All language subtitles for Switched at Birth (2011) - S04E10 - There is My Heart (1080p x265 EDGE2020).eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,900 --> 00:00:07,480 Announcer: PREVIOUSLY ON SWITCHED AT BIRTH... 2 00:00:07,480 --> 00:00:09,860 -JUANITA. -I CAN'T BELIEVE YOU HAVE THE NERVE 3 00:00:09,860 --> 00:00:11,110 TO SHOW YOUR FACE. 4 00:00:11,110 --> 00:00:13,570 -I KNEW THESE PEOPLE. -AND THEY DON'T LIKE YOU. 5 00:00:13,570 --> 00:00:15,030 I CAN WIN THEM BACK. 6 00:00:15,030 --> 00:00:16,110 (laughing) 7 00:00:16,110 --> 00:00:18,710 DOES JULIAN KNOW YOU HAVE A BOYFRIEND? 8 00:00:18,710 --> 00:00:20,040 I WANT YOU TO MOVE IN WITH ME. 9 00:00:20,040 --> 00:00:22,620 -I HAVE FEELINGS FOR SOMEONE ELSE. -WHAT? 10 00:00:22,620 --> 00:00:25,460 I DID THE MATH. TO GET ABOVE A "C" IN THE CLASS... 11 00:00:25,460 --> 00:00:27,540 YOU'D HAVE TO ACE EVERYTHING ELSE. 12 00:00:27,540 --> 00:00:29,880 DO YOU THINK I SHOULD DROP THE CLASS? 13 00:00:29,880 --> 00:00:31,880 IF THE REST OF THE SONGS ARE THAT GOOD, 14 00:00:31,880 --> 00:00:33,380 YOU'VE GOT A MASSIVE HIT ON YOUR HANDS. 15 00:00:33,380 --> 00:00:36,090 HOW DO YOU FEEL ABOUT THIS HAVING ITS WORLD PREMIERE 16 00:00:36,090 --> 00:00:37,720 AT THE CRACKED MUG? 17 00:00:37,720 --> 00:00:40,440 CONGRATULATIONS! YOU'RE MAKING A MOVIE. 18 00:00:40,440 --> 00:00:43,020 YOU AND EMMETT-- THAT'S THE RELATIONSHIP 19 00:00:43,020 --> 00:00:44,480 YOU SHOULD BE FIGHTING FOR. 20 00:00:44,480 --> 00:00:46,850 HEY, DAD, DO YOU THINK THAT YOU COULD FIND SOMEONE TO FILL IN FOR ME? 21 00:00:46,850 --> 00:00:48,450 YOU NEED TO GET BACK TO THAT ART PROJECT? 22 00:00:48,450 --> 00:00:50,950 NO, I'M GOING TO L.A. 23 00:00:53,240 --> 00:00:55,490 OKAY, HOW DO YOU SAY "OCEAN"? 24 00:00:57,240 --> 00:01:00,000 OKAY, SO WATER AND THEN THE WAVES. 25 00:01:00,000 --> 00:01:03,830 NICE. HOW DO YOU SAY "KISS"? 26 00:01:18,560 --> 00:01:19,850 CUT! 27 00:01:25,020 --> 00:01:27,220 SO THIS TIME, AT THE END, 28 00:01:27,220 --> 00:01:30,070 LOOK INTO EACH OTHER'S EYES FOR A BEAT. 29 00:01:33,610 --> 00:01:35,400 RESET! 30 00:01:37,570 --> 00:01:38,830 SET. 31 00:01:43,290 --> 00:01:45,240 SURPRISE! 32 00:01:51,130 --> 00:01:52,960 TAKE FIVE, EVERYONE. 33 00:01:54,340 --> 00:01:55,800 WOW! 34 00:01:55,800 --> 00:01:57,420 LOOK AT THIS PLACE. IT'S AMAZING. 35 00:01:59,680 --> 00:02:02,560 WELL, YOU POSTED WHERE YOU WERE ON INSTAGRAM. 36 00:02:02,560 --> 00:02:04,260 THIS IS OKAY, RIGHT? 37 00:02:07,520 --> 00:02:09,820 I HATED NOT TALKING. 38 00:02:09,820 --> 00:02:12,730 I NEEDED TO SEE YOU IN PERSON 39 00:02:12,730 --> 00:02:15,110 SO WE COULD JUST GET OVER WHATEVER IT IS 40 00:02:15,110 --> 00:02:16,820 THAT HAPPENED BETWEEN US AND MOVE ON. 41 00:02:26,330 --> 00:02:27,370 TOTALLY GET IT. 42 00:02:27,370 --> 00:02:29,050 JUST DO YOUR THING! 43 00:02:29,050 --> 00:02:31,630 OKAY, HOW DO YOU SAY "OCEAN"? 44 00:02:34,050 --> 00:02:36,380 IS THAT SUPPOSED TO BE ME AND YOU? 45 00:02:44,220 --> 00:02:46,350 WOW, THAT'S COOL. 46 00:02:47,890 --> 00:02:51,360 HEY, EM? WE SHOULD REALLY DO IT AGAIN 47 00:02:51,360 --> 00:02:53,020 IF YOU WANT TO FINISH EVERYTHING UP. 48 00:02:53,020 --> 00:02:54,860 EM? 49 00:03:01,950 --> 00:03:03,870 HEY, NICE TO MEET YOU. 50 00:03:03,870 --> 00:03:05,370 YOU TOO. 51 00:03:11,290 --> 00:03:14,830 OF COURSE. I WILL JUST BE 52 00:03:14,830 --> 00:03:18,040 SITTING OVER THERE WATCHING YOU WORK FROM AFAR. 53 00:03:18,040 --> 00:03:20,300 DON'T WORRY ABOUT ME. 54 00:03:24,930 --> 00:03:27,840 LOOK AT ME. I'M IN L.A.! 55 00:03:34,270 --> 00:03:36,350 (theme music playing) 56 00:03:41,990 --> 00:03:45,200 AH, YES! PUTS ME IN THE LEAD. 57 00:03:45,200 --> 00:03:48,030 ARE YOU SURE YOU'VE NEVER PLAYED FRISBEE GOLF BEFORE? 58 00:03:48,030 --> 00:03:50,000 OH, BEGINNER'S LUCK. 59 00:03:50,000 --> 00:03:51,790 WELL, DON'T GET TOO COCKY. 60 00:03:51,790 --> 00:03:54,000 (laughs) THIS IS NICE. 61 00:03:54,000 --> 00:03:57,830 THE SEMESTER IS DONE AND MY CHEMISTRY TEST IS OVER. 62 00:03:57,830 --> 00:04:01,010 FOR THE FIRST TIME IN FOUR MONTHS, 63 00:04:01,010 --> 00:04:04,380 I DON'T HAVE TO DO ANYTHING EXCEPT HAVE FUN. 64 00:04:04,380 --> 00:04:08,010 SO YOU MEAN I'M NOT ON THE CLOCK HERE? 65 00:04:08,010 --> 00:04:09,690 (phone beeping) 66 00:04:09,690 --> 00:04:11,600 -OH, SWEET. -WHAT? 67 00:04:11,600 --> 00:04:15,600 IT'S VIMLA. SHE GOT AN "A-" IN CHEMISTRY. 68 00:04:15,600 --> 00:04:17,190 WAIT, GRADES ARE OUT? 69 00:04:17,190 --> 00:04:19,160 YEAH, I GUESS SO. 70 00:04:19,160 --> 00:04:21,280 AN "A-"? SHE MUST BE THRILLED. 71 00:04:21,280 --> 00:04:23,320 OH, HERE THEY ARE. 72 00:04:37,790 --> 00:04:40,840 I JUST DON'T UNDERSTAND HOW YOU GOT A "D." 73 00:04:40,840 --> 00:04:44,090 I MEAN, YOU BROUGHT YOUR MIDTERM GRADE UP TO A "C." 74 00:04:45,380 --> 00:04:48,220 I MUST HAVE BOMBED THE FINAL. 75 00:04:49,810 --> 00:04:52,310 THERE'S NO WAY I'M GETTING INTO MED SCHOOL 76 00:04:52,310 --> 00:04:54,930 WITH A "D" IN CHEMISTRY. 77 00:04:54,930 --> 00:04:56,690 PROBABLY NOT. 78 00:04:58,900 --> 00:05:01,570 OH, GOD, BAY. 79 00:05:01,570 --> 00:05:04,110 YOUR SISTER? 80 00:05:04,110 --> 00:05:06,650 SHE DID SOMETHING FOR ME 81 00:05:06,650 --> 00:05:08,410 SO THAT I COULD BE A DOCTOR. 82 00:05:08,410 --> 00:05:10,910 SOMETHING BIG. 83 00:05:10,910 --> 00:05:14,410 I JUST CAN'T BELIEVE THAT IT ALL BOILS DOWN TO ONE CLASS. 84 00:05:14,410 --> 00:05:17,000 -SO WHAT ARE YOU GOING TO DO? -WHAT CAN I DO? 85 00:05:17,000 --> 00:05:20,420 JUST ACCEPT IT AND MOVE ON. 86 00:05:25,960 --> 00:05:29,310 THANKS AGAIN FOR EVERYTHING. 87 00:05:29,310 --> 00:05:31,430 I'LL SEE YOU AROUND. 88 00:05:41,190 --> 00:05:43,280 WE KISS PRETTY GOOD FOR A COUPLE 89 00:05:43,280 --> 00:05:45,110 THAT'S NEVER BEEN ON A REAL DATE BEFORE. 90 00:05:45,110 --> 00:05:47,320 WELL, HEY, ARE YOU READY FOR THIS? 91 00:05:47,320 --> 00:05:49,990 WHAT EXACTLY SHOULD I BE READY FOR? 92 00:05:49,990 --> 00:05:53,540 I WAS THINKING THAT WE'D ORGANIZE THE STOCK ROOM 93 00:05:53,540 --> 00:05:55,580 AND DO SOME INVENTORY. 94 00:05:55,580 --> 00:05:57,990 OKAY, DON'T EVEN JOKE WITH ME. 95 00:05:57,990 --> 00:06:00,000 (laughs) 96 00:06:05,260 --> 00:06:06,460 OH. 97 00:06:06,460 --> 00:06:10,060 WE'RE GOING HORSEBACK RIDING? 98 00:06:10,060 --> 00:06:12,270 YES, MA'AM. YOU SAID WHEN YOU WERE LITTLE, 99 00:06:12,270 --> 00:06:14,850 YOU WISH YOU'D LIVED ON A FARM, SO... 100 00:06:14,850 --> 00:06:16,510 (both laughing) 101 00:06:16,510 --> 00:06:19,570 THIS IS AMAZING. I LOVE YOU. 102 00:06:24,360 --> 00:06:25,980 SORRY. 103 00:06:25,980 --> 00:06:29,740 DON'T BE. IT'S-- IT'S NICE TO HEAR. 104 00:06:31,490 --> 00:06:32,830 WELL, WE SHOULD GET GOING. 105 00:06:32,830 --> 00:06:34,200 YEAH. 106 00:06:36,330 --> 00:06:38,710 OF COURSE, I'LL CALL YOU RIGHT AFTER. 107 00:06:38,710 --> 00:06:40,630 -BYE. -HEY. 108 00:06:40,630 --> 00:06:43,540 HONEY, THAT WAS LYDIA. 109 00:06:43,540 --> 00:06:45,960 SHE PITCHED BATTER UP TO THIS BIG PRODUCER. 110 00:06:45,960 --> 00:06:48,720 SHE HAS A BUNCH OF OBIES AND THREE OF HER SHOWS HAVE GONE TO BROADWAY. 111 00:06:48,720 --> 00:06:51,010 -UH-HUH. -YEAH, SHE LOVED THE WORLD 112 00:06:51,010 --> 00:06:52,930 AND THE FACT THAT WE'RE A MOTHER-AND-SON TEAM, 113 00:06:52,930 --> 00:06:56,260 AND SHE'S FLYING OUT TO SEE THE SHOWCASE. 114 00:06:56,260 --> 00:06:57,970 -SERIOUSLY? -YEAH. 115 00:06:57,970 --> 00:06:59,900 IMAGINE IF WE GOT THIS THING FUNDED. 116 00:06:59,900 --> 00:07:01,820 I THINK YOU'RE GETTING A LITTLE AHEAD OF YOURSELF. 117 00:07:01,820 --> 00:07:04,770 I KNOW, I KNOW, I'M JUST-- I'M SO EXCITED. 118 00:07:04,770 --> 00:07:06,650 (laughs) 119 00:07:06,650 --> 00:07:08,320 AREN'T YOU? 120 00:07:10,950 --> 00:07:12,870 YEAH, I AM. 121 00:07:12,870 --> 00:07:16,200 THIS COULD BE AWESOME. AND, UH, 122 00:07:16,200 --> 00:07:18,240 IT'S EXACTLY WHAT I NEED RIGHT NOW. 123 00:07:24,670 --> 00:07:27,670 SO IS IT ALWAYS THIS NICE OUT? 124 00:07:27,670 --> 00:07:29,260 PRETTY MUCH. 125 00:07:29,260 --> 00:07:30,800 HOW DO YOU KNOW WHAT MONTH IT IS? 126 00:07:30,800 --> 00:07:33,550 WELL, WE HAVE CALENDARS. 127 00:07:33,550 --> 00:07:35,800 -I WAS KIDDING. -RIGHT. 128 00:07:38,940 --> 00:07:40,980 I THINK THIS IS SO AWESOME, 129 00:07:40,980 --> 00:07:43,360 WHAT YOU GUYS ARE DOING. I'M SERIOUSLY IMPRESSED. 130 00:07:43,360 --> 00:07:46,980 WELL, IT'S ALL EMMETT. HE'S KILLING IT AT SCHOOL. 131 00:07:46,980 --> 00:07:50,240 HE'S THE ONLY FRESHMAN THIS YEAR TO GET HIS OWN SHORT MADE. 132 00:07:50,240 --> 00:07:53,030 YEAH, HE IS PRETTY AMAZING. 133 00:07:53,030 --> 00:07:54,950 HE DOESN'T LET BEING DEAF HOLD HIM BACK. 134 00:07:54,950 --> 00:07:56,950 I MEAN, IT'S CHALLENGING AT FIRST, BUT-- 135 00:07:56,950 --> 00:08:00,830 BUT THEN EVERYONE ADJUSTS, AND THEN IT BECOMES REALLY NOT A BIG DEAL AT ALL. 136 00:08:00,830 --> 00:08:02,670 YEAH. 137 00:08:02,670 --> 00:08:06,790 I THINK HE'S GOING TO BE WORKING HERE FOR A REALLY LONG TIME. 138 00:08:08,380 --> 00:08:10,930 AND I GUESS YOU'LL BE HERE TOO. 139 00:08:10,930 --> 00:08:12,970 YEP. 140 00:08:12,970 --> 00:08:17,630 HEY! YOU KNOW WHAT? I HAVE SOME STUFF TO DO. 141 00:08:17,630 --> 00:08:20,980 IS IT OKAY IF I JUST MEET YOU BACK AT YOUR DORM ROOM LATER? 142 00:08:22,100 --> 00:08:24,270 OH. RIGHT. 143 00:08:29,240 --> 00:08:30,780 ME TOO. 144 00:08:30,780 --> 00:08:33,450 -BYE, SKYE. -SEE YOU LATER. 145 00:08:35,360 --> 00:08:37,990 (texting) 146 00:08:39,160 --> 00:08:41,870 SHE'S AWESOME. 147 00:08:47,250 --> 00:08:50,340 THAT'S WHAT PROFESSOR EPSTEIN LOVED ABOUT IT. 148 00:09:06,520 --> 00:09:09,780 I DON'T EVEN THINK YOU CAN CHANGE IT AT THIS POINT. 149 00:09:09,780 --> 00:09:12,530 PROFESSOR EPSTEIN APPROVED THIS SCRIPT. 150 00:09:13,860 --> 00:09:17,740 DON'T FREAK OUT. JUST KEEP BAY 151 00:09:17,740 --> 00:09:20,080 AWAY FROM SET LATER TODAY. 152 00:09:35,970 --> 00:09:38,550 YOU HAVEN'T SAID ANYTHING IN 20 MINUTES. 153 00:09:38,550 --> 00:09:39,980 YOU OKAY? 154 00:09:39,980 --> 00:09:41,850 I-- I'M FINE. 155 00:09:45,020 --> 00:09:47,890 IT'S GREAT. IT'S SO BEAUTIFUL. 156 00:09:50,940 --> 00:09:53,860 SO I GOT A CALL YESTERDAY. 157 00:09:53,860 --> 00:09:55,320 SOMEBODY WANTS TO BUY THE COFFEEHOUSE. 158 00:09:55,320 --> 00:09:59,120 WAIT, WHAT? WHO? 159 00:09:59,120 --> 00:10:01,120 A GUY WHO OWNS A FEW PLACES AROUND THE CITY, 160 00:10:01,120 --> 00:10:03,160 LOOKING TO EXPAND TO EAST RIVERSIDE. 161 00:10:03,160 --> 00:10:05,830 IT'S A GOOD OFFER TOO-- 200 GRAND, CASH. 162 00:10:05,830 --> 00:10:09,010 YOU TOLD HIM NO, RIGHT? 163 00:10:09,010 --> 00:10:11,920 ACTUALLY, I'M THINKING ABOUT IT. 164 00:10:11,920 --> 00:10:13,800 ARE YOU SERIOUS? 165 00:10:13,800 --> 00:10:17,590 WE CAN'T JUST JUMP SHIP. WE PUT SO MUCH IN. 166 00:10:17,590 --> 00:10:19,760 IT'S AN OPPORTUNITY THAT COULD BE LUCRATIVE FOR BOTH OF US. 167 00:10:19,760 --> 00:10:24,100 SO THAT WHOLE "EVERYONE SHOULD HAVE THEIR OWN MUG" THING? 168 00:10:24,100 --> 00:10:26,430 "I WANT A PLACE WHERE EVERYONE FEELS AT HOME"? 169 00:10:26,430 --> 00:10:29,190 YEAH, I MEANT THAT. AND I'M PROUD OF WHAT WE'VE MADE. 170 00:10:29,190 --> 00:10:31,820 BUT I GOTTA BE PRACTICAL. 171 00:10:33,400 --> 00:10:35,190 LOOK, JUST THINK ABOUT IT. 172 00:10:35,190 --> 00:10:38,030 WE DON'T HAVE TO GIVE HIM AN ANSWER UNTIL THE END OF THIS WEEK. 173 00:10:39,740 --> 00:10:41,950 (clicks tongue) 174 00:10:44,280 --> 00:10:46,830 HEY, I GOT A SURPRISE FOR YOU. 175 00:10:56,920 --> 00:10:58,850 IS IT THE RIGHT COLOR? 176 00:10:58,850 --> 00:11:00,600 I WASN'T SURE IF IT MATTERED. 177 00:11:02,970 --> 00:11:05,010 UM, I WAS LOOKING AT APARTMENTS, 178 00:11:05,010 --> 00:11:08,900 AND I THOUGHT, EMMETT NEEDS A CHAIR WITH HIS NAME ON IT. 179 00:11:11,150 --> 00:11:14,440 YEAH, IF YOU'RE GONNA BE HERE, THEN I'M GONNA BE HERE. 180 00:11:17,650 --> 00:11:21,240 WE'VE BEEN PLANNING THIS FOR MONTHS. 181 00:11:21,240 --> 00:11:23,700 AND WE HIT A BUMP, 182 00:11:23,700 --> 00:11:27,160 OR TWO. BUT NO MORE BUMPS. 183 00:11:29,830 --> 00:11:32,040 ARE YOU ALL RIGHT? 184 00:11:38,540 --> 00:11:40,890 OH, CAN I HELP? I COULD TEST YOU OR SOMETHING. 185 00:11:44,720 --> 00:11:47,800 WELL, I COULD BE YOUR ASSISTANT. 186 00:11:47,800 --> 00:11:51,440 CAN I GET YOU ANYTHING ELSE, MR. DIRECTOR? 187 00:12:14,000 --> 00:12:15,370 NOT FOR ME. 188 00:12:21,970 --> 00:12:24,300 OH. TOTALLY. 189 00:12:24,300 --> 00:12:27,380 UM, OKAY. 190 00:12:27,380 --> 00:12:31,060 YEAH, I'LL JUST-- I'LL GO TO THE GETTY, 191 00:12:31,060 --> 00:12:33,190 OR THE TAR PITS, 192 00:12:33,190 --> 00:12:37,980 OR ONE OF THE MANY OTHER AMAZING LOS ANGELES SIGHTS 193 00:12:37,980 --> 00:12:40,240 THAT ARE LISTED IN MY TRUSTY GUIDEBOOK. 194 00:12:45,820 --> 00:12:48,870 (crying) 195 00:12:58,790 --> 00:13:01,300 PERMISSION TO COME ABOARD? 196 00:13:01,300 --> 00:13:04,010 S-SURE. 197 00:13:13,890 --> 00:13:15,930 DID SOMETHING HAPPEN? 198 00:13:15,930 --> 00:13:19,070 WE GOT AN OFFER TO BUY THE CRACKED MUG. 199 00:13:19,070 --> 00:13:22,200 OH, HEY, THAT'S GREAT, RIGHT? 200 00:13:25,860 --> 00:13:28,110 BUT YOU DON'T WANT TO SELL. 201 00:13:28,110 --> 00:13:31,620 I MEAN, IF HE IS SO QUICK 202 00:13:31,620 --> 00:13:36,620 TO BAIL ON SOMETHING THAT WE JUST SPENT MONTHS BUILDING TOGETHER, 203 00:13:36,620 --> 00:13:40,550 HOW DO I KNOW THAT HE IS NOT JUST GOING TO UP AND BAIL ON ME? 204 00:13:42,050 --> 00:13:47,510 AT FIRST I THOUGHT IT WAS BECAUSE I WAS TRYING TO GET OVER ANGELO, 205 00:13:47,510 --> 00:13:50,180 DIVE INTO SOMETHING NEW. 206 00:13:52,560 --> 00:13:56,140 BUT IT'S NOT. IT'S REAL. 207 00:13:56,140 --> 00:13:58,020 SOUNDS LIKE YOU'RE IN LOVE. 208 00:13:59,360 --> 00:14:00,860 YEAH. 209 00:14:04,820 --> 00:14:08,690 AND I ACTUALLY TOLD HIM THAT FOR THE FIRST TIME TODAY. 210 00:14:10,580 --> 00:14:12,830 AND HE DIDN'T SAY IT BACK. 211 00:14:15,990 --> 00:14:17,540 YIKES. 212 00:14:18,540 --> 00:14:21,880 LOOK, THOSE ARE BIG WORDS FOR A GUY, YOU KNOW. 213 00:14:23,380 --> 00:14:25,550 BUT IT'S NOT A GOOD SIGN, RIGHT? 214 00:14:25,550 --> 00:14:29,180 I HATE TO SAY IT, BUT NO. 215 00:14:29,180 --> 00:14:32,390 PROBABLY NOT. 216 00:14:32,390 --> 00:14:34,180 RIGHT. 217 00:15:02,630 --> 00:15:04,590 (phone vibrating) 218 00:15:32,950 --> 00:15:34,870 (knock at door) 219 00:15:36,030 --> 00:15:37,490 HI. 220 00:15:37,490 --> 00:15:39,750 HEY. 221 00:15:44,340 --> 00:15:45,880 WOW, YOU SEEM HAPPY. 222 00:15:45,880 --> 00:15:49,890 I AM. I'VE DECIDED THAT GUY HAS GOT NOTHING ON ME. 223 00:15:49,890 --> 00:15:54,800 GUESS WHO'S GOT A BROADWAY PRODUCER COMING TO LISTEN TO HIS MUSIC TONIGHT? 224 00:15:54,800 --> 00:15:57,720 -YOU DO? -YEP, THIS GUY. 225 00:15:57,720 --> 00:15:59,900 I'M REALLY EXCITED FOR YOU. 226 00:16:01,520 --> 00:16:04,600 -BUT I DON'T THINK I SHOULD COME. -WHY NOT? 227 00:16:04,600 --> 00:16:07,100 -I WANT YOU THERE. -I JUST DON'T WANT TO DISTRACT YOU. 228 00:16:07,100 --> 00:16:10,910 YOU NEED TO FOCUS, AND I THINK I JUST NEED SOME TIME TO FIGURE THIS OUT. 229 00:16:10,910 --> 00:16:14,030 HEY, I MAY NOT WEAR TWEED JACKETS EVERY DAY 230 00:16:14,030 --> 00:16:17,910 AND HAVE NINE DEGREES LIKE DEAF COLIN FIRTH OR WHATEVER, 231 00:16:17,910 --> 00:16:21,210 -BUT I GOT STUFF GOING ON. -I KNOW. 232 00:16:21,210 --> 00:16:25,040 -I JUST STILL FEEL A BIT-- -CONFUSED, I KNOW. 233 00:16:25,040 --> 00:16:28,750 BUT THAT'S WHY I'M HERE, TO UNCONFUSE YOU. 234 00:16:28,750 --> 00:16:31,720 HONESTLY, THE WHOLE THING JUST SNUCK UP ON ME. 235 00:16:31,720 --> 00:16:35,510 I SWEAR, IT WASN'T EVEN SOMETHING I FULLY REALIZED UNTIL KATHRYN SAID SOMETHING. 236 00:16:35,510 --> 00:16:37,300 WAIT, WHAT? 237 00:16:37,300 --> 00:16:39,770 -YOUR MOM, SHE-- -MY MOM? 238 00:16:39,770 --> 00:16:41,980 OH GOD, I ASSUMED SHE TOLD YOU. 239 00:16:41,980 --> 00:16:43,980 TOLD ME WHAT? 240 00:16:43,980 --> 00:16:46,230 WELL, THAT SHE SAW ME ON CAMPUS WITH HIM 241 00:16:46,230 --> 00:16:49,570 AND SENSED SOMETHING-- I DON'T KNOW-- AND ASKED ME WHAT WAS GOING ON. 242 00:16:49,570 --> 00:16:51,910 MY MOM TALKED TO YOU ABOUT US? 243 00:16:51,910 --> 00:16:55,700 -SHE SAID THAT I OWED IT TO YOU TO-- -STOP. 244 00:16:55,700 --> 00:16:57,360 PLEASE. 245 00:17:04,160 --> 00:17:06,000 Eric: YOU THINK 40 IS ENOUGH? 246 00:17:06,000 --> 00:17:07,920 YEAH, SHOULD BE. 247 00:17:10,590 --> 00:17:14,930 LOOK, UM, I KNOW YOU'RE UPSET ABOUT THE OFFER. 248 00:17:14,930 --> 00:17:17,880 AND ABOUT WHAT YOU SAID. 249 00:17:17,880 --> 00:17:21,890 WHEN I SAID, "I LOVE YOU," AND YOU LOOKED AT ME LIKE I WAS CRAZY. 250 00:17:21,890 --> 00:17:25,520 -YOU'RE NOT CRAZY. -THIS ISN'T EASY FOR ME EITHER. 251 00:17:27,180 --> 00:17:29,990 I KNOW IT'S HARD TO MOVE ON. 252 00:17:29,990 --> 00:17:32,860 BUT I FELT LIKE WE WERE GETTING CLOSER AND-- 253 00:17:32,860 --> 00:17:35,740 REGINA, I CARE ABOUT YOU. 254 00:17:35,740 --> 00:17:39,120 BUT WILL COMES FIRST. IF WE SELL THIS PLACE, 255 00:17:39,120 --> 00:17:42,370 THAT MONEY IS FOR COLLEGE. I HAVE TO THINK ABOUT OUR FUTURE. 256 00:17:42,370 --> 00:17:45,120 I WANTED TO BE PART OF THAT FUTURE. 257 00:17:47,160 --> 00:17:48,870 IT'S COMPLICATED. 258 00:17:51,010 --> 00:17:54,260 THEN YOU'RE RIGHT. WE SHOULD SELL THE PLACE. 259 00:17:56,470 --> 00:17:59,220 OKAY, AND THESE ARE THE SILVERLAKE APARTMENTS? 260 00:17:59,220 --> 00:18:03,770 SOUNDS GOOD. I JUST NEED TO GRAB A PEN, 261 00:18:03,770 --> 00:18:06,100 ONE SECOND. 262 00:18:06,100 --> 00:18:09,400 UH, HMM... 263 00:18:09,400 --> 00:18:11,990 BINGO. 264 00:18:18,150 --> 00:18:19,740 DOUBLE BINGO. 265 00:18:19,740 --> 00:18:23,540 (chattering, music playing) 266 00:18:25,910 --> 00:18:28,830 -MOM? -OH, THERE YOU ARE. THANK GOD YOU'RE HERE. 267 00:18:28,830 --> 00:18:32,420 DID YOU TALK TO MY GIRLFRIEND ABOUT ME AND THAT OTHER GUY? 268 00:18:32,420 --> 00:18:35,920 I JUST THOUGHT THAT IF SHE WAS HAVING CONFLICTING FEELINGS, 269 00:18:35,920 --> 00:18:37,880 SHE OWED IT TO YOU TO TELL YOU THE TRUTH. 270 00:18:37,880 --> 00:18:39,810 -WHY DIDN'T YOU TALK TO ME ABOUT IT? -OKAY, I SHOULD HAVE. 271 00:18:39,810 --> 00:18:43,390 IT'S JUST AFTER NIKKI, I CAN'T BEAR TO SEE YOU GET YOUR HEART BROKEN AGAIN. 272 00:18:43,390 --> 00:18:47,140 MOM, I AM A GROWN-UP. I DON'T NEED YOU TO PROTECT ME FROM MY GIRLFRIEND. 273 00:18:47,140 --> 00:18:49,140 OKAY, OKAY. 274 00:18:49,140 --> 00:18:51,900 I'M SORRY. I AM. I'M SORRY. 275 00:18:51,900 --> 00:18:54,650 YOU'VE MADE THIS 100 TIMES WORSE. YOU REALIZE THAT? 276 00:18:54,650 --> 00:18:57,440 I DIDN'T MAKE LILY HAVE FEELINGS FOR SOMEONE ELSE. 277 00:18:57,440 --> 00:18:59,450 YOU PUSHED HER INTO TALKING ABOUT IT 278 00:18:59,450 --> 00:19:02,040 AND THINKING THIS IS SOME HUGE DEAL. 279 00:19:02,040 --> 00:19:03,580 MAYBE IT WOULD'VE JUST BLOWN OVER. 280 00:19:03,580 --> 00:19:05,990 I THINK YOU'RE BEING A LITTLE UNFAIR, TOBY. 281 00:19:05,990 --> 00:19:09,960 I'M NOT REALLY INTERESTED IN SINGING ABOUT BASEBALL RIGHT NOW. 282 00:19:09,960 --> 00:19:11,840 WAIT, WAIT, YOU'RE LEAVING? 283 00:19:11,840 --> 00:19:13,880 HOLD ON. 284 00:19:13,880 --> 00:19:17,550 IF YOU WANT TO BE TREATED LIKE A GROWN-UP, THEN YOU HAVE TO ACT LIKE A GROWN-UP. 285 00:19:17,550 --> 00:19:20,930 EVEN IF YOU'RE MAD AT ME, YOU ARE THE COMPOSER OF A MUSICAL 286 00:19:20,930 --> 00:19:23,560 THAT IS GOING ON IN THREE MINUTES. 287 00:19:23,560 --> 00:19:25,930 THINK ABOUT THE WOMAN THAT FLEW ACROSS THE COUNTRY TO HEAR US. 288 00:19:25,930 --> 00:19:28,010 THINK ABOUT ALL THESE PEOPLE WHO CAME HERE TO SEE A SHOW. 289 00:19:28,010 --> 00:19:30,440 YOU CAN'T JUST WALK OUT. 290 00:19:30,440 --> 00:19:32,570 GUYS, GUYS, SHE'S HERE. 291 00:19:32,570 --> 00:19:34,570 YOU READY? 292 00:19:47,910 --> 00:19:50,460 NO, IT WASN'T LIKE THAT. I'M TRYING TO EXPLAIN. 293 00:19:55,960 --> 00:19:58,460 I NEED TO TALK TO YOU NOW. 294 00:20:00,760 --> 00:20:03,550 UH, CUT, CUT. TAKE FIVE, EVERYONE. 295 00:20:03,550 --> 00:20:05,930 YOU WROTE ABOUT ME AND TANK? 296 00:20:13,150 --> 00:20:16,610 YOU HAD NO RIGHT TO PUT THIS IN FRONT OF ALL OF THESE PEOPLE 297 00:20:16,610 --> 00:20:18,400 WITHOUT ASKING MY PERMISSION. 298 00:20:21,910 --> 00:20:23,820 THIS IS MY LIFE THAT YOU'RE DRAWING FROM. 299 00:20:31,830 --> 00:20:34,830 YOU HAVE HAD ALL THIS TIME TO THINK, 300 00:20:34,830 --> 00:20:38,580 AND YOU STILL FEEL LIKE I CHEATED ON YOU? REALLY? 301 00:20:38,580 --> 00:20:40,930 -UM, HEY, GUYS? -OKAY, BACK OFF! 302 00:20:40,930 --> 00:20:43,800 I'M TALKING TO MY BOYFRIEND HERE. 303 00:20:43,800 --> 00:20:45,930 OKAY. 304 00:20:52,980 --> 00:20:56,230 YOU STILL THINK THAT I CHEATED ON YOU WITH TANK? 305 00:20:56,230 --> 00:20:58,390 THAT'S WHAT YOU THINK? 306 00:21:07,030 --> 00:21:08,660 (stammers) 307 00:21:17,000 --> 00:21:19,550 TOBY, THAT'S THE PRODUCER IN THE FRONT ROW. 308 00:21:19,550 --> 00:21:21,630 YOU READY? 309 00:21:23,420 --> 00:21:25,840 HI. THANK YOU SO MUCH FOR COMING OUT TONIGHT. 310 00:21:25,840 --> 00:21:28,340 WE ARE SO EXCITED TO HAVE YOU HERE. 311 00:21:28,340 --> 00:21:32,020 AND WITHOUT FURTHER ADO, BATTER UP: THE MUSICAL. 312 00:21:38,230 --> 00:21:40,610 (piano playing) 313 00:21:44,570 --> 00:21:49,580 ♪ EACH ONE OF US MUST STEP UP TO THE PLATE ♪ 314 00:21:49,580 --> 00:21:53,040 ♪ LET THE ODDS DECIDE OUR FATE ♪ 315 00:21:53,040 --> 00:21:58,040 ♪ EVEN IF OUR LUCK IS BROKEN ♪ 316 00:21:58,040 --> 00:22:01,920 ♪ BROKEN ♪ 317 00:22:01,920 --> 00:22:06,670 ♪ BELIEVE AGAIN, LIFE THROWS YOU FOR A CURVE ♪ 318 00:22:06,670 --> 00:22:10,180 ♪ STRIKE OUT SWINGING, YOU MIGHT LEARN ♪ 319 00:22:10,180 --> 00:22:15,270 ♪ THERE'LL BE ANOTHER GAME TOMORROW ♪ 320 00:22:15,270 --> 00:22:19,180 ♪ TOMORROW ♪ 321 00:22:19,180 --> 00:22:23,900 Both: ♪ HOLD ON, IT AIN'T OVER ♪ 322 00:22:23,900 --> 00:22:25,440 ♪ TILL IT'S OVER ♪ 323 00:22:25,440 --> 00:22:32,290 ♪ THOUGH WE GAVE IT EVERYTHING WE HAD ♪ 324 00:22:32,290 --> 00:22:34,330 ♪ MOVE ON ♪ 325 00:22:34,330 --> 00:22:37,910 ♪ FORGET WHAT YOU LOST ♪ 326 00:22:37,910 --> 00:22:42,050 ♪ FORGET WHAT IT COST ♪ 327 00:22:42,050 --> 00:22:45,960 ♪ BUT DON'T FORGET ♪ 328 00:22:45,960 --> 00:22:49,810 ♪ THE DREAM ♪ 329 00:22:49,810 --> 00:22:53,140 ♪ DON'T FORGET ♪ 330 00:22:53,140 --> 00:22:58,600 ♪ THE DREAM ♪ 331 00:23:01,020 --> 00:23:05,070 (music playing, excited chattering) 332 00:23:10,660 --> 00:23:13,160 YEAH! RED! RED! 333 00:23:13,160 --> 00:23:15,410 HEY, YOU CAME! 334 00:23:15,410 --> 00:23:17,870 PLEASE TELL ME YOU BROUGHT SOMETHING TO TORCH. 335 00:23:17,870 --> 00:23:19,840 -NOPE. -OH, COME ON. 336 00:23:19,840 --> 00:23:22,800 THERE'S A LITTLE PYRO IN EVERYONE. IT'S FUN. 337 00:23:22,800 --> 00:23:25,460 I GOT SOMEWHERE TO BE FOR MY FAMILY. 338 00:23:25,460 --> 00:23:27,380 -I'M LATE. -YOU SURE? 339 00:23:27,380 --> 00:23:31,180 -YEAH, BUT HAVE A GOOD TIME. -YEAH, I'LL DO MY BEST. 340 00:23:37,930 --> 00:23:40,820 "ONCE MORE INTO THE BREACH, DEAR FRIENDS! 341 00:23:40,820 --> 00:23:42,820 -"ONCE MORE!" -(all cheering) 342 00:23:42,820 --> 00:23:46,270 MINGO, DID YOU HEAR? THERE WAS AN ACCIDENT OFF-CAMPUS, 343 00:23:46,270 --> 00:23:50,700 IN FRONT OF THE PIZZA PLACE. A COUPLE OF DEAF KIDS GOT MOWED DOWN BY A DRUNK DRIVER. 344 00:23:50,700 --> 00:23:51,830 WHAT? 345 00:23:57,120 --> 00:24:00,630 DAPHNE? SOME KIDS FROM YOUR HALL JUST GOT HIT BY A CAR 346 00:24:00,630 --> 00:24:02,840 IN FRONT OF BARONE'S. DID YOU HEAR ANYTHING? 347 00:24:02,840 --> 00:24:05,340 -WHAT? I GOTTA GO. -I'LL DRIVE YOU. 348 00:24:08,380 --> 00:24:10,390 (music playing) 349 00:24:10,390 --> 00:24:13,180 WILL? YOU OKAY? 350 00:24:13,180 --> 00:24:14,930 I CAN'T FIND MY GUSTO. 351 00:24:17,010 --> 00:24:18,350 MMM, LET ME SEE. 352 00:24:18,350 --> 00:24:20,270 LITTLE BLUE GUY ABOUT THIS BIG? 353 00:24:20,270 --> 00:24:22,860 CLOUD WRANGLER IN THE THUNDERCLAP KINGDOM? 354 00:24:22,860 --> 00:24:24,980 YOU KNOW HIM? 355 00:24:24,980 --> 00:24:26,980 Regina: YOU TOLD ME ABOUT HIM ONCE OR TWICE. 356 00:24:40,290 --> 00:24:42,750 HI, I'M KATHRYN. 357 00:24:42,750 --> 00:24:44,540 -HI, KATHRYN. -HI. 358 00:24:44,540 --> 00:24:46,960 THANK YOU SO MUCH FOR COMING ALL THIS WAY. 359 00:24:46,960 --> 00:24:48,960 OH, IT WAS JUST A FEW BLOCKS. 360 00:24:48,960 --> 00:24:53,260 I AM NOT EVEN A BASEBALL PERSON, BUT THE SONGS WERE SO MOVING. 361 00:24:53,260 --> 00:24:56,260 THANK YOU. TOBY AND I ARE SO EXCITED 362 00:24:56,260 --> 00:24:58,590 AT THE PROSPECT OF WORKING WITH YOU. 363 00:24:58,590 --> 00:25:01,850 WORKING WITH ME? DO YOU NEED MY SERVICES? 364 00:25:03,810 --> 00:25:08,350 UH, I'M SORRY. MAYBE I'M CONFUSED. 365 00:25:08,350 --> 00:25:11,610 I WORK FOR THE JACKSON COUNTY APPRAISERS' OFFICE. 366 00:25:13,410 --> 00:25:15,910 OH, I APOLOGIZE. 367 00:25:15,910 --> 00:25:18,150 I THOUGHT YOU WERE SOMEONE ELSE. 368 00:25:18,150 --> 00:25:20,370 BUT THANK YOU SO MUCH FOR COMING, THANK YOU. 369 00:25:20,370 --> 00:25:23,660 -IT WAS JUST TERRIFIC. CONGRATULATIONS. -THANK YOU. 370 00:25:23,660 --> 00:25:26,040 (phone buzzing) 371 00:25:33,590 --> 00:25:35,840 Toby: SO WHAT DID SHE THINK? 372 00:25:37,670 --> 00:25:39,680 SHE LOVED IT. 373 00:25:39,680 --> 00:25:42,560 -THAT'S GREAT. -BUT SHE'S NOT THE PRODUCER. 374 00:25:42,560 --> 00:25:44,940 -WHAT? -MY EDITOR JUST TEXTED. 375 00:25:44,940 --> 00:25:46,940 APPARENTLY THE PRODUCER THOUGHT IT WAS FLIMSY 376 00:25:46,940 --> 00:25:49,270 AND SHE DOESN'T SEE HOW IT COULD MAKE A MUSICAL, 377 00:25:49,270 --> 00:25:53,450 -SO SHE PASSES. -MOM. 378 00:25:53,450 --> 00:25:57,150 THIS WHOLE THING WAS JUST SILLY. I DON'T KNOW WHAT I WAS THINKING. 379 00:25:57,150 --> 00:25:59,070 YOUR BOOK IS NOT SILLY. 380 00:25:59,070 --> 00:26:02,000 AND THIS IS A MUSICAL. 381 00:26:02,000 --> 00:26:04,330 SHE'S WRONG. 382 00:26:04,330 --> 00:26:08,460 AND SO IS LILY IF SHE DOESN'T PICK YOU. 383 00:26:08,460 --> 00:26:12,010 NO, ACTUALLY, TWO FAILED RELATIONSHIPS IN A ROW, 384 00:26:12,010 --> 00:26:15,420 I THINK IT'S PRETTY CLEAR THERE IS SOMETHING WRONG WITH ME. 385 00:26:15,420 --> 00:26:18,340 THAT'S NOT TRUE. I LIKE LILY. 386 00:26:18,340 --> 00:26:21,680 SHE'S JUST-- SHE'S GOING THROUGH SOMETHING, HONEY. 387 00:26:25,350 --> 00:26:28,180 LOOK AT US-- A COUPLE OF WINNERS. 388 00:26:32,440 --> 00:26:34,990 EH, IT'S OKAY. 389 00:26:34,990 --> 00:26:37,150 (sighs) YOU KNOW WHAT THEY SAY? 390 00:26:37,150 --> 00:26:41,160 -IT AIN'T OVER... -Both: TILL IT'S OVER. 391 00:26:41,160 --> 00:26:43,950 -(both laughing) -THAT IS WHAT THEY SAY. 392 00:27:23,740 --> 00:27:27,740 (machine beeping) 393 00:27:52,150 --> 00:27:54,810 WHO ARE YOU? WHO ARE YOU? 394 00:27:54,810 --> 00:27:57,810 -I'M HER FRIEND. -IF YOU'RE NOT FAMILY, YOU CAN'T BE BACK HERE. 395 00:27:57,810 --> 00:27:59,950 WHY HAVEN'T YOU TOLD HER WHAT'S GOING ON? 396 00:27:59,950 --> 00:28:01,950 SHE'S COMPLETELY CONFUSED. 397 00:28:01,950 --> 00:28:04,200 SHE'S DEAF. SHE NEEDS AN INTERPRETER. 398 00:28:04,200 --> 00:28:07,080 CAN YOU DO IT? 399 00:28:07,080 --> 00:28:09,530 YES. 400 00:28:09,530 --> 00:28:12,880 TELL HER SHE HAS A POSSIBLE FRACTURED PELVIS AND SHE NEEDS AN MRI. 401 00:28:34,310 --> 00:28:36,850 HER BACK HURTS. SHE'S A SEVEN ON THE PAIN SCALE. 402 00:28:36,850 --> 00:28:38,560 OKAY. TELL HER I'LL GIVE HER A PAINKILLER. 403 00:28:51,290 --> 00:28:52,960 SHE'S ALLERGIC TO DILAUDID. 404 00:28:54,960 --> 00:28:56,540 GOOD TO KNOW. 405 00:29:00,220 --> 00:29:02,720 WHAT'S GOING ON? WHY ISN'T THERE AN INTERPRETER HERE? 406 00:29:02,720 --> 00:29:05,220 -WE'RE WORKING ON IT. -EXCUSE ME. 407 00:29:05,220 --> 00:29:07,180 YOU NEED TO FACE ME, PLEASE. 408 00:29:07,180 --> 00:29:10,270 WE DON'T HAVE A CONTRACT WITH AN INTERPRETER SERVICE ON THE WEEKENDS. 409 00:29:10,270 --> 00:29:14,230 SO DEAF PEOPLE SHOULDN'T GET HURT ON THE WEEKENDS? 410 00:29:14,230 --> 00:29:16,270 IT'S NOT MY POLICY. 411 00:29:16,270 --> 00:29:18,890 WHAT ABOUT A VIDEO PHONE? YOU'RE SUPPOSED TO HAVE ONE OF THOSE. 412 00:29:18,890 --> 00:29:22,030 WE DO. WE'RE TRYING TO TRACK IT DOWN. 413 00:29:22,030 --> 00:29:25,160 SO YOU JUST LEFT HER COMPLETELY IN THE DARK ABOUT WHAT'S GOING ON? 414 00:29:25,160 --> 00:29:26,990 WE'RE DOING THE BEST THAT WE CAN. 415 00:29:26,990 --> 00:29:28,860 WELL, OBVIOUSLY IT'S NOT GOOD ENOUGH. 416 00:29:28,860 --> 00:29:30,830 I MEAN, WHAT IF YOU HAD GIVEN HER DILAUDID? 417 00:29:30,830 --> 00:29:34,000 -LOOK, THIS DOESN'T HAPPEN VERY OFTEN. -IT'S HAPPENING NOW. 418 00:29:34,000 --> 00:29:37,910 THERE ARE NO DOCTORS OR NURSES HERE THAT KNOW SIGN LANGUAGE. 419 00:29:37,910 --> 00:29:39,120 ALL RIGHT? 420 00:29:41,010 --> 00:29:41,880 WELL, THERE SHOULD BE. 421 00:29:55,810 --> 00:29:57,730 YOU'RE STILL HERE. 422 00:29:59,600 --> 00:30:01,200 OF COURSE. 423 00:30:01,200 --> 00:30:03,940 ARE THEY OKAY? 424 00:30:46,780 --> 00:30:49,070 I'M STILL TRYING TO PROCESS 425 00:30:49,070 --> 00:30:52,080 WHAT HAPPENED WITH TANK, 426 00:30:52,080 --> 00:30:54,990 AND I KNOW THAT'S HARD ON YOU TOO, 427 00:30:54,990 --> 00:30:57,450 BUT WE'RE GOING TO GET THROUGH THIS. 428 00:31:11,270 --> 00:31:12,680 WHAT'S HAPPENING HERE? 429 00:31:14,810 --> 00:31:18,850 EMMETT, I FLEW ALL THE WAY OUT HERE 430 00:31:18,850 --> 00:31:20,320 TO MAKE IT WORK. 431 00:31:30,870 --> 00:31:33,830 YOU HAVE BEEN BEGGING ME 432 00:31:33,830 --> 00:31:36,950 FOR MONTHS TO COME OUT HERE AND NOW I CAN. 433 00:31:39,530 --> 00:31:41,380 WHAT ARE YOU SAYING? THAT WE'VE LOST OUR WINDOW? 434 00:31:45,960 --> 00:31:47,710 YOU JUST WANT TO BLAME DAPHNE 435 00:31:47,710 --> 00:31:49,840 FOR-- FOR EVERYTHING. 436 00:31:49,840 --> 00:31:51,810 AND YOU KNOW WHAT? I'M TIRED OF IT. 437 00:31:51,810 --> 00:31:54,310 IF YOU DON'T WANT ME TO MOVE OUT HERE, 438 00:31:54,310 --> 00:31:55,510 THEN YOU NEED TO SAY IT. 439 00:32:16,490 --> 00:32:18,660 I'LL GET A JOB. I'LL MAKE FRIENDS. 440 00:32:31,140 --> 00:32:32,550 AND I'M GONNA STOP YOU? 441 00:32:35,800 --> 00:32:38,350 IT'S BECAUSE OF THAT GIRL, ISN'T IT? IT'S BECAUSE OF SKYE. 442 00:32:40,100 --> 00:32:42,650 I WAITED FOR YOU TO COME BACK TO ME 443 00:32:42,650 --> 00:32:45,100 TO TALK THROUGH WHAT HAD HAPPENED WITH TANK, 444 00:32:45,100 --> 00:32:47,060 AND-- AND I GIVE YOU SPACE. 445 00:32:47,060 --> 00:32:49,940 AND THEN YOU JUST-- YOU DISCONNECTED WITHOUT TELLING ME. 446 00:32:49,940 --> 00:32:51,030 YOU MOVED ON! 447 00:32:55,370 --> 00:32:57,990 WHAT HAPPENED TO "I'LL ALWAYS COME FIND YOU"? 448 00:32:57,990 --> 00:33:02,040 WHAT HAPPENED TO EVERY SINGLE THING THAT YOU HAVE EVER SAID TO ME? 449 00:33:04,250 --> 00:33:06,920 NO! NO, YOU CAN'T MEAN THEM 450 00:33:06,920 --> 00:33:08,500 AND THEN NOT MEAN THEM. 451 00:33:33,490 --> 00:33:34,740 NO. 452 00:33:36,200 --> 00:33:37,990 NO, YOU GET THIS STRAIGHT. 453 00:33:39,110 --> 00:33:41,040 YOU DO THIS NOW... 454 00:33:42,960 --> 00:33:44,210 IT'S DONE. 455 00:33:44,210 --> 00:33:45,750 IT'S FOREVER. 456 00:34:20,830 --> 00:34:24,250 I GUESS YOU'RE GOING TO HAVE TO REDO THE END OF OUR TIMELINE. 457 00:34:47,850 --> 00:34:50,820 YOU KNOW, I'M ACTUALLY KIND OF JEALOUS OF YOU. 458 00:34:51,990 --> 00:34:54,690 YOU KNOW WHAT YOU WANT TO DO AND YOU'RE DOING IT, 459 00:34:54,690 --> 00:34:56,650 AND YOU'RE REALLY GOOD AT IT. 460 00:35:01,370 --> 00:35:04,580 I FAILED MY CHEMISTRY CLASS. 461 00:35:04,580 --> 00:35:06,660 LIKE, FAILED FAILED? 462 00:35:08,500 --> 00:35:10,460 WELL, TECHNICALLY, I GOT A "D," 463 00:35:10,460 --> 00:35:13,550 BUT YOU CAN'T GO TO MED SCHOOL WITH A "D" IN CHEM. I WON'T GET IN. 464 00:35:13,550 --> 00:35:15,630 SO... 465 00:35:15,630 --> 00:35:19,380 THAT WHOLE "ME BEING A DOCTOR" THING-- NOT HAPPENING. 466 00:35:19,380 --> 00:35:21,810 WELL, HOLD ON. I DON'T KNOW ABOUT THAT. 467 00:35:21,810 --> 00:35:25,810 I WANT TO BE THIS, LIKE, 468 00:35:25,810 --> 00:35:28,810 SHINING STAR FOR MY COMMUNITY. 469 00:35:28,810 --> 00:35:31,900 MAKE EVERYONE PROUD. 470 00:35:31,900 --> 00:35:35,770 BUT I CAN'T TELL IF I FAILED BECAUSE OF ME... 471 00:35:37,440 --> 00:35:39,820 OR MY DEAFNESS, OR WHAT. 472 00:35:44,160 --> 00:35:46,620 DID YOU KNOW THAT THERE'S DEAF SINGERS? 473 00:35:46,620 --> 00:35:49,040 LIKE, REALLY GOOD ONES. 474 00:35:49,040 --> 00:35:51,750 YOU CAN'T SING IF YOU'RE DEAF. 475 00:35:51,750 --> 00:35:53,420 IT'S LIKE THE ONE THING YOU CAN'T DO. 476 00:35:53,420 --> 00:35:55,420 WRONG. 477 00:35:55,420 --> 00:35:58,550 MY MOM SENT ME THIS ARTICLE ABOUT A GIRL WHO WAS 18. 478 00:35:58,550 --> 00:36:00,470 SHE WAS IN A MUSIC SCHOOL AND SHE LOST HER HEARING. 479 00:36:00,470 --> 00:36:02,720 SHE CRIED ABOUT IT FOR, LIKE, A YEAR, 480 00:36:02,720 --> 00:36:04,640 AND THEN SHE REALIZED THAT HER BRAIN 481 00:36:04,640 --> 00:36:07,430 AND HER VOCAL CHORDS STILL REMEMBERED THE NOTES. 482 00:36:07,430 --> 00:36:11,190 SHE FINDS THE TEMPO BY, LIKE, FEELING THE VIBRATIONS IN THE FLOOR. 483 00:36:11,190 --> 00:36:14,400 SHE WORKS THROUGH IT, OR WHATEVER. 484 00:36:16,230 --> 00:36:19,610 YOUR MOM RANDOMLY SENT YOU AN ARTICLE ABOUT A DEAF GIRL? 485 00:36:19,610 --> 00:36:22,910 UH, SHE KNOWS THAT-- 486 00:36:22,910 --> 00:36:24,660 YOU TALKED TO YOUR MOM ABOUT ME? 487 00:36:24,660 --> 00:36:27,030 -IT CAME UP. -AW. 488 00:36:27,030 --> 00:36:31,000 LOOK, THE P-- THE POINT-- THE POINT IS 489 00:36:31,000 --> 00:36:34,040 THAT YOU CAN TAKE THAT CHEMISTRY CLASS AGAIN. 490 00:36:34,040 --> 00:36:35,710 YOU KNOW THAT, RIGHT? 491 00:36:35,710 --> 00:36:38,170 IT WOULDN'T MATTER. I'D STILL HAVE A "D" ON MY RECORD. 492 00:36:38,170 --> 00:36:39,880 SO WHAT? 493 00:36:39,880 --> 00:36:43,300 IF I WERE A MED SCHOOL, AND EVERYBODY WHO TOOK THAT CLASS GOT AN "A," 494 00:36:43,300 --> 00:36:45,760 AND THEN I SAW ONE GIRL WHO RETOOK THAT CLASS 495 00:36:45,760 --> 00:36:48,300 AND TOOK IT AND TOOK IT UNTIL SHE KICKED THAT CLASS'S ASS, 496 00:36:48,300 --> 00:36:50,810 I'D WANT THAT GIRL TO GO TO MY SCHOOL. 497 00:36:50,810 --> 00:36:52,310 THAT GIRL HAS CHARACTER. 498 00:36:52,310 --> 00:36:54,440 THAT CLASS WAS HELL. 499 00:36:54,440 --> 00:36:56,480 I'D BE INSANE TO TAKE IT AGAIN. 500 00:36:56,480 --> 00:37:00,820 CORRECTION-- IT WOULD BE VERY HARD TO TAKE IT AGAIN. 501 00:37:00,820 --> 00:37:03,120 IT WOULD BE VERY FRUSTRATING TO TAKE IT AGAIN. 502 00:37:03,120 --> 00:37:06,280 BUT IF YOU REALLY WANT TO BE A DOCTOR, 503 00:37:06,280 --> 00:37:08,780 YOU'RE GOING TO TAKE THAT CLASS AGAIN. 504 00:37:11,080 --> 00:37:12,830 OH MY GOD. 505 00:37:12,830 --> 00:37:14,960 WHAT? 506 00:37:17,630 --> 00:37:19,630 I'M TAKING THAT CLASS AGAIN. 507 00:37:28,300 --> 00:37:31,230 ♪ WHEN I TURN THE PAGES OF MY BOOK ♪ 508 00:37:32,940 --> 00:37:35,980 ♪ ACROSS THE WORLD, THE AUTHOR COOKS ♪ 509 00:37:35,980 --> 00:37:37,730 JUANITA, HI. 510 00:37:37,730 --> 00:37:40,360 COFFEE'S PRETTY GOOD. 511 00:37:40,360 --> 00:37:43,570 THE BEANS ARE ROASTED LOCALLY. 512 00:37:43,570 --> 00:37:45,570 I'M GLAD YOU LIKE IT. 513 00:37:45,570 --> 00:37:49,900 IT'S NICE, WHAT YOU'VE DONE HERE. 514 00:37:49,900 --> 00:37:52,830 THANKS. IT MEANS A LOT. 515 00:37:59,750 --> 00:38:02,970 ♪ ROOTS BENEATH MY FAMILY TREE ♪ 516 00:38:04,260 --> 00:38:07,510 ♪ DEEPER THAN THE EYES CAN SEE ♪ 517 00:38:07,510 --> 00:38:09,920 REGINA? HEY. 518 00:38:09,920 --> 00:38:11,930 WE NEED TO TALK. 519 00:38:11,930 --> 00:38:15,140 YES, WE DO. I'M BUYING YOU OUT. 520 00:38:15,140 --> 00:38:16,560 WHAT? 521 00:38:16,560 --> 00:38:19,890 I CAN PUT MY OLD DESIGN STUDIO, K&D, UP FOR SALE. 522 00:38:19,890 --> 00:38:22,030 I'VE WANTED TO DO THAT FOR A WHILE NOW. 523 00:38:22,030 --> 00:38:24,940 AND I STILL HAVE SOME LEFTOVER FROM MY HUSBAND'S LIFE INSURANCE. 524 00:38:24,940 --> 00:38:27,820 -NOW HOLD UP. -I WILL PAY YOU WHAT YOU WOULD HAVE MADE ON THE SALE. 525 00:38:27,820 --> 00:38:30,450 I DON'T WANT TO GIVE THIS PLACE UP. 526 00:38:30,450 --> 00:38:32,750 I DON'T WANT TO EITHER. 527 00:38:32,750 --> 00:38:35,540 -BUT I THOUGHT-- -I DON'T WANT THIS TO END. 528 00:38:35,540 --> 00:38:37,710 ANY OF IT. 529 00:38:37,710 --> 00:38:39,080 WHAT ABOUT WILL? 530 00:38:39,080 --> 00:38:42,090 I'VE BEEN SPENDING SO MUCH ENERGY WORRYING ABOUT WHAT HE NEEDS... 531 00:38:43,340 --> 00:38:45,920 BUT WHAT HE NEEDS MOST IS YOU. 532 00:38:48,920 --> 00:38:50,600 WHAT I NEED IS YOU. 533 00:38:51,930 --> 00:38:53,930 DON'T PLAY WITH MY HEART, 534 00:38:53,930 --> 00:38:55,680 BECAUSE I AM STUPID IN LOVE WITH YOU, 535 00:38:55,680 --> 00:38:58,810 AND IF YOU'RE NOT TOO, JUST SAY IT NOW. 536 00:38:58,810 --> 00:39:01,150 I AM, REGINA. 537 00:39:02,980 --> 00:39:07,030 I AM STUPID IN LOVE WITH YOU TOO. 538 00:39:07,030 --> 00:39:11,330 ♪ YEAH AND HERE WE ARE STILL GRAINS OF SAND ♪ 539 00:39:11,330 --> 00:39:16,370 ♪ OH CONNECTED, OH OH ♪ 540 00:39:16,370 --> 00:39:20,960 ♪ CONNECTED OH OH ♪ 541 00:39:20,960 --> 00:39:23,590 ♪ CONNECTED OH OH ♪ 542 00:39:23,590 --> 00:39:25,420 YOU FOUND HIM. 543 00:39:25,420 --> 00:39:27,000 HE FELL BEHIND THE CASH REGISTER. 544 00:39:27,000 --> 00:39:29,880 HE WAS PROBABLY JUST PROTECTING THE MONEY. 545 00:39:29,880 --> 00:39:31,640 YOU WANT SOME HOT CHOCOLATE? 546 00:39:31,640 --> 00:39:34,810 -YEAH. -COMING RIGHT UP. 547 00:39:34,810 --> 00:39:37,140 I REALLY LIKE YOU. 548 00:39:40,940 --> 00:39:42,900 I REALLY LIKE YOU TOO. 549 00:39:44,820 --> 00:39:48,780 BUT I WANT YOU TO KNOW 550 00:39:48,780 --> 00:39:51,370 THAT I WOULD NEVER TRY TO REPLACE YOUR MOM. 551 00:39:51,370 --> 00:39:55,330 YOU WILL ALWAYS HAVE HER, NO MATTER WHAT. 552 00:39:59,620 --> 00:40:01,710 SHE'S NOT DEAD. 553 00:40:01,710 --> 00:40:04,130 -WHAT? -MY MOM. 554 00:40:04,130 --> 00:40:07,090 SHE'S STILL ALIVE. 555 00:40:07,090 --> 00:40:10,970 ♪ THIS HEART LAID DOWN ♪ 556 00:40:10,970 --> 00:40:13,760 ♪ ON THE GROUND ♪ 557 00:40:13,760 --> 00:40:16,640 ♪ FAINT GLIMMER ♪ 558 00:40:16,640 --> 00:40:19,850 (knock at door) 559 00:40:19,850 --> 00:40:24,480 ♪ WHERE ARE YOU NOW? ♪ 560 00:40:26,020 --> 00:40:31,280 ♪ CAN SOMEONE TELL ME HOW TO FEEL? ♪ 561 00:40:31,280 --> 00:40:33,950 ♪ CAN SOMEONE TELL ME WHAT IS REAL ♪ 562 00:40:33,950 --> 00:40:36,570 I STILL DON'T REALLY UNDERSTAND. 563 00:40:36,570 --> 00:40:40,330 IS IT BECAUSE OF TANK OR DISTANCE? 564 00:40:40,330 --> 00:40:42,420 IS IT THAT GIRL? 565 00:40:42,420 --> 00:40:45,460 IT'S BECAUSE HE'S WEAK. 566 00:40:45,460 --> 00:40:50,080 HE IS WEAK, 567 00:40:50,080 --> 00:40:52,590 AND HE'S A LIAR, 568 00:40:52,590 --> 00:40:55,050 AND HE'S NOT WHO I THOUGHT HE WAS. 569 00:41:01,400 --> 00:41:05,310 IF I HAD ANY PART IN THIS-- 570 00:41:05,310 --> 00:41:09,150 THE FACT THAT YOU TOOK THE BLAME FOR ME AND COULDN'T GO OUT THERE-- 571 00:41:09,150 --> 00:41:11,950 THAT'S RIDICULOUS. THIS IS NOT BECAUSE OF YOU, 572 00:41:11,950 --> 00:41:13,660 NOT IN ANY WAY. 573 00:41:15,910 --> 00:41:19,200 I DON'T KNOW WHAT'S BEEN GOING ON WITH HIM. 574 00:41:19,200 --> 00:41:21,920 BUT I DO KNOW THAT HE'S GOING TO REGRET THIS. 575 00:41:29,330 --> 00:41:31,050 WHAT ARE YOU DOING WITH ALL THIS? 576 00:41:31,050 --> 00:41:33,470 I CAN'T HAVE IT AROUND. 577 00:41:34,890 --> 00:41:36,930 BUT I CAN'T THROW IT OUT EITHER. 578 00:41:36,930 --> 00:41:40,130 ♪ FALLING DOWN ♪ 579 00:41:40,130 --> 00:41:43,640 WE'RE GONNA GET THROUGH THIS. 580 00:41:43,640 --> 00:41:47,060 ♪ THIS HEART LAID DOWN ♪ 581 00:41:47,060 --> 00:41:50,350 ♪ ON THE GROUND ♪ 582 00:41:51,360 --> 00:41:53,530 (theme music playing) 42491

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