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These are the user uploaded subtitles that are being translated: 1 00:00:05,850 --> 00:00:07,560 PREVIOUSLY ON SWITCHED AT BIRTH... 2 00:00:07,560 --> 00:00:09,030 PEOPLE ARE CALLING YOU LA MALINCHE. 3 00:00:09,030 --> 00:00:10,240 CORTES' WHORE? 4 00:00:10,240 --> 00:00:12,820 WHAT HAPPENS WHEN YOUR LANDLORDS DOUBLE OUR RENT? 5 00:00:12,820 --> 00:00:14,910 I PULLED OUT OF EAST RIVERSIDE. 6 00:00:14,910 --> 00:00:16,950 -I'M IRIS. -DAPHNE. 7 00:00:16,950 --> 00:00:18,420 I'M IN THE INTERPRETER PROGRAM. 8 00:00:18,420 --> 00:00:19,750 DO YOU KNOW A GUY NAMED ROBBIE? 9 00:00:19,750 --> 00:00:20,960 YES, I KNOW WHO YOU'RE TALKING ABOUT. 10 00:00:20,960 --> 00:00:22,580 IS THERE SOMEWHERE I CAN LEAVE THIS FOR HIM? 11 00:00:22,580 --> 00:00:23,920 WHY DON'T I JUST GIVE IT TO HIM? 12 00:00:23,920 --> 00:00:25,420 DIDN'T I MAKE IT CLEAR THAT I'M WITH HIM? 13 00:00:25,420 --> 00:00:26,620 STAY AWAY FROM HIM. 14 00:00:26,620 --> 00:00:29,430 YOU DIDN'T KNOW THAT THE TURKEY SANDWICH THAT YOU SO STUPIDLY HANDED OVER 15 00:00:29,430 --> 00:00:31,970 TO AN INMATE HAD A BAG OF HEROIN STUFFED INSIDE IT? 16 00:00:31,970 --> 00:00:33,050 OH MY GOD. 17 00:00:33,050 --> 00:00:36,010 YOU JUST BECAME AN ACCESSORY TO A FELONY DRUG DEAL. 18 00:00:36,010 --> 00:00:39,390 PROFESSOR MARILLO, I HEARD THAT YOUR "CHEMISTRY I" CLASS WAS FILLED, 19 00:00:39,390 --> 00:00:41,850 AND I WAS HOPING TO PERSUADE YOU TO LET ME IN. 20 00:00:41,850 --> 00:00:43,060 YOU HAVE AN INTERPRETER? 21 00:00:43,060 --> 00:00:45,180 WE GO 90 MILES AN HOUR. 22 00:00:45,180 --> 00:00:47,600 GET SOMEONE WHO KNOWS WHAT THE HELL THEY'RE TALKING ABOUT, 23 00:00:47,600 --> 00:00:48,820 OR YOU WILL DROWN. 24 00:00:48,820 --> 00:00:51,490 JOSH, THIS IS MY ROOMMATE DAPHNE. 25 00:00:51,490 --> 00:00:53,070 I HAVE A PROPOSITION FOR YOU. 26 00:00:53,070 --> 00:00:55,820 WE WILL TEXT CONSTANTLY. 27 00:00:59,080 --> 00:01:00,290 IT'S THE RIGHT DECISION. 28 00:01:05,000 --> 00:01:07,540 -♪ WHETHER YOU'RE A BEGGAR OR A THIEF ♪ -(phone buzzing) 29 00:01:08,880 --> 00:01:12,630 ♪ WHETHER YOU'RE AN ANGEL ON THEIR SLEEVE ♪ 30 00:01:12,630 --> 00:01:15,090 ♪ WHETHER YOU ARE RICH OR SMALL ♪ 31 00:01:16,260 --> 00:01:19,980 ♪ WHETHER YOU HAVE FELL OR WILL FALL ♪ 32 00:01:19,980 --> 00:01:22,310 ♪ WHETHER YOU'VE BEEN BEATEN OR DONE THE BRUISING ♪ 33 00:01:22,310 --> 00:01:23,520 (whooshes) 34 00:01:23,520 --> 00:01:25,890 ♪ WHETHER YOU HAVE LOST YOUR WAY ♪ 35 00:01:27,180 --> 00:01:29,570 ♪ WHETHER YOU HAVE DOUBTED ME ♪ 36 00:01:30,820 --> 00:01:34,230 ♪ WHETHER YOU ARE DIRTY OR CLEAN ♪ 37 00:01:34,230 --> 00:01:37,900 ♪ WHETHER YOU'RE A SINNER, WHETHER YOU'RE A SAINT ♪ 38 00:01:37,900 --> 00:01:43,450 ♪ I WILL LOVE YOU EVERY STEP OF THE WAY ♪ 39 00:01:43,450 --> 00:01:45,450 ♪ I WILL LOVE YOU ♪ 40 00:01:46,950 --> 00:01:49,380 ♪ EVERY STEP OF THE WAY ♪ 41 00:01:50,550 --> 00:01:52,630 ♪ I WILL LOVE YOU ♪ 42 00:01:52,630 --> 00:01:56,880 ♪ I WILL LOVE YOU EVERY STEP OF THE WAY ♪ 43 00:02:01,760 --> 00:02:04,060 ♪ EVERY STEP OF THE WAY ♪ 44 00:02:07,020 --> 00:02:11,030 ♪ YEAH, I WILL LOVE YOU EVERY STEP OF THE WAY ♪ 45 00:02:19,830 --> 00:02:23,240 -HEY. HEY, GOOD MORNING. -NO, IT'S NOT. 46 00:02:23,240 --> 00:02:25,740 -I HAVE CLASS IN 10 MINUTES. -WHAT HAPPENED? 47 00:02:25,740 --> 00:02:29,790 I WANTED TO GET A FULL EIGHT HOURS BEFORE MY FIRST CHEM CLASS, 48 00:02:29,790 --> 00:02:31,750 AND I TOOK A SLEEPING PILL. 49 00:02:31,750 --> 00:02:33,550 -UH-OH. -IT COMPLETELY KNOCKED ME OUT. 50 00:02:33,550 --> 00:02:35,710 I THINK I TURNED OFF MY ALARM AND WENT BACK TO SLEEP. 51 00:02:35,710 --> 00:02:36,960 I'M SORRY. CAN I HELP? 52 00:02:36,960 --> 00:02:38,970 NO. I'LL SEE YOU LATER. 53 00:02:38,970 --> 00:02:40,930 (rock music playing) 54 00:02:49,400 --> 00:02:50,650 (door slams) 55 00:03:04,530 --> 00:03:05,910 ARE YOU GOING TO THE GYM? 56 00:03:11,590 --> 00:03:13,920 UH, I DON'T UNDERSTAND. 57 00:03:13,920 --> 00:03:16,830 I WOULDN'T COME TO TEACH WEARING SWEATPANTS. 58 00:03:16,830 --> 00:03:19,220 I ASK FOR THE SAME RESPECT FROM YOU. 59 00:03:20,470 --> 00:03:21,970 OF COURSE. 60 00:03:21,970 --> 00:03:23,220 I'M SO SORRY. 61 00:03:23,220 --> 00:03:25,180 MIGHT BE A GOOD TIME 62 00:03:25,180 --> 00:03:27,680 TO GO OVER MY OTHER RULES. 63 00:03:28,690 --> 00:03:31,150 NO PHONES. 64 00:03:31,150 --> 00:03:32,310 NO FOOD. 65 00:03:32,310 --> 00:03:33,730 NO DRINK. 66 00:03:34,900 --> 00:03:36,020 NO GUM. 67 00:03:36,940 --> 00:03:40,530 UGH, HATE GUM. HATE IT. 68 00:03:41,780 --> 00:03:44,990 THIS IS 90 MINUTES FOR CHEMISTRY, 69 00:03:44,990 --> 00:03:47,820 AND THIS MATERIAL TAKES A LOT OF FOCUS. 70 00:03:47,820 --> 00:03:50,460 COMING LATE, TEXTING, EATING-- 71 00:03:50,460 --> 00:03:52,580 ALL OF THAT TAKES AWAY CONCENTRATION 72 00:03:52,580 --> 00:03:53,870 FROM THE OTHER STUDENTS. 73 00:03:55,170 --> 00:03:57,580 MR. PADDEN, YOU'RE BACK. 74 00:03:59,760 --> 00:04:01,930 I'M NOT IN THE CLASS. 75 00:04:03,050 --> 00:04:05,090 JUST INTERPRETING. 76 00:04:05,090 --> 00:04:06,380 YOU KNOW SIGN LANGUAGE? 77 00:04:07,380 --> 00:04:09,150 MY PARENTS ARE DEAF. 78 00:04:10,390 --> 00:04:13,350 WELL, WHATEVER LANGUAGE YOU USE, 79 00:04:13,350 --> 00:04:15,440 LET'S TRY TO KEEP IT CIVIL, SHALL WE? 80 00:04:18,610 --> 00:04:21,320 OFFICE HOURS ARE 81 00:04:21,320 --> 00:04:23,160 TUESDAY, THURSDAY, NOON TO 2:00, 82 00:04:23,160 --> 00:04:24,400 SCIENCES BUILDING. 83 00:04:24,400 --> 00:04:25,990 NOW, TECHNICALLY I'M THERE TO ANSWER 84 00:04:25,990 --> 00:04:27,900 ANY QUESTIONS ABOUT THE WEEK'S MATERIAL, 85 00:04:27,900 --> 00:04:30,580 BUT IF YOU WANT TO COME AND TALK TO ME ABOUT... 86 00:04:30,580 --> 00:04:32,830 FRENCH BULLDOGS, OR CLAUDE DEBUSSY, 87 00:04:32,830 --> 00:04:35,790 OR THE SCIENCE OF LOVE-- 88 00:04:35,790 --> 00:04:39,340 WHICH JUST HAPPENS TO HAVE BEEN MY PhD THESIS TOPIC, 89 00:04:39,340 --> 00:04:40,630 GREAT TOPIC-- 90 00:04:40,630 --> 00:04:42,840 I'M VERY HAPPY TO TALK ABOUT ANY OF THAT. 91 00:04:42,840 --> 00:04:44,800 IF THE HOURS DON'T WORK FOR YOU, 92 00:04:44,800 --> 00:04:48,010 LET ME KNOW. WE WILL WORK SOMETHING OUT. 93 00:04:49,020 --> 00:04:50,480 ANY QUESTIONS SO FAR? 94 00:04:56,060 --> 00:04:58,990 (theme music playing) 95 00:05:05,780 --> 00:05:07,820 SO, DO YOU WANT SOME BREAKFAST? 96 00:05:07,820 --> 00:05:10,370 OH, THANKS, BUT I SHOULD GET BAY TO HER GIG ON TIME. 97 00:05:10,370 --> 00:05:12,250 -OH. -THANK YOU. 98 00:05:12,250 --> 00:05:14,540 -HEY. -THERE'S OUR LITTLE COMMUNITY SERVANT. 99 00:05:14,540 --> 00:05:16,080 YOU READY TO GO? 100 00:05:16,080 --> 00:05:17,830 -YOU'RE DRIVING ME? -YEAH. 101 00:05:17,830 --> 00:05:20,010 THE CORRECTIONS OFFICE IS ON MY WAY TO K&D. 102 00:05:20,010 --> 00:05:21,960 OH, UM... 103 00:05:21,960 --> 00:05:23,590 DAD COULD DRIVE ME. RIGHT, DAD? 104 00:05:23,590 --> 00:05:24,720 Regina: WHY? 105 00:05:24,720 --> 00:05:28,470 THE DROP OFF IS NOT AT THE CORRECTIONS OFFICE TODAY. 106 00:05:28,470 --> 00:05:29,970 IT'S IN EAST RIVERSIDE. 107 00:05:29,970 --> 00:05:31,600 I DIDN'T THINK YOU'D WANT TO GO. 108 00:05:31,600 --> 00:05:32,850 (sighs) 109 00:05:32,850 --> 00:05:34,970 IT'S BEEN MONTHS. I'LL BE FINE. 110 00:05:35,970 --> 00:05:37,020 HERE YOU GO, HONEY. 111 00:05:37,020 --> 00:05:39,780 HAVE A GOOD DAY AND DON'T TAKE ANYTHING FROM STRANGERS, 112 00:05:39,780 --> 00:05:42,240 ACTUALLY, BECAUSE OF SOMEONE, 113 00:05:42,240 --> 00:05:43,940 WE'RE NOT ALLOWED TO BRING LUNCH ANYMORE. 114 00:05:43,940 --> 00:05:45,480 THEY'RE FEEDING US. 115 00:05:45,480 --> 00:05:47,110 -THANKS ANYWAY. -OH. 116 00:05:48,490 --> 00:05:49,870 THANK YOU. 117 00:05:49,870 --> 00:05:51,160 -SEE YOU LATER. -BYE. 118 00:05:51,160 --> 00:05:53,580 HEY, YOU KNOW WHAT? WE SHOULD HAVE LUNCH AT THE CLUB. 119 00:05:53,580 --> 00:05:55,830 THAT MOVIE PRODUCER IS COMING OVER FOR COFFEE, 120 00:05:55,830 --> 00:05:57,660 AND I HAVE TO GET THINGS READY, SO... 121 00:05:57,660 --> 00:05:58,920 BATTER UP, THE MOVIE, 122 00:05:58,920 --> 00:06:01,260 COMING SOON TO A THEATER NEAR YOU. 123 00:06:01,260 --> 00:06:03,800 ACTUALLY, HE EMAILED ME THIS MORNING, 124 00:06:03,800 --> 00:06:05,880 AND HE WAS WONDERING IF YOU WERE GONNA BE HERE. 125 00:06:05,880 --> 00:06:07,170 HE WANTS TO MEET YOU. 126 00:06:07,170 --> 00:06:09,270 REALLY? WHY? 127 00:06:09,270 --> 00:06:11,680 WHY DO PEOPLE ALWAYS WANT TO MEET JOHN KENNISH? 128 00:06:11,680 --> 00:06:14,890 ALL RIGHT, I'LL DUST OFF A WAR STORY OR TWO. 129 00:06:15,970 --> 00:06:17,930 LIKE THAT'LL BE HARD TO DO. 130 00:06:17,930 --> 00:06:20,900 HISTORY TELLS ME THAT ONE-THIRD OF YOU 131 00:06:20,900 --> 00:06:22,900 WILL FAIL. 132 00:06:22,900 --> 00:06:24,900 OF THE REMAINING TWO-THIRDS, 133 00:06:24,900 --> 00:06:27,820 FEW OF YOU WILL MAKE ABOVE A "C." 134 00:06:27,820 --> 00:06:30,450 AT LEAST ONE OF YOU IS GOING TO CRY 135 00:06:30,450 --> 00:06:32,870 AT SOME POINT DURING THIS CLASS. 136 00:06:32,870 --> 00:06:34,530 OH, AND SEVERAL OF YOU 137 00:06:34,530 --> 00:06:37,080 WILL HAVE A GRANDMOTHER DIE THE NIGHT BEFORE 138 00:06:37,080 --> 00:06:41,630 OR THE MORNING OF THE MIDTERM. YOU HAVE MY CONDOLENCES IN ADVANCE, 139 00:06:41,630 --> 00:06:47,250 BUT NO, YOU WILL NOT BE EXEMPT FROM TAKING THE EXAM. 140 00:06:47,250 --> 00:06:49,850 I DON'T BELIEVE IN EXCUSES, 141 00:06:49,850 --> 00:06:52,390 OR LENIENCY, OR WIGGLE ROOM. 142 00:06:52,390 --> 00:06:53,890 CHEMISTRY... 143 00:06:53,890 --> 00:06:55,720 -IT IS AN EXACT... -(claps) 144 00:06:55,720 --> 00:06:57,720 -EXCUSE ME? -...SCIENCE GOVERNED BY LAWS 145 00:06:57,720 --> 00:06:58,900 AND RULES. 146 00:06:58,900 --> 00:07:01,150 IT'S JUST REALLY DISTRACTING. 147 00:07:01,150 --> 00:07:04,150 I LIKE TO THINK I RUN THIS CLASS WITH SIMILAR CLARITY... 148 00:07:04,150 --> 00:07:05,650 Regina: ARE YOU SURE THIS IS IT? 149 00:07:05,650 --> 00:07:07,940 Bay: IN THE ALLEY AROUND BACK. 150 00:07:13,030 --> 00:07:14,160 Regina: BYE. 151 00:07:18,450 --> 00:07:19,630 OOH. 152 00:07:19,630 --> 00:07:20,840 DAMN IT. 153 00:07:20,840 --> 00:07:22,880 (sighs) 154 00:07:22,880 --> 00:07:24,920 (soft blues playing) 155 00:07:31,640 --> 00:07:33,010 HELLO? 156 00:07:37,800 --> 00:07:41,230 HI, I'M LOOKING FOR THE OWNER OF THE MOTORCYCLE PARKED OUT FRONT. 157 00:07:41,230 --> 00:07:42,810 (sighs) GREAT. 158 00:07:44,060 --> 00:07:45,650 I'M SORRY. 159 00:07:45,650 --> 00:07:46,770 IS IT YOURS? 160 00:07:46,770 --> 00:07:48,660 I... 161 00:07:48,660 --> 00:07:49,990 SORT OF TAPPED IT. 162 00:07:52,990 --> 00:07:54,240 LOOKS LIKE MORE THAN A TAP. 163 00:07:54,240 --> 00:07:55,820 I-I HAVE INSURANCE. 164 00:07:55,820 --> 00:07:57,740 STILL NOT WHAT I NEED RIGHT NOW. 165 00:07:59,000 --> 00:08:00,460 YOU CAN WRITE DOWN YOUR INFO HERE. 166 00:08:00,460 --> 00:08:01,750 OF COURSE. 167 00:08:05,330 --> 00:08:07,420 WELL, AT LEAST YOU DIDN'T KEEP GOING. 168 00:08:07,420 --> 00:08:09,050 THAT WOULD BE A HIT AND RUN. 169 00:08:09,050 --> 00:08:10,130 ONLY IF YOU GOT CAUGHT. 170 00:08:13,340 --> 00:08:15,260 THIS PLACE YOURS? I'VE NEVER SEEN IT BEFORE. 171 00:08:15,260 --> 00:08:16,840 IT WAS A BOOT AND SHOE PLACE. 172 00:08:19,230 --> 00:08:20,560 RIGHT. 173 00:08:22,980 --> 00:08:25,190 -YOU LIVE AROUND HERE? -I USED TO. 174 00:08:25,190 --> 00:08:26,980 I GOT THIS PLACE ON THE CHEAP ABOUT SIX WEEKS AGO. 175 00:08:27,980 --> 00:08:29,780 -LUCKY YOU. -YEAH. 176 00:08:29,780 --> 00:08:32,110 I GUESS SOME BIG, NEW DEVELOPMENT WAS SUPPOSED TO GO UP ACROSS THE STREET, 177 00:08:32,110 --> 00:08:35,280 BUT IT TANKED, TAKING THE PROPERTY VALUES DOWN WITH IT. 178 00:08:35,280 --> 00:08:36,910 I THINK I HEARD SOMETHING ABOUT THAT. 179 00:08:38,110 --> 00:08:40,870 IS THAT MACHINE WORKING? CAN I GET A CUP OF COFFEE? 180 00:08:40,870 --> 00:08:41,870 SURE. 181 00:08:44,120 --> 00:08:45,620 I LIKE THE NAME, 182 00:08:45,620 --> 00:08:46,870 "CRACKED MUG." 183 00:08:46,870 --> 00:08:48,330 IT FEELS RIGHT FOR THIS NEIGHBORHOOD. 184 00:08:49,430 --> 00:08:51,170 CRACKED BUT STILL HERE. 185 00:08:51,170 --> 00:08:53,260 YEAH, JUST LIKE ME. 186 00:08:53,260 --> 00:08:54,260 ME TOO. 187 00:08:58,130 --> 00:09:01,230 SO, HAVE YOU OWNED OTHER COFFEEHOUSES BEFORE? 188 00:09:01,230 --> 00:09:03,640 NO, NOT COFFEEHOUSES, 189 00:09:03,640 --> 00:09:04,980 BUT OTHER BUSINESSES. 190 00:09:04,980 --> 00:09:07,600 AND I HAVE A LOT OF OPINIONS ABOUT COFFEE. 191 00:09:07,600 --> 00:09:09,110 LIKE...? 192 00:09:09,110 --> 00:09:13,320 WELL, EVERYONE'S VERY PARTICULAR ABOUT THE KIND OF MUG THEY WANT THEIR COFFEE IN. 193 00:09:13,320 --> 00:09:15,900 SOME PEOPLE LIKE IT TALL AND SKINNY TO KEEP IT HOT. 194 00:09:15,900 --> 00:09:18,070 OTHER PEOPLE LIKE IT SHORT AND BIG 195 00:09:18,070 --> 00:09:19,830 TO WRAP THEIR HANDS AROUND. 196 00:09:19,830 --> 00:09:20,830 SOME PEOPLE LIKE HANDLES. 197 00:09:20,830 --> 00:09:23,250 OTHER PEOPLE LIKE THE LITTLE CHINESE CUPS. 198 00:09:23,250 --> 00:09:25,500 I WANTED A PLACE WHERE YOU COULD REQUEST THE KIND OF MUG YOU WANT. 199 00:09:26,540 --> 00:09:28,000 -THAT'S COOL. -YEAH. 200 00:09:29,300 --> 00:09:32,260 I WAS THINKING OF PUTTING A CHESS AND CHECKERS SET OVER IN ONE CORNER. 201 00:09:33,260 --> 00:09:34,670 OH, DOMINOES TOO. 202 00:09:34,670 --> 00:09:36,590 THE OLD FOLKS AROUND HERE LOVE TO PLAY DOMINOES. 203 00:09:36,590 --> 00:09:37,800 THANKS. 204 00:09:37,800 --> 00:09:39,560 I, UM... 205 00:09:39,560 --> 00:09:42,640 DON'T KNOW MY LICENSE PLATE NUMBER BY HEART. I'LL BE RIGHT BACK. 206 00:09:42,640 --> 00:09:44,020 -OKAY. -'KAY. 207 00:09:48,860 --> 00:09:50,780 Man: LISTEN UP, I GOT AN ANNOUNCEMENT. 208 00:09:51,940 --> 00:09:53,940 BECAUSE OF A RECENT INCIDENT... 209 00:09:56,730 --> 00:09:58,870 TODAY THERE'S SOME NEW RULES. 210 00:09:58,870 --> 00:10:00,870 NO FRATERNIZING WITH OUTSIDERS. 211 00:10:00,870 --> 00:10:03,000 IF I SEE YOU TALKING TO ANYONE I DON'T KNOW, 212 00:10:03,000 --> 00:10:04,700 YOU'RE GETTING A WRITE-UP. 213 00:10:04,700 --> 00:10:06,450 NO GOING TO THE BATHROOM BY YOURSELF. 214 00:10:06,450 --> 00:10:08,670 YOU NEED TO GO? SEE ME. 215 00:10:08,670 --> 00:10:10,670 LAST THING. 216 00:10:10,670 --> 00:10:12,590 NO PHONES. NOT EVEN AT LUNCH. 217 00:10:14,670 --> 00:10:16,920 TURN 'EM OFF, AND PUT THEM IN THIS BUCKET. 218 00:10:16,920 --> 00:10:17,920 NOW. 219 00:10:22,350 --> 00:10:24,020 WHAT WAS HE TALKING ABOUT? 220 00:10:24,020 --> 00:10:25,560 WHAT INCIDENT? 221 00:10:25,560 --> 00:10:27,060 I THOUGHT YOU KNEW. (chuckles) 222 00:10:27,060 --> 00:10:29,820 THAT SANDWICH I GAVE ROBBIE THE LAST TIME... 223 00:10:30,820 --> 00:10:32,650 THERE WERE DRUGS IN IT. 224 00:10:32,650 --> 00:10:34,070 WHAT? 225 00:10:34,070 --> 00:10:36,690 -YEAH. -OH MY GOD. 226 00:10:36,690 --> 00:10:38,440 OH MY-- THAT'S WHY HE'S NOT HERE? 227 00:10:38,440 --> 00:10:41,330 -HIS SISTER DROPPED IT OFF. -HE DOESN'T HAVE A SISTER. 228 00:10:41,330 --> 00:10:43,040 BRUNETTE, BLUE CAR? 229 00:10:43,040 --> 00:10:44,660 THAT'S ANNIE, HIS EX. 230 00:10:44,660 --> 00:10:46,740 I KNEW HE WAS STILL IN TOUCH WITH THAT LITTLE WHORE. 231 00:10:46,740 --> 00:10:49,000 I'M SO SORRY, TESS. SHE TOLD ME THAT SHE WAS HIS SISTER, 232 00:10:49,000 --> 00:10:51,500 -AND THAT HER NAME WAS MARCY. -AND YOU BELIEVED HER? 233 00:10:51,500 --> 00:10:53,710 DO YOU KNOW HOW BAD YOU JUST SCREWED THINGS UP FOR ME? 234 00:10:53,710 --> 00:10:55,050 PHONES IN THE BUCKET. 235 00:10:56,130 --> 00:10:57,590 ROBBIE GOT BUSTED WITH CONTRABAND? 236 00:10:57,590 --> 00:10:58,970 THAT'S THE WORD. 237 00:10:58,970 --> 00:11:00,970 BUT HE'S STILL GETTING OUT IN A MONTH, RIGHT? 238 00:11:00,970 --> 00:11:02,180 NOT MY AREA, 239 00:11:02,180 --> 00:11:04,640 -BUT I DOUBT IT. -WE WERE GONNA MOVE IN TOGETHER. 240 00:11:04,640 --> 00:11:06,430 I PUT A DEPOSIT DOWN ON A PLACE. 241 00:11:06,430 --> 00:11:08,220 I'D MAKE A DIFFERENT PLAN IF I WERE YOU. 242 00:11:08,220 --> 00:11:09,610 ON THE OTHER HAND, 243 00:11:09,610 --> 00:11:11,480 ONE MORE WRITE UP AND YOU'LL BE BEHIND BARS TOO. 244 00:11:11,480 --> 00:11:13,020 THAT'S KIND OF LIKE LIVING TOGETHER. 245 00:11:14,730 --> 00:11:15,900 PHONES. 246 00:11:21,780 --> 00:11:23,700 AGAIN, I AM REALLY SORRY. 247 00:11:34,000 --> 00:11:37,460 THESE ARE BROWNIES AND SCONES, 248 00:11:37,460 --> 00:11:40,930 AND I ALSO MAKE PAN DULCE, IF YOUR CUSTOMERS PREFER THAT. 249 00:11:40,930 --> 00:11:42,800 WELL, I'M NOT SURE HOW MUCH FOOD WE'RE GONNA CARRY, 250 00:11:42,800 --> 00:11:43,970 BUT I CAN GET BACK TO YOU. 251 00:11:44,970 --> 00:11:46,300 WELL... 252 00:11:46,300 --> 00:11:47,680 THANK YOU SO MUCH. 253 00:11:52,110 --> 00:11:54,230 JUANITA. HI. 254 00:11:54,230 --> 00:11:56,230 WHAT ARE YOU DOING HERE? 255 00:11:56,230 --> 00:11:58,780 I'M JUST HERE FOR COFFEE. 256 00:11:58,780 --> 00:12:01,990 (scoffs) I CAN'T BELIEVE YOU HAVE THE NERVE 257 00:12:01,990 --> 00:12:02,910 TO SHOW YOUR FACE. 258 00:12:02,910 --> 00:12:05,990 I WASN'T THE ONE WHO PULLED THE PLUG ON THE PROJECT. 259 00:12:05,990 --> 00:12:07,450 NO, YOUR BOYFRIEND DID, 260 00:12:07,450 --> 00:12:10,830 AFTER HE CHEATED EVERYONE OUT OF A FAIR PRICE FOR THEIR BUSINESSES. 261 00:12:10,830 --> 00:12:13,330 -HE'S NOT MY BOYFRIEND. -DO YOU THINK THINGS WERE BAD BEFORE? 262 00:12:13,330 --> 00:12:14,830 THEY ARE A LOT WORSE NOW. 263 00:12:14,830 --> 00:12:17,170 I'M ASKING THIS MAN IF HE WILL BUY MY BROWNIES. 264 00:12:17,170 --> 00:12:18,970 I AM SO SORRY. 265 00:12:18,970 --> 00:12:20,970 WHEN THE PROJECT FOLDED, I LOST TOO. 266 00:12:20,970 --> 00:12:22,510 OH, PLEASE. 267 00:12:22,510 --> 00:12:24,220 (yelling) LOOK AT YOU WITH YOUR FANCY PURSE 268 00:12:24,220 --> 00:12:25,880 AND YOUR FANCY JACKET! 269 00:12:25,880 --> 00:12:28,260 WHAT DID YOU LOSE? 270 00:12:28,260 --> 00:12:30,520 -JUANITA, YELLING AT ME-- -GO TO HELL! 271 00:12:30,520 --> 00:12:31,730 MALINCHE. 272 00:12:36,890 --> 00:12:38,860 WELL, I JUST FIGURED OUT WHO YOU ARE. 273 00:12:40,900 --> 00:12:42,030 SORRY ABOUT THAT. 274 00:12:43,780 --> 00:12:45,660 YOU ALL DONE WRITING DOWN YOUR INFO? 275 00:12:45,660 --> 00:12:46,740 YEAH. 276 00:12:50,910 --> 00:12:53,080 AND YOU CAN TAKE THIS... 277 00:12:53,080 --> 00:12:54,500 TO GO. 278 00:12:55,750 --> 00:12:57,790 LOOK, I DON'T KNOW ALL THE FACTS, 279 00:12:57,790 --> 00:12:59,680 BUT I'M TRYING TO START A BUSINESS HERE. 280 00:12:59,680 --> 00:13:01,550 AND AS A GUY FROM THE OUTSIDE, 281 00:13:01,550 --> 00:13:02,630 I'M ALREADY SUSPECT. 282 00:13:03,880 --> 00:13:06,130 I CAN'T AFFORD TO START OUT ON THE WRONG FOOT. 283 00:13:08,010 --> 00:13:09,190 GOT IT. 284 00:13:11,730 --> 00:13:13,390 AND THEN SAME THING... 285 00:13:13,390 --> 00:13:14,980 IF YOU ADD AN "O5," 286 00:13:14,980 --> 00:13:17,930 YOU GET "H2-C2-O5," 287 00:13:17,930 --> 00:13:20,070 OR PEROXALIC ACID. 288 00:13:22,570 --> 00:13:24,610 OKAY, YOU KNOW WHAT? LET'S JUST STOP THERE. 289 00:13:24,610 --> 00:13:28,240 CONGRATULATIONS, YOU SURVIVED YOUR FIRST CLASS. 290 00:13:28,240 --> 00:13:32,250 NOBODY FAINTED, NOBODY LOST THEIR ORGANIC GRANOLA BREAKFAST. 291 00:13:32,250 --> 00:13:33,910 -COME ON, GIVE YOURSELVES A HAND. -(applause) 292 00:13:33,910 --> 00:13:35,330 VERY GOOD. 293 00:13:35,330 --> 00:13:36,870 GET OUT OF HERE. 294 00:13:36,870 --> 00:13:40,130 OH, I ADVISE FORMING STUDY GROUPS OF FOUR. 295 00:13:40,130 --> 00:13:43,090 THAT WILL KEEP YOU HONEST, OKAY? 296 00:13:43,090 --> 00:13:44,800 SEE YOU TOMORROW. 297 00:13:47,220 --> 00:13:49,600 HEY, YOU GUYS LOOK SMART. CAN I BE IN YOUR GROUP? 298 00:13:49,600 --> 00:13:50,890 -YES. -YEAH, THAT'D BE AWESOME 299 00:13:50,890 --> 00:13:53,850 -DO YOU KNOW ANYONE HERE? -NO. 300 00:13:53,850 --> 00:13:56,230 DO YOU WANT ME TO ASK IF-- 301 00:13:56,230 --> 00:13:57,470 NO, I GOT IT. 302 00:14:01,570 --> 00:14:02,690 HI. 303 00:14:02,690 --> 00:14:03,940 HI. 304 00:14:03,940 --> 00:14:05,440 I'M DAPHNE. 305 00:14:05,440 --> 00:14:06,900 VIMLA. 306 00:14:08,400 --> 00:14:09,870 -IS THIS YOUR STUDY GROUP? -MM-HMM. 307 00:14:11,250 --> 00:14:13,830 IT LOOKS LIKE YOU NEED ONE MORE. 308 00:14:13,830 --> 00:14:15,120 CAN I BE YOUR FOURTH? 309 00:14:15,120 --> 00:14:16,120 SURE. 310 00:14:18,040 --> 00:14:20,760 UM, IF IT'S OKAY WITH YOU GUYS. 311 00:14:21,880 --> 00:14:23,210 -OF COURSE. -YEAH, WHY NOT. 312 00:14:23,210 --> 00:14:24,420 THANKS SO MUCH. 313 00:14:25,760 --> 00:14:27,420 OF COURSE WE'LL HAVE THE BALL PLAYERS, 314 00:14:27,420 --> 00:14:29,430 AND THE GROUPIES, AND THE SEX-CAPADES. 315 00:14:29,430 --> 00:14:30,850 THOSE ARE JUST THE FIREWORKS, 316 00:14:30,850 --> 00:14:35,180 BUT IT ALL NEEDS TO BE GROUNDED IN SOMETHING PERSONAL, 317 00:14:35,180 --> 00:14:36,390 EMOTIONAL. 318 00:14:36,390 --> 00:14:39,820 WELL, TO ME, IT'S A STORY OF A WOMAN WHO LOSES HER INNOCENCE. 319 00:14:39,820 --> 00:14:41,820 THAT IS EXACTLY WHAT I WAS GOING TO SAY. 320 00:14:41,820 --> 00:14:44,520 GOOD, I'M GLAD YOU AGREE. 321 00:14:44,520 --> 00:14:46,690 SO JUST MAKE SURE YOU DON'T LOSE SIGHT OF THAT 322 00:14:46,690 --> 00:14:47,900 WHEN YOU'RE WRITING THE SCREENPLAY. 323 00:14:47,900 --> 00:14:50,870 UM... WAIT. 324 00:14:50,870 --> 00:14:52,950 YOU WANT ME TO WRITE THE SCREENPLAY? 325 00:14:52,950 --> 00:14:56,200 I MEAN, YOU KNOW I'VE NEVER WRITTEN ONE BEFORE, RIGHT? 326 00:14:56,200 --> 00:14:57,660 SO WHAT? 327 00:14:57,660 --> 00:15:00,300 DON'T YOU WANT SOMEONE WITH MORE OF A TRACK RECORD? I MEAN-- 328 00:15:00,300 --> 00:15:02,420 LET ME ASK YOU SOMETHING. 329 00:15:02,420 --> 00:15:04,000 WHEN YOU WERE WRITING THE BOOK, 330 00:15:04,000 --> 00:15:06,710 DID YOU SEE THE STORY AS... 331 00:15:06,710 --> 00:15:08,210 PICTURES IN YOUR MIND? 332 00:15:08,210 --> 00:15:10,220 OH, YEAH, OF COURSE I DID. 333 00:15:10,220 --> 00:15:11,890 WELL, THEN YOU'VE ALREADY WRITTEN IT. 334 00:15:11,890 --> 00:15:14,010 THE REST IS JUST A FORMAT. 335 00:15:14,010 --> 00:15:17,350 ANY VALET PARKER IN L.A. CAN TEACH YOU THAT. 336 00:15:17,350 --> 00:15:20,320 WE'LL HIRE ONE, A FEW BUCKS A WEEK, AS YOUR ASSISTANT, 337 00:15:20,320 --> 00:15:22,480 BOOM. INSTANT SCREENPLAY. 338 00:15:22,480 --> 00:15:24,480 (chuckles) BOOM. 339 00:15:25,980 --> 00:15:28,400 -WHO PAYS FOR THAT? -OH. PRODUCTION. 340 00:15:28,400 --> 00:15:29,700 COMES RIGHT OUT OF THE BUDGET, 341 00:15:29,700 --> 00:15:32,450 WHICH, FOR A FILM LIKE THIS, IS ABOUT $6 MILLION, 342 00:15:32,450 --> 00:15:34,910 AND I'VE GOT FOUR OF IT LINED UP ALREADY. 343 00:15:34,910 --> 00:15:36,740 -(gasps) -(phone vibrates) 344 00:15:36,740 --> 00:15:39,670 OH, I'M SORRY. IT'S MY EDITOR. 345 00:15:39,670 --> 00:15:41,380 I TOLD HER I WAS MEETING WITH YOU, 346 00:15:41,380 --> 00:15:44,540 AND I JUST WANT TO TELL HER THAT SHE MIGHT BE TALKING TO A NEW SCREENWRITER. 347 00:15:44,540 --> 00:15:46,290 (laughs) 348 00:15:46,290 --> 00:15:47,880 LET HER KNOW YOU GOT A HIT HERE! 349 00:15:47,880 --> 00:15:49,090 (laughs) 350 00:15:50,550 --> 00:15:51,890 AND I DO BELIEVE THAT. 351 00:15:51,890 --> 00:15:53,970 I WOULD NOT HAVE FLOWN ALL THE WAY OUT HERE FROM L.A. 352 00:15:53,970 --> 00:15:55,930 TO MEET WITH THE TWO OF YOU IF I DIDN'T. 353 00:15:55,930 --> 00:15:58,680 THANK YOU. I HAD NOTHING TO DO WITH IT. 354 00:15:58,680 --> 00:15:59,900 IT'S ALL KATHRYN. 355 00:15:59,900 --> 00:16:03,400 BUT YOU DO BELIEVE THAT HER BOOK WOULD MAKE A GREAT MOVIE, YES? 356 00:16:04,860 --> 00:16:06,190 -ABSOLUTELY. -GREAT. 357 00:16:06,190 --> 00:16:07,480 GOOD, I'M GLAD YOU THINK SO. 358 00:16:08,600 --> 00:16:10,030 BECAUSE THIS FILM... 359 00:16:11,280 --> 00:16:13,030 IT CAN BE YOUR SUCCESS, TOO. 360 00:16:14,570 --> 00:16:15,610 REALLY? 361 00:16:18,990 --> 00:16:20,540 HEY. 362 00:16:20,540 --> 00:16:22,540 -LEAVE ME ALONE. -LOOK. 363 00:16:22,540 --> 00:16:24,620 I SAID I WAS SORRY. 364 00:16:24,620 --> 00:16:26,120 DOES THAT HELP ME? 365 00:16:26,120 --> 00:16:27,540 LET ME MAKE IT UP TO YOU. 366 00:16:27,540 --> 00:16:28,960 HOW? 367 00:16:28,960 --> 00:16:31,340 CAN YOU GET IN A TIME MACHINE, GO BACK, AND STAY THE HELL AWAY 368 00:16:31,340 --> 00:16:33,930 FROM ROBBIE LIKE I TOLD YOU TO IN THE FIRST PLACE? 369 00:16:33,930 --> 00:16:35,720 I WISH THAT I HAD. 370 00:16:35,720 --> 00:16:38,630 I'M SCREWED HERE, TOO. MY BOYFRIEND'S IN CALIFORNIA, 371 00:16:38,630 --> 00:16:40,640 AND HE'S PROBABLY CALLING ME RIGHT NOW, AND I CAN'T ANSWER 372 00:16:40,640 --> 00:16:43,190 -BECAUSE MY PHONE'S-- -YOU CAN'T TALK TO YOUR BOYFRIEND? 373 00:16:43,190 --> 00:16:45,310 I AM THIS CLOSE TO LOSING MY KID TO FOSTER CARE... 374 00:16:45,310 --> 00:16:46,980 -I KNOW YOU HAVE IT WAY WORSE. -Gordon: HEY! 375 00:16:46,980 --> 00:16:48,730 ...AND YOU CAN'T TALK TO YOUR BOYFRIEND? 376 00:16:48,730 --> 00:16:50,110 HEY, HEY, HEY! 377 00:16:50,110 --> 00:16:51,280 WHAT IS IT WITH YOU TWO? 378 00:16:51,280 --> 00:16:53,780 I TOLD YOU TO CUT OUT THE BICKERING. 379 00:16:53,780 --> 00:16:55,780 I WAS JUST SITTING HERE. SHE STARTED IN ON ME. 380 00:16:55,780 --> 00:16:57,910 I DID NOT START IN ON YOU. 381 00:16:57,910 --> 00:17:00,250 EH, EH, EH. COME WITH ME. 382 00:17:00,250 --> 00:17:02,330 I KNOW HOW TO MAKE EVERYONE HAPPY. 383 00:17:11,550 --> 00:17:13,010 WHAT'S THAT SMELL? 384 00:17:13,010 --> 00:17:15,430 MY GUESS IS A DEAD RAT. 385 00:17:17,970 --> 00:17:19,770 I DON'T THINK THIS IS SAFE. 386 00:17:19,770 --> 00:17:20,810 THAT'S WHAT THESE ARE FOR. 387 00:17:21,810 --> 00:17:23,390 NOW... 388 00:17:23,390 --> 00:17:24,770 WHEN YOU FIND THE JACKPOT, 389 00:17:24,770 --> 00:17:26,310 BAG IT, PUT IT WITH THE REST OF THE GARBAGE. 390 00:17:28,390 --> 00:17:30,530 I THOUGHT YOU SAID THIS WAS GONNA MAKE EVERYONE HAPPY? 391 00:17:31,570 --> 00:17:34,280 OOPS, I MEANT IT WAS GOING TO MAKE ME HAPPY. 392 00:17:34,280 --> 00:17:36,650 THIS IS NOT FAIR. I WAS MINDING MY OWN BUSINESS. 393 00:17:36,650 --> 00:17:38,240 GIVE ME A REASON, TESS. 394 00:17:38,240 --> 00:17:40,540 YOU THINK I GIVE A RAT'S ASS THAT YOU HAVE A KID WAITING FOR YOU 395 00:17:40,540 --> 00:17:42,660 BACK AT WHATEVER PIT YOU CRAWLED OUT OF? 396 00:17:42,660 --> 00:17:43,870 I DON'T. 397 00:17:43,870 --> 00:17:46,200 I WOULDN'T THINK TWICE ABOUT WRITING YOU UP 398 00:17:46,200 --> 00:17:47,790 AND GETTING YOU LOCKED UP LIKE ROBBIE, 399 00:17:47,790 --> 00:17:50,050 JUST SO I DON'T HAVE TO LOOK AT YOU ANYMORE. 400 00:17:50,050 --> 00:17:51,590 SO GIVE ME A REASON. 401 00:17:53,170 --> 00:17:54,710 NOW WHAT DO YOU HAVE TO SAY? 402 00:18:04,640 --> 00:18:07,930 HEY, I LEFT SOME MAIL FOR YOU THAT SOMEHOW LANDED IN OUR BOX. 403 00:18:07,930 --> 00:18:09,100 THANKS. 404 00:18:09,100 --> 00:18:10,150 YOU'RE HOME EARLY. 405 00:18:10,150 --> 00:18:12,230 YEAH, I NEVER MADE IT IN. 406 00:18:13,360 --> 00:18:14,610 WHY'S THAT? 407 00:18:15,820 --> 00:18:18,150 UH, WHEN I... 408 00:18:18,150 --> 00:18:20,830 DROPPED BAY OFF IN EAST RIVERSIDE I GOT AMBUSHED 409 00:18:20,830 --> 00:18:22,910 BY SOMEBODY PRETTY PISSED OFF AT ME 410 00:18:22,910 --> 00:18:24,740 FOR WHAT HAPPENED WITH THE DEVELOPMENT. 411 00:18:24,740 --> 00:18:26,870 REGINA, PEOPLE GET EMOTIONAL. 412 00:18:26,870 --> 00:18:29,170 YOU GOTTA TAKE THEIR GRIPING WITH A GRAIN OF SALT. 413 00:18:30,170 --> 00:18:31,550 I KNOW. IT JUST... 414 00:18:32,510 --> 00:18:34,840 IT MADE ME SAD ALL OVER AGAIN. 415 00:18:34,840 --> 00:18:36,920 I WANTED TO DO SOMETHING GOOD FOR THE NEIGHBORHOOD. 416 00:18:36,920 --> 00:18:38,550 I KNOW YOU DID. 417 00:18:38,550 --> 00:18:40,180 ANYWAY, I MEAN... 418 00:18:40,180 --> 00:18:42,560 AFTER GETTING YELLED AT LIKE THAT, 419 00:18:42,560 --> 00:18:44,470 I DIDN'T WANT TO GO TO K&D 420 00:18:44,470 --> 00:18:47,560 AND STARE AT TASTEFUL, BEIGE WALLPAPER SAMPLES. 421 00:18:47,560 --> 00:18:49,820 SOUNDS LIKE AN HONEST DAY'S WORK TO ME, 422 00:18:49,820 --> 00:18:52,030 AND I WOULD IMAGINE THAT CUSTOMER WILL NOT BE CALLING YOU 423 00:18:52,030 --> 00:18:53,570 WITH DEATH THREATS. 424 00:18:53,570 --> 00:18:56,360 LOOK, IT'S JUST MY OPINION, BUT I THINK YOU SHOULD STEER CLEAR 425 00:18:56,360 --> 00:18:57,860 OF THAT NEIGHBORHOOD FOR THE TIME BEING. 426 00:18:57,860 --> 00:18:59,330 YEAH. 427 00:19:03,950 --> 00:19:05,330 (gags) 428 00:19:06,450 --> 00:19:07,910 I THINK I FOUND IT. 429 00:19:07,910 --> 00:19:08,950 IS IT A RAT? 430 00:19:09,960 --> 00:19:11,340 HOW DO I KNOW? IT'S IN THERE. 431 00:19:11,340 --> 00:19:14,420 I SEE SOMETHING, BUT I DON'T THINK WE CAN REACH IT. 432 00:19:14,420 --> 00:19:16,000 YOU'RE GONNA HAVE TO CRAWL IN THERE AND GET IT. 433 00:19:16,000 --> 00:19:18,790 ME? HAH, NO. YOU CAN DO IT. 434 00:19:18,790 --> 00:19:20,220 IT'S YOUR FAULT WE'RE HERE IN THE FIRST PLACE. 435 00:19:20,220 --> 00:19:21,720 YOU WERE ARGUING TOO. 436 00:19:21,720 --> 00:19:23,060 YOU GOT ROBBIE IN TROUBLE. 437 00:19:23,060 --> 00:19:24,510 I GAVE HIM HIS LUNCH! 438 00:19:24,510 --> 00:19:25,890 -I'M NOT GOING IN THERE. -LISTEN TO ME. 439 00:19:25,890 --> 00:19:27,800 YOU OWE ME. 440 00:19:27,800 --> 00:19:30,190 YOU SAID YOU WANTED TO MAKE IT UP TO ME. HERE'S YOUR CHANCE. 441 00:19:30,190 --> 00:19:31,860 DO IT. 442 00:19:39,950 --> 00:19:41,990 HEY. DON'T FORGET THESE. 443 00:19:45,910 --> 00:19:47,450 (groans) 444 00:20:04,970 --> 00:20:08,010 Tank: HEY, HEY! FELONIOUS B. KENNISH. 445 00:20:08,010 --> 00:20:08,800 WHAT ARE YOU DOING HERE? 446 00:20:08,800 --> 00:20:11,690 OH, YOUR BROTHER HAD SOME D.J. EMERGENCY. 447 00:20:11,690 --> 00:20:13,150 NOW COME ON, I HAD TO PARK A BLOCK AWAY. 448 00:20:17,230 --> 00:20:18,650 WHAT'S THAT SMELL? 449 00:20:18,650 --> 00:20:20,030 -YOU DON'T WANT TO KNOW. -HMM. 450 00:20:20,030 --> 00:20:21,200 BAD DAY? 451 00:20:21,200 --> 00:20:23,240 THE ONLY KIND I HAVE RIGHT NOW. 452 00:20:23,240 --> 00:20:24,240 WHAT HAPPENED? 453 00:20:25,280 --> 00:20:26,990 I TRIED TO DO SOMETHING NICE, 454 00:20:26,990 --> 00:20:29,920 AND I ENDED UP GETTING ON THE WRONG SIDE OF THIS GODZILLA, 455 00:20:29,920 --> 00:20:31,670 WHO NOW HAS IT OUT FOR ME. 456 00:20:31,670 --> 00:20:33,540 OOH, IS SHE FIRE-BREATHING? 457 00:20:33,540 --> 00:20:35,960 I DON'T KNOW, BUT SHE'S DEFINITELY OUT FOR BLOOD. 458 00:20:35,960 --> 00:20:37,960 YOU JUST GOT TO STAND UP TO HER. 459 00:20:37,960 --> 00:20:39,510 HOW? 460 00:20:39,510 --> 00:20:40,760 TAKE HER ON. 461 00:20:40,760 --> 00:20:42,970 IF SHE'S GODZILLA, YOU GOTTA BE GHIDORAH. 462 00:20:42,970 --> 00:20:45,640 -WHO? -IT'S GODZILLA'S NEMESIS. 463 00:20:45,640 --> 00:20:47,800 LOOK, WHEN YOU SHOW UP FOR WORK TOMORROW, 464 00:20:47,800 --> 00:20:49,140 GO UP TO HER, 465 00:20:49,140 --> 00:20:50,890 AND JUST START WHALING ON HER. 466 00:20:50,890 --> 00:20:52,940 -TANK! -WHAT? PRISON RULES. 467 00:20:53,980 --> 00:20:55,230 HAVEN'T YOU SEEN ESCAPE FROM ALCATRAZ? 468 00:20:55,230 --> 00:20:56,810 I'M NOT IN PRISON, 469 00:20:56,810 --> 00:20:58,810 AND I'M NOT GONNA GO UP AND WHALE ON ANYBODY. 470 00:20:58,810 --> 00:21:00,200 DO YOU REMEMBER WHO I AM? 471 00:21:00,200 --> 00:21:02,990 YES, DO YOU REMEMBER WHAT I TAUGHT YOU IN FIELD HOCKEY? 472 00:21:02,990 --> 00:21:04,070 NO. 473 00:21:04,070 --> 00:21:05,780 OKAY. ALL RIGHT, LOOK. 474 00:21:05,780 --> 00:21:07,860 YOU GOTTA FACE THE BALL WITH FURY. 475 00:21:07,860 --> 00:21:08,950 (growls) 476 00:21:10,170 --> 00:21:11,460 (growls louder) 477 00:21:11,460 --> 00:21:13,540 -COME ON, LET'S SEE IT. -WHAT ELSE YOU GOT? 478 00:21:13,540 --> 00:21:16,040 (sighs) UM... 479 00:21:16,040 --> 00:21:17,540 HOW ABOUT A PEACE OFFERING? 480 00:21:17,540 --> 00:21:19,040 YEAH, TRIED THAT, DIDN'T WORK. 481 00:21:19,040 --> 00:21:21,130 WELL, CAN YOU ASK TO TRANSFER TO ANOTHER WORK CREW? 482 00:21:21,130 --> 00:21:22,760 THAT'S NOT AN OPTION. 483 00:21:22,760 --> 00:21:24,010 (sighs) WELL... 484 00:21:24,010 --> 00:21:26,760 LOOK, YOU GOTTA FIND SOME WAY TO SHOW HER YOU'RE NOT GONNA BACK DOWN, 485 00:21:26,760 --> 00:21:28,220 OR EVERY DAY IS GONNA BE LIKE THIS. 486 00:21:30,770 --> 00:21:32,810 THE METAL LOSES ELECTRONS TO BECOME A CATION, 487 00:21:32,810 --> 00:21:34,730 AND THE NONMETAL GAINS ELECTRONS TO BECOME AN ANION. 488 00:21:34,730 --> 00:21:36,890 -CAT IS THE POSITIVE ONE, RIGHT? -WAIT, ARE YOU SURE? 489 00:21:36,890 --> 00:21:38,890 YEAH, AND THE RESULTING COMPOUND NAME ENDS IN "IDE," 490 00:21:38,890 --> 00:21:40,110 LIKE MAGNESIUM BROMIDE. 491 00:21:40,110 --> 00:21:41,820 -WAIT, WHAT WAS THAT? -MAGNESIUM BROMIDE. 492 00:21:41,820 --> 00:21:43,990 IT'S JUST AN EXAMPLE OF AN IONIC COMPOUND. 493 00:21:43,990 --> 00:21:45,700 I WANNA WHAT? 494 00:21:46,900 --> 00:21:49,110 (muffled speaking) 495 00:21:55,830 --> 00:21:58,210 TIME OUT. GUYS, I CAN'T INTERPRET 496 00:21:58,210 --> 00:21:59,800 FOR ALL THREE OF YOU AT THE SAME TIME. 497 00:21:59,800 --> 00:22:01,550 IF WE COULD JUST SLOW DOWN A LITTLE BIT. 498 00:22:01,550 --> 00:22:04,050 -SLOW DOWN? WE NEED TO GO FASTER. -SORRY. 499 00:22:04,050 --> 00:22:08,010 IT'S JUST, WE'RE SLOGGING THROUGH THIS, AND WE STILL HAVE ANOTHER CHAPTER TO COVER. 500 00:22:08,010 --> 00:22:10,680 YOU KNOW WHAT? WHY DON'T WE JUST CALL IT FOR TONIGHT, 501 00:22:10,680 --> 00:22:12,390 AND WE CAN REVIEW THE REST ON OUR OWN. 502 00:22:12,390 --> 00:22:13,930 NO, NO. WE DON'T NEED TO STOP. 503 00:22:13,930 --> 00:22:15,970 I JUST NEED A MOMENT TO CATCH UP. 504 00:22:15,970 --> 00:22:18,970 THE MORE PEOPLE THAT ARE TALKING AT ONCE, THE HARDER IT IS TO FOLLOW. 505 00:22:20,110 --> 00:22:21,780 I'LL GET BETTER AT IT. 506 00:22:21,780 --> 00:22:23,030 JOSH WILL, TOO. 507 00:22:23,030 --> 00:22:24,820 DON'T WORRY ABOUT IT. I'LL SEE YOU IN CLASS. 508 00:22:33,950 --> 00:22:35,080 (sighs) 509 00:22:35,080 --> 00:22:37,620 YOU KNOW, HONEY, I THOUGHT THAT PRODUCER 510 00:22:37,620 --> 00:22:40,170 WAS JUST GONNA WANNA TALK ABOUT THE SEX SCENES, 511 00:22:40,170 --> 00:22:41,550 BUT HE SURPRISED ME. 512 00:22:41,550 --> 00:22:43,550 HE WANTS TO GIVE THE CHARACTERS MORE DEPTH. 513 00:22:43,550 --> 00:22:45,050 WE ARE TOTALLY IN SYNC. 514 00:22:46,800 --> 00:22:48,920 (sighs) YOU DIDN'T LIKE HIM, DID YOU? 515 00:22:50,180 --> 00:22:52,430 YOU KNOW, I THOUGHT HE WAS A LITTLE SLICK. 516 00:22:52,430 --> 00:22:54,060 I THINK YOU CAN DO BETTER. 517 00:22:54,060 --> 00:22:55,930 BETTER? HOW? 518 00:22:55,930 --> 00:22:59,010 HE'S THE ONLY SERIOUS INTEREST I'VE HAD IN THE MOVIE RIGHTS. 519 00:22:59,010 --> 00:23:01,900 WELL, YOU DON'T HAVE TO PICK HIM JUST 'CAUSE HE'S THE ONLY ONE WHO ASKED. 520 00:23:01,900 --> 00:23:03,360 I SEE. 521 00:23:03,360 --> 00:23:04,480 WHAT? 522 00:23:04,480 --> 00:23:06,650 (sighs) FORGET IT. 523 00:23:06,650 --> 00:23:07,860 KATHRYN! 524 00:23:09,660 --> 00:23:11,910 YOU'RE USED TO GETTING ALL THE ATTENTION. 525 00:23:11,910 --> 00:23:13,950 EX-MAJOR LEAGUE BALL PLAYER, 526 00:23:13,950 --> 00:23:16,450 AND ALL HE WANTED TO DO WAS TALK ABOUT MY BOOK. 527 00:23:16,450 --> 00:23:17,950 ADMIT IT. 528 00:23:17,950 --> 00:23:20,590 YOUR EGO IS A LITTLE BRUISED. 529 00:23:20,590 --> 00:23:22,170 RIGHT? 530 00:23:22,170 --> 00:23:23,750 (chuckles) COME ON. 531 00:23:25,880 --> 00:23:27,460 HE WAS FISHING FOR MONEY. 532 00:23:29,760 --> 00:23:31,850 HE NEEDS TO RAISE $6 MILLION TO MAKE THE MOVIE. 533 00:23:35,050 --> 00:23:37,510 HE SAID HE HAD ALL THE MONEY LINED UP. 534 00:23:37,510 --> 00:23:39,980 YEAH, HE WAS BLUFFING. 535 00:23:40,820 --> 00:23:43,320 WHEN YOU TOOK THE CALL, HE HIT ME UP FOR A MILLION, 536 00:23:43,320 --> 00:23:46,820 AND ASKED IF I KNEW ANY OTHER RETIRED BALLPLAYERS WHO MIGHT BE INTERESTED. 537 00:23:46,820 --> 00:23:48,150 DOES HE... 538 00:23:49,530 --> 00:23:51,660 EVEN WANT TO MAKE THE MOVIE? 539 00:23:51,660 --> 00:23:54,030 IF I FINANCE IT, YEAH. 540 00:23:55,120 --> 00:23:56,370 (sighs) 541 00:23:57,700 --> 00:23:58,870 I SEE. 542 00:23:59,880 --> 00:24:01,960 HEY, I'M SORRY. 543 00:24:05,960 --> 00:24:07,750 I'M GONNA GET SOME AIR. 544 00:24:12,010 --> 00:24:13,220 (sighs) 545 00:24:14,850 --> 00:24:17,640 THAT WAS A DISASTER. I CAN'T BE UNPREPARED LIKE THAT AGAIN. 546 00:24:17,640 --> 00:24:19,980 WHY ARE YOU ACTING LIKE THAT WAS MY FAULT? 547 00:24:19,980 --> 00:24:23,810 WE NEED TO COME UP WITH SIGNS SO YOU DON'T HAVE TO FINGERSPELL EVERYTHING. 548 00:24:23,810 --> 00:24:25,600 THERE ARE A LOT OF WORDS! 549 00:24:25,600 --> 00:24:28,310 WE'LL START WITH THE COMMON ELEMENTS OF THE PERIODIC TABLE. 550 00:24:30,990 --> 00:24:32,490 (chattering) 551 00:24:35,870 --> 00:24:37,410 WHAT'S GOING ON? 552 00:24:37,410 --> 00:24:39,200 OH. (scoffs) 553 00:24:39,200 --> 00:24:40,670 DIDN'T YOU GET MY TEXT? 554 00:24:40,670 --> 00:24:42,080 I TEXTED EVERYONE. 555 00:24:43,920 --> 00:24:45,080 THERE WAS NO TEXT. 556 00:24:47,210 --> 00:24:48,620 I DON'T UNDERSTAND. 557 00:24:49,800 --> 00:24:52,430 THEY'RE MEETING WITHOUT YOU. 558 00:24:54,220 --> 00:24:56,260 LOOK, IT'S NOT PERSONAL. 559 00:24:56,260 --> 00:24:57,510 HMM. 560 00:24:57,510 --> 00:24:59,810 'CAUSE DUMPING SOMEONE NEVER IS. 561 00:24:59,810 --> 00:25:01,690 WE JUST HAVE TO GO AT A DIFFERENT PACE. 562 00:25:01,690 --> 00:25:04,020 WE THINK MAYBE YOU'D BE BETTER OFF IN A DIFFERENT GROUP. 563 00:25:05,350 --> 00:25:07,600 I'M SORRY THAT I WAS SO-- 564 00:25:07,600 --> 00:25:08,690 WHY ARE YOU SORRY? 565 00:25:09,700 --> 00:25:10,990 THEY SHOULD BE SORRY. 566 00:25:12,320 --> 00:25:15,150 WHAT? THEY CAN'T TAKE THE EXTRA THREE MINUTES 567 00:25:15,150 --> 00:25:17,450 IT WOULD TAKE TO LET US CATCH UP? 568 00:25:17,450 --> 00:25:21,290 -JOSH, I GOT THIS. -YOU GUYS ARE TRAINING TO BE DOCTORS, RIGHT? 569 00:25:22,420 --> 00:25:24,870 TO HEAL PEOPLE WHO ARE SICK? 570 00:25:24,870 --> 00:25:26,870 YOU GUYS ARE DOUCHEBAGS. 571 00:25:26,870 --> 00:25:27,870 -STOP. -DID YOU KNOW THAT? 572 00:25:27,870 --> 00:25:29,670 -TOTAL DOUCHEBAGS. -STOP! 573 00:25:41,480 --> 00:25:42,890 WHAT THE HELL WAS THAT? 574 00:25:42,890 --> 00:25:44,480 I WAS EXPRESSING MY OPINION. 575 00:25:44,480 --> 00:25:46,390 YOU DON'T HAVE AN OPINION. 576 00:25:46,390 --> 00:25:47,640 YOU'RE AN INTERPRETER. 577 00:25:47,640 --> 00:25:50,030 YOU DON'T HAVE A VOICE. YOU DON'T HAVE A PRESENCE. 578 00:25:50,030 --> 00:25:51,240 YOU DON'T HAVE OPINIONS. 579 00:25:51,240 --> 00:25:53,820 I'M NOT GONNA JUST STAND THERE AND TAKE THAT FROM THOSE-- 580 00:25:53,820 --> 00:25:56,900 YOUR JOB IS TO INTERPRET WHAT I CAN'T HEAR, 581 00:25:56,900 --> 00:25:59,490 NOT TO SPEAK FOR ME, NOT TO THINK FOR ME, 582 00:25:59,490 --> 00:26:01,080 NOT TO DEFEND ME, 583 00:26:01,080 --> 00:26:02,960 AND NOT TO PISS OFF MY CLASSMATES. 584 00:26:02,960 --> 00:26:04,410 WELL, I CAN'T DO THAT. 585 00:26:04,410 --> 00:26:07,000 I CAN'T JUST STAND THERE LIKE A ROBOT. 586 00:26:08,000 --> 00:26:09,580 WELL, THEN YOU'RE FIRED. 587 00:26:09,580 --> 00:26:10,760 WHAT? 588 00:26:13,380 --> 00:26:14,630 FINE. 589 00:26:21,020 --> 00:26:22,060 Renzo: FEELING BETTER? 590 00:26:22,060 --> 00:26:25,270 (sighs) A LITTLE. I JUST FEEL SILLY FOR GETTING MY HOPES UP. 591 00:26:25,270 --> 00:26:26,430 YOU NEVER KNOW. 592 00:26:26,430 --> 00:26:28,520 A MOVIE VERSION OF YOUR BOOK COULD STILL HAPPEN. 593 00:26:28,520 --> 00:26:32,400 NO, THAT GUY WAS THE ONLY HALFWAY-LEGITIMATE CONTENDER. 594 00:26:32,400 --> 00:26:34,650 BESIDES, IT WOULD HAVE MADE A BAD MOVIE, ANYWAY. 595 00:26:34,650 --> 00:26:37,610 IT WOULD HAVE BEEN A GREAT MOVIE IF IT WERE DONE RIGHT. 596 00:26:37,610 --> 00:26:39,870 BUT YOU KNOW HOLLYWOOD, THEY'D PUT KATE HUDSON IN IT 597 00:26:39,870 --> 00:26:42,200 AND THAT SMARMY JIM GUY FROM THE OFFICE AND RUIN IT. 598 00:26:42,200 --> 00:26:43,540 I LIKE HIM. 599 00:26:43,540 --> 00:26:46,000 YOU SHOULD HAVE LYDIA TAKE IT TO BROADWAY. 600 00:26:46,000 --> 00:26:47,040 THEY COULD MAKE A MUSICAL OUT OF IT. 601 00:26:47,040 --> 00:26:48,620 -OH, YEAH, RIGHT. -(laughs) 602 00:26:48,620 --> 00:26:50,090 AT LEAST THERE'D BE SOME DANCING IN IT. 603 00:26:50,090 --> 00:26:52,670 PA, PA-PA, PA-PA, POW! 604 00:26:52,670 --> 00:26:55,380 THERE COULD BE LIKE A WHOLE CHORUS LINE OF SHIRTLESS BALLBOYS. 605 00:26:55,380 --> 00:26:56,840 YES, PLEASE! 606 00:26:56,840 --> 00:26:59,010 ♪ OH, SAY, WHAT DO YOU SEE? ♪ 607 00:26:59,010 --> 00:27:01,810 ♪ THOSE BALLS DON'T LOOK FOUL TO ME ♪ 608 00:27:01,810 --> 00:27:03,890 ♪ COME ON, BOYS, RAISE THOSE MITTS ♪ 609 00:27:03,890 --> 00:27:05,260 ♪ TOUCH THOSE BASES, GET SOME HITS ♪ 610 00:27:05,260 --> 00:27:08,020 ♪ PUT YOUR BALL IN MY GLOVE, IT'S A HOME RUN ♪ 611 00:27:08,020 --> 00:27:10,900 ♪ THIS IS LOVE ♪ 612 00:27:10,900 --> 00:27:12,820 YEAH! 613 00:27:12,820 --> 00:27:14,860 SEE? IT WRITES ITSELF. 614 00:27:23,830 --> 00:27:25,990 IS THAT ALL YOU'RE EATING? 615 00:27:25,990 --> 00:27:27,540 I'M NOT REALLY HUNGRY. 616 00:27:27,540 --> 00:27:29,580 ALL RIGHT. 617 00:27:29,580 --> 00:27:30,630 (sighs) 618 00:27:31,630 --> 00:27:33,170 HOW'S EMMETT? 619 00:27:33,170 --> 00:27:34,290 FINE. 620 00:27:35,460 --> 00:27:36,710 BAY? 621 00:27:39,630 --> 00:27:40,930 -BAY! -HMM? 622 00:27:40,930 --> 00:27:42,470 DO YOU MIND LOOKING AT ME WHEN I'M TALKING TO YOU? 623 00:27:43,470 --> 00:27:45,350 I'M SORRY. EMMETT'S GOING INTO A SCREENING, 624 00:27:45,350 --> 00:27:46,930 AND HE'S NOT GONNA BE ABLE TO USE HIS PHONE. 625 00:27:47,800 --> 00:27:50,520 I'M NOT SURE HOW HEALTHY ALL THIS CONSTANT TEXTING IS. 626 00:27:50,520 --> 00:27:53,940 DAD, I HAD TO BEG HIM TO GO TO L.A. WITHOUT ME, 627 00:27:53,940 --> 00:27:56,610 AND HE STILL COULD CHANGE HIS MIND AT ANY MINUTE. 628 00:27:56,610 --> 00:27:59,400 IF HE COULD MAKE IT THROUGH A COUPLE WEEKS, 629 00:27:59,400 --> 00:28:02,780 MAKE SOME FRIENDS, THEN HE'LL BE OKAY. BUT UNTIL THEN... 630 00:28:02,780 --> 00:28:04,660 I HAVE TO MAKE HIM BELIEVE 631 00:28:04,660 --> 00:28:08,240 THAT IT'S NOT A BIG DEAL WE'RE SO FAR AWAY FROM EACH OTHER. 632 00:28:09,530 --> 00:28:10,920 OKAY. 633 00:28:10,920 --> 00:28:12,130 PLEASE TELL HIM WE SEND OUR BEST. 634 00:28:39,520 --> 00:28:41,490 YOU FIRED HIM? 635 00:28:41,490 --> 00:28:43,620 SO, WHO'S GONNA INTERPRET FOR YOU? 636 00:28:43,620 --> 00:28:44,820 NO ONE. 637 00:28:44,820 --> 00:28:46,280 THERE'S NO ONE ELSE. 638 00:28:47,740 --> 00:28:50,210 I JUST HAVE TO DO IT MYSELF. 639 00:28:54,040 --> 00:28:57,420 I NEED TO GET BETTER AT LIP-READING CHEMISTRY WORDS. 640 00:28:57,420 --> 00:28:59,040 CAN YOU HELP ME PRACTICE? 641 00:28:59,040 --> 00:29:00,260 SURE. 642 00:29:00,260 --> 00:29:03,430 I HIGHLIGHTED A BUNCH OF WORDS THAT I NEED TO RECOGNIZE. 643 00:29:03,430 --> 00:29:05,930 JUST READ THEM AND JUMP AROUND. 644 00:29:05,930 --> 00:29:07,010 OKAY. 645 00:29:12,020 --> 00:29:13,600 COEFFICIENT. 646 00:29:14,600 --> 00:29:16,940 -COEFFICIENT. -(giggles) 647 00:29:18,270 --> 00:29:20,030 POLYATOMIC. 648 00:29:20,030 --> 00:29:22,240 POLYATOMIC. 649 00:29:22,240 --> 00:29:25,530 PICK A HARD ONE AND DON'T OVER ENUNCIATE, 650 00:29:25,530 --> 00:29:26,950 'CAUSE SHE WON'T. 651 00:29:30,500 --> 00:29:31,540 HALOGENATED. 652 00:29:34,580 --> 00:29:35,710 HALOGENATED. 653 00:29:39,880 --> 00:29:41,010 (sighs) 654 00:29:42,130 --> 00:29:43,550 HOW LONG DO YOU NEED IT? 655 00:29:48,920 --> 00:29:51,930 IT'S A TYPE OF UNSATURATED HYDROCARBON. 656 00:29:53,020 --> 00:29:54,310 TRY AGAIN. 657 00:29:58,350 --> 00:29:59,390 ENTHALPIES. 658 00:30:01,530 --> 00:30:02,900 IT LOOKS LIKE YOU'RE SAYING, 659 00:30:02,900 --> 00:30:05,570 "END OF PEACE," BUT I KNOW THAT'S WRONG. 660 00:30:07,320 --> 00:30:08,610 (groans) 661 00:30:11,450 --> 00:30:12,870 IT JUST TAKES PRACTICE. 662 00:30:16,910 --> 00:30:18,160 PICK ANOTHER WORD. 663 00:30:23,920 --> 00:30:25,420 WHAT'S THE 911? 664 00:30:25,420 --> 00:30:27,050 ALL RIGHT, THIS MIGHT SEEM A LITTLE CRAZY, BUT-- 665 00:30:27,050 --> 00:30:28,420 THE MUSICAL! 666 00:30:28,420 --> 00:30:30,430 YES! I COULDN'T SLEEP ALL NIGHT. 667 00:30:30,430 --> 00:30:32,730 I KEPT SEEING DANCE NUMBERS IN MY HEAD, 668 00:30:32,730 --> 00:30:34,350 AND WRITING LYRICS TO SONGS. 669 00:30:34,350 --> 00:30:36,350 DIDN'T I TELL YOU? I'M A GENIUS. 670 00:30:36,350 --> 00:30:37,770 BUT THAT'S THE THING. 671 00:30:37,770 --> 00:30:40,610 YOU'RE RIGHT. THIS WOULD MAKE A GOOD MUSICAL, 672 00:30:40,610 --> 00:30:42,400 BUT I'VE NEVER WRITTEN ONE BEFORE. 673 00:30:42,400 --> 00:30:44,360 SO? YOU'D NEVER WRITTEN A BOOK BEFORE, 674 00:30:44,360 --> 00:30:45,980 AND NOW YOU'VE WRITTEN TWO. 675 00:30:45,980 --> 00:30:47,320 THAT'S TRUE. 676 00:30:47,320 --> 00:30:49,400 YOU KNOW, WE SHOULD DO IT. 677 00:30:49,400 --> 00:30:51,080 WHOA, "WE"? 678 00:30:51,080 --> 00:30:53,490 YES, YOU'RE THE ONE THAT GOT THE BALL ROLLING. 679 00:30:53,490 --> 00:30:55,790 NO, NO, NO. THAT'S ALL I'M GOOD FOR-- 680 00:30:55,790 --> 00:30:58,370 THE BIG PICTURE, NOT THE DETAILS. 681 00:30:58,370 --> 00:31:01,500 LIKE, I COULD TELL RICARDO THAT HIS GUEST BATH NEEDED A NEW LOOK, 682 00:31:01,500 --> 00:31:03,380 BUT I COULDN'T TELL HIM WHICH TILE TO BUY. 683 00:31:03,380 --> 00:31:05,920 IT'S YOUR IDEA. YOU RUN WITH IT. 684 00:31:06,840 --> 00:31:08,500 OKAY, BUT... 685 00:31:08,500 --> 00:31:10,100 WILL YOU COME TO SEE IT, EVEN IF NOBODY ELSE DOES? 686 00:31:10,100 --> 00:31:12,890 ARE YOU KIDDING? I'LL BE LEADING THE STANDING OVATION. 687 00:31:13,890 --> 00:31:16,510 BUT FIRST, LET'S CAST THAT CHORUS LINE OF SHIRTLESS BALLBOYS. 688 00:31:40,630 --> 00:31:41,960 I THOUGHT I FIRED YOU. 689 00:31:43,340 --> 00:31:44,590 DIDN'T STICK. 690 00:31:46,840 --> 00:31:48,630 DID IRIS CALL YOU? 691 00:31:54,890 --> 00:31:57,390 THAT WAS NICE OF HER, BUT... 692 00:31:57,390 --> 00:31:58,930 THIS ISN'T WORKING OUT. 693 00:31:58,930 --> 00:32:00,020 HERE'S THE THING. 694 00:32:02,110 --> 00:32:04,440 HEARING KID, DEAF PARENTS. 695 00:32:07,110 --> 00:32:10,700 I WAS THEIR EARS AND VOICE STARTING AT AGE FIVE. 696 00:32:12,990 --> 00:32:15,910 IF THE CLEANERS RUINED MY DAD'S SHIRT, 697 00:32:15,910 --> 00:32:18,870 OR IF MY MOM'S SOUP WAS TOO SALTY-- 698 00:32:18,870 --> 00:32:20,920 YOU HAD TO FIGHT THEIR BATTLES. 699 00:32:24,710 --> 00:32:26,380 IT WASN'T ALL BAD. 700 00:32:27,630 --> 00:32:30,140 IN FOURTH GRADE, THE INTERPRETER DIDN'T SHOW UP, 701 00:32:30,140 --> 00:32:34,550 SO I HAD TO INTERPRET MY OWN PARENT-TEACHER CONFERENCE. 702 00:32:34,550 --> 00:32:38,010 I BET YOUR BEHAVIOR WAS PERFECT. 703 00:32:39,010 --> 00:32:40,650 SHE SAID 704 00:32:40,650 --> 00:32:44,480 I WAS DOING EXCELLENT IN EVERY ARENA. 705 00:32:44,480 --> 00:32:45,810 (chuckles) 706 00:32:48,360 --> 00:32:49,940 ALL THIS TO SAY... 707 00:32:51,490 --> 00:32:52,870 SOMEONE LIKE YOU, 708 00:32:52,870 --> 00:32:55,280 AN EMPOWERED DEAFIE... 709 00:32:56,490 --> 00:32:57,870 IT'S A NEW THING FOR ME. 710 00:32:58,870 --> 00:33:00,750 I JUST HAVE TO GET USED TO IT. 711 00:33:07,170 --> 00:33:08,790 I NEED YOU, 712 00:33:08,790 --> 00:33:11,300 BUT I CAN'T HAVE YOU TALKING FOR ME. 713 00:33:11,300 --> 00:33:12,300 EARS ONLY. 714 00:33:13,680 --> 00:33:14,800 GOT IT. 715 00:33:18,800 --> 00:33:19,800 SO... 716 00:33:19,800 --> 00:33:23,100 I STOPPED BY THE CHEMISTRY DEPARTMENT AND... 717 00:33:23,100 --> 00:33:25,060 GOT THE NOTES FOR THE NEXT CLASS. 718 00:33:36,110 --> 00:33:37,650 YOU GET ADVANCED NOTES? 719 00:33:40,500 --> 00:33:41,710 YEAH. 720 00:33:51,840 --> 00:33:53,840 HEY, LET ME USE YOUR PHONE. 721 00:33:53,840 --> 00:33:55,880 I'M WAITING FOR A CALL. WHAT'S WRONG WITH YOURS? 722 00:33:55,880 --> 00:33:56,840 IT'S OUT OF MINUTES. 723 00:33:56,840 --> 00:33:59,170 -IT'S IMPORTANT. -SO IS THE CALL I'M WAITING FOR. 724 00:33:59,170 --> 00:34:00,850 WHAT, YOUR BOYFRIEND? 725 00:34:00,850 --> 00:34:03,810 I HAVE TO CALL ROBBIE'S LAWYER ABOUT GETTING HIM OUT. 726 00:34:03,810 --> 00:34:06,940 YOU REMEMBER ROBBIE, THE GUY WHO GOT BUSTED BECAUSE OF YOU. 727 00:34:06,940 --> 00:34:09,230 YOU CAN BORROW IT AS SOON AS I'M DONE WITH MY CALL. 728 00:34:09,230 --> 00:34:10,860 LUNCH WILL BE OVER BY THEN. 729 00:34:10,860 --> 00:34:12,360 -YOU OWE ME. -(sighs) 730 00:34:12,360 --> 00:34:14,280 HEY! NO, THAT IS MY PHONE. 731 00:34:14,280 --> 00:34:15,780 GIVE ME THE FRIGGIN' PHONE! 732 00:34:21,790 --> 00:34:23,040 THERE'S YOUR PHONE. 733 00:34:24,330 --> 00:34:26,000 YOU PSYCHO! 734 00:34:27,160 --> 00:34:28,830 I DO NOT OWE YOU ANYTHING. 735 00:34:28,830 --> 00:34:31,510 THAT GUY GOT BUSTED BECAUSE HE IS A DRUG DEALER. 736 00:34:31,510 --> 00:34:33,130 THAT IS ON HIM, NOT ME. 737 00:34:33,130 --> 00:34:35,300 I TOLD YOU MESSING WITH ME WAS A MISTAKE. 738 00:34:35,300 --> 00:34:36,880 DO WHATEVER YOU WANT. 739 00:34:36,880 --> 00:34:38,670 I ALREADY CAN'T GO TO L.A. TO BE WITH MY BOYFRIEND 740 00:34:38,670 --> 00:34:39,920 FOR A WHOLE YEAR. 741 00:34:39,920 --> 00:34:42,310 I GOT NOTHING ELSE TO LOSE. 742 00:34:42,310 --> 00:34:43,890 HEY. HEY! 743 00:34:43,890 --> 00:34:45,560 WHAT THE HELL IS GOING ON? 744 00:34:49,220 --> 00:34:50,440 WHAT'S THE PROBLEM HERE, TESS? 745 00:34:53,320 --> 00:34:54,940 DID SHE DO THAT? 746 00:35:04,040 --> 00:35:05,000 NO, I DROPPED IT. 747 00:35:09,450 --> 00:35:11,550 ALL RIGHT. 15 MINUTES AND WE'RE BACK TO WORK. 748 00:35:32,900 --> 00:35:34,730 NOT MY BIKE AGAIN. 749 00:35:35,730 --> 00:35:36,940 I WANT YOU TO KNOW 750 00:35:36,940 --> 00:35:39,860 I GOT INVOLVED WITH THE DEVELOPMENT PROJECT FOR ALL THE RIGHT REASONS. 751 00:35:40,870 --> 00:35:42,280 YOU DON'T OWE ME AN EXPLANATION. 752 00:35:42,280 --> 00:35:44,870 YOU TOOK JUANITA'S WORD ABOUT WHAT HAPPENED AND THREW ME OUT. 753 00:35:46,280 --> 00:35:48,080 THREW YOU OUT IS AN OVERSTATEMENT. 754 00:35:49,740 --> 00:35:51,630 I GREW UP IN THIS NEIGHBORHOOD. 755 00:35:51,630 --> 00:35:54,000 I SAW A CHANCE TO DO SOMETHING GOOD FOR IT, AND I TOOK IT. 756 00:35:54,000 --> 00:35:56,920 BUT I GOT IN OVER MY HEAD, 757 00:35:56,920 --> 00:35:58,340 AND I MADE MISTAKES. 758 00:35:59,340 --> 00:36:00,970 I STILL THINK I COULD DO SOMETHING GOOD. 759 00:36:01,970 --> 00:36:03,890 LET ME HELP YOU WITH YOUR COFFEEHOUSE. 760 00:36:03,890 --> 00:36:05,260 HELP HOW? 761 00:36:05,260 --> 00:36:08,930 I'M AN INTERIOR DESIGNER. I CAN GIVE YOUR PLACE THE LOOK YOU WANT TO GET IT OPEN. 762 00:36:09,930 --> 00:36:11,360 (laughs) 763 00:36:11,360 --> 00:36:14,270 UH, I DON'T THINK THAT WOULD BE A SMART MOVE FOR ME RIGHT NOW. 764 00:36:15,940 --> 00:36:17,270 (speaks Spanish) 765 00:36:18,270 --> 00:36:19,810 I CAN HIRE SOMEONE WHO SPEAKS SPANISH. 766 00:36:21,410 --> 00:36:22,990 BUT I GREW UP HERE. 767 00:36:22,990 --> 00:36:24,200 I KNOW THESE PEOPLE. 768 00:36:24,200 --> 00:36:25,700 YEAH, AND THEY DON'T LIKE YOU, 769 00:36:25,700 --> 00:36:26,910 AND THEY DON'T TRUST YOU. 770 00:36:26,910 --> 00:36:29,030 THEY USED TO, AND I CAN WIN THEM BACK. 771 00:36:29,030 --> 00:36:31,250 WHAT DOES THAT HAVE TO DO WITH ME AND MY COFFEEHOUSE? 772 00:36:31,250 --> 00:36:34,040 WELL, THIS IS HOW I GET THEM BACK ON MY SIDE. 773 00:36:34,040 --> 00:36:36,040 AND IN EXCHANGE, I CAN BRING MONEY 774 00:36:37,040 --> 00:36:39,000 TO HELP YOU GET THIS PLACE UP AND RUNNING. 775 00:36:39,000 --> 00:36:42,140 THINGS ARE ALWAYS MORE EXPENSIVE THAN THEY SAY AT FIRST. 776 00:36:43,550 --> 00:36:45,930 WELL, I DID GET AN ESTIMATE ON BRINGING THE PLUMBING UP TO CODE. 777 00:36:47,050 --> 00:36:48,840 YOU WANNA DRAW PEOPLE IN? 778 00:36:48,840 --> 00:36:49,970 MAKE THIS A NEIGHBORHOOD HANGOUT? 779 00:36:50,980 --> 00:36:52,940 WE COULD MAKE PART OF THE SPACE 780 00:36:52,940 --> 00:36:54,610 AN ART GALLERY FOR LOCAL ARTISTS, 781 00:36:54,610 --> 00:36:56,940 OR ONCE A WEEK WE CAN DO AN OPEN MIC NIGHT. 782 00:36:56,940 --> 00:36:59,850 THERE ARE SOME REALLY TALENTED PEOPLE IN THIS NEIGHBORHOOD. 783 00:36:59,850 --> 00:37:01,860 WE CAN SELL JUANITA'S BROWNIES, 784 00:37:01,860 --> 00:37:03,530 BUT ALSO CARRY HEALTHY SNACKS 785 00:37:03,530 --> 00:37:05,450 SO THAT PARENTS HAVE OPTIONS WHEN THEY BRING THEIR KIDS. 786 00:37:05,450 --> 00:37:07,120 WE DON'T EVEN KNOW EACH OTHER. 787 00:37:07,120 --> 00:37:08,910 I'M REGINA. 788 00:37:08,910 --> 00:37:09,990 REGINA VASQUEZ. 789 00:37:11,000 --> 00:37:12,370 ALSO KNOWN AS LA MALINCHE. 790 00:37:12,370 --> 00:37:14,460 WHAT IS MALINCHE ANYWAY? 791 00:37:14,460 --> 00:37:16,000 A TRAITOROUS WHORE. 792 00:37:16,000 --> 00:37:17,580 DAMN. 793 00:37:17,580 --> 00:37:18,870 YEAH. 794 00:37:20,590 --> 00:37:21,930 ERIC. 795 00:37:21,930 --> 00:37:22,880 ERIC BISHOP. 796 00:37:27,680 --> 00:37:29,840 WHOO, JIMMY. (clears throat) 797 00:37:29,840 --> 00:37:31,230 LOOKS LIKE YOU HIT THE JACKPOT. 798 00:37:31,230 --> 00:37:35,850 ALL RIGHT, WE GOT ANOTHER DEAD RAT, AND THIS ONE'S RIPE. 799 00:37:35,850 --> 00:37:37,190 WHO'S GONNA DO THE HONORS? 800 00:37:40,610 --> 00:37:41,900 WHO'S A TEAM PLAYER? 801 00:37:43,070 --> 00:37:44,570 COME ON. IT'S NOT GETTING ANY FRESHER. 802 00:37:48,530 --> 00:37:50,750 SHE'S NOT SUPPOSED TO DO THAT. 803 00:37:50,750 --> 00:37:52,460 WHAT'D YOU SAY? 804 00:37:52,460 --> 00:37:53,870 WE'RE NOT SUPPOSED TO TOUCH DEAD ANIMALS. 805 00:37:53,870 --> 00:37:56,000 YOU'RE SUPPOSED TO CALL ANIMAL CONTROL. 806 00:37:56,000 --> 00:37:56,910 SAYS WHO? 807 00:37:56,910 --> 00:37:58,910 THERE'S A LAWSUIT AGAINST THE COUNTY ABOUT IT. 808 00:37:59,910 --> 00:38:01,340 I MEAN, IF YOU DON'T CARE ABOUT THAT... 809 00:38:06,510 --> 00:38:08,840 ALL RIGHT. SOMEBODY GIVE ME SOME TONGS. I'LL DO IT. 810 00:38:12,810 --> 00:38:14,480 (whispers) THANK YOU. 811 00:38:14,480 --> 00:38:15,980 IT'S NO BIG DEAL. 812 00:38:19,350 --> 00:38:20,940 Kathryn: OKAY. 813 00:38:20,940 --> 00:38:22,610 GENTLE. 814 00:38:22,610 --> 00:38:24,820 JUST AROUND THE CORNER. 815 00:38:26,070 --> 00:38:28,700 RIGHT OVER HERE. THIS IS PERFECT. 816 00:38:28,700 --> 00:38:30,280 THERE YOU GO. 817 00:38:31,290 --> 00:38:33,790 AH. DID I MISS SOMETHING? 818 00:38:33,790 --> 00:38:35,040 I BOUGHT A PIANO. 819 00:38:37,540 --> 00:38:40,630 ♪ BABY, WE DON'T HAVE TO BE ALONE ♪ 820 00:38:41,630 --> 00:38:45,590 ♪ LIKE EVERYBODY ELSE WE KNOW ♪ 821 00:38:45,590 --> 00:38:48,220 ♪ YEAH, WE DON'T NEED TO BE LONELY ♪ 822 00:38:48,220 --> 00:38:50,970 ♪ LIKE THE REST OF THEM ♪ 823 00:38:53,020 --> 00:38:57,520 ♪ AND BABY WE DON'T NEED TO EVER FROWN ♪ 824 00:38:57,520 --> 00:39:01,570 ♪ LIKE EVERYBODY ELSE 'ROUND TOWN ♪ 825 00:39:01,570 --> 00:39:04,030 ♪ YEAH WE DON'T NEED TO BE LONELY ♪ 826 00:39:04,030 --> 00:39:06,860 ♪ LIKE THE REST OF THEM ♪ 827 00:39:06,860 --> 00:39:10,830 (singer vocalizes) 828 00:39:14,990 --> 00:39:17,750 UH, WHAT ABOUT LANTHANIDES? 829 00:39:17,750 --> 00:39:18,830 UM... 830 00:39:20,080 --> 00:39:21,460 -THAT? -YEAH. 831 00:39:21,460 --> 00:39:22,670 OKAY. 832 00:39:23,670 --> 00:39:26,800 (phone camera clicking) 833 00:39:33,640 --> 00:39:35,010 ABOUT YESTERDAY... 834 00:39:35,890 --> 00:39:37,890 MAYBE WE COULD HAVE HANDLED IT BETTER. 835 00:39:40,520 --> 00:39:42,020 WE'D LIKE TO HAVE YOU BACK IN THE GROUP. 836 00:39:43,520 --> 00:39:45,940 YOU MEAN ME AND MY ADVANCED NOTES. 837 00:39:47,190 --> 00:39:48,980 THEY'D BE HELPFUL. 838 00:39:48,980 --> 00:39:50,320 WE'D BE HELPING EACH OTHER OUT. 839 00:40:14,970 --> 00:40:17,640 I NEED YOU TO SLOW DOWN AND SPEAK CLEARLY, 840 00:40:17,640 --> 00:40:20,140 SO THAT I CAN FOLLOW THE DISCUSSION. 841 00:40:20,140 --> 00:40:22,690 EITHER I OR JOSH WILL LET YOU KNOW WHEN YOU'RE GOING TOO FAST. 842 00:40:22,690 --> 00:40:24,270 AGREED. 843 00:40:24,270 --> 00:40:25,900 WE'RE MEETING AT 7:00 TONIGHT, 844 00:40:25,900 --> 00:40:26,900 THE CHEM CLASSROOM. 845 00:40:29,400 --> 00:40:31,330 WE'LL BE THERE. 846 00:40:31,330 --> 00:40:33,990 ♪ IF YOU'RE FEELING SMALL ♪ 847 00:40:35,570 --> 00:40:37,490 -WELL PLAYED. -THANKS. 848 00:40:38,870 --> 00:40:41,790 ♪ YOU'LL BE 10 FEET TALL ♪ 849 00:40:42,840 --> 00:40:46,960 ♪ I COULD BE YOUR LUCKY CHARM ♪ 850 00:40:46,960 --> 00:40:49,290 ♪ I CAN HELP YOU FLY ♪ 851 00:40:50,720 --> 00:40:53,970 ♪ YOU'RE THE ONE WHO CHEERS ME ON ♪ 852 00:40:54,970 --> 00:40:57,220 ♪ YOU MAKE ME SHINE ♪ 853 00:40:57,220 --> 00:40:59,970 ♪ WE MAKE EACH OTHER BETTER ♪ 854 00:40:59,970 --> 00:41:01,770 ♪ BETTER ♪ 855 00:41:03,100 --> 00:41:05,020 ♪ GIVE ME LOVE ♪ 856 00:41:09,150 --> 00:41:11,910 (dramatic music playing) 60640

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