All language subtitles for Behind the Make-Up (1930)

Pizza Flick presents

classic movie

matinea.

Welcome movie lovers. Today's feature

comes from Paramount Pictures and

director Robert Milton. A backstage

drama of romance and rivalry amid the

New Orleans vaudeville scene.

starring Houseke, William Powell, and

Fay Ray. But first, the mystery

challenge. What unexpected turn

involving FA Ray's character creates

tension between the two stage partners?

Feeling lucky? Share your response in

the comments below. The answer will be

revealed after the movie's conclusion.

Down.

Happy.

Woohoo!

Heat! All

right, Hello hat.

>> Hello Marie.

>> There you are.

>> But how did the go tonight?

>> Oh great. I was a riot. House was packed

too.

>> Have the same as usual.

>> Yeah.

>> Chicken sandwich. Why me?

>> Out baby.

>> Well, here I am again.

Oh boy.

>> How much?

>> Uh 70 cents, please.

>> Little tie.

>> Excuse me.

>> This way. It's better.

You like it?

>> You are.

>> It working hard.

>> Oh, so so it ain't easy getting the

lamps out of the yaps in this town, but

I get them. Uh I get them every time.

>> Well, maybe I'll open my heart, buy a

ticket, and look you over.

>> Yes.

>> Think you're worth it? Well, I don't

like to talk about myself, but I was a

riot in Poria.

>> Yeah.

>> Well, anyway, I'll look you over.

>> Guess I'd better be mosying or you'll be

throwing me out.

>> Oh, I never do that to a nice little boy

like you.

>> It's okay for me coming from a nice

little girl like you.

>> Yes, you better, Mosie.

It is.

>> I don't know. What do you think?

>> Oh, yeah. Coffee is great.

>> Good night, Bri.

>> Good night.

>> Good night.

What's the trouble, brother?

>> Nothing is trouble.

Gee, you look all in.

I'm all right.

Hey, what's the matter? What's the

trouble? Uh,

you're hungry. No. Yes, you are. Yes.

Look here. Yes, you are. I'll bet you

haven't eaten in a week. I'll fix that,

though. Listen, I got a hunk of the

juiciest chicken you ever laid your eyes

on, just waiting for you. And I got some

of the best beard that ever ever went a

tonsil. What do you say to that?

>> I'm all right. No, you're not. Come on.

Look at your pride. What do you say?

Huh?

What? Just up around the corner. Come

on. I'll take you back. You think you

can make it? Huh?

I know just how you feel. I've been in

the same spot myself more than once,

too.

My friend,

could I have a cigarette?

>> Sure.

There you are.

Feel

better, huh?

My first food in 4 days.

>> 4 days.

You've been on a diet.

>> Ah,

my friend,

I do not know how to thank you.

>> Oh, that's okay.

Hey, what's your hurry? Hey, you're

going to sleep here tonight? Yes, you

are. Let me have the hat and coat. Sit

right down and make yourself at home.

>> Ah, yes, but go ahead. That's okay with

me.

Things been breaking bad for you,

my friend. When you came along,

I was ready to kill myself.

Kill yourself?

I'm glad I came along. Say, what's your

business? mean

how do I make a living? I am an artist.

Oh, you're a painter or no?

My father was the greatest clown in

Europe. He taught me every art of the

theater. Ballet come to mind. How to

make people laugh, how to make them

weep, pit softly, how to play upon their

soul as the hand of a musician plays

upon the strings of a h.

See, you must be pretty good.

I am afraid you would not understand me.

Oh, kid yourself. I'm an actor, too.

Well, I'm in Borderville.

H Brown's my name. I do a novelty act,

songs, dances. I ride a bicycle, too.

Sure. Maybe I ought to know. But what's

your name?

Gardoni.

Gardoni

my friend in my country to be a Gardon

is to be an artist. Yeah. To be

understood

that over here all those things which I

have learned are somehow not enough. I

seem to lack something. I do not know

that certain something which appeals to

everyone.

>> Sure. I know what it is. Welcome. Ah,

boy. You got to give them hulum

nowadays.

I haven't got very far, but when it

comes to hulum, well, I managed to work.

Maybe because I give them too much hulum

is the reason I don't get on top.

See,

maybe if you had what I've got and I had

some of what you've got, maybe we'd both

be good.

How many of these body?

See, Mr. Gardoni, why don't you come

down to the theater and see my act? Boy,

I ghoul him. Listen, maybe we could team

up together. What do you say? Will you

come?

Yes, I I come.

>> Jeez, that's great. Boy, I got a lot of

great ideas. My head's just chucked full

of gags. Listen, here's an idea for you.

You're a hotty dame coming down the

street. My friend, if you please. I am

very tired.

I I go to sleep now. Yes. Sure. Okay

with me.

Don't ever say that you haven't got a

friend on earth. You're wrong if you do.

You've got a pair who've been with you

since the day of birth, faithful and

true. One likes to frown and his name is

Fear.

One likes to clown and his name is

Cheers.

All through the day, all through the

night,

one's on my left, one's on my right.

They can't agree, but they want to be my

pal.

One makes me weak, one makes me strong,

one he the one sings the song.

I can't agree, but they want to be mine.

One can make me shake my gloomy spell.

And when he smiles at me, oh boy, I feel

so well off. Yes, sir.

But I'd like to lose all Mr. Fear

and concentrate on Mr. Chair.

with him. I love He's the better of my

town.

>> Coming in

my friend.

Well, well, how was it, my friend? You

beg the audience to laugh. Your humor,

it lacks that proportion, that balance,

a certain whimsy, a certain pas, a

certain grotescary.

You are good, but you are not good

enough.

>> Yeah.

I know.

Secret. Sure. Help yourself.

I guess you ain't interested in teaming

up with me of a certainty. I am. What?

My friend,

I see in you a very good foil for me.

>> Yes. But we must play high comedy.

I will instruct you in that that subtle

touch, that delicat shading that makes

success. Yeah, but you got you know

together we may go far. Cardoni and

brown comedians extraordinaire.

Now what you say to that? Huh?

That's okay with me.

But that highbrow stuff, Mr. Gordon,

it's over their heads. You got to give

them a little Hulum. Look, you know what

I mean? Like this. Listen, here's a

great idea. You're You're a hotty dame

like this. Huh? Now, now, now we're

walking down Fifth Avenue like this.

Huh?

Then we walk back and skip the gutter.

And I'm your little poor dog. See? Like

this.

Maybe it is I'm using

But my friend, it is low. Very low.

What we must do is something fine,

something subtle.

Yeah, but you got to give them what they

want. A little hulum. You know, you got

to mug it up for us. But we are not

eggs. We are artist. See?

>> Yeah.

Well, we weren't exactly a riot.

Idiot fools.

>> I told you that highbrow stuff was over

their head. They want Hulcom.

Well, you could have let me sing that

song. Ah,

>> you and your son.

>> Yeah, but well, that's what gets them.

I'll get them.

New York, London, Tenna.

Well, where do we sleep tonight?

Hey guy, got an idea. Wait here and I'll

be back in 10 minutes.

And I'll be back with the price of a

bed, too.

Remember, boys, it's all in fun. It's

all in fun.

Do we go to bed tonight? Let me have the

glasses, sir. There you are. Watch it,

boys. Now it's very very

I'm sorry that

listen I

Thank you very much.

Hello. H.

>> Hello, Marie.

>> Where have you been keeping yourself?

>> Oh, I've been out of town.

How you feeling? Well,

>> I'm all right.

>> Have you coffee?

>> Oh, I don't want any.

>> Well, come on.

What's it all about?

>> What's What's about? Well, there must be

something wrong when you turn out a cup

of coffee.

>> Well, to be honest with you, I haven't

got the price.

>> A yoke. That is good.

>> Yeah.

Brie,

have you ever been in a spot where you

thought everything was going to be great

only to wake up and find yourself

nowhere?

>> Something gone wrong with your job?

>> Wrong. Yeah. All wrong.

S bet you haven't had any breakfast and

an egg and sunny side up.

>> I'm tired.

>> But Marie, I'm broke.

>> What you need first is breakfast, then a

job.

>> Yeah,

>> there's a job open here.

>> What's the job?

>> Dishwashing.

>> Dishwashing.

Well, I've juggled a lot of dishes, but

I never bathed any

I want to eat.

>> Thanks, dear.

>> By the way, the job includes all you can

eat.

>> Yeah.

Well, uh, how about the laundry?

Well, good night.

>> Sure.

>> Hey, I thought you said this was a long

walk.

>> It is sometimes. Hey, what do you mean

with that?

Hey, wait a minute.

Say, Marie,

I just wanted to tell you that that

Well, you haven't said very much, but

but that sometimes sure made me feel

great.

>> Well, I don't feel so sad myself.

Hey, Bri. How about walking home with

you every night?

>> Every night?

>> Yeah. For life?

>> I'm beginning to believe what you said

about being an enlightened kid.

>> Will you? Will you? Huh? Will you? Huh?

Will you?

>> Your answer sure means a lot.

>> I don't know what to say. I don't know

how I feel about you. Sometimes it's

like a sister and sometimes it's almost

like a mother

and sometimes well it's it's just the

same old story.

>> Yeah.

>> I don't know how it's all going to come

out but I do like you a lot.

>> Yes.

>> Good night. Hat.

Good night.

Are you happy?

>> Sure.

Joey,

>> what?

>> Oh, you know that nonsense, sir.

It's Gardoni.

Look, he's doing the game.

He's doing some of the stuff I gave him.

Well, wait a minute. I'll be right back.

Good to see you. Come in my boy. Come

in. This gang sure went great.

>> Are they very good? Eh,

>> you know you are just in time.

>> Tomorrow. Tomorrow we aim for a mobile.

>> And after we finish this circuit, we go

to Chicago, New York, Paris. Ah, I knew

you were enough.

>> Oh jeez, I don't I can't leave tomorrow.

Okay. Why not?

>> Well, you see, uh,

a girl.

>> Yeah.

>> Oh, but this girl is different.

>> Ah, it's different there.

>> Ah, love.

Love is terrible thing.

>> I don't think so.

>> You look at yourself. You a comedian.

>> Oh, but things ain't seven. Yes.

>> No. No.

>> Oh,

>> where where is she? This girl.

Bring her back. Go get her. Huh?

What you wait for? Well,

you kind of lick me the way you left me

flat that night down at the dock. Why

did you do it?

Or how I do not know.

I hated failure. I wanted to get away

from it all.

Ah, but

when I got very very hungry,

>> Yeah. I thought about what you said. You

You've got to eat. So, I look and look

and look for you, but I could not find

you. So, I went out and gave them what

you call Hul

and here I am.

>> Yeah.

>> Yeah. But gee, the way you left me that

night at the dock, that wasn't right.

I was very unkind.

Well, then let us say I was very unkind

and you forgive

me.

>> Sure.

Ah,

I knew you.

We play your way until we are rich and

famous.

And then we play mine. That is fair. No.

Yeah.

It's okay with me. Good boy. Now you go

get her. You bring her back here. Come

on now.

Love.

I'm proud in love.

How about the

kids?

>> Well, this is Marine.

if you please.

>> Thank you.

>> Well, you uh you enjoy the performance.

>> Yes.

>> How you

women are not like that.

>> Oh, a caricature my dear to laugh at.

I'm not like you. No.

H. Why did you do not tell me? She's

beautiful. Well, uh,

you must have supper with me tonight.

>> Oh, I speak only a little, but I

understand it.

Yes.

>> Oh, like a good boy. You turn them out

there. You win. Go. Sure.

Maria.

Mariah.

But we won't be on there.

>> Ah, gracias. Gracias. I

that means thanks.

Hey,

huh?

Get the gray.

You bag it again.

Oh, good news. That's right.

You know, I used to juggle those things

in Bible. Yeah. Have you ever seen a

good volley show? I mean, it wasn't me.

tell the time of day in Italian and they

think it's poetry

in Italian.

>> Yeah. And what I've heard a lot of those

Italian words ain't decent.

Ah, we done.

>> Sure. Go ahead. Have a good time.

It's all in fun. It's all in fun.

Ah, he's too bad.

>> A waiter. We will send him home. Huh? A

waiter. Uh, you call it cat? Yes.

Oh, here is Were you here yet?

>> No. No.

Morning Albert.

This going to be a hot.

>> I'm quitting the job.

Well, I'm going back on the stage.

>> On the stage?

>> Yeah.

>> Oh, I'm very sorry. Huh? I would miss

you.

>> Maybe

maybe Marie Maybe Marie is going with

me.

>> Of course she go with you. Uh, do you

think I'm not seeing?

Well, well, well. And when do you go?

>> Tonight. That is if I go.

>> Uh-huh. Well, it's your opportunity, Mr.

>> Yeah, you must go. Oh,

an idea.

I with aran.

You'll have to speak English. Coffee and

roll.

>> Why didn't you say coffee and roll?

>> You put your eyes on this.

>> I know. Later.

Hello.

>> Here I am.

>> My friend, we have a great surprise for

you.

Congratulate us. Maria and I are

married.

My dear, I forget to pay the car.

I want to talk to you.

I know. I'm sorry, but I couldn't help

it. He told me how he had suffered and

gone hungry and how he needed me to be

bent and fame.

And when he asked me to marry him,

I said, "Of course." As if I had known

him all my life.

Remember,

when you asked me, I said I didn't know

how I felt.

I do like you have. I always will.

>> That's all right. That's all right.

It's all in fun. It's all in fun.

Where are you two children?

Look here, my dear. A surprise for you.

Pierre is giving us a wedding lunchon.

Ah, my dear. You will sit here.

>> No, no, no, no, no. There's a lunchroom

for Mary and he

set another place. You bring another

chair. See?

>> Ah, my

you will sit here. No.

>> Sure.

>> Ah, this is perfect. Excellente.

Ah, with both of you beside me, success

is certain.

>> Yes, success. We will go far to the top.

New York, London, Paris, Vienna

and Kia Kakway.

Heat. Heat.

Hallelujah.

I

You'll never be satisfied. I promise you

from Mr.

Well, I would if I could give you the

kick

several more

down here anyway.

>> How about an interview?

>> Oh, my dear boy. All right,

>> J. Would you take care of this boy?

>> Come to my office, my friend.

>> Hey, listen. I want to rehearse the last

act tomorrow about 2:00.

>> All right. All right.

>> You look a little tired, dear. Come and

get them.

>> Well, we certainly had them shaking on

the raptors tonight.

>> Wasn't it wonderful?

>> And how they laugh?

>> Ah, yes. The idiots.

>> Yeah. Well, what's better than making

them laugh?

>> Ah, the fools. They do not laugh because

you are clever.

>> No,

>> no, but because you wear the makeup of a

dummy, the costume of the ridiculous,

the the word of a of a num skull.

>> Yes, says you.

>> Well, I'm strong and as long as it's

bringing in the jack, it's okay for me.

>> I have all the time. All you think of is

Jack. Jack. Jack.

>> Darling, darling. Don't excite yourself.

I'll help you and you'll go right home.

You need your sleep.

Oh my dear, I am very sorry. Ah, you are

so thoughtful, so gentle. But my sweet,

this Dawson is one big slave driver.

Tonight he insists that I have some

discussion with him about some scene,

some foolish business. I am sorry, my

dear. Look, you go home and make me one

great bowl of chili conc.

Yes,

>> I will if you want me.

>> Oh, no. No, my dear, because it may be

for some time. You go home and I will

follow him just a little while.

>> Good night.

>> Good night.

You will take Marie to the dawn like a

good boy. Yes. Ah, there she is.

>> My dear, I am so sorry. sauce. You You

understand?

>> Yes, I know. I'm sorry.

Had a roll in the seat tonight.

>> I'm very glad.

>> Yeah.

You were splendid tonight, my dear. I

stood in the wings and watched your

every number. Did you notice?

>> Not. It was why I worked so hard. Now,

my dear, you are great inspiration to

me.

>> You have much of greatness, my friend. I

know of no one on our English planes.

Where's your sense of stat?

>> A dear, that is a very great compliment

coming from so great an artist as Kitty

Parker.

>> You're coming up tonight, aren't you?

>> You want me

>> very much?

And I come.

>> Where?

>> Gardoni.

>> Oh. Oh. Oh, kidding.

>> I've just been paying my respects to

Genius.

>> Yeah.

>> Good night.

Ah,

>> you feel that

>> always.

You understand,

>> you feel,

>> you know what it is. I desire to achieve

to

what you call

elevate this soul.

>> Of course I do.

>> Uh it is it is that something burning

flashing here. That passion to to lift

to the highest the art that one loves.

Ah my dear

let us drink

our

understanding

rather

where are you listen

my dear

>> I'll for you may go

Ah dear

Laura could see.

Ah bills, bills, bills. Nothing but

bills. I take them all away here. Here.

Look,

they want me to play London.

>> London?

Then Paris and Vienna?

>> You've dreamed of it so long. I'm very

happy for you.

>> Happy my dear, that is the dream of

Gardoni the artist. But what do they

want? Gardoni the clown, the buffoon.

>> But I should think you'd be very glad

that they want you.

>> Glad? But my dear Maria? Oh, my dear, it

is no use. You will never understand.

My dear, can't you see that

my trip here? Please. Look, I do not

need a beer. Ah, little cheer. No, no,

no. Here I

please. I am very sorry. I am very

impatient. I do not mean to be my sweet.

You say you will forgive me, please.

Yes.

>> Yes. Yes, I do.

Arena Mia car.

>> You will not leave me today, will you,

dear?

>> Of course, I will not leave you here. M.

No. No. My

>> We could go to the country. Just we too

together.

>> To the country. That is one very good

idea. Come. Ah, we will go far far out

into the woods where the grass is green,

where the little birds sing. We will

find a little path and we will sprawl

and sprawl. Maybe we go to Coney Island

here. Coney Island. We will go on the

roller coaster on the shooty shoot. We

will go on the merry go round and round

and round and round. Thank you, sir.

Well, what is it? Your appointment, sir.

Appointment.

>> Yes, sir. The recording studio, sir.

Oh, Castillo, you're late, sir. Because

I Why did you not remind me? I beg, sir.

What? Why did you not remind me again?

Yes, sir. Don't fiddle. Yes, sir. Why do

you not? Oh,

goodbye.

I think you have no rain. Yes, sir.

Well, well, as I live, breathe, and

catch the morning air. How's everything?

>> I am going to record it. I'm in very

great hurry. You will excuse me. Herman,

what'd you do?

>> Hello, H.

>> Hello.

>> Gee, where'd you get the beads? Gosh,

they're beautiful

pearls.

They look real.

>> I think I almost hate them.

I was happier when we had nothing.

Then at least he needed me.

>> H

I think he's grown tired of you.

>> Of course not.

Say whatever put that into your head.

>> He's changing. He's distant. There's

something a Marie, he's crazy about you,

sure. Of course, he's a very, very busy

boy. And besides the Well, you know how

it is.

I don't know what to do. I'm frightened.

I love him.

I love it.

>> Sure.

>> Chilly chili beans are good for you with

you like anything else.

Not that court.

The other one. All right.

Shoot that smell stuff the other way.

Well, where's the big palpitation

tonight?

Why don't you take a tumble yourself and

stop being a 7-day cuckoo?

What?

When are you going to get over chasing

around with Kitty?

That's why I'm not going to get over

chasing around with

You're only making a mug of yourself.

No, I'm not.

If he gives me the things I have long

dreamed of, inspiration, companionship,

culture,

>> culture, my eyes,

it ain't fair to Marie.

I know,

but he is kind. He's gentle.

But confound it. I cannot go on existing

forever on clatic use and chiron carney.

I must have something more.

>> Ah, walnuts.

I do not like it. Your advice? Well,

you're going to get it whether you like

it or not. What would you do? Tie me

down. Make a domesticated citizen of me.

Smother me? Well, what do you want?

You're on top. You're a star.

A star? Yes.

With the trademark of a fool.

Oh, what is the use?

You have none of these feelings of an

artist.

>> No, I suppose not.

>> You don't realize the monotony of

climbing, climbing, climbing, never

getting anywhere.

>> You're rough. You're not

my boy.

You go home to Mari and eat my chilon

car. Yes.

Now my boy, you have all the best of it.

Good night.

Yeah,

he's gambling.

Kenny's roped him in

the night. He asked me for $20,000.

What?

>> Terry's account was overdrawn.

Jeez.

All we both saved.

Wiped out.

I'll be with you.

Hello,

>> my dear.

>> Hello.

>> Are you playing tonight?

>> I know I'm a little weary.

A kitty. Would you mind to read the game

in a little while? I would like to talk

to you.

>> I'm winning.

>> I'll see you later.

>> I will. It is very important.

All right. Thank you for

city,

I'm in great trouble.

Oh my dear,

Kitty, what is it? What is wrong?

The other things I can stand, but what

is this veil that is between us? You are

different. I miss the sympathy, the

understanding. What is it, Timmy? What

is wrong? you.

>> What do you mean?

>> I might as well tell you now. We're

through.

>> For what?

>> Yes,

I'm leaving for London.

Boris is going with me.

Come,

I will not let you.

>> Don't be ridiculous.

But

I love you. I need you.

But I don't need you, Gardon.

And all this time you have not meant it.

You've been clearing a lie.

And I might remind you that you're quite

in destiny.

And I need the money.

>> Money.

You break the soul of a man and you can

think of money.

>> Yes, I'm sorry. That's what I am

thinking.

>> And it means nothing to you to see the

one thing, the last thing that a man has

faith in go to pieces. I have been

honest.

>> You have been honest.

You've listened and you laughed at

Gardoni.

Gardoni the fool.

Gardoni

the clown.

a little gift

that I hoped would match the perfection

of our understanding.

And may Ir

wants to know if you've seen him.

No, no, no. I haven't seen him, but tell

her not to worry. We'll have him call

her just as soon as he arrives.

No, Mrs. Gardoni, but we'll have him

call you just as soon as he comes in.

Yes, certainly. All right, Mr. Gardoni.

>> Over your place, Mr. Brown. Mr. Gardoni

here again, sir.

>> No, no, thank you. Thank you.

Very late tonight, sir. Yes. Yes.

>> Hello, JD. Well,

I have cut the act.

Something's happened to

Yes,

he is dead.

The police found him in the river. He

found himself last night

after he left Kitty.

Not my marine. You'll make them believe

it was an accident.

Kitty doesn't want a scandal. I can

muzzle her. All right. And I'll fix it

in the press. You leave that to me.

You want me to go on alone?

No thanks.

I've got a comic coming from the

midnight room.

This is our

There's something I want to tell you.

>> I know.

Where are you going?

Green.

Breathe.

Breathe.

Breathe.

>> Good morning.

>> Hello, Joe. Hello, Pep. Well,

>> sorry, but the managers figured that you

can't make it to Oh.

Hello, Marine.

>> Hello.

>> What's the idea? The big pack of

numbers.

>> I want to get away from everything here.

>> Yeah.

>> And just being busy helps keep me from

>> from thinking too much. Huh?

>> Yes, that's it. From thinking too much.

>> Well, what are you going to do?

I don't know.

>> Don't you think we ought to figure it

out?

>> Well, I think those things are all

figured out for us.

>> Yeah, but where are you going to go?

>> Just a way. I'm not afraid.

>> If you think that, then everything's

okay.

>> Well, then everything's okay.

>> Okay.

See, I wish there was something I could

do to help out. Well, you can bring that

tray over here.

>> All right.

He is heavy. What have you got in it? A

family jewel.

>> Oh.

>> Oh, heaven.

>> Oh, it's all right. It's all right.

>> Oh, hell.

>> Have you got any heavy work to do? You

know what I mean? Like mailing boxes or

rolling barrels out or I used to roll a

barrel on my feet. That's the way I

opened up my VA act. Hey, what about the

act? Any luck today?

>> I'll say so.

I I I got an offer.

>> Oh, when do you open?

>> I don't. I stalled. I don't want to

appear too anxious. I want to pick my

own town to open in. Marie, all I need

is one performance and I'll be right

back in the big money again.

>> And I want to see you get it, too.

>> Thanks.

Gee, I hate to see you give up all this.

>> Look, I can't keep on going on like this

now.

>> I never did any mind reading, but I'll

bet I can tell what you're thinking.

>> What?

>> You're thinking that the double act got

a lot of money and it's all gone. That

right?

Well, I I have wondered

>> re

I'll give you the lowdown.

I spent all mine. I never could save the

cartoony. Well, they wouldn't let him.

He was a fall guy for anybody that

needed it. I said to him, I said,

"Listen, there's a lot of those people

that ain't on the level." Do you know

what he said to me?

>> What?

>> He says, "Hap, just like this." He says,

"Hap, I never refuse anybody because the

one I refuse would be just the one that

needed it most."

>> He was fine.

I'm glad he was like that.

>> He was a great guy in everything he did.

The way the way he wore his clothes, the

way the way

>> he was a gentleman.

He sure was.

Go ahead. Get it out of your system,

honey.

I I never saw a guy could carry a cane

like he could.

We'll get the break someday.

Everything's going to be all right.

class.

I like that picture. Don't you?

>> Yes, I do. But there's one here I like

better.

>> Yeah.

Oh, that's funny.

He was just a kid then.

>> Look at that close.

>> You know, I tried to go through these

things with him before, but I was afraid

of what it would do to me.

I can now though with you here.

You remember the picture we had taken in

the station at Memphis?

Who's it from?

Kitty.

Kitty part.

>> So that's why

he

>> How do you know it's Gardon? His name

ain't on it.

Oh,

I haven't anything left now.

>> Marie,

my money didn't go with Cardone. His

went with mine.

>> His money went

>> Yes. to square me with Kenny Parker.

I ordered $20,000 of gambling debt. She

wouldn't see me. She just wanted the

money. So I gave this note to Gardonian

and he went to Seir to square me.

>> Well, thanks for telling me.

>> That's the least I could do. I couldn't

let you go on believing he wasn't on the

level.

>> Yes, H. It would have hurt to think he

didn't love me.

Well,

there's no use of me trying to explain

why I did it.

I was all wrong.

So,

goodbye, Marie.

Goodbye.

H, where's your bicycle?

You're going to Dayton, Ohio.

>> Well, I'll lead a bicycle to get to

Dayton.

>> I'll see that you get there. All right.

>> Yeah, but what am I going to do in

Dayton? Why you open there Sunday? I

spent a booked junior act.

>> He had gee, that's great.

You see, Maria, I told you we'd get the

breaks.

Well, aren't you going to wish me good

luck?

>> I do.

>> Thanks.

Well, let's get going. What's the

matter, Marie?

>> Nothing. Ain't it natural that she'd be

tired packing and things like that?

Is that all, Marine?

Come on, you can talk to me. I'm your

friend. Yours and Well, I told her about

that that jam I got into with K. Parker.

You remember when I lost $20,000

gambling and and Gardoni squared me?

You told her that, eh? Yeah. You see,

she's got the straight of it now. Oh, in

the state of it, eh?

Must have been a shock to you, Marie.

>> It was.

>> Come on. I got to get

>> just a moment.

Doesn't it strike you as rather odd that

a man who loves you as half does would

turn a trick like that? Now,

>> listen, dog. I say that a man who loves

you as he does.

>> Oh, cut it out, will you? I got to get

my things packed. Come on.

>> H,

you don't lie very well.

>> Lie?

>> Yes, you lied to me.

>> Well, I really

>> We just want to make it easy for you,

Marie.

>> Yes, I know. Now,

>> well, half you've got your chance in

then make good.

>> I'll make good. All right. You know me.

Say I'll

>> Yeah. You tell that to the audience.

I just want to tell you that that I I

I'll Goule and Dayton.

But I wish you could be there to see me

through.

>> I'll slay Marie.

Let's go.

Never say die. Say die.

Never say die, but that's your problem.

Never say die. When trouble comes, start

to sing and start to hum.

Don't let yourself get you into a

throne. Here's a short that'll show the

hottest.

Never say die. Say die. Don't do

never say die, but dance your way. Let

go.

Heat. Heat.

Heat.

Heat.

Yeah.