All language subtitles for Impuros.2018.S06E05.Life.Is.a.Fatal.Condition.SPANISH.DSNP.WEB-DL.DDP5.1.H.264-RAWR.en[sdh]

Mattos is my competitor,
he won't protect you!

How do you think
we came to this point?

Neves isn't available now.

What's the matter?

Good evening.

If the CCP and the Comando
work together,

everybody will make
more money.

[In Spanish]
I swear that as soon as Evandro dies,

the bosses will we ready
to do business with you.

[Evandro]
I need a trusted partner in Paraguay.

Are you sure, Evandro?

Talk to Mattos and
I'll open a route for you.

- I'm pregnant.
- I want to be a good dad.

And if I have to leave the gang
to do it, I will.

Agent Almada, from the DEA.

- Nice to meet you.
- [Almada] I'm investigating

my informant's disappearance.

- [grunts]
- I think Evandro do Dendê

is responsible for her death.

If I can reach to him...
I can reach to Evandro.

We need to ship the guns
to Colombia now.

You'll go with them.

[Morello] You want to fight them
by giving them guns?

- Wait a sec, and listen to the idea.
- It's a good idea.

Let's fucking raid them.

[gunshots]

Oh!

[inhales, grunts]

[Lopez] You killed the children.
I don't kill children.

There was a baby.
I didn’t know and you did.

[Wilbert] There are two boxes.
Evandro and Airton.

Morello sent them.

It reads: "Everything has a limit."

I want them to suffer.

Dying must be less painful than this.

[Carmen on the phone]
The deal is off.

Why did you order to kill Ortega's son?

I didn't order his death.

EPISODE 5

[Carmen] Evandro.

Evandro!

I'll work it out, Carmen.

[Carmen] You killed his son.

Do you think he'll send the cargo?

The deal was with you,
not with me.

Sure, but somehow
they found out we're together.

Ortega called me in a rage.

Better fix this or we're fucked up.

[exhales]

That was just the beginning.

[♪ tense music]

[inhales, exhales, grunts]

[in Spanish] No.

I came as soon as I knew.

[exhales]

The funeral is tomorrow.

[exhales]

How is Macarena?

[scoffs]

She's popping pills.

Did you find out anything?

Hum.

No.

But...

[sighs]

The decision is made.

[sighs]

Get ready for war.

What war?

We've seized his territory.

We need to wipe him out.

Do you think he'll stop?

Do you think he'll cut it out?

[inhales]

We need to kill Evandro.

[broken voice]
We need to kill him.

[♪ music ends]

[♪ theme music]

[♪ music ends]

He killed my children.
So I went and killed his.

Listen, Geise, I'm not saying
that's not fair.

I'm saying
we need to act smart.

That will complicate things.
We need to find the right moment.

I want them to live without
their children before they die.

[♪ dramatic music]

Will you do that for me?

We need to do justice.

Yes.

But that justice
will ruin our lives.

- [broken voice] What life?
- A life we need to wipe them out.

[In Spanish] I won't take part in it.

Ortega's family started this.

This is our ticket out of this.

I'm not involved.

You know that.

I don't know anything.

PARAGUAY

[man laughs, spits] Hum!

[laughs, inhales]

[in Spanish]
Why do you pee there every day?

Because that's where I buried
that bastard of Neves.

[laughs]

[sighs]

[in Spanish]
Who are you?

Oh, didn't they tell you?

[laughs]

What's this dude saying?

You're out of the gang.

What I'm saying is that the CCP
is Evandro's new partner.

- here in Paraguay.
- [scoffs]

Kill him.

[scoffs, snorts cocaine]

- [laughs, inhales]
- Look at that.

We got them back. [laughs]

- Your daughter is a natural, Morello.
- Inês.

- My name's Inês.
- Inês, Inês.

This half is for you,
and the other for the people

who will protect the community.

Tell me something:
What do you want the guns for?

I'll keep them at home
I collect them.

I have a lot.
My fridge is full.

- Morello, this was a good deal.
- [Alfonso] He's right.

It was a good deal.

Go to hell.
Look, we need some people here...

- Here... and here.
- Uhum.

In these two entrances, we'll deploy
the battalion of the military police,

with the vehicles and all the rest.

[inhales]

Relax. It's going well.

[grunts, sighs]

[member of CCP] Look, Mattos.

Evandro has already negotiated
that territory with other people.

So when you give me the routes,
all the routes,

I promise he'll stop hitting you

- and kill you right away.
- [inhales, spits, pants, grunts]

Hey, guys, tell Marcondes
this will take a long time.

[inhales, exhales, grunts]

- [♪ funk music]
- [background noise]

[whispers] What the hell...

So, Negresco,
how many do you have?

- Four.
- Are you sure?

- Yes, four.
- Okay, then.

What's up, boss?
This will fail, won't it?

I think it'll go wrong,
I have a bad feeling.

We get it from other hills.
The delivery system got busted.

Unless we do something,
we'll run out of coke.

- What's the projection?
- It's here, look.

If we go on like this,
it'll run out at this point.

- What the hell.
- We're screwed.

- Call Doctor Rodolfo.
- The shrink?

- Yes.
- Okay.

- [♪ tense music]
- [Dr. Rodolfo] Hello?

- Good afternoon.
- Good afternoon.

I'm Agent Almada, from the DEA,
I'm on a special mission.

- Can I take a seat?
- No.

[clucks tongue] Okay.

Is this man your patient?

Professional secrecy forbids me
to talk about my patients.

[Almada clucks tongue] I see.

I forgot about that.
[laughs] What was I thinking about?

You know what happens?
Your professional secrecy

can get you in trouble.

Suppose I want to investigate
your life

since you were a teen, for example.

I'm sure I'm going to find
something dirty.

Do you have a warrant?

A warrant?

- You don't?
- No. Not this time.

Then please leave my office.

I don't owe anyone anything.

My past is as clean
as my present

and you have nothing to use
against me.

[inhales] The thing is, we have
many ways to pressure people.

- Because the American government is...
- Listen, I want you,

your government and your
sex-offender president,

to go to hell.

- [takes a deep breath]
- Next time, look for someone

you can pressure,
someone who fears you,

because I don't.

Get out of my office.

Okay.

[exhales]

The best option
might be lidocaine.

But I think it's absurd,
because you have a reputation,

- and the coke...
- Hush!

I didn't ask for your opinion, okay?

- Do you think it'll be harmful?
- It depends on the quantity.

But that happens with snow, too.

- Yes. Lidocaine...
- Shh... Pipe down.

Lidocaine will have the same
anesthetic effect, right?

I don't know. I don't snort.

Do you think they'll be able
to tell the difference?

Well... if you snort, you can tell.

Of course.

It's very simple.
The client's name goes here...

- I see.
- ...and the phone number here.

If they don't pay, cut out the number
and send it to Leão's people, okay?

- Don't worry.
- We're making a pile in Rio da Rocha.

We don't know what to do
with so much money. [laughs]

Well, think of CTA TV.

- [laughs] What about the gas?
- Leão is against it.

- Really?
- Yes.

Do you prefer to keep on
shooting scoundrels

and leave the profits of gas
to the company that distributes it?

Many people only get
the gas once a week.

What about the regulars?
If we distribute the gas,

they'll get it every day.
TV, gas, and alternative transport.

If we're in control,
we'll have enough money

to keep the criminals away
and what's more,

to give our families
a comfortable future.

- Do you have a family?
- Yes, I do.

Is it big?

Which of the two?

- [laughs]
- [laughs]

- Wait.
- Ah?

That's the best way
to avoid...

charging the locals
for our security service.

[Evandro] Good.
Remember what the doctor said.

In each round, you need to put
the fake where the real should be.

Are you ready? Come on.

This is a piece of cake. [laughs]

- Can I?
- Sure.

[snorts cocaine, inhales, coughs]

[snorts cocaine]

This dope is pure, boss.

And if it's not,
I'll cut off my nose.

The second one is pure.

[snorts] Oh... The first one is pure.

- Ah! It's okay...
- The first one is pure,

it's easy to tell.

We compared both.
I don't want to brag.

But the second one,
if you put a little more

of that anesthetic, will be just
like the real thing. Trust me.

- The second one is pure.
- It's the first one. Don't be silly.

Stop. It's enough.
The test is over.

I know what I need to know.

If this bunch of cokeheads didn't know,
normal clients won't know, either.

- Did I get it wrong?
- All of you did.

- What? I didn't realize?
- Shh! Stop it.

The doc will give you the quantities.
Till our coke arrives,

we'll mix the dope
as he says.

Remember to keep it under your hat.
Only you know about it.

And it should stay this way.

- Okay? Go wash your face.
- Really, boss? I mistook them, too?

I told you you did. Go.

- It was the first one, man.
- No way!

- I can tell the difference.
- No, you don't.

- Can I try?
- Keep quiet! The test is over.

- Not even a little?
- No. Go do your job.

Go, go.

[sighs] What the hell.
I'm screwed.

[Morello] Fazenda Veloso is here.
Caneca Pequena is here.

If we take over those areas,
we'll split the gang in two.

That will complicate
their operations.

But you can operate around
around Guanabara Bay.

- That's where the dope comes from.
- Yes...

But if they want to distribute it,
they'll need to go by land.

Are you after the gang or after Evandro?

We need to dismantle the gang.

To weaken Evandro, you need
to dismantle his organization.

To capture Evandro,
we need to get him in trouble.

Yes. And if he blows it,
we'll be there and ready to act.

- How are we going to do that?
- With careful planning.

Let me explain...

Go, go.

[Morello] We need to make a map
of the entrances and the strongholds.

We need to understand how they
organize their people and their time.

- And we need to be fast.
- [shot]

We need to provoke them.
We watch their reaction and leave.

Yes!

That way, they won't have time to call
backup nor know what we're up to.

Then we'll divide the hill and the shifts.

And we'll see how their security
works in each place.

- [dogs barking]
- Go, Go!

We still don't know
how things work here or here.

When we know how each of them works,

we'll organize the raid and wipe them out.

I like your plan, man.
I want to conquer this area.

- We should invade this, too. [laughs]
- [laughs] Calm down, Mineiro.

- We won't go past Rio.
- You're so boring.

[birds singing]

[♪ tense music]

[Ortega's voice]
But they killed my son!

[Lopez's voice]
And you all killed his.

- [Ortega] "You all"?
- [Lopez] Yes, you.

[Lopez]
You and Giacomo. I was against it.

[Ortega] Against it, my ass!

[Ortega]
Do you want to leave the business?

[Lopez] Of course not,
that's a point of no return.

You killed the children.
I don’t kill children.

There were children, there was a baby.
I didn't know and you did.

That's your wife's fault.
Macarena always blows it.

[Ortega] Pay attention, Lopez.

This had to be done.

And I went and did it.

- I did...
- [clicks button]

[in Spanish] I was against doing it.

I can get you what you want...

...but you need to promise...

...you'll keep me out
of this dirty affair.

I understand your reaction.

I'd do the same.

Deliver on time and then
we'll make peace.

[♪ music intensifies]

[Takes a deep breath]

[♪ music ends]

[reporter on TV] ...in the circus world.

The Spanish Royal Circus
is coming to town!

I can't imagine
what you're going through.

- But it can't go on like that.
- Ortega and Lopez broke off their deal.

With your help,
we'll be able to finish them.

I'm not interested in fighting
this war.

I want to get my money.

I don't want to spend anymore.

If you accept, I’ll leave you
75% of our businesses.

You already have the other 25%.

You can do whatever you want with it.

Geise,

I'm here because I respect you a lot.

But I don't want to get involved
in your personal affairs.

I came here to tell you
that from now on,

I'm going to speak directly
with Lopez and Ortega.

- You're missing the opportunity...
- I've made up my mind.

My position in the business is delicate.

They don't want women.
I had to marry an idiot

so he could represent me.

They only put up with me
because I make a lot of money.

And I plan to continue like this.

I'm sorry.

BRAZILIAN-COLOMBIAN BORDER

[♪ rap music]

[♪ music ends]

[background noise]

[♪ tense music]

[motorcycle coming]

- [♪music intensifies]
- [♪ music ends]

[Geise] Listen, Laura,
let me ask you a question.

If I ever needed to
leave the country in a hurry...

to go on holidays, so to speak...

would you help me?

You'd need to be in trouble
to do something like that.

[laughs]

No, I wouldn't do it.

But I can find someone who would,
if you ever wanted to.

[laughs]
I just want to know where you are.

[dogs barking]

- Damn it
- What?

You took so long.

Did I?

I couldn't find any garlic
or onions in the market.

I had to go somewhere else.

I'm very busy.
We'll talk later, okay?

[Alfonso] Wait a moment.
Did you buy them or not?

- What?
- [Alfonso] You didn't?

No, I didn't.

I had to go somewhere else,
and when I was about to get there,

I got an awful stomachache.

What are we going to do?
Do you want me to cook?

No, forget about cooking.
Let's eat out.

We're going to a restaurant.

But you said you wanted to cook.

I don't understand.

I wanted to, but I changed my mind.

What the hell!
I'm not going to cook tonight.

We're going to a restaurant.

- [snorts, licks]
- [Alfonso] Okay.

But let's go now because
I'm starved.

[Inês] Okay. Just a sec.

[snorts a line]

[door opens]

Are you ready?

- [Evandro on the cell phone] Speak out.
- Hello? Hello?

Oh, thank God.

What the hell. This place
isn't for people like me.

The mosquitoes are crazy
because of the dope in my blood.

Cut the nonsense, Wilbert.
The plane arrives tomorrow, right?

It went wrong, boss,
things are difficult here.

But we'll stick to the plan.
We'll arrive tomorrow.

Okay.
I have to go now.

- Call me if you have any news.
- All right, boss.

[Evandro] Bye.

Come on, you all!
We need to keep going.

The rain will go on,
and we're not made of sugar.

Bring me the bag so I can
put this thing away.

[Lopez] That was your wife's fault.
Macarena always blows it!

[Ortega] Listen to me, Lopez.

That had to be done.

So I went and did it.

- Did you make a deal with him?
- I did. And Ortega doesn’t know.

The plane arrives today.

Do you trust him?

I don't trust a soul, Geise.

Laura was here.

I know.

[♪ solemn music]

[sobs, cries]

Take that off.

[cries]

[sighs]

[♪ music ends]

Are you sure you don't want?
You're going to war!

That stuff
gives you a hell of a lot of courage.

[snorts a line]

[coughs]

Are you communists?

[in Spanish] Yes. We fight so
the people will be in power. Equal rights.

So, if you win this war, will
people get things for free?

Something like that.

Oh... and what about the coke?

Are you going to give it for free
to the people who like it?

No, of course not.

Why?
How will they live without it?

That revolution crap will go wrong.

"Revolution crap"? What do you mean?

Listen, comrade,
people like drugs.

If you don't distribute them,
someone will.

And that will screw your plan.
Damn it...

If you want to be a communist,
do it right.

I can teach you how it works
if you want.

[scoffs] Give them dope for free,
and you'll see a revolution.

[♪ tense music]

[Wilbert echo] I want to be a real dad.
Not like the one I had.

And if I have to leave the gang
to do it...

I will.

You said you'd stop
working with Evandro,

and when there's a war
you disappear?

Do you think I can do what I want?

If I leave now,
I risk getting myself shot.

Is that what you want? [echo]

- [♪ music ends]
- What do you mean?

You heard me.

- How much do you want?
- Helena, it's not about the money

He's important to me.

[♪ intriguing music]

- But he's your friend too, right?
- Yes.

He's going to be a father.
This is his chance.

If he runs away with me,
it would be betrayal.

If he runs away with you,
he'd be in hot water.

If he doesn't abandon the gang,
I'll leave him.

Oh...

Wilbert told me
you have a serious problem.

And I had an idea.

I'm an Italian citizen.
I could help you.

[♪ music ends]

[crickets chirp]

[birds sing]

[Wilbert] Hello, Flipper.

If you screw up,
I'll put you in a can of tuna.

Calm down.
I've already done this job.

And I know my trade.

If you keep on saying
that everything is cool,

I'll get hot under the collar.

I'll go with you to Manaus.

I'll leave you with two men,
and I'll keep traveling with the dope.

You can trust me.

I do.

If I didn't,
you wouldn't be alive.

But Sexta-Feira will go with you,
just in case.

If you mess up, he'll kill you
before you can explain.

- Understood?
- Yes... [laughs]

Then you'll meet Pará.
He'll find you a good place.

Do you understand?

You'd better hurry up.

We need to get things ready.

I want one of those over there,
another one here

and another one with me.

Make sure nothing is missing
in those boxes.

These aren't just clothes.
They're haute couture.

They have a lot of added value.

Oh...

Sending those clothes here,
is a way of sending

clean money.
Part of the profits stay in Europe,

and the rest comes to Brazil.
It's a good idea.

You can open a shop
in any country you want.

[♪ intriguing music]

We agree on a sum,
and when we reach it,

you'll let us go.

Give me a pen.

Give me your hand.

Here.

[inhales]

When you reach that number
I'll let him go.

This is a lot of money.

Now you know how valuable
he is for me.

For me, too.

Tell me something.

Do you think he'll want to get out?

That's my problem, don't you think?

[♪ music ends]

[sighs]

[dialing sound]

[ringtone]

[cell phone rings]

[Morello] Tell me, dear.
Did you miss me?

Speak out, Morello.
What do you want?

Are you on duty tonight?
I need a phone and an address.

What for?

Do you want to return
a lost suitcase?

Something like that.
Will you help me or not?

You don't work here anymore.

That's true, but if I return,
you'll be the person who didn't help me.

- [♪ dramatic music]
- What address do you need?

[cell phone rings]

Hello?

- [♪ lively music]
- Hello. I miss you.

[laughs] How did you get this number?

- Are you investigating me?
- No. Should I?

No, quite the opposite,
you're very sensitive,

- and might get scared of me.
- [laughs]

Tell me,
how did you get this number?

- [Morello] It's in the phone book.
- I'm not in it.

I have the entire list
at the office.

You are resourceful.

I'd like to know if you could
give some of that ice.

No, I can't make it today.

Really? That's too bad.

But we could meet tomorrow.
What do you think? We could have dinner.

So, are you going to cook?

No, but I know a great takeaway.

[laughs] All right.

- Call me later.
- I will.

I need to go know
because I'm running late.

I'll call you tomorrow
and we'll arrange the details.

Bye, dear.

[♪ dramatic music]

[an engine starts]

Stop. Stop that crap!

Next time you light
a damned cigar,

I'll make you eat it.
Do you understand?

Damn it...

Good. That's right.

Let's go know. I want to put
my money in a safe place, Burgos.

- We can use a good Swiss bank.
- Yes, one that is out of their radar.

- I've been robbed more than once.
- But that wasn't the bank’s fault.

I don't want an account
they can block.

I want my money in gold.

- In gold?
- In gold. And in a safe place.

Very safe.

Well...

I guess... that's possible.

There are some security boxes
that are very safe.

Americans have the safest boxes
in the world.

We can send everything
to the United States.

- That's the safest place in the world.
- Yes.

[engine stops]

- [car engine accelerates]
- What's that? What the hell is that?

- Don't move and come with me.
- Let me go! Let me go! Let me go, damn it.

- Shut up! Do you want to die?
- [♪ tense music]

- [dogs barking]
- [grunts]

[engine accelerates]

- [♪ music ends]
- Hey, boss, what's up?

I brought you a surprise.
I think you'll like it. [laughs]

- [Foguinho] Come on, boss. Hurry. [laughs]
- Calm down.

[whispers] Damn it...

Hey.

What the hell is that, kid?
Are you crazy?

[♪ tense music]
[pants]

- Where was she, man?
- She was near Rio de Rocha.

She went to buy some coke,
and our friends recognized her.

- Where is your boyfriend?
- [heavy breathing]

A fish is caught by its mouth,
but we caught you by the nose.

Leave her there.

[♪ music ends]

The guy saw how they dragged her
into a car

that ran off at maximum speed.

- What was she doing there?
- She said she was going shopping.

[sighs]

[♪ tense music]

- Is she snorting again?
- Not in my presence.

[objects falling]

Are you lying to me?

[♪ music intensifies]

[grunts]

[inhales]

[exhales]

[whispers] Damn it.

[sighs]

[sighs] They found her.

[noise of keys]

[cell phone rings]

- Hello?
- I'll call...

Hush, hush, hush!
[heavy breathing]

When?

- Okay, but what did they talk about?
- What happened?

Where?

Oh.

I know. I know where it is.

I know where it is!

Tell me something,
did they track the call?

I see.
I'll be right there.

- Let's go.
- Let's go.

[♪ music ends]

Damn it.
[exhales]

Speak out.
Tell me. Who died?

- What do you mean?
- To justify the fact

that you called me
to make me come up this hill,

it has to be something
like the Third World War.

- Who's dying?
- That's what I want to know.

Did you kill that girl,
or is she still alive?

What's wrong with you, Marcelinha?
Who are you know?

A sister of mercy?

[♪ funny music]

Why do you want to know?

- That's Evandro's business.
- She helped me a lot.

- I owe her.
- You need to shut the hell up.

Forget you ever saw
that bitch in your life.

Because next time you make me
go up this hell of a hill

to talk about something that
has nothing to do with you,

you'll go back to your old job
in Gordon’s bar,

- damn it!
- But Gordon’s bar

- doesn’t exist anymore.
- Too bad! Then I'll shoot your leg

and you can go get a job
in the freak show

- comes to town every year!
- But that show also...

Shut up, damn it!
You screwed up, girl.

- Do you want to keep arguing?
- You're stressed out.

You can't go on like this.

[♪ music ends]

[rain]

[sighs]

[inhales]

[swallows]

[car decelerating]

[♪ tense music]

- So?
- I didn't see anyone.

- But I couldn't get close.
- [sniffs]

This looks like a damned trap.

Let's separate.
[grunts]

We have to walk cross-country,
and those rats drive along the road.

[pants]

Do you want to report it?

They called the military police.

The call came from an informant
in Dendê.

This is very weird.
We should ask for backup.

We can't do that.
They're looking for her.

- Are you scared? Stay in the car.
- [sighs]

- Come on, go. Go.
- GO.

Those rats drive along the road.
Come on.

- [♪ tense music goes on]
- [pants]

[heavy breathing]

- [Sandra] Go, go, go, go!
- [heavy breathing]

[Sandra] Go, damn it!
You need to capture him.

Come on, Santos!
Go, Santos, catch him. Catch him!

Damn it, Santos! What the hell!
You need to catch him now!

- [Pants]
- Damn it, Santos. What the hell.

Catch him. For Christ’s sake,
you need to catch him.

- Go! This is for you, Santos...
- [pants]

[Sandra] Damn it!
You need to capture him.

Santos...

Santos, I miss you. I miss you, Santos.

[pants]

[heavy breathing]

[noise at a distance]

[whispers] Are you crazy?
Put it down!

[whispers] Go, go.

The engine is cold.
The car has been here for a while.

Come on, open it.

[bip of unlocking door]

[pants]

[sigh of relief]

[sigh of relief]

[sigh of relief]

[heavy breathing]

Go.

[low grunt]

- Dad...
- [Morello] You're safe now.

She's... [heavy breathing]

[♪ lively music]

[Wilbert] Bring that,
Pega-Bife.

Hey everybody,
we need to be careful,

because we need to put
the same quantity in all of them.

It's five kilos per barrel.

Each of those packets has a kilo.

So we need to take them,
and put them in the empty ones.

Come on, kids,
hurry up finish the job,

I want to sleep in a bed tonight.

Why aren't you working?
Come here!

Come on, do as I said.

You need to leave it clean.

[snorts a line]
Damn it! [laughs]

- [snorts a line]
- That's it, kids.

Now we'll work faster.
Come, Pega-Bife! Come!

[♪ music goes on]

[grunts]

[♪ lively music]

Careful, it's heavy.

[♪ lively music]

[grunts] Get out. Go, go.

Hurry up.

[♪ reggae music]

- Leave everything there.
- [grunts]

[♪ axé music]

Come on, kids.
You need to hurry up

[♪ lively music]

[♪ samba music]

Pay attention, you idiots!
I won't say it twice.

You have to take each packet
out of the barrel and clean it well.

And then separate them for distribution.

We need to send the açaí
to the shops today.

You'd better hurry up, damn it!
They're waiting for us.

Can you hear me, Jimmy Cliff?
Move your ass, you slug.

Get those packets now
and do it quick.

Hurry up, or I'll kick your ass!

- [♪ tense music]
- [grunts, pants]

[Gilmar] That stuff over there
will go to the Royal by ship, okay?

Listen! We need to do this right.

I don't fell well today
and I can't wait to go home.

So if you screw up,
you're toast.

I'll beat you to a pulp.

- [heavy breathing]
- Why are you looking at me,

damn it?
Hurry up, everyone.

- You need to clean them well.
- [pants]

- [♪ lively music]
- Hey, kid.

[♪ music ends]

Look, there's his nose, his mouth...
and his heart.

Let's see if we can hear it.

- [heartbeat]
- Look!

That's his heart.

- [♪ soft music]
- His heart?

- Yes. [laughs]
- Is it a boy?

Yes.

Is it a boy? Thank God!

[kiss] I missed you.
I missed you so much!

Look! You have a big belly.
Is it a boy? Are you sure?

- [laughs] Yes.
- What the hell. It's a boy!

- I knew it!
- [laughs]

Is that his heart?

It's beating fast,
is it ok?

- Are you high?
- No! [laughs]

[kiss] It's good you came.

What about the rest, Doc?
The important part? Is it big?

[laughs] Will! [laughs]

Well done, kids.
We did it. And Tubarão didn't.

- No.
- Leave it to me.

That scumbag will have to
face the music.

- Have you seen Tubarão around?
- No, boss.

[♪ slow music]

Foguinho!

Have you seen that bastard
of Tubarão around?

I saw him leave.
He was carrying a guitar.

He must be crazy,
he said he wanted to serenade a girl.

I don't understand what that
jerk is saying.

- He sounds like Djavan, man.
- Djavan, my ass.

See what I do with him.
[sniffs]

- [cell phone rings]
- Damn it.

Hey, everybody,
keep quiet.

- It's an international call.
- Okay, boss.

My daughter?

Who? Who's that Bill?
I don't know that guy, damn it!

Oh, hell. Damn it, Bill!
I thought it was a joke!

What happened?
Who's that Bill?

Bill Gates, damn it! Speak slowly.

You're talking a lot,
and I don't understand a thing!

Make sure you're sober
before you call me, damn it!

[Evandro] iLook,/ibr/I'm leaving for Paraguay./i

You'll stay here, and I'll go
reopen the routes with the CCP.

Calm down, my love.
I have nothing to do here.

[♪ solemn music]

Why would I stay
in an empty house,

that's full of memories?

The CCP will earn Ortega's trust.

We're setting him a trap so he thinks
we lost Paraguay to the CCP.

And when he least expects it,
he'll be finished.

Uhum. What about his wife?

Without him,
she has nowhere to go.

How long should I wait?

What are you talking about?

- They killed the children.
- And they'll pay for it.

I can't lose you.

- [scoffs]
- You're all I have, Geise.

Do right by them soon.

Because if you don't,
you'll lose me, too.

[♪ tense music]

[kiss]

I love you.

I love you.

[sighs]

[♪ music ends]

NATIONAL FORENSIC LABORATORY
GOVERNMENT OF PARAGUAY

[♪ sad music]

[grunts] Hurry up.

You get it in the truck,
I have a bad knee.

[grunts]

Hurry up,
we have three more corpses to go.

What's up, Fantoinha?

Get me some coke, I'm worn out.
But it went well.

[laughs]

What are you doing here, Tubarão?
What a nerve!

- Are you crazy, you bastard?
- I guess I am. [laughs]

Get the hell out of here.
If Gilmar finds you, you're dead.

Calm down, man.
I brought you a present.

To hell with your present.
I don't want it.

- I want you to get out.
- Calm down, man.

- Gilmar forgave me. [laughs]
- What?

Look...
I brought you Juliet.

- Look at her.
- What the hell, Tubarão!

How did you find it?
I can't believe it!

- Damn it! Damn it! Damn it!
- [gunshots]

- What the hell! [laughs]
- The safety lock was off.

Let's go out!

Let's go for a ride,
I want to shoot my gun!

- You've already done that.
- I want to do it again.

- Let's go.
- Can I smoke my joint?

You can smoke
as many as you want!

Come on,
get high as a kite, man!

We need to put them here.
Hurry up, we don't have much time!

This is taking too long.

Look, this one is hard as iron.

- Don't you think they'll suspect?
- To hell with that.

We bribed everyone.
Leave that scumbag there.

The police arrive at 9,
and the pics for the press will be at 11.

Trust me, that rat will be
soft by then.

[cell phone rings]

[henchman in Spanish]
Sir.

It's for you.

What's up, boss? It's Wilbert.

- [Evandro] Speak out, Wilbert.
- It's about Mrs. Geise.

- [♪ tense music]
- What happened?

She disappeared.

When did she disappear?

When you went away.

She vanished into the air.
Nobody saw anything.

What the hell...

Your security box was open.

She took the money, the gun,
and only left her cell phone.

What the hell. Damn it!
Get my car!

[reporter in Spanish]
The victims were members of a gang

that sells cocaine in Rio de Janeiro

and is popularly known as Comando.

Our sources believe that another
faction in São Paulo gave a heist,

and took control
of the Paraguayan borders.

I need to talk to those people.

We guarantee the transport.

But living the Comando out of this
is costing us a lot of money.

That's no problem, I'll lower the price.

Evandro's enemies are my friends.

Take the coke to the border,
and we'll take it to Paraguay.

We'll take it from there.

Good. And what's the destination?

Our clients' nose.

Do you want to compete with me?

What an idiot.

He hung up.

[♪ soft dramatic music]

[♪ music ends]

[in Spanish] Wait for me here.

I need you to wash my hair.
Hurry up, I don't have much time.

- [receptionist 1] Yes, of course.
- [receptionist 2] Welcome.

Tell him to stop playing,
I hate bad music.

Mrs. Macarena wants you to stop playing!

[♪ classical music]

[grunts]

[exhales]

[in Spanish]
I wanted to look straight in the eyes

before sending you to hell.

[heavy breathing]

[trigger sound, no shot]

[trigger sound, no shot]

[heavy breathing]

[inhales]

[screams]

[screams]

- [screams]
- [heavy breathing]

[trigger sound, no shot]

What's going on?

[grunts]

- [screams, pants]
- [sobs]

What's going on, ma'am?

[screams, pants]

- [♪ classical music goes on]
- [receptionist] What's going on?

- [sniffs]
- [pants]

Please open the door!

[screams]

- [grunts, screams]
- [shattered glass]

Please, ma'am!

- [grunts, screams, cries]
- [grunts]

What’s going on?

- [grunts]
- [grunts]

- [grunts, shoots]
- We need to open the door!

[grunts]

What the hell is going on there?

[grunts]

- [pants, coughs]
- [heavy breathing]

What the hell is happening there?

[grunts]
[grunts]

Get away from the door!

- [screams]
- [screams]

[grunts]

Come on, let's go to the other door!

[cries, screams, cries]

[♪ classical music intensifies]

[cries]

[Macarena cries]

[screams]

[screams]

[grunts several times]

[screams, grunts]

[spits]

[♪ music ends]

[♪ closing music]

[♪ music ends]