All language subtitles for 02x05 - The Bogman Cometh_track3_[eng]

FITZ: Last night
was a bit of a surprise.

-Seems like you're
doing really well here.

-Why don't we all have dinner?
-Totally.

-You want me to have dinner
with your ex-wife

and your arch-nemesis?

-You're pregnant.
-I haven't even told Robert.

ROBERT: What did we miss?

-Excuse me for a sec.

♪

-Not used to you picking me up.

-Oh.
I was awake early.

-Meaning...

you didn't sleep.

-[scoffs]

-Anything you want
to talk about?

-No.
Not really.

-Does it have something to do
with why you left dinner early?

Fun evening, by the way,

trying to make small talk
with your ex and O'Brien.

[phones buzzing]

-Are you seeing this?
-Yeah.

♪

ARCH: Renuf, what do we know?
Natasha okay?

RENUF: Just get
to the funeral home

as soon as you can.

♪

♪

♪

♪

♪

♪

ARCH: Natasha,
what happened here?

-Hey, stop!

[gasp and thud]

[thud and crash]

-It's Milo.

My brother.

But it can't be.

-It can't be what?

-He's dead.

He died over a year ago.

[dramatic music]

♪

[theme music]

♪

FITZ: Natasha said
her brother died a year ago.

What's that all about?

-Milo was supposedly killed
in a skiing accident.

-Natasha's been taken
to hospital for X-rays.

She claims she thought
Milo was an intruder.

-Did she say how the
urn was broken?

Was there a struggle?

-According to her,
that all happened

when she fell down the stairs
and chased after him.

ARCH: She didn't call it in
right away.

See how the blood
has coagulated?

RENUF: Once she realized
the intruder was her brother,

she tried to help him,

but he died in her arms.

-Ah, she must have
been in shock.

-So, with Natasha
out of the picture,

I guess we don't have a coroner?

-We have a backup,
but I think he's in Paris.

You seeing this?

What's all over him?

-Is he covered
in cremation dust?

-Gross.

-We should get it tested
just to be sure.

-It's everywhere.

Even in his wound.

-Yeah, it looks like
someone gave him

a pretty heavy crack
on the skull.

So, there were no signs of
forced entry?

-No.
-Right.

Natasha and Milo,
they grew up in this house.

Theoretically,
they know how to get in here.

-She definitely was caught
off guard seeing him.

-So... what if it's both?

What if he didn't break in?

-And she didn't know
he was here.

-We should take a poke around.

See what we can find.

♪

Wow.

How would you feel
if you lived in a house

that had a basement
filled with caskets?

ARCH: Natasha grew up here.

Imagine being kids running
around in a place like this.

-As creepy as it is, if you
lived here, you'd be used to it.

You'd do kid things,
like...

play hide-and-seek.

-This is a pretty good
hiding spot.

-So, if Milo
wanted to lay low...

-Wait,
you don't actually think...

-I don't know.

[casket creaks open]

Arch...

♪

-I cannot even think
of the nightmares

from sleeping in this.

-This is all Milo's stuff.

What are these?

ARCH: Milo Bourges,
Natasha's stepbrother.

Her mother remarried
when she was a kid

and Milo came with the deal.

-They're not blood-related.

-So, Milo was dead,
and then he wasn't dead,

but now he's very dead?

-Milo disappeared a year ago

on a heli-skiing trip
in the Alps.

His body wasn't recovered,
but local authorities

ruled it an accidental death.

MARCUS: Clearly,
they got that wrong.

-I ran an image search

through airport authority
security footage

and got a hit for Milo.

He flew in three days ago
from Zagreb via Paris

on a fake Croatian passport
under the name Tom Maszk.

ARCH: A faked death?
A fake passport?

-We found these
stashed in the casket

that Milo was sleeping in
in Natasha's basement.

-Race cards for the horse track
in Saint-Pierre

going back several months.

Looks like he was
doing some research

before placing a bet.

PATTY: What are
all these circles for?

MARCUS: Milo was tracking
a group of horses.

Some winners, of course,
but what's weird

is that he's been
consistently tracking horses

with terrible odds.

-All this subterfuge
to bet on horses?

-Doesn't make a lot of sense.

-And there'll be no clarity
coming from the backup coroner

'cause he can't get on a plane
till tomorrow night.

-On that point, Renuf,
any luck with forensics?

We need to figure out
what this dust all over Milo is.

-Uh, they're on it.
Yeah.

But do we really think Natasha
could kill her own brother?

MARCUS: Natasha's one of us,

but everything about
this situation

screams foul play.

ARCH: Why have you
barely said a word all day?

Are you messed up
by the idea that Natasha

is our prime suspect, or...?

-I don't love it, but no, that's
not what's going on with me.

-Mm-hm. Still thinking about
how you just randomly got up

and left me at dinner
with Meredith?

-I'd had too much to drink.

It was better for everyone
that I just left.

-You could just tell us
what the issue is.

-No, I-- no.
She's not going anywhere.

I'm not going anywhere.

I would like to speak
to your supervisor, please.

FITZ: Hi.
Is everything all right?

ANGIE: No, actually.

The officer isn't letting us in
to see our friend.

We have some food and a change
of clothes for Natasha.

-And you are...?

-Jane. This is Angie.
We're Natasha's friends.

Oh!

You are Arch, right?

Natasha literally talks
about her all the time.

And Don?

-Fitz is fine.

JANE: Fitz.

Good.
I like it.

It suits you.
Strong.

ANGIE: Is Natasha
in some kind of trouble?

-We can't talk to you
about that.

JANE: Well,
can you please make sure

that she gets...

these?

FITZ: Ah, okay, I'm sorry
I walked out on dinner,

and I'm sorry I dragged you
into my weird personal stuff.

Okay?

Meredith is pregnant.

♪

NATASHA: That's so sweet
of Jane and Angie.

Why couldn't they drop it off?

Why is there a cop
outside my room?

I'm a suspect?

-The more thorough we are,
the more by the book we do this,

the better it is for you
in the long run.

-Who are those two, anyway?

-Jane's...

Jane's the best.

She graciously offered to stay
at my place while I recover.

And she, uh,
runs the horse racetrack.

She's nice enough,
but a little clingy.

Who is going to examine
Milo's body?

-We are working on it.

-There are a lot of questions
around Milo.

He was your stepbrother?

-Never used "step."

He's my brother.

Milo came into my life
when I was little,

so he's the only...

sibling I have.

We mourned his passing,
so when I saw him last night,

I thought I was seeing a ghost.

[crying]

-He travelled here
on a fake passport.

Do you have any idea
why he faked his own death

or why he was back
in Saint-Pierre?

-No.

None.
I swear.

-We found evidence that
tells us he was camping out

in a casket in your basement
for a few days at least.

-[sighs]

You remember I told you I...

thought I was hearing
sounds at night?

I thought I was going crazy!

I know how this looks,
but there is...

I want to know what happened
to Milo more than anyone.

[sombre music]

♪

ARCH: I have
a few follow-up questions.

-Me too.
Why fake your own death?

-No, Fitz, not that.

-If Milo faked his own death
because he was trying

to disappear from something,
then why reappear?

We figure that out, maybe we'll
have a better understanding

as to what happened to him.

-Meredith... the baby.
Is it...

-Mine?

-Felt kind of tacky to ask,
but, um...

the timing works out.

-Oh.

So, you guys, um...

when she came to tell you
she was engaged?

-Yeah.
And if I'm the father, I mean,

there's a part of me that hopes
that's true, but...

-But if you're not the father?

-Then O'Brien is, and well,

I don't have to tell you
what I think about that.

-I just left the guys
in Forensics.

They're trying to figure out
what the dust on Milo could be.

-Great, Patty, you come with us.

I don't wanna talk about this
anymore. Come on.

FITZ: Patty, why would you
fake your own death?

-I... I wouldn't.

-No, of course you wouldn't,
'cause you're a normal person,

which tells us that Milo...
Milo's not so normal.

-He was running from someone?

-Right? That's...
that's one possibility.

Another is money.

-Patty, check with
Natasha's funeral home,

the financials, life insurance,

anything that might show
if Natasha benefited

from her brother's
disappearance.

-Will do. I've been
interviewing Milo's friends

as well to see if anyone else
knew he was back.

He kind of isolated himself
from them.

But Édouard Croteau

was Milo's old boss
at the tack shop.

He filed charges
against Milo for theft.

Milo served jail time.
There could be beef there.

-Maybe that drove
Milo to return.

FITZ: All right,
let's go talk to Mr. Croteau.

Nice work, Patty.

We'll drop you back
at the station.

[tense music]

ÉDOUARD: I'm confused.
So, Milo didn't die last year?

-No. When was the last time
that you saw him?

-At the trial.

Milo worked for me.

-Édouard, you had Milo charged
with theft under 2,000.

It's a bit extreme
to go to trial for that amount.

ÉDOUARD: Milo stole
a lot more from me,

but I only reported
the 2 grand

to ensure he received
the least possible sentence.

-Sorry, you're gonna
have to explain that to us.

-I didn't want to ruin
the boy's life.

Milo and Natasha.

I was friends
with their parents,

so they were like family.

When I discovered
he was stealing,

I warned him to stop.

-So you wanted
to scare him straight?

-Milo had the biggest heart.

I don't know.
He just lost his way.

I hoped a little jail time
teach him a lesson,

turn his life around.

And not just for Milo,
but for Natasha too.

Given everything
she was going through.

-What was Natasha going through?

-Milo put the funeral home
in debt,

stole all her savings.
Eventually, she kicked him out.

-Milo was an addict?

-Gambling.
I tried to help,

but at a certain point,
you can lead a horse to water,

but you can't make him drink.

-What do you make of these?

These betting slips,
they were all Milo's picks,

but not all of them
were winners.

-All these horses
have the same link.

They're owned
by the same couple.

Sunil and Marielle Sharma.

-Did Milo ever threaten you?

Come after you
for the theft charges?

-No.

He never talked to me again.

I got the sense
that he was just too ashamed.

And then we all assumed
he was dead.

[tense music]

♪

MARIELLE: Well, I can
just give you some cash

and then you can let the car go.

MAN: Désolée, madame .

MARIELLE: Oh, come on!

ARCH: Marielle Sharma?
Police.

We need to speak to you.

-I cannot believe
that jackass called you.

Listen, we are only here
for part of the year.

My husband just let the car
payment fall through the cracks.

-I just lost track
of the accounts. I'm on it. I...

Hardly worth a visit.

-Actually, we have nothing
to do with your car.

What's your relationship
with Milo Bourges?

-I think I might have
seen him from the track.

I... I don't know.
Sorry, what is this about?

-It's just that Milo
was really, really interested

in your horses.

-Our horses are winners.

Just doing his homework,
I'd say.

-Abalone is the odds on
favourite to win

the Prix de Saint-Pierre.

-Yeah, now, if you don't mind,
I gotta figure out

a way to get my car back.
Yeah? Great.

-[phone ringing]
-Yeah, I'm on it.

I'm on it, babe.
[into phone] Yeah, yeah.

[engine starts]

♪

♪

PATTY: I looked into Natasha's
financials like you asked.

The funeral home
was going into receivership.

Six months before Milo
died on his ski trip,

he purchased a 3 million euro
life insurance policy.

-You can't be serious.

-The sole beneficiary...?

-Natasha?

FITZ: So, what,
was him faking his own death

like a scam
to save the funeral home?

-I just got a call
from the officer

guarding Natasha's room.

She's escaped somehow.

-What do you mean?
-She's gone.

[dramatic music]

♪

ARCH: What are you doing here?

-I was just bringing
Natasha a smoothie.

♪

-"Arch and Fitz,
you'd never have let me."

♪

-Arch, we gotta go.
Now!

[dramatic music]

♪

-Natasha, wait.

Put the scalpel down gently.

-And step away
from your brother.

♪

NATASHA: I know how that looked.

-It looked like
you were performing

an autopsy on your brother.

-I was only observing,

looking for evidence.

The scalpel was just
to scrape off some dried blood.

-Anything you would have found
would have been inadmissible

and you know that.

-I was just looking for answers.

-And so are we.

-It seems the funeral home
was in some financial trouble

before Milo disappeared
in the Alps.

-Coincidentally, Milo's very
extensive life insurance policy

paid off those debts.

Your debts.

ARCH: You also forgot to mention
he went to jail for theft.

-Wow.

So, that's where we are.

You think I killed my brother.

-What we think doesn't matter.

What matters is the truth,
and the truth is,

your brother faked his death

and you cashed a life insurance
policy worth 3 million euro.

-Natasha, did you know
that Milo was still alive

when you cashed that policy?

-Milo had a lot of other issues.

So, yes, maybe I suspected

that he might have
orchestrated his death

to avoid facing the consequences
of his actions.

-You suspected?

-I had nothing to do
with whatever he was up to.

And when the investigation
to his disappearance closed,

I just, I put it all behind me.

-With your debts magically gone.

-They weren't my debts!

Milo stole from
the funeral home.

I had to take out loans
to buy out his share.

I have no idea
what he did with the money,

but his creditors
are still at my door.

So, no, not exactly
a get-rich-quick scheme.

Why do you think I took on
being your coroner?

For the glamour?

Milo and I, we...

we had a special bond.

I helped my mom raise him.

This hasn't been easy for me.

Because the person I loved more
than anyone else in this world

had problems
that I couldn't fix.

And believe me, I tried.

♪

ARCH: Whether she's a part
of Milo's murder or not,

Natasha is grieving.

-Agreed. We need to
look at this with fresh eyes

so we can get to the bottom
of why Milo came back

and how he died.

-Forensics report is in.

The dust that was all over
Milo's body, in his socks,

shoes, everywhere,
it's limestone.

-It's a common myth
that limestone helps

decompose bodies.

-Natasha, a coroner,
would know the difference.

-Mm-hm.

-Besides, why would
she cover Milo in limestone

and then call us?

-The quarry.

-There's a limestone quarry
less than a kilometre

from the funeral home.

♪

[seagull calling]

[intriguing music]

♪

♪

-Why would Milo
have come here?

-I'm not sure he came willingly.

ARCH: Tire tracks.

They look new, from a car,
not a truck or heavy equipment.

-This is a working quarry.

Not just anyone
can drive in here.

-It's the weekend.
Someone could have snuck in.

♪

♪

-Look.

-Patty, bag the phone, please.

-Arch, we got some blood.

Some more here.

More...

All the way down.

♪

♪

ARCH: No splatter.

Not enough blood
for an initial blow to the head.

He must have
crawled out of there.

-These drag marks, what is this,
like a botched attempt

to bury a body?

-Messy, unplanned.

Natasha has a cremation chamber
in the funeral home.

She's not dragging her brother's
body out here to dump him.

-Not to mention,
Natasha of all people

would have checked his vitals
before she left him here.

She's innocent.

♪

MARCUS: You sure
you're okay to do this?

NATASHA: Of course, yeah.

Um, abrasions
and bruising all over his body.

-Indicative of someone
who was thrown into a trunk

and then dragged
through a quarry.

-Two head injuries.
One from the fall and...

this one, this is
the one that killed him,

but not instantly.

-So, he receives
multiple head contusions,

then gets left at the quarry,

but he still manages
to walk to your place?

How?

-Epidural hematoma.

-The talk and die syndrome.

The victim loses consciousness

followed by a period of lucidity
before death.

NATASHA: An autopsy
will confirm,

but the concussion
probably happened

about seven hours
before his death.

-Milo made his way
to the funeral home

around 5:00 AM,
so we're looking at 10:00.

-The weapon used, it's...

it's kind of strange.

It's curved, it's got
all these dents along the way.

-Yeah, so,
you're getting ahead of me.

The dents,
the shape of the injury,

my first guess
is something like a horseshoe.

-We found horse racing forms
in his bag.

-His biggest vice
was betting at the track.

I imagine it's where
he spent my life savings.

He loved to go down
to the stables

and check in on the horses
and the jockeys.

MARCUS: Hmm.

Well, if Milo was involved
with someone shady,

that's a good place to look.

♪

♪

[horse snorts]

-Gorgeous.

[horse snorts]

ARCH: Abalone.

I need to get in there.

WOMAN: D'accord.

-This is one of Sunil
and Marielle Sharma's horses.

[horse snorts]

♪

♪

[camera clicks]

[horse snorts]

What are you doing here?

-Angie, right?
Natasha's friend?

-Mm-hm.
I'm the club administrator.

We have a very big race
here this weekend

and guests are already arriving.

You're causing
quite a disruption.

-This is a warrant
to search the premises.

We have good cause to believe
Milo Bourges was here

prior to his death.

FITZ: Arch?

This look like
it could have been caused

by a blow to the head?

-Absolutely.
If this is human blood, yes.

-This straw looks fresh.

[straw rustling]

FITZ: Oh...

♪

-Have there been any
injured animals in this stall?

-If there had been,

that would have been
cleaned out immediately.

-I think we've found
our crime scene.

-Renuf, seal the perimeter.

-Yeah. Mademoiselle,
s'il vous plait.

-You have to be kidding me.

FITZ: Now all we need
is a murder weapon.

-I know someone who might
be able to help us with that.

ARCH: You see that pattern
in the wound?

It looks like it could be
from a horseshoe.

-Gruesome stuff.
My God.

-You must catalogue
all your custom shoes.

-Of course.

-Each shoe is different.

-Ah, you're a rider.

-Yeah, my happy place.

ÉDOUARD: Hmm.

Different horse,
different needs.

Compensatory shoes
improve foot flight,

while therapeutic shoeing
can treat injury and disease.

-Any way that you could
match this pattern

to a specific horse?

-Somewhat.

Those dents you see,
they're from mud nails.

Now, I have a few clients
that use them.

-What about Abalone?

-I just fit Abalone.

Now, Abalone is a racehorse.

And recently they've banned
mud nails in racing.

ARCH: And that pattern
doesn't match the fatal blow.

-Well, if you like, I can
make a list of closer matches

and send it to the station.

-We'd appreciate that.

Okay, a horseshoe...

You know, it's the right shape,

but it doesn't feel like
there'd be enough weight,

heaviness,
to cause an injury like that.

[phone chimes]

-What do you got there?

-We gotta go to Veda's.

♪

PATTY: I was having trouble
getting into the phone

we found at the quarry,
so I enlisted Veda's help.

-It's for sure Milo's.

And we opened
a bit of a wormhole.

-Yeah,
before he faked his death,

he was transferring a load
of money into a crypto wallet,

random amounts between
5,000 and 15,000 euros.

-The money he stole
from Natasha and Édouard.

FITZ: For what?
And to who?

VEDA: It's an anonymous account.

We can trace where
the money's coming from,

but not who holds the account.

-Are you able to...
-Hack it?

-Mm-hm.
-[chuckles]

It's possible,
but it will take time.

Also, Milo was living in Croatia

while he was pretending
to be dead, FYI.

-Not a bad spot to go
if you want to disappear.

-He was also exchanging a load
of explicit emails with a woman.

VEDA: There are pics.

Some very spicy, but...

-Do you have any with her face?

VEDA: No.

Whoever this gal is, she was
supposed to meet Milo in Zagreb,

but then she ghosted him.

-Around the same time,

Milo ran out of money
and the deposits stopped.

-Is there a link between
the email address

with the racy photos
and the crypto account?

-Uh, could be.

PATTY: The dates and times
on the emails

and those on the transfers
all correlate,

but there's one more thing.

-Someone else began depositing
crypto into the same account

after Milo stopped.

ARCH: Sunil Sharma.

FITZ: If Sunil was transferring
all of his money

to this mystery woman,
it would explain

why his car was repo-ed
yesterday.

-Patty, let's get a look
at Sunil's financials.

I wonder if Sunil's wife
is aware

of their financial situation.

-Exactly.

♪

-Someone called me
to meet you...?

Why is my car
in the police impound?

-Oh, we had it brought here.

And it's not really
your car anymore.

Technically, it's the bank's.

-I told you that
that was a misunderstanding.

Why are they going through it?

-We'll get to that.

-Have a look.

MARIELLE: These are
our bank accounts.

-Not looking great, hey?

-Can you please tell me
what's going on?

-Your husband was sending money
to an anonymous crypto wallet.

Do you know why?

-A crypto?
I...

I'm pretty sure he doesn't
even know what that means.

-Where was he two nights ago?

-Well, he missed dinner.

Uh, but he came in around 10:00,

and he didn't leave
for the rest of the night.

[phone chimes]

-Sunil, he...
-What?

He sent me a text.
It was cryptic.

He said he was sorry.

-Fitz...

it reads like a suicide note.

-He's with the horses.

[dramatic music]

ARCH: There he is!

FITZ: Oh my God...

I got his legs!
Hey, come on!

ARCH: Hold him!

[dramatic music]

-I got a pulse.
He's alive.

ARCH: Sunil is
still unconscious,

but he's going to be okay.

-I still can't believe
what he did.

I have no idea
what he's been up to,

but after I saw you,
I went through our records.

Everything's gone.

All our money,
it's transferred out.

-I'm sorry
this is happening to you.

-I should have known
that he wasn't being honest.

He wasn't himself.

I found these
stashed in his office.

I had never seen them before.

-What are they for?

-Seems like Sunil
rented a storage unit.

I don't know why, but...

I thought
you should know about it.

Whatever you find,
just leave me out of it.

[metal rattling]

-It's women's clothes.

-Well, it's not Marielle's.

Renuf, we're gonna need
the footage from that camera.

She didn't even know
about this place

until she started digging around
in her husband's stuff.

-The woman
in the saucy photos Milo had.

-She wore that in...

Arch.
She was also blonde.

-Ah, they're knock-offs.

I know a good handbag
when I see one.

Art is art.

Besides, my...
my years in customs

taught me a thing or two
about picking out the fakes.

-We've seen someone recently
with a fake designer purse.

-Who?

-I thought I was being an ass

because something
about that woman

clearly was
getting on my nerves.

Maybe that was you.

-What?

-In the hospital...
Jane?

-Natasha's friend, Jane?

She was flirty, but I thought
she was really nice.

-Women instinctually know
a certain type of threat.

You're probably
blinded by her charms.

- Prix de Saint-Pierre , 2023.

ARCH: Look, it directly
links to the crime scene.

That's what was missing
on the wall.

-So, if Jane is connected
to Sunil and Milo,

and this is her stuff,
does that mean Jane killed Milo?

-This locker is in Sunil's name,
so if that is the murder weapon,

it points directly at him.

-And he did try
to take his life.

ARCH: But Jane...
I know in my gut

she has something
to do with Milo's death.

That crypto account
has to be hers.

[mysterious music]

♪

-We could go somewhere, right?
We could do that.

♪

Hey.

I thought Natasha
could do with some company.

You know, away from the house.

You guys find something?

Uh, what do you guys
want to drink?

-What's your relationship
to Natasha's brother?

-Not sure what you mean, Fitz.

ARCH: Before you say
another word,

we know about
the crypto account.

Milo was making deposits to you.

-What's she talking about, Jane?

What deposits?

I didn't even know
you knew Milo.

-All the money Milo
took from you went to Jane.

We know you were pulling
the same scam with Sunil.

The same crypto account.

-Arch.

-Jane.

-I don't need to listen to this.

[scoffs]

-Hey!

Did you have something to do
with my brother's death?

JANE: Which one?

The one he faked
to get away from you, or...

♪

-You're under arrest.

-For what charge?

-We found the storage unit
with all of your knock-off crap.

-I paid for all
of those products.

I have the receipts.

I bought them legally in Milan.

-Mm-hm.
But here in France,

it's very illegal
to possess counterfeit goods.

So, I think we'll do
the full handcuff treatment.

Turn around.

Now.

♪

[handcuffs clinking]

FITZ: We'll never be able
to hold her with your bluff.

The whole counterfeit thing.

-Oh, it's not a bluff.

France is home
to the greatest fashion houses.

We take the sale of fake
designer goods very seriously,

like five years in prison
seriously.

-The plaque was
wiped clean of any prints.

It'll take a while to know
if there's any of Milo's DNA

to prove it's the murder weapon.

-But Veda
was finally able to crack

into that anonymous
crypto account.

It's Jane's.
As is the burner email account.

-We've got her.

♪

ARCH: You clearly didn't know
how serious we are here

about counterfeit fashion.

JANE: Oh...
[chuckles]

The likelihood
of prison time is a joke.

And I'm... I'm more than happy
to pay the 30,000 euro fine.

-Oh, and, uh... who are you
gonna con for that cash?

We grabbed this
from the security camera

outside Sunil's locker.

ARCH: Look who it is.

Let's be honest,
I want you for a lot more

than knock-off purses.

JANE: Yeah. I had
a relationship with two guys

who just thought
I was delightful.

They loved sending me money.

I really don't see the crime.

-Well, one of those men is dead,

and the other tried
to commit suicide.

-Why did you ghost Milo?

After he faked his death,

you were supposed
to meet him in Croatia.

-Yeah, but that wasn't
the plan, though, was it?

No, and you know what else
wasn't a part of your plan?

You didn't expect Milo
to leave the money

from the insurance policy
to Natasha.

See, he felt bad that
he left her in so much debt.

-Is that why you were
hanging with Natasha?

Trying to find a way to get
your hands on that, too?

JANE: So, you think...

Milo was mad I didn't
come meet him in Croatia?

That he came back to get me
and I killed him?

-No, we think he came back
to get the money

you stole from him.

-Well, even if he did,
you saw the size of him.

You think I...

I bashed him over the head
and dumped his body?

[laughs]
Oh, God.

You're so gullible.

Natasha told me all the details
of Milo's death.

-Yeah, you're right.
You couldn't do it on your own.

-Exactly.
And I forgot to tell you...

I have an alibi.

Yeah.
I was with my friend Angie.

Oh, you met her at the hospital.

Can I go now?

-Not a chance.

ARCH: We need that alibi
checked now.

-I heard the whole thing.

I'll visit with Angie
personally.

-If the alibi is legit,

we're not gonna be able
to hold her for long.

-She ruined Milo
and Natasha's lives.

Not to mention Sunil's,
and God knows who else.

-The report is back from
the tests we ran on Sunil's car.

The sand on the tires
is limestone.

And the trunk is covered
in Milo's DNA.

-And I don't know how,
but I'm sure Jane

convinced Sunil to kill Milo.

-Well, you might be right,

but we're gonna
need some evidence.

-We're just trying
to understand why you did it.

Milo's DNA, his blood,

it's all over
the trunk of your car.

Is there an explanation
other than you killed him?

ARCH: Unless...

-Unless what?

-We're not here to judge.

We know
you were having an affair.

-We have the rental agreement
for the storage unit

you set up for Jane.

That's very generous of you.

FITZ: The generosity
just kept coming, didn't it?

You sent her all those payments,
all that money, the emails.

-I love Jane.

With my debts,
I didn't have anything left.

I couldn't give her
what she wanted, she needed.

But I have a pretty good
life insurance policy,

so I named her
as the beneficiary, and...

so, that's why I...
tried to...

-There's no need to feel shame.
Jane is a pro.

You're not the first person
she conned.

We're connecting her
to a number of people

she's defrauded all over Europe.

-Not Jane.

No.

No, you're mistaken.

This is no con.

Jane loves me.

-Right, right.

How does Milo
fit into all of this?

-Jane wanted Milo
out of the picture.

She murdered him and asked you
to help her move the body?

-Jane didn't have to tell me
to deal with Milo.

Okay?
And then...

he tried to come into my stables

and tried to intimidate me,

tried to tell me
that Jane had to pay.

So I did what had to be done.

-So, you killed Milo...

and Jane knew nothing about it?

-I wasn't gonna tell her
that I dealt with Milo.

I didn't want to scare her away.

Jane is kind.

She's wonderful.
She...

And now because of him,

I'm never gonna be able
to see her again.

♪

ARCH: Am I tunnel visioning
here?

Jane for sure manipulated Sunil
into murdering Milo, right?

-You might think that,
I might think that,

but right now,
we've got no evidence

linking Jane to Milo's murder.

-She's just playing with us all,
like a cat with a mouse.

-Jane's alibi checked out.
We confirmed that with Angie.

I've got Renuf tailing her
for the time being.

She's made no attempt
to leave the island,

go to the ferry, the airport.

-Yeah, I thought she would
immediately try to leave town.

Why hasn't she left?

We're closing in
and she's still here.

-She's not done.

So, what else she want?

-Milo didn't come back
to Saint-Pierre

because he was jilted.

He came back because he was
onto something she was up to.

-What else
was Milo digging into?

-The horses.

ARCH: You recently fit
Sunil's horse, Abalone,

with new shoes?

-I did.

-Could we look at the file,
see the specifics?

-I'm not sure I want
to share that information.

There could be vet reports,
private medical information.

-It's for a horse.

-And this is
a murder investigation.

-The shoe was
for a ligament injury,

not a defect.

ÉDOUARD: Correct.

-Milo wasn't circling Abalone
for a bet.

He was zeroing in
on Jane's next scam.

-What scam?

-Abalone is the favourite
to win today.

Sunil didn't disclose
his horse's injury.

-Which means Jane and Sunil
have fixed the Prix.

♪

♪

[announcer speaking in French]

-The race is about to start.

-We can't arrest her?

-Not until we can prove
that she's benefitting

from a fraud.

[indistinct crowd chatter]

♪

[horse snorts]

♪

[horses whinnying]

RENUF: Abalone is red
and Beaches is yellow.

-Abalone is favourite to win,
but Jane knows he's injured.

She will bet
on the second best horse.

-Which is Beaches,
by a long shot.

[starting bell ringing]

[tense music]

♪

♪

-Abalone is not doing so good.

♪

[music intensifies]

♪

♪

♪

RENUF: I thought Beaches
was supposed to win.

-She was.

[indistinct crowd chatter]

♪

♪

♪

-How did she know?

-Where's my money?
-Get away from me.

-No.
-Ow! Get your hands off of me!

-You lied to me.
-She is assaulting me!

Arrest her!

-Okay...

-You stay away from me.

-Oh, and if she doesn't,

will you manipulate someone
to murder her?

Hey, hey, hey,
where do you think you're going?

-Well, I've got
a plane to catch.

-No, you cannot
just let her leave.

No!

Okay, okay.

It was Jane's plan.

-What was?

-We rigged the race.

I paid the jockey
to hold back Beaches

so that we could split
the winnings both ways.

But when I asked for my cut,
she refused to hand it over.

Now, can you arrest her?

FITZ: Do you have any evidence?

Any text messages, emails,

proving this conversation
happened between you both?

[scoffs]

[chuckles]
No.

She insisted on no paper trail
and asked that I front the cash,

so I paid the jockey.

I'm an idiot.

-So, Sunil goes down for murder,
Angie for fraud.

-And Jane has kept
her hands clean.

How much you want to wager
she's flying private?

[sound of airplane]

[siren wailing]

[suspenseful music]

♪

-Natasha.

-I don't want to hear
another lie out of you.

They might not have been able
to arrest you for Milo's murder,

but I know what you did.

Girlfriend...

I am going to send the worst
kind of karma your way.

-Well, number one, I really am
sorry you feel that way, Tash.

I really do see you as a friend.

-[scoffs]
-And, and...

as a friend,
I have some advice.

You really, really do
need to be more careful

with who you trust, honey,

because there are some
real predators out there.

[dramatic music]

♪

[indistinct crowd chatter]

FITZ: How are you doing?

NATASHA: I'll get there.

Haven't been hustled before,
so that is humbling.

-Arch, we got her.

-Yeah, on that note,
Jane has just been arrested.

And my friend graciously
sent along video evidence.

FITZ: That's gotta hurt.

-But how?
For what?

MARCUS: I arranged for
an unscheduled fuel stop

in England.

FITZ: She had a bunch of
warrants against her there

for conning people,
various other criminal activity.

-Thank you.

Thank you.

[quiet, mysterious music]

♪

♪

[music intensifies]

♪

♪

♪

♪

♪

♪

♪