All language subtitles for Switched at Birth (2011) - S04E18 - The Accommodations of Desire (1080p x265 EDGE2020).eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:00,450 --> 00:00:03,650 ♪♪ 2 00:00:04,220 --> 00:00:05,590 Bay: PREVIOUSLY ON SWITCHED AT BIRTH... 3 00:00:05,590 --> 00:00:08,100 -I WOULD NEVER TRY TO REPLACE YOUR MOM. -SHE'S STILL ALIVE. 4 00:00:08,100 --> 00:00:11,030 -IS THAT YOUR SON? -HE'S WITH MY SON-OF-A-BITCH EX-HUSBAND, 5 00:00:11,030 --> 00:00:12,230 WHEREVER HE IS. 6 00:00:12,230 --> 00:00:14,400 -I'M DAPHNE. -VIMLA. 7 00:00:14,400 --> 00:00:16,730 JOSH, HERE'S THE DEAL-- I NEED AN INTERPRETER. 8 00:00:16,730 --> 00:00:19,610 I CAN'T BELIEVE THERE'S EVEN ONE OF YOU IN EXISTENCE. 9 00:00:19,610 --> 00:00:20,840 FINE. 10 00:00:20,840 --> 00:00:23,010 -SORRY I'M LATE. -NO WORRIES. 11 00:00:23,010 --> 00:00:24,310 IT WAS WORTH THE WAIT. 12 00:00:24,310 --> 00:00:25,310 I WENT TO GET TESTED. 13 00:00:25,310 --> 00:00:27,840 I'M SORRY. I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 14 00:00:27,840 --> 00:00:29,650 THE BABY HAS DOWN SYNDROME. 15 00:00:29,650 --> 00:00:32,420 FOR $600, 12 MORE PEOPLE COULD LEARN TO SIGN? 16 00:00:32,420 --> 00:00:33,680 Uh-oh. I know that look. 17 00:00:33,680 --> 00:00:36,280 I COULD TOTALLY RAISE $600. 18 00:00:36,280 --> 00:00:37,520 I CAN'T WAIT TO TELL QUINN! 19 00:00:37,520 --> 00:00:39,460 YOU'RE STILL TALKING WITH THAT GUY? 20 00:00:39,460 --> 00:00:40,560 THERE'S NOTHING GOING ON. 21 00:00:40,560 --> 00:00:42,090 Mingo: HE KISSED YOU. 22 00:00:42,090 --> 00:00:44,130 IT'S WEIRD THAT YOU'RE ARRANGING THIS WHOLE FUNDRAISER WITH HIM 23 00:00:44,130 --> 00:00:45,190 AND I DIDN'T KNOW ABOUT IT. 24 00:00:45,190 --> 00:00:46,230 I MET A GUY. 25 00:00:46,230 --> 00:00:47,460 Bay: HIS NAME IS GARRETT? 26 00:00:47,460 --> 00:00:49,140 -GARRETT BANDUCCI? -YEAH. 27 00:00:49,140 --> 00:00:51,070 -THAT GUY'S A PLAYER. -I CAN ROLL WITH THAT. 28 00:00:51,070 --> 00:00:55,100 ♪ SHOW YOUR COLORS, GIRL, IN THE MORNING LIGHT ♪ 29 00:00:55,100 --> 00:00:57,600 ♪ IT'S ON AGAIN, IT'S ON AGAIN ♪ 30 00:00:57,600 --> 00:01:00,910 ♪ RECREATE THE WORLD IN YOUR OWN GOOD VIBES ♪ 31 00:01:00,910 --> 00:01:04,210 ♪ IT'S ON AGAIN, IT'S ON AGAIN ♪ 32 00:01:04,210 --> 00:01:05,710 WHAT DO YOU THINK? 33 00:01:07,850 --> 00:01:09,260 THANK YOU. 34 00:01:12,160 --> 00:01:17,320 IT'S SUPPOSED TO BE ABOUT HOW WE ARE MANY THINGS AT ONCE 35 00:01:17,320 --> 00:01:20,370 OR THAT WORDS DON'T DEFINE US. 36 00:01:22,700 --> 00:01:25,100 IN A FEW DAYS, THEY'RE GOING OVER 37 00:01:25,100 --> 00:01:27,200 TO THE WAITE GALLERY FOR MY SHOW. 38 00:01:28,280 --> 00:01:29,340 "MY SHOW." 39 00:01:29,340 --> 00:01:32,310 I HAVE BEEN DREAMING ABOUT SAYING THAT FOR YEARS. 40 00:01:32,310 --> 00:01:34,010 I'M TRYING TO DO 41 00:01:34,010 --> 00:01:36,710 A FEW MORE BEFORE THE ACTUAL EVENT. 42 00:01:36,710 --> 00:01:39,350 I WAS THINKING, UM... 43 00:01:39,350 --> 00:01:42,250 MAYBE I COULD SKETCH YOU SOME TIME. 44 00:01:52,360 --> 00:01:55,300 ACTUALLY, I DO IT OFF OF A PHOTO. 45 00:02:00,410 --> 00:02:02,470 SO, WHAT ARE SOME WORDS 46 00:02:02,470 --> 00:02:04,370 YOU WOULD USE TO DESCRIBE YOURSELF? 47 00:02:22,330 --> 00:02:23,860 OKAY, OKAY. 48 00:02:23,860 --> 00:02:26,690 UM... JUST TIME OUT. 49 00:02:26,690 --> 00:02:30,840 MY MOM OR ERIC COULD POP IN AT ANY MOMENT. 50 00:02:37,970 --> 00:02:39,380 YEAH. OH! 51 00:02:39,380 --> 00:02:41,910 I COULD BRING THAT FOUND ART DOCUMENTARY 52 00:02:41,910 --> 00:02:43,150 I WAS TELLING YOU ABOUT. 53 00:02:56,390 --> 00:02:58,270 (sighs) 54 00:02:58,270 --> 00:02:59,930 I'M GONNA GO GET A SODA. 55 00:02:59,930 --> 00:03:01,270 DO YOU WANT ANYTHING? 56 00:03:01,270 --> 00:03:02,400 HUH? 57 00:03:02,400 --> 00:03:04,770 -IS THAT MY PHONE? -OH. YEAH. 58 00:03:04,770 --> 00:03:06,330 MINE'S COMPLETELY OUT OF JUICE. 59 00:03:06,330 --> 00:03:08,310 I'M, LIKE, ADDICTED TO CLASH OF CLANS. 60 00:03:08,310 --> 00:03:10,440 -CAN I HAVE IT BACK? -YEAH. 61 00:03:10,440 --> 00:03:12,340 I NEED TO TEXT VIMLA 62 00:03:12,340 --> 00:03:13,840 ABOUT OUR PRESENTATION. 63 00:03:13,840 --> 00:03:15,110 IT'S A THIRD OF OUR GRADE. 64 00:03:15,110 --> 00:03:16,510 WHAT CLASS? 65 00:03:16,510 --> 00:03:19,190 BIOLOGY SEMINAR. I'LL BE RIGHT BACK. 66 00:03:50,150 --> 00:03:53,350 BUT IF WE FIND OUT, THEN WE CAN BUY STUFF 67 00:03:53,350 --> 00:03:54,520 AND START MAKING THE NURSERY. 68 00:03:54,520 --> 00:03:56,380 OH, YOU WANT TO START GENDER STEREOTYPING 69 00:03:56,380 --> 00:03:57,280 WHILE THE BABY IS STILL A FETUS? 70 00:03:57,280 --> 00:04:00,990 I'M NOT GONNA GO OUT AND BUY DOLLS OR TRUCKS. 71 00:04:00,990 --> 00:04:03,160 I JUST MEAN PREPARE OURSELVES. 72 00:04:03,160 --> 00:04:05,030 YEAH, WELL, I HAVE A LOT GOING ON RIGHT NOW 73 00:04:05,030 --> 00:04:07,530 WITHOUT ADDING A WHOLE OTHER LAYER OF... 74 00:04:11,570 --> 00:04:13,240 I JUST DON'T WANT TO KNOW, OKAY? 75 00:04:13,240 --> 00:04:15,070 OKAY. 76 00:04:15,070 --> 00:04:16,870 WE HAVE A DOCTOR'S APPOINTMENT THIS WEEK, RIGHT? 77 00:04:16,870 --> 00:04:18,580 I'VE MOVED IT. 78 00:04:18,580 --> 00:04:19,880 MELODY IS AWAY AT A CONFERENCE, 79 00:04:19,880 --> 00:04:21,210 AND I HAVE LOADS OF WORK TO FINISH 80 00:04:21,210 --> 00:04:22,380 BEFORE THE END OF THE SCHOOL TERM, 81 00:04:22,380 --> 00:04:23,880 AND BEFORE I TELL HER THAT I'M ACTUALLY 82 00:04:23,880 --> 00:04:26,080 QUITTING MY JOB AND MOVING BACK TO LONDON! 83 00:04:26,080 --> 00:04:27,550 -HEY, HEY, HEY. -(breathing heavily) 84 00:04:29,620 --> 00:04:31,260 EVERYTHING IS GONNA WORK OUT. 85 00:04:33,260 --> 00:04:34,590 I'LL SEE YOU TONIGHT. 86 00:04:48,380 --> 00:04:50,840 THE FACT THAT THIS GUY EVEN LIKES MY STUFF 87 00:04:50,840 --> 00:04:52,710 IS BEYOND CRAZY. 88 00:04:52,710 --> 00:04:56,040 I SENT OUT 50 E-MAILS, AND I FINALLY GOT A HIT 89 00:04:56,040 --> 00:04:59,050 FROM THE COOLEST GALLERY IN THE CROSSROADS. 90 00:04:59,050 --> 00:05:00,750 THAT'S SO AWESOME. 91 00:05:02,420 --> 00:05:04,650 -YOU REALLY DO. -THANK YOU. 92 00:05:04,650 --> 00:05:08,190 SO, HOW'S IT GOING WITH MR. BANDUCCI? 93 00:05:08,190 --> 00:05:09,900 MM. IT'S GOOD. 94 00:05:09,900 --> 00:05:12,860 WE ACTUALLY HAVE A DATE TONIGHT. 95 00:05:13,860 --> 00:05:15,430 I'M GOING TO HIS PLACE. 96 00:05:15,430 --> 00:05:18,810 THAT'LL BE THE FIRST TIME SINCE YOU AND EMMETT 97 00:05:18,810 --> 00:05:22,340 -AND SINCE... -THE WHOLE TANK THING. 98 00:05:24,570 --> 00:05:25,570 YEAH! 99 00:05:26,740 --> 00:05:30,250 WELL, I GUESS I'M JUST... 100 00:05:30,250 --> 00:05:32,950 USED TO BEING IN A RELATIONSHIP. 101 00:05:32,950 --> 00:05:34,250 YOU KNOW, I'VE NEVER REALLY 102 00:05:34,250 --> 00:05:37,920 DONE THE STRAIGHT UP "HOOK UP" THING BEFORE, 103 00:05:37,920 --> 00:05:40,960 AND... (sighs) I DON'T KNOW. 104 00:05:40,960 --> 00:05:43,560 I THOUGHT THAT WE MIGHT HAVE 105 00:05:43,560 --> 00:05:46,690 MORE OF A CONNECTION BY NOW. 106 00:05:52,800 --> 00:05:54,170 YOU JUST MET HIM. 107 00:05:54,170 --> 00:05:55,640 GIVE HIM A CHANCE. 108 00:05:55,640 --> 00:05:58,510 AND PLUS, CASUAL DOESN'T ALWAYS STAY CASUAL. 109 00:05:58,510 --> 00:06:01,350 MINGO AND I STARTED THE SAME WAY. 110 00:06:01,350 --> 00:06:02,410 LOOK AT US NOW. 111 00:06:02,410 --> 00:06:03,510 TRUE. 112 00:06:13,460 --> 00:06:16,120 SO WHAT ARE YOU UP TO TODAY? 113 00:06:16,120 --> 00:06:18,800 I TOLD JOHN I'D GIVE HIM A HAND AT THE CAR WASH. 114 00:06:18,800 --> 00:06:23,130 HE'S GOT SOME PAINTING, A BUSTED WINDOW, OTHER STUFF. 115 00:06:23,130 --> 00:06:24,800 HE WAS GONNA HIRE SOMEBODY... 116 00:06:24,800 --> 00:06:26,630 BUT YOU OFFERED TO DO IT. 117 00:06:26,630 --> 00:06:29,040 IT'S EASY STUFF, AND A FEW COSMETIC PATCHES MAY HELP THE PLACE SELL. 118 00:06:29,040 --> 00:06:30,680 THAT WOULD BE REALLY GREAT FOR THEM. 119 00:06:30,680 --> 00:06:32,910 I THOUGHT IT WOULD HAVE BEEN SOLD BY NOW. 120 00:06:32,910 --> 00:06:36,180 YEAH, THEY SEEM TO BE HOLDING UP OKAY. 121 00:06:36,180 --> 00:06:37,710 I MEAN, I DIDN'T WANT TO ASK. 122 00:06:37,710 --> 00:06:40,250 -WELL, I'VE BEEN BROKE A LOT. -ME, TOO. 123 00:06:40,250 --> 00:06:42,390 BUT FOR FOLKS LIKE THEM WHO ARE USED TO HAVING EVERYTHING, 124 00:06:42,390 --> 00:06:44,250 YOU KNOW, IT CAN'T BE EASY. 125 00:06:45,490 --> 00:06:46,950 THAT'S REALLY NICE OF YOU. 126 00:06:46,950 --> 00:06:49,760 THEY'RE MY FAMILY NOW, TOO, RIGHT? 127 00:06:59,040 --> 00:07:01,670 "SO WHILE THERE IS NO HUMAN PHEROMONE PER SE, 128 00:07:01,670 --> 00:07:04,470 "BIOLOGISTS AGREE THAT A PERSON'S ODORPRINT 129 00:07:04,470 --> 00:07:06,570 PLAYS A BIG ROLE IN SEXUAL ATTRACTION." 130 00:07:10,280 --> 00:07:13,450 I STILL THINK WE SHOULD START WITH THE DISCOVERY OF BOMBYKOL. 131 00:07:13,450 --> 00:07:15,820 IT'S THE FIRST PHEROMONE IDENTIFIED IN NATURE. 132 00:07:15,820 --> 00:07:16,950 IT'S HISTORY. 133 00:07:16,950 --> 00:07:18,690 BUT WE ONLY HAVE 15 MINUTES. 134 00:07:18,690 --> 00:07:21,190 WE HAVE TO FOCUS ON WHAT'S RELEVANT TO HUMANS. 135 00:07:21,190 --> 00:07:22,560 (sighs) 136 00:07:22,560 --> 00:07:23,690 (phone vibrates) 137 00:07:33,000 --> 00:07:34,700 THAT'S RUDE. IT'S LIKE WHISPERING. 138 00:07:34,700 --> 00:07:36,570 I'M COMMUNICATING WITH MY CLIENT. 139 00:07:36,570 --> 00:07:38,470 WELL, IF IT'S ABOUT THE ASSIGNMENT, SAY IT OUT LOUD. 140 00:07:38,470 --> 00:07:41,710 -ACTUALLY, IT'S NOT. -I'M ALLOWED TO HAVE A PERSONAL CONVERSATION. 141 00:07:41,710 --> 00:07:43,980 WE HAVE WORK TO DO, IN CASE YOU HAVEN'T NOTICED. 142 00:07:43,980 --> 00:07:45,750 CAN YOU TWO STOP BICKERING, PLEASE? 143 00:07:45,750 --> 00:07:46,680 I'M OUT OF HERE. 144 00:07:46,680 --> 00:07:48,150 WAIT-- WHAT? 145 00:07:48,150 --> 00:07:49,690 WHERE ARE YOU GOING? 146 00:07:49,690 --> 00:07:50,790 DON'T WORRY, OKAY? 147 00:07:50,790 --> 00:07:53,720 I'LL BE THERE FOR THE ACTUAL PRESENTATION. 148 00:07:53,720 --> 00:07:54,690 JOSH! 149 00:07:56,660 --> 00:07:58,570 WHAT IS GOING ON BETWEEN YOU TWO? 150 00:07:58,570 --> 00:08:00,970 YOU GUYS HAVE BEEN AT EACH OTHER'S THROATS ALL DAY. 151 00:08:00,970 --> 00:08:03,230 WE'RE HAVING PROBLEMS... OBVIOUSLY. 152 00:08:04,570 --> 00:08:05,830 HAS HE SAID ANYTHING TO YOU? 153 00:08:05,830 --> 00:08:07,670 NO. 154 00:08:07,670 --> 00:08:11,480 HE HAS BEEN MOODIER THAN USUAL. 155 00:08:11,480 --> 00:08:13,680 SO IT'S NOT ME... 156 00:08:13,680 --> 00:08:14,780 I DON'T KNOW. 157 00:08:14,780 --> 00:08:16,340 BUT WE HAVE TO FOCUS. 158 00:08:16,340 --> 00:08:19,250 CAN YOU GUYS KEEP THE PEACE UNTIL AFTER THE PRESENTATION? 159 00:08:19,250 --> 00:08:21,820 -IT'S JUST TWO MORE DAYS. -I'M NOT THE PROBLEM. 160 00:08:22,850 --> 00:08:24,720 MAYBE YOU CAN TALK TO HIM. 161 00:08:24,720 --> 00:08:25,790 FIND OUT WHAT'S GOING ON. 162 00:08:25,790 --> 00:08:27,290 I DON'T WANT TO GET IN THE MIDDLE. 163 00:08:28,630 --> 00:08:30,760 YOU WANT ALL OUR STUDY SESSIONS TO END LIKE THIS? 164 00:08:31,830 --> 00:08:33,030 ALL RIGHT. 165 00:08:33,030 --> 00:08:35,000 I'LL SEE WHAT I CAN DO. 166 00:08:37,830 --> 00:08:39,810 Josh: OF COURSE SHE'S BLAMING ME. 167 00:08:39,810 --> 00:08:41,140 SHE'S NOT BLAMING YOU. 168 00:08:41,140 --> 00:08:43,810 I DON'T KNOW WHY SHE BROUGHT YOU INTO THIS. 169 00:08:43,810 --> 00:08:45,810 BECAUSE YOUR FIGHTING IS AFFECTING OUR WORK 170 00:08:45,810 --> 00:08:47,670 AND YOU'RE BOTH MY FRIENDS. 171 00:08:49,550 --> 00:08:51,350 IS THERE SOMETHING GOING ON WITH YOU? 172 00:08:54,680 --> 00:08:56,720 IT'S STUPID. 173 00:08:56,720 --> 00:08:58,630 WHAT? 174 00:08:58,630 --> 00:09:02,190 I'M HAVING FEELINGS FOR SOMEONE ELSE. 175 00:09:03,830 --> 00:09:05,030 OH. 176 00:09:06,160 --> 00:09:10,040 NOTHING'S HAPPENED AND I'M SURE THAT NOTHING WILL. 177 00:09:11,870 --> 00:09:14,740 SO TELLING VIMLA WILL JUST MAKE HER FEEL BAD. 178 00:09:16,800 --> 00:09:18,780 DO I... 179 00:09:19,780 --> 00:09:21,410 CAN YOU SAY WHO IT IS? 180 00:09:21,410 --> 00:09:23,710 I DON'T WANT TO TALK ABOUT IT. 181 00:09:23,710 --> 00:09:25,710 OKAY? IT'S HOPELESS. 182 00:09:27,150 --> 00:09:29,820 HEY, HEY! PARTY PEOPLE! 183 00:09:31,190 --> 00:09:33,360 I THOUGHT YOU GUYS WERE SUPPOSED TO BE WORKING. 184 00:09:33,360 --> 00:09:36,090 -WHAT'S UP, MAN? -I WAS JUST LEAVING. 185 00:09:36,090 --> 00:09:38,090 WAIT, NO. CAN YOU GIVE US A SECOND? 186 00:09:38,090 --> 00:09:40,400 IT'S OKAY. 187 00:09:40,400 --> 00:09:42,030 I'LL SEE YOU LATER, ALL RIGHT? 188 00:09:42,030 --> 00:09:43,030 I'LL SEE YA, MINGO. 189 00:09:46,030 --> 00:09:47,030 WHAT WAS THAT ABOUT? 190 00:09:47,030 --> 00:09:49,840 HE AND VIMLA JUST HAD A FIGHT. 191 00:09:49,840 --> 00:09:50,940 OH. 192 00:09:50,940 --> 00:09:53,910 HE TOLD ME HE HAS FEELINGS FOR SOMEBODY ELSE. 193 00:09:53,910 --> 00:09:55,210 WHO? YOU? 194 00:09:55,210 --> 00:09:57,240 VERY FUNNY. 195 00:09:57,240 --> 00:09:59,720 I ASKED HIM WHO, BUT HE GOT EVASIVE, 196 00:09:59,720 --> 00:10:02,990 WHICH IS WEIRD BECAUSE WE TALK ABOUT EVERYTHING. 197 00:10:04,820 --> 00:10:06,650 WHAT? WHY ARE YOU STARING AT ME LIKE THAT? 198 00:10:06,650 --> 00:10:08,700 I THINK IT IS YOU. 199 00:10:08,700 --> 00:10:10,800 THAT'S RIDICULOUS. 200 00:10:10,800 --> 00:10:13,700 NO, HE'S ALWAYS ASKING ME HOW SERIOUS WE ARE, 201 00:10:13,700 --> 00:10:15,860 AND IF WE PLAN ON MOVING IN TOGETHER, STUFF LIKE THAT. 202 00:10:17,730 --> 00:10:20,170 HE'S MY INTERPRETER. HE CAN'T LIKE ME. 203 00:10:20,170 --> 00:10:22,310 I'LL HAVE TO FIRE HIM OR HE'LL HAVE TO QUIT. 204 00:10:23,410 --> 00:10:25,040 THIS IS A DISASTER. 205 00:10:27,910 --> 00:10:29,720 WHAT AM I GONNA TELL VIMLA? 206 00:10:40,330 --> 00:10:42,090 -HEY. -HEY. 207 00:10:42,090 --> 00:10:45,990 -BARLEY POP? -MY MAN. 208 00:10:45,990 --> 00:10:48,870 YOU PATCHED UP THE BROKEN TILE ON THE BATHROOM FLOOR. 209 00:10:48,870 --> 00:10:49,700 YOU DIDN'T HAVE TO DO THAT. 210 00:10:49,700 --> 00:10:51,340 IT WASN'T A PROBLEM. 211 00:10:51,340 --> 00:10:53,140 ANY MORE OFFERS? 212 00:10:53,140 --> 00:10:54,700 NOTHING TO SPEAK OF. 213 00:10:56,400 --> 00:10:57,740 YOU KNOW, I BOUGHT SOME TIME. 214 00:10:57,740 --> 00:10:59,880 CASHED IN SOME BONDS THAT WERE COMING DUE. 215 00:10:59,880 --> 00:11:02,410 WELL, THINGS ARE LOOKING UP. 216 00:11:02,410 --> 00:11:04,450 CAN'T SIT IN THE CASH THOUGH. 217 00:11:04,450 --> 00:11:06,280 YOU KNOW, SMART THING WOULD BE TO... 218 00:11:06,280 --> 00:11:09,560 ROLL WHAT I DON'T NEED RIGHT AWAY INTO SOMETHING NEW, YOU KNOW? 219 00:11:09,560 --> 00:11:11,660 NOT A PROBLEM I'M FAMILIAR WITH. 220 00:11:11,660 --> 00:11:12,920 WELL... 221 00:11:12,920 --> 00:11:16,660 LET'S JUST SAY EVERYBODY WANTS TOO MUCH UP FRONT. 222 00:11:16,660 --> 00:11:19,300 REAL ESTATE IS A TOTAL GAMBLE, SO... 223 00:11:19,300 --> 00:11:20,570 YOU KNOW, ONE OF MY REGULARS 224 00:11:20,570 --> 00:11:22,870 AT THE COFFEEHOUSE MENTIONED SOMETHING. 225 00:11:22,870 --> 00:11:24,770 A PLACE THAT'S UP AND RUNNING. 226 00:11:24,770 --> 00:11:25,970 ESTABLISHED. 227 00:11:25,970 --> 00:11:28,000 SO, WHAT'S THE CATCH? 228 00:11:30,080 --> 00:11:31,910 IT'S A... 229 00:11:33,280 --> 00:11:34,840 GENTLEMEN'S CLUB. 230 00:11:36,210 --> 00:11:37,980 THE BRANDY ROSE. 231 00:11:37,980 --> 00:11:39,820 IS THAT THE STRIP CLUB 232 00:11:39,820 --> 00:11:41,720 WITH ALL THOSE BILLBOARDS AROUND TOWN? 233 00:11:41,720 --> 00:11:44,020 -YEAH. -OH! 234 00:11:44,020 --> 00:11:47,690 HEY, IT'S PACKED AT ALL HOURS, AND MEN ALWAYS GONNA WANNA 235 00:11:47,690 --> 00:11:50,000 -DRINK AND LOOK AT PRETTY WOMEN. -YEAH, THEY ARE. 236 00:11:50,000 --> 00:11:52,530 HEY, LOOK, I'M JUST PUTTING IT OUT THERE. 237 00:11:52,530 --> 00:11:53,600 DO WITH IT WHAT YOU WILL. 238 00:11:53,600 --> 00:11:54,930 I APPRECIATE IT. 239 00:11:54,930 --> 00:11:56,960 IT SOUNDS LIKE A GREAT OPPORTUNITY FOR SOMEBODY, 240 00:11:56,960 --> 00:11:58,030 JUST NOT ME. 241 00:11:58,030 --> 00:11:59,870 I HEAR YOU. 242 00:11:59,870 --> 00:12:02,840 BEING AN EX-REPUBLICAN STATE SENATOR AND ALL... 243 00:12:02,840 --> 00:12:06,040 -RIGHT. OF COURSE. -(chuckles) 244 00:12:06,040 --> 00:12:08,070 LOOK, GIVE ME ABOUT 10 MORE MINUTES HERE AND I'M DONE. 245 00:12:08,070 --> 00:12:09,550 HEY, NO RUSH. 246 00:12:09,550 --> 00:12:11,780 THANK YOU VERY MUCH, BY THE WAY. 247 00:12:13,720 --> 00:12:15,320 Vimla: HE DIDN'T SAY ANYTHING? 248 00:12:15,320 --> 00:12:17,620 HE WAS EVASIVE. 249 00:12:17,620 --> 00:12:19,260 -CAN WE GET BACK TO THIS? -EVASIVE HOW? 250 00:12:19,260 --> 00:12:21,060 WHAT WERE HIS WORDS EXACTLY? 251 00:12:21,060 --> 00:12:23,960 HE SAID WHAT YOU SAID. THAT YOU GUYS WERE FIGHTING 252 00:12:23,960 --> 00:12:25,930 AND THAT HE DIDN'T WANT TO GET INTO IT WITH ME. 253 00:12:27,090 --> 00:12:28,690 OKAY, NOW YOU'RE BEING EVASIVE. 254 00:12:28,690 --> 00:12:30,000 MAYBE YOU SHOULD TALK TO HIM. 255 00:12:31,440 --> 00:12:32,840 OKAY, I WILL. 256 00:12:32,840 --> 00:12:34,040 WAIT! NOT RIGHT NOW. 257 00:12:34,040 --> 00:12:35,240 WE HAVE WORK TO DO. 258 00:12:36,970 --> 00:12:38,170 DAPHNE... 259 00:12:39,250 --> 00:12:41,050 HE... 260 00:12:41,050 --> 00:12:43,780 HAS FEELINGS FOR SOMEONE ELSE. 261 00:12:45,780 --> 00:12:47,350 OH, MY GOD. 262 00:12:47,350 --> 00:12:48,920 BUT HE HASN'T ACTED ON THEM. 263 00:12:48,920 --> 00:12:49,790 THEY'RE JUST FEELINGS. 264 00:12:51,390 --> 00:12:52,460 WHO IS SHE? 265 00:12:52,460 --> 00:12:54,120 I DON'T KNOW. HE DIDN'T SAY. 266 00:12:56,490 --> 00:12:58,970 WELL, THE ONLY GIRL HE TALKS TO REGULARLY 267 00:12:58,970 --> 00:13:01,230 IS HIS COUSIN AND... 268 00:13:01,230 --> 00:13:02,670 AND YOU. 269 00:13:07,530 --> 00:13:11,240 THIS HAPPENS A LOT WITH INTERPRETERS AND THEIR CLIENTS. 270 00:13:11,240 --> 00:13:12,910 THEY SPEND SO MUCH TIME TOGETHER, 271 00:13:12,910 --> 00:13:15,080 AND THEIR RELATIONSHIP IS SO INTIMATE, BUT... 272 00:13:15,080 --> 00:13:18,140 I HAD NO IDEA AND I NEVER ENCOURAGED IT. 273 00:13:18,140 --> 00:13:19,920 -I SWEAR. -I DON'T BELIEVE THIS! 274 00:13:19,920 --> 00:13:21,950 YOU'RE AS TYPE "A" AS I AM. 275 00:13:21,950 --> 00:13:24,850 I MEAN, IF HE WANTED SOMEBODY DIFFERENT... 276 00:13:26,350 --> 00:13:28,120 YOU SHOULD TALK TO JOSH. 277 00:13:28,120 --> 00:13:29,300 I'M GOING TO. 278 00:13:29,300 --> 00:13:31,000 BUT NOT RIGHT NOW. 279 00:13:31,000 --> 00:13:33,600 WE HAVE A PRESENTATION. 280 00:13:38,030 --> 00:13:39,110 YOU'RE RIGHT. 281 00:13:39,110 --> 00:13:41,070 THANK YOU. 282 00:13:41,070 --> 00:13:43,010 AND PLEASE DON'T TELL HIM I SAID ANYTHING. 283 00:13:43,010 --> 00:13:44,810 (sighs) 284 00:13:47,210 --> 00:13:51,480 ♪ WON'T YOU DIP YOUR FINGERS ♪ 285 00:13:51,480 --> 00:13:54,980 ♪ DEEPER INTO MY SOUL ♪ 286 00:13:54,980 --> 00:13:58,890 ♪ THE EVIL THINGS YOU GOT ME THINKING ♪ 287 00:13:58,890 --> 00:14:02,590 ♪ IF YOU'RE THE DEVIL I'M SOLD ♪ 288 00:14:02,590 --> 00:14:04,730 ♪ IT'S THE WAY YOU MOVE ♪ 289 00:14:04,730 --> 00:14:07,160 ♪ THERE'S NOTHING LEFT TO PROVE ♪ 290 00:14:07,160 --> 00:14:10,270 ♪ DON'T STOP WHATEVER YOU'RE DOING ♪ 291 00:14:10,270 --> 00:14:11,800 UM... YOU KNOW WHAT? 292 00:14:11,800 --> 00:14:14,200 I... I GOT IT. 293 00:14:16,940 --> 00:14:18,470 WHAT DO YOU MEAN? 294 00:14:25,280 --> 00:14:27,680 I'M ALREADY HAVING A GOOD TIME. 295 00:14:34,020 --> 00:14:35,460 OKAY. 296 00:14:35,460 --> 00:14:37,920 WOW. UM... 297 00:14:48,800 --> 00:14:50,140 ALL OF THEM. 298 00:14:50,140 --> 00:14:51,980 THAT'S GOOD. THAT'S GOOD. 299 00:15:03,790 --> 00:15:05,290 THAT... THAT'S FINE. 300 00:15:05,290 --> 00:15:07,990 I... I TOTALLY TRUST YOU. 301 00:15:19,510 --> 00:15:23,210 UM... OH! OH! I JUST REALIZED... 302 00:15:23,210 --> 00:15:27,040 I HAVE AN EARLY SHIFT TOMORROW. 303 00:15:27,040 --> 00:15:29,350 I'M JUST GONNA... I'M GONNA LEAVE THE MOVIE HERE. 304 00:15:29,350 --> 00:15:31,720 YOU SHOULD WATCH IT. IT'S REALLY GOOD. 305 00:15:31,720 --> 00:15:32,950 THANK YOU FOR DINNER. 306 00:15:34,350 --> 00:15:35,450 (door opens) 307 00:15:40,030 --> 00:15:43,160 SO, HOW'S IT GOING IN THE WORLD OF YOUNG AND SINGLE? 308 00:15:43,160 --> 00:15:45,260 YOU STILL HANGING WITH THAT DOCK WORKER DUDE? 309 00:15:45,260 --> 00:15:47,060 UH... YEAH. 310 00:15:49,070 --> 00:15:50,840 WHAT? SOMETHING HAPPEN? 311 00:15:51,900 --> 00:15:55,040 I KIND OF BAILED IN THE MIDDLE OF OUR DATE LAST NIGHT. 312 00:15:55,040 --> 00:15:56,340 HOW COME? 313 00:15:56,340 --> 00:16:01,080 WELL, THINGS WERE GOING IN A CERTAIN DIRECTION. 314 00:16:02,310 --> 00:16:04,650 AND THIS WOULD HAVE BEEN THE FIRST TIME SINCE... 315 00:16:04,650 --> 00:16:06,410 YEAH, BUT... 316 00:16:06,410 --> 00:16:08,210 THAT'S NOT IT. 317 00:16:08,210 --> 00:16:10,960 OKAY, THERE ARE CERTAIN AREAS 318 00:16:10,960 --> 00:16:14,820 WHERE I AM STILL VERY MUCH J.V. 319 00:16:14,820 --> 00:16:18,090 AND GARRETT IS TOTAL VARSITY. 320 00:16:18,090 --> 00:16:22,100 ACTUALLY, WHATEVER THE NEXT LEVEL BEYOND VARSITY IS, THAT'S HIM. 321 00:16:22,100 --> 00:16:25,700 -HE'S EXPERIENCED. -WAY MORE EXPERIENCED. 322 00:16:25,700 --> 00:16:28,300 HE GETS TESTED FOR STDS, LIKE, WEEKLY. 323 00:16:28,300 --> 00:16:32,240 AND HE HAD A COSTCO SIZED CONTAINER OF... PROPS. 324 00:16:32,240 --> 00:16:34,310 I DON'T KNOW. I GOT FREAKED OUT. 325 00:16:34,310 --> 00:16:36,180 WELL, AT LEAST HE'S RESPONSIBLE. 326 00:16:36,180 --> 00:16:37,610 THAT'S TRUE. 327 00:16:37,610 --> 00:16:40,850 -AND COMMUNICATIVE. -THAT'S ALSO TRUE. 328 00:16:40,850 --> 00:16:43,190 LOOK, DO WHAT FEELS RIGHT. 329 00:16:43,190 --> 00:16:45,350 YOU KNOW, IF YOU'RE NOT READY, YOU'RE NOT READY. 330 00:16:45,350 --> 00:16:46,890 IT'S COOL. 331 00:16:49,360 --> 00:16:51,360 LET'S END THIS SUPER AWKWARD CONVERSATION NOW. 332 00:16:51,360 --> 00:16:52,700 DONE. 333 00:16:57,060 --> 00:16:59,140 SO NOW, JOSH IS AVOIDING ME, 334 00:16:59,140 --> 00:17:01,170 VIMLA IS PISSED OFF AT ME, 335 00:17:01,170 --> 00:17:03,310 AND THE PROJECT STILL ISN'T FINISHED. 336 00:17:03,310 --> 00:17:06,240 -WHEN'S THE PRESENTATION? -TOMORROW... OR NEVER, 337 00:17:06,240 --> 00:17:08,970 -IF JOSH AND VIMLA AREN'T TALKING TO EACH OTHER. -(phone vibrates) 338 00:17:08,970 --> 00:17:10,180 -OR ME. -(vibrating continues) 339 00:17:16,780 --> 00:17:19,760 -WAS THAT JOSH? -NO. UH... BAY. 340 00:17:19,760 --> 00:17:21,130 RIGHT. 341 00:17:22,690 --> 00:17:24,930 I'M GONNA FAIL ANOTHER CLASS. 342 00:17:24,930 --> 00:17:26,060 LET ME HELP. 343 00:17:26,060 --> 00:17:28,060 JOSH IS COMING OVER FOR AN ASL LESSON LATER. 344 00:17:28,060 --> 00:17:29,970 ARE YOU SURE? HE'S GONE A.W.O.L. 345 00:17:29,970 --> 00:17:31,370 WELL, HE DIDN'T CANCEL. 346 00:17:31,370 --> 00:17:32,670 I'LL TALK TO HIM MAN-TO-MAN. 347 00:17:32,670 --> 00:17:33,970 AND SAY WHAT? 348 00:17:33,970 --> 00:17:35,270 "BACK OFF"? 349 00:17:35,270 --> 00:17:36,340 HE KNOWS WE'RE TOGETHER. 350 00:17:36,340 --> 00:17:37,800 I'LL GIVE HIM A REALITY CHECK. 351 00:17:37,800 --> 00:17:40,250 I'LL SAY, "HEY, MAN, WHAT ARE YOU THINKING?" 352 00:17:40,250 --> 00:17:41,880 AND HE'LL SAY, "YEAH, YOU'RE RIGHT." 353 00:17:41,880 --> 00:17:43,350 IT'S THAT SIMPLE? 354 00:17:43,350 --> 00:17:45,250 TRUST ME, GUYS DON'T NEED A LOT OF WORDS TO MAKE A POINT. 355 00:17:45,250 --> 00:17:48,680 I DON'T THINK YOU AND JOSH SPEAK THE SAME DUDE DIALECT. 356 00:17:48,680 --> 00:17:50,420 CLOSE ENOUGH. WE'RE BUDS, 357 00:17:50,420 --> 00:17:52,360 HE TEACHES ME ASL THREE TIMES A WEEK, 358 00:17:52,360 --> 00:17:54,560 I KNOW HOW TO TALK TO HIM. 359 00:17:56,460 --> 00:17:57,620 A STRIP CLUB? 360 00:17:57,620 --> 00:17:59,130 HAVE YOU LOST YOUR MIND? 361 00:17:59,130 --> 00:18:00,630 IT'S A GENTLEMEN'S CLUB. 362 00:18:00,630 --> 00:18:04,030 CALL IT WHAT YOU WANT, IT'S STILL DEGRADING. 363 00:18:04,030 --> 00:18:05,270 I TALKED TO THE GUY. 364 00:18:05,270 --> 00:18:08,170 ONE OF HIS INVESTORS CASHED OUT AND RETIRED. 365 00:18:08,170 --> 00:18:10,110 NOW HE NEEDS A NEW SILENT PARTNER. 366 00:18:10,110 --> 00:18:12,410 OUR NAMES WILL BE NOWHERE NEAR THE BUSINESS. 367 00:18:12,410 --> 00:18:15,280 I HAD MARTY CHECK IT OUT. HE WAS IMPRESSED. 368 00:18:15,280 --> 00:18:16,780 I THINK IT'S A SOLID DEAL. 369 00:18:16,780 --> 00:18:18,280 THAT IS NOT THE POINT. 370 00:18:18,280 --> 00:18:21,320 THOSE PLACES EXPLOIT WOMEN'S SEXUALITY. 371 00:18:21,320 --> 00:18:24,790 SAYS THE BEST-SELLING AUTHOR OF EROTICA. 372 00:18:24,790 --> 00:18:27,220 WAIT... 373 00:18:27,220 --> 00:18:30,330 MY EROTICA IS NOT PORNOGRAPHY. 374 00:18:30,330 --> 00:18:31,500 IT'S TASTEFUL 375 00:18:31,500 --> 00:18:33,360 AND LITERARY. 376 00:18:33,360 --> 00:18:34,330 THERE IS A SPECTRUM. 377 00:18:34,330 --> 00:18:36,660 JUST LIKE WITH THESE CLUBS. 378 00:18:36,660 --> 00:18:39,770 YOU'RE THINKING ABOUT ALL THOSE SEEDY JOINTS OUT BY THE AIRPORT. 379 00:18:39,770 --> 00:18:41,740 OH, AND THIS PLACE IS THE TAJ MAHAL? 380 00:18:41,740 --> 00:18:44,540 IT'S SUIT AND TIE, THEY HAVE A GREAT WINE LIST... 381 00:18:45,940 --> 00:18:47,110 YOU KNOW WHAT? 382 00:18:47,110 --> 00:18:48,910 WHY DON'T WE GO CHECK IT OUT TOGETHER? 383 00:18:48,910 --> 00:18:51,180 YOU WANT ME TO GO TO A STRIP CLUB? 384 00:18:51,180 --> 00:18:52,780 WHY NOT? 385 00:18:52,780 --> 00:18:54,550 IF IT'S AS BAD AS YOU THINK IT IS, 386 00:18:54,550 --> 00:18:55,580 WE'RE DONE. 387 00:18:55,580 --> 00:18:56,820 IF IT'S NOT, 388 00:18:57,580 --> 00:19:00,690 WILL YOU AT LEAST CONSIDER IT WITH AN OPEN MIND? 389 00:19:00,690 --> 00:19:02,030 I'LL TRY. 390 00:19:10,300 --> 00:19:12,400 -HEY THERE. -OH, REGINA. HI. 391 00:19:12,400 --> 00:19:14,640 MELODY IS OUT FOR A FEW DAYS AT A CONFERENCE. 392 00:19:14,640 --> 00:19:16,640 I KNOW. I CAME BY TO SEE YOU. 393 00:19:16,640 --> 00:19:19,780 BRING YOU SOME MOMMY TEA AND SOME CROISSANTS. 394 00:19:19,780 --> 00:19:22,310 I DRANK IT WHEN I WAS PREGNANT. PUT ME RIGHT TO SLEEP... 395 00:19:22,310 --> 00:19:25,150 UNTIL I HAD TO GET UP TO PEE NINE TIMES. 396 00:19:25,150 --> 00:19:26,850 I MEAN, NOTHING IS REALLY GONNA HELP WITH THAT. 397 00:19:26,850 --> 00:19:29,050 WELL, THANK YOU. 398 00:19:29,050 --> 00:19:30,990 I WAS OVERDUE FOR A MOM-TO-MOM VISIT, 399 00:19:30,990 --> 00:19:33,390 AND I JUST WANTED TO CHECK IN, SEE HOW YOU'RE DOING. 400 00:19:33,390 --> 00:19:34,790 FINE, YEAH. 401 00:19:34,790 --> 00:19:36,520 ALL FINE. 402 00:19:36,520 --> 00:19:37,460 YEAH? 403 00:19:37,460 --> 00:19:38,560 ARE YOU ALL RIGHT? 404 00:19:38,560 --> 00:19:39,730 IS IT PAIN? 405 00:19:39,730 --> 00:19:42,270 NO, NO, IT'S MORE OF A... TIGHTENING. 406 00:19:42,270 --> 00:19:44,470 IT'S BEEN COMING AND GOING ALL DAY. 407 00:19:44,470 --> 00:19:46,030 THOSE ARE CONTRACTIONS. 408 00:19:46,030 --> 00:19:48,900 -CONTRAC-- OH! OH! OH! -OKAY, LET'S SIT DOWN. 409 00:19:48,900 --> 00:19:50,610 NO, WAIT. STAND UP. 410 00:19:50,610 --> 00:19:53,510 I CAN'T REMEMBER. UM... 411 00:19:53,510 --> 00:19:55,710 WHY DON'T WE JUST GET YOU TO YOUR DOCTOR, HUH? 412 00:19:55,710 --> 00:19:57,380 IT'S GONNA BE FINE. 413 00:19:57,380 --> 00:19:59,490 COME ON. 414 00:20:09,150 --> 00:20:10,260 HEY. 415 00:20:14,730 --> 00:20:17,300 I'M SORRY ABOUT THE OTHER NIGHT. 416 00:20:26,270 --> 00:20:27,670 YOU GET WHAT? 417 00:20:31,480 --> 00:20:34,150 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 418 00:20:49,900 --> 00:20:52,400 UM, I REALLY SHOULD GET BACK TO WORK. 419 00:20:56,400 --> 00:20:58,670 -HERE YOU GO. -THANK YOU. 420 00:21:02,680 --> 00:21:05,280 IT'S PROBABLY JUST BRAXTON-HICKS. 421 00:21:05,280 --> 00:21:06,480 YEAH. 422 00:21:11,590 --> 00:21:12,620 Lily: YOUR DAUGHTER IS ADORABLE. 423 00:21:12,620 --> 00:21:14,460 -HOW OLD IS SHE? -SIX. 424 00:21:14,460 --> 00:21:16,020 WOW. 425 00:21:16,020 --> 00:21:18,090 THAT'S YOUNG TO BE READING SUCH A BIG BOOK, ISN'T IT? 426 00:21:18,090 --> 00:21:20,900 YEAH. SHE WAS READING AT FOUR AND NEVER STOPPED. 427 00:21:20,900 --> 00:21:22,530 I KEEP HAVING TO BUY MORE AND MORE BOOKS 428 00:21:22,530 --> 00:21:23,870 BECAUSE SHE JUST GOES THROUGH THEM. 429 00:21:25,030 --> 00:21:26,800 MY OLDEST IS THE ATHLETE. 430 00:21:26,800 --> 00:21:29,000 SHE WALKED AT NINE MONTHS, RAN AT 11. 431 00:21:29,000 --> 00:21:30,540 SHE'S GONNA BE OUR MIA HAMM. 432 00:21:30,540 --> 00:21:33,880 MY HUSBAND IS THRILLED TO HAVE A SPORTY KID, LET ME TELL YOU. 433 00:21:33,880 --> 00:21:35,910 THEY GO SNOWBOARDING, ROCK CLIMBING. 434 00:21:35,910 --> 00:21:38,180 HIS LITTLE BEST FRIEND. 435 00:21:39,590 --> 00:21:42,250 -YOUR FIRST? -YEAH. 436 00:21:42,250 --> 00:21:43,420 YOU'LL SEE. 437 00:21:43,420 --> 00:21:45,490 IT'S SO EXCITING WATCHING THEM CONQUER THE WORLD. 438 00:21:45,490 --> 00:21:49,500 THEN YOU BLINK AND THEY'LL BE OFF TO COLLEGE, RIGHT? 439 00:21:51,760 --> 00:21:53,400 Nurse: LILY SUMMERS? 440 00:21:56,400 --> 00:21:58,030 SHE'S RIGHT HERE. 441 00:21:58,030 --> 00:22:00,470 LILY. YOU'RE... 442 00:22:01,440 --> 00:22:02,940 THERE YOU GO. 443 00:22:02,940 --> 00:22:04,570 BYE. 444 00:22:09,170 --> 00:22:10,350 HOW DARE YOU! 445 00:22:11,780 --> 00:22:14,950 YOU TOLD GARRET ABOUT WHAT HAPPENED WITH TANK! 446 00:22:20,930 --> 00:22:24,660 SO LET HIM BE CONFUSED OR HAVE HIM ASK ME. 447 00:22:24,660 --> 00:22:27,460 IT IS NOT YOUR PLACE TO DECIDE WHEN PEOPLE 448 00:22:27,460 --> 00:22:29,440 GET TO KNOW MY SECRETS. 449 00:22:29,440 --> 00:22:32,100 WHAT IF I TOLD SOMEONE YOU WERE DATING 450 00:22:32,100 --> 00:22:35,300 ABOUT YOUR MOST PRIVATE, HORRIBLE EXPERIENCE? 451 00:22:41,510 --> 00:22:44,380 WITH YOUR HELP I AM SURE HE DID. 452 00:22:53,060 --> 00:22:55,820 THEN STAY OUT OF MY BUSINESS, OKAY? 453 00:23:05,270 --> 00:23:07,500 (sultry music playing) 454 00:23:10,710 --> 00:23:13,680 SEE? WHAT DID I TELL YA? 455 00:23:13,680 --> 00:23:17,410 NOT SEEDY, NOT DEPRESSING... 456 00:23:18,440 --> 00:23:20,250 IT'S STILL A STRIP CLUB. 457 00:23:20,250 --> 00:23:22,350 ♪ WHIP ME, BABY ♪ 458 00:23:22,350 --> 00:23:24,950 ♪ I'M YOUR TIGER ♪ 459 00:23:24,950 --> 00:23:29,150 ♪ COME AND TAME ME, OOH-OOH-OOH ♪ 460 00:23:31,430 --> 00:23:33,460 HELLO. WELCOME TO THE BRANDY ROSE. 461 00:23:33,460 --> 00:23:35,500 WHAT CAN I GET YOU BEAUTIFUL PEOPLE TO DRINK? 462 00:23:35,500 --> 00:23:38,160 I'LL HAVE A GLASS OF CHARDONNAY. 463 00:23:38,160 --> 00:23:40,370 WE HAVE A NAPA VALLEY AND A WHITE BURGUNDY. 464 00:23:40,370 --> 00:23:41,640 THE NAPA IS MORE BUTTERY, 465 00:23:41,640 --> 00:23:43,540 LIKE MOST CALIFORNIA CHARDONNAYS. 466 00:23:43,540 --> 00:23:45,370 I PREFER THE BURGUNDY THOUGH. 467 00:23:45,370 --> 00:23:47,210 IT'S GOT A NICE MINERALITY-- NICE AND CRISP. 468 00:23:47,210 --> 00:23:49,680 -SOLD. -AND HOW 'BOUT YOU, HANDSOME? 469 00:23:49,680 --> 00:23:52,080 I'LL HAVE A SCOTCH ON THE ROCKS, PLEASE. 470 00:23:52,080 --> 00:23:54,050 YOU GOT IT. BE RIGHT BACK. 471 00:23:54,050 --> 00:23:56,720 ISN'T SHE CUTE? 472 00:23:56,720 --> 00:23:59,350 ISN'T SHE A LITTLE YOUNG TO BE WORKING HERE? 473 00:23:59,350 --> 00:24:01,060 -DON'T YOU THINK? -SHE LOOKS 21 TO ME. 474 00:24:01,060 --> 00:24:02,490 YOUNG AND CUTE. 475 00:24:02,490 --> 00:24:03,860 THAT'S GOOD FOR BUSINESS, RIGHT? 476 00:24:03,860 --> 00:24:05,790 I MEAN, IT IS THE SKIN TRADE WE'RE TALKING ABOUT HERE. 477 00:24:05,790 --> 00:24:08,260 ALL RIGHT, NO NEED TO BE MELODRAMATIC. 478 00:24:08,260 --> 00:24:12,000 WOW. LOOK AT THE MARK UP ON THESE COCKTAILS. 479 00:24:12,000 --> 00:24:14,070 THEY MUST BE PRINTING MONEY. 480 00:24:14,070 --> 00:24:16,670 WHAT PERCENTAGE OF THIS BUSINESS WOULD WE OWN? 481 00:24:16,670 --> 00:24:18,740 HEY, FOLKS. 482 00:24:18,740 --> 00:24:21,750 WOW, AREN'T YOU TWO A GOOD-LOOKING PAIR. 483 00:24:21,750 --> 00:24:23,510 OH, THANK YOU. 484 00:24:23,510 --> 00:24:25,750 I'M GEORGIA. HAVE YOU TWO BEEN HERE BEFORE? 485 00:24:25,750 --> 00:24:28,580 NO. NO, GEORGIA. THIS IS OUR FIRST TIME. 486 00:24:28,580 --> 00:24:30,290 OH, MY GOODNESS. I LOVE NEWBIES. 487 00:24:30,290 --> 00:24:32,820 OKAY, NOW, I DON'T KNOW IF YOU KNOW, 488 00:24:32,820 --> 00:24:35,720 BUT YOU HAVEN'T HAD THE FULL BRANDY ROSE EXPERIENCE 489 00:24:35,720 --> 00:24:37,490 UNTIL YOU'VE HAD A PRIVATE DANCE. 490 00:24:37,490 --> 00:24:38,660 AND I DON'T MEAN TO BRAG, 491 00:24:38,660 --> 00:24:40,570 BUT I AM THE BEST... 492 00:24:40,570 --> 00:24:42,700 THAT THERE IS. 493 00:24:42,700 --> 00:24:44,100 THAT'S NICE... 494 00:24:44,100 --> 00:24:45,500 JOHN, HOW ABOUT IT? 495 00:24:45,500 --> 00:24:47,030 YOU WANT A PRIVATE DANCE WITH GEORGIA? 496 00:24:47,030 --> 00:24:49,740 -YOU KNOW... -OH, I ALSO DO COUPLES. 497 00:24:49,740 --> 00:24:51,380 WE HAVE DRINKS ON THE WAY, BUT THANK YOU. 498 00:24:51,380 --> 00:24:52,710 -ALL RIGHT. -Kathryn: OH, WAIT! 499 00:24:52,710 --> 00:24:55,580 I AM REALLY INTERESTED IN YOUR WORK. 500 00:24:55,580 --> 00:24:58,510 DO YOU MIND IF I ASK YOU A FEW QUESTIONS? 501 00:24:58,510 --> 00:25:00,620 NO, I DON'T MIND. BUT I GOTTA KEEP MOVING. 502 00:25:00,620 --> 00:25:02,750 IF I DON'T DANCE, I DON'T GET PAID. 503 00:25:02,750 --> 00:25:03,820 AH... 504 00:25:03,820 --> 00:25:06,250 WELL, HOW ABOUT IF WE TALK WHILE YOU DANCE? 505 00:25:06,250 --> 00:25:07,690 A PRIVATE DANCE? 506 00:25:07,690 --> 00:25:09,560 -KATHRYN... -NO, ABSOLUTELY. 507 00:25:09,560 --> 00:25:10,600 COME ON. 508 00:25:10,600 --> 00:25:12,760 -FOLLOW ME. -ALL RIGHT. 509 00:25:13,830 --> 00:25:16,030 -I WON'T BE LONG. -YEAH... 510 00:25:16,030 --> 00:25:19,810 ♪ I'VE BEEN SUCH A NAUGHTY LADY ♪ 511 00:25:19,810 --> 00:25:21,770 ♪ OOH-OOH-OOH ♪ 512 00:25:22,770 --> 00:25:25,310 (phone vibrates) 513 00:25:35,580 --> 00:25:37,050 HEY. 514 00:25:37,050 --> 00:25:38,620 HEY, STRANGER. 515 00:25:38,620 --> 00:25:41,430 I HAVE BEEN STUDYING AT THE LAMBDA HOUSE. 516 00:25:41,430 --> 00:25:42,690 THEY HAVE A NECK MASSEUSE! 517 00:25:44,760 --> 00:25:46,130 HOW ARE YOU? 518 00:25:47,130 --> 00:25:48,630 I'VE BEEN BETTER. 519 00:25:48,630 --> 00:25:50,270 I KNOW. 520 00:25:50,270 --> 00:25:52,170 FINALS WILL BE OVER SOON. 521 00:25:52,170 --> 00:25:55,770 IT'S NOT FINALS. IT'S YOUR COUSIN JOSH. 522 00:25:59,300 --> 00:26:00,650 MM. YEAH! 523 00:26:00,650 --> 00:26:02,380 HERE, CHASE IT DOWN. 524 00:26:08,510 --> 00:26:11,320 SO, WHAT ARE WE CELEBRATING? 525 00:26:11,320 --> 00:26:13,960 WELL, I HEAR THAT LIQUOR HELPS YOU LOOSEN UP 526 00:26:13,960 --> 00:26:15,990 WHEN YOU'RE TRYING TO LEARN SIGN LANGUAGE, YOU KNOW. 527 00:26:15,990 --> 00:26:18,960 HEY, LOOK AT ME, IT'S WORKING! 528 00:26:18,960 --> 00:26:20,330 HEY. 529 00:26:20,330 --> 00:26:23,030 SO I'M OUT A PARTNER AND AN INTERPRETER. 530 00:26:24,500 --> 00:26:25,700 DID YOU KNOW? 531 00:26:26,730 --> 00:26:28,730 DID I KNOW WHAT? 532 00:26:29,840 --> 00:26:31,010 IRIS... 533 00:26:33,510 --> 00:26:35,710 I'M NOT SURE... (sighs) 534 00:26:35,710 --> 00:26:37,710 LOOK, I DON'T KNOW IF IT'S MY PLACE. 535 00:26:37,710 --> 00:26:39,410 IF YOU KNOW SOMETHING THAT COULD HELP ME, 536 00:26:39,410 --> 00:26:41,120 YOU HAVE TO TELL ME. 537 00:26:41,120 --> 00:26:42,550 YOU KNOW, MAYBE NOT THIS BIG, 538 00:26:42,550 --> 00:26:44,990 BUT, LIKE, SAME KIND OF STYLE-- TRIBAL. 539 00:26:44,990 --> 00:26:46,620 I WAS THINKING, LIKE, RIGHT HERE. 540 00:26:47,620 --> 00:26:49,290 YEAH. 541 00:26:49,290 --> 00:26:51,130 LIKE, EVEN KIND OF, LIKE, HIGHER UP, ALL THE WAY ON THE DELT. 542 00:26:51,130 --> 00:26:52,830 MAN, THAT WOULD LOOK KILLER. 543 00:26:52,830 --> 00:26:55,160 RIGHT, MAN. YEAH. YOU TOTALLY GET IT. 544 00:26:58,030 --> 00:27:00,440 I HAVEN'T TOLD DAPHNE YET. 545 00:27:00,440 --> 00:27:02,470 I DON'T EVEN KNOW IF SHE LIKES TATTOOS. 546 00:27:03,940 --> 00:27:06,410 YEAH, I MEAN, BUT WHAT IF YOU GUYS BREAK UP? 547 00:27:06,410 --> 00:27:09,570 THEN IT WON'T REALLY MATTER WHAT SHE THINKS, RIGHT? 548 00:27:09,570 --> 00:27:11,780 YEAH. UM... 549 00:27:11,780 --> 00:27:13,480 IT'S INTERESTING THAT YOU MENTION THAT. 550 00:27:13,480 --> 00:27:14,820 UM... 551 00:27:14,820 --> 00:27:17,320 LOOK, MAN. I GOTTA BE HONEST WITH YOU... 552 00:27:17,320 --> 00:27:18,550 ARE YOU SURE? 553 00:27:18,550 --> 00:27:19,990 NOT EVEN REMOTELY. 554 00:27:19,990 --> 00:27:22,690 IT'S JUST SOMETHING MY MOM MENTIONED ONCE, 555 00:27:22,690 --> 00:27:24,890 THAT HIS PARENTS WONDERED ABOUT. 556 00:27:26,030 --> 00:27:27,390 BUT I HAVE NO IDEA. 557 00:27:27,390 --> 00:27:28,860 HONESTLY, I COULD BE COMPLETELY OFF. 558 00:27:30,240 --> 00:27:31,270 LOOK, BRO... 559 00:27:32,640 --> 00:27:34,270 I HAVE BEEN THERE. 560 00:27:34,270 --> 00:27:36,900 I KNOW IT'S TOUGH. BELIEVE ME, I DO. 561 00:27:36,900 --> 00:27:38,100 BUT... 562 00:27:38,100 --> 00:27:39,950 DAPHNE AND I HAVE BEEN THROUGH A LOT, 563 00:27:39,950 --> 00:27:41,850 AND WE'RE IN A REALLY GOOD PLACE NOW, YOU KNOW? AND-- 564 00:27:43,150 --> 00:27:44,150 WHOA. 565 00:27:45,680 --> 00:27:46,950 WHAT WAS THAT? 566 00:27:46,950 --> 00:27:48,950 OH, CRAP. I... 567 00:27:50,960 --> 00:27:53,620 I'M... I'M REALLY DRUNK. 568 00:28:01,870 --> 00:28:02,970 MINGO! 569 00:28:04,200 --> 00:28:05,930 JOSH ISN'T INTO ME! 570 00:28:06,930 --> 00:28:08,800 YEAH, I JUST GOT THAT. 571 00:28:17,980 --> 00:28:20,950 -JOSH! -I'M REALLY SICK. 572 00:28:20,950 --> 00:28:22,790 WAIT, NO! HANG ON. HANG ON. 573 00:28:27,920 --> 00:28:29,800 WHY DIDN'T YOU TELL ME? 574 00:28:30,930 --> 00:28:33,460 HOW WOULD THAT CONVERSATION HAD GONE? 575 00:28:33,460 --> 00:28:36,460 "HEY, I'VE GOT A THING FOR YOUR BOYFRIEND. 576 00:28:36,460 --> 00:28:38,700 DO YOU MIND SHARING?" 577 00:28:38,700 --> 00:28:42,010 -EVEN IF I SAID YES, I DON'T THINK MINGO... -YEAH. 578 00:28:42,010 --> 00:28:43,370 I KNOW. 579 00:28:46,010 --> 00:28:49,340 LIKE I SAID, IT WAS STUPID. 580 00:28:58,950 --> 00:29:01,060 WHAT ABOUT VIMLA? 581 00:29:01,060 --> 00:29:02,960 I MEAN, DO... 582 00:29:02,960 --> 00:29:04,930 DO YOU STILL LIKE GIRLS? 583 00:29:07,990 --> 00:29:09,090 I DON'T KNOW. 584 00:29:09,090 --> 00:29:10,870 I'M STILL FIGURING IT OUT. 585 00:29:12,670 --> 00:29:15,500 I MEAN, VIMLA AND I ARE PROBABLY DONE, 586 00:29:15,500 --> 00:29:17,300 BUT THAT'S FOR A LOT OF REASONS. 587 00:29:18,300 --> 00:29:19,740 OKAY. 588 00:29:19,740 --> 00:29:25,810 ANYWAY, I KNOW THAT STRAIGHT GUYS ARE OUT OF BOUNDS. 589 00:29:25,810 --> 00:29:28,010 I'M NOT JUDGING. 590 00:29:28,010 --> 00:29:31,890 YOU KNOW, HE SURPRISED ME. 591 00:29:31,890 --> 00:29:36,690 I MEAN, HE WASN'T THE MEAT-HEAD I THOUGHT HE WAS 592 00:29:36,690 --> 00:29:40,030 AND HE THOUGHT I WAS COOL. 593 00:29:42,100 --> 00:29:46,030 I GUESS I LET MY IMAGINATION JUST... 594 00:29:46,030 --> 00:29:47,630 RUN AWAY WITH ME. 595 00:29:51,080 --> 00:29:54,280 LOOK, I'M SORRY I DIDN'T SHOW UP FOR CLASS TODAY. 596 00:29:54,280 --> 00:29:57,810 I KNOW YOU GUYS HAVE A PRESENTATION TOMORROW. 597 00:29:57,810 --> 00:30:00,420 I GOTTA GET IT TOGETHER. 598 00:30:07,620 --> 00:30:09,820 YEAH. HELP ME UP? 599 00:30:11,400 --> 00:30:13,000 THANK YOU. 600 00:30:15,000 --> 00:30:16,230 UM... 601 00:30:21,040 --> 00:30:24,870 LOOK, I DON'T KNOW WHAT'S GOING ON WITH YOU 602 00:30:24,870 --> 00:30:27,970 AND TEXTING GUY, BUT... 603 00:30:27,970 --> 00:30:31,920 IT WAS MINGO'S IDEA TO HAVE ASL LESSONS 604 00:30:31,920 --> 00:30:33,980 THREE DAYS A WEEK. 605 00:30:33,980 --> 00:30:36,080 I DON'T KNOW A LOT OF GUYS WHO WOULD 606 00:30:36,080 --> 00:30:39,620 GO THROUGH THAT TROUBLE AND EXPENSE FOR SOMEONE THEY LIKE. 607 00:30:52,400 --> 00:30:54,100 ARE YOU OKAY? 608 00:30:54,100 --> 00:30:55,570 YEAH. 609 00:30:56,570 --> 00:30:58,100 CONTRACTIONS HAVE STOPPED. 610 00:30:58,100 --> 00:31:00,010 BRAXTON-HICKS, LIKE YOU SAID. 611 00:31:01,050 --> 00:31:03,510 THAT'S NOT WHAT I MEANT. 612 00:31:05,010 --> 00:31:08,810 I KNOW WHAT THAT MOM IN THE WAITING ROOM WAS SAYING 613 00:31:08,810 --> 00:31:10,390 MUST HAVE BEEN HARD TO HEAR. 614 00:31:12,160 --> 00:31:14,190 I'VE MADE MY DECISION. 615 00:31:14,190 --> 00:31:15,920 I'M NOT ALLOWED TO BE UPSET. 616 00:31:15,920 --> 00:31:17,990 WHO SAYS YOU'RE NOT ALLOWED? 617 00:31:17,990 --> 00:31:20,700 NO ONE MADE ME HAVE THIS BABY. 618 00:31:20,700 --> 00:31:22,970 I KNOW EXACTLY WHAT I'M GETTING MYSELF INTO, 619 00:31:22,970 --> 00:31:25,100 AND I'D BETTER GET USED TO FEELING HOW I FELT 620 00:31:25,100 --> 00:31:26,330 IN THAT WAITING ROOM, BECAUSE... 621 00:31:27,500 --> 00:31:29,400 I'M GOING TO FEEL LIKE THIS FOR THE REST OF MY LIFE. 622 00:31:39,310 --> 00:31:41,550 FIRST OF ALL... 623 00:31:41,550 --> 00:31:44,150 I HATE TO BREAK IT TO YOU, BUT THAT IS NOT SPECIAL 624 00:31:44,150 --> 00:31:46,220 TO DOWN SYNDROME PARENTS. 625 00:31:46,220 --> 00:31:51,300 EVERY PARENT FEELS JEALOUS AND INSECURE SOMETIMES ABOUT THEIR KID. 626 00:31:51,300 --> 00:31:54,060 EVERY SINGLE ONE. 627 00:31:54,060 --> 00:31:57,360 JUST HEARING HOW HER DAUGHTER SNOWBOARDS WITH HER HUSBAND... 628 00:31:57,360 --> 00:31:59,300 I WANT TO GIVE THAT TO TOBY. 629 00:31:59,300 --> 00:32:01,440 I WANT TO HAVE THAT EXPERIENCE MYSELF. 630 00:32:01,440 --> 00:32:05,910 I WANT ALL THOSE MOMENTS THAT PARENTS GET. 631 00:32:07,370 --> 00:32:09,870 THIS HAS ONLY JUST STARTED... 632 00:32:09,870 --> 00:32:12,350 AND I'M STARTING TO THINK I MADE A HUGE MISTAKE. 633 00:32:14,450 --> 00:32:16,380 PLEASE DON'T TELL TOBY THAT I'VE SAID THAT. 634 00:32:16,380 --> 00:32:17,880 LISTEN TO ME. 635 00:32:17,880 --> 00:32:23,090 IT IS COMPLETELY NORMAL TO HAVE DOUBTS AND BE SCARED. 636 00:32:23,090 --> 00:32:25,660 YOU'RE NOT A MONSTER FOR FEELING THAT WAY. 637 00:32:27,430 --> 00:32:30,300 ONE THING THAT I KNOW FOR SURE... 638 00:32:30,300 --> 00:32:33,070 IS THAT THIS IS GONNA BE YOUR KID. 639 00:32:33,070 --> 00:32:36,570 NOT YOUR DOWN SYNDROME KID BUT YOUR KID. 640 00:32:36,570 --> 00:32:39,640 AND YOU ARE GONNA LOVE HIM OR HER 641 00:32:39,640 --> 00:32:42,080 WITH EVERYTHING THAT YOU HAVE, 642 00:32:42,080 --> 00:32:44,780 ONCE YOU TWO MEET. 643 00:32:49,650 --> 00:32:53,220 THIS HAS BARELY EVEN BEGUN, AND I ALREADY FEEL LIKE I'M FAILING. 644 00:32:53,220 --> 00:32:54,820 NO, SWEETIE. 645 00:32:54,820 --> 00:32:57,090 YOU'RE NOT FAILING. 646 00:32:57,090 --> 00:32:58,320 YOU'RE JUST BEING A MOM. 647 00:33:02,130 --> 00:33:06,730 AND I THINK THAT YOU NEED TO START BEING HONEST 648 00:33:06,730 --> 00:33:08,700 WITH TOBY ABOUT ALL THIS. 649 00:33:08,700 --> 00:33:11,280 YOU NEED TO STOP HOLDING IT IN. 650 00:33:11,280 --> 00:33:13,110 OKAY. 651 00:33:16,640 --> 00:33:17,910 OKAY. 652 00:33:24,120 --> 00:33:25,350 YEAH. 653 00:33:28,220 --> 00:33:29,750 FIRST LAP DANCE? 654 00:33:29,750 --> 00:33:31,630 YEAH. 655 00:33:31,630 --> 00:33:35,030 JUST ENJOY BEING ENTERTAINED. 656 00:33:36,100 --> 00:33:38,300 HAVE YOU ALWAYS BEEN A DANCER? 657 00:33:38,300 --> 00:33:40,310 I DID BALLET WHEN I WAS A KID. 658 00:33:40,310 --> 00:33:42,210 OH. YEAH, ME TOO. 659 00:33:43,270 --> 00:33:46,140 YEAH, I STILL DANCE. 660 00:33:46,140 --> 00:33:47,470 MOSTLY TAP. 661 00:33:48,810 --> 00:33:51,620 YOU KNOW WHAT? I'M THINKING ABOUT INVESTING IN THIS PLACE. 662 00:33:51,620 --> 00:33:53,150 -OH, YEAH? -YEAH. YEAH. 663 00:33:53,150 --> 00:33:55,620 -DO YOU LIKE WORKING HERE? -YEAH. 664 00:33:55,620 --> 00:33:58,080 MONEY'S GREAT, HOURS ARE FLEXIBLE, 665 00:33:58,080 --> 00:34:00,860 AND I CAN GO TO SCHOOL IN THE DAYTIME. 666 00:34:00,860 --> 00:34:02,460 OH. WOW. 667 00:34:02,460 --> 00:34:05,990 YOU GO TO SCHOOL. 668 00:34:05,990 --> 00:34:08,130 YEP. U.M.K.C. 669 00:34:08,130 --> 00:34:09,290 OH! 670 00:34:09,290 --> 00:34:11,940 MBA AND I'M ALMOST DONE. 671 00:34:11,940 --> 00:34:12,970 WOW! 672 00:34:12,970 --> 00:34:14,400 WHAT'S NEXT AFTERWARDS? 673 00:34:14,400 --> 00:34:18,040 WELL, I CREATED A WORKOUT CALLED "PAS DE POLE." 674 00:34:18,040 --> 00:34:19,900 IT COMBINES THE MOVES OF POLE DANCING 675 00:34:19,900 --> 00:34:21,750 WITH THE TECHNIQUE OF BALLET. 676 00:34:21,750 --> 00:34:24,680 -IT IS SUCH A GREAT WORKOUT. -OH, YEAH? CAN I SEE? 677 00:34:24,680 --> 00:34:26,180 OKAY. 678 00:34:26,180 --> 00:34:29,010 HIP... TURN... 679 00:34:29,010 --> 00:34:32,360 ♪ GOT ME BURNING ♪ 680 00:34:32,360 --> 00:34:35,920 ♪ SHE'S PASSING IN HER MINI-DRESS ♪ 681 00:34:35,920 --> 00:34:38,560 ♪ AND SHE ALWAYS KNOWS WHAT TO SAY ♪ 682 00:34:40,930 --> 00:34:44,970 OKAY, SO YOU GRAND PLIé INTO A SWIVEL, 683 00:34:44,970 --> 00:34:48,030 REAL SEXY, AND THEN BATTEMENT, 684 00:34:48,030 --> 00:34:51,280 AND THEN SOUTENU, TURN IT UP AND THEN HOLD IT, 685 00:34:51,280 --> 00:34:53,510 POP THAT LEG OUT, ONE, TWO, 686 00:34:53,510 --> 00:34:54,810 DIP THE HEAD, THREE, 687 00:34:54,810 --> 00:34:56,510 AND YOU FLIP IT LIKE YOU MEAN IT ON FOUR. 688 00:34:56,510 --> 00:34:59,110 THERE WE GO! NICE! 689 00:35:01,190 --> 00:35:02,850 UM... 690 00:35:02,850 --> 00:35:04,650 I'M NOT GONNA STAY LONG. 691 00:35:04,650 --> 00:35:07,820 I JUST WANTED TO CLEAR SOME THINGS UP. 692 00:35:09,950 --> 00:35:11,230 YOU WERE RIGHT. 693 00:35:12,830 --> 00:35:15,500 I WASN'T HONEST WITH YOU THE OTHER NIGHT. 694 00:35:18,730 --> 00:35:20,240 THIS IS STILL NEW... 695 00:35:20,240 --> 00:35:26,240 AND I'M STILL FIGURING OUT HOW TO TALK ABOUT IT AND WHEN. 696 00:35:27,270 --> 00:35:30,650 BUT THAT'S NOT WHAT'S HAPPENING HERE. 697 00:35:35,980 --> 00:35:39,620 YOU HAVE MORE... 698 00:35:39,620 --> 00:35:41,590 EXPERIENCE THAN I DO. 699 00:35:41,590 --> 00:35:45,030 A LOT MORE. AND I... 700 00:35:45,030 --> 00:35:48,890 I GOT A LITTLE... NERVOUS. 701 00:36:06,980 --> 00:36:10,010 YOU DON'T HAVE TO DO ANYTHING DIFFERENTLY. 702 00:36:12,220 --> 00:36:16,520 I'M NOT SOME FRAGILE THING, AND I REALLY DIDN'T WANT 703 00:36:16,520 --> 00:36:20,530 THE FIRST PERSON AFTER TO KNOW, 704 00:36:20,530 --> 00:36:25,570 AND THEN HAVE A BUNCH OF BAGGAGE ABOUT IT, 705 00:36:25,570 --> 00:36:30,440 BECAUSE IT'S MY BAGGAGE AND I'M DEALING WITH IT. 706 00:36:39,610 --> 00:36:42,650 I DO ENJOY BEING WITH YOU. 707 00:36:51,360 --> 00:36:52,600 I WANNA STAY. 708 00:36:57,060 --> 00:36:58,260 POSITIVE. 709 00:37:02,410 --> 00:37:05,070 I HAVE THOSE FEELINGS TOO SOMETIMES. 710 00:37:06,070 --> 00:37:07,670 YOU DO? 711 00:37:07,670 --> 00:37:09,340 OF COURSE. 712 00:37:10,550 --> 00:37:12,450 IT'S TERRIFYING WHAT WE'RE DOING. 713 00:37:15,480 --> 00:37:18,580 BUT I DON'T THINK JUST BECAUSE A BABY HAS DOWN SYNDROME 714 00:37:18,580 --> 00:37:23,460 MEANS THAT THEY'LL NEVER PLAY BASKETBALL OR... 715 00:37:23,460 --> 00:37:24,890 SNOWBOARD... 716 00:37:24,890 --> 00:37:26,830 OR LISTEN TO MUSIC. 717 00:37:29,390 --> 00:37:35,000 I THINK I CAN DO ALL THOSE THINGS WITH HIM OR HER... 718 00:37:36,700 --> 00:37:38,700 IN OUR OWN WAY. 719 00:37:42,680 --> 00:37:46,380 I KEPT TELLING MYSELF THAT I DIDN'T WANT TO KNOW THE GENDER 720 00:37:46,380 --> 00:37:50,390 BECAUSE IT'D BE FUN TO WAIT, BE SURPRISED. 721 00:37:51,620 --> 00:37:53,360 BUT... 722 00:37:53,360 --> 00:37:57,660 ACTUALLY, I THINK NOT KNOWING WAS MY OF KEEPING THE BABY AT A DISTANCE. 723 00:38:00,090 --> 00:38:01,770 SO, NOW YOU WANT TO KNOW? 724 00:38:05,030 --> 00:38:07,530 ACTUALLY, I DO KNOW. 725 00:38:07,530 --> 00:38:08,770 WHAT? 726 00:38:10,410 --> 00:38:13,640 I CALLED DR. BRUNSTETTER BACK AND ASKED. 727 00:38:13,640 --> 00:38:16,640 -WELL, WHAT ARE WE HAVING? -UM... 728 00:38:16,640 --> 00:38:18,610 OH, COME ON! 729 00:38:18,610 --> 00:38:20,950 TELL ME! WHAT ARE WE HAVING? 730 00:38:22,350 --> 00:38:25,390 YOU KNOW, MAYBE IT'S BEST NOT TO KNOW. 731 00:38:25,390 --> 00:38:29,420 I MEAN, THEY SAY THERE ARE SO FEW REAL SURPRISES LEFT IN LIFE-- 732 00:38:29,420 --> 00:38:30,860 LILY MARGARET SUMMERS. 733 00:38:34,400 --> 00:38:35,900 IT'S A BOY. 734 00:38:38,600 --> 00:38:39,530 A BOY? 735 00:38:43,270 --> 00:38:44,610 WE'RE HAVING A BOY? 736 00:38:54,850 --> 00:38:57,880 YOU WERE RIGHT. THAT PLACE WAS TOTALLY SLEAZY. 737 00:38:58,920 --> 00:38:59,980 REALLY? 738 00:38:59,980 --> 00:39:01,890 I KIND OF THOUGHT IT WAS CLASSY. 739 00:39:01,890 --> 00:39:03,360 WHAT ARE YOU TALKING ABOUT? 740 00:39:03,360 --> 00:39:05,530 THOSE GIRLS WERE BARELY OLDER THAN BAY AND DAPHNE. 741 00:39:05,530 --> 00:39:07,530 AND ALL THOSE MEN OGGLING THEM... 742 00:39:07,530 --> 00:39:08,630 THEY WERE GORGEOUS. 743 00:39:08,630 --> 00:39:10,640 I WAS OGGLING THEM, TOO. 744 00:39:10,640 --> 00:39:13,670 I MEAN, I WOULDN'T WANT BAY OR DAPHNE TO WORK THERE... 745 00:39:13,670 --> 00:39:14,970 DAMN RIGHT. 746 00:39:14,970 --> 00:39:17,600 IT WASN'T THE DEPRESSING PIT OF DESPAIR I IMAGINED. 747 00:39:19,500 --> 00:39:24,010 BUT, HONEY, I DON'T THINK IT'S THE RIGHT BUSINESS FOR US. 748 00:39:24,010 --> 00:39:26,510 SEE? OKAY, WE'RE ON THE SAME PAGE. 749 00:39:26,510 --> 00:39:27,550 SAY NO MORE. DONE. 750 00:39:28,680 --> 00:39:31,560 BUT YOU KNOW WHAT MIGHT BE THE RIGHT BUSINESS? 751 00:39:31,560 --> 00:39:32,560 WHAT? 752 00:39:32,560 --> 00:39:34,620 PAS DE POLE. 753 00:39:35,620 --> 00:39:39,020 IT'S A NEW WORKOUT THAT COMBINES POLE DANCING AND BALLET. 754 00:39:41,670 --> 00:39:42,630 HOW'D IT GO? 755 00:39:42,630 --> 00:39:43,830 A MINUS! 756 00:39:43,830 --> 00:39:46,170 YEAH! THAT'S WHAT I'M TALKING ABOUT! 757 00:39:47,430 --> 00:39:48,630 WHERE'S VIMLA? 758 00:39:48,630 --> 00:39:51,610 OH, SHE AND JOSH WENT OUT FOR COFFEE. 759 00:39:51,610 --> 00:39:53,640 THEY'RE NOT BROKEN UP? 760 00:39:53,640 --> 00:39:55,140 I DON'T KNOW WHAT THEY'RE DOING. 761 00:39:55,140 --> 00:39:56,840 THEY'RE TALKING. 762 00:39:56,840 --> 00:39:58,410 I THOUGHT HE'D BE REALLY HUNGOVER, 763 00:39:58,410 --> 00:39:59,710 BUT HE WAS ACTUALLY FINE. 764 00:39:59,710 --> 00:40:01,650 YEAH, I MADE SURE HE WAS OKAY. 765 00:40:01,650 --> 00:40:04,520 PICKED HIM UP THIS MORNING AND TOOK HIM TO THE DRIP FOR AN INFUSION. 766 00:40:04,520 --> 00:40:06,090 WHAT'S THE DRIP? 767 00:40:06,090 --> 00:40:08,420 IT'S THAT TRENDY PLACE OVER IN THE POWER AND LIGHT DISTRICT. 768 00:40:08,420 --> 00:40:10,660 THE NURSE WILL HOOK YOU UP TO AN IV VITAMIN DRIP. 769 00:40:10,660 --> 00:40:12,730 IT'S SUPPOSED TO CURE YOUR HANGOVER. 770 00:40:12,730 --> 00:40:15,160 YOU DROVE HIM? WASN'T THAT AWKWARD? 771 00:40:15,160 --> 00:40:16,700 A LITTLE. 772 00:40:16,700 --> 00:40:18,000 BUT I COULDN'T LET HIM JEOPARDIZE 773 00:40:18,000 --> 00:40:19,960 MY GIRLFRIEND'S GRADE, NOW COULD I? 774 00:40:19,960 --> 00:40:23,710 AND WE'VE ALL DONE STUPID STUFF WHILE WE'RE DRUNK, RIGHT? 775 00:40:23,710 --> 00:40:26,510 HE'S A GOOD GUY AND WE'RE STILL FRIENDS. 776 00:40:26,510 --> 00:40:27,970 YOU'RE AMAZING. 777 00:40:27,970 --> 00:40:29,640 DON'T MAKE ME BLUSH. 778 00:40:31,420 --> 00:40:32,450 (phone vibrates) 779 00:40:34,580 --> 00:40:36,320 (vibrating continues) 780 00:40:57,800 --> 00:41:01,380 I AM SO EXCITED ABOUT THIS NEW SERIES 781 00:41:01,380 --> 00:41:03,580 AND YOU ARE MY FIRST COMMISSION. 782 00:41:03,580 --> 00:41:06,010 I WAS SO HAPPY WHEN YOU CAME INTO THE COFFEEHOUSE. 783 00:41:06,010 --> 00:41:08,750 WELL, THOSE PORTRAITS UP THERE ARE PRETTY UNIQUE. 784 00:41:08,750 --> 00:41:09,980 THANK YOU. 785 00:41:09,980 --> 00:41:12,460 IT MADE ME THINK, "I WONDER WHAT THAT ARTIST 786 00:41:12,460 --> 00:41:14,060 WOULD MAKE OUT OF ME." 787 00:41:14,060 --> 00:41:15,420 I HAD TO FIND OUT. 788 00:41:15,420 --> 00:41:18,520 WELL, I'M JUST DOING SOME PRELIMINARY SKETCHES RIGHT NOW. 789 00:41:18,520 --> 00:41:23,570 IN THE MEANTIME, WHY DON'T YOU TELL ME ABOUT YOURSELF? 790 00:41:23,570 --> 00:41:27,670 LIKE, WHAT ARE SOME WORDS YOU WOULD USE TO DESCRIBE YOU? 791 00:41:27,670 --> 00:41:29,670 WELL... 792 00:41:30,880 --> 00:41:32,740 I'M A SURVIVOR. 793 00:41:36,080 --> 00:41:37,540 I HEAR THAT. 794 00:41:37,540 --> 00:41:38,610 ANYTHING ELSE? 795 00:41:38,610 --> 00:41:40,410 DETERMINED. 796 00:41:47,920 --> 00:41:49,790 MOTHER. 797 00:41:54,700 --> 00:41:57,160 Bay: THOSE ARE SOME GREAT WORDS. 798 00:41:57,160 --> 00:41:58,900 I THINK WE'RE OFF AND RUNNING. 799 00:41:58,900 --> 00:42:00,940 YEAH, I THINK WE ARE, TOO. 800 00:42:12,020 --> 00:42:13,450 (inaudible) 55769

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