All language subtitles for Mission.Impossible.S02E14.Echo.Of.Yesterday.DVDRip.XviD-SAiNTS

Good morning, Mr. Phelps.

The man you're looking at
is Colonel Marcus Von Frank

who has led the recent resurgence
of the neo-Nazis.

Otto Kelmann, head of the largest
munitions plant in all Europe,

is preparing to turn over
to Von Frank

complete control
of his vast industrial empire.

With such a huge financial base,
there is no question that Von Frank

could become
a second Adolf Hitler.

Fanatically dedicated to the overthrow
of democracy wherever it exists.

Your mission, Jim,
should you decide to accept it,

is to stop Kelmann and Von Frank.

As always, should you or any
of your IM Force be caught or killed,

the secretary will disavow
any knowledge of your actions.

This recording will self-destruct
in five seconds.

Good luck, Jim.

Otto Kelmann.

Last survivor of a dynasty

that supplied munitions
to three generations of war-makers.

He certainly doesn't look vicious.

He's a quiet, cultured gentleman.

Shuns publicity.

Prefers solitude
to the company of most people.

Even goes to the park
just to be alone.

He sounds like a monk.

Well, not quite.
This is the late Mrs. Otto Kelmann.

She died in 1932.
He was very much in love with her.

They'd only been married for
three years when she was murdered.

By no less a man than Adolf Hitler.

Well, there was a quick
and very quiet inquest.

Herr Kelmann lied for his F�hrer,
and they called it self-defence.

So we're gonna try to reawaken
some old memories in Kelmann.

Yes.

Are you all checked out
on the photographic gear, Cinnamon?

Everything from taking the pictures
to making enlargements.

- Willy?
- I've got the projector film

and uniforms all lined up.

You're set
on the property warehouse?

Couple of my theatre friends
have taken care of it.

I need to know how the room looked
and where the people were.

Well, Cinnamon will get that
out of Kelmann's old records

and photographs,
once she's in the house.

Which brings us to Von Frank.

I just got a report on him.

A team of psychiatrists
went over his medical history

from beginning to end
and they all agree.

They call him
"a marginal manic-depressive"

and "a deeply psychotic paranoid."

Is that good or bad? For us, I mean.

Well, a little of both.

It's gonna be difficult
for me to gain his confidence.

But I think once I do,
he'll be predictable.

Well, at least he's expecting you.

His letter said
he was looking forward

to a visit from a member
of the American-Nazi Corps.

Magnificent. Absolutely magnificent.

In only two elections,
we have gained 15 seats.

Herr Kelmann,
the party is on the move.

There is no one
who can possibly stop us now.

- I hope you're right.
- I am.

I know I am.

You haven't met with the people
as I have, Herr Kelmann.

You don't quite know them as I do.

Especially the young ones.

Young people are thinking.

They no longer want to be led.
They want to lead.

They want to take.

We must give too, remember?

We must give back
to the world again

the inspiration, the leadership,
the courage that is our duty to give.

- What's the matter with you?
- I thought we were being followed.

Oh, you worry about everything.

Somewhere, someone is always
attempting to plot against my life.

Unfortunately, I can trust no one,
Herr Kelmann.

Except, of course you, my friend.
You know I owe you everything.

One day, the world shall know
of your generosity.

By the way, Herr Kelmann,

you made the final arrangements,
as you promised?

I tell you everything's drawn up.

Naturally, my lawyer must be here
to witness while I sign.

He'll be back in the city on Monday.

Good. Oh, my office is right here.

Stay with him
and don't let him out of sight

until those papers are signed.

- I understand, colonel.
- Good.

Karl, I feel like a bit of fresh air.
The usual place, please.

Major Richard Dunhill,
American-Nazi Corps, at your service.

Welcome, major,
I've been expecting you.

Colonel Von Frank.

It's been a long, long time

since I last entertained
one of our American friends.

- Please grab a seat.
- Thank you, that's very kind.

You are most kind, sir.

But I must say that I didn't come here
just to be entertained.

- I'm here on a very serious matter.
- Oh, what is it?

Colonel, the American-Nazi Movement
is floundering.

Our membership is down.

The treasury is depleted.
We have no strength, no power.

We have no leader.

That is why
I have come to you personally, sir.

- So, what can I do for you?
- Our people need incentive.

Incentive, colonel.
And above all, organisation.

They must be united behind a man
who can inspire them.

Who can lead them.

I think I might be that man, sir.

But I cannot possibly achieve it
by myself.

I must have the one great advantage

that no American-Nazi
has ever had before.

My people must know
that I am your personal choice,

that my orders come directly from
Colonel Marcus Von Frank, himself.

You see, major, what you're asking me
I can only give once.

And it must be to the right man.

Are you a man of courage, major?

Yes. I am.

I must know that, you see.

You see, major,
we here, for the past 500 years,

have been answering the question
of courage the same way.

With the blade.

Heinz.

Please assist the gentleman.

Sword, please.
Remove your coat and your tie.

And roll up your sleeve, major.

Heinz will supervise.

Put this on, please.

Colonel, I haven't done this before,
you know.

It doesn't really matter, major.

It's not a question of skill,
it's a question of strength and courage.

Thank you.

I'll only be about ten minutes.
Wait for me, Karl.

Yes, sir.

We shall stand facing each other,
one blade length separating us.

Left hand behind your back.

At Heinz's first command,
our blades will touch above our heads.

At the second command,
we shall commence the attack.

Is that clear?

Yes.

Your blade, major.

This is 20 thicknesses
of surgical gauze.

Quite enough
to protect the vital area.

Now, major, to parry a head cut,
you go like this.

To parry a cheek cut,
you go like this.

Are you ready to commence, major?

Yes.

Now, major,

a man of courage does not take
a backward step, no matter what.

You should commence and halt
at Heinz's command.

Unless there is a serious wound,
you should do it four times.

Are you ready?

Halt.

- Good afternoon.
- No, do not sit down.

- Why not?
- Find another bench.

What?

Please, I have been waiting
all afternoon for this light.

You must find another place to sit.

But I use this seat, very nearly,
every afternoon at this time.

I suggest you take your photograph
somewhere else.

No, no, I was here first.

And besides,
what is more important?

A nobody sitting on this bench
or a brilliant photographic study?

A nobody, me, eh?
And you a great genius, I suppose.

Of course.

Now, please,
I have wasted enough time talking.

I am losing my light.

Please, why don't you go and have
a drink and come back in an hour.

Without a doubt,
you are the most rude young person

I've ever met in my life.

All right.
I will have to work around you.

Halt.

Will you tend to his wound, please?

Bravo, major.

Very well done, indeed.

Thank you.

You didn't spill a drop, major.

Prosit to the American-Nazi Corps.

To our party.

Now, colonel,
do I get your endorsement?

Well, let's see.

In the meantime, what can I do for you
while you are here?

Let me work with you.
I want to learn everything I can.

One day, I wanna be known
as the Von Frank of America.

I suppose you have
as much right to this bench as I do

but you see, I have been waiting
for three hours for these shadows.

Is photography
very important to you?

This a still life, remember?

Tell me, fraulein, do you always
wear your hair that way?

- Why? You don't like it?
- Oh, no, no, no.

No, it's very becoming,

but isn't it just a little old-fashioned,
by today's standards?

Well, I like it.

Oh, what happened?

Now, look what you have done.

Oh, I will have to go home.
I will not get my picture.

- Please let me help you.
- No, you have done enough.

- How am I gonna get home this way?
- Please, don't worry about that.

I'll drive you home.
My car is just over there.

Karl.

Now then, this won't take a minute.
Does this undo like that?

- Just fold it up.
- Oh, yeah, that's right.

Now, Karl,
take these please, will you?

Thank you very much.
Now, get in, let me help you.

- Let me take this.
- But...

No, you'll be perfectly safe.
Oh, by the way, where do you live?

22 Loden Strasse.

22 Loden Strasse.
Karl, did you hear that?

- But I don't even know your name.
- I am a nobody, remember?

- Willy, put the screen over there.
- Right.

Okay, switch it on.

Congratulations, fraulein.

You certainly have a talent
for photography.

I will believe that
when I begin to sell my work.

Oh, you must give yourself time,
you know.

Time? I have been studying here
at the academy over a year already.

I don't know how it was
when you were young...

...but I occasionally like to eat.

Oh, I don't think things
have changed much since my day.

Do you know
that when I first met my late wife

she was a student of photography?

- She was?
- Yeah.

I would like to ask you something.

Did she ever think about giving it up
and pursuing another line of work?

Giving it up?

Now, I come to think of it,

she once, very seriously,
thought of being a salesgirl.

- You are making a joke.
- No.

That is incredible.

Why, only this morning
I was looking up jobs.

Look. Look at the only one
which I checked off.

Salesgirls, Kreiger Department Store.
What a coincidence.

Well, if you'll excuse me,
I think I must be going.

You know, you young people
always have so much to do.

No, please stay, please.

I owe you an apology.

My behaviour in the park
this afternoon, it was rude.

It was atrocious.

Oh, no, it's what they call
the artistic temperament.

- You owe me nothing.
- No, but I do.

I have a confession to make.

Since you're here, I recognised you.

I always thought
that people so famous

were cold and hard
and difficult to talk to.

But instead,
I find you are easy to talk to.

Thank you.

What I'm trying to say is that...

Excuse me.

Hello. Hello?

Oh, it's you.
I asked you not to call here again.

No, I can't.

No, I can't talk.

Eric, I warned you
you would be in trouble.

No, absolutely not, no.

I won't be here.
I'm going out right now.

Do you hear me, Eric?
Please, leave me out of this...

Is there something wrong, fraulein?

No. I'm afraid you must go.

Fraulein, what is it?

I would rather not discuss it.

Is there anything I can do
to help you?

No. Please go.

You are coming with me.

Oh, yes, all right.

Maybe it is better.
He must not find me here alone.

I will be no bother.
You drop me at the nearest restaurant.

- Would you do that for me?
- Oh, I'll do more than that.

You'll have dinner at my house
with me. We will discuss your future.

You know, I have been asked to write
a book about myself.

Pictures will be needed.

- You are offering me a job?
- Of course.

Oh, wait, I will need my cameras.

Come along.

Did you enjoy your dinner?

I had forgotten food like this exists.

Now then, tell me about
that young friend of yours.

The one who telephoned
and frightened you so much.

There is not much to tell.

He is a student.

A few months ago, he made
some speeches at the academy

and wrote some articles
about the neo-Nazis.

For them or against them?

Against them, of course.

You know, sometimes I wonder
whether you young people

take the trouble to separate
the principles of Nazism

from those madmen
who, in its name,

murdered millions of innocent people
and almost destroyed our country?

But, then, if these men
are so different,

why, then,
is my friend's life in danger?

Oh, I don't think it is.

Like most young men,
he probably has a vivid imagination.

But I don't think he's in real danger.

You know, the Nazis of today are
no longer gangsters and psychopaths.

They're dedicated men, believe me.

Perhaps you are right.

Somehow, just the mention
of the word Nazi

makes my blood run cold.

- What a nice portrait.
- My wife.

She's lovely.
She must have made you very happy.

Well, it has been an evening
I shan't soon forget.

Thank you.

But I really must be
started for home.

Oh, nonsense.
You're staying here tonight.

- Oh, but l...
- Yes, I'm a little bit worried about you.

I think it would be wiser
for you to stay here tonight.

Thank you, Herr Kelmann.

With the number of seats
that we now hold,

we represent about
six percent controlling factor.

Excuse me.

- Have a seat, major.
- Thank you.

- Yeah, hello.
- It's Karl, I have something to report.

- What is it?
- Herr Kelmann has met a girl.

Girl? Who is she?

I don't know.
He met her at the park today.

Do you think
she may mean trouble?

He seems to like her.
She's spending the night.

I'll be there tomorrow morning.

So...

He's quite a ham.

Roll that piece back again.

Right there.

What are you doing here, fraulein?

I asked you, fraulein.
What are you doing here?

Fraulein, you really must try
and explain to me

what you are doing down here.

I was taking pictures.

You see, I couldn't sleep.

I was worried
about what happened before

and at the same time excited about
this opportunity you have given me.

I lay there thinking

and pretty soon picture after picture
was coming into my head

Then there was nothing to do

except come down here
and take those pictures.

That's all there was to it.

You were taking pictures
in the dark?

- I was taking flash pictures.
- I'm sorry, I don't quite understand.

I was taking pictures of that bust.

You see, it was an experiment.

What I wanted was for the head
to be sculptured with light,

where there would be
two shadows on the face

and the background
to be totally black.

I guess it was foolish of me.

You can go back to bed, Karl.

- But Herr Kelmann...
- I said you could go, Karl.

I suggest we all go back to our beds
and forget all about it.

But perhaps it would be wiser
in the future

if you would confine your
picture-taking to the daylight hours.

Herr Kelmann lives well.

He's a very rich man, major.
Very rich.

- Good morning.
- Good morning, sir.

Karl, would you be so kind
as to announce myself

and Major Richard Dunhill
from America, please?

Yes, sir.

- Sir, may I speak to you a moment?
- Yes.

Excuse me, major.

What is it?

I caught the girl last night
taking pictures.

Thank you.

Come in.

- What is it, Karl?
- Colonel Von Frank to see you, sir.

He's with an associate.
An American.

No, no, no, please.
Let whoever it is wait.

The morning light
is too perfect to lose.

Very well, Karl,
I'll only be a moment or two.

Come with me, major.

Terribly sorry to interrupt
such an important conference.

Oh, it's almost over.
Let me introduce Fraulein Lister.

Otto, this is Major Richard Dunhill
from the American-Nazi Corps.

- How do you do?
- A great honour, sir.

Thank you, major.

What is this? What are you doing?

It's my job. Don't look so serious.

- Give me that camera.
- No, please.

- Please, colonel.
- I want that camera.

You haven't given me
a chance to explain.

- I want that film!
- Colonel.

Give me that film!

Leave it to me.

Give me the camera.

- How can you possibly allow this?
- Don't let us have a scene.

- You know what this means to me.
- Please, please.

Are you all right?

Look out for Karl.
He's Von Frank's man.

Is this everything?

Otto, who is she? Get rid of her.

We cannot afford these mistakes.

Colonel, it doesn't matter who she is.
Don't get so excited.

What if my enemies found out
about our connection?

These pictures could ruin us.

I promise I'll make sure
she says nothing.

Two of these tablets
will put him under.

The hypodermic is the antidote.

If Von Frank asks for film,
give him this.

- Well, goodbye, Herr Kelmann.
- Very great pleasure, major.

- I shall see you on Monday.
- Monday? Fine, fine.

Very good.

No, no, please stay right there.
That will make a lovely picture.

- Yes, let's see, against the sky.
- Here?

Yes.

- What's the matter?
- That's nice.

Something's bad here.
Something is very wrong.

That girl, I don't know.

What do you mean?

Somehow, I feel she's an enemy,
your enemy.

- One up at the house.
- Here?

- Yes.
- Oh, yes.

Yes, yes, that's good, right here.
Stay right here.

- That's good, very good.
- Want some more?

- I think this one is excellent.
- Yeah.

It's almost physically the same
excepting for the furniture.

Take a look at this picture.

It shows the exact placement
of all the furniture.

- This is the south wall, I take it.
- Right.

The big problem's gonna be

the wall he's knocked down
to replace for the windows.

Right, the rest of the stuff we can find,
pretty much, in the stock here.

Don, see if you can find a table
that looks like that.

- Thank you, Karl.
- Cream and sugar?

No cream, just a little sugar, please.

Thank you.

I cannot wait to develop
the pictures I took today.

- I think you will find them exciting.
- I'm sure I shall.

Oh, thank you, thank you.

Good, just right.

Yes, yes.

She's staying with Kelmann.

Sure. Yeah. Yeah.

Excellent, that would be
a very great favour, indeed.

Yes.

Oh, if you find out anything,
anything at all,

would you be so kind
as to inform me immediately, then?

Good. Thank you, goodbye.

- I located the girl's landlady.
- And?

She rented the apartment
one week ago.

He lied to me!

Kelmann lied to me.

He told me that girl
had been at the academy

studying there for nearly one year.

That's what she told him,
she lied to him.

I want to know everything about her.
Everything!

- Yes, sir.
- Get it together tonight.

- Do you understand?
- Yes, sir. Yes, sir.

From the material you have
let me see about your biography,

I think that the pictures
we have done are going to work...

- He seems completely out.
- Yeah, he is.

That's the way the drug works.

In ten minutes, he'll come around
to a kind of twilight sleep.

He'll stay that way
until we give him the antidote.

- Anything?
- Nothing yet, at all.

We've got to keep looking.

I know I'm right about that girl.

Otto, forgive this intrusion.
It is a matter of grave urgency.

We have discovered
your wife is a traitor.

She has been working against us.

She is still a member
of the Social Democrat Party.

She has contributed funds
and written articles against us.

Do you deny this, Frau Kelmann?

I do not.

Do you deny calling me
a beast and a madman?

- Do you?
- How can you deny the truth?

You are a sick and violent man.
You degrade everything that is human.

You disgust me.

Schtager, your pistol.

Adolf...

Are you plotting against me?

You are, are you not?

Yes, I hope you never...

Otto, put down that gun.

She was wrong, you know that.

The future and strength of this country
rests in these hands.

Do not put an end to it now.

Otto, I need you.

My F�hrer...

Strong man...

My F�hrer...

Don, as soon as you get
that van loaded, move it out.

We've got to be out of here

with everything back to normal
in ten minutes.

Colonel.

I found something.

"Europa Airlines."

From London, dated a week ago.

So she has been here
only for one week.

We must get to Kelmann's house
immediately, come on.

Forgive the intrusion, Otto.

What is it, colonel?

This girl is a spy.

She was sent here
to uncover our relationship, Otto.

To destroy me.

I can't sit here
and listen to such nonsense.

I have proof, Otto.

She claims to be a student.
Well, she is not.

She says she has been here
for one year,

where in fact,
she has only been here for one week.

Fraulein, is this true?

Yes, it is.

Because I despise him
and all the Nazis that surround him.

He is insane
and his insanity will destroy us.

He must be stopped.

You will not stop me, fraulein.

You cannot stop me.

I can and I will.

I have learned enough here
to destroy you.

There's a plot against me,
isn't there?

- Isn't there?
- Yes. Yes, there is.

You cannot stop me now.
You're finished.

Von Frank.

I had to do it.

She could have destroyed me.

She would have destroyed us.

She was wrong, Otto.

Our country needs new leadership,
it needs a strong leader, Otto.

My God, no.

I'll call the police.

Put me through
to the police, please.

Yes.

Herr Otto Kelmann speaking.

There's been a shooting.

Yes, I'll be here.