BOOKED ME. -SWEET. GO SHMOOZE. I GOT THIS STUFF. 63 00:03:42,040 --> 00:03:46,340 HI. UM, EXCUSE ME. HEY. UM, I'M BAY KENNISH. 64 00:03:46,340 --> 00:03:49,220 -I'M SORRY. WHO? -THE ARTIST. 65 00:03:50,220 --> 00:03:51,880 THE SHOW THAT'S HAPPENING TONIGHT. 66 00:03:51,880 --> 00:03:54,520 OH, RIGHT. HEY. 67 00:03:54,520 --> 00:03:56,780 WELL, I WAS WONDERING IF I COULD SEE A PRICE SHEET. 68 00:03:56,780 --> 00:03:58,960 I MEAN, THAT'S TOTALLY UP TO YOU, OBVIOUSLY, 69 00:03:58,960 --> 00:04:01,860 I WAS JUST HOPING I COULD SEE ONE BEFORE TONIGHT. 70 00:04:01,860 --> 00:04:03,090 AND ALSO, WHAT WILL YOU BE SERVING? 71 00:04:03,090 --> 00:04:05,130 I MEAN, WINE AND CHEESE, UM, 72 00:04:05,130 --> 00:04:06,960 BUT, LIKE, WILL THERE BE ANY APPETIZERS? 73 00:04:06,960 --> 00:04:09,540 UM, ARE THERE ANY ART CRITICS COMING? 74 00:04:09,540 --> 00:04:15,000 WELL, YOU CAN SERVE WHATEVER YOU LIKE AND PRICE THEM HOWEVER YOU LIKE. 75 00:04:16,500 --> 00:04:19,780 THIS IS YOUR THING. JUST GO CRAZY. 76 00:04:19,780 --> 00:04:22,880 COOL. THANKS! 77 00:04:22,880 --> 00:04:24,750 (car starts) 78 00:04:28,460 --> 00:04:30,060 LET'S JUST GET THROUGH THIS CLOSING 79 00:04:30,060 --> 00:04:32,360 AND THIS WHOLE FINANCIAL MESS WILL BE BEHIND US. 80 00:04:32,360 --> 00:04:34,660 THANK GOD. (laughs) 81 00:04:34,660 --> 00:04:37,260 OKAY. GET YOUR GAME FACE ON. 82 00:04:40,300 --> 00:04:43,730 HEY, TOM. JOHN KENNISH, NICE TO MEET YOU. 83 00:04:43,730 --> 00:04:46,300 -MY WIFE, KATHRYN. -HI. NICE TO MEET YOU. 84 00:04:46,300 --> 00:04:49,040 A PLEASURE. I BELIEVE YOU ALREADY KNOW MY LAWYER. 85 00:04:50,480 --> 00:04:51,440 CRAIG? 86 00:04:53,380 --> 00:04:55,780 -HEY! GOOD TO SEE YOU. -GOOD TO SEE YOU. 87 00:04:57,380 --> 00:04:58,950 -WHAT WAS IT AGAIN? -John: CRAIG REPRESENTED US 88 00:04:58,950 --> 00:05:00,990 IN A LAWSUIT WE FILED AGAINST A HOSPITAL 89 00:05:00,990 --> 00:05:02,650 THAT HAD SWITCHED OUR DAUGHTERS AT BIRTH. 90 00:05:02,650 --> 00:05:04,650 BUT HE SAID THERE'D BE NO CONFLICT OF INTEREST HERE. 91 00:05:12,630 --> 00:05:15,260 -NO, NOT AT ALL. -YEAH, ABSOLUTELY NOT. 92 00:05:15,260 --> 00:05:18,610 SHALL WE HEAD IN? 93 00:05:18,610 --> 00:05:21,340 THE BUILDING ITSELF IS IN GREAT SHAPE, 94 00:05:21,340 --> 00:05:23,570 BUT THE PLUMBING IS 30 YEARS OLD. 95 00:05:23,570 --> 00:05:27,770 THE INSPECTION SHOWED CRACKS IN BOTH THE SUPPLY LINES AND THE DRAINAGE SYSTEM. 96 00:05:27,770 --> 00:05:31,880 AS A RESULT, WE'VE HAD TO REVISE OUR OFFER. 97 00:05:34,520 --> 00:05:37,350 ARE YOU KIDDING ME? 98 00:05:37,350 --> 00:05:39,590 THIS IS 30 PERCENT LESS. 99 00:05:39,590 --> 00:05:42,230 THAT'S BECAUSE I'M GONNA HAVE TO TEAR UP THE WHOLE PARKING LOT TO FIX THE PIPES, 100 00:05:42,230 --> 00:05:44,430 WHICH MEANS CLOSING DOWN FOR AT LEAST TWO MONTHS. 101 00:05:44,430 --> 00:05:47,330 THIS PLACE WAS FOR SALE "AS IS." 102 00:05:47,330 --> 00:05:49,640 YOU MADE A FIRM OFFER, WHICH WE ACCEPTED. 103 00:05:49,640 --> 00:05:52,370 -CONTINGENT ON INSPECTION. -WE HAD A DEAL. 104 00:05:52,370 --> 00:05:53,800 Kathryn: HOLD ON. WE ALL WANT THIS TO CLOSE. 105 00:05:53,800 --> 00:05:55,840 I'M SURE WE CAN FIND SOME MIDDLE GROUND. 106 00:05:55,840 --> 00:05:57,400 THERE IS NO MIDDLE GROUND HERE. 107 00:05:57,400 --> 00:06:01,080 WE WILL NOT ACCEPT ANYTHING LESS THAN YOUR ORIGINAL OFFER. 108 00:06:01,080 --> 00:06:02,880 WELL, I'M SORRY, BUT THAT'S AS HIGH AS I'LL GO. 109 00:06:02,880 --> 00:06:06,850 THEN YOU'RE GONNA HAVE TO FIND ANOTHER CAR WASH. 110 00:06:12,660 --> 00:06:15,320 WILL SHOULD GET BOTH OF HIS PARENTS 111 00:06:15,320 --> 00:06:19,700 OR HE'LL ALWAYS FEEL LIKE HE MISSED OUT ON ONE OF THEM. TRUST ME ON THIS. 112 00:06:19,700 --> 00:06:22,670 YOU WANT ME AND HOPE TO GET BACK TOGETHER AND LIVE HAPPILY EVER AFTER? 113 00:06:22,670 --> 00:06:26,830 -THAT'S NEVER GONNA HAPPEN. -I'M NOT SAYING LIVE TOGETHER, BUT PARENT TOGETHER. 114 00:06:26,830 --> 00:06:31,210 IF YOU WERE TO MOVE BACK TO ATLANTA, WITH ALL THREE OF YOU LIVING IN THE SAME CITY-- 115 00:06:31,210 --> 00:06:33,910 -I CAN'T STAND THAT WOMAN! -THINK ABOUT WILL. 116 00:06:33,910 --> 00:06:37,910 IF SHE IS WILLING AND ABLE TO BE PART OF HIS LIFE RIGHT NOW, 117 00:06:37,910 --> 00:06:40,720 -HE DESERVES THAT. -WELL, SHE DOESN'T DESERVE HIM. 118 00:06:40,720 --> 00:06:43,550 THIS ISN'T ABOUT WHAT SHE WANTS OR WHAT YOU WANT. 119 00:06:43,550 --> 00:06:45,490 THIS IS ABOUT WHAT'S BEST FOR YOUR SON. 120 00:06:45,490 --> 00:06:47,290 HOW CAN YOU EVEN SUGGEST THIS? 121 00:06:47,290 --> 00:06:50,660 BECAUSE I'M TRYING TO KEEP YOU AND WILL TOGETHER! 122 00:06:50,660 --> 00:06:53,600 BESIDES KEEPING YOU OUT OF JAIL. 123 00:06:53,600 --> 00:06:56,460 DO YOU REALLY THINK THIS IS EASY FOR ME? 124 00:06:59,040 --> 00:07:01,970 WELL, EVEN IF I SAID YES, HOPE WOULD NEVER GO FOR IT. 125 00:07:01,970 --> 00:07:04,970 SHE HATES ME JUST AS MUCH AS I HATE HER. 126 00:07:04,970 --> 00:07:07,710 LET ME TALK TO HER, MOTHER TO MOTHER. 127 00:07:14,120 --> 00:07:19,630 Bay: HI. YES, I'M ON HOLD FOR KENDALL BOOTH, THE ART CRITIC? 128 00:07:22,390 --> 00:07:25,730 OH, HI, MS. BOOTH! 129 00:07:25,730 --> 00:07:29,570 HI! YES, I'M CALLING FROM THE WAITE GALLERY. 130 00:07:29,570 --> 00:07:34,400 MY NAME IS... JOAN CABERNET. 131 00:07:34,400 --> 00:07:37,370 IT IS SO NICE TO SPEAK WITH YOU. UM... 132 00:07:37,370 --> 00:07:40,550 I WAS JUST CALLING TO TELL YOU ABOUT A SHOW HAPPENING TONIGHT 133 00:07:40,550 --> 00:07:43,650 WITH A PROMISING YOUNG ARTIST THAT I WANTED TO ALERT YOU ABOUT. 134 00:07:43,650 --> 00:07:48,050 HER NAME IS BAY KENNISH, AND I REALLY, REALLY THINK YOU'RE GOING TO ENJOY HER WORK. 135 00:07:48,050 --> 00:07:52,820 IT'S SORT OF BARBARA KRUGER MEETS FRIDA KAHLO MEETS TYPOGRAPHY. 136 00:07:55,320 --> 00:07:57,790 YOU WILL? ALL RIGHT! YES! 137 00:07:57,790 --> 00:08:00,070 YES, THE SHOW IS FROM SEVEN TO NINE. 138 00:08:00,070 --> 00:08:03,830 AND I WILL SEE YOU TONIGHT. OKAY, BYE. 139 00:08:03,830 --> 00:08:07,170 SHE'S COMING! 140 00:08:11,780 --> 00:08:13,510 -QUINN! -HI, YOU. 141 00:08:13,510 --> 00:08:15,680 (chuckles) WHAT ARE YOU DOING HERE? 142 00:08:15,680 --> 00:08:17,580 I'M ACTUALLY INTERVIEWING YOU. 143 00:08:17,580 --> 00:08:19,250 I THOUGHT I WAS MEETING WITH GABE. 144 00:08:19,250 --> 00:08:20,650 THERE'S BEEN A CHANGE OF PLANS. 145 00:08:20,650 --> 00:08:25,190 -I'M TAKING THE LEAD. -OH, COOL. 146 00:08:25,190 --> 00:08:26,890 IT'S GOOD TO SEE YOU! (laughs) 147 00:08:26,890 --> 00:08:30,160 -SHOULD WE GET STARTED? -YEAH, SURE. 148 00:08:30,160 --> 00:08:32,800 HEY, LOOK, UM... 149 00:08:32,800 --> 00:08:36,900 I REALLY WANT THIS INTERNSHIP, BUT I DON'T WANT THINGS TO BE WEIRD. 150 00:08:36,900 --> 00:08:39,640 -WHY WOULD THEY BE WEIRD? -YOU KNOW... 151 00:08:39,640 --> 00:08:41,640 EVERYTHING THAT HAPPENED WITH US? 152 00:08:41,640 --> 00:08:43,440 IT'S ALL BEHIND US. 153 00:08:43,440 --> 00:08:45,710 I PROMISE I'LL TREAT YOU LIKE ANYBODY ELSE. 154 00:08:45,710 --> 00:08:49,180 -COMPLETELY PROFESSIONAL. -OKAY. GREAT. LET'S DO THIS. 155 00:08:49,180 --> 00:08:50,320 ALL RIGHT. 156 00:08:55,820 --> 00:08:58,760 THEY CHANGED THE DEAL ON US! WHAT WAS I SUPPOSED TO DO? 157 00:08:58,760 --> 00:09:00,860 YOU'RE SUPPOSED TO STAY AT THE TABLE AND NEGOTIATE, 158 00:09:00,860 --> 00:09:02,690 NOT WALK AWAY WITHOUT EVEN CONSULTING ME! 159 00:09:02,690 --> 00:09:05,390 -THERE WILL BE OTHER OFFERS. -AND WHAT IF THERE'S NOT? 160 00:09:05,390 --> 00:09:08,560 JOHN, WE'RE RUNNING OUT OF MOVES ON THE CHESS BOARD HERE. WHAT'S NEXT, HUH? 161 00:09:08,560 --> 00:09:11,500 DON'T OVERREACT. EVERYTHING IS GONNA BE FINE. 162 00:09:11,500 --> 00:09:14,840 I HAVE BEEN CALM FOR MONTHS, WAITING FOR YOU TO CLEAN UP THIS MESS. 163 00:09:14,840 --> 00:09:18,370 AND NOW I HAVE TO GO PUT ON A DRESS AND GO TO MY DAUGHTER'S GALLERY OPENING 164 00:09:18,370 --> 00:09:22,050 AND ACT LIKE EVERYTHING IS FINE. WHEN DO I GET TO PANIC, 165 00:09:22,050 --> 00:09:26,710 AND GET ANGRY AND OUTRAGED AND STOMP OUT OF THE ROOM? HUH?! 166 00:09:26,710 --> 00:09:28,410 WHEN IS MY TURN?! 167 00:09:43,800 --> 00:09:46,830 (no audible dialogue) 168 00:09:57,040 --> 00:10:00,220 -HOW'S KEON? -FINE. 169 00:10:00,220 --> 00:10:03,090 ARE YOU SURE YOU'RE OKAY WITH THIS? 170 00:10:03,090 --> 00:10:06,190 ACTUALLY, NO. I DON'T LIKE IT ONE BIT. 171 00:10:06,190 --> 00:10:09,360 -SEE? I TOLD YOU. -BUT I LOVE MY SON. 172 00:10:10,960 --> 00:10:13,800 HE DESERVES BOTH A MOTHER AND A FATHER. 173 00:10:13,800 --> 00:10:15,730 HOW DO I KNOW YOU'RE NOT GONNA RUN AGAIN? 174 00:10:15,730 --> 00:10:17,860 YOU'LL HAVE TO TRUST ME. 175 00:10:17,860 --> 00:10:20,070 JUST LIKE I HAVE TO TRUST THAT YOU'RE DONE WITH DRUGS. 176 00:10:20,070 --> 00:10:22,410 -I AM. -TIME WILL TELL. 177 00:10:22,410 --> 00:10:26,510 KEON AND I STILL NEED MONEY, AND WE HAD A DEAL. 178 00:10:26,510 --> 00:10:31,420 THE CRACKED MUG. I'LL BUY YOU OUT. FIFTY GRAND. 179 00:10:32,580 --> 00:10:33,750 TAKE IT OR LEAVE IT. 180 00:10:35,920 --> 00:10:38,760 FINE. WE'LL MEET YOU BACK HERE. 181 00:10:43,030 --> 00:10:45,460 I CAN'T BELIEVE YOU GOT HER TO AGREE. 182 00:10:45,460 --> 00:10:47,290 SHE LOVES HER SON TOO. 183 00:10:48,330 --> 00:10:50,740 COME ON. YOU GOTTA PACK. 184 00:10:57,740 --> 00:11:00,610 WOW. HI. 185 00:11:00,610 --> 00:11:02,180 THANKS FOR MEETING WITH ME. 186 00:11:02,180 --> 00:11:03,710 I WAS SURPRISED TO GET YOUR TEXT. 187 00:11:05,650 --> 00:11:08,080 UH... 188 00:11:08,080 --> 00:11:09,860 JOHN DOESN'T KNOW I'M HERE. 189 00:11:11,660 --> 00:11:15,260 -SO WHERE ARE YOU GONNA BE AGAIN? -EVERYWHERE! 190 00:11:15,260 --> 00:11:19,200 BEIJING, SHANGHAI, HONG KONG, UH, GUANGZHOU. 191 00:11:19,200 --> 00:11:21,600 -(laughs) -TOLD YOU YOU'D NAIL IT. 192 00:11:21,600 --> 00:11:25,700 -THANK YOU. OR "SHIEH SHIEH!" -OH. 193 00:11:27,630 --> 00:11:30,580 THERE'S ACTUALLY SOMETHING ELSE I HAVE TO TELL YOU. 194 00:11:30,580 --> 00:11:35,210 -OKAY. -UM, QUINN IS COMING ON THE TRIP. 195 00:11:35,210 --> 00:11:38,850 HOW DO YOU KNOW THAT? I THOUGHT YOU GUYS WEREN'T TALKING ANYMORE. 196 00:11:38,850 --> 00:11:42,890 UH, WE'RE NOT. 197 00:11:42,890 --> 00:11:45,150 BUT HE INTERVIEWED ME TODAY. 198 00:11:45,150 --> 00:11:48,490 WAIT, WAIT, THIS GUY IS IN KC? 199 00:11:48,490 --> 00:11:51,860 YEAH, HE'S TAKING OVER FOR GABE. 200 00:11:51,860 --> 00:11:54,700 UM, SO HE WAS THE ONE WHO GAVE YOU THE JOB? 201 00:11:54,700 --> 00:11:57,400 TECHNICALLY, YEAH. 202 00:11:58,870 --> 00:12:02,310 -WHAT? -HE'S TRYING TO GET IN YOUR PANTS. 203 00:12:02,310 --> 00:12:05,910 -OR I'M QUALIFIED FOR THE JOB. -THAT IS SO NAIVE. 204 00:12:05,910 --> 00:12:07,810 IT'S NAIVE TO THINK I'M QUALIFIED? 205 00:12:07,810 --> 00:12:10,020 IT'S NAIVE TO THINK THAT THE FACT THAT HE KISSED YOU 206 00:12:10,020 --> 00:12:12,180 AND IS ATTRACTED TO YOU HAS NO PART OF HIS DECISION. 207 00:12:12,180 --> 00:12:16,380 WE TALKED ABOUT IT. HE SAID HE'D KEEP IT COMPLETELY PROFESSIONAL. 208 00:12:16,380 --> 00:12:18,750 OF COURSE HE'S GONNA SAY THAT. WHAT ELSE IS HE GONNA SAY? 209 00:12:18,750 --> 00:12:21,390 WELL, HE'S COMING TO BAY'S OPENING TONIGHT. 210 00:12:21,390 --> 00:12:24,160 -YOU INVITED HIM? -OF COURSE NOT! 211 00:12:24,160 --> 00:12:27,330 MELODY AND GABE ARE BRINGING HIM. 212 00:12:27,330 --> 00:12:31,100 -BABE, IT'S ALL GOOD. -YEAH, FOR HIM, IT IS. 213 00:12:31,100 --> 00:12:34,000 MINGO, THERE'S NOTHING TO WORRY ABOUT. 214 00:12:34,000 --> 00:12:36,970 AND I WILL TONGUE KISS YOU IN FRONT OF HIM ALL NIGHT LONG 215 00:12:36,970 --> 00:12:40,380 IF THAT'S WHAT IT TAKES TO PROVE TO YOU THERE'S NOTHING GOING ON. 216 00:12:40,380 --> 00:12:44,910 PERFECT. CAN'T WAIT TO MEET THE GUY WHO KISSED YOU AND THEN OFFERED YOU A JOB. 217 00:12:46,150 --> 00:12:48,280 BUT "IT'S ALL GOOD." 218 00:12:51,220 --> 00:12:53,820 (soft rock plays) 219 00:12:59,430 --> 00:13:03,400 ♪ Gonna follow where my heart will lead ♪ 220 00:13:03,400 --> 00:13:07,700 ♪ Gonna fill this life with you plus me ♪ 221 00:13:07,700 --> 00:13:11,980 ♪ And paint our world in shades of love ♪ 222 00:13:11,980 --> 00:13:16,080 ♪ Gonna plant a flower and watch it grow ♪ 223 00:13:16,080 --> 00:13:19,120 ♪ Gonna make ourselves a happy home ♪ 224 00:13:19,120 --> 00:13:20,950 -HEY! -WHOA! 225 00:13:20,950 --> 00:13:24,120 -(all chattering at once) -AMAZING! 226 00:13:24,120 --> 00:13:25,890 -WOW! -HOW ARE YOU FEELING? 227 00:13:25,890 --> 00:13:30,900 -OH, I'M GOOD, THANK YOU. -SWEETIE, WE ARE SO PROUD OF YOU. 228 00:13:30,900 --> 00:13:33,330 THANK YOU. I'M NERVOUS. 229 00:13:33,330 --> 00:13:35,200 ARE YOU KIDDING? IT'S GONNA BE GREAT. 230 00:13:35,200 --> 00:13:38,870 -FOR SURE. -WHERE'S MOM? 231 00:13:38,870 --> 00:13:40,370 UH, SHE'S COMING. 232 00:13:44,770 --> 00:13:49,050 I UNDERSTAND THAT THE PLACE ISN'T BRAND-NEW, BUT 30 PERCENT LESS? 233 00:13:49,050 --> 00:13:51,350 WE BOTH KNOW THAT'S NOT FAIR. 234 00:13:51,350 --> 00:13:53,350 WE ASSUMED THERE WAS GONNA BE A NEGOTIATION, 235 00:13:53,350 --> 00:13:56,280 NOT A BLOW-UP AND A COMPLETE SHUTDOWN OF TALKS. 236 00:13:56,280 --> 00:14:01,090 OKAY. HOW ABOUT THIS: 20 PERCENT AND A SHORTER ESCROW? 237 00:14:01,090 --> 00:14:03,960 IF I SAY... 238 00:14:03,960 --> 00:14:06,790 I'LL PUSH HIM UP TO 15 PERCENT, 239 00:14:06,790 --> 00:14:08,490 CAN WE STOP TALKING ABOUT THIS? 240 00:14:08,490 --> 00:14:11,500 (laughs) YEAH. 241 00:14:13,070 --> 00:14:16,070 (chuckles) YEAH. 242 00:14:16,070 --> 00:14:19,280 SO, MINGO, THIS IS QUINN. 243 00:14:19,280 --> 00:14:21,350 QUINN, THIS IS MY BOYFRIEND, MINGO. 244 00:14:21,350 --> 00:14:22,910 NICE TO FINALLY MEET YOU. 245 00:14:24,050 --> 00:14:26,380 HEY, I HEAR YOU'RE THE GUNS AND BUNS CHAMP 246 00:14:26,380 --> 00:14:28,510 OF SOUTH PADRE ISLAND. 247 00:14:28,510 --> 00:14:30,960 GONNA DEFEND YOUR TITLE NEXT YEAR? 248 00:14:30,960 --> 00:14:33,120 I MIGHT HAVE MENTIONED IT. 249 00:14:33,120 --> 00:14:37,920 SO YOU DON'T SIGN, HUH? DAPHNE DIDN'T MENTION THAT. 250 00:14:37,920 --> 00:14:43,170 I JUST ASSUMED YOU WORKING WITH DEAF PEOPLE ALL DAY, YOU MIGHT TAKE A LESSON. 251 00:14:43,170 --> 00:14:48,100 ACTUALLY, I WAS THINKING OF OFFERING CLASSES TO EVERYONE IN THE GROUP. 252 00:14:48,100 --> 00:14:50,140 THAT'S SUCH A GOOD IDEA. 253 00:14:50,140 --> 00:14:52,140 OH, MAN, I WAS LOOKING UP HIKES IN CHINA. 254 00:14:52,140 --> 00:14:55,710 THERE'S THIS PLACE CALLED TIGER LEAPING GORGE, HOW COOL IS THAT? 255 00:14:55,710 --> 00:14:57,340 IT'S AN 18 MILE HIKE, BUT I KNOW YOU'RE UP FOR IT. 256 00:14:57,340 --> 00:15:00,690 SHE'S A MACHINE. I COULD BARELY KEEP UP WITH HER IN MEXICO. 257 00:15:00,690 --> 00:15:04,650 I KNOW. WE GO RUNNING TOGETHER EVERY MORNING. 258 00:15:04,650 --> 00:15:07,790 I'M GONNA GO GRAB A DRINK. 259 00:15:07,790 --> 00:15:09,560 -CAN I GET YOU GUYS ANYTHING? -NO. 260 00:15:09,560 --> 00:15:11,560 I'M GOOD, THANKS. 261 00:15:16,200 --> 00:15:18,900 HE IS DEFINITELY INTO YOU. 262 00:15:25,210 --> 00:15:28,340 WHAT HAVE YOU BEEN DOING THE PAST THREE YEARS? 263 00:15:28,340 --> 00:15:31,680 UH, WELL, LET'S SEE. UH... 264 00:15:31,680 --> 00:15:35,350 I WROTE A MEMOIR ABOUT THE SWITCH, WHICH YOU KNOW ABOUT. 265 00:15:35,350 --> 00:15:40,160 AND THEN I, UM, WROTE AN EROTICA NOVEL. 266 00:15:40,160 --> 00:15:42,630 I KNEW THAT. 267 00:15:42,630 --> 00:15:44,190 I WAS IN A BOOKSTORE IN THE PHILLY AIRPORT, 268 00:15:44,190 --> 00:15:46,660 I STARTED BRAGGING TO THE GIRL BEHIND THE COUNTER. 269 00:15:46,660 --> 00:15:49,070 "I KNOW HER, I KNOW HER!" 270 00:15:49,070 --> 00:15:52,340 ACTUALLY, READ IT. PRETTY RACY. HM? 271 00:15:52,340 --> 00:15:55,070 (laughs) 272 00:15:55,070 --> 00:15:57,940 YOU KNOW, I ALMOST REACHED OUT TO YOU... 273 00:16:00,180 --> 00:16:01,250 YOU SHOULD'VE. 274 00:16:06,910 --> 00:16:09,660 (soft rock plays) 275 00:16:12,760 --> 00:16:16,020 ♪ Don't hold me like I'm going ♪ 276 00:16:17,520 --> 00:16:22,370 ♪ Don't look at me like I'm gone ♪ 277 00:16:22,370 --> 00:16:28,270 ♪ 'Cause when it all comes down to it ♪ 278 00:16:28,270 --> 00:16:31,310 -♪ We're all going... ♪ -HI, MS. BOOTH? 279 00:16:31,310 --> 00:16:34,240 -OH. YES. -OH, YOU CAME! 280 00:16:34,240 --> 00:16:37,440 -I'M BAY KENNISH. -OH. NICE TO MEET YOU. 281 00:16:37,440 --> 00:16:40,150 -(both laugh) -NICE TO MEET YOU TOO. 282 00:16:40,150 --> 00:16:44,090 -WANT TO GIVE ME A TOUR? -UH, YES. ABSOLUTELY. COME ON. 283 00:16:44,090 --> 00:16:47,020 ♪ And when it all comes down to it in this ♪ 284 00:16:47,020 --> 00:16:50,330 ♪ Silly world and its crazy fit of life ♪ 285 00:16:50,330 --> 00:16:54,100 ♪ We're all going somehow ♪ 286 00:18:01,400 --> 00:18:04,070 SO WHAT INSPIRED THESE? 287 00:18:04,070 --> 00:18:08,600 WELL, UM, I HAD AN EXPERIENCE THIS YEAR... 288 00:18:08,600 --> 00:18:11,540 A PRIVATE ONE, THAT WAS SUDDENLY MADE PUBLIC, 289 00:18:11,540 --> 00:18:14,240 AND A LOT OF PEOPLE HAD OPINIONS ABOUT IT. 290 00:18:14,240 --> 00:18:18,310 THEY USED LANGUAGE, BOTH VERBAL AND WRITTEN, TO LABEL ME, 291 00:18:18,310 --> 00:18:21,550 TO DEFINE MY EXPERIENCE FOR ME. 292 00:18:23,420 --> 00:18:25,220 UH, WHAT'S GOING ON? 293 00:18:25,220 --> 00:18:28,220 -OH. HI, MATT. -SO WHAT ARE YOU DOING HERE? 294 00:18:28,220 --> 00:18:30,630 SOMEONE FROM YOUR OFFICE INVITED ME. 295 00:18:30,630 --> 00:18:32,860 IF THEY DID, THAT WAS A MISUNDERSTANDING, 296 00:18:32,860 --> 00:18:34,360 AND I'D LIKE TO KNOW WHO CALLED YOU. 297 00:18:34,360 --> 00:18:36,900 A JOAN CABERNET? 298 00:18:40,410 --> 00:18:44,570 THAT... MUST'VE BEEN MY PUBLICIST. 299 00:18:44,570 --> 00:18:45,870 UM... 300 00:18:45,870 --> 00:18:49,140 I'M GONNA GO GET SOME WINE. 301 00:18:51,150 --> 00:18:53,320 I'M SO SORRY. 302 00:18:53,320 --> 00:18:56,350 I JUST KNOW THAT IT'S STANDARD TO INVITE CRITICS TO OPENINGS, 303 00:18:56,350 --> 00:18:58,950 AND SINCE YOU HADN'T HAD A CHANCE TO DO IT-- 304 00:18:58,950 --> 00:19:01,430 YOU KNOW WHAT? I'VE HAD ENOUGH OF THIS. 305 00:19:01,430 --> 00:19:04,530 I AGREED TO PRETEND THIS WAS A REAL SHOW TO MAKE YOUR BOYFRIEND HAPPY, 306 00:19:04,530 --> 00:19:06,990 BUT WHEN YOU PUT MY REPUTATION ON THE LINE 307 00:19:06,990 --> 00:19:09,440 BY INVITING MY COLLEAGUE USING MY NAME-- 308 00:19:09,440 --> 00:19:12,270 WAIT, REAL SHOW? 309 00:19:12,270 --> 00:19:14,540 DID YOU SAY "BOYFRIEND"? I'M SORRY. 310 00:19:14,540 --> 00:19:16,340 I HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 311 00:19:16,340 --> 00:19:18,840 THIS IS A RENTAL, SWEETIE. 312 00:19:18,840 --> 00:19:22,350 I WAS DARK BETWEEN SHOWS, SO SOMETIMES I LET PEOPLE RENT THE PLACE OUT. 313 00:19:22,350 --> 00:19:25,010 YOUR BOYFRIEND PAID ME $400 FOR THE NIGHT. 314 00:19:25,010 --> 00:19:27,980 I HADN'T SEEN YOUR WORK UNTIL JUST NOW. 315 00:19:27,980 --> 00:19:30,660 I DON'T HAVE A BOYFRIEND. 316 00:19:30,660 --> 00:19:32,690 TREVOR. 317 00:19:32,690 --> 00:19:36,190 -TRENTON. -TRAVIS? 318 00:19:36,190 --> 00:19:39,060 AND THERE YOU GO. 319 00:19:46,400 --> 00:19:49,680 HERE'S THE TITLE AND PAPERWORK FOR ALL THE BUSINESS. 320 00:19:49,680 --> 00:19:53,140 -AND I WIRED YOU THE MONEY. -THANK YOU. 321 00:19:53,140 --> 00:19:55,940 AS SOON AS YOU GUYS GET SETTLED, I'LL COME FOR A VISIT. 322 00:19:55,940 --> 00:20:00,050 ABSOLUTELY. THIS ISN'T A GOODBYE. 323 00:20:02,620 --> 00:20:05,420 I CAN STILL PICTURE THE FIRST TIME I SAW YOU, 324 00:20:05,420 --> 00:20:07,650 WALKING INTO THE CRACKED MUG. 325 00:20:07,650 --> 00:20:11,460 I'D JUST BROKEN A TAILLIGHT ON YOUR MOTORCYCLE. 326 00:20:11,460 --> 00:20:12,900 I THOUGHT YOU WERE SO BEAUTIFUL. 327 00:20:23,470 --> 00:20:25,210 OH, MY GOD! 328 00:20:26,370 --> 00:20:27,840 -ARE YOU OKAY? -ARE YOU HURT? 329 00:20:27,840 --> 00:20:30,050 -I'M FINE. -WHERE'S YOUR MOM? 330 00:20:30,050 --> 00:20:31,850 I SNUCK OUT OF THE MOTEL WHEN SHE WENT TO PAY THE BILL. 331 00:20:31,850 --> 00:20:33,420 SHE SAID ME AND YOU ARE GOING TO ATLANTA WITH HER, 332 00:20:33,420 --> 00:20:35,550 AND I WANTED TO SAY GOODBYE TO REGINA. 333 00:20:35,550 --> 00:20:39,220 -OH, SWEETIE. -I LIKE LIVING HERE. 334 00:20:39,220 --> 00:20:42,090 -I DON'T WANT TO GO. -I DON'T WANT YOU TO EITHER, 335 00:20:42,090 --> 00:20:44,790 BUT NOW YOU GET TO SPEND TIME WITH BOTH YOUR PARENTS. 336 00:20:46,190 --> 00:20:48,460 WILL, GO CHECK YOUR ROOM, 337 00:20:48,460 --> 00:20:51,070 MAKE SURE I DIDN'T FORGET ANYTHING THAT YOU WANT. HURRY. 338 00:20:51,070 --> 00:20:53,400 ERIC, NO. 339 00:20:53,400 --> 00:20:55,400 PLEASE DON'T RUN. PLEASE. 340 00:20:55,400 --> 00:20:57,270 I CAN'T RAISE HIM WITH THAT WOMAN. 341 00:20:57,270 --> 00:20:59,550 ERIC, LISTEN. IF YOU RUN, IT'LL NEVER END. 342 00:20:59,550 --> 00:21:02,410 YOU'LL SPEND THE REST OF YOUR LIFE LOOKING OVER YOUR SHOULDER. 343 00:21:02,410 --> 00:21:04,550 I MADE PEACE WITH THAT A LONG TIME AGO. 344 00:21:04,550 --> 00:21:07,380 IF YOU GO, I WILL NEVER SEE YOU AGAIN. 345 00:21:07,380 --> 00:21:10,990 -I'M SORRY -OKAY, DAD. I'M READY. 346 00:21:10,990 --> 00:21:13,320 PLEASE RECONSIDER. 347 00:21:16,690 --> 00:21:19,020 LOOK, SAY WHATEVER YOU GOTTA SAY TO GET OUT OF THIS. 348 00:21:19,020 --> 00:21:21,400 LIE ABOUT ME. DO WHAT YOU GOTTA DO. 349 00:21:22,670 --> 00:21:24,830 I LOVE YOU. 350 00:21:38,580 --> 00:21:41,890 -WHERE'S BAY? -OH. HELLO. 351 00:21:41,890 --> 00:21:45,320 SHE'S MAKING THE ROUNDS, I WOULD IMAGINE. 352 00:21:45,320 --> 00:21:49,290 -IS THAT A NEW DRESS? -YEAH, I, UH, I WENT SHOPPING. 353 00:21:49,290 --> 00:21:54,030 GOOD FOR YOU. YOU DESERVE A LITTLE RETAIL THERAPY. 354 00:21:54,030 --> 00:21:57,800 AND I HAD A DRINK WITH CRAIG TEBBE. 355 00:21:57,800 --> 00:22:01,470 -EXCUSE ME? -I WANTED TO TALK ABOUT THE DEAL. 356 00:22:01,470 --> 00:22:05,410 -YOU WENT BEHIND MY BACK? -I'M HANDLING IT. 357 00:22:05,410 --> 00:22:07,570 YOU WENT AND HAD A DRINK WITH A GUY 358 00:22:07,570 --> 00:22:10,450 WHO'S 15 YEARS YOUNGER THAN YOU, IN THAT DRESS, 359 00:22:10,450 --> 00:22:11,980 THAT'S HOW YOU HANDLED IT? 360 00:22:11,980 --> 00:22:15,250 WE BOTH NEED THIS DEAL TO CLOSE. 361 00:22:15,250 --> 00:22:19,020 LOOK ME IN THE EYE AND YOU TELL ME THAT IT WAS ALL ABOUT THE DEAL. 362 00:22:22,660 --> 00:22:24,930 THAT'S EXACTLY WHAT I THOUGHT. 363 00:22:24,930 --> 00:22:28,690 WHAT IS THIS, KATHRYN, SOME KIND OF MIDLIFE CRISIS? 364 00:22:28,690 --> 00:22:32,600 YOU'RE ABOUT TO BE A GRANDMOTHER, FOR GOD'S SAKE. IT'S EMBARRASSING. 365 00:22:32,600 --> 00:22:36,540 YOU KNOW WHAT'S NOT EMBARRASSING? 366 00:22:36,540 --> 00:22:40,350 WE SETTLED AT 15 PERCENT LESS INSTEAD OF 30. 367 00:22:40,350 --> 00:22:42,350 WELL, CONGRATULATIONS. 368 00:22:42,350 --> 00:22:43,950 WHAT'D YOU HAVE TO DO TO MAKE THAT HAPPEN? 369 00:22:43,950 --> 00:22:46,680 WE JUST TALKED. 370 00:22:46,680 --> 00:22:48,510 BUT YOU KNOW WHAT? IT WAS NICE. 371 00:22:48,510 --> 00:22:51,660 IT WAS NICE TO SIT IN A BAR AND HAVE A DRINK WITH A HANDSOME GUY 372 00:22:51,660 --> 00:22:54,590 AND NOT TALK ABOUT THE FUGITIVE LIVING IN OUR GUESTHOUSE 373 00:22:54,590 --> 00:22:57,020 AND OUR FINANCIAL PROBLEMS. 374 00:22:57,020 --> 00:23:01,100 WELL, THAT'S MARRIAGE. WHAT DO YOU WANT ME TO SAY? 375 00:23:01,100 --> 00:23:04,930 I WANT YOU TO THANK ME FOR SAVING OUR ASSES. 376 00:23:13,680 --> 00:23:17,510 -HEY. HAVING FUN? -YEAH. 377 00:23:17,510 --> 00:23:22,520 I LOVE YOUR PORTRAIT. "ZOMBIE LOVER." "PUERTO RICAN"? 378 00:23:22,520 --> 00:23:24,990 YOU GAVE ME THIS INTERNSHIP 379 00:23:24,990 --> 00:23:27,590 BECAUSE I'M QUALIFIED FOR THE JOB, RIGHT? 380 00:23:29,350 --> 00:23:31,130 I JUST WANT TO MAKE IT PERFECTLY CLEAR 381 00:23:31,130 --> 00:23:33,400 THAT I HAVE A BOYFRIEND. 382 00:23:33,400 --> 00:23:34,900 PLUS, YOU'LL BE MY BOSS OUT THERE, 383 00:23:34,900 --> 00:23:39,810 AND I'VE BEEN DOWN THAT ROAD, TOTAL DISASTER. 384 00:23:39,810 --> 00:23:43,310 BUT THAT'S NOT WHAT THIS IS, RIGHT? 385 00:23:43,310 --> 00:23:46,670 HEY, UH, WHAT'S GOING ON HERE? 386 00:23:46,670 --> 00:23:49,550 UH, WE'RE JUST HAVING A CONVERSATION. 387 00:23:49,550 --> 00:23:52,380 COOL, I'LL JUST BE JOINING IT, THEN. 388 00:23:52,380 --> 00:23:55,750 IT'S ABOUT THE TRIP. I JUST NEED A MINUTE. 389 00:23:55,750 --> 00:23:57,750 YEAH, THERE'S A GYM AROUND THE CORNER. 390 00:23:57,750 --> 00:23:59,560 MAYBE YOU COULD PICK UP A PROTEIN SHAKE. 391 00:23:59,560 --> 00:24:01,060 -EXCUSE ME? -HEY. 392 00:24:01,060 --> 00:24:03,190 WILD GUESS HERE, BUT MAYBE SHE'S LOOKING 393 00:24:03,190 --> 00:24:06,560 FOR SOMETHING WITH A LITTLE MORE DEPTH. YOU KNOW, COMPLEXITY. 394 00:24:07,560 --> 00:24:09,870 EVEN THOUGH I WANNA PUNCH YOU 395 00:24:09,870 --> 00:24:12,370 IN THE FACE RIGHT NOW, 396 00:24:12,370 --> 00:24:14,370 THIS IS REALLY IMPORTANT TO MY GIRLFRIEND. 397 00:24:14,370 --> 00:24:16,570 SO I'M GOING TO WALK AWAY. 398 00:24:23,410 --> 00:24:24,880 I DON'T THINK THIS IS GOING TO WORK OUT. 399 00:24:24,880 --> 00:24:27,780 -WHAT ISN'T? -CHINA. 400 00:24:27,780 --> 00:24:32,560 -YOU'RE WITHDRAWING YOUR OFFER? -THIS HAS JUST GOTTEN REALLY... MESSY. 401 00:24:32,560 --> 00:24:35,290 NO! NO, NO, NO! IT'S NOT MESSY. 402 00:24:35,290 --> 00:24:36,720 I JUST WANT TO DO THE JOB. 403 00:24:36,720 --> 00:24:38,790 NONE OF THIS WILL BE A PROBLEM IN CHINA. 404 00:24:38,790 --> 00:24:40,730 YEAH, I DON'T KNOW ABOUT THAT. 405 00:24:40,730 --> 00:24:43,870 QUINN, EVERYTHING I SAID IN MY INTERVIEW WAS TRUE. 406 00:24:43,870 --> 00:24:45,670 YOU KNOW I COULD HELP THOSE PEOPLE. 407 00:24:45,670 --> 00:24:47,170 I KNOW WHAT THEY'RE GOING THROUGH. 408 00:24:47,170 --> 00:24:50,440 PLEASE, JUST LET ME COME AND DO THE WORK. 409 00:24:50,440 --> 00:24:52,940 I'M SORRY. 410 00:25:03,690 --> 00:25:05,850 WHY DO YOU KEEP DOING THIS? 411 00:25:07,490 --> 00:25:09,630 DO YOU REALLY THINK THAT I'M SO PATHETIC 412 00:25:09,630 --> 00:25:12,130 THAT I CAN'T DO ANYTHING FOR MYSELF? 413 00:25:17,460 --> 00:25:21,110 MY FIRST-EVER COMMISSION WAS A LADY WHO JUST WANTED 414 00:25:21,110 --> 00:25:22,740 TO GET CLOSE TO ME TO KIDNAP HER KID BACK, 415 00:25:22,740 --> 00:25:25,870 AND NOW I FIND OUT THAT THE ONLY EXPERT 416 00:25:25,870 --> 00:25:28,670 WHO'S EVER VALIDATED MY WORK WAS PAID OFF? 417 00:25:28,670 --> 00:25:32,720 I FEEL LIKE A FIVE-YEAR-OLD WHO JUST FOUND OUT HER PARENTS 418 00:25:32,720 --> 00:25:36,550 PAID KIDS TO COME TO HER BIRTHDAY PARTY! 419 00:25:40,130 --> 00:25:44,630 BUT I WANT TO EARN IT, OR ELSE IT DOESN'T MEAN ANYTHING. 420 00:25:44,630 --> 00:25:46,760 DON'T YOU GET THAT? 421 00:25:46,760 --> 00:25:48,790 WHY DO YOU KEEP INTERFERING IN MY LIFE? 422 00:25:51,100 --> 00:25:53,440 I KNOW THAT YOU MEAN WELL, TRAVIS, I DO, 423 00:25:53,440 --> 00:25:56,770 BUT YOU HAVE GOT TO STOP. OKAY? YOU'VE GOT TO. 424 00:25:56,770 --> 00:25:59,680 WHAT DO YOU MEAN YOU CAN'T? WHY NOT? 425 00:26:07,080 --> 00:26:09,110 THAT'S RIDICULOUS. 426 00:26:22,200 --> 00:26:23,200 YOU'RE CONFUSED. 427 00:26:24,870 --> 00:26:27,030 WE BOTH HAD OUR HEARTS BROKEN AT THE SAME TIME. 428 00:26:27,030 --> 00:26:29,710 WE WERE MISERABLE TOGETHER. 429 00:26:29,710 --> 00:26:33,080 AND I WAS THE FIRST PERSON YOU TOLD ABOUT SOMETHING 430 00:26:33,080 --> 00:26:34,940 VERY PAINFUL THAT HAPPENED TO YOU, 431 00:26:34,940 --> 00:26:36,610 AND I'M GLAD THAT YOU DID, 432 00:26:36,610 --> 00:26:39,850 BUT THAT DOESN'T MEAN THAT YOU AND I ARE-- 433 00:26:39,850 --> 00:26:43,590 AND THEN WE BOTH GREW APART FROM EMMETT, WHICH WAS HARD, 434 00:26:43,590 --> 00:26:44,890 WHICH WAS REALLY HARD. 435 00:26:51,200 --> 00:26:53,500 WELL, YOU CAN'T BE. 436 00:27:04,440 --> 00:27:06,170 YOU SAW THAT NONE OF THAT WAS REAL. 437 00:27:12,150 --> 00:27:15,580 TRAVIS, I AM IN THE MIDDLE OF... 438 00:27:15,580 --> 00:27:17,620 ADMITTEDLY MY FAKE ART OPENING. 439 00:27:26,290 --> 00:27:28,460 EVEN IF I DID FEEL... 440 00:27:29,530 --> 00:27:31,770 I COULDN'T DO THAT TO MARY BETH. 441 00:27:33,940 --> 00:27:35,970 WELL, THEN I COULDN'T DO IT TO EMMETT. 442 00:27:35,970 --> 00:27:39,750 I MADE A PROMISE TO HIM THAT WE WOULDN'T TORTURE EACH OTHER! 443 00:27:42,780 --> 00:27:45,950 ♪ Feels so wrong when I'm acting ♪ 444 00:27:48,950 --> 00:27:50,960 ♪ Shy ♪ 445 00:27:50,960 --> 00:27:53,890 ♪ Feels so right when I see you ♪ 446 00:27:53,890 --> 00:27:56,190 ♪ And I ♪ 447 00:27:56,190 --> 00:27:57,860 ♪ Cry ♪ 448 00:27:57,860 --> 00:28:03,300 ♪ I wanna feel your lovin' in... ♪ 449 00:28:03,300 --> 00:28:05,800 ♪ Finally found the one ♪ 450 00:28:36,030 --> 00:28:38,100 I THOUGHT YOU LEFT. 451 00:28:52,280 --> 00:28:55,380 I WAS JUST SITTING HERE... 452 00:28:55,380 --> 00:28:59,520 THINKING ABOUT EVERYTHING THAT HAPPENED THIS YEAR. 453 00:29:33,460 --> 00:29:36,820 THAT'S A LOT FOR ANYONE. ISN'T IT? 454 00:29:43,000 --> 00:29:46,000 TRAVIS RENTED THE SPACE FOR ME. 455 00:29:46,000 --> 00:29:47,870 IT WAS ALL A LIE. 456 00:30:14,360 --> 00:30:16,730 (scoffs) 457 00:30:18,330 --> 00:30:22,410 TRAVIS THINKS THAT HE'S IN LOVE WITH ME. 458 00:30:24,810 --> 00:30:28,540 HOW DO YOU FEEL ABOUT THAT? 459 00:30:41,190 --> 00:30:43,190 EVEN IF IT'S WITH TRAVIS? 460 00:30:47,390 --> 00:30:51,000 I REALLY DON'T KNOW WHAT I WANT. 461 00:30:53,400 --> 00:30:55,540 AND I'M SO PROUD OF YOU. 462 00:30:55,540 --> 00:30:59,600 FOR EVERYTHING THAT YOU'RE DOING OUT THERE. 463 00:31:02,710 --> 00:31:06,780 ♪ Sleep like the dead through the noise in your head ♪ 464 00:31:06,780 --> 00:31:11,190 ♪ While monitors click and whirr and glow ♪ 465 00:31:11,190 --> 00:31:15,890 ♪ I'm with you all day and I still would stay... ♪ 466 00:31:20,070 --> 00:31:23,970 SINCE THE DAY WE GOT TOGETHER, YOU'VE HAD YOUR DOUBTS ABOUT US. 467 00:31:23,970 --> 00:31:26,270 -THAT'S NOT TRUE. -FIRST IT WAS YOUR FRIENDS, 468 00:31:26,270 --> 00:31:27,700 AND THEN IT WAS THE DEAF/HEARING THING, 469 00:31:27,700 --> 00:31:29,300 AND THEN EVER SINCE YOU WENT TO MEXICO, 470 00:31:29,300 --> 00:31:30,710 THAT GUY JUST KEEPS POPPING UP. 471 00:31:30,710 --> 00:31:32,140 IT'S NOT JUST HIM, 472 00:31:32,140 --> 00:31:34,210 IT WAS WHAT HE REPRESENTS. 473 00:31:34,210 --> 00:31:37,910 HE GETS TO SEE THE WORLD AND CHANGE PEOPLE'S LIVES. 474 00:31:37,910 --> 00:31:39,780 HE'S LIVING THE LIFE THAT I WANT. 475 00:31:39,780 --> 00:31:42,490 -THEN GO LIVE IT. -HE JUST FIRED ME! 476 00:31:42,490 --> 00:31:46,150 THEN GO TO CHINA WITHOUT HIM. I MEAN, YOU HAVE A PLANE TICKET. 477 00:31:46,150 --> 00:31:48,850 YOU CAN NOT JUST READ A MAP, BUT WRITE A NEW ONE. 478 00:31:48,850 --> 00:31:50,860 SO GO, ON YOUR OWN. 479 00:31:50,860 --> 00:31:52,860 SCRATCH THAT ADVENTURE ITCH. 480 00:31:57,000 --> 00:32:00,440 -I'M GONNA DO THAT. -GOOD. 481 00:32:10,680 --> 00:32:13,080 FOR THE RECORD, 482 00:32:13,080 --> 00:32:16,380 I DON'T JUST THINK OF YOU AS A... 483 00:32:16,380 --> 00:32:18,750 GUY WHO DRINKS PROTEIN SHAKES. 484 00:32:18,750 --> 00:32:22,630 MINGO, YOU ARE THE KINDEST PERSON I HAVE EVER MET. 485 00:32:23,990 --> 00:32:27,030 YOU'RE THE ONLY BOYFRIEND I'VE EVER HAD 486 00:32:27,030 --> 00:32:31,200 WHO'S TAKEN SIGN LANGUAGE LESSONS FOR ME. 487 00:32:31,200 --> 00:32:35,770 BUT I THINK WE SHOULD TAKE THE SUMMER, SEE WHAT HAPPENS. 488 00:32:35,770 --> 00:32:40,710 -MINGO... -CHINA'S GONNA CHANGE YOU. I CAN ALREADY TELL THAT. 489 00:32:40,710 --> 00:32:43,210 AND THAT'S... THAT'S GREAT. 490 00:32:43,210 --> 00:32:46,210 I JUST, I DON'T WANNA FORCE ANYTHING WHEN YOU GET BACK. 491 00:32:46,210 --> 00:32:50,660 SO LET'S JUST SEE HOW WE FEEL IN THE FALL. 492 00:32:50,660 --> 00:32:51,960 OKAY? 493 00:32:54,290 --> 00:32:55,960 I'M GOING TO MISS YOU. 494 00:33:01,800 --> 00:33:04,430 ♪ It's midnight in the garden ♪ 495 00:33:04,430 --> 00:33:08,570 ♪ And I find myself alone ♪ 496 00:33:11,710 --> 00:33:13,010 (sighs) 497 00:33:18,310 --> 00:33:20,750 I MISSED YOUR NIGHT. 498 00:33:20,750 --> 00:33:23,490 YOU KNOW WHAT? UH... 499 00:33:23,490 --> 00:33:25,550 THERE'LL BE OTHERS. 500 00:33:31,260 --> 00:33:33,760 I KNOW I'VE MADE SOME BAD DECISIONS. 501 00:33:33,760 --> 00:33:37,800 I JUST WANTED IT ALL TO WORK OUT. 502 00:33:37,800 --> 00:33:40,210 I REALLY THOUGHT HE WAS MY SECOND CHANCE. 503 00:33:41,710 --> 00:33:45,210 LOOK, I'VE MADE SOME BAD CHOICES 504 00:33:45,210 --> 00:33:46,810 WHEN IT COMES TO LOVE, TOO. 505 00:33:46,810 --> 00:33:50,520 YOU'RE GONNA SEE HIM EVERYWHERE, 506 00:33:50,520 --> 00:33:52,750 FOR A REALLY LONG TIME. 507 00:33:54,180 --> 00:33:56,680 YOU'LL PROBABLY LOVE HIM FOREVER. 508 00:33:56,680 --> 00:34:00,360 BUT IT GETS BETTER. 509 00:34:00,360 --> 00:34:03,390 I PROMISE. 510 00:34:03,390 --> 00:34:05,830 LISTEN TO YOU. 511 00:34:07,190 --> 00:34:09,060 MY GROWN-UP GIRL. 512 00:34:18,000 --> 00:34:20,980 HEY, LOOK, I'M SORRY IF I OVERREACTED. 513 00:34:20,980 --> 00:34:22,850 -IF? -Regina: HEY. 514 00:34:24,550 --> 00:34:28,080 I WANTED YOU BOTH TO KNOW THAT IT'S OVER. 515 00:34:28,080 --> 00:34:31,120 -ERIC AND WILL ARE GONE. -THEY LEFT? JUST LIKE THAT? 516 00:34:31,120 --> 00:34:33,560 -WHERE DID THEY GO? -SHE DOESN'T KNOW. 517 00:34:33,560 --> 00:34:36,260 BUT THEY WON'T BE A PROBLEM ANYMORE. 518 00:34:36,260 --> 00:34:39,260 HONEY, I KNOW YOU'RE SAD, 519 00:34:39,260 --> 00:34:40,930 BUT THERE REALLY WASN'T ANY OTHER WAY FOR THIS TO-- 520 00:34:40,930 --> 00:34:44,330 -(loud banging) -POLICE! HANDS UP! 521 00:34:44,330 --> 00:34:45,470 (guns cock) 522 00:34:48,030 --> 00:34:51,510 WE HAVE A WARRANT FOR THE ARREST OF MARCUS PAXTON, ALSO KNOWN AS ERIC BISHOP. 523 00:34:51,510 --> 00:34:53,010 OH, MY GOD! 524 00:35:01,220 --> 00:35:04,420 SO YOU JUST BARGE INTO MY HOUSE AND KNOCK THE DOOR DOWN? 525 00:35:04,420 --> 00:35:06,320 LOOK, WE HAVE AN ARREST WARRANT FOR A FUGITIVE 526 00:35:06,320 --> 00:35:09,220 WHO WE WERE TIPPED OFF WAS ARMED AND LIVING ON YOUR PROPERTY. 527 00:35:09,220 --> 00:35:10,860 WHO SAID HE WAS ARMED, HIS EX-WIFE? 528 00:35:10,860 --> 00:35:13,000 CHARGING IN HERE, GUNS BLAZING! 529 00:35:13,000 --> 00:35:15,260 WE HAVE KIDS. WE HAVE A DEAF DAUGHTER! 530 00:35:15,260 --> 00:35:16,560 LET ME ASK YOU SOMETHING. 531 00:35:16,560 --> 00:35:20,440 DO YOU KNOW WHO I AM? I AM A FORMER STATE SENATOR. 532 00:35:20,440 --> 00:35:23,440 I DON'T CARE WHO YOU ARE, IF YOU'RE HOUSING A CRIMINAL WHO KIDNAPPED A MINOR. 533 00:35:23,440 --> 00:35:26,370 -WE HAD NO IDEA ABOUT HIS PAST. -THAT'S TRUE. 534 00:35:26,370 --> 00:35:28,640 YOU KNOW WHAT? ENOUGH OF THIS. I WANT TO SEE A SEARCH WARRANT. 535 00:35:28,640 --> 00:35:31,250 SIR, I DON'T NEED A SEARCH WARRANT, ALL I NEED IS A WARRANT FOR HIS ARREST. 536 00:35:31,250 --> 00:35:33,420 AND IF YOU DON'T SIT DOWN, I'M GONNA PUT YOU IN CUFFS. 537 00:35:33,420 --> 00:35:37,450 YOU'RE GOING TO HANDCUFF ME AFTER STORMING INTO MY HOUSE AND BREAKING DOWN MY DOOR? 538 00:35:37,450 --> 00:35:38,920 -I WILL HAVE YOU FIRED. -JOHN-- 539 00:35:38,920 --> 00:35:41,160 -JOHN, THIS IS NOT HELPING. -SIR, I'M GOING TO ASK YOU 540 00:35:41,160 --> 00:35:43,360 -TO PUT YOUR HANDS BEHIND YOUR BACK. -OH, YOU'RE ARRESTING ME NOW? 541 00:35:43,360 --> 00:35:45,560 I'M RESTRAINING YOU. YOU'RE NOT BEING VERY COOPERATIVE. 542 00:35:45,560 --> 00:35:48,160 AND YEAH, YOU KEEP THIS UP, I WILL ARREST YOU. 543 00:35:48,160 --> 00:35:50,370 YOU KNOW WHAT? THIS IS RIDICULOUS! 544 00:35:50,370 --> 00:35:53,940 HEY. WHOA! DAD! WHAT IS GOING ON? 545 00:35:53,940 --> 00:35:56,770 -HONEY, IT'S FINE. -HAVE A SEAT, CALM DOWN. 546 00:35:56,770 --> 00:35:58,900 -(grunts) -WE'RE GONNA DO OUR JOB, 547 00:35:58,900 --> 00:36:00,280 AND EVERYTHING WILL BE OVER SOON. 548 00:36:00,280 --> 00:36:01,550 MOM, TOBY JUST TEXTED. 549 00:36:01,550 --> 00:36:03,350 THEY'RE AT THE HOSPITAL. THE BABY'S COMING. 550 00:36:03,350 --> 00:36:06,980 OH, MY GOD! OFFICER, MY SON IS ABOUT TO HAVE A BABY. PLEASE! 551 00:36:06,980 --> 00:36:10,990 -YOU'RE FREE TO GO. -THANK YOU, BUT... 552 00:36:10,990 --> 00:36:12,490 GO, GO. I'LL HANDLE THIS. 553 00:36:12,490 --> 00:36:15,920 I'M KEEPING YOU CUFFED UNTIL WE FINISH SWEEPING THE AREA. 554 00:36:15,920 --> 00:36:20,930 -KATHRYN, DO SOMETHING! -I AM DOING SOMETHING. I'M GOING TO THE HOSPITAL. 555 00:36:23,730 --> 00:36:27,670 COPS IN THE DRIVEWAY AND YOU KISSED TRAVIS? 556 00:36:27,670 --> 00:36:31,480 -THAT'S A HELL OF A NIGHT. -AND... 557 00:36:31,480 --> 00:36:34,940 IT WAS ACTUALLY KIND OF A GREAT KISS. 558 00:36:34,940 --> 00:36:38,310 SO ARE YOU CONSIDERING IT? YOU SHOULD. 559 00:36:38,310 --> 00:36:41,490 -HE'S THE BEST GUY. -I KNOW HE IS. 560 00:36:41,490 --> 00:36:45,490 BUT, DAPHNE, MY HEAD IS SPINNING RIGHT NOW. 561 00:36:45,490 --> 00:36:49,220 OF COURSE IT IS. YOU NEED... (gasps) 562 00:36:50,930 --> 00:36:54,530 -WHAT JUST HAPPENED? -YOU SHOULD COME WITH ME. 563 00:36:54,530 --> 00:36:57,260 -TO CHINA? -YES! 564 00:36:57,260 --> 00:36:59,600 YOU DIDN'T GO TO LA BECAUSE OF ME. 565 00:36:59,600 --> 00:37:02,570 AND YOU HAD A HORRIBLE YEAR. 566 00:37:02,570 --> 00:37:04,570 YOU'LL BRING YOUR SKETCHBOOK. 567 00:37:04,570 --> 00:37:07,670 WE'LL SEE THE GREAT WALL, EAT CRAZY FOOD. 568 00:37:07,670 --> 00:37:09,410 YOU'LL GET INSPIRED. 569 00:37:09,410 --> 00:37:13,880 WE'LL HAVE AN ADVENTURE, YOU AND ME. 570 00:37:13,880 --> 00:37:15,320 THE SWISTERS. 571 00:37:17,380 --> 00:37:20,360 SO, WILL YOU COME WITH ME, PLEASE? 572 00:37:22,360 --> 00:37:25,090 ♪ These machines are always running ♪ 573 00:37:25,090 --> 00:37:26,990 ♪ Like the rivers and the clocks ♪ 574 00:37:26,990 --> 00:37:31,140 -(both laugh) -OH! 575 00:37:32,640 --> 00:37:35,870 ♪ And everybody's going somewhere ♪ 576 00:37:35,870 --> 00:37:39,600 -HI. -IS EVERYTHING OKAY? 577 00:37:42,410 --> 00:37:46,250 -HI. -THE COPS JUST LEFT. 578 00:37:46,250 --> 00:37:49,580 -CAN WE SEE THEM? -YEAH, COME ON. HURRY. 579 00:37:51,560 --> 00:37:53,720 ♪ You can't feel tomorrow ♪ 580 00:37:53,720 --> 00:37:56,160 ♪ If you don't see today ♪ 581 00:37:56,160 --> 00:37:58,490 ♪ Though you'll never know ♪ 582 00:37:58,490 --> 00:37:59,660 HERE HE IS. 583 00:38:01,700 --> 00:38:04,570 Kathryn: TOBY... 584 00:38:10,070 --> 00:38:12,440 HEY. WANNA SEE YOUR GRANDPA? 585 00:38:16,480 --> 00:38:18,440 HERE. 586 00:38:18,440 --> 00:38:20,110 HERE YOU GO. 587 00:38:20,110 --> 00:38:22,050 (whispering) HEY, LITTLE MAN. 588 00:38:25,490 --> 00:38:27,350 OH... 589 00:38:29,320 --> 00:38:31,660 John: HE'S PERFECT. 590 00:38:31,660 --> 00:38:35,530 -ABSOLUTELY PERFECT. -HE SURE IS. 591 00:38:38,200 --> 00:38:40,970 HI. 592 00:38:45,610 --> 00:38:46,810 YOU WERE RIGHT. 593 00:38:46,810 --> 00:38:49,440 MARRIAGE ISN'T ALWAYS FUN, BUT... 594 00:38:51,250 --> 00:38:54,480 -SOMETIMES... -Kathryn: LOOK AT US, HONEY. 595 00:38:54,480 --> 00:38:57,450 WE'RE GRANDPARENTS. (chuckles) 596 00:38:57,450 --> 00:39:01,290 -CAN YOU BELIEVE IT? -NO. 597 00:39:01,290 --> 00:39:05,130 I REMEMBER WHEN WE WERE HERE HAVING TOBY. 598 00:39:05,130 --> 00:39:07,490 ME TOO. 599 00:39:09,030 --> 00:39:13,370 ♪ You'll never know You'll never know ♪ 600 00:39:13,370 --> 00:39:15,870 ♪ You can't hold the lightness ♪ 601 00:39:15,870 --> 00:39:17,140 ♪ If you don't touch the dark... ♪ 602 00:39:17,140 --> 00:39:18,700 -HEY, GUYS? -YEAH. 603 00:39:18,700 --> 00:39:20,550 CAN WE SEE HIM? 604 00:39:20,550 --> 00:39:23,480 John: HERE YOU ARE, SWEETIE. 605 00:39:23,480 --> 00:39:26,710 YES. OH, SQUIGGLES! 606 00:39:26,710 --> 00:39:30,890 -(all laugh) -WOW! 607 00:39:30,890 --> 00:39:34,360 -HI, LITTLE MAN. -(laughs) 608 00:39:34,360 --> 00:39:39,160 -SO DOES THE KID HAVE A NAME? -YES, HE DOES. 609 00:39:39,160 --> 00:39:41,630 WE WOULD LIKE TO INTRODUCE YOU... 610 00:39:43,200 --> 00:39:44,830 TO CARLTON SUMMERS KENNISH. 611 00:39:44,830 --> 00:39:46,000 -(gasps) -I LOVE THAT. 612 00:39:46,000 --> 00:39:48,830 -John: CARLTON! -OH! 613 00:39:48,830 --> 00:39:51,510 THAT'S WHERE YOU TWO MET! 614 00:39:53,540 --> 00:39:55,810 CARLTON NOW... 615 00:39:55,810 --> 00:39:57,710 CARLTON FOREVER. 616 00:39:57,710 --> 00:40:01,020 ♪ You can't stay together ♪ 617 00:40:01,020 --> 00:40:02,520 ♪ If you don't fall apart ♪ 618 00:40:02,520 --> 00:40:04,520 SHOULD WE TAKE A PHOTO? 619 00:40:04,520 --> 00:40:06,720 BABY! 620 00:40:08,490 --> 00:40:11,430 -(all laughing) -CHEESE! 621 00:40:15,630 --> 00:40:18,660 ♪ You'll never know ♪ 622 00:40:20,430 --> 00:40:22,810 ♪ You'll never know ♪ 623 00:40:29,510 --> 00:40:31,520 (buzzing sound) 624 00:40:39,120 --> 00:40:42,590 (speaking Mandarin) 625 00:40:42,590 --> 00:40:45,960 CAN YOU SAY IN ENGLISH? I TRY TO LEARN. 626 00:40:45,960 --> 00:40:49,590 YEAH. UH, THIS CHICK WAS A BAD-ASS WARRIOR. 627 00:40:49,590 --> 00:40:52,840 -UH, BAD-ASS WARRIOR. -WARRIOR. 628 00:40:52,840 --> 00:40:55,840 A WARRIOR. A BAD-ASS WARRIOR. 629 00:40:55,840 --> 00:40:57,800 -(laughs) -(cell phone vibrates) 630 00:40:58,970 --> 00:41:00,810 -UH... (speaks Mandarin) -(speaks Mandarin) 631 00:41:05,410 --> 00:41:06,980 HEY! CAN WE TALK LATER? 632 00:41:06,980 --> 00:41:10,410 I'M PERMANENTLY ALTERING SOMEONE'S FLESH HERE. 633 00:41:30,680 --> 00:41:36,380 (speaks Mandarin) 634 00:41:36,380 --> 00:41:39,410 SORRY, HE'S NEVER SEEN RED HAIR BEFORE. 635 00:41:39,410 --> 00:41:42,190 OH. THAT'S OKAY, I'M USED TO IT. 636 00:41:53,500 --> 00:41:55,700 DIT JA JOW. 637 00:41:55,700 --> 00:41:59,930 MASSAGE IT INTO THE WOUND THREE TIMES A DAY 638 00:41:59,930 --> 00:42:01,670 WHEN YOU CHANGE THE DRESSING. 639 00:42:01,670 --> 00:42:03,440 -BYE. -BYE. 640 00:42:06,840 --> 00:42:10,620 -HEY! ARE YOU OKAY? -NO. WE GOTTA GO HOME. 49836

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