All language subtitles for Switched at Birth (2011) - S04E08 - Art Like Love is Dedication (1080p x265 EDGE2020).eng

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic Download
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
el Greek
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranî)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American) Download
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:07,020 --> 00:00:08,280 Previously on Switched at Birth... 2 00:00:08,280 --> 00:00:10,150 COACH WALSH, I WANNA INTRODUCE YOU TO THE NEXT GENERATION. 3 00:00:10,150 --> 00:00:11,700 MEET TRAVIS BARNES. 4 00:00:14,610 --> 00:00:15,650 WHY NOT? 5 00:00:21,290 --> 00:00:24,040 -YOU HAVE A SON. -YEAH. WILL. 6 00:00:24,040 --> 00:00:26,500 -WHAT ABOUT HIS MOM? -SHE DIED WHEN HE WAS THREE. 7 00:00:26,500 --> 00:00:28,590 -I'M SORRY. -ARE YOU MINGO? 8 00:00:28,590 --> 00:00:31,090 -WHAT CAN I DO FOR YA? -YOU CAN START BY APOLOGIZING 9 00:00:31,090 --> 00:00:33,840 -FOR BLOWING UP OUR BATHROOM. -PLAY YOU FOR IT. 10 00:00:35,510 --> 00:00:37,260 I GUESS WHAT I'M SAYING IS... 11 00:00:38,270 --> 00:00:42,100 BOTH TANK AND I MADE MISTAKES. 12 00:00:42,100 --> 00:00:46,940 IF WE'RE GONNA GET PAST THIS, I NEED YOU TO KNOW THE TRUTH AND BE OKAY WITH IT. 13 00:00:49,820 --> 00:00:51,820 I AM THIS CLOSE TO LOSING MY KID TO FOSTER CARE. 14 00:00:51,820 --> 00:00:53,950 -AND IF I'M SUPPOSED TO CARE-- -I KNOW YOU HAVE IT WAY WORSE. 15 00:00:53,950 --> 00:00:56,280 WHAT IS IT WITH YOUR TWO? YOU THINK I GIVE A RAT'S ASS 16 00:00:56,280 --> 00:00:58,750 YOU HAVE A KID WAITING FOR YOU BACK AT WHATEVER PIT YOU CRAWLED OUT OF? 17 00:00:58,750 --> 00:00:59,910 I DON'T. 18 00:01:01,700 --> 00:01:04,540 -SO WHATEVER HAPPENED WITH TANK? -I TOLD THE TRUTH 19 00:01:04,540 --> 00:01:06,960 AND THEY EXPELLED HIM. 20 00:01:06,960 --> 00:01:08,970 PAYBACK'S A BITCH. 21 00:01:08,970 --> 00:01:11,920 I HEARD THAT HE HAD TO MOVE BACK HOME WITH HIS DAD FOR THE SEMESTER. 22 00:01:11,920 --> 00:01:15,880 I'M JUST SO READY FOR THIS WHOLE MESS TO BE OVER WITH-- 23 00:01:15,880 --> 00:01:18,050 TANK, COMMUNITY SERVICE, ALL OF IT. 24 00:01:18,050 --> 00:01:20,980 -HOW MANY MORE DAYS YOU GOT? -19, 25 00:01:20,980 --> 00:01:23,020 AND THEN 97 MORE OF PROBATION 26 00:01:23,020 --> 00:01:25,020 AND THEN I AM A FREE WOMAN. 27 00:01:25,020 --> 00:01:26,980 -(cellphone ringing) -LUCKY YOU. 28 00:01:26,980 --> 00:01:29,440 CRAP. IT'S MY AUNT. SHE'S WATCHING SAM. 29 00:01:29,440 --> 00:01:30,820 HEY, IS HE OKAY? 30 00:01:32,190 --> 00:01:34,820 WHAT? YOU SAID YOU COULD WATCH HIM TILL 4:00. 31 00:01:34,820 --> 00:01:37,030 NO, I CAN'T LEAVE EARLY. 32 00:01:37,030 --> 00:01:40,120 COME ON. DON'T DO THIS TO ME, PLEASE. 33 00:01:42,740 --> 00:01:45,950 KENNISH, GET TO WORK PAINTING OVER THAT GRAFFITI. 34 00:01:45,950 --> 00:01:47,240 WHITEWASH IS IN THE VAN. 35 00:01:48,670 --> 00:01:51,630 HEY, GORDON, CAN I TALK TO YOU 36 00:01:51,630 --> 00:01:53,840 -FOR A SECOND? -TALK ABOUT WHAT? 37 00:01:53,840 --> 00:01:55,840 I'LL CLEAN UP MORE DEAD RATS. 38 00:01:55,840 --> 00:01:57,670 I WILL WEED FOR EIGHT HOURS STRAIGHT. 39 00:01:57,670 --> 00:02:00,390 JUST PLEASE DON'T MAKE ME PAINT OVER THAT. 40 00:02:01,850 --> 00:02:04,350 -WHY NOT? -BECAUSE IT'S ART. 41 00:02:04,350 --> 00:02:07,470 (scoffs) I DON'T CARE IF IT'S THE MONA LISA. 42 00:02:07,470 --> 00:02:09,570 I TOLD YOU TO PAINT OVER IT. 43 00:02:09,570 --> 00:02:12,070 OKAY, COULD YOU JUST STOP AND-- 44 00:02:12,070 --> 00:02:14,820 AND LOOK AT IT FOR A SECOND 45 00:02:14,820 --> 00:02:17,230 AND TRY TO SEE IT FOR WHAT IT REALLY IS? 46 00:02:17,230 --> 00:02:20,280 AN ARTIST TRYING TO MAKE PEOPLE 47 00:02:20,280 --> 00:02:21,990 SEE SOMETHING DIFFERENTLY. 48 00:02:21,990 --> 00:02:24,040 GET IT DONE, OR I'M WRITING YOU UP. 49 00:02:25,240 --> 00:02:26,620 AS A FELLOW STREET ARTIST, 50 00:02:26,620 --> 00:02:28,960 I CANNOT, IN GOOD CONSCIENCE, DEFILE SOMEONE ELSE'S WORK. 51 00:02:28,960 --> 00:02:30,290 NEWS FLASH, YOUNG LADY: 52 00:02:30,290 --> 00:02:32,420 YOU'RE NOT AN ARTIST, YOU'RE A CONVICT. 53 00:02:32,420 --> 00:02:34,000 NOW GET TO IT, OR I'LL MAKE SURE THEY ADD 54 00:02:34,000 --> 00:02:35,670 ANOTHER HUNDRED HOURS TO YOUR SENTENCE! 55 00:02:35,670 --> 00:02:38,300 I DO NOT UNDERSTAND WHY YOU HAVE TO BE SUCH A JERK. 56 00:02:38,300 --> 00:02:40,930 I HAVE DONE EVERYTHING THAT YOU HAVE ASKED OF ME, 57 00:02:40,930 --> 00:02:42,800 AND YOU GO OUT OF YOUR WAY TO BE RUDE. 58 00:02:42,800 --> 00:02:44,800 AND BY THE WAY, I DON'T THINK YOU HAVE ANY POWER TO ADD-- 59 00:02:44,800 --> 00:02:46,470 -(choking) -ARE YOU OKAY? 60 00:02:46,470 --> 00:02:48,360 WHAT? ARE YOU-- OH! 61 00:02:48,360 --> 00:02:50,230 OH, YOU'RE CHOKING. YOU'RE TOTALLY CHOKING. 62 00:02:50,230 --> 00:02:52,270 OKAY. OKAY. IT'S OKAY. 63 00:02:52,270 --> 00:02:54,570 MY SISTER TAUGHT ME THE HEIMLICH MANEUVER. JUST... OKAY. 64 00:02:55,810 --> 00:02:57,980 -(coughing) -OKAY. 65 00:03:02,450 --> 00:03:04,820 OKAY. YOU-- YOU OKAY? 66 00:03:04,820 --> 00:03:06,120 HEY. OKAY. 67 00:03:09,830 --> 00:03:12,000 OKAY, YOU'RE GONNA BE FINE. 68 00:03:14,040 --> 00:03:15,710 GET BACK TO WORK! 69 00:03:17,540 --> 00:03:18,800 NOW! 70 00:03:26,140 --> 00:03:27,970 WHAT'S GOING ON? 71 00:03:29,850 --> 00:03:31,060 19 MORE DAYS. 72 00:03:32,270 --> 00:03:34,270 (theme music playing) 73 00:03:39,860 --> 00:03:41,860 (pop music playing) 74 00:03:41,860 --> 00:03:43,950 ♪ I GOT A BEATBOX IN THE HEART ♪ 75 00:03:43,950 --> 00:03:46,410 ♪ A LITTLE STUTTER FROM THE START ♪ 76 00:03:46,410 --> 00:03:49,080 ♪ TO STOP ME BEGGING YOU FOR... ♪ 77 00:03:49,080 --> 00:03:51,830 -VERY MATURE. -JUST THOUGHT YOU'D LIKE TO KNOW 78 00:03:51,830 --> 00:03:54,130 THAT I SAVED THE GOLDEN GATE FROM AN ALIEN ATTACK. 79 00:03:54,130 --> 00:03:57,960 -GET OUT. -WAIT. WHAT? 80 00:03:57,960 --> 00:04:01,470 HE CLEARED LEVEL 10 OF AMERICAN HERO 7. 81 00:04:01,470 --> 00:04:03,090 -IT'S A VIDEO GAME. -OH. 82 00:04:03,090 --> 00:04:06,010 ONLY TOOK ME THREE STRAIGHT DAYS OF EXCESS RUSH 83 00:04:06,010 --> 00:04:07,840 AND PIZZA-- FOOD OF THE GODS. 84 00:04:07,840 --> 00:04:10,890 WELL, THE GOLDEN GATE IS A MIRACLE OF MODERN ENGINEERING. 85 00:04:10,890 --> 00:04:13,020 YOU COULDN'T LET IT GO DOWN WITHOUT A FIGHT. 86 00:04:13,020 --> 00:04:15,690 FINALLY, A WOMAN WHO UNDERSTANDS ME. 87 00:04:15,690 --> 00:04:17,690 LUCKY FOR YOU, 88 00:04:17,690 --> 00:04:19,950 THE STORM DIDN'T KNOCK OUT THE DORM'S POWER. 89 00:04:19,950 --> 00:04:22,860 -THERE WAS A STORM? -ARE YOU KIDDING? 90 00:04:23,860 --> 00:04:25,490 YES, HE IS. 91 00:04:26,660 --> 00:04:28,790 SO, I WAS THINKING WE SHOULD HANG OUT. 92 00:04:28,790 --> 00:04:30,830 ♪ AND SINCE YOU CAME AROUND ♪ 93 00:04:33,370 --> 00:04:36,080 ♪ IT'S JUST A LITTLE THING I LIKE TO CALL... ♪ 94 00:04:36,080 --> 00:04:38,000 YEAH, TOTALLY. 95 00:04:38,920 --> 00:04:41,550 IF YOU'RE FREE TONIGHT, I KNOW ABOUT THIS PARTY OVER AT CAMPUS VIEW. 96 00:04:41,550 --> 00:04:42,970 SOUNDS GREAT. 97 00:04:42,970 --> 00:04:44,920 COOL. I'LL TEXT YOU. 98 00:04:50,600 --> 00:04:53,730 THAT IS GOING TO BE A TOTAL WASTE OF TIME. 99 00:04:53,730 --> 00:04:56,140 -WHAT? -COACH WALSH WANTS TO SPEND 100 00:04:56,140 --> 00:04:58,140 ANOTHER PRACTICE WATCHING FILM. 101 00:04:58,140 --> 00:05:01,070 WHAT THOSE BOYS NEED ARE FIELDING FUNDAMENTALS, 102 00:05:01,070 --> 00:05:02,990 NOT MORE SITTING ON THEIR BUTTS. 103 00:05:02,990 --> 00:05:05,070 IT'S NOT EASY GOING FROM PLAYER TO COACH. 104 00:05:07,030 --> 00:05:08,070 (knocks on door) 105 00:05:12,620 --> 00:05:13,950 YOU OKAY? 106 00:05:15,830 --> 00:05:17,040 NO, IT'S FINE. COME ON. 107 00:05:18,380 --> 00:05:22,010 HEY, DID YOU DO THOSE COOL-DOWN EXERCISES THAT I SHOWED YOU? 108 00:05:28,340 --> 00:05:29,680 HAPPY TO HELP. 109 00:05:33,310 --> 00:05:36,140 UH-HUH. LET'S SEE WHAT WE CAN DO HERE. 110 00:05:36,140 --> 00:05:40,110 "ANALYZE THE COMMUNIST MANIFESTO BY KARL MARX. 111 00:05:40,110 --> 00:05:43,530 "IN YOUR ESSAY, TAKE A CRITICAL AND WELL-INFORMED POSITION 112 00:05:43,530 --> 00:05:47,530 AND ARGUE A PARTICULAR INTERPRETATION OF THE TEXT." 113 00:05:49,410 --> 00:05:51,950 YEAH. I WOULD LOVE TO HELP, 114 00:05:51,950 --> 00:05:56,080 BUT COMMUNISM AND WRITING-- NOT MY-- 115 00:05:56,080 --> 00:05:59,920 AH! BUT THIS FINE LADY IS A LITERARY GENIUS. 116 00:05:59,920 --> 00:06:00,960 -(clears throat) -(scoffs) 117 00:06:00,960 --> 00:06:02,840 SOMEONE IS TRYING TO BUTTER ME UP. 118 00:06:02,840 --> 00:06:04,550 WOULD YOU MIND READING 119 00:06:04,550 --> 00:06:06,960 ONE OF TRAVIS' SCHOOL PAPERS? 120 00:06:06,960 --> 00:06:09,890 AND MAYBE GIVING HIM SOME OF YOUR EXPERTISE? 121 00:06:09,890 --> 00:06:11,770 I'D BE HAPPY TO. 122 00:06:14,180 --> 00:06:16,970 I SAVE THE GUY'S LIFE, AND HE WRITES ME UP. 123 00:06:16,970 --> 00:06:19,320 UNBELIEVABLE. YOU KNOW, FOR THE RECORD, 124 00:06:19,320 --> 00:06:21,900 GORDON IS A SEXIST, CONDESCENDING ASS-HAT. 125 00:06:21,900 --> 00:06:23,400 WHICH MAKES IT ALL THE MORE SURPRISING 126 00:06:23,400 --> 00:06:25,190 THAT HE RECOMMENDED YOU BE RELEASED EARLY 127 00:06:25,190 --> 00:06:27,440 -FOR GOOD BEHAVIOR. -HE WHAT? 128 00:06:27,440 --> 00:06:30,910 SEEMS THAT SAVING HIS LIFE DID A NUMBER ON HIS CONSCIENCE. 129 00:06:30,910 --> 00:06:32,990 -OH. -AND BASED ON MY EXPERIENCE 130 00:06:32,990 --> 00:06:35,410 WITH YOU, I SECONDED THE IDEA. 131 00:06:35,410 --> 00:06:39,300 SO, "RELEASED," WHAT DOES THAT MEAN, EXACTLY? 132 00:06:39,300 --> 00:06:41,750 YOU WON'T HAVE TO FINISH YOUR REMAINING 19 DAYS. 133 00:06:41,750 --> 00:06:44,670 -OH MY GOD. -I ALSO RECOMMENDED TO THE JUDGE 134 00:06:44,670 --> 00:06:47,130 THAT YOUR REMAINING DAYS OF PROBATION BE RESCINDED. 135 00:06:47,130 --> 00:06:51,050 SO I'M FREE? I'M LIKE TOTALLY FREE? 136 00:06:51,050 --> 00:06:52,970 I CAN TRAVEL. I CAN GO WHEREVER I WANT? 137 00:06:52,970 --> 00:06:55,050 -HAVE AT IT. -YES! 138 00:06:55,050 --> 00:06:56,890 OH, THANK YOU, THANK YOU, 139 00:06:56,890 --> 00:06:58,650 THANK YOU, THANK YOU, THANK YOU, THANK YOU. 140 00:06:58,650 --> 00:07:01,400 JUST PROMISE ME YOUR NAME WON'T EVER CROSS MY DESK AGAIN. 141 00:07:01,400 --> 00:07:04,020 NEVER. YOU HAVE MY WORD. (laughs) 142 00:07:05,820 --> 00:07:08,360 OH, HERE, LET ME HELP. 143 00:07:10,070 --> 00:07:12,660 -THANKS. -OH. WOW. WHAT DO YOU GOT IN HERE? 144 00:07:12,660 --> 00:07:16,660 -MY BOOKS. -YOU MUST BE THE BEST-READ KID THIS SIDE OF THE MISSISSIPPI. 145 00:07:18,120 --> 00:07:19,460 -HEY. -MORNING. 146 00:07:19,460 --> 00:07:21,420 -MORNING. -WHAT'S ALL THIS? 147 00:07:21,420 --> 00:07:23,080 -GOING ON A TRIP? -(chuckles) 148 00:07:23,080 --> 00:07:25,920 NO, ROOF'S BEEN LEAKING LIKE A SIEVE SINCE THE STORM. 149 00:07:25,920 --> 00:07:27,920 WE NEED TO MOVE TO A MOTEL WHILE IT GETS FIXED. 150 00:07:27,920 --> 00:07:30,510 -WHICH SUCKS. -WILL. LANGUAGE. 151 00:07:30,510 --> 00:07:33,390 -WELL, HOW LONG YOU OUT FOR? -THE ESTIMATE SAYS TWO DAYS, 152 00:07:33,390 --> 00:07:34,890 WHICH PROBABLY MEANS FOUR. 153 00:07:35,890 --> 00:07:38,600 WHERE'S YOUR BACKPACK? GO BACK UP AND GET IT, PLEASE. 154 00:07:38,600 --> 00:07:41,690 -CAN'T YOU? -NO, DUDE, YOU DO IT. 155 00:07:41,690 --> 00:07:45,770 -WHAT'S GOT INTO YOU TODAY? -WE'VE BEEN IN 19 MOTELS SINCE KINDERGARTEN. 156 00:07:45,770 --> 00:07:47,810 -19. -SO? 157 00:07:47,810 --> 00:07:51,530 -SO THEY'RE DISGUSTING. -WILL, ENOUGH. 158 00:07:51,530 --> 00:07:53,370 YOU COULD STAY WITH ME. 159 00:07:55,950 --> 00:07:58,160 DAPHNE IS AWAY AT SCHOOL, 160 00:07:58,160 --> 00:08:00,120 AND YOU TWO COULD STAY IN HER ROOM. 161 00:08:01,620 --> 00:08:03,460 -BEATS A MOTEL ROOM. -YEAH! 162 00:08:03,460 --> 00:08:05,540 NO. NO, SERIOUSLY. 163 00:08:05,540 --> 00:08:08,330 -WE WEREN'T FISHING FOR AN INVITE. -I KNOW YOU WEREN'T. 164 00:08:08,330 --> 00:08:10,470 BUT I'D LIKE TO HELP. 165 00:08:10,470 --> 00:08:12,970 BESIDES, IT'S JUST FOR A COUPLE OF NIGHTS. 166 00:08:12,970 --> 00:08:16,010 -COME ON, DAD. PLEASE. -(scoffs) 167 00:08:17,590 --> 00:08:19,520 -ALL RIGHT. -GREAT. 168 00:08:26,690 --> 00:08:28,910 -HEY. -HEY. 169 00:08:28,910 --> 00:08:31,240 -YOU HAVE A SEC? -OH YEAH, SURE. 170 00:08:32,860 --> 00:08:35,240 -EVERYTHING OKAY? -I'M READING THIS PAPER 171 00:08:35,240 --> 00:08:36,860 THAT TRAVIS WROTE FOR SCHOOL, 172 00:08:36,860 --> 00:08:40,000 AND TO BE FRANK, I CAN'T BELIEVE HOW BAD IT IS. 173 00:08:40,000 --> 00:08:42,040 IT'S NOT UNCOMMON FOR DEAF KIDS. 174 00:08:42,040 --> 00:08:44,620 REMEMBER, ENGLISH IS HIS SECOND LANGUAGE. 175 00:08:44,620 --> 00:08:48,000 A.S.L. GRAMMAR HAS MORE IN COMMON WITH CHINESE THAN ENGLISH. 176 00:08:48,000 --> 00:08:49,970 WELL, HOW DID DAPHNE MANAGE? 177 00:08:49,970 --> 00:08:54,050 'CAUSE I WAS ON HER. EVERY NIGHT BEFORE BED I MADE HER READ 20 PAGES. 178 00:08:54,050 --> 00:08:56,380 AND THEN, AFTER SCHOOL, THE TWO OF US WOULD SIT DOWN 179 00:08:56,380 --> 00:08:58,940 WITH HER HOMEWORK AND REVIEW EVERY SINGLE WORD. 180 00:08:58,940 --> 00:09:01,940 NURTURING AND POSITIVE REINFORCEMENT, 181 00:09:01,940 --> 00:09:04,770 NEITHER OF WHICH TRAVIS HAD GROWING UP. 182 00:09:04,770 --> 00:09:07,810 -YEAH. -OH, WAIT, I'M SORRY. 183 00:09:07,810 --> 00:09:10,860 UM, YOU NEEDED SOMETHING? 184 00:09:10,860 --> 00:09:13,820 YES, I... 185 00:09:13,820 --> 00:09:16,990 INVITED MY BUSINESS PARTNER AND HIS SON 186 00:09:16,990 --> 00:09:19,750 TO STAY WITH ME FOR A FEW DAYS WHILE THEIR ROOF IS BEING REPAIRED. 187 00:09:19,750 --> 00:09:22,750 -I HOPE IT'S OKAY. -OH, YEAH, OF COURSE. 188 00:09:22,750 --> 00:09:25,080 IT'S YOUR HOME TOO. 189 00:09:25,080 --> 00:09:29,340 UM, ACTUALLY, ERIC AND I ARE SORT OF INVOLVED. 190 00:09:29,340 --> 00:09:33,260 -OH? -I KNOW. 191 00:09:34,420 --> 00:09:35,840 GOOD FOR YOU. 192 00:09:35,840 --> 00:09:38,680 THE INVITATION CAME OUT OF MY MOUTH BEFORE I'D EVEN THOUGHT IT THROUGH. 193 00:09:38,680 --> 00:09:40,640 SO? 194 00:09:40,640 --> 00:09:42,480 IS IT LIKE WE'RE PLAYING HOUSE? 195 00:09:42,480 --> 00:09:44,850 I HADN'T GONE THERE, BUT CLEARLY YOU HAVE. 196 00:09:44,850 --> 00:09:46,060 I'M OVERTHINKING IT. 197 00:09:47,640 --> 00:09:50,030 WHAT IF HE HATES THE WAY I LOOK IN THE MORNING? 198 00:09:50,030 --> 00:09:51,900 WHAT IF WE DRIVE EACH OTHER NUTS? 199 00:09:51,900 --> 00:09:53,990 -WHAT IF-- -WHAT IF, WHAT IF. 200 00:09:53,990 --> 00:09:55,490 (chuckles) AT LEAST YOU'LL KNOW. 201 00:09:56,490 --> 00:09:58,440 RIGHT. RIGHT. 202 00:09:58,440 --> 00:10:01,410 CAN YOU BELIEVE IT? I'M FINALLY FREE 203 00:10:01,410 --> 00:10:05,330 TO GO TO L.A., AND THE TIMING COULD NOT BE WORSE. 204 00:10:05,330 --> 00:10:07,580 HAVE YOU SPOKEN TO EMMETT SINCE HE'S BEEN GONE? 205 00:10:07,580 --> 00:10:09,920 NO. I'M GIVING HIM SPACE, 206 00:10:09,920 --> 00:10:11,880 AND HOPEFULLY HE'LL FIGURE THINGS OUT, 207 00:10:11,880 --> 00:10:14,210 AND THEN COME TO ME WHEN HE'S READY. 208 00:10:14,210 --> 00:10:16,590 HE LOVES YOU. HE WILL. 209 00:10:16,590 --> 00:10:18,460 WELL, IN THE MEANTIME, 210 00:10:18,460 --> 00:10:21,720 I GET TO DECIDE WHAT I'M GONNA DO WITH MY NEWFOUND FREEDOM. 211 00:10:21,720 --> 00:10:24,470 HAVE YOU CONSIDERED REAPPLYING FOR ART SCHOOL? 212 00:10:24,470 --> 00:10:27,140 PROBABLY COULDN'T START UNTIL THE FALL. 213 00:10:28,140 --> 00:10:29,900 WHAT DO YOU THINK? FIRST DATE. 214 00:10:29,900 --> 00:10:34,360 I WOULD GO A LITTLE MORE... VAVOOM. 215 00:10:35,820 --> 00:10:38,030 WHAT ABOUT GETTING A JOB JOB? 216 00:10:38,030 --> 00:10:40,450 I JUST WISH I COULD FIND A WAY 217 00:10:40,450 --> 00:10:42,620 FOR ART TO BE MY JOB. 218 00:10:42,620 --> 00:10:46,740 WHAT ABOUT THAT ARTIST SHOWCASE YOU WERE UP FOR A WHILE BACK? 219 00:10:46,740 --> 00:10:48,880 THE ONE THAT I GOT DISQUALIFIED FROM 220 00:10:48,880 --> 00:10:52,670 -FOR HAVING A CRIMINAL RECORD? -YEAH, BUT THE WOMAN LOVED YOUR WORK. 221 00:10:52,670 --> 00:10:55,130 MAYBE SHE HAS ANOTHER SHOWCASE YOU COULD APPLY FOR. 222 00:10:55,130 --> 00:10:56,460 HM-MMM. 223 00:10:57,500 --> 00:11:00,890 YOU KNOW WHAT? THAT IS NOT A TERRIBLE IDEA. 224 00:11:01,890 --> 00:11:03,510 HOW ABOUT THIS ONE? 225 00:11:03,510 --> 00:11:06,260 LADIES AND GENTLEMEN, WE HAVE A WINNER. 226 00:11:07,930 --> 00:11:10,940 NICE DIGS. (whistles) 227 00:11:10,940 --> 00:11:13,900 (chuckles) I LIVE ON THIS SIDE OF THE DRIVEWAY. 228 00:11:13,900 --> 00:11:16,230 OH, DAMN, BECAUSE I WAS ABOUT TO PROPOSE. 229 00:11:16,230 --> 00:11:19,700 -(laughs) -HEY, NEED SOME HELP. 230 00:11:19,700 --> 00:11:22,030 JOHN KENNISH, THIS IS ERIC BISHOP 231 00:11:22,030 --> 00:11:24,870 -AND THIS IS WILL. -HELLO, WILL, ERIC. 232 00:11:24,870 --> 00:11:26,160 HEY, THANKS FOR LETTING US STAY HERE. 233 00:11:26,160 --> 00:11:27,990 OH, IT'S REGINA YOU NEED TO THANK. 234 00:11:27,990 --> 00:11:30,210 -SHE KNOW HOW GRATEFUL WE ARE. -John: HOW OLD ARE YOU, WILL? 235 00:11:30,210 --> 00:11:32,880 -NINE. -YOU'RE NINE. OUTSTANDING. 236 00:11:32,880 --> 00:11:35,460 THIS LOOKS LIKE A NINE-YEAR-OLD BACKPACK TO ME. 237 00:11:35,460 --> 00:11:36,960 -THERE YOU GO. -(men chuckle) 238 00:11:36,960 --> 00:11:38,670 THAT YOUR PORSCHE DOWN THE DRIVE? 239 00:11:38,670 --> 00:11:40,840 -YES, IT IS. -SHE'S A BEAUTY. 240 00:11:40,840 --> 00:11:43,760 I WAS LUCKY ENOUGH TO DRIVE A CARRERA G.T. ONCE. 241 00:11:43,760 --> 00:11:46,100 John: NO KIDDING? DIDN'T THEY JUST MAKE 1200 OF THOSE? 242 00:11:46,100 --> 00:11:48,770 Eric: YEP, WORKED FOR A PORSCHE MECHANIC IN SAN FRAN. 243 00:11:48,770 --> 00:11:50,770 A TECH CLIENT HAD ONE, LET ME TAKE IT FOR A SPIN. 244 00:11:50,770 --> 00:11:54,940 "A REVOLUTION HAPPENED AND A NEW CLASS APPEARED." 245 00:12:01,660 --> 00:12:02,780 RIGHT. 246 00:12:09,670 --> 00:12:10,870 I KNOW. 247 00:12:30,980 --> 00:12:33,980 A.S.L. IS, HANDS DOWN, 248 00:12:33,980 --> 00:12:36,060 ONE OF THE COOLEST LANGUAGES IN THE WHOLE WORLD, 249 00:12:36,060 --> 00:12:38,990 BUT YOU STILL HAVE TO LEARN 250 00:12:38,990 --> 00:12:42,400 HOW TO READ AND WRITE ENGLISH FLUENTLY. 251 00:12:49,210 --> 00:12:52,410 YOU HAVE TO WRITE COVER LETTERS AND RESUMES. 252 00:12:55,040 --> 00:12:57,960 YOU DON'T KNOW THAT! YOU HAVE TO KEEP YOUR OPTIONS OPEN. 253 00:13:02,300 --> 00:13:06,800 ANY TIME YOU WRITE ANYTHING TO A HEARING PERSON-- 254 00:13:06,800 --> 00:13:10,350 AN EMAIL, A TWEET, I DON'T CARE WHAT IT IS, 255 00:13:10,350 --> 00:13:13,060 YOU ARE GONNA SOUND UNEDUCATED 256 00:13:13,060 --> 00:13:16,640 IF YOU USE THE WRONG TENSE. 257 00:13:17,980 --> 00:13:20,940 AND YOU ARE NEVER GONNA LEARN 258 00:13:20,940 --> 00:13:24,070 IF YOU HAVE THE ATTITUDE THAT IT'S STUPID. NOW COME ON. 259 00:13:25,650 --> 00:13:27,990 LET'S TRY ANOTHER PARAGRAPH. 260 00:13:32,620 --> 00:13:35,910 OKAY. I'LL SEE YOU ON THURSDAY? 261 00:13:39,920 --> 00:13:40,920 (sighs) 262 00:13:42,550 --> 00:13:45,380 -WHERE'S MY ROOM? -OUR ROOM. 263 00:13:45,380 --> 00:13:46,800 FIRST DOOR ON YOUR RIGHT. 264 00:13:48,340 --> 00:13:50,810 (sighs) WELL, I'LL LET YOU GET SETTLED IN. 265 00:13:50,810 --> 00:13:52,600 -THANKS FOR YOUR HELP. -SURE. 266 00:13:52,600 --> 00:13:54,970 IF YOU WANT, I CAN CHECK ON THAT ENGINE LIGHT FOR YOU. 267 00:13:54,970 --> 00:13:57,520 -THAT WOULD BE GREAT. THANK YOU. -ALL RIGHT. 268 00:14:02,030 --> 00:14:05,070 HUH! I AM IMPRESSED. 269 00:14:05,070 --> 00:14:07,740 IT TOOK ME THREE YEARS TO WIN OVER JOHN KENNISH, 270 00:14:07,740 --> 00:14:10,120 AND YOU WENT FROM ZERO TO 60 IN 10 SECONDS. 271 00:14:10,120 --> 00:14:11,830 (chuckles) 272 00:14:15,450 --> 00:14:17,790 -ANGELO? -YEAH. 273 00:14:18,790 --> 00:14:21,760 YOU CAN ASK ME ANYTHING YOU WANT ABOUT HIM. 274 00:14:21,760 --> 00:14:24,960 I'M GOOD. THAT'S IN THE PAST. 275 00:14:24,960 --> 00:14:27,670 OKAY, BUT TO BE HONEST, 276 00:14:27,670 --> 00:14:30,930 I WOULDN'T MIND KNOWING A LITTLE BIT MORE ABOUT YOUR WIFE. 277 00:14:30,930 --> 00:14:32,770 THAT'S IN THE PAST, TOO. 278 00:14:34,430 --> 00:14:35,850 I BETTER CHECK ON WILL. 279 00:14:38,180 --> 00:14:39,190 HM. 280 00:14:43,730 --> 00:14:47,110 HE SAID HE'D TEXT ME. YOU HEARD HIM SAY THAT, RIGHT? 281 00:14:47,110 --> 00:14:53,080 -MAYBE IT'S A LATE PARTY? -I HAVE OFFICIALLY BECOME "THAT GIRL." 282 00:14:53,080 --> 00:14:56,290 I'M WAITING BY MY PHONE FOR SOME GUY TO TEXT ME. 283 00:14:56,290 --> 00:14:58,080 (sighs) 284 00:14:59,420 --> 00:15:02,460 -DO YOU THINK I SHOULD TEXT HIM? -I'M NO EXPERT, 285 00:15:02,460 --> 00:15:05,460 BUT IT'S EMPOWERING TO MAKE THE FIRST MOVE. 286 00:15:05,460 --> 00:15:07,960 DO YOU KNOW WHAT? YOU'RE RIGHT. 287 00:15:07,960 --> 00:15:11,010 I'LL JUST TEXT HIM TO CONFIRM OUR PLANS. 288 00:15:11,010 --> 00:15:13,810 THAT'S TOTALLY REASONABLE. 289 00:15:13,810 --> 00:15:16,890 ALSO, YOU SHOULD MAKE A TYPO TO MAKE IT LOOK LIKE YOU DON'T CARE. 290 00:15:16,890 --> 00:15:20,440 NO WAY. I REFUSE TO MISSPELL. 291 00:15:20,440 --> 00:15:22,020 (clicking) 292 00:15:23,770 --> 00:15:24,860 HMM? 293 00:15:27,820 --> 00:15:30,240 -WHAT? -IT'S JUST... 294 00:15:30,240 --> 00:15:33,200 YOU MIGHT WANNA LOSE THE QUESTION MARK, 295 00:15:33,200 --> 00:15:36,070 SO YOU DON'T SEEM TOO DESPERATE. 296 00:15:36,070 --> 00:15:37,830 (sighs) 297 00:15:39,040 --> 00:15:40,380 -HERE GOES. -(whooshes) 298 00:15:44,420 --> 00:15:46,540 AH! THIS IS RIDICULOUS! 299 00:15:46,540 --> 00:15:48,920 WE ARE NOT JUST SITTING HERE. 300 00:15:48,920 --> 00:15:50,890 -COME ON, WE'RE GOING OUT. -WHERE? 301 00:15:50,890 --> 00:15:53,800 I DON'T KNOW. A MOVIE? ANYWHERE. 302 00:15:53,800 --> 00:15:55,350 -(cellphone buzzes) -OH! 303 00:15:55,350 --> 00:15:56,930 (sighs) IT'S NOT HIM. 304 00:15:59,520 --> 00:16:01,230 HE JUST POSTED A PHOTO. 305 00:16:06,900 --> 00:16:09,070 DOES THAT MEAN...? 306 00:16:09,070 --> 00:16:11,990 HE WENT TO THE PARTY WITHOUT ME. 307 00:16:11,990 --> 00:16:15,160 SO, SINCE I'M FINISHED PAYING MY DEBT TO SOCIETY, 308 00:16:15,160 --> 00:16:17,370 I WAS HOPING THAT YOU MIGHT HAVE 309 00:16:17,370 --> 00:16:19,120 ANOTHER SHOWCASE I COULD APPLY FOR. 310 00:16:19,120 --> 00:16:23,420 I'M SORRY. ALL OF OUR INSTALLATIONS ARE BOOKED THROUGH THE NEXT CALENDAR YEAR. 311 00:16:23,420 --> 00:16:26,460 WHAT ABOUT A JOB HERE AT THE KANSAS CITY ARTS ALLIANCE? 312 00:16:26,460 --> 00:16:29,130 I COULD BE AN ASSISTANT TO SOMEONE 313 00:16:29,130 --> 00:16:31,550 -OR AN ASSISTANT TO AN ASSISTANT. -(sighs) 314 00:16:31,550 --> 00:16:33,630 WE CAN BARELY AFFORD THE STAFF WE ALREADY HAVE. 315 00:16:33,630 --> 00:16:36,760 -I COULD INTERN. -WE'RE NOT AN EMPLOYMENT AGENCY. 316 00:16:36,760 --> 00:16:38,340 (sighs) 317 00:16:39,350 --> 00:16:42,190 I'VE HAD TO PUT ART ON THE BACK BURNER FOR SO LONG, 318 00:16:42,190 --> 00:16:45,730 AND I JUST WANNA FIND A WAY FOR IT TO BE A PART OF MY LIFE AGAIN. 319 00:16:45,730 --> 00:16:48,980 -FULL-TIME. -MY ADVICE? 320 00:16:48,980 --> 00:16:53,200 STOP LOOKING FOR OPPORTUNITIES AND START MAKING YOUR OWN. 321 00:16:53,200 --> 00:16:56,490 YOU'RE AN ARTIST. CREATE. 322 00:17:02,040 --> 00:17:04,500 ALL RIGHT. GOOD MOVE. 323 00:17:06,160 --> 00:17:08,370 -OOH! -HEY, IT IS FREEZING OUT HERE. 324 00:17:08,370 --> 00:17:11,010 -NO, WE'RE OKAY. -OH, COME ON, HE'S GONNA CATCH A COLD. 325 00:17:11,010 --> 00:17:12,930 -STOP 30 SECONDS. -(sighs) 326 00:17:12,930 --> 00:17:14,840 I GOT THIS. 327 00:17:16,470 --> 00:17:18,550 OH! WAIT. 328 00:17:18,550 --> 00:17:20,520 -(laughter) -WE CAN DO IT. WE CAN DO IT. 329 00:17:20,520 --> 00:17:22,980 THERE! BETTER? 330 00:17:22,980 --> 00:17:23,980 -YEAH. -OKAY. 331 00:17:23,980 --> 00:17:25,940 -THANKS. -HEY, WHAT DO YOU GUYS WANT FOR DINNER? 332 00:17:25,940 --> 00:17:28,600 I CAN DO TROUT ALMONDINE OR SPAGHETTI AND MEATBALLS. 333 00:17:28,600 --> 00:17:31,190 -MEATBALLS. -I FIGURED. 334 00:17:31,190 --> 00:17:33,030 NO, NO, LISTEN, YOU DON'T HAVE TO CATER TO US. 335 00:17:33,030 --> 00:17:34,280 -WHATEVER'S EASIEST. -I'M HAPPY TO DO IT. 336 00:17:34,280 --> 00:17:36,190 IT'LL BE NICE. WE'LL HAVE DINNER TOGETHER. 337 00:17:37,820 --> 00:17:40,370 -ALL RIGHT, COACH. -ALL YOU. 338 00:17:44,200 --> 00:17:45,870 -RIGHT, 'CAUSE...?? -HEY, RED! 339 00:17:45,870 --> 00:17:47,960 -HI. -HEY. 340 00:17:47,960 --> 00:17:50,670 VIMLA, MINGO. MINGO, VIMLA. 341 00:17:50,670 --> 00:17:53,800 -HI. -MISSED YOU AT THE PARTY LAST NIGHT. 342 00:17:53,800 --> 00:17:57,510 -YEAH? -YEAH, I WAITED FOR YOU LIKE FOREVER. 343 00:17:57,510 --> 00:18:00,980 -I WAS WAITING FOR YOU TO TEXT ME. -WE SAID WE'D MEET THERE. 344 00:18:00,980 --> 00:18:03,980 NO, YOU SAID YOU'D TEXT ME, AND WHEN YOU DIDN'T, 345 00:18:03,980 --> 00:18:06,020 I TEXTED YOU, AND YOU NEVER REPLIED. 346 00:18:07,850 --> 00:18:11,030 HUH. THERE IT IS. I MUST'VE MISSED IT. 347 00:18:12,650 --> 00:18:15,490 -IT'S FINE. -HOW ABOUT WE HANG OUT TONIGHT? CATCH A MOVIE? 348 00:18:16,650 --> 00:18:18,440 COME ON, TELL ME YOU HAVE SOMETHING MORE FUN PLANNED. 349 00:18:22,450 --> 00:18:24,620 -WHAT TIME? -I'LL TEXT YOU. 350 00:18:24,620 --> 00:18:26,870 I'M KIDDING. 8:00, MY ROOM? 351 00:18:27,830 --> 00:18:30,210 -I'LL SEE YOU THEN. -YES, YOU WILL. 352 00:18:33,880 --> 00:18:37,920 -HE'S HOT. -(both laugh) 353 00:18:37,920 --> 00:18:40,970 I DON'T KNOW. LAST NIGHT WAS SUPPOSED TO BE OUR FIRST DATE, 354 00:18:40,970 --> 00:18:44,260 BUT... WELL, YOU HEARD. I JUST DON'T GET IT. 355 00:18:44,260 --> 00:18:45,850 HE ACTS LIKE HE WANTS TO HANG OUT, 356 00:18:45,850 --> 00:18:48,310 BUT IT HAS TAKEN HIM WEEKS TO ASK ME OUT. 357 00:18:48,310 --> 00:18:49,980 AND WHEN HE FINALLY DOES, 358 00:18:49,980 --> 00:18:53,110 HE POSTS A PHOTO OF HIM BLASTED WITH TWO OTHER GIRLS. 359 00:18:53,110 --> 00:18:54,980 NOBODY DATES IN COLLEGE. 360 00:18:54,980 --> 00:18:57,860 -THAT'S NOT TRUE. -ONE NIGHT STANDS OR FRIENDS WITH BENEFITS, 361 00:18:57,860 --> 00:18:59,830 -THOSE ARE YOUR CHOICES. -OUCH. 362 00:18:59,830 --> 00:19:03,990 WHY? EMBRACE IT. IT MEANS THAT WOMEN ARE JUST AS EMPOWERED AS GUYS 363 00:19:03,990 --> 00:19:06,830 TO HAVE THIS TIME AND SPACE TO FOCUS ON THEIR FUTURE 364 00:19:06,830 --> 00:19:08,910 WHILE STILL FULFILLING OUR SEXUAL NEEDS. 365 00:19:08,910 --> 00:19:11,130 SO YOU AND JOSH... 366 00:19:11,130 --> 00:19:13,090 HE'S NUMBER FOUR. 367 00:19:13,090 --> 00:19:15,880 MY POINT IS, IF YOU ARE ATTRACTED TO THIS GUY, 368 00:19:15,880 --> 00:19:18,460 DON'T OVERTHINK IT. JUST RELAX, 369 00:19:18,460 --> 00:19:20,970 HAVE FUN. THAT'S WHAT HE'S DOING. 370 00:19:33,980 --> 00:19:36,940 -HERE'S THE HERO. -OH, COME ON. 371 00:19:36,940 --> 00:19:38,900 -HEAR THEY RELEASED YOU. -THEY DID. 372 00:19:38,900 --> 00:19:40,990 SO WHAT ARE YOU DOING BACK HERE? 373 00:19:40,990 --> 00:19:42,700 I CAME TO BRING SOMEONE 374 00:19:42,700 --> 00:19:44,580 A HEROIN-LACED TURKEY SANDWICH. 375 00:19:44,580 --> 00:19:47,200 -NOT FUNNY. -SORRY. 376 00:19:47,200 --> 00:19:50,090 ACTUALLY, I WANTED TO RETURN THIS TO YOU. 377 00:19:51,040 --> 00:19:52,380 THANKS. 378 00:19:53,830 --> 00:19:57,920 AND... I WANTED TO SAY HI. 379 00:19:57,920 --> 00:20:00,930 -SEE HOW YOU'RE DOING. -WHY? 380 00:20:00,930 --> 00:20:04,600 (scoffs) REALLY? YOU CAN'T JUST BE HAPPY FOR ME THAT I GOT OUT? 381 00:20:04,600 --> 00:20:07,600 (scoffs) CONGRATULATIONS. HAVE A NICE LIFE. 382 00:20:07,600 --> 00:20:10,900 WOW. OKAY. HEY, YOU KNOW WHAT? 383 00:20:13,850 --> 00:20:15,610 I ACTUALLY THOUGHT WE WERE FRIENDS, 384 00:20:15,610 --> 00:20:19,450 BUT IT'S PRETTY CLEAR THAT YOU DON'T CARE ABOUT ANYONE BUT YOURSELF. 385 00:20:19,450 --> 00:20:22,120 YOU HAVE GOT A TON OF NERVE. 386 00:20:22,120 --> 00:20:24,860 YOU SAY WE'RE FRIENDS, BUT YOU DON'T KNOW THE FIRST THING ABOUT ME. 387 00:20:24,860 --> 00:20:26,860 ALL YOU DO IS MOAN AND GROAN ABOUT YOUR OWN LIFE, 388 00:20:26,860 --> 00:20:30,290 SO FORGIVE ME IF I DON'T WANT TO PLAY A PART IN SOME BIG PHONY SEND-OFF. 389 00:20:31,370 --> 00:20:32,870 SO TELL ME. 390 00:20:35,920 --> 00:20:39,170 -YOU DON'T WANNA KNOW. -YES, I DO. 391 00:20:40,800 --> 00:20:45,720 FINE. YESTERDAY WHEN MY AUNT COULDN'T WATCH SAM ANYMORE, 392 00:20:45,720 --> 00:20:47,970 I HAD TO TAKE HIM TO WORK, THIS TELEMARKETING GIG 393 00:20:47,970 --> 00:20:50,270 IN SOME DUDE'S DISGUSTING BASEMENT. 394 00:20:50,270 --> 00:20:53,390 HE SAID I COULDN'T BRING SAM, I SAID I HAD NO CHOICE. 395 00:20:53,390 --> 00:20:55,060 AND SO HE FIRED ME. 396 00:20:55,060 --> 00:20:59,700 SO GOOD LUCK TO ME TRYING TO FIND A NEW JOB WITH A CRIMINAL RECORD. 397 00:21:01,240 --> 00:21:03,860 I CAN BARELY AFFORD SAM'S MEDICAL BILLS, 398 00:21:03,860 --> 00:21:05,950 FORGET EVEN THINKING ABOUT ANY OF THE NEW TREATMENTS. 399 00:21:05,950 --> 00:21:08,740 WHOA. WAIT. WHAT'S WRONG WITH SAM? 400 00:21:08,740 --> 00:21:11,290 ONE OF HIS HEART VALVES IS DEFECTIVE. 401 00:21:13,330 --> 00:21:17,540 -I AM SO SORRY. I HAD NO IDEA. -YEAH, WELL, NOW YOU DO. 402 00:21:27,260 --> 00:21:31,100 -SO HOW LONG HAVE YOU KNOWN? -SINCE HE WAS BORN. 403 00:21:33,020 --> 00:21:36,980 BUT HOW DOES IT-- WHAT EXACTLY DOES-- 404 00:21:36,980 --> 00:21:40,240 HE HAS A FAILURE TO THRIVE, 405 00:21:40,240 --> 00:21:43,610 WHICH BASICALLY MEANS HE'S SO PUNY 406 00:21:43,610 --> 00:21:46,200 HE DOESN'T EVEN MAKE IT ONTO THE HEIGHT AND WEIGHT CHARTS. 407 00:21:46,200 --> 00:21:50,450 HE DOESN'T EAT MUCH. HE TIRES OUT REAL FAST. 408 00:21:52,000 --> 00:21:55,160 ALL OF THE OTHER MOMS ARE COMPLAINING ABOUT THEIR KIDS. 409 00:21:55,160 --> 00:21:58,160 "I CAN'T KEEP UP WITH HIM. HE'S INTO EVERYTHING." 410 00:21:58,160 --> 00:22:00,920 MEANWHILE I AM BEGGING SAM, 411 00:22:00,920 --> 00:22:03,460 "COME ON, HONEY, LET'S GO TO THE PARK. 412 00:22:03,460 --> 00:22:04,800 "LET'S RUN." 413 00:22:05,880 --> 00:22:07,220 AND THEN HE DOES... 414 00:22:08,590 --> 00:22:11,060 AND I'M TERRIFIED HE'S GONNA STOP BREATHING. 415 00:22:14,310 --> 00:22:17,390 I AM SO TIRED OF WORRYING ABOUT HIM, 416 00:22:17,390 --> 00:22:20,030 AND FREAKING OUT ABOUT HIS FUTURE. 417 00:22:20,030 --> 00:22:23,780 TERRIFIED OF ALL THE THINGS HE'S NOT GONNA BE ABLE TO DO. 418 00:22:25,940 --> 00:22:28,740 SERIOUSLY, THIS KID IS SUCH A BURDEN... 419 00:22:31,040 --> 00:22:34,040 (crying) AND I LOVE HIM SO MUCH. 420 00:22:40,050 --> 00:22:42,130 UH, NEED YOU BACK TO WORK, TESS. 421 00:22:42,130 --> 00:22:44,300 YEAH, COMING. 422 00:22:46,210 --> 00:22:47,840 (sighs) 423 00:22:47,840 --> 00:22:50,890 WELL, WHAT CAN YOU DO, RIGHT? 424 00:22:58,140 --> 00:23:01,020 SO, DID YOU HAVE A MOVIE IN MIND? 425 00:23:01,020 --> 00:23:02,230 I'M A BIG HORROR FAN. 426 00:23:03,230 --> 00:23:04,940 ACTUALLY... 427 00:23:04,940 --> 00:23:07,520 I WAS KINDA THINKING WE'D WATCH ONE HERE INSTEAD. 428 00:23:07,520 --> 00:23:08,820 OH. 429 00:23:09,870 --> 00:23:12,330 -SURE. -EXCELLENT. 430 00:23:13,330 --> 00:23:15,950 (both laugh) 431 00:23:16,870 --> 00:23:21,210 -A HEART DEFECT? -YEAH, HE'S ON A BUNCH OF DIFFERENT MEDICATIONS. 432 00:23:21,210 --> 00:23:23,090 AND TESS SAID THAT IF HE GETS ANY WORSE, 433 00:23:23,090 --> 00:23:24,800 HE'S PROBABLY GONNA HAVE TO HAVE SURGERY. 434 00:23:24,800 --> 00:23:26,710 IS THERE ANYTHING WE CAN DO TO HELP? 435 00:23:26,710 --> 00:23:29,970 I THOUGHT ABOUT BUYING HER GROCERIES, BUT I DON'T THINK SHE'D TAKE THEM. 436 00:23:29,970 --> 00:23:33,550 -CAN YOU THINK OF ANYTHING? -IT'S SUCH THANKLESS WORK, 437 00:23:33,550 --> 00:23:35,970 THE DAY IN, DAY OUT OF PARENTING. 438 00:23:36,970 --> 00:23:39,940 SOMETIMES JUST THE SMALLEST ACKNOWLEDGMENT FROM A PERSON 439 00:23:39,940 --> 00:23:42,650 THAT YOU'RE DOING A GOOD JOB. 440 00:23:42,650 --> 00:23:44,650 WHAT DO YOU MEAN? 441 00:23:44,650 --> 00:23:46,820 I REMEMBER THIS ONE TIME, 442 00:23:46,820 --> 00:23:49,870 YOU WERE PROBABLY TWO, TOBY WAS THREE, 443 00:23:49,870 --> 00:23:52,910 WE WERE ON THE ROAD TO VISIT YOUR DAD IN CHICAGO. 444 00:23:52,910 --> 00:23:55,660 AND WE STOPPED AT A REST STOP, 445 00:23:55,660 --> 00:23:56,990 AND YOU WERE ON THE CHANGING TABLE. 446 00:23:56,990 --> 00:23:58,700 AND YOU WERE KICKING AND SCREAMING AND CRYING, 447 00:23:58,700 --> 00:24:01,750 AND TOBY WAS WHINING ABOUT HOW HIS STOMACH HURT. 448 00:24:01,750 --> 00:24:03,790 AND I KEPT SAYING, "YOU'RE FINE, YOU'RE FINE." 449 00:24:04,790 --> 00:24:06,380 AND THE SECOND WE GOT OUTSIDE, 450 00:24:06,380 --> 00:24:09,510 HE THREW UP ALL OVER EVERYTHING. THE POOR THING. 451 00:24:09,510 --> 00:24:13,470 AND I FELT LIKE THE WORST MOM ON THE WHOLE PLANET. 452 00:24:13,470 --> 00:24:16,890 AND THIS WOMAN WAS PASSING BY AND SHE SAID, 453 00:24:17,930 --> 00:24:19,260 "YOU'RE DOING GREAT." 454 00:24:20,400 --> 00:24:23,900 AND I DON'T KNOW, THAT MOMENT JUST LIFTED ME. 455 00:24:25,650 --> 00:24:28,940 SO, JUST TELL HER SHE'S DOING A GOOD JOB? 456 00:24:28,940 --> 00:24:29,990 THAT'S IT? 457 00:24:29,990 --> 00:24:31,780 MAY NOT SEEM LIKE MUCH, 458 00:24:31,780 --> 00:24:33,320 BUT IT MEANS A LOT. 459 00:24:35,410 --> 00:24:39,580 (upbeat music) 460 00:24:39,580 --> 00:24:40,620 ♪ ALL RIGHT ♪ 461 00:24:40,620 --> 00:24:43,210 I'VE BEEN WANTING TO DO THIS EVER SINCE I SAW YOU COVERED IN MUD. 462 00:24:43,210 --> 00:24:44,750 OH, REALLY? 463 00:24:44,750 --> 00:24:46,080 ♪ IT'S CHEMISTRY ♪ 464 00:24:46,080 --> 00:24:49,080 ♪ HEY NOW, DID THE GROUND SHAKE? ♪ 465 00:24:49,080 --> 00:24:51,010 HM, YOU GOOD WITH THIS? 466 00:24:51,010 --> 00:24:51,800 ♪ ELECTRICITY ♪ 467 00:24:51,800 --> 00:24:52,890 YEAH. 468 00:24:52,890 --> 00:24:55,130 ♪ DID YOU CALL MY NAME? ♪ 469 00:24:55,130 --> 00:24:57,970 ♪ WELL, IS THIS MY TIME? ♪ 470 00:24:57,970 --> 00:24:59,220 ♪ OH! ♪ 471 00:25:01,440 --> 00:25:03,810 ♪ MY LOVE IS A BOMB ♪ 472 00:25:03,810 --> 00:25:06,850 ♪WE'RE RUNNING OUT OF TIME ♪ 473 00:25:06,850 --> 00:25:09,780 ♪ WELL, I'LL MAKE YOU MINE ♪ 474 00:25:09,780 --> 00:25:10,860 ♪ I'LL MAKE YOU MINE ♪ 475 00:25:10,860 --> 00:25:13,820 UM, DO YOU HAVE ANYTHING? 476 00:25:13,820 --> 00:25:15,030 OH. 477 00:25:17,320 --> 00:25:19,450 (upbeat music continues) 478 00:25:26,290 --> 00:25:28,120 Kathryn: JOHN, WE HAVE A PROBLEM. 479 00:25:29,210 --> 00:25:32,010 I JUST READ TRAVIS' REWRITE OF HIS PAPER. 480 00:25:32,010 --> 00:25:33,430 THAT BAD, HUH? 481 00:25:33,430 --> 00:25:35,840 ACTUALLY, IT'S REALLY GOOD. 482 00:25:35,840 --> 00:25:38,220 AND THAT IS A PROBLEM WHY? 483 00:25:39,220 --> 00:25:40,480 IT'S TOO GOOD. 484 00:25:52,490 --> 00:25:53,690 WHAT DO YOU WANT? 485 00:25:54,690 --> 00:25:57,150 I HOPE SIZE THREE'S OKAY. 486 00:25:57,150 --> 00:25:59,490 WHO KNEW THAT DIAPERS HAD SIZES? 487 00:25:59,490 --> 00:26:01,040 I DON'T NEED YOUR CHARITY. 488 00:26:01,040 --> 00:26:03,120 IT'S NOT CHARITY. 489 00:26:03,120 --> 00:26:05,200 UM, HOPEFULLY IT'S MORE LIKE A TRADE. 490 00:26:07,120 --> 00:26:08,410 I NEED YOUR HELP. 491 00:26:08,410 --> 00:26:09,630 SAM'S TOO. 492 00:26:09,630 --> 00:26:12,050 DUDE, MOVE IN, WHY DON'T YOU? 493 00:26:12,050 --> 00:26:15,010 (chuckles) IT'S FINE, I LOVE HAVING HIS THINGS AROUND. 494 00:26:15,010 --> 00:26:16,920 -SEE? -(clicks tongue) EH. 495 00:26:16,920 --> 00:26:19,510 BESIDES, I HAVE TO ADMIT I'M A BIT OF A SLOB MYSELF. 496 00:26:19,510 --> 00:26:21,640 MY DAUGHTER, DAPHNE, HAS PUT UP WITH IT FOR YEARS. 497 00:26:21,640 --> 00:26:23,770 BUT WHEN MY OTHER DAUGHTER, BAY AND I, LIVE TOGETHER 498 00:26:23,770 --> 00:26:26,430 WE ARE LIKE TWO PEAS IN A VERY MESSY POD. 499 00:26:26,430 --> 00:26:27,850 (chuckles) 500 00:26:27,850 --> 00:26:29,690 REGINA'S DAUGHTERS WERE ACCIDENTALLY SWITCHED 501 00:26:29,690 --> 00:26:30,990 AT THE HOSPITAL WHEN THEY WERE BORN. 502 00:26:30,990 --> 00:26:32,990 SO... SHE HAS TWO DAUGHTERS. 503 00:26:32,990 --> 00:26:34,990 AND THEY BOTH HAVE TWO MOMS. 504 00:26:34,990 --> 00:26:35,940 THAT'S LUCKY. 505 00:26:35,940 --> 00:26:37,860 WHAT IS? HAVING TWO MOMS? 506 00:26:37,860 --> 00:26:39,110 I DON'T HAVE ANY. 507 00:26:39,110 --> 00:26:40,870 ALL RIGHT. (sighs) 508 00:26:40,870 --> 00:26:42,240 COME ON, TIME FOR BED. 509 00:26:42,240 --> 00:26:44,000 -I'M NOT TIRED. -I DON'T CARE. 510 00:26:44,000 --> 00:26:44,790 IT'S BEDTIME. 511 00:26:44,790 --> 00:26:45,950 I'M NOT GOING TO BED. 512 00:26:45,950 --> 00:26:47,000 WILL. 513 00:26:47,000 --> 00:26:49,040 HE CAN STAY UP FOR A FEW MORE MINUTES, CAN'T HE? 514 00:26:49,040 --> 00:26:51,960 NO. NO, IT'S LATE. 515 00:26:52,960 --> 00:26:54,960 NOW. TEETH BRUSHED, PJ'S ON. 516 00:26:54,960 --> 00:26:56,340 I'LL BE IN IN A SEC. 517 00:26:57,750 --> 00:26:58,750 GOOD NIGHT. 518 00:27:01,520 --> 00:27:02,640 I GOT THIS. 519 00:27:02,640 --> 00:27:04,600 NO, I'M NOT LEAVING THIS TO YOU. 520 00:27:13,570 --> 00:27:15,650 I REALIZE IT MIGHT BE HARD, 521 00:27:15,650 --> 00:27:18,230 BUT I THINK IT WOULD BE GOOD FOR WILL TO TALK ABOUT HIS MOM. 522 00:27:19,230 --> 00:27:20,490 UH-HUH. 523 00:27:20,490 --> 00:27:22,330 I KNOW HE'S YOUR KID, BUT CHILDREN ARE CURIOUS ABOUT-- 524 00:27:22,330 --> 00:27:23,330 DROP IT! 525 00:27:25,990 --> 00:27:28,910 WHY CAN'T HE TALK ABOUT HIS MOTHER? 526 00:27:31,960 --> 00:27:33,250 BECAUSE. 527 00:27:34,250 --> 00:27:36,170 MY WIFE WAS NO SAINT, OKAY? 528 00:27:36,170 --> 00:27:38,090 THERE WERE A LOT OF BAD TIMES, 529 00:27:38,090 --> 00:27:40,220 AND I DON'T THINK IT'D BE GOOD FOR HIM TO REMEMBER HER. 530 00:27:40,220 --> 00:27:41,890 -BUT-- -NO BUTS. 531 00:27:42,890 --> 00:27:45,300 WE DON'T TALK ABOUT HER AND THAT'S FINAL. 532 00:27:47,640 --> 00:27:48,640 SORRY. 533 00:27:50,570 --> 00:27:51,860 IT'S BEEN A LONG DAY. 534 00:27:51,860 --> 00:27:53,150 I'M GONNA HIT THE SACK. 535 00:27:56,570 --> 00:27:58,020 GOOD NIGHT. 536 00:28:02,870 --> 00:28:03,870 (door closes) 537 00:28:09,750 --> 00:28:11,000 SO... 538 00:28:11,000 --> 00:28:11,920 SO... 539 00:28:11,920 --> 00:28:14,790 I'M GONNA GET GOING, I THINK. 540 00:28:14,790 --> 00:28:17,540 MM, IF YOU WANT, OR YOU COULD STAY. 541 00:28:17,540 --> 00:28:19,890 OH, OKAY. 542 00:28:33,020 --> 00:28:33,980 HUH. 543 00:28:37,770 --> 00:28:39,020 THAT'S WEIRD. 544 00:28:39,020 --> 00:28:40,360 -UM... -WHAT? 545 00:28:41,360 --> 00:28:42,860 UM... 546 00:28:42,860 --> 00:28:46,530 THE, UH... CONDOM... 547 00:28:47,700 --> 00:28:48,990 ISN'T HERE. 548 00:28:49,960 --> 00:28:50,920 OH. 549 00:28:50,920 --> 00:28:52,250 -UH... -YEAH. 550 00:28:53,290 --> 00:28:54,750 I DON'T SEE IT. 551 00:28:55,750 --> 00:28:56,750 UH... 552 00:28:57,750 --> 00:28:58,870 IT'S GOTTA BE SOMEWHERE. 553 00:28:59,800 --> 00:29:00,800 UNLESS... 554 00:29:02,140 --> 00:29:03,720 YOU DON'T THINK-- 555 00:29:03,720 --> 00:29:05,930 WELL, I MEAN, IT'S SOMEWHERE. 556 00:29:07,800 --> 00:29:08,800 OH, GOD. 557 00:29:11,350 --> 00:29:12,810 THANKS. 558 00:29:18,230 --> 00:29:19,900 IT SHOULDN'T BE TOO LONG. 559 00:29:19,900 --> 00:29:22,110 IT'S COOL. I GOT NO PLACE TO BE. 560 00:29:25,320 --> 00:29:26,950 OH, MY SWEET GOD. 561 00:29:27,820 --> 00:29:29,280 -WHAT'S WRONG? -HE, UM-- 562 00:29:29,280 --> 00:29:30,710 (gags) 563 00:29:30,710 --> 00:29:32,080 WHAT? 564 00:29:32,080 --> 00:29:34,170 BLOOD. I DON'T DO BLOOD. 565 00:29:34,170 --> 00:29:35,830 (breathes deeply) 566 00:29:35,830 --> 00:29:37,250 (laughs) MINGO. 567 00:29:37,250 --> 00:29:39,670 I FAINTED DURING RED ASPHALT IN TENTH GRADE, OKAY? 568 00:29:39,670 --> 00:29:41,920 THE DRIVER'S ED MOVIE? 569 00:29:41,920 --> 00:29:43,720 I DON'T DO SHOTS, OR NEEDLES, OR-- 570 00:29:43,720 --> 00:29:45,180 I MEAN, I SEE MY OWN BLOOD, IT'S OVER. 571 00:29:45,180 --> 00:29:46,800 (laughs) OH, NO. 572 00:29:46,800 --> 00:29:49,050 I HAVE FAINTED MANY, MANY TIMES. 573 00:29:49,050 --> 00:29:51,600 THAT'S RIDICULOUS. IT'S THE HUMAN BODY. 574 00:29:51,600 --> 00:29:53,140 I'M A WUSS, WHAT DO YOU WANT FROM ME? 575 00:29:53,140 --> 00:29:54,770 (laughs) 576 00:29:54,770 --> 00:29:56,810 HE'S GONE, YOU'RE SAFE. 577 00:29:56,810 --> 00:29:58,270 (sighs) 578 00:29:58,270 --> 00:30:00,990 -WHEW. -(Daphne laughs) 579 00:30:00,990 --> 00:30:02,070 OH. 580 00:30:03,070 --> 00:30:04,900 -HUH. -WHAT'S UP? 581 00:30:04,900 --> 00:30:06,070 I CAN'T SEEM TO FIND MY KEYS. 582 00:30:06,070 --> 00:30:07,570 ANY IDEAS WHERE THEY MIGHT BE? 583 00:30:07,570 --> 00:30:08,900 (chuckles) 584 00:30:08,900 --> 00:30:10,540 THIS IS NOT FUNNY. 585 00:30:10,540 --> 00:30:12,750 OH, COME ON. IT'S KINDA FUNNY. 586 00:30:12,750 --> 00:30:14,000 IT'S FUNNY. 587 00:30:14,000 --> 00:30:15,620 (both chuckle) 588 00:30:15,620 --> 00:30:17,750 HAS ANYTHING LIKE THIS EVER HAPPENED TO YOU BEFORE? 589 00:30:17,750 --> 00:30:19,370 NO. WHAT DO YOU THINK, 590 00:30:19,370 --> 00:30:21,720 THIS KIND OF THING JUST HAPPENS TO ME ALL THE TIME? 591 00:30:21,720 --> 00:30:23,840 TO GUYS LIKE YOU, MAYBE. 592 00:30:23,840 --> 00:30:25,880 GUYS LIKE ME? WHAT'S THAT SUPPOSED TO MEAN? 593 00:30:25,880 --> 00:30:27,300 MAN SLUTS? 594 00:30:28,550 --> 00:30:30,730 (scoffs) I WILL HAVE YOU KNOW, 595 00:30:30,730 --> 00:30:33,890 THAT I HAD A GIRLFRIEND IN HIGH SCHOOL FOR THREE AND A HALF YEARS. 596 00:30:33,890 --> 00:30:35,100 SERIOUSLY? 597 00:30:35,100 --> 00:30:36,520 WHAT HAPPENED TO HER? 598 00:30:36,520 --> 00:30:38,140 WE WENT OUR SEPARATE WAYS. 599 00:30:38,140 --> 00:30:39,310 WHY? 600 00:30:39,310 --> 00:30:41,480 JUST WASN'T MEANT TO BE. 601 00:30:41,480 --> 00:30:42,690 I'M SORRY. 602 00:30:42,690 --> 00:30:43,860 HMM. 603 00:30:45,190 --> 00:30:48,820 I'M TRYING TO PICTURE YOU AS THIS LOVESICK GUY... 604 00:30:48,820 --> 00:30:49,950 IT'S TOUGH. 605 00:30:49,950 --> 00:30:52,950 I WAS A SERIOUS MESS FOR LIKE, NINE MONTHS. 606 00:30:52,950 --> 00:30:55,620 I WAS WEEPING INTO MY PILLOW. IT WAS PATHETIC. 607 00:30:55,620 --> 00:30:56,870 MM. 608 00:30:56,870 --> 00:31:00,420 TERRIFIED OF BLOOD, NEEDLES, AND PRONE TO HYSTERICAL CRYING. 609 00:31:00,420 --> 00:31:01,670 TURNED ON YET? 610 00:31:01,670 --> 00:31:02,710 YES. 611 00:31:02,710 --> 00:31:03,840 'CAUSE THERE'S SO MUCH MORE. 612 00:31:03,840 --> 00:31:05,960 (both chuckle) 613 00:31:05,960 --> 00:31:07,460 -Nurse: DAPHNE? -(Daphne laughs) 614 00:31:07,460 --> 00:31:08,500 OH. 615 00:31:08,500 --> 00:31:09,840 DAPHNE? 616 00:31:09,840 --> 00:31:11,390 FOLLOW ME. 617 00:31:13,310 --> 00:31:14,680 WISH ME LUCK. 618 00:31:14,680 --> 00:31:16,640 HOPE EVERYTHING COMES OUT OKAY. 619 00:31:16,640 --> 00:31:17,970 (chortles) 620 00:31:17,970 --> 00:31:18,970 STOP IT. 621 00:31:20,070 --> 00:31:23,690 ♪ PLANS COULD BEND AND LINES CAN CHANGE ♪ 622 00:31:23,690 --> 00:31:26,820 ♪ SAVE GOODBYE FOR A DIFFERENT DAY ♪ 623 00:31:26,820 --> 00:31:30,080 ♪ AND STAY ♪ 624 00:31:30,080 --> 00:31:34,830 ♪ I GOT A FEELING YOU ♪ 625 00:31:34,830 --> 00:31:39,290 ♪ YOU'VE GOT A FEELING TOO ♪ 626 00:31:39,290 --> 00:31:42,460 ♪ AND BABY, IF YOU DO ♪ 627 00:31:42,460 --> 00:31:47,000 ♪ THEN STAY A LITTLE BIT LONGER ♪ 628 00:31:47,000 --> 00:31:52,220 SAY THE WORDS I WANT TO HEAR ♪ 629 00:31:52,220 --> 00:31:56,010 ♪ NOW BABY WHISPER IN MY EAR ♪ 630 00:31:56,010 --> 00:31:59,600 ♪ THAT YOU'LL STAY ♪ 631 00:31:59,600 --> 00:32:01,020 THIS. 632 00:32:02,020 --> 00:32:03,520 DID YOU WRITE THIS? 633 00:32:05,110 --> 00:32:06,860 HEY, ANSWER ME. 634 00:32:09,730 --> 00:32:10,950 I-- (clears throat) 635 00:32:10,950 --> 00:32:11,990 TRAVIS. 636 00:32:11,990 --> 00:32:12,990 CHEATING? 637 00:32:14,870 --> 00:32:15,910 NO. 638 00:32:15,910 --> 00:32:18,450 SORRY IS NOT GOOD ENOUGH. 639 00:32:18,450 --> 00:32:21,460 OKAY? DO YOU REALIZE IF YOU HAD HANDED THAT IN, 640 00:32:21,460 --> 00:32:22,580 THEY COULD HAVE EXPELLED YOU. 641 00:32:23,880 --> 00:32:24,920 YEAH, BUT WHAT-- 642 00:32:24,920 --> 00:32:26,420 GUYS, I NEED A MINUTE HERE, PLEASE. 643 00:32:26,420 --> 00:32:27,420 THANK YOU. 644 00:32:28,790 --> 00:32:29,880 (door closes) 645 00:32:29,880 --> 00:32:31,180 HEY, HEY. 646 00:32:31,180 --> 00:32:34,390 WHAT POSSIBLE EXCUSE COULD YOU HAVE FOR CHEATING? 647 00:32:44,600 --> 00:32:47,690 WHO'S TO SAY THAT I'M NOT GONNA KICK YOU OFF THE TEAM RIGHT NOW? 648 00:32:50,660 --> 00:32:51,660 (sighs) 649 00:32:59,160 --> 00:33:00,880 NUMBER ONE: 650 00:33:00,880 --> 00:33:03,290 CHEATING IS NEVER AN OPTION. 651 00:33:03,290 --> 00:33:04,290 DO YOU UNDERSTAND ME? 652 00:33:05,750 --> 00:33:07,040 OKAY, NUMBER TWO: 653 00:33:07,040 --> 00:33:10,930 YOU HAVE TO GET YOUR PRIORITIES STRAIGHT, MY FRIEND. 654 00:33:10,930 --> 00:33:13,300 OKAY? EDUCATION COMES FIRST. 655 00:33:13,300 --> 00:33:14,720 THEN BASEBALL. 656 00:33:14,720 --> 00:33:15,720 DO YOU UNDERSTAND? 657 00:33:16,800 --> 00:33:18,260 OKAY, NUMBER THREE: 658 00:33:19,260 --> 00:33:21,270 I WATCHED YOU, THE WAY YOU PUSH YOURSELF 659 00:33:21,270 --> 00:33:23,190 OUT ON THE BASEBALL FIELD. 660 00:33:23,190 --> 00:33:27,230 YOU HAVE TO BRING THAT SAME DRIVE AND DETERMINATION 661 00:33:27,230 --> 00:33:29,060 TO YOUR SCHOOLWORK. OKAY? 662 00:33:29,060 --> 00:33:32,530 YOU NEED TO GET YOUR BUTT IN A CHAIR AND WORK, MY FRIEND. 663 00:33:36,410 --> 00:33:37,990 HEY. 664 00:33:37,990 --> 00:33:40,290 JUST FOCUS ON PROGRESS. 665 00:33:40,290 --> 00:33:42,040 NOT PERFECTION. 666 00:33:53,300 --> 00:33:57,050 WHAT DOES COACH WALSH HAVE TO DO WITH THIS? 667 00:34:02,480 --> 00:34:04,020 COACH WALSH? 668 00:34:12,240 --> 00:34:13,320 HI. 669 00:34:13,320 --> 00:34:15,150 VASQUEZ, WHAT UP? 670 00:34:15,150 --> 00:34:16,900 WHAT'S GOIN' ON? 671 00:34:16,900 --> 00:34:18,820 JUST COMING BACK FROM THE LIBRARY. 672 00:34:18,820 --> 00:34:20,790 COOL. WE'RE JUST HEADED TO LUNCH. 673 00:34:20,790 --> 00:34:22,870 OH, NICE. THAT'S MY NEXT STOP, TOO. 674 00:34:22,870 --> 00:34:23,790 I'M STARVING. 675 00:34:23,790 --> 00:34:25,960 HOPE IT'S EDIBLE, RIGHT? 676 00:34:25,960 --> 00:34:27,620 (giggles) 677 00:34:28,700 --> 00:34:29,700 YEAH. 678 00:34:32,970 --> 00:34:34,710 OKAY. CATCH YOU LATER. 679 00:34:34,710 --> 00:34:36,210 OKAY. 680 00:34:36,210 --> 00:34:37,260 OH, UM... 681 00:34:37,260 --> 00:34:40,180 I'M GONNA GO WATCH THE GAME TONIGHT AT STU'S AFTER DINNER. 682 00:34:40,180 --> 00:34:42,140 YOU WANNA COME OVER LATER? 683 00:34:42,140 --> 00:34:43,270 AFTER THE GAME? 684 00:34:44,310 --> 00:34:46,720 UH, YEAH. SURE. 685 00:34:46,720 --> 00:34:48,020 COOL. 686 00:34:48,020 --> 00:34:49,180 SEE YA. 687 00:34:50,940 --> 00:34:52,900 Daphne's voice: HE'S JUST ACTING SO WEIRD. 688 00:34:52,900 --> 00:34:54,990 WHEN I RAN INTO HIM, 689 00:34:54,990 --> 00:34:58,070 HE ACTED LIKE WE BARELY KNEW EACH OTHER. 690 00:34:58,070 --> 00:35:00,450 AND HE DIDN'T EVEN INTRODUCE ME TO HIS FRIENDS. 691 00:35:00,450 --> 00:35:02,200 SO ANNOYING. 692 00:35:02,200 --> 00:35:03,740 THAT WOULD ANNOY ME. 693 00:35:04,870 --> 00:35:06,000 THE THING IS, 694 00:35:06,000 --> 00:35:10,340 I THINK HE LIKES ME, BUT HE'S JUST AFRAID OF BEING HURT AGAIN. 695 00:35:10,340 --> 00:35:14,510 I GUESS HE HAD A REALLY BAD BREAKUP WITH HIS HIGH SCHOOL GIRLFRIEND. 696 00:35:14,510 --> 00:35:17,250 HE SAID THAT HE WAS WRECKED FOR MONTHS. 697 00:35:17,250 --> 00:35:19,670 IF HE TOLD YOU ALL THAT, HE SOUNDS PRETTY OPEN. 698 00:35:20,760 --> 00:35:22,810 HE WAS WHEN WE WERE ALONE. 699 00:35:24,640 --> 00:35:27,470 UGH, I JUST WISH I KNEW WHAT HE WANTED. 700 00:35:29,930 --> 00:35:31,940 I THINK THAT'S THE WRONG QUESTION. 701 00:35:31,940 --> 00:35:33,900 WHAT DO YOU MEAN? 702 00:35:33,900 --> 00:35:36,610 I THINK YOU SHOULD BE ASKING WHAT DO YOU WANT? 703 00:35:48,870 --> 00:35:50,040 HI. 704 00:35:56,130 --> 00:35:58,050 ME TOO. 705 00:35:58,050 --> 00:36:01,970 I WAS WILLING TO TUTOR YOU FOR AS LONG AS YOU NEEDED 706 00:36:01,970 --> 00:36:02,970 TO GET IT. 707 00:36:02,970 --> 00:36:05,560 AND YOU WERE GONNA GET IT. 708 00:36:05,560 --> 00:36:07,850 YOU ARE GONNA GET IT. 709 00:36:07,850 --> 00:36:09,430 FUTURE TENSE. 710 00:36:26,450 --> 00:36:28,160 BUT YOU DO. 711 00:36:28,160 --> 00:36:30,710 YOU HAVE A LOT TO SAY. 712 00:36:31,830 --> 00:36:34,920 YOU ARE A DEAF BASEBALL PLAYER 713 00:36:34,920 --> 00:36:36,710 IN YOUR FRESHMAN YEAR OF COLLEGE. 714 00:36:37,710 --> 00:36:40,640 NO ONE HAS YOUR LIFE EXPERIENCE. 715 00:36:40,640 --> 00:36:43,970 AND WHEN YOU LEARN HOW TO EXPRESS YOURSELF, 716 00:36:43,970 --> 00:36:46,100 IT'S GONNA BE A LOT EASIER. 717 00:36:46,100 --> 00:36:47,930 I PROMISE. 718 00:36:54,270 --> 00:36:55,400 OKAY? 719 00:37:08,280 --> 00:37:10,500 CAN I TALK TO YOU? 720 00:37:10,500 --> 00:37:12,830 I'M JUST FINISHING UP A FEW THINGS. 721 00:37:14,830 --> 00:37:16,210 WE NEED TO TALK. 722 00:37:16,210 --> 00:37:17,420 NOW. 723 00:37:19,250 --> 00:37:20,970 OKAY. 724 00:37:22,010 --> 00:37:23,010 WHAT'S UP? 725 00:37:23,010 --> 00:37:24,180 WHAT'S UP IS... 726 00:37:25,180 --> 00:37:26,760 I DON'T DO SECRETS. 727 00:37:26,760 --> 00:37:28,800 I KEPT ONE FOR 13 YEARS. 728 00:37:28,800 --> 00:37:30,690 IT ATE AWAY AT ME. 729 00:37:30,690 --> 00:37:32,940 AND WHEN IT FINALLY CAME OUT, 730 00:37:32,940 --> 00:37:34,520 IT NEARLY DESTROYED MY FAMILY. 731 00:37:34,520 --> 00:37:35,890 ALL RIGHT. WELL, HOLD UP. 732 00:37:37,150 --> 00:37:39,810 WE JUST MET. THERE'S STILL A LOT WE DON'T KNOW ABOUT EACH OTHER. 733 00:37:39,810 --> 00:37:42,610 I KNOW THAT. 734 00:37:42,610 --> 00:37:46,070 BUT IF YOU'RE TELLING ME THAT YOU ARE NEVER GONNA TELL ME WHAT HAPPENED WITH YOUR WIFE, 735 00:37:46,070 --> 00:37:50,330 IF THAT'S SOMETHING THAT YOU ARE GONNA KEEP TO YOURSELF FOREVER, 736 00:37:50,330 --> 00:37:51,790 THAT'S A DEAL BREAKER FOR ME. 737 00:37:55,460 --> 00:37:57,000 (sighs) 738 00:38:00,170 --> 00:38:01,720 I'LL GET THERE. 739 00:38:05,510 --> 00:38:06,970 I'M NOT READY RIGHT NOW. 740 00:38:08,590 --> 00:38:10,050 BUT I'LL GET THERE. 741 00:38:11,770 --> 00:38:12,810 OKAY. 742 00:38:14,230 --> 00:38:15,560 I CAN TAKE THAT. 743 00:38:25,030 --> 00:38:26,030 RED. 744 00:38:27,030 --> 00:38:28,030 COME IN. 745 00:38:35,580 --> 00:38:36,830 WHAT'S GOING ON? 746 00:38:36,830 --> 00:38:37,910 WHAT DO YOU MEAN? 747 00:38:37,910 --> 00:38:39,910 I THOUGHT WE HAD FUN LAST NIGHT. 748 00:38:39,910 --> 00:38:41,630 YEAH, WE DID. 749 00:38:41,630 --> 00:38:43,720 AND THEN I RUN INTO YOU WITH YOUR FRIENDS, 750 00:38:43,720 --> 00:38:44,960 AND YOU COMPLETELY BLOW ME OFF. 751 00:38:44,960 --> 00:38:48,220 NO, I DIDN'T. I INVITED YOU TO COME HANG OUT LATER. 752 00:38:48,220 --> 00:38:50,520 YOU INVITED ME FOR A BOOTY CALL. 753 00:38:50,520 --> 00:38:51,850 IS THAT BAD? 754 00:38:52,930 --> 00:38:54,140 NO, IT'S JUST... 755 00:38:55,970 --> 00:38:57,970 I WANT MORE THAN JUST THAT. 756 00:38:57,970 --> 00:39:00,740 I LIKED HANGING OUT AT THE HEALTH CENTER. 757 00:39:00,740 --> 00:39:03,070 YOU KNOW, FOOLING AROUND 758 00:39:03,070 --> 00:39:05,190 PLUS CONVERSATIONS OUTSIDE THE BEDROOM. 759 00:39:05,190 --> 00:39:07,320 YEAH, I DO KNOW. 760 00:39:07,320 --> 00:39:09,110 THAT'S CALLED A RELATIONSHIP. 761 00:39:09,110 --> 00:39:10,950 WHICH I WAS JUST IN FOR THREE YEARS. 762 00:39:10,950 --> 00:39:12,200 WHICH YOU KNOW. 763 00:39:12,200 --> 00:39:14,660 AND THAT MEANS YOU CAN NEVER BE IN ONE AGAIN? 764 00:39:14,660 --> 00:39:16,870 IT MEANS I DON'T WANT TO DO IT RIGHT NOW. 765 00:39:16,870 --> 00:39:19,290 LOOK, IF I GET INVOLVED, I STAY INVOLVED. 766 00:39:19,290 --> 00:39:20,550 I JUST WANT TO HAVE FUN, 767 00:39:20,550 --> 00:39:22,840 AND I DON'T THINK THERE'S ANYTHING WRONG WITH THAT. 768 00:39:22,840 --> 00:39:23,920 YOU'RE RIGHT. 769 00:39:25,550 --> 00:39:26,590 SO... 770 00:39:26,590 --> 00:39:29,340 HOPEFULLY YOU'RE UP FOR A COUPLE ROUNDS OF AMERICAN HEROES, 771 00:39:29,340 --> 00:39:31,350 A DELIVERY OF EGGPLANT PARMESAN SUBS, 772 00:39:31,350 --> 00:39:33,310 AND A LITTLE BIT MORE HANGING OUT. 773 00:39:36,890 --> 00:39:38,970 I'M NOT, ACTUALLY. 774 00:39:39,970 --> 00:39:40,940 OH. 775 00:39:42,940 --> 00:39:44,860 I GUESS WE JUST WANT DIFFERENT THINGS. 776 00:39:48,820 --> 00:39:50,490 IT'S TOTALLY FINE. 777 00:39:50,490 --> 00:39:51,950 I'LL SEE YOU AROUND. 778 00:40:06,670 --> 00:40:07,800 HEY. 779 00:40:07,800 --> 00:40:10,550 HOW'D IT GO WITH COACH WALSH? 780 00:40:11,550 --> 00:40:14,010 WELL, I TOLD HIM HE COULD EITHER TURN HIMSELF INTO THE DEAN, 781 00:40:14,010 --> 00:40:16,050 OR I WOULD DO THE HONORS. 782 00:40:16,050 --> 00:40:17,350 SO HE DID. 783 00:40:19,180 --> 00:40:21,400 AND HE IS NO LONGER THE COACH. 784 00:40:21,400 --> 00:40:22,770 WOW. 785 00:40:22,770 --> 00:40:24,270 WHO'S GONNA REPLACE HIM? 786 00:40:24,270 --> 00:40:25,270 (chuckles) 787 00:40:26,360 --> 00:40:28,900 I HAVE BEEN ASKED TO BE THE INTERIM HEAD COACH. 788 00:40:30,110 --> 00:40:31,830 OH, CONGRATULATIONS. 789 00:40:31,830 --> 00:40:32,870 THANK YOU. 790 00:40:32,870 --> 00:40:34,570 NOW YOU CAN DO THINGS YOUR WAY. 791 00:40:34,570 --> 00:40:35,780 (chuckles) 792 00:40:35,780 --> 00:40:36,950 YEAH. 793 00:40:36,950 --> 00:40:38,780 I GUESS SO. 794 00:40:42,340 --> 00:40:43,880 (Sam giggles) 795 00:40:46,920 --> 00:40:47,960 HEY. 796 00:40:47,960 --> 00:40:49,500 HI, SAM. 797 00:40:50,510 --> 00:40:52,180 ALL RIGHT, WHAT'D YOU WANT TO SHOW ME? 798 00:41:00,810 --> 00:41:02,150 WHAT'S THIS? 799 00:41:03,860 --> 00:41:06,230 THE OTHER DAY YOU CALLED ME A HERO. 800 00:41:06,230 --> 00:41:08,900 BUT, UH... I GOT NOTHING ON YOU. 801 00:41:11,240 --> 00:41:12,910 IN MY BOOK, YOU'RE A HERO EVERYDAY. 802 00:41:15,370 --> 00:41:17,950 LOOK, THAT'S NICE AND ALL BUT NO ONE'S GONNA WANNA LOOK AT THAT. 803 00:41:17,950 --> 00:41:20,920 TELL THAT TO THE KANSAS CITY ARTS ALLIANCE. 804 00:41:20,920 --> 00:41:24,040 THEY JUST APPROVED SIX MORE BENCHES IN EAST RIVERSIDE, 805 00:41:24,040 --> 00:41:26,000 EACH FEATURING A DIFFERENT EVERYDAY HERO. 806 00:41:26,000 --> 00:41:27,040 SERIOUSLY? 807 00:41:27,040 --> 00:41:28,080 YEP. 808 00:41:28,080 --> 00:41:29,880 THEY PAYING YOU? 809 00:41:29,880 --> 00:41:34,550 UH, NO. BUT, THEY'RE COVERING SUPPLIES AND GIVING ME ACCESS. 810 00:41:34,550 --> 00:41:36,890 LOOKS LIKE YOU'RE BACK DOING COMMUNITY SERVICE. 811 00:41:36,890 --> 00:41:38,760 I GUESS SO. 812 00:41:38,760 --> 00:41:40,940 I PUT FIVE COATS OF VARNISH ON IT 813 00:41:40,940 --> 00:41:42,900 SO, IF ANYONE TRIES TO TAG IT, 814 00:41:42,900 --> 00:41:44,400 IT HAS TO BE POWER WASHED OFF. 815 00:41:44,400 --> 00:41:45,730 NO MORE WHITEWASHING. 816 00:41:45,730 --> 00:41:47,480 GORDON WILL HATE THAT. 817 00:41:47,480 --> 00:41:49,350 YEAH, I KNOW. 818 00:41:49,350 --> 00:41:52,360 YOU AND ME WILL HOLD IT HIGH ♪ 819 00:41:52,360 --> 00:41:55,150 HEY, BUDDY, LOOK. WHO'S THAT? 820 00:41:55,150 --> 00:41:56,700 IS THAT YOU? 821 00:41:57,780 --> 00:41:59,360 THAT'S US. 822 00:42:01,290 --> 00:42:03,120 ISN'T THAT SO COOL? 823 00:42:03,120 --> 00:42:07,660 ♪ YES, BRIGHT LIKE A LIGHT ♪ 824 00:42:07,660 --> 00:42:10,080 ♪ LIKE A LIGHT ♪ 825 00:42:11,170 --> 00:42:14,050 ♪ BRIGHT LIKE A LIGHT ♪ 826 00:42:14,050 --> 00:42:15,470 ♪ LIKE A LIGHT ♪ 827 00:42:16,930 --> 00:42:18,800 (dramatic music playing) 58814

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.