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If you enjoy our videos, subscribe,
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like, and comment to support us. Thanks
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for tuning in.
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[music]
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[music]
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>> [music]
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[music]
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[music]
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>> Heat. Heat.
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[music]
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Heat. Heat.
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[music]
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[music]
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[music]
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>> [music]
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>> I believe we're about to have a visitor.
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>> Oh, interesting time.
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>> Most unusual, I'd say.
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>> I don't see anyone.
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>> My dear Watson, the street is hardly
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deserted.
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No, I don't mean that. I see one or two
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people, of course, but nobody appears to
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be interested in this flat.
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>> Watson, for the past 5 minutes, that
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young man's been summoning up courage to
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colonist. He's vacasillated between
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doubt and decision. Fear and fortitude.
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Ah, at last fear is conquered. Fortitude
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is the victim.
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Well, I suppose you've deduced the whole
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thing. Who he is, what he wants, where
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he comes from.
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>> As a matter of fact, I haven't idea, but
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with so unusual a client, I fully expect
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a most unusual case.
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>> If he comes here,
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>> wait.
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Ah, [music] the first step.
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Is this Mr. Holmes flat?
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>> It is. Won't you come in?
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>> [music]
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>> Hello. Are
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>> you Mr. Sherlock Holmes?
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>> Yes. And that is Dr. Watson.
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>> How'd you do?
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[music]
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>> Anything would matter?
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>> No, it's just that.
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>> Yeah.
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>> Well, I thought you'd be much stronger
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looking.
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Oh, well, I'm I'm really quite strong,
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you know. I can tear dictionaries in
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half.
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>> Can you really?
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>> Yes, of course. And I'd I'd show you if
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I had a dictionary handy.
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>> Well, what I've come to see you about
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will take brains.
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>> I think Mr. Holmes has an ample supply
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of those. Now, wouldn't you like to sit
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down?
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>> Oh, thank you.
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>> Not my cup of tea?
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>> No, thank you, sir. I'd like to get
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right down to business.
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>> Oh, good.
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>> Well, my name is my name is Andrew
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Fenick. I'm 11 years old and I live at
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number 17 Dudley Court up Spint Street.
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>> Spend it. Now, what appears to be your
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difficulty,
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>> Mr. Holmes. My father has disappeared.
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>> Disappeared?
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>> Yes, sir. His name is Herbert Finnick.
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He's a bookkeeper at Rondelle
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Industries. He's tall and wears glasses.
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Will you find him for me?
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>> I'll do my best, Andrew, but first you
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better tell me the whole story and
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anything else that may matter.
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>> Well, sir, Dad's always been the
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happiest and most wonderful person in
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the world. Each night, he'd come home
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and joke and tell funny stories. And
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every Sunday, we'd take bicycle trips or
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fly our kites or something like that.
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You might say he was a pal of mine
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instead of just a father.
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>> I understand. Go on.
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Well, sir, starting a few months ago,
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Dad began to act in a very peculiar
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manner.
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>> You mean he stopped being your pal?
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>> It was more than that, Mr. Holmes. Dad
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began to leave the house for days at a
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time. He wouldn't tell mom or me where
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he was going or when he'd come back.
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Just acted mysterious and was as jumpy
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as a cat.
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>> When was the last time you saw your
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father?
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>> Over 3 weeks ago. That's why I'm so
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worried. Usually he'd be gone for a day
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or two. Mr. Holmes, I'll give odds he's
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in some sort of trouble. And I bet Jack
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Driscoll is behind it all.
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>> Jack Driscoll?
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>> Yes, sir. Just before Dad left the last
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time, he told mom and me what to say in
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case this Jack Driscoll came around the
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house looking for him. We were to say
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that Dad had gone to Scotland to visit
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his brother. And that's got me worried,
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too.
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>> Why? Because dad hasn't got a brother.
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>> Have you ever seen this, Mr. Driscoll?
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>> No, sir, I haven't. I don't know a thing
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about him, but I don't like him.
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>> Why hasn't your mother been to the
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police about this?
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>> I suppose that's because dad told her
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not to do a thing about it. Not that no
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matter what seemed to happen, she was
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just to wait and have faith. But it's
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over 3 weeks ago. I just couldn't wait
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any longer.
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>> Then your mother doesn't know you're
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here.
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>> Oh no. If I told her, she'd tried to ten
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me off for sure. Besides, she's been
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quite ill, and I wouldn't want to upset
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her.
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>> Your mother hasn't been well.
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>> No, sir. The doctor said she had plurosy
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or something like that. She's been very
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sick. I I really wouldn't want him to
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know I've come here.
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>> Your visit will be held in the strictest
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confidence.
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>> Thank you, sir. And you will take the
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case?
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>> I'll look into it immediately.
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I hope this will be enough to retain
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your services.
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>> Oh, well, no, that that won't be
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necessary, Andrew.
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>> But I insist. It's 26 shillings. It's
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all my own money, and I saved every bit
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of it. [music]
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>> No, I think you'd better hold on to it.
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Perhaps you can do me a good turn
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someday.
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>> No, sir. A business deal is a business
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deal. Pay on the line, and no welching
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on dips, I always say.
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>> Very well, Andrew. It's a deal, but two
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six shillings is far too much. I'll
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settle for a pound.
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>> Really?£1 enough?
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>> Quite enough, Andrew.
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>> Thank you.
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>> Thank you, sir.
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>> I'll let you know as soon as I hear
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anything. Andrew,
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>> goodbye, my boy.
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>> Bye, sir.
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>> Well, Watson, we'll find that boy's
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father if you have to search every
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gambling den in England.
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>> Gambling den? Yes. Didn't you notice his
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clothing?
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>> Well, I suppose so. Nothing
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extraordinary there.
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>> On the contrary, the shoes are most
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expensive, but the coat was threadbear.
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The trousers came from the best
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habedasherie, and the cap was ancient,
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attesting to the father's streaks of
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good luck and bad luck.
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>> Yes, but that's not sufficient evidence
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to label Fenic a gambler.
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>> Quite right. But there were other
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indications. Young Andrew's speech, if
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you may recall, was sprinkled with the
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peculiar jargon of the gambler. such
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terms as touted off. I'll give you odds
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and welching on a debt. The boy
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obviously learned from his father.
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>> I see.
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>> Further, I'd say the man's mysterious
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trips would various sporting events held
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outside of London. Horse races, dog
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races, and so on.
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>> Yes, Holmes, but why should an
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apparently contented man like Fenick
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suddenly turned to gambling?
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>> Well, my guess is that the mother's
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serious illness created a heavy drain on
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Mr. Fenick's slender financial
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resources. He probably hoped for the
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gambler's classic killing.
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>> Well, Holmes, you've certainly answered
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everything.
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>> I'm afraid not, Watson. Two questions
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yet remain unanswered. Where is Mr.
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Herbert Fenick? And who is the shadowy
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Mr. Jack Driscoll?
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>> Where too, Holmes?
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>> To Inspector Stra's office. In this
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particular case, he may be just the chap
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to help us.
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>> Now, that's what a gambler would call a
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long shot.
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Chris Jackriscoll. [music]
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Oh yes, I remember him. He was um
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he was in the coal business.
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>> Oh no, no, no straight. I don't believe
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the Driscoll you're referring to has any
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bearing on this case.
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>> Stock broker?
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>> No, I don't think so.
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>> Parliament?
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>> No.
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>> Railways?
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>> No.
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>> Musician?
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>> What? If you'll excuse me, sir.
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>> What is it? What is it? Wilkins.
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>> Jack Griscoll, sir. Alias Jack Ellie.
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Alias Gerald Jackson. Sir, arrested
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1891. Suspicion of murder. Released.
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Arrested 1892. Burglary. Convicted and
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served one year. Arrested 1894,
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suspicion of forgery. Released. At
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present, believed involved in illegal
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bookmaking practice. Whereabouts?
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Unknown, sir.
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Now, that unsavory brew sounds much more
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like our cup of tea. Tell me illustrate,
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in which of the various sporting spheres
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is Mr. Driscoll most active. Uh,
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>> rumor has it that Mr. Driscoll is
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concentrating his efforts on prize fight
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matches, sir.
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>> Well, thank you very much for your
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assistance, Inspector.
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And you too, Wilkins. Good afternoon,
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gentlemen.
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[music]
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>> Well, if I know you, Holmes, I suppose
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now we'll be attending a prize flight.
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>> Quite right, Watson. This very evening,
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Hulking Harry Thornton meets powerhouse
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Percy O'Nean at London Derry Gardens.
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Powerhouse happens to be a personal
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friend of mine.
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>> You know, quite personally,
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>> my dear fellow, I once blackened his eye
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for him. [music]
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>> [music]
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[music]
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[music]
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[music]
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>> My boy will take it, Mr. Holmes, because
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he thinks that's the kind of fighter I
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like. A fighter with brains.
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>> A very good combination, Mr. Finnean.
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>> The best. Sometimes he makes a mistake.
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You see he's a fighter. What? It's hard
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and you think maybe you got a champion.
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>> But if he don't think nothing,
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00:11:05,200 --> 00:11:07,600
>> you understand?
275
00:11:05,920 --> 00:11:08,560
>> Oh yes. Yes. Perfect. Tell me, Mr.
276
00:11:07,600 --> 00:11:10,560
Finnegan, have you got
277
00:11:08,560 --> 00:11:10,959
>> Excuse me. It's time Percy got started.
278
00:11:10,560 --> 00:11:14,839
Now
279
00:11:10,959 --> 00:11:14,839
>> you can take him up now.
280
00:11:25,040 --> 00:11:27,839
brains.
281
00:11:26,160 --> 00:11:28,640
>> Oh, no, Watson. Just a comparative
282
00:11:27,839 --> 00:11:29,920
judgment, you know.
283
00:11:28,640 --> 00:11:31,760
>> Well, I'll have to say goodbye to you
284
00:11:29,920 --> 00:11:32,160
now, Mr. Holmes, but thanks for dropping
285
00:11:31,760 --> 00:11:33,519
in.
286
00:11:32,160 --> 00:11:34,399
>> Not at all. Your boy was highly
287
00:11:33,519 --> 00:11:37,680
recommended to me.
288
00:11:34,399 --> 00:11:41,079
>> Who told you about him?
289
00:11:37,680 --> 00:11:41,079
>> Herbert Finnick.
290
00:11:41,839 --> 00:11:45,680
>> Who?
291
00:11:44,320 --> 00:11:48,240
Herbert Finnick.
292
00:11:45,680 --> 00:11:50,640
>> Herbert Finnick. You know him?
293
00:11:48,240 --> 00:11:52,079
>> Of course. I was just saying that.
294
00:11:50,640 --> 00:11:55,320
>> Excuse me, Mr. Holmes. I've got to be
295
00:11:52,079 --> 00:11:55,320
going now.
296
00:11:56,880 --> 00:12:00,720
>> Curious reaction?
297
00:11:58,399 --> 00:12:02,720
>> H perhaps not so curious, Watson. The
298
00:12:00,720 --> 00:12:04,480
proper use of that name may open several
299
00:12:02,720 --> 00:12:06,000
tightly barred doors.
300
00:12:04,480 --> 00:12:07,680
>> Proper use? What do you mean?
301
00:12:06,000 --> 00:12:10,480
>> Well, if I'm correct, you will soon see
302
00:12:07,680 --> 00:12:12,953
for yourself. Just let's continue to
303
00:12:10,480 --> 00:12:14,973
drop the name.
304
00:12:12,953 --> 00:12:14,973
[music]
305
00:12:18,848 --> 00:12:20,868
>> [music]
306
00:12:23,440 --> 00:12:31,279
>> That's it. Now hold it.
307
00:12:27,360 --> 00:12:35,160
Hold it. Keep your eyes open.
308
00:12:31,279 --> 00:12:35,160
Right. Right.
309
00:12:37,188 --> 00:12:39,208
[music]
310
00:12:39,600 --> 00:12:45,103
Watch it now, Percy. Watch it.
311
00:12:43,083 --> 00:12:45,103
[music]
312
00:12:45,120 --> 00:12:48,279
That's it.
313
00:12:48,720 --> 00:12:51,880
That's it.
314
00:12:53,279 --> 00:12:57,560
Hold it now. Hold it.
315
00:12:59,920 --> 00:13:03,399
That's all right.
316
00:13:03,519 --> 00:13:07,240
Keep your eyes open.
317
00:13:07,680 --> 00:13:13,924
Keep your eyes open now.
318
00:13:11,904 --> 00:13:13,924
[music]
319
00:13:14,560 --> 00:13:20,120
I tell you to keep your eyes open. Get
320
00:13:17,120 --> 00:13:20,120
up.
321
00:13:23,839 --> 00:13:27,680
>> Yes.
322
00:13:25,839 --> 00:13:30,079
>> Good old Herbert Penny. I must remember
323
00:13:27,680 --> 00:13:31,680
to get his advice on next week's card.
324
00:13:30,079 --> 00:13:32,800
>> You know, it's a pity poor old Bert
325
00:13:31,680 --> 00:13:33,279
Penny couldn't come with us this
326
00:13:32,800 --> 00:13:35,200
evening.
327
00:13:33,279 --> 00:13:36,399
>> Yes. Do you know what old Herbert Fenny
328
00:13:35,200 --> 00:13:38,104
told me this morning?
329
00:13:36,399 --> 00:13:39,120
>> No. What did Herbert Fenny tell you
330
00:13:38,104 --> 00:13:40,800
[music] this morning?
331
00:13:39,120 --> 00:13:42,160
>> Did you hear that? You know, Watson,
332
00:13:40,800 --> 00:13:43,040
it's not every day you can meet a man
333
00:13:42,160 --> 00:13:44,959
who give you
334
00:13:43,040 --> 00:13:46,720
>> sounds like just what Driscoll's been
335
00:13:44,959 --> 00:13:49,279
looking for.
336
00:13:46,720 --> 00:13:49,600
>> I told you that he met him. You remember
337
00:13:49,279 --> 00:13:50,639
I
338
00:13:49,600 --> 00:13:51,680
>> What are you waiting for?
339
00:13:50,639 --> 00:13:53,839
>> That we met a chat like
340
00:13:51,680 --> 00:13:55,519
>> don't like taking a beer.
341
00:13:53,839 --> 00:13:56,959
>> They might get roughed a bit later than
342
00:13:55,519 --> 00:13:57,920
somebody says they saw him leave with
343
00:13:56,959 --> 00:13:59,199
us.
344
00:13:57,920 --> 00:13:59,839
>> Do you think the street would be any
345
00:13:59,199 --> 00:14:01,839
better?
346
00:13:59,839 --> 00:14:06,000
>> You know him.
347
00:14:01,839 --> 00:14:08,160
>> Mr. Elms the big one is Enu Percy.
348
00:14:06,000 --> 00:14:09,544
Didn't catch the other bloke's name, but
349
00:14:08,160 --> 00:14:12,320
he looks like a fighter I used to
350
00:14:09,544 --> 00:14:13,760
[music] know. Got the sack for using
351
00:14:12,320 --> 00:14:16,160
unfair tactics.
352
00:14:13,760 --> 00:14:17,440
>> I figured he was a bad one. Got a nasty
353
00:14:16,160 --> 00:14:19,279
look about it.
354
00:14:17,440 --> 00:14:21,519
>> Well, if he tries anything, don't expect
355
00:14:19,279 --> 00:14:23,040
any Marcus of Queensberry out of him.
356
00:14:21,519 --> 00:14:24,399
Use some of your own tactics.
357
00:14:23,040 --> 00:14:27,884
>> Roto,
358
00:14:24,399 --> 00:14:28,399
>> get to it now before the ups and leaves.
359
00:14:27,884 --> 00:14:29,920
[music]
360
00:14:28,399 --> 00:14:31,920
>> Let them know we mean business right
361
00:14:29,920 --> 00:14:34,320
from the outset.
362
00:14:31,920 --> 00:14:37,440
>> Stand by, Watson. I think we shall have
363
00:14:34,320 --> 00:14:37,440
company in a moment.
364
00:14:44,160 --> 00:14:47,839
I beg your pardon.
365
00:14:45,360 --> 00:14:49,500
>> Ever fenic a friend of yours?
366
00:14:47,839 --> 00:14:52,000
>> Yes, but I don't see why you come
367
00:14:49,500 --> 00:14:54,320
[music] with us.
368
00:14:52,000 --> 00:14:55,760
>> Certainly not. Who are you?
369
00:14:54,320 --> 00:14:59,199
>> It will be much easier on you if you
370
00:14:55,760 --> 00:15:01,120
don't make a fuss.
371
00:14:59,199 --> 00:15:02,639
>> Where are we going?
372
00:15:01,120 --> 00:15:06,600
>> To see a gentleman who would like to
373
00:15:02,639 --> 00:15:06,600
talk to you about [music] Mr. Fenwick.
374
00:15:09,150 --> 00:15:11,920
>> [music]
375
00:15:10,399 --> 00:15:13,360
>> All I want to know from you is where you
376
00:15:11,920 --> 00:15:15,600
saw Fenick last.
377
00:15:13,360 --> 00:15:16,160
>> Well, I believe it was at Megatroid
378
00:15:15,600 --> 00:15:17,040
saloon.
379
00:15:16,160 --> 00:15:19,040
>> You're alive.
380
00:15:17,040 --> 00:15:20,800
>> Yeah. I say, look, Fenick wouldn't go to
381
00:15:19,040 --> 00:15:22,320
Megaroids. Maybe the green man or the
382
00:15:20,800 --> 00:15:24,000
hounds tooth or the brass goblet, but
383
00:15:22,320 --> 00:15:25,360
never Megaroids. There isn't too much
384
00:15:24,000 --> 00:15:27,680
money.
385
00:15:25,360 --> 00:15:29,360
>> Well, Mr. Driscoll, you've been to a lot
386
00:15:27,680 --> 00:15:30,160
of places today. Perhaps it was one of
387
00:15:29,360 --> 00:15:34,079
the others.
388
00:15:30,160 --> 00:15:36,160
>> How do you know my name? Well, well, I
389
00:15:34,079 --> 00:15:37,360
Well, um, you were pointed out to us. It
390
00:15:36,160 --> 00:15:40,320
seems you're quite a well-known figure
391
00:15:37,360 --> 00:15:42,160
in certain circles.
392
00:15:40,320 --> 00:15:43,839
>> Mr. Driscoll, if we should see Mr.
393
00:15:42,160 --> 00:15:45,120
Finnick again, is there any message you
394
00:15:43,839 --> 00:15:47,120
would like us to give him?
395
00:15:45,120 --> 00:15:49,360
>> He knows what I want that Wilson.
396
00:15:47,120 --> 00:15:51,759
>> Oh, he's in debt to you, is he?
397
00:15:49,360 --> 00:15:54,240
>> Over £1,000. And I'm not winning any
398
00:15:51,759 --> 00:15:56,079
longer to collect. If I get my hands on
399
00:15:54,240 --> 00:15:57,519
Fenick, that'll be the last of him. And
400
00:15:56,079 --> 00:15:59,279
that goes for you, too. If I ever find
401
00:15:57,519 --> 00:16:02,399
out you helped him in any way. Now, get
402
00:15:59,279 --> 00:16:02,399
out of here.
403
00:16:06,000 --> 00:16:10,440
Good evening, gentlemen.
404
00:16:12,639 --> 00:16:15,360
>> People just don't have any manners
405
00:16:14,399 --> 00:16:16,800
anymore.
406
00:16:15,360 --> 00:16:18,320
>> And this is not the time to instruct
407
00:16:16,800 --> 00:16:19,519
them. Come, Watson.
408
00:16:18,320 --> 00:16:21,040
>> Well, I only hope we're going to a place
409
00:16:19,519 --> 00:16:25,000
where they appreciate proper behavior
410
00:16:21,040 --> 00:16:25,000
and the finer things of life.
411
00:16:27,096 --> 00:16:29,116
>> [music]
412
00:16:32,336 --> 00:16:34,356
[music]
413
00:16:40,399 --> 00:16:45,120
>> I'm sorry, Governor.
414
00:16:41,680 --> 00:16:46,480
>> Not at all, sir. Not at all.
415
00:16:45,120 --> 00:16:49,199
>> Oh, really, Holmes? We've been to the
416
00:16:46,480 --> 00:16:50,560
coaching horses, the green man, the king
417
00:16:49,199 --> 00:16:52,800
said. We've interviewed dozens of
418
00:16:50,560 --> 00:16:54,720
disreputable characters. Must we go
419
00:16:52,800 --> 00:16:56,720
through all this process again? I'm
420
00:16:54,720 --> 00:16:58,079
afraid so, Watson. It's the only place
421
00:16:56,720 --> 00:17:00,000
that we can obtain some further
422
00:16:58,079 --> 00:17:01,040
information as to Fenick's whereabouts.
423
00:17:00,000 --> 00:17:02,800
>> Yeah.
424
00:17:01,040 --> 00:17:05,280
>> Oh, Bman.
425
00:17:02,800 --> 00:17:10,520
>> Yes, sir. Two pints of mild and bitter,
426
00:17:05,280 --> 00:17:10,520
please. Oh, and uh some information.
427
00:17:10,880 --> 00:17:14,959
>> Mild and bitter is cheap, sir.
428
00:17:13,280 --> 00:17:18,280
>> But not the information, eh?
429
00:17:14,959 --> 00:17:18,280
>> Oh, no.
430
00:17:21,120 --> 00:17:26,720
Herbert Fenick. Oh, the import.
431
00:17:25,520 --> 00:17:29,039
>> What do you mean?
432
00:17:26,720 --> 00:17:31,120
>> It was a long year not a few weeks ago.
433
00:17:29,039 --> 00:17:33,840
We were talking confidential like told
434
00:17:31,120 --> 00:17:36,160
me booked a passage to America. Too bad
435
00:17:33,840 --> 00:17:38,000
he won't be able to use it now.
436
00:17:36,160 --> 00:17:39,200
>> Why not?
437
00:17:38,000 --> 00:17:39,840
>> Let me say you haven't heard.
438
00:17:39,200 --> 00:17:43,840
>> No.
439
00:17:39,840 --> 00:17:47,559
>> Fenix dead. Suicide few hours ago.
440
00:17:43,840 --> 00:17:47,559
>> But how? Where?
441
00:17:47,760 --> 00:17:53,200
He rented a room not far from here. And
442
00:17:51,039 --> 00:17:55,679
he went down to the temps and threw
443
00:17:53,200 --> 00:17:57,039
himself in. Left a note saying he was in
444
00:17:55,679 --> 00:17:59,360
trouble. Couldn't go on.
445
00:17:57,039 --> 00:18:01,840
>> Let's see. Have they found his body?
446
00:17:59,360 --> 00:18:04,640
>> Oh, no. Not yet. Only his floating in
447
00:18:01,840 --> 00:18:08,559
the water. Poor ch wasn't a bad sort of
448
00:18:04,640 --> 00:18:10,400
a chap, you know, but uh gambler had a
449
00:18:08,559 --> 00:18:12,160
run of bad luck.
450
00:18:10,400 --> 00:18:15,827
>> Come, Watson. We must hurry or Fenix
451
00:18:12,160 --> 00:18:17,847
luck may turn from bad to worse.
452
00:18:15,827 --> 00:18:17,847
>> [music]
453
00:18:18,640 --> 00:18:23,742
>> And to worse, he's dead.
454
00:18:21,722 --> 00:18:23,742
[music]
455
00:18:28,927 --> 00:18:30,947
[music]
456
00:18:35,600 --> 00:18:38,480
>> Well, there you are, Holmes. What more
457
00:18:37,440 --> 00:18:39,440
do you want?
458
00:18:38,480 --> 00:18:41,039
>> The body.
459
00:18:39,440 --> 00:18:43,280
>> Oh, we'll soon find that. There's no
460
00:18:41,039 --> 00:18:47,039
doubt about that. The river patrol's
461
00:18:43,280 --> 00:18:47,039
dragging the temps already.
462
00:18:48,160 --> 00:18:52,400
I assure you, Inspector Herbert Fenick
463
00:18:50,480 --> 00:18:55,360
is still alive.
464
00:18:52,400 --> 00:18:57,360
>> Then why should he write a suicide note?
465
00:18:55,360 --> 00:18:59,520
>> Surely the question is, why should
466
00:18:57,360 --> 00:19:02,880
Fenick write a suicide note in such
467
00:18:59,520 --> 00:19:04,799
explicit detail? Listen, this is a
468
00:19:02,880 --> 00:19:07,280
terrible thing to do, but I have made up
469
00:19:04,799 --> 00:19:10,320
my mind. It is the only way to end my
470
00:19:07,280 --> 00:19:12,559
difficulties. Today, at 6:00 p.m., I'm
471
00:19:10,320 --> 00:19:14,880
going to the tempames. I will jump from
472
00:19:12,559 --> 00:19:19,039
the Hartford Bridge. Forgive me, but
473
00:19:14,880 --> 00:19:21,280
have faith. Signed, Herbert L. Fenick.
474
00:19:19,039 --> 00:19:22,559
>> No, Holmes, I can't follow that line of
475
00:19:21,280 --> 00:19:25,520
reasoning.
476
00:19:22,559 --> 00:19:27,039
>> Then perhaps this may convince you. Take
477
00:19:25,520 --> 00:19:28,799
a look at that hatb band with Fenick's
478
00:19:27,039 --> 00:19:30,799
name on it. You'll notice that it's
479
00:19:28,799 --> 00:19:32,880
absolutely brand new. Whereas the hat,
480
00:19:30,799 --> 00:19:35,039
of course, is unmistakably old.
481
00:19:32,880 --> 00:19:36,799
>> You mean that, Homes? That Fenick here
482
00:19:35,039 --> 00:19:37,679
had his name put into his band in the
483
00:19:36,799 --> 00:19:39,440
last two or three days.
484
00:19:37,679 --> 00:19:41,280
>> Exactly. Merely a ruse to make people
485
00:19:39,440 --> 00:19:43,360
believe that he committed suicide. Yes,
486
00:19:41,280 --> 00:19:43,840
but why should a man say he's dead if he
487
00:19:43,360 --> 00:19:45,840
isn't?
488
00:19:43,840 --> 00:19:47,760
>> Well, to avoid his muscular creditors,
489
00:19:45,840 --> 00:19:49,120
for one thing. If they believe the
490
00:19:47,760 --> 00:19:51,520
reports of his death, they'd have no
491
00:19:49,120 --> 00:19:52,080
choice but to write him off as a total
492
00:19:51,520 --> 00:19:54,160
loss.
493
00:19:52,080 --> 00:19:56,000
>> Yes, but if he's still alive, somebody's
494
00:19:54,160 --> 00:19:59,039
bound to see him sooner or later.
495
00:19:56,000 --> 00:20:01,520
>> Not if he's made plans to go to America.
496
00:19:59,039 --> 00:20:03,280
>> All right, then. I'll have an alarm sent
497
00:20:01,520 --> 00:20:05,200
out to all the ships in port.
498
00:20:03,280 --> 00:20:07,039
>> I'm afraid, Lstra, that'll be too late.
499
00:20:05,200 --> 00:20:09,360
>> Now, what do you mean?
500
00:20:07,039 --> 00:20:11,280
>> Because he has no money. He needs it
501
00:20:09,360 --> 00:20:13,039
badly and he needs it quickly. And
502
00:20:11,280 --> 00:20:14,480
there's only one way in which he can
503
00:20:13,039 --> 00:20:16,400
cover both his needs.
504
00:20:14,480 --> 00:20:18,080
>> What way is that, m?
505
00:20:16,400 --> 00:20:19,919
>> Robbery.
506
00:20:18,080 --> 00:20:21,600
>> What? You think he'd take the chance?
507
00:20:19,919 --> 00:20:22,960
>> Of course he would. Fenix desperate. And
508
00:20:21,600 --> 00:20:24,480
in any case, there's very little chance
509
00:20:22,960 --> 00:20:26,160
when one considers that no one would
510
00:20:24,480 --> 00:20:27,360
suspect a dead man of committing the
511
00:20:26,160 --> 00:20:30,640
crime.
512
00:20:27,360 --> 00:20:32,480
>> Now, Holmes, what am I supposed to do?
513
00:20:30,640 --> 00:20:33,919
Warn everybody in London that a robbery
514
00:20:32,480 --> 00:20:35,360
is going to take place?
515
00:20:33,919 --> 00:20:37,200
>> Oh, I wouldn't go as far as that
516
00:20:35,360 --> 00:20:39,200
straight. I judge that Fenick will
517
00:20:37,200 --> 00:20:40,960
strike at one of three places. The wagon
518
00:20:39,200 --> 00:20:41,760
and horses, the green man, or the king's
519
00:20:40,960 --> 00:20:43,840
head.
520
00:20:41,760 --> 00:20:45,120
>> I say, Holmes, how can you narrow it
521
00:20:43,840 --> 00:20:46,559
down to that?
522
00:20:45,120 --> 00:20:48,320
>> Because Fenick can feel certain that
523
00:20:46,559 --> 00:20:50,080
everyone in those places has heard the
524
00:20:48,320 --> 00:20:52,720
news of his death. Therefore, no
525
00:20:50,080 --> 00:20:55,120
suspicion could be directed at him.
526
00:20:52,720 --> 00:20:56,000
>> I don't know why I let you talk me into
527
00:20:55,120 --> 00:20:57,520
these things.
528
00:20:56,000 --> 00:20:59,120
>> Then you'll assign men to cover the
529
00:20:57,520 --> 00:21:00,240
wagon and horses and the green man.
530
00:20:59,120 --> 00:21:01,520
>> Yes. Yes.
531
00:21:00,240 --> 00:21:02,960
>> Good. But there isn't much time. You'll
532
00:21:01,520 --> 00:21:04,640
have to get on with it immediately.
533
00:21:02,960 --> 00:21:06,320
>> All right.
534
00:21:04,640 --> 00:21:09,559
You know, sometimes you're worse than
535
00:21:06,320 --> 00:21:09,559
the commissioner.
536
00:21:11,919 --> 00:21:13,679
>> Tell me, Holmes, what about the king's
537
00:21:13,280 --> 00:21:15,600
head?
538
00:21:13,679 --> 00:21:17,039
>> Ah, that will be our little project,
539
00:21:15,600 --> 00:21:18,960
Watson. But first, I want you to carry
540
00:21:17,039 --> 00:21:20,159
out a mission of the utmost importance.
541
00:21:18,960 --> 00:21:20,559
Now, listen to me closely.
542
00:21:20,159 --> 00:21:23,869
>> Mhm.
543
00:21:20,559 --> 00:21:23,869
>> You have the boy. [music]
544
00:21:34,294 --> 00:21:36,314
>> [music]
545
00:21:36,640 --> 00:21:43,600
>> Yes, I've seen them come and go, big and
546
00:21:39,840 --> 00:21:46,480
small, happy and sad. But I attend to my
547
00:21:43,600 --> 00:21:49,520
business and keeps my hands clean.
548
00:21:46,480 --> 00:21:51,200
>> Ah, well, that's a splendid philosophy.
549
00:21:49,520 --> 00:21:53,440
>> Yeah,
550
00:21:51,200 --> 00:21:57,799
it's getting near closing time.
551
00:21:53,440 --> 00:21:57,799
>> Oh, yes, sir. So, it is.
552
00:22:00,799 --> 00:22:04,480
Put your hands up. [music]
553
00:22:05,440 --> 00:22:09,440
I'll take that if you don't mind.
554
00:22:07,200 --> 00:22:11,120
>> I'm sure he does. But uh then he has
555
00:22:09,440 --> 00:22:14,250
very little choice, has he?
556
00:22:11,120 --> 00:22:15,760
>> You get over there. Go on. Hurry up.
557
00:22:14,250 --> 00:22:17,520
[music]
558
00:22:15,760 --> 00:22:20,145
You two.
559
00:22:17,520 --> 00:22:22,165
Go on.
560
00:22:20,145 --> 00:22:22,165
[music]
561
00:22:22,400 --> 00:22:24,880
>> I'm sorry, Holmes. We had a bit of
562
00:22:23,760 --> 00:22:28,080
difficulty.
563
00:22:24,880 --> 00:22:29,840
>> Oh. Oh, no.
564
00:22:28,080 --> 00:22:30,640
I've got him. Venic,
565
00:22:29,840 --> 00:22:32,000
>> what?
566
00:22:30,640 --> 00:22:32,720
>> Brilliant job, Penny. Absolutely
567
00:22:32,000 --> 00:22:34,720
brilliant.
568
00:22:32,720 --> 00:22:36,720
>> Dad,
569
00:22:34,720 --> 00:22:38,960
>> he went down. Watch the game. Let me go.
570
00:22:36,720 --> 00:22:43,200
>> Go on. Sit down, you villain. Here, give
571
00:22:38,960 --> 00:22:44,880
me the gun. But come
572
00:22:43,200 --> 00:22:46,320
>> now. Not a word out of you.
573
00:22:44,880 --> 00:22:48,799
>> Not a word,
574
00:22:46,320 --> 00:22:50,559
>> Dad. Is it really you?
575
00:22:48,799 --> 00:22:51,919
>> Of course it is, Andrew. Your father has
576
00:22:50,559 --> 00:22:57,600
been working on a special assignment for
577
00:22:51,919 --> 00:22:59,600
the Secret Service, haven't you? I I
578
00:22:57,600 --> 00:23:01,280
Wendy my handy.
579
00:22:59,600 --> 00:23:03,200
>> Now you don't need to say anything, Mr.
580
00:23:01,280 --> 00:23:05,520
Finnick. Your behavior is a model of a
581
00:23:03,200 --> 00:23:07,919
hero.
582
00:23:05,520 --> 00:23:08,960
>> Oh, take this man away.
583
00:23:07,919 --> 00:23:10,080
>> No, you listen to me.
584
00:23:08,960 --> 00:23:10,720
>> We have plenty of time for listening to
585
00:23:10,080 --> 00:23:12,400
you later.
586
00:23:10,720 --> 00:23:14,480
>> Well, who is he? What's he done?
587
00:23:12,400 --> 00:23:15,600
>> Who is he? Why? He's a spy working for a
588
00:23:14,480 --> 00:23:19,280
foreign government.
589
00:23:15,600 --> 00:23:21,520
>> Spy? Foreign government?
590
00:23:19,280 --> 00:23:23,760
>> And these trade are the secret documents
591
00:23:21,520 --> 00:23:25,360
he was stealing from our navy. Hey,
592
00:23:23,760 --> 00:23:27,039
that's my account book.
593
00:23:25,360 --> 00:23:28,080
>> A lightly story indeed.
594
00:23:27,039 --> 00:23:29,360
>> Yeah, let me see.
595
00:23:28,080 --> 00:23:30,720
>> Look, don't straight. You certainly
596
00:23:29,360 --> 00:23:31,440
can't see. They're even too secret for
597
00:23:30,720 --> 00:23:32,960
you.
598
00:23:31,440 --> 00:23:34,880
>> Hold a minute, G. There's been a mistake
599
00:23:32,960 --> 00:23:36,640
here somewhere. I'm just
600
00:23:34,880 --> 00:23:39,840
>> Wilkins, do us a straight orders. Take
601
00:23:36,640 --> 00:23:41,600
this man away. Yes, M.
602
00:23:39,840 --> 00:23:43,679
>> I'll be standing up on the bar all day
603
00:23:41,600 --> 00:23:46,400
or you know. Wait a minute. Let me say
604
00:23:43,679 --> 00:23:48,559
something. This is a crime.
605
00:23:46,400 --> 00:23:50,320
You see, Andrew, your father has been
606
00:23:48,559 --> 00:23:53,039
working on the most dangerous case.
607
00:23:50,320 --> 00:23:54,159
>> During the secret investigations,
608
00:23:53,039 --> 00:23:56,640
quite [music] naturally, he couldn't
609
00:23:54,159 --> 00:23:59,039
tell you anything about his activities.
610
00:23:56,640 --> 00:24:00,880
However, I think that he can now remove
611
00:23:59,039 --> 00:24:04,679
his disguise.
612
00:24:00,880 --> 00:24:04,679
>> Yes. Yes, of course.
613
00:24:06,720 --> 00:24:12,720
>> Gosh, Dad. Mom and me were so worried.
614
00:24:11,440 --> 00:24:15,440
>> Your father is ready to be
615
00:24:12,720 --> 00:24:17,760
congratulated, Andrew. You see, the
616
00:24:15,440 --> 00:24:20,240
Foreign Office chose him specially for
617
00:24:17,760 --> 00:24:23,440
this very important task because no one
618
00:24:20,240 --> 00:24:26,320
in the underworld would have suspected
619
00:24:23,440 --> 00:24:28,320
him of being connected with the Lord.
620
00:24:26,320 --> 00:24:29,039
>> Mr. Holmes, I don't quite know how to
621
00:24:28,320 --> 00:24:31,279
thank you.
622
00:24:29,039 --> 00:24:32,480
>> Well, Fenick, now the job is done. Of
623
00:24:31,279 --> 00:24:34,159
course, you'll have to return to your
624
00:24:32,480 --> 00:24:36,480
old job and take up the strings of your
625
00:24:34,159 --> 00:24:38,400
old life again. But if I know you,
626
00:24:36,480 --> 00:24:40,720
you'll work hard, meet all your
627
00:24:38,400 --> 00:24:42,960
obligations, and carry on like the
628
00:24:40,720 --> 00:24:45,919
splendid citizen you are.
629
00:24:42,960 --> 00:24:48,000
That's just what I'm going to do. I'll
630
00:24:45,919 --> 00:24:51,520
never leave my family again.
631
00:24:48,000 --> 00:24:54,000
>> Then good, Mr. Finnick. And good luck.
632
00:24:51,520 --> 00:24:56,480
Come on, Andy. Let's go home.
633
00:24:54,000 --> 00:24:58,960
>> Oh, Andrew, I've just remembered
634
00:24:56,480 --> 00:25:01,987
something.
635
00:24:58,960 --> 00:25:01,987
Here's your bound bag. [music]
636
00:25:03,279 --> 00:25:08,200
>> Golly.
637
00:25:04,799 --> 00:25:08,200
>> Come on, sir.
638
00:25:09,760 --> 00:25:13,120
Stay. I just had a sudden thought. I
639
00:25:11,919 --> 00:25:14,480
think perhaps you better release that
640
00:25:13,120 --> 00:25:16,000
bartender. He must be getting rather
641
00:25:14,480 --> 00:25:17,200
upset by now,
642
00:25:16,000 --> 00:25:19,760
>> Holmes. [music]
643
00:25:17,200 --> 00:25:23,520
>> Either you've gone insane or I have.
644
00:25:19,760 --> 00:25:26,000
>> No, no more insane than usual.
645
00:25:23,520 --> 00:25:28,640
>> After all, everyone is entitled to make
646
00:25:26,000 --> 00:25:30,720
a mistake. Scotland Yard does sometimes,
647
00:25:28,640 --> 00:25:35,320
you know. I'm at least [music] entitled
648
00:25:30,720 --> 00:25:35,320
to one. Good night, Inspector.
649
00:25:35,337 --> 00:25:40,120
[music]
650
00:25:37,120 --> 00:25:40,120
Heat.
651
00:25:51,057 --> 00:25:53,077
[music]
652
00:25:55,919 --> 00:25:58,919
Heat.
653
00:26:02,192 --> 00:26:04,212
>> [music]
654
00:26:08,088 --> 00:26:10,108
[music]
655
00:26:14,638 --> 00:26:16,658
[music]
656
00:26:20,240 --> 00:26:23,880
>> Heat. Heat.
657
00:26:25,118 --> 00:26:27,138
[music]
658
00:26:32,323 --> 00:26:34,343
>> [music]
659
00:26:36,908 --> 00:26:38,928
[music]
660
00:26:42,803 --> 00:26:44,823
[music]
42369
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