All language subtitles for Switched at Birth (2011) - S04E03 - I Lock the Door Upon Myself (1080p x265 EDGE2020).eng

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:06,770 --> 00:00:07,940 Toby: PREVIOUSLY ON SWITCHED AT BIRTH... 2 00:00:07,940 --> 00:00:09,240 WELCOME TO THE FIRST CLASS 3 00:00:09,240 --> 00:00:10,950 OF THE MIDWEST INSTITUTE FOR THE DEAF 4 00:00:10,950 --> 00:00:11,990 AT U.M.K.C. 5 00:00:11,990 --> 00:00:13,030 I'M IRIS. 6 00:00:13,030 --> 00:00:14,070 DAPHNE. HI. 7 00:00:14,070 --> 00:00:15,990 I'M IN THE INTERPRETER PROGRAM. 8 00:00:15,990 --> 00:00:17,530 LET ME HELP YOU WITH YOUR COFFEEHOUSE. 9 00:00:17,530 --> 00:00:18,580 HELP HOW? 10 00:00:18,580 --> 00:00:20,960 I CAN BRING IN MONEY, AND I'M AN INTERIOR DESIGNER. 11 00:00:20,960 --> 00:00:22,750 I CAN GIVE YOUR PLACE THE LOOK YOU WANT 12 00:00:22,750 --> 00:00:23,790 TO GET IT OPEN. 13 00:00:23,790 --> 00:00:24,830 WE DON'T EVEN KNOW EACH OTHER. 14 00:00:24,830 --> 00:00:25,870 I'M REGINA. 15 00:00:25,870 --> 00:00:27,000 ERIC. 16 00:00:27,000 --> 00:00:28,000 IT WAS HER IDEA. 17 00:00:28,000 --> 00:00:29,970 YEAH, AND YOU LET HER GO THROUGH WITH IT. 18 00:00:29,970 --> 00:00:31,260 I WAS GOING TO PRISON. 19 00:00:31,260 --> 00:00:32,300 YOU WILL EAT WITH IT. 20 00:00:32,300 --> 00:00:33,340 YOU WILL SLEEP WITH IT. 21 00:00:33,340 --> 00:00:35,010 YOU HAVE A CURFEW OF 7:00 P.M. 22 00:00:35,010 --> 00:00:37,050 I'M SO SORRY THIS TURNED INTO SUCH A MESS. 23 00:00:37,050 --> 00:00:39,060 I NEED YOU TO LEAVE MY ROOM. 24 00:00:39,060 --> 00:00:41,850 DAD, I HAD TO BEG HIM TO GO TO L.A. WITHOUT ME, 25 00:00:41,850 --> 00:00:44,770 AND HE STILL COULD CHANGE HIS MIND AT ANY MINUTE. 26 00:01:04,200 --> 00:01:05,200 HI. 27 00:01:07,000 --> 00:01:08,260 YOU'RE IN MY 28 00:01:08,260 --> 00:01:10,800 FILM THEORY CLASS. RIGHT? 29 00:01:12,800 --> 00:01:13,840 YEAH. 30 00:01:13,840 --> 00:01:16,970 I USED TO BABYSIT 31 00:01:16,970 --> 00:01:20,020 THIS LITTLE DEAF BOY 32 00:01:20,020 --> 00:01:22,390 IN HIGH SCHOOL, SO, UM... 33 00:01:22,390 --> 00:01:24,850 I KNOW SOME SIGN LANGUAGE. 34 00:01:26,310 --> 00:01:27,930 MY NAME IS 35 00:01:27,930 --> 00:01:31,990 S-K-Y-E 36 00:01:31,990 --> 00:01:32,990 LIKE THE SKY. 37 00:01:33,990 --> 00:01:34,990 MM-HMM. 38 00:01:36,110 --> 00:01:37,400 (phone clicks) 39 00:01:38,830 --> 00:01:39,830 EMMETT. 40 00:01:40,830 --> 00:01:41,870 YOU'RE THE GUY 41 00:01:41,870 --> 00:01:43,910 THAT'S SO INTO HORROR FILMS, 42 00:01:43,910 --> 00:01:44,910 RIGHT? 43 00:01:46,910 --> 00:01:48,920 HEY, I'M GOING ON A HIKE. 44 00:01:48,920 --> 00:01:51,010 DO YOU WANT TO COME? 45 00:01:54,510 --> 00:01:55,550 AH. 46 00:01:55,550 --> 00:01:57,670 YOU'RE WAITING FOR A CALL. 47 00:01:57,670 --> 00:01:59,140 GOT IT. 48 00:01:59,140 --> 00:02:00,140 NO PROBLEM. 49 00:02:01,140 --> 00:02:03,810 OKAY, WELL, I'LL SEE YOU AROUND. 50 00:02:16,900 --> 00:02:17,940 GREAT. 51 00:02:17,940 --> 00:02:19,080 SO... 52 00:02:19,080 --> 00:02:22,620 WHAT'S YOUR FAVORITE HORROR FILM? 53 00:02:25,910 --> 00:02:27,910 PSYCHO, OF COURSE. 54 00:02:27,910 --> 00:02:29,960 THAT SHOWER SCENE 55 00:02:29,960 --> 00:02:31,790 GETS ME EVERY TIME. 56 00:02:31,790 --> 00:02:32,920 John: THAT WAS THE BEST 57 00:02:32,920 --> 00:02:34,630 BIRTHDAY DINNER EVER. 58 00:02:34,630 --> 00:02:36,630 MM, IT'S GETTING HARDER AND HARDER TO TOP MYSELF. 59 00:02:36,630 --> 00:02:38,390 HOW MANY DINNERS HAS IT BEEN? 60 00:02:38,390 --> 00:02:39,560 YEAH, EXACTLY WHAT 61 00:02:39,560 --> 00:02:41,430 BIRTHDAY IS THIS, JOHN? 62 00:02:41,430 --> 00:02:42,470 Toby: LET'S SEE, 63 00:02:42,470 --> 00:02:44,010 SO I'M 20, 64 00:02:44,010 --> 00:02:46,470 AND WHEN I WAS BORN, DAD WAS-- 65 00:02:46,470 --> 00:02:48,010 20 YEARS YOUNGER. 66 00:02:48,010 --> 00:02:49,270 THAT IS CORRECT, MY FRIEND. 67 00:02:49,270 --> 00:02:50,480 (giggling) 68 00:02:50,480 --> 00:02:51,810 IT'S NOT THE MILES, TOBY. 69 00:02:51,810 --> 00:02:53,270 IT'S HOW YOU LIVE THEM. 70 00:02:53,270 --> 00:02:54,310 YES. 71 00:02:54,310 --> 00:02:55,360 AND IF EVER 72 00:02:55,360 --> 00:02:58,110 A GUY DESERVED TO LIVE OUT HIS GOLDEN YEARS IN COMFORT, 73 00:02:58,110 --> 00:02:59,530 IT'S YOU. 74 00:02:59,530 --> 00:03:00,580 (clears throat) 75 00:03:00,580 --> 00:03:01,580 (chuckles) 76 00:03:02,580 --> 00:03:03,580 WHERE'S MY CAKE? 77 00:03:07,950 --> 00:03:09,000 Toby: YOU ALMOST READY? 78 00:03:09,000 --> 00:03:10,330 YEAH, IF YOU HELP ME. 79 00:03:13,880 --> 00:03:17,170 SO, HOW'S SCHOOL GOING? 80 00:03:17,170 --> 00:03:18,840 IT'S GOOD. 81 00:03:18,840 --> 00:03:20,890 HEY, UH... 82 00:03:20,890 --> 00:03:25,760 I WAS WAY TOO HARD ON YOU AT THE ORIENTATION. 83 00:03:27,010 --> 00:03:28,270 IT'S ALL RIGHT. 84 00:03:28,270 --> 00:03:33,020 ACTUALLY, I'M GLAD THAT YOU YELLED SOME SENSE INTO ME, 85 00:03:33,020 --> 00:03:35,770 AND I'M REALLY GLAD THAT I DIDN'T GO AWAY TO SCHOOL. 86 00:03:35,770 --> 00:03:36,770 YEAH, ME TOO. 87 00:03:39,030 --> 00:03:41,030 SO WE'RE-- WE'RE GOOD? 88 00:03:41,030 --> 00:03:43,160 YEAH, WE'RE GOOD. 89 00:03:43,160 --> 00:03:44,320 IF I COULD ONLY 90 00:03:44,320 --> 00:03:45,990 GET THROUGH TO-- HEY. 91 00:03:47,740 --> 00:03:51,920 THIS MANY CANDLES, WE SHOULD HAVE A FIRE EXTINGUISHER NEARBY. 92 00:03:54,960 --> 00:03:56,830 YOU KNOW, I TEXTED YOU A FEW TIMES. 93 00:03:56,830 --> 00:03:58,470 I NEVER HEARD BACK. 94 00:03:59,840 --> 00:04:02,140 YEAH, I DON'T REALLY GET TO USE 95 00:04:02,140 --> 00:04:04,680 MY PHONE ON THE CHAIN GANG. 96 00:04:05,840 --> 00:04:08,730 THE REST OF THE TIME, I'M ON WITH EMMETT, 97 00:04:08,730 --> 00:04:10,980 TRYING TO PRETEND THAT 98 00:04:10,980 --> 00:04:14,060 WE'RE NOT 2,000 MILES AWAY FROM EACH OTHER. 99 00:04:15,440 --> 00:04:16,690 RIGHT. 100 00:04:16,690 --> 00:04:18,360 I'M SO SORRY. 101 00:04:18,360 --> 00:04:19,610 I KNOW YOU ARE. 102 00:04:19,610 --> 00:04:21,360 I CAN'T SAY IT ENOUGH. 103 00:04:21,360 --> 00:04:23,530 WE BOTH KNOW IT WAS MY CHOICE, 104 00:04:23,530 --> 00:04:26,990 SO I CAN'T REALLY BE MAD AT YOU. 105 00:04:26,990 --> 00:04:28,460 BUT YOU ARE. 106 00:04:28,460 --> 00:04:31,040 COME ON, LET'S JUST GO HAVE SOME FUN. 107 00:04:34,670 --> 00:04:36,540 (theme music playing) 108 00:04:45,130 --> 00:04:46,920 UH, MORNING. I GOT YOU 109 00:04:46,920 --> 00:04:49,140 A CHOCOLATE MUFFIN FROM THE DINING HALL. 110 00:04:49,140 --> 00:04:50,140 THANKS. 111 00:04:51,310 --> 00:04:52,980 OH, AND BEFORE YOU DIVE BACK INTO 112 00:04:52,980 --> 00:04:56,520 THE IONS, I WANTED TO ASK YOU IF YOU WANT TO PLAY 113 00:04:56,520 --> 00:04:58,990 BUBBLE SOCCER WITH ME? 114 00:04:58,990 --> 00:05:00,240 WHAT? 115 00:05:00,240 --> 00:05:02,900 IT'S SOCCER, BUT EVERYONE WEARS 116 00:05:02,900 --> 00:05:08,870 THESE ENORMOUS, PLASTIC-LIKE HAMSTER BALLS AROUND THEIR HEADS 117 00:05:08,870 --> 00:05:10,910 AS FUN AS THAT SOUNDS, 118 00:05:10,910 --> 00:05:12,370 I SHOULD REALLY STUDY. 119 00:05:12,370 --> 00:05:13,410 OKAY. 120 00:05:13,410 --> 00:05:16,120 OH, THERE'S A HELLO KITTY CONVENTION IN TOWN. 121 00:05:16,120 --> 00:05:18,210 AND WE CAN GET MATCHING TATTOOS. 122 00:05:18,210 --> 00:05:19,550 I HAVE TO PASS. 123 00:05:20,880 --> 00:05:21,880 OKAY. 124 00:05:24,840 --> 00:05:25,800 WHAT IS THAT SMELL? 125 00:06:00,210 --> 00:06:01,260 -HEY. -HEY. 126 00:06:01,260 --> 00:06:02,420 WHAT ARE YOU LOOKING AT? 127 00:06:02,420 --> 00:06:05,380 I AM LOOKING AT THE U.M.K.C. COURSE CATALOG. 128 00:06:06,460 --> 00:06:08,890 HONEY, LET'S NOT BECOME HELICOPTER PARENTS. 129 00:06:08,890 --> 00:06:11,970 DAPHNE IS PERFECTLY CAPABLE OF PICKING HER OWN CLASSES. 130 00:06:12,970 --> 00:06:14,560 ACTUALLY, I WAS LOOKING AT IT FOR MYSELF. 131 00:06:16,220 --> 00:06:18,140 YOU WANT TO TAKE A CLASS AT U.M.K.C.? 132 00:06:18,140 --> 00:06:21,230 YOU KNOW, LAST NIGHT GOT ME THINKING ABOUT WHAT'S NEXT, 133 00:06:21,230 --> 00:06:23,320 AND I NEVER WENT TO COLLEGE 134 00:06:23,320 --> 00:06:24,360 BECAUSE OF BASEBALL. 135 00:06:24,360 --> 00:06:25,820 ALWAYS THOUGHT I WAS MISSING SOMETHING. 136 00:06:25,820 --> 00:06:26,860 AM I CRAZY? 137 00:06:26,860 --> 00:06:28,740 NO, I THINK IT'S A FANTASTIC IDEA. 138 00:06:28,740 --> 00:06:30,030 I'M SO PROUD OF YOU, HONEY. 139 00:06:30,030 --> 00:06:30,830 (door opens) 140 00:06:30,830 --> 00:06:31,910 AND THE CAVALRY HAS ARRIVED. 141 00:06:31,910 --> 00:06:33,080 WHAT DO YOU GOT THERE? 142 00:06:33,080 --> 00:06:34,870 SUPPLIES. 143 00:06:34,870 --> 00:06:37,450 IT'S MY WEEKEND TO KEEP BAY COMPANY FOR HER HOUSE ARREST. 144 00:06:37,450 --> 00:06:39,250 I'M GONNA NEED A FULL BAG OF TRICKS. 145 00:06:39,250 --> 00:06:40,300 YOU'RE A SMART MAN. 146 00:06:40,300 --> 00:06:41,670 YOU KNOW, I HAD BAY DUTY LAST WEEKEND. 147 00:06:41,670 --> 00:06:43,960 BY SUNDAY NIGHT, SHE WAS CRAWLING UP THE WALLS. 148 00:06:43,960 --> 00:06:46,000 YEAH, SHE WAS A BIT TESTY. 149 00:06:47,000 --> 00:06:48,040 DEFINE "TESTY." 150 00:06:48,040 --> 00:06:49,600 MEAN AS A SNAKE. 151 00:06:49,600 --> 00:06:50,810 (Bay screams) 152 00:06:50,810 --> 00:06:51,850 I'M OUT. 153 00:06:51,850 --> 00:06:53,310 ME TOO. GOOD LUCK. 154 00:06:53,310 --> 00:06:54,850 (door opens) 155 00:06:55,890 --> 00:06:57,350 -(sighs) -(door closes) 156 00:07:00,980 --> 00:07:02,520 THAT WAS A HAPPY SCREAM? 157 00:07:02,520 --> 00:07:05,730 OH, I WOULD BE DOING A TOUCHDOWN DANCE IF I WASN'T CHARGING 158 00:07:05,730 --> 00:07:07,020 THIS STUPID THING. 159 00:07:07,020 --> 00:07:07,820 I JUST GOT AN EMAIL 160 00:07:07,820 --> 00:07:09,910 FROM THE KANSAS CITY ARTISTS' SHOWCASE. 161 00:07:09,910 --> 00:07:11,830 I MADE THE FINAL ROUND. 162 00:07:11,830 --> 00:07:13,030 COOL. 163 00:07:13,030 --> 00:07:13,830 WHAT DOES THAT MEAN? 164 00:07:13,830 --> 00:07:14,870 IF I WIN, 165 00:07:14,870 --> 00:07:17,990 THEY'RE GONNA PUT ONE OF MY PIECES ON CITY PLAZA 166 00:07:17,990 --> 00:07:19,210 NEXT TO THESE REALLY IMPORTANT ARTISTS. 167 00:07:19,210 --> 00:07:20,250 NICE. 168 00:07:20,250 --> 00:07:21,840 CONGRATULATIONS. 169 00:07:21,840 --> 00:07:24,840 THIS IS SERIOUSLY THE FIRST GOOD THING THAT'S HAPPENED TO ME IN FOREVER. 170 00:07:24,840 --> 00:07:26,960 I'M GLAD TO SEE THE CLOUDS ARE FINALLY PARTING. 171 00:07:26,960 --> 00:07:28,210 I STILL HAVE TO ACE THE INTERVIEW. 172 00:07:28,210 --> 00:07:29,680 THE LADY IS COMING TOMORROW AT 10:00. 173 00:07:29,680 --> 00:07:30,890 SHE'S GONNA WANT TO SEE MY STUDIO. 174 00:07:30,890 --> 00:07:32,930 I STILL HAVE A BUNCH OF PIECES THAT I'M GONNA HAVE TO FINISH. 175 00:07:32,930 --> 00:07:33,970 RELAX. 176 00:07:33,970 --> 00:07:35,260 WE'LL MAKE IT HAPPEN. 177 00:07:35,260 --> 00:07:37,640 OH! I CAN'T WAIT TO TELL EMMETT. 178 00:07:37,640 --> 00:07:38,900 OKAY, OW. 179 00:07:46,360 --> 00:07:47,770 (students chattering) 180 00:07:51,030 --> 00:07:52,030 (phone vibrates) 181 00:07:53,740 --> 00:07:54,780 HI. 182 00:07:54,780 --> 00:07:57,280 I'VE BEEN LOOKING FOR YOU. 183 00:07:57,280 --> 00:07:59,420 I HAVE SOME NEWS. 184 00:07:59,420 --> 00:08:03,120 I GOT PICKED TO BE THE D.P. 185 00:08:03,120 --> 00:08:06,830 ON A FILM THAT'S SHOOTING THIS WEEKEND. 186 00:08:09,470 --> 00:08:12,720 AND THE GUY THAT'S DIRECTING IT 187 00:08:12,720 --> 00:08:15,260 HAS SOME BIG SHOT PRODUCER 188 00:08:15,260 --> 00:08:16,300 FOR A DAD. 189 00:08:17,680 --> 00:08:18,730 SO... 190 00:08:18,730 --> 00:08:20,190 HE PULLED SOME STRINGS 191 00:08:20,190 --> 00:08:23,310 AND WE GET TO SHOOT IN A GIANT SOUND STAGE 192 00:08:23,310 --> 00:08:25,480 ON A REAL STUDIO LOT. 193 00:08:28,400 --> 00:08:29,990 AND... 194 00:08:30,990 --> 00:08:32,910 I GOT YOU ON AS A... 195 00:08:34,570 --> 00:08:35,650 GRIP. 196 00:08:37,740 --> 00:08:40,040 YEAH. (giggles) 197 00:08:42,000 --> 00:08:43,000 YAY! 198 00:08:44,080 --> 00:08:45,660 Toby: MAYBE WE SHOULD SET OUT SOME WINE 199 00:08:45,660 --> 00:08:47,040 AND CHEESE OR SOMETHING. 200 00:08:47,040 --> 00:08:48,840 WHAT ARE YOU DOING? 201 00:08:48,840 --> 00:08:51,010 I'M GETTING SOME INTEL ON THIS WOMAN FOR TOMORROW. 202 00:08:53,010 --> 00:08:54,050 OH, NO. 203 00:08:54,050 --> 00:08:56,720 NO, NO, NO, NO, NO, NO. 204 00:08:56,720 --> 00:08:58,010 WHAT'S THE MATTER? 205 00:08:59,060 --> 00:09:02,100 THE SHOWCASE IS GETTING FUNDING FROM THE N.E.A. 206 00:09:03,270 --> 00:09:04,980 THE NATIONAL ENDOWMENT FOR THE ARTS. 207 00:09:04,980 --> 00:09:08,230 THE N.E.A ISN'T GOING TO SUPPORT AN ARTIST WITH A CRIMINAL RECORD. 208 00:09:08,230 --> 00:09:09,990 UH... OKAY. 209 00:09:11,110 --> 00:09:12,820 WHAT ARE YOU LOOKING FOR? 210 00:09:12,820 --> 00:09:14,190 A COPY OF MY APPLICATION. 211 00:09:14,190 --> 00:09:16,240 I SENT IT IN A FEW MONTHS AGO. 212 00:09:17,490 --> 00:09:18,490 OKAY. 213 00:09:21,960 --> 00:09:24,040 "HAVE YOU EVER BEEN CONVICTED OF A FELONY?" 214 00:09:25,040 --> 00:09:26,750 MAYBE THEY DON'T HAVE TO FIND OUT. 215 00:09:31,470 --> 00:09:33,840 I THINK IT'S PRETTY SAFE TO SAY THEY'RE GONNA FIND OUT. 216 00:09:44,930 --> 00:09:45,930 (sighs) 217 00:09:49,490 --> 00:09:50,530 HEY. 218 00:09:50,530 --> 00:09:52,440 I SEE YOU GOT MY MESSAGE ABOUT THE CHURCH DRIVE. 219 00:09:52,440 --> 00:09:54,230 WHAT DO YOU GOT FOR ME? 220 00:09:58,910 --> 00:09:59,910 OH. 221 00:10:01,080 --> 00:10:02,740 THERE'S SOME NICE CLOTHES IN HERE. 222 00:10:04,950 --> 00:10:06,450 YEAH. 223 00:10:06,450 --> 00:10:08,330 HE HAD GOOD TASTE. 224 00:10:08,330 --> 00:10:10,880 AND HE LOOKED DAMN GOOD IN WHATEVER HE WORE. 225 00:10:10,880 --> 00:10:12,710 HE DID. 226 00:10:15,050 --> 00:10:17,210 SOMETIMES I DREAM HE'S ASLEEP NEXT TO ME. 227 00:10:18,850 --> 00:10:20,720 OH, SWEETIE. 228 00:10:20,720 --> 00:10:23,390 WHAT I WOULDN'T GIVE FOR ONE LAST ROLL IN THE HAY. 229 00:10:23,390 --> 00:10:24,810 (laughs) OKAY. 230 00:10:24,810 --> 00:10:27,720 IS IT WRONG FOR ME TO SAY THAT? 231 00:10:27,720 --> 00:10:30,070 I MEAN, IT'S JUST BEEN SO LONG. 232 00:10:30,070 --> 00:10:31,730 OF COURSE NOT. 233 00:10:31,730 --> 00:10:33,440 BUT, YOU KNOW, TO BE HONEST, 234 00:10:33,440 --> 00:10:35,530 WHEN YOU TOLD ME ABOUT THE HAWAII OFFER, 235 00:10:35,530 --> 00:10:37,570 I JUST ASSUMED THAT YOU AND WES WERE, YOU KNOW... 236 00:10:37,570 --> 00:10:38,990 NO! 237 00:10:40,040 --> 00:10:42,830 WE KISSED, BUT THAT'S IT. 238 00:10:42,830 --> 00:10:44,410 IT WAS JUST TOO SOON. 239 00:10:45,580 --> 00:10:47,910 LOOK, REGINA... 240 00:10:47,910 --> 00:10:50,590 YOU DON'T HAVE TO GIVE AWAY ANGELO'S THINGS RIGHT NOW. 241 00:10:50,590 --> 00:10:52,460 IF YOU'RE NOT READY, YOU'RE NOT READY. 242 00:10:53,840 --> 00:10:55,670 NO, I SHOULD. 243 00:10:55,670 --> 00:10:57,500 IT'S TIME. 244 00:11:05,560 --> 00:11:07,890 (bell rings) 245 00:11:07,890 --> 00:11:11,020 (crew chattering) 246 00:11:16,360 --> 00:11:18,570 HOW COOL IS THIS? 247 00:11:19,620 --> 00:11:20,910 YEAH, I GOT HER NOW. 248 00:11:20,910 --> 00:11:22,660 SKYE, WE NEED YOU AT CAMERA TO LINE UP FIRST SHOT. 249 00:11:22,660 --> 00:11:24,700 OKAY, I GOT TO GO. 250 00:11:31,040 --> 00:11:32,460 WATCH YOUR BACK. 251 00:11:35,210 --> 00:11:37,000 I SAID WATCH YOUR BACK. 252 00:11:38,930 --> 00:11:39,970 Skye: HEY, COME ON. 253 00:11:39,970 --> 00:11:41,930 THERE'S SOMEONE I WANT YOU TO MEET. 254 00:11:53,850 --> 00:11:55,190 BUT WAIT, 255 00:11:55,190 --> 00:11:56,440 YOU'RE CLOSING IT? 256 00:11:56,440 --> 00:11:58,310 SOME IDIOT PUT A CHERRY BOMB IN THE TOILET. 257 00:11:58,310 --> 00:11:59,820 THE WHOLE PLUMBING SYSTEM'S SHOT. 258 00:11:59,820 --> 00:12:01,410 HOW LONG WILL THAT TAKE TO FIX? 259 00:12:01,410 --> 00:12:03,860 I DON'T KNOW. MAYBE SIX WEEKS. 260 00:12:03,860 --> 00:12:05,240 SIX WEEKS? 261 00:12:05,240 --> 00:12:07,160 WELL, THERE'S A BATHROOM AT THE OTHER END OF THE FLOOR. 262 00:12:07,160 --> 00:12:08,870 ONE BATHROOM FOR 40 KIDS? 263 00:12:08,870 --> 00:12:10,420 THAT'S NEVER GONNA WORK. 264 00:12:10,420 --> 00:12:12,630 COMPLAIN TO WHOEVER CHERRY BOMBED YOUR TOILET. 265 00:13:09,270 --> 00:13:10,730 HEY, TAYLOR. 266 00:13:10,730 --> 00:13:11,770 UH, THIS IS MY FRIEND EMMETT-- 267 00:13:11,770 --> 00:13:12,810 WHY'D YOU CHOOSE THE 50? 268 00:13:12,810 --> 00:13:14,230 IT'S PERFECT FOR THE SHOT. 269 00:13:14,230 --> 00:13:16,310 WHAT ABOUT THE 24? 270 00:13:16,310 --> 00:13:18,020 THAT LENS IS TOO WIDE. 271 00:13:18,020 --> 00:13:19,650 HER FACE WILL LOOK ALL FAT AND PUFFY. 272 00:13:19,650 --> 00:13:21,650 I DON'T CARE HOW SHE LOOKS. 273 00:13:21,650 --> 00:13:22,940 FINCHER DOES IT ALL THE TIME. 274 00:13:22,940 --> 00:13:24,650 IT'S ABOUT THE DOMINANCE OF THE PROTAGONIST, 275 00:13:24,650 --> 00:13:26,320 NOT SOME ACTOR LOOKING GOOD. 276 00:13:27,320 --> 00:13:28,820 WELL, STILL, COMPOSITIONALLY-- 277 00:13:28,820 --> 00:13:29,830 I'M GOING WITH THE WIDE. 278 00:13:31,000 --> 00:13:33,250 THAT IS, UNLESS YOU WANT TO WASTE MORE OF MY TIME ARGUING WITH ME. 279 00:13:33,250 --> 00:13:34,790 NO. GOT IT. 280 00:13:34,790 --> 00:13:36,870 UM, I'LL GET THE 24 ON RIGHT AWAY. 281 00:13:38,040 --> 00:13:39,090 WHO ARE YOU? 282 00:13:39,090 --> 00:13:40,130 THIS IS EMMETT. 283 00:13:40,130 --> 00:13:41,460 HE'S IN SCHOOL WITH US 284 00:13:41,460 --> 00:13:43,010 AND HE'S GONNA HELP US OUT IN THE GRIP DEPARTMENT. 285 00:13:53,350 --> 00:13:55,020 HE SAYS THANKS FOR HAVING HIM. 286 00:13:55,020 --> 00:13:56,060 HE'S DEAF. 287 00:13:56,060 --> 00:13:57,970 OH. 288 00:13:57,970 --> 00:13:59,070 COOL. 289 00:13:59,070 --> 00:14:01,610 YOU KNOW, WE'RE ALL GOOD WITH GRIPS, 290 00:14:01,610 --> 00:14:03,280 BUT I COULD USE SOMEONE IN CRAFT SERVICE. 291 00:14:03,280 --> 00:14:04,480 PUT HIM THERE. 292 00:14:04,480 --> 00:14:05,740 TAYLOR-- 293 00:14:05,740 --> 00:14:07,530 Assistant Director: FIRST TEAM REHEARSAL EVERYBODY. 294 00:14:07,530 --> 00:14:09,330 (bell rings) 295 00:14:10,330 --> 00:14:11,950 I'M SO SORRY. 296 00:14:11,950 --> 00:14:13,620 UM, I'LL TALK TO HIM. 297 00:14:20,760 --> 00:14:21,920 OKAY. 298 00:14:28,210 --> 00:14:29,220 (doorbell rings) 299 00:14:30,640 --> 00:14:31,640 SHE'S HERE! 300 00:14:36,060 --> 00:14:38,220 THIS IS AN ABOMINATION. 301 00:14:39,230 --> 00:14:40,610 IT COST ME THREE BUCKS. 302 00:14:40,610 --> 00:14:42,110 IT'S THE BEST I COULD DO ON SHORT NOTICE. 303 00:14:42,110 --> 00:14:43,980 AND IT COVERS THE ANKLET. 304 00:14:45,280 --> 00:14:46,860 IS THIS REALLY WRONG? I HATE TO LIE TO HER. 305 00:14:46,860 --> 00:14:47,900 YOU'RE NOT LYING. 306 00:14:47,900 --> 00:14:49,620 TECHNICALLY, YOU'RE INNOCENT. 307 00:14:54,580 --> 00:14:56,120 MS. BERDICK, I PRESUME? 308 00:15:03,880 --> 00:15:05,170 ARE YOU MINGO? 309 00:15:05,170 --> 00:15:06,300 I AM. 310 00:15:06,300 --> 00:15:07,460 WHAT CAN I DO FOR YOU? 311 00:15:07,460 --> 00:15:08,630 YOU CAN START BY APOLOGIZING 312 00:15:08,630 --> 00:15:10,550 FOR BLOWING UP OUR BATHROOM. 313 00:15:10,550 --> 00:15:11,600 DAMN. 314 00:15:11,600 --> 00:15:14,510 FORENSIC EVIDENCE, HUH? 315 00:15:14,510 --> 00:15:16,810 WHAT ARE YOU, A CRIMINOLOGY MAJOR? 316 00:15:16,810 --> 00:15:18,640 OH, SO YOU ADMIT THAT YOU DID IT. 317 00:15:18,640 --> 00:15:19,690 NO. 318 00:15:19,690 --> 00:15:20,980 THOSE PICTURES DON'T PROVE ANYTHING. 319 00:15:20,980 --> 00:15:22,020 OH, I THINK THE DEAN'S OFFICE 320 00:15:22,020 --> 00:15:22,820 WILL FEEL DIFFERENTLY. 321 00:15:22,820 --> 00:15:24,230 I'M SURE THEY'RE GONNA WANT TO KNOW WHY 322 00:15:24,230 --> 00:15:25,770 YOU'VE BEEN PERSECUTING THE NEW, DEAF KIDS. 323 00:15:25,770 --> 00:15:27,110 WHOA, WHOA, WHOA. 324 00:15:27,110 --> 00:15:28,150 YOU'RE DEAF? 325 00:15:28,150 --> 00:15:29,990 UGH. 326 00:15:29,990 --> 00:15:31,070 HEY, COME ON. 327 00:15:31,070 --> 00:15:32,950 GETTING HAZED IS ALL PART OF THE EXPERIENCE. 328 00:15:32,950 --> 00:15:34,570 YOU WOULDN'T WANT ME TO TREAT YOU DIFFERENTLY 329 00:15:34,570 --> 00:15:35,830 THAN THE OTHER FRESHMEN, WOULD YOU? 330 00:15:35,830 --> 00:15:36,870 (scoffs) WHATEVER. 331 00:15:36,870 --> 00:15:38,780 I WAS JUST TRYING TO GIVE YOU A FAIR WARNING, YOU'RE ABOUT 332 00:15:38,780 --> 00:15:40,170 TO GET KICKED OUT OF SCHOOL. 333 00:15:40,170 --> 00:15:42,210 HEY, OH. YOU'RE NOT ACTUALLY GONNA TURN ME IN, ARE YOU? 334 00:15:42,210 --> 00:15:44,040 NOT IF YOU STOP PRANKING US. 335 00:15:44,040 --> 00:15:46,580 WOW, YOU ARE REALLY UPTIGHT. 336 00:15:46,580 --> 00:15:48,710 OKAY, NO MORE PRANKS. 337 00:15:48,710 --> 00:15:50,180 AND YOU RUINED OUR BATHROOM, SO WE GET YOURS. 338 00:15:50,180 --> 00:15:51,890 WELL, THEN WHERE ARE WE SUPPOSED TO GO? 339 00:15:51,890 --> 00:15:53,390 TO THE ATHLETIC CENTER NEXT DOOR. 340 00:15:53,390 --> 00:15:55,510 NO, NO. NO WAY. THAT'S NOT GONNA HAPPEN. 341 00:15:55,510 --> 00:15:56,970 ALL RIGHT, COOL. YEAH, NICE KNOWING YOU. 342 00:15:56,970 --> 00:15:58,470 WAIT! UM, OKAY. I GOT AN IDEA. 343 00:15:58,470 --> 00:16:00,190 WE'LL PLAY YOU FOR IT. 344 00:16:00,190 --> 00:16:01,230 EXCUSE ME? 345 00:16:01,230 --> 00:16:02,810 DORM TRIATHLON. 346 00:16:02,810 --> 00:16:03,860 THREE EVENTS. 347 00:16:03,860 --> 00:16:05,690 WINNER GETS EXCLUSIVE RIGHTS TO THE BATHROOM. 348 00:16:05,690 --> 00:16:08,150 LOSER... (clicks tongue) DOES THEIR BUSINESS NEXT DOOR. 349 00:16:08,150 --> 00:16:10,280 NO, WHY WOULD I AGREE TO THAT WHEN I HAVE THESE? 350 00:16:10,280 --> 00:16:12,110 WELL, ALL THAT REALLY PROVES IS THAT SOME GUY HAD TO USE 351 00:16:12,110 --> 00:16:13,910 THE JOHN IN THE MIDDLE OF THE NIGHT. 352 00:16:15,950 --> 00:16:18,030 WE WIN, WE GET THE BATHROOM. 353 00:16:18,030 --> 00:16:20,500 YEP, AND THEN YOU'LL BE BACK TO YOUR BOOKS BY HAPPY HOUR. 354 00:16:20,500 --> 00:16:21,710 PROMISE. 355 00:16:22,830 --> 00:16:24,250 (sighs) FINE. WE'RE IN. 356 00:16:25,210 --> 00:16:27,460 LET THE GAMES BEGIN. 357 00:16:32,010 --> 00:16:33,010 (scoffs) 358 00:16:36,970 --> 00:16:39,440 Daphne: OKAY, SO THE TRICK WITH TUG OF WAR 359 00:16:39,440 --> 00:16:41,350 IS TO GO SMALL IN THE FRONT 360 00:16:41,350 --> 00:16:43,730 WITH OUR STRONGEST IN THE BACK. 361 00:16:43,730 --> 00:16:45,940 SO TRAVIS, YOU'RE OUR ANCHOR. 362 00:16:45,940 --> 00:16:47,810 WHERE DO YOU WANT ME, COACH? 363 00:16:47,810 --> 00:16:49,320 UH, WELL IT'S FIVE-ON-FIVE, 364 00:16:49,320 --> 00:16:50,360 SO I THINK WE'RE GOOD HERE. 365 00:16:50,360 --> 00:16:51,410 OH, SURE. 366 00:16:51,410 --> 00:16:52,450 NO PROBLEM. 367 00:16:52,450 --> 00:16:54,320 JUST REMEMBER, 368 00:16:54,320 --> 00:16:56,150 GIVE THEM A LITTLE AT FIRST, 369 00:16:56,150 --> 00:16:57,910 AND THEN START PULLING. 370 00:16:57,910 --> 00:16:59,660 IT'LL THROW THEM OFF BALANCE. 371 00:17:05,750 --> 00:17:08,870 ♪ I'M HAVING A BLAST, JUST SUCH A REAL GOOD TIME ♪ 372 00:17:15,050 --> 00:17:16,880 Serena: EVERYONE, ON THEIR MARKS. 373 00:17:16,880 --> 00:17:21,020 ♪ I'M READY TO GO, I'M READY TO GO ♪ 374 00:17:21,020 --> 00:17:22,270 WHEN THE FLAG DROPS, 375 00:17:22,270 --> 00:17:23,810 IT'S TIME TO PULL. 376 00:17:25,270 --> 00:17:26,310 READY? 377 00:17:26,310 --> 00:17:28,680 ♪ I'M READY TO LIVE IN A STAND-UP WAY ♪ 378 00:17:28,680 --> 00:17:29,740 SET. 379 00:17:29,740 --> 00:17:31,990 ♪ I'M READY TO SCREAM ♪ 380 00:17:31,990 --> 00:17:33,030 GO! 381 00:17:33,030 --> 00:17:34,950 (both teams grunting) 382 00:17:37,950 --> 00:17:40,290 ♪ I'M READY TO GO ♪ 383 00:17:40,290 --> 00:17:42,540 (guys cheering) 384 00:17:42,540 --> 00:17:44,830 -WHOO! -YES! 385 00:17:44,830 --> 00:17:47,040 Man: NICE JOB. THAT'S A NICE JOB. 386 00:17:49,840 --> 00:17:51,670 THANKS FOR COMING, GUYS. SEE YOU TONIGHT. 387 00:17:51,670 --> 00:17:52,880 FIRST ROUND IS ON ME. 388 00:17:55,050 --> 00:17:56,090 -HEY! -HM? 389 00:17:56,090 --> 00:17:58,420 DO ANY OF THOSE GUYS ACTUALLY LIVE ON 2A? 390 00:17:59,430 --> 00:18:01,890 NO, ACTUALLY MOST OF THE LACROSSE TEAM LIVES IN FISHER, 391 00:18:01,890 --> 00:18:03,020 EXCEPT FOR DOMINICK, 392 00:18:03,020 --> 00:18:04,720 WHO LIVES AT HOME WITH HIS GRANDMOTHER. 393 00:18:04,720 --> 00:18:05,930 IT'S A TOUCHING STORY, ACTUALLY. 394 00:18:05,930 --> 00:18:07,600 YOU BROUGHT IN RINGERS? 395 00:18:07,600 --> 00:18:08,640 THAT'S CHEATING. 396 00:18:08,640 --> 00:18:11,490 EH, CHEATING IS SUCH AN UGLY WORD. 397 00:18:11,490 --> 00:18:12,610 WE NEVER SAID ANYTHING 398 00:18:12,610 --> 00:18:14,360 ABOUT A RESIDENCY REQUIREMENT. 399 00:18:14,360 --> 00:18:16,490 I THINK IT'S IMPLIED IN THE PHRASE 400 00:18:16,490 --> 00:18:17,690 "DORM TRIATHLON." 401 00:18:17,690 --> 00:18:18,730 OH. 402 00:18:18,730 --> 00:18:20,290 THINK ABOUT PROFESSIONAL SPORTS. 403 00:18:20,290 --> 00:18:23,330 THINK EVERYBODY WHO PLAYS FOR THE ROYALS IS ACTUALLY FROM KANSAS CITY? 404 00:18:24,660 --> 00:18:26,410 HEY, CHEER UP. DON'T WORRY ABOUT IT. 405 00:18:26,410 --> 00:18:28,000 I'M SURE YOU GUYS CAN MAKE A COMEBACK. 406 00:18:28,000 --> 00:18:29,000 SEE YOU FOR ROUND TWO? 407 00:18:41,180 --> 00:18:43,810 YOUR WORK IS VERY IMPRESSIVE. 408 00:18:43,810 --> 00:18:47,430 IT SHOWS AN ARTISTIC SENSIBILITY FAR BEYOND YOUR YEARS. 409 00:18:47,430 --> 00:18:48,760 THAT'S OUR BAY. 410 00:18:48,760 --> 00:18:50,610 SUPER MATURE. 411 00:18:50,610 --> 00:18:53,820 SO, UH, DOES THAT MEAN I'M IN THE SHOWCASE? 412 00:18:53,820 --> 00:18:57,070 I SHOULD PRETEND I NEED TO THINK ABOUT IT, BUT YES. 413 00:18:57,070 --> 00:18:58,610 WE'D LOVE TO SHOW YOUR WORK. 414 00:18:58,610 --> 00:19:02,080 THANK YOU. OH, YOU HAVE NO IDEA HOW MUCH THIS MEANS TO ME. 415 00:19:02,080 --> 00:19:03,370 NOW, I'M GOING TO BE WRITING 416 00:19:03,370 --> 00:19:05,160 A PROFILE ON YOU FOR OUR PROGRAM, 417 00:19:05,160 --> 00:19:06,870 UM... 418 00:19:06,870 --> 00:19:09,670 JUST HAVE A FEW QUESTIONS. 419 00:19:11,960 --> 00:19:12,960 CAN WE SIT? 420 00:19:14,840 --> 00:19:16,750 I WILL GO MAKE SOME DRINKS. 421 00:19:16,750 --> 00:19:17,750 OKAY. 422 00:19:20,720 --> 00:19:21,720 SO... 423 00:19:22,890 --> 00:19:23,930 TELL ME. 424 00:19:23,930 --> 00:19:25,220 ARE YOU IN SCHOOL? 425 00:19:25,220 --> 00:19:27,800 NO, UM... NOT RIGHT NOW. 426 00:19:27,800 --> 00:19:29,940 I'M TAKING SOME TIME OFF 427 00:19:29,940 --> 00:19:31,440 TO EXPLORE MY HORIZONS. 428 00:19:31,440 --> 00:19:35,770 I'VE RECENTLY BECOME INVOLVED WITH SOME COMMUNITY PROJECTS. 429 00:19:35,770 --> 00:19:37,150 YOU MEAN CHARITY WORK. OH. 430 00:19:37,150 --> 00:19:38,860 WHAT EXACTLY DO YOU DO? 431 00:19:38,860 --> 00:19:40,740 ENVIRONMENTAL CLEANUP. 432 00:19:40,740 --> 00:19:42,120 FANTASTIC! 433 00:19:42,120 --> 00:19:43,370 I'LL PUT THAT IN. 434 00:19:43,370 --> 00:19:45,030 WHO'S THIRSTY? 435 00:19:49,200 --> 00:19:50,500 UH, HERE'S A BLANKET. 436 00:19:50,500 --> 00:19:51,500 IT'S KIND OF CHILLY IN HERE. 437 00:19:53,500 --> 00:19:55,170 I HAVE TERRIBLE CIRCULATION. 438 00:20:01,430 --> 00:20:02,930 OKAY. 439 00:20:02,930 --> 00:20:04,010 I'M BEGINNING TO SERIOUSLY QUESTION 440 00:20:04,010 --> 00:20:06,720 MY NEW PARTNER'S CREATIVE TASTE. 441 00:20:08,140 --> 00:20:09,180 WHAT IS THIS? 442 00:20:09,180 --> 00:20:12,810 THAT IS QUALITY EUROPEAN PAINT YOU'VE GOT THERE. 443 00:20:12,810 --> 00:20:16,020 IT REMINDS ME OF ONE OF MY SON'S CRAPPY CRAYOLA CRAYONS HE NEVER WANTS TO USE. 444 00:20:16,020 --> 00:20:18,150 DON'T CANDY COAT IT, TELL ME HOW YOU REALLY FEEL. 445 00:20:18,150 --> 00:20:19,780 I HATE IT. 446 00:20:19,780 --> 00:20:22,160 ARE YOU ALWAYS THIS TACTFUL? 447 00:20:22,160 --> 00:20:23,660 BECAUSE IT COULD TAKE 448 00:20:23,660 --> 00:20:24,700 SOME GETTING USED TO. 449 00:20:24,700 --> 00:20:26,200 IT'S MY PERSONAL PHILOSOPHY, 450 00:20:26,200 --> 00:20:27,990 HONED FROM YEARS OF TRIAL AND ERROR-- 451 00:20:27,990 --> 00:20:30,290 COMPLETE HONESTY. 452 00:20:30,290 --> 00:20:32,500 MORE LIKE BRUTAL HONESTY. 453 00:20:32,500 --> 00:20:33,960 (chuckles) 454 00:20:33,960 --> 00:20:35,000 SO... 455 00:20:35,000 --> 00:20:36,250 YOU HAVE A SON? 456 00:20:36,250 --> 00:20:37,960 YEAH, WILL. 457 00:20:38,960 --> 00:20:40,380 HE'S NINE. 458 00:20:40,380 --> 00:20:41,380 ANY OTHER KIDS? 459 00:20:42,680 --> 00:20:43,800 NOPE, JUST THE ONE. 460 00:20:43,800 --> 00:20:45,470 WHAT ABOUT HIS MOM? 461 00:20:45,470 --> 00:20:46,470 YOU MARRIED? 462 00:20:48,140 --> 00:20:49,560 SHE DIED WHEN HE WAS THREE. 463 00:20:50,940 --> 00:20:51,980 I'M SORRY. 464 00:20:54,440 --> 00:20:55,440 HOW'D SHE DIE? 465 00:20:57,350 --> 00:20:58,730 CANCER. 466 00:21:00,490 --> 00:21:01,700 (sighs) 467 00:21:03,610 --> 00:21:06,610 I LOST MY HUSBAND EARLIER THIS YEAR. 468 00:21:06,610 --> 00:21:08,110 CAR ACCIDENT. 469 00:21:09,330 --> 00:21:11,040 IT WAS REALLY TOUGH ON MY DAUGHTERS. 470 00:21:12,040 --> 00:21:13,120 YEAH, I KNOW HOW THAT WORKS. 471 00:21:15,080 --> 00:21:16,120 OKAY. 472 00:21:16,120 --> 00:21:17,620 YOU ARE SERIOUSLY GONNA HAVE TO TRUST ME 473 00:21:17,620 --> 00:21:18,620 WITH THIS PAINT COLOR. 474 00:21:19,680 --> 00:21:21,010 HOLD THE LADDER? 475 00:21:21,010 --> 00:21:22,050 SURE. 476 00:21:24,260 --> 00:21:25,260 ALL RIGHT. 477 00:21:26,590 --> 00:21:28,180 WHEN YOU SEE IT ON THE WALL, 478 00:21:28,180 --> 00:21:29,980 I THINK YOU'RE GONNA WANT TO APOLOGIZE. 479 00:21:31,810 --> 00:21:32,980 ALL RIGHT. 480 00:21:38,520 --> 00:21:39,570 WELL... 481 00:21:39,570 --> 00:21:41,030 I'M SEEING IT ON MY SHIRT NOW, 482 00:21:41,030 --> 00:21:43,280 AND I'M STILL HATING IT. 483 00:21:43,280 --> 00:21:44,320 OH. (laughs) 484 00:21:44,320 --> 00:21:45,650 I'M SO SORRY. 485 00:21:45,650 --> 00:21:47,440 NO BIG DEAL. IT'S AN OLD SHIRT. 486 00:21:48,530 --> 00:21:50,870 IF WE GET INTO COLD WATER RIGHT AWAY WE CAN SAVE IT. 487 00:21:50,870 --> 00:21:52,500 COME ON. 488 00:21:54,040 --> 00:21:55,040 (sighs) 489 00:21:57,500 --> 00:21:58,540 OKAY. 490 00:21:58,540 --> 00:22:01,800 I THINK WE'RE OFFICIALLY DONE WITH PUKE ORANGE. 491 00:22:01,800 --> 00:22:03,420 I'LL PUT THIS IN THE BACK. 492 00:22:13,520 --> 00:22:14,680 OKAY, QUIET EVERYONE! 493 00:22:14,680 --> 00:22:16,180 ROLL SOUND! 494 00:22:16,180 --> 00:22:17,430 Taylor: AND... ACTION! 495 00:22:17,430 --> 00:22:19,020 YOU WOULDN'T DARE. 496 00:22:19,020 --> 00:22:20,940 OH YEAH? TRY ME. 497 00:22:20,940 --> 00:22:23,030 (bag rustling) 498 00:22:23,030 --> 00:22:23,940 CUT! CUT! 499 00:22:23,940 --> 00:22:24,940 WHAT THE HELL IS THAT? 500 00:22:26,780 --> 00:22:27,780 (bag rustling) 501 00:22:30,290 --> 00:22:32,200 -(chips crunching) -ARE YOU KIDDING ME RIGHT NOW? 502 00:22:40,840 --> 00:22:42,260 SKYE, TELL ME WE GOT IT? 503 00:22:43,500 --> 00:22:44,550 (sighs) NO. 504 00:22:44,550 --> 00:22:46,210 Assistant Director: IT'S GONNA TAKE AN HOUR TO RESET. 505 00:22:47,210 --> 00:22:48,420 AN HOUR? 506 00:23:02,440 --> 00:23:04,190 Mingo: OKAY EVERYBODY, GATHER UP! 507 00:23:05,360 --> 00:23:06,900 ALL RIGHT, ROUND TWO. 508 00:23:06,900 --> 00:23:08,150 "BUTTS UP." 509 00:23:08,150 --> 00:23:09,320 OH, YEAH. 510 00:23:09,320 --> 00:23:11,370 BALL COMES TO YOU AND YOU MISS IT, 511 00:23:11,370 --> 00:23:13,790 YOU'VE GOT TO RUN AND TOUCH THE WALL BEFORE SOMEONE THROWS YOU OUT. 512 00:23:13,790 --> 00:23:15,330 IF YOU MISS, 513 00:23:15,330 --> 00:23:16,370 WELL, THEN... 514 00:23:16,370 --> 00:23:17,370 BUTTS UP. 515 00:23:18,370 --> 00:23:20,040 TAKE ONE IN THE SHORTS. GOT IT? 516 00:23:20,040 --> 00:23:21,960 GOOD. LAST MAN STANDING WINS. 517 00:23:27,420 --> 00:23:29,930 YOU BROUGHT A GOLD GLOVE THIRD BASEMEN 518 00:23:29,930 --> 00:23:31,930 TO OUR DORM TRIATHLON? 519 00:23:31,930 --> 00:23:33,470 HOW DO YOU KNOW JOHN KENNISH? 520 00:23:34,470 --> 00:23:36,180 HE'S MY DAD, 521 00:23:36,180 --> 00:23:37,810 AND OUR RINGER. 522 00:23:39,310 --> 00:23:40,400 OKAY. 523 00:23:40,400 --> 00:23:42,110 TOSS ME THE ROCK, SON. 524 00:23:42,110 --> 00:23:43,230 TIME TO BREAK THE ICE. 525 00:23:45,940 --> 00:23:46,940 SHALL WE? 526 00:23:54,780 --> 00:23:55,830 HERE YOU GO. 527 00:23:55,830 --> 00:23:56,870 GOOD AS NEW. 528 00:23:56,870 --> 00:23:57,870 HUH. 529 00:23:59,960 --> 00:24:00,960 THANKS. 530 00:24:01,920 --> 00:24:02,960 (sighs) 531 00:24:02,960 --> 00:24:04,000 I ALWAYS THOUGHT ABOUT 532 00:24:04,000 --> 00:24:06,340 GETTING ONE, I JUST NEVER FOUND A PIECE OF ART 533 00:24:06,340 --> 00:24:08,540 THAT I WAS COMFORTABLE COMMITTING TO FOR LIFE. 534 00:24:09,850 --> 00:24:11,390 I DON'T THINK OF THEM AS ART. 535 00:24:11,390 --> 00:24:13,760 FOR BETTER OR WORSE, 536 00:24:13,760 --> 00:24:15,850 THEY'RE A ROAD MAP OF MY LIFE. 537 00:24:15,850 --> 00:24:16,850 HMM. 538 00:24:18,260 --> 00:24:19,300 WHY'D YOU GET THIS? 539 00:24:19,300 --> 00:24:21,060 GOT THIS THE WEEK WILL WAS BORN. 540 00:24:21,060 --> 00:24:24,100 IT'S HOW I FELT AFTER SEEING MY SON FOR THE FIRST TIME. 541 00:24:25,600 --> 00:24:26,650 AND THIS? 542 00:24:26,650 --> 00:24:28,690 SPAIN, DECEMBER OF '96. 543 00:24:28,690 --> 00:24:29,870 I WAS SO DRUNK, 544 00:24:29,870 --> 00:24:31,490 I DON'T EVEN REMEMBER GETTING THAT ONE. 545 00:24:31,490 --> 00:24:32,530 (both chuckle) 546 00:24:32,530 --> 00:24:33,990 NICE. 547 00:24:33,990 --> 00:24:35,030 OH. 548 00:24:35,030 --> 00:24:36,320 HOPE. 549 00:24:37,910 --> 00:24:39,070 I LOVE THAT WORD. 550 00:24:42,120 --> 00:24:43,540 IT'S NOT A WORD. 551 00:24:44,790 --> 00:24:45,790 A NAME? 552 00:24:46,960 --> 00:24:47,960 (sighs) 553 00:24:49,170 --> 00:24:50,180 YOUR WIFE. 554 00:24:51,180 --> 00:24:55,550 ♪ I DON'T WANT TO BE WHAT YOU WANT ME TO BE ♪ 555 00:24:55,550 --> 00:24:58,010 YOU DO NOT LIKE TALKING ABOUT YOURSELF, DO YOU? 556 00:25:02,190 --> 00:25:05,020 I REALLY WANT TO KISS YOU. 557 00:25:06,560 --> 00:25:07,560 RIGHT NOW. 558 00:25:10,820 --> 00:25:11,950 THERE'S THAT HONESTY AGAIN. 559 00:25:13,780 --> 00:25:18,990 ♪ LIKE A GREYHOUND BUS FROM NASHVILLE, TENNESSEE ♪ 560 00:25:22,580 --> 00:25:23,830 YES. 561 00:25:23,830 --> 00:25:27,080 ♪ AND IT DON'T TAKE MUCH TO FILL MY HEART ♪ 562 00:25:27,080 --> 00:25:30,760 ♪ SOME WORN-OUT BOOTS, AN OLD GUITAR ♪ 563 00:25:32,550 --> 00:25:35,220 (vocalizing) 564 00:25:55,820 --> 00:25:57,820 (rock music playing) 565 00:25:58,820 --> 00:26:00,000 ♪ YEAH ♪ 566 00:26:02,000 --> 00:26:04,000 ♪ IT'S ON ♪ 567 00:26:04,000 --> 00:26:05,000 Mingo: WHOO! 568 00:26:05,000 --> 00:26:06,790 SMOKED YOU, DUDE. 569 00:26:07,910 --> 00:26:09,000 BUTTS UP. 570 00:26:09,000 --> 00:26:11,260 ♪ YOU AND ME, WE GOT ♪ 571 00:26:11,260 --> 00:26:13,210 ♪ WE GOT TO MOVE ON ♪ 572 00:26:13,210 --> 00:26:14,840 ♪ FROM WHAT WE KNOW ♪ 573 00:26:15,840 --> 00:26:16,970 (John laughs) 574 00:26:16,970 --> 00:26:20,060 YOU WOULDN'T LAST A DAY IN THE MAJORS, SON. 575 00:26:20,060 --> 00:26:21,810 SURE YOU'RE NOT GETTING TIRED, OLD MAN? 576 00:26:21,810 --> 00:26:24,390 MY FRIEND, I CAN DO THIS ALL DAY LONG. 577 00:26:25,810 --> 00:26:28,890 ♪ IT'S ON, IT'S ON, IT'S ON, IT'S ON ♪ 578 00:26:28,890 --> 00:26:32,400 ♪ IT'S OUR TIME, A NEW PARADIGM ♪ 579 00:26:32,400 --> 00:26:34,820 -♪ IT'S ON ♪ -(cheering) 580 00:26:39,030 --> 00:26:41,000 WAIT A SECOND, 581 00:26:41,000 --> 00:26:42,450 WHERE DO YOU THINK YOU'RE GOING? 582 00:26:42,450 --> 00:26:43,700 GET TO IT, SON. 583 00:26:43,700 --> 00:26:46,200 AW, COME ON. ARE YOU KIDDING ME? 584 00:26:46,200 --> 00:26:47,200 YOU'RE A PRO. 585 00:26:48,240 --> 00:26:49,500 YOU'RE NOT GONNA BEAN A KID, ARE YOU? 586 00:26:50,880 --> 00:26:52,130 YOU'RE RIGHT. 587 00:26:52,130 --> 00:26:53,170 TRAVIS. 588 00:26:53,170 --> 00:26:54,840 ♪ IT'S ON, IT'S ON ♪ 589 00:26:54,840 --> 00:26:56,250 YOU DO THE HONORS. 590 00:26:57,920 --> 00:27:02,600 ♪ IT'S ON ♪ 591 00:27:05,260 --> 00:27:06,890 ♪ COME NOW, BABY ♪ 592 00:27:06,890 --> 00:27:09,390 ♪ IT'S TIME TO GO, IT'S ON ♪ 593 00:27:12,030 --> 00:27:12,820 (groans) 594 00:27:12,820 --> 00:27:13,820 (Team 2B cheering) 595 00:27:15,860 --> 00:27:17,150 NICE ARM. 596 00:27:17,150 --> 00:27:18,320 YEAH. 597 00:27:20,780 --> 00:27:22,080 ♪ IT'S ON ♪ 598 00:27:22,080 --> 00:27:24,160 (all laughing) 599 00:27:24,160 --> 00:27:26,830 WELL, THAT'S EVERYTHING UNLESS THERE'S ANYTHING ELSE YOU WANT TO TELL ME. 600 00:27:26,830 --> 00:27:29,240 UH... YEAH, YOU KNOW WHAT? 601 00:27:29,240 --> 00:27:31,340 NOTHING COMES TO MIND. 602 00:27:31,340 --> 00:27:34,290 WELL, GREAT. THEN I'LL HAVE SOMEONE OVER TO PICK UP YOUR PIECE NEXT WEEK. 603 00:27:35,500 --> 00:27:37,550 (anklet beeping) 604 00:27:37,550 --> 00:27:38,590 WHAT'S THAT NOISE? 605 00:27:38,590 --> 00:27:40,430 -SMOKE ALARM? -IT'S A CELLPHONE. 606 00:27:41,720 --> 00:27:43,970 I THINK IT'S COMING FROM YOUR LEG. 607 00:27:47,970 --> 00:27:49,680 (sighs) 608 00:27:49,680 --> 00:27:52,310 THAT BEEPING MEANS THE BATTERY IS DYING 609 00:27:52,310 --> 00:27:53,900 ON MY ANKLE MONITOR. 610 00:27:56,940 --> 00:27:58,480 I'M NOT REALLY TAKING A GAP YEAR, 611 00:27:58,480 --> 00:27:59,870 I'M ON HOUSE ARREST. 612 00:27:59,870 --> 00:28:02,950 AND I'M NOT REALLY DOING CHARITY WORK, 613 00:28:02,950 --> 00:28:05,160 I'M ON A CLEANUP CREW FOR MY FELONY CONVICTION. 614 00:28:05,160 --> 00:28:08,660 YOU HAVE BEEN SO NICE AND SUPPORTIVE OF MY WORK, 615 00:28:08,660 --> 00:28:11,630 AND I TOTALLY SUCK FOR LYING TO YOU. 616 00:28:11,630 --> 00:28:12,830 I SEE. 617 00:28:12,830 --> 00:28:13,960 PLEASE, MS. BERDICK, 618 00:28:13,960 --> 00:28:16,130 I SWEAR I'M A GOOD PERSON, 619 00:28:16,130 --> 00:28:18,000 AND I REALLY NEED THIS. 620 00:28:18,000 --> 00:28:19,500 IS THERE ANY WAY YOU CAN MAKE AN EXCEPTION? 621 00:28:19,500 --> 00:28:20,800 (beeping continues) 622 00:28:20,800 --> 00:28:22,390 I'M AFRAID I CAN'T. 623 00:28:22,390 --> 00:28:23,890 GOOD LUCK TO YOU. 624 00:28:23,890 --> 00:28:25,390 I HOPE YOU CAN GET YOUR LIFE TOGETHER. 625 00:28:25,390 --> 00:28:27,760 YEAH. ME TOO. 626 00:28:31,060 --> 00:28:32,060 (sighs) 627 00:28:34,230 --> 00:28:35,810 WE WERE SO CLOSE. 628 00:28:35,810 --> 00:28:36,850 I HATE THIS DAMN THING! 629 00:28:36,850 --> 00:28:37,900 (beeping) 630 00:28:37,900 --> 00:28:38,940 COME ON, I NEED TO PLUG IT IN 631 00:28:38,940 --> 00:28:41,280 BEFORE THE BATTERY DIES OR ELSE I AM-- 632 00:28:41,280 --> 00:28:42,490 (beeping stops) 633 00:28:43,490 --> 00:28:44,740 TOTALLY SCREWED. 634 00:28:48,320 --> 00:28:49,570 HEY. 635 00:28:56,630 --> 00:28:57,920 ARE YOU OKAY? 636 00:28:57,920 --> 00:28:59,930 YEAH, I'M FINE. 637 00:29:02,180 --> 00:29:03,970 WE WON "BUTTS UP." 638 00:29:03,970 --> 00:29:05,680 TIED THE TRIATHLON. 639 00:29:07,140 --> 00:29:08,340 THAT'S GREAT. 640 00:29:08,340 --> 00:29:09,680 CONGRATULATIONS. 641 00:29:11,020 --> 00:29:12,520 WHY WEREN'T YOU THERE? 642 00:29:13,810 --> 00:29:15,390 WHY WASN'T I THERE? 643 00:29:16,980 --> 00:29:20,030 BECAUSE NO ONE TOLD ME ABOUT IT. THAT'S WHY. 644 00:29:20,030 --> 00:29:22,610 IN CASE YOU HAVEN'T NOTICED, 645 00:29:22,610 --> 00:29:25,530 PEOPLE AROUND HERE DON'T KNOW I EXIST. 646 00:29:25,530 --> 00:29:26,950 THAT'S NOT TRUE. 647 00:29:26,950 --> 00:29:28,570 YEAH, IT IS. 648 00:29:28,570 --> 00:29:29,910 EVEN YOU DO IT. 649 00:29:31,000 --> 00:29:33,830 WHEN I TRIED TO VOLUNTEER FOR THE TUG OF WAR, 650 00:29:33,830 --> 00:29:36,000 YOU ACTED LIKE I WASN'T THERE. 651 00:29:37,000 --> 00:29:38,080 I THOUGHT 652 00:29:38,080 --> 00:29:40,550 ROOMMATES WERE SUPPOSED TO LOOK OUT FOR EACH OTHER. 653 00:29:41,760 --> 00:29:43,340 I'M SORRY, I DIDN'T REALIZE-- 654 00:29:43,340 --> 00:29:44,590 IT DOESN'T MATTER. 655 00:29:44,590 --> 00:29:46,420 THE TRUTH IS 656 00:29:46,420 --> 00:29:48,420 I'M NOT REALLY ONE OF YOU. 657 00:29:49,760 --> 00:29:52,480 I'M JUST THE DUMB HEARING GIRL 658 00:29:52,480 --> 00:29:54,690 WHO NO ONE WANTS TO SLOW DOWN 659 00:29:54,690 --> 00:29:56,190 ENOUGH TO TALK TO. 660 00:30:09,700 --> 00:30:10,750 ALL RIGHT. SO, 661 00:30:10,750 --> 00:30:11,790 TENNIS BALL IS ONE THING. 662 00:30:11,790 --> 00:30:13,870 BUT LET'S SEE WHAT YOU CAN DO 663 00:30:13,870 --> 00:30:14,830 WITH THE REAL DEAL. 664 00:30:14,830 --> 00:30:15,830 OKAY? 665 00:30:22,840 --> 00:30:23,840 (beeps) 666 00:30:26,960 --> 00:30:29,550 SO YOU'RE TELLING ME 667 00:30:29,550 --> 00:30:32,100 THAT YOU ONLY PLAYED LITTLE LEAGUE? 668 00:30:37,180 --> 00:30:39,020 WELL, SON, PUT ON THAT GLOVE. 669 00:30:39,020 --> 00:30:40,940 'CAUSE YOU'RE ABOUT TO GET 670 00:30:40,940 --> 00:30:41,940 A SECOND CHANCE. 671 00:30:44,360 --> 00:30:45,530 HI, TRAVIS. 672 00:30:45,530 --> 00:30:47,150 HEY, SWEETIE, WHAT ARE YOU DOING HERE? 673 00:30:47,150 --> 00:30:48,530 I GOT YOU A LITTLE PRESENT. 674 00:30:50,290 --> 00:30:52,040 YOU DIDN'T HAVE TO DO THAT. 675 00:30:54,290 --> 00:30:55,790 OH, WHAT'S THIS FOR? 676 00:30:55,790 --> 00:30:57,040 FOR YOUR TEXTBOOKS. 677 00:30:57,040 --> 00:30:58,250 ALL THE KIDS ON CAMPUS 678 00:30:58,250 --> 00:30:59,290 ARE USING THEM NOW. 679 00:30:59,290 --> 00:31:00,340 THANK YOU. 680 00:31:00,340 --> 00:31:01,550 SO, 681 00:31:01,550 --> 00:31:03,960 WHAT CLASS DID YOU SIGN UP FOR, HONEY? 682 00:31:03,960 --> 00:31:06,210 YOU KNOW, I DON'T THINK I'M GONNA DO THAT. 683 00:31:06,210 --> 00:31:07,260 WAIT, 684 00:31:07,260 --> 00:31:08,300 WHY NOT? 685 00:31:08,300 --> 00:31:09,840 AND WHAT ARE YOU GUYS 686 00:31:09,840 --> 00:31:11,470 DOING HERE, ANYWAY? 687 00:31:11,470 --> 00:31:12,510 YOU KNOW WHAT, 688 00:31:12,510 --> 00:31:14,140 JUST WATCH FOR ONE SECOND, OKAY? 689 00:31:25,780 --> 00:31:26,780 (beeps) 690 00:31:28,860 --> 00:31:29,900 WOW! 691 00:31:29,900 --> 00:31:30,950 YEAH. 692 00:31:30,950 --> 00:31:31,990 (John chuckles) 693 00:31:31,990 --> 00:31:33,700 UNBELIEVABLE, RIGHT? 694 00:31:33,700 --> 00:31:35,910 THIS KID HAS A REAL FUTURE IN BASEBALL, 695 00:31:35,910 --> 00:31:36,910 AND I'M GONNA HELP HIM. 696 00:31:38,790 --> 00:31:40,250 OKAY, BUT... 697 00:31:40,250 --> 00:31:43,250 YOU SAID YOU WANTED TO EXPLORE WHAT YOU MISSED IN COLLEGE. 698 00:31:43,250 --> 00:31:44,300 WHAT HAPPENED? 699 00:31:44,300 --> 00:31:46,800 HONESTLY, THE SAME THING THAT HAPPENED THE FIRST TIME. 700 00:31:47,920 --> 00:31:49,630 MY PLANS CHANGED BECAUSE OF THE GAME. 701 00:31:51,010 --> 00:31:52,010 OKAY. (sighs) 702 00:31:54,600 --> 00:31:56,680 I SWEAR, I PLUGGED IT IN. 703 00:31:56,680 --> 00:31:57,930 IT'S THIS CORD. 704 00:31:57,930 --> 00:31:58,970 THERE MUST BE A SHORT IN IT. 705 00:31:58,970 --> 00:32:00,020 WAIT HERE. 706 00:32:00,020 --> 00:32:01,020 (sighs) 707 00:32:02,360 --> 00:32:04,480 SHE'S GONNA ADD MORE TIME TO MY SENTENCE, I KNOW IT. 708 00:32:04,480 --> 00:32:06,020 I'M NOT GONNA GET TO L.A. TILL I'M 30! 709 00:32:06,020 --> 00:32:07,820 CALM DOWN. EVERYTHING'S GONNA BE OKAY. 710 00:32:07,820 --> 00:32:09,020 NO, IT IS NOT 711 00:32:09,020 --> 00:32:09,820 GONNA BE OKAY. 712 00:32:09,820 --> 00:32:11,070 I NEEDED THAT SHOWCASE 713 00:32:11,070 --> 00:32:12,120 AND NOW IT'S JUST 714 00:32:12,120 --> 00:32:13,490 ANOTHER THING THAT I'VE LOST 715 00:32:13,490 --> 00:32:14,530 ALL BECAUSE OF HER. 716 00:32:14,530 --> 00:32:16,030 YOU KNOW I THINK 717 00:32:16,030 --> 00:32:17,070 WHAT YOU DID WAS CRAZY, 718 00:32:17,070 --> 00:32:18,780 BUT IT WAS YOUR CHOICE. 719 00:32:18,780 --> 00:32:19,780 I KNOW, 720 00:32:19,780 --> 00:32:22,290 AND YOU KNOW WHAT REALLY PISSES ME OFF? 721 00:32:22,290 --> 00:32:24,840 IS THAT I DON'T EVEN GET TO BE MAD AT HER 722 00:32:24,840 --> 00:32:26,840 WITHOUT FEELING GUILTY ABOUT IT. 723 00:32:27,790 --> 00:32:29,580 THAT'S WHY I CAN'T BE IN THE SAME ROOM WITH HER. 724 00:32:29,580 --> 00:32:30,970 I JUST END UP... 725 00:32:30,970 --> 00:32:32,050 HATING MYSELF. 726 00:32:35,350 --> 00:32:38,590 WELL, IF YOU COULD GO BACK RIGHT NOW, 727 00:32:38,590 --> 00:32:40,310 WOULD YOU DO ANYTHING DIFFERENTLY? 728 00:32:46,770 --> 00:32:47,770 NO. 729 00:32:49,310 --> 00:32:50,820 DAPHNE'S NOT IN PRISON. 730 00:32:51,950 --> 00:32:53,700 SHE STILL GETS TO BE A DOCTOR. 731 00:32:53,700 --> 00:32:54,740 SHE'S BEEN KILLING HERSELF, 732 00:32:54,740 --> 00:32:56,570 MAKING SURE THAT SHE DOESN'T LET YOU DOWN. 733 00:32:56,570 --> 00:32:57,950 Officer: HERE YOU GO. 734 00:32:58,990 --> 00:33:00,040 NEW CHARGER. 735 00:33:00,040 --> 00:33:01,000 GO HOME, PLUG IN. 736 00:33:01,000 --> 00:33:02,170 THEY'LL START MONITORING YOU AGAIN 737 00:33:02,170 --> 00:33:03,460 IN A COUPLE HOURS. 738 00:33:03,460 --> 00:33:04,500 WAIT, THAT'S IT? 739 00:33:04,500 --> 00:33:05,500 I'M IN A GOOD MOOD. 740 00:33:08,960 --> 00:33:10,000 DID YOU HEAR THAT? 741 00:33:10,000 --> 00:33:11,760 SHE SAID YOU'VE GOT A COUPLE HOURS. 742 00:33:11,760 --> 00:33:13,180 THAT PRETTY MUCH 743 00:33:13,180 --> 00:33:14,970 MEANS TO ME WE CAN DO WHATEVER THE HECK YOU WANT. 744 00:33:16,220 --> 00:33:17,800 YEAH, I GUESS YOU'RE RIGHT. 745 00:33:17,800 --> 00:33:19,130 SO... WHAT'LL IT BE? 746 00:33:32,740 --> 00:33:34,860 I'M THE WORST ROOMMATE EVER, 747 00:33:34,860 --> 00:33:37,240 AND YOU HAVE BEEN SO GREAT TO ME. 748 00:33:37,240 --> 00:33:38,610 I WOULDN'T EVEN HAVE AN INTERPRETER 749 00:33:38,610 --> 00:33:39,610 IF IT WEREN'T FOR YOU. 750 00:33:40,960 --> 00:33:42,000 I'VE JUST 751 00:33:42,000 --> 00:33:44,210 BEEN REALLY CAUGHT UP IN MY OWN STUFF. 752 00:33:46,330 --> 00:33:47,500 I'M SO SORRY. 753 00:33:48,790 --> 00:33:50,720 YOU HAVE A LOT GOING ON. 754 00:33:50,720 --> 00:33:52,260 I MEAN, YOU ARE PRE-MED. 755 00:33:55,260 --> 00:33:57,470 WELL, I'M NOT GONNA MAKE A VERY GOOD DOCTOR 756 00:33:57,470 --> 00:33:58,510 IF I CAN'T EVEN TELL 757 00:33:58,510 --> 00:34:01,270 WHEN THE PEOPLE AROUND ME ARE HURTING. 758 00:34:03,180 --> 00:34:04,180 IT'S JUST... 759 00:34:05,810 --> 00:34:06,890 ASL. 760 00:34:07,940 --> 00:34:09,890 IT'S WAY FASTER THAN I THOUGHT IT'D BE. 761 00:34:09,890 --> 00:34:12,690 I'M PRETTY GOOD ONE-ON-ONE, BUT... 762 00:34:13,820 --> 00:34:15,820 (sighs) WHEN EVERYONE'S TOGETHER 763 00:34:17,610 --> 00:34:19,030 I'M TOTALLY LOST. 764 00:34:20,910 --> 00:34:23,330 THAT'S LIKE ME IN CHEMISTRY MOST THE TIME. 765 00:34:27,910 --> 00:34:29,460 YOU KNOW, I'M STARTING TO THINK 766 00:34:29,460 --> 00:34:31,260 COMING HERE WAS A HUGE MISTAKE. 767 00:34:31,260 --> 00:34:32,300 NO! 768 00:34:32,300 --> 00:34:33,300 NO. 769 00:34:34,340 --> 00:34:35,420 YOU'RE GONNA BE FINE, 770 00:34:35,420 --> 00:34:36,510 BECAUSE I'M GONNA HELP YOU. 771 00:34:37,710 --> 00:34:39,010 WE'RE ROOMMATES. 772 00:34:39,800 --> 00:34:41,560 WE LOOK OUT FOR EACH OTHER, RIGHT? 773 00:34:44,020 --> 00:34:45,770 Serena: HEY. WE GOT TO BOOK IT. 774 00:34:45,770 --> 00:34:47,220 MUD RUN'S IN 10 MINUTES. 775 00:34:49,890 --> 00:34:51,650 WHAT'S THAT ALL ABOUT? 776 00:34:52,900 --> 00:34:54,230 THE DORM TRIATHLON. 777 00:34:54,230 --> 00:34:56,780 THE FINAL EVENT IS A MUD RUN. 778 00:34:56,780 --> 00:34:57,820 OH, THAT'S COOL. 779 00:34:57,820 --> 00:34:58,860 I DID THAT ONCE 780 00:34:58,860 --> 00:35:00,830 IN MY SUMMER CAMP. 781 00:35:07,000 --> 00:35:08,160 Iris: ARE YOU SURE ABOUT THIS? 782 00:35:08,160 --> 00:35:10,000 I NEVER SAID I WAS GREAT AT IT. 783 00:35:10,000 --> 00:35:12,750 IF WE LOSE, EVERYONE WILL HATE ME. 784 00:35:12,750 --> 00:35:14,130 NO, THEY WON'T. 785 00:35:14,130 --> 00:35:16,510 IF WE LOSE, WE LOSE. 786 00:35:16,510 --> 00:35:18,340 AT LEAST WE'LL GO DOWN AS A TEAM. 787 00:35:20,010 --> 00:35:21,430 OKAY, SO... 788 00:35:21,430 --> 00:35:23,760 YOU'RE THE ONLY ONE OF US WHO'S DONE THIS BEFORE. 789 00:35:23,760 --> 00:35:25,140 DO YOU HAVE ANY ADVICE? 790 00:35:43,910 --> 00:35:45,080 Serena: OKAY! 791 00:35:46,620 --> 00:35:48,040 EVERYONE, ON THEIR MARKS. 792 00:36:02,390 --> 00:36:03,390 SET. 793 00:36:05,560 --> 00:36:06,680 GO! 794 00:36:06,680 --> 00:36:09,970 ♪ LET'S GO, GET IT LIKE A HIT AND RUN ♪ 795 00:36:09,970 --> 00:36:11,400 (both teams cheering) 796 00:36:11,400 --> 00:36:12,900 -WHOO! -LET'S GO! 797 00:36:12,900 --> 00:36:14,270 Mingo: YES, ONE, TWO. GO! 798 00:36:14,270 --> 00:36:15,730 COME ON, TRAVIS! 799 00:36:15,730 --> 00:36:16,770 COME ON! 800 00:36:16,770 --> 00:36:19,650 ♪ I'M NOT COMING, BETTER RUN AND HIDE ♪ 801 00:36:19,650 --> 00:36:23,620 ♪ I KNOW THEY WANT ME DEAD OR ALIVE ♪ 802 00:36:23,620 --> 00:36:24,660 GO, TRAVIS! 803 00:36:24,660 --> 00:36:27,030 ♪ DRIVE THROUGH THE FASHION LIFE ♪ 804 00:36:27,030 --> 00:36:31,460 ♪ LIFE LIGHTS UP WHEN YOU CALL MY NAME ♪ 805 00:36:31,460 --> 00:36:34,670 ♪ SKIES FALLING, AND THE EARTH WILL SHAKE ♪ 806 00:36:34,670 --> 00:36:38,380 ♪ NON-STOP, DON'T YOU MISBEHAVE ♪ 807 00:36:38,380 --> 00:36:40,550 ♪ 'CAUSE I, 'CAUSE I, ♪ 808 00:36:40,550 --> 00:36:43,840 ♪ 'CAUSE I WON'T SURRENDER ♪ 809 00:36:43,840 --> 00:36:46,050 ♪ I WON'T SURRENDER ♪ 810 00:36:46,050 --> 00:36:47,050 (Daphne grunts) 811 00:36:50,010 --> 00:36:51,060 Teammate: DAPHNE, GO! 812 00:36:51,060 --> 00:36:52,730 (teams cheering) 813 00:36:52,730 --> 00:36:55,980 ♪ EVERYBODY GONNA KNOW MY FACE ♪ 814 00:36:55,980 --> 00:36:59,310 ♪ IT'S GONNA HIT YOU LIKE THE ACE OF SPADES ♪ 815 00:36:59,310 --> 00:37:02,280 ♪ I WALK AROUND LIKE I OWN THE PLACE ♪ 816 00:37:02,280 --> 00:37:03,990 ♪ GONNA GO, GO, GO GET 'EM ♪ 817 00:37:03,990 --> 00:37:06,070 ♪ MAKING NO MISTAKES ♪ 818 00:37:06,070 --> 00:37:10,420 ♪ LIFE LIGHTS UP WHEN YOU CALL MY NAME ♪ 819 00:37:10,420 --> 00:37:13,170 ♪ SKIES FALLING AND THE EARTH WILL SHAKE ♪ 820 00:37:15,040 --> 00:37:17,210 WHOO! COME ON, IRIS! 821 00:37:17,210 --> 00:37:18,500 WHAT THE HELL WAS THAT? 822 00:37:18,500 --> 00:37:20,170 YOU TOTALLY CHEATED. 823 00:37:20,170 --> 00:37:23,220 YOU NEVER SAID WE COULDN'T MAKE CONTACT. 824 00:37:23,220 --> 00:37:26,970 (both teams cheering) 825 00:37:31,150 --> 00:37:33,810 (singer vocalizing) 826 00:37:37,890 --> 00:37:39,850 AW, COME ON! HURRY UP! 827 00:37:39,850 --> 00:37:41,450 -Mingo: DON'T LOSE! -Daphne: COME ON! 828 00:37:41,450 --> 00:37:43,660 (Team 2B cheering) 829 00:37:43,660 --> 00:37:45,530 YEAH! HA! YES! 830 00:37:47,860 --> 00:37:48,860 YES! 831 00:37:48,860 --> 00:37:50,960 WELL, I GUESS YOU GUYS WIN. CONGRATULATIONS. 832 00:37:50,960 --> 00:37:52,500 THANKS. 833 00:37:52,500 --> 00:37:54,210 SO THAT'S WHAT YOUR SMILE LOOKS LIKE. 834 00:37:55,290 --> 00:37:56,580 KNEW IT HAD TO BE IN THERE SOMEWHERE. 835 00:37:56,580 --> 00:38:00,720 ♪ 'CAUSE I, 'CAUSE I WON'T SURRENDER ♪ 836 00:38:06,760 --> 00:38:08,010 THERE YOU ARE. 837 00:38:08,010 --> 00:38:08,800 (door closes) 838 00:38:08,800 --> 00:38:09,800 HI. 839 00:38:11,230 --> 00:38:12,640 HEY, IS EVERYTHING OKAY? 840 00:38:12,640 --> 00:38:14,350 OH, YEAH, YEAH, YEAH. FINE. 841 00:38:14,350 --> 00:38:16,060 UM, I WAS JUST WONDERING IF YOU ENDED UP TAKING 842 00:38:16,060 --> 00:38:17,390 THOSE BOXES TO THE CHURCH. 843 00:38:17,390 --> 00:38:19,930 OH, ACTUALLY I DIDN'T GET A CHANCE TO GET THERE TODAY. 844 00:38:19,930 --> 00:38:20,990 SO... 845 00:38:20,990 --> 00:38:22,530 THEY'RE STILL HERE. 846 00:38:24,440 --> 00:38:25,820 ARE YOU OKAY? 847 00:38:25,820 --> 00:38:26,860 DID SOMETHING HAPPEN? 848 00:38:26,860 --> 00:38:28,030 I JUST-- 849 00:38:28,030 --> 00:38:29,440 (sighs) 850 00:38:29,440 --> 00:38:31,710 I MISS ANGELO MORE THAN I THOUGHT. 851 00:38:31,710 --> 00:38:33,620 I'M NOT READY TO GIVE UP HIS STUFF YET. 852 00:38:34,790 --> 00:38:35,790 SURE. 853 00:38:37,870 --> 00:38:41,300 I'LL GET JOHN AND WE'LL HELP YOU BRING THEM BACK UPSTAIRS. 854 00:38:42,300 --> 00:38:43,420 OKAY. 855 00:38:56,180 --> 00:38:58,100 I WANT TO SHOW YOU THIS. 856 00:39:02,030 --> 00:39:04,570 IT SURE BEATS TAYLOR'S DOUCHEY WRAP PARTY, HUH? 857 00:39:05,940 --> 00:39:07,480 UP THERE, FOURTH ONE, DOWN. 858 00:39:17,750 --> 00:39:19,750 WE'RE STANDING RIGHT WHERE 859 00:39:19,750 --> 00:39:23,260 THE BATES MOTEL SHOWER WAS BUILT. 860 00:39:23,260 --> 00:39:24,800 (chuckles) 861 00:39:27,920 --> 00:39:30,890 THAT STUPID THING WITH THE LENS, 862 00:39:30,890 --> 00:39:32,770 I SHOULD HAVE FOUGHT BACK. 863 00:39:37,180 --> 00:39:40,270 AND I SHOULD HAVE STOOD UP FOR YOU. 864 00:39:40,270 --> 00:39:41,900 I'M REALLY SORRY ABOUT THAT. 865 00:39:54,290 --> 00:39:55,330 HEY. 866 00:39:55,330 --> 00:39:56,910 LET'S AGREE 867 00:39:56,910 --> 00:39:58,740 RIGHT HERE, RIGHT NOW. 868 00:39:58,740 --> 00:40:01,840 THAT WE'LL NEVER TAKE CRAP FROM GUYS LIKE THAT AGAIN. 869 00:40:08,460 --> 00:40:09,500 (giggles) 870 00:40:09,500 --> 00:40:10,970 MM. 871 00:40:10,970 --> 00:40:12,720 TO US! 872 00:40:12,720 --> 00:40:15,010 A DEAF DIRECTOR 873 00:40:15,010 --> 00:40:17,640 AND A LADY D.P., 874 00:40:17,640 --> 00:40:18,890 BOTH FIGHTING THE ODDS. 875 00:40:18,890 --> 00:40:20,820 YEAH? (laughs) 876 00:40:20,820 --> 00:40:22,110 MMM! 877 00:40:22,110 --> 00:40:25,020 WAIT, WE HAVE TO CAPTURE THE MOMENT. 878 00:40:28,320 --> 00:40:29,320 OKAY. 879 00:40:30,910 --> 00:40:31,910 (camera shutter clicks) 880 00:40:38,570 --> 00:40:39,620 I'M SO SORRY. 881 00:40:39,620 --> 00:40:41,840 I DON'T KNOW WHY I DID THAT. 882 00:40:41,840 --> 00:40:44,580 I HAVE A BOYFRIEND, TOO, 883 00:40:44,580 --> 00:40:46,380 IN INDIANA. 884 00:40:49,420 --> 00:40:52,010 WELL, WE SHOULD PROBABLY GO. 885 00:40:52,010 --> 00:40:54,470 UM, DON'T WANT TO GET BUSTED BY SECURITY. 886 00:41:01,150 --> 00:41:02,600 (all cheering) 887 00:41:04,230 --> 00:41:05,980 WOW! YEAH! 888 00:41:07,100 --> 00:41:09,520 YOU'RE RIGHT, SHE'S CLEARLY TORTURING HERSELF. 889 00:41:09,520 --> 00:41:11,410 WHAT ARE YOU GUYS DOING HERE? 890 00:41:11,410 --> 00:41:12,660 AH, WELL, I CAME HERE 891 00:41:12,660 --> 00:41:14,110 TO APOLOGIZE TO YOU. 892 00:41:14,110 --> 00:41:17,410 BUT NOW I REALIZE I DON'T NEED TO DO THAT, SO... 893 00:41:17,410 --> 00:41:18,700 PLEASE, BAY, WAIT. 894 00:41:18,700 --> 00:41:21,830 LISTEN, YOU HAVE EVERY RIGHT TO BE MAD AT ME. 895 00:41:21,830 --> 00:41:23,790 I SHOULD HAVE NEVER LET YOU TAKE THE FALL. 896 00:41:24,790 --> 00:41:27,120 I JUST WISH THAT WE COULD GO BACK TO THAT DAY 897 00:41:27,120 --> 00:41:28,920 AND DO IT ALL OVER SOMEHOW. 898 00:41:28,920 --> 00:41:30,840 YEAH, WELL, WE CAN'T. 899 00:41:45,350 --> 00:41:46,810 ARE YOU KIDDING ME? 900 00:41:49,940 --> 00:41:52,110 OH, MY-- NO! 901 00:41:52,110 --> 00:41:53,150 STOP IT! 902 00:41:53,150 --> 00:41:54,200 MAKE ME. 903 00:41:54,200 --> 00:41:55,530 DAPHNE! (groans) 904 00:41:56,570 --> 00:41:58,200 (grunts) 905 00:41:59,200 --> 00:42:00,240 AH! 906 00:42:00,240 --> 00:42:02,830 HEY, WHATEVER THIS IS, 907 00:42:02,830 --> 00:42:03,870 COUNT ME OUT! 908 00:42:03,870 --> 00:42:06,000 ♪ DO, DO, DO, DO, DO, DO, DO ♪ 909 00:42:06,000 --> 00:42:07,580 OKAY, I'LL DO THAT. 910 00:42:07,580 --> 00:42:08,620 NO, NO! 911 00:42:08,620 --> 00:42:10,970 (all squealing, laughing) 912 00:42:10,970 --> 00:42:13,090 ♪ DO, DO, DO, DO, DO, DO, DO ♪ 913 00:42:13,090 --> 00:42:15,010 ♪ DO, DO, DO, DO, DO, DO, DO ♪ 914 00:42:15,010 --> 00:42:16,090 ♪ DO, DO, DO, DO, DO ♪ 915 00:42:16,090 --> 00:42:19,260 ♪ DO WHATEVER MAKES YOU HAPPY ♪ 916 00:42:21,390 --> 00:42:23,810 (dramatic music playing) 59146

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